SUMMERS, KAREN CRADY, Ph.D. Reading Incest - The University ...

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ACKNOWLEDGEMENTS I would like to thank my committee members—Dr. Denise N. Baker, Dr. Michelle M. Dowd and Dr. Jennifer Keith—for their patience, their insight, and their support throughout this process. <strong>The</strong>y have shown me what it really means to profess literature: diligence and professionalism, hard work and collegiality, and the joy of discovery. I will forever be inspired. Thanks especially to Dr. Baker for holding up the lantern at the end of the tunnel and illuminating the path at times when I needed it most. I am very grateful. Thank you to Kim Reigle, Temeka Carter, and Tamara Benson, my classmates and friends, for their inspiration and belief in me; parts of this work were formulated during our lunch meetings. iv
TABLE OF CONTENTS Page CHAPTER I. READING INCEST: BACKGROUND AND INTRODUCTION……………...…..…...….…...…1 II. III. IV. ‘SWICHE UNKYNDE ABHOMINACIOUNS’: MEDIEVAL INCEST………………………………….……………...…....14 ‘INCEST IS IN ME’: INCEST AND EARLY MODERN DRAMA …………………………….82 ‘THEIR DARKEST AND MOST THREATENING FORM’: INCEST AND THE GOTHIC……………….………....…...……..…….. 119 V. CONCLUSION.……………..…………………….…………………..........148 BIBLIOGRAPHY...………………………………………………….…………………153 v
Page 1 and 2: SUMMERS, KAREN CRADY, Ph.D. Reading
Page 3 and 4: READING INCEST: TYRANNY, SUBVERSION
Page 5: APPROVAL PAGE This dissertation has
Page 9 and 10: 2 of it, despite its familiarity to
Page 11 and 12: 4 about incest was influenced by th
Page 13 and 14: 6 clarification. Pope Gregory II ad
Page 15 and 16: 8 sibling, and mother-son. 2 She no
Page 17 and 18: 10 is viewed by both. Incest in eig
Page 19 and 20: 12 subverts both the social and the
Page 21 and 22: 14 CHAPTER II ‘SWICHE UNKYNDE ABH
Page 23 and 24: 16 a book to each of the seven dead
Page 25 and 26: 18 Richard” (111). The dedication
Page 27 and 28: 20 an idea familiar to Gower’s me
Page 29 and 30: 22 laboring-folk and Piers, in retu
Page 31 and 32: 24 introduction of Amans, the unsuc
Page 33 and 34: 26 learns. Augustine takes up the i
Page 35 and 36: 28 of the king, whose primary duty
Page 37 and 38: 30 bribed two priests to convince P
Page 39 and 40: 32 story of incest implied, averted
Page 41 and 42: 34 Again, her response impassions h
Page 43 and 44: 36 in the most extreme sense. When
Page 45 and 46: 38 in the first book, and relates t
Page 47 and 48: 40 benign, sympathetic interpretati
Page 49 and 50: 42 and Machaire, and at the same ti
Page 51 and 52: 44 To finish the turn in the narrat
Page 53 and 54: 46 oghne prest” (V.1382-3). Geniu
Page 55 and 56: 48 incestuous. When she vows to tel
Page 57 and 58:
50 epilogue that acts as a prayer f
Page 59 and 60:
52 Of wommen were absent as thanne;
Page 61 and 62:
54 speak at length and discover the
Page 63 and 64:
56 Biblical incest, mostly unjudged
Page 65 and 66:
58 of a king and the function of la
Page 67 and 68:
60 country. But the incest—the wo
Page 69 and 70:
62 As chivalry is a controlling the
Page 71 and 72:
64 conflicting demands of love and
Page 73 and 74:
66 material for adaptation or trans
Page 75 and 76:
68 four sons, Gawain, Gaheris, Agra
Page 77 and 78:
70 can not be ameliorated, at least
Page 79 and 80:
72 killed save Mordred, who was fou
Page 81 and 82:
74 surrogate son-knights. Cherewatu
Page 83 and 84:
76 Lo ye all Englysshemen, se ye ha
Page 85 and 86:
78 demonstrated to all present on t
Page 87 and 88:
80 corruption that plagues the Pend
Page 89 and 90:
82 CHAPTER III ‘INCEST IS IN ME
Page 91 and 92:
84 wished to rid himself of Anne Bo
Page 93 and 94:
86 societal forces. The plays focus
Page 95 and 96:
88 in the family and on a national
Page 97 and 98:
90 reputation shifted such that vie
Page 99 and 100:
92 comes not from an instinctive ap
Page 101 and 102:
94 virtue, resists and is made whol
Page 103 and 104:
96 willingness to sacrifice the liv
Page 105 and 106:
98 Rejection of God and divine orde
Page 107 and 108:
100 is as an “ungodly sickness”
Page 109 and 110:
102 exercise her own agency. Though
Page 111 and 112:
104 potential problem of having a f
Page 113 and 114:
106 The plots of these three plays
Page 115 and 116:
108 play, the Duchess will have bee
Page 117 and 118:
110 As we have seen, the Duchess us
Page 119 and 120:
112 BOSOLA. It seems you would crea
Page 121 and 122:
114 But as Ferdinand’s outrages i
Page 123 and 124:
116 knife as phallus. Eros (Cupid)
Page 125 and 126:
118 posed by his slide into unreaso
Page 127 and 128:
120 and, as Kenneth Graham notes, i
Page 129 and 130:
122 Castle of Otranto displays the
Page 131 and 132:
124 Theodore is killed a group of k
Page 133 and 134:
126 memory, and regard your highnes
Page 135 and 136:
128 first Gothic playwright, publis
Page 137 and 138:
130 the castle is there primarily t
Page 139 and 140:
132 strength, and the men enter the
Page 141 and 142:
134 God bless me; and pass’d on.
Page 143 and 144:
136 familiar. It is more usual for
Page 145 and 146:
138 sensation of horror in the audi
Page 147 and 148:
140 foil to the Countess, with her
Page 149 and 150:
142 And when he knelt, weeping, to
Page 151 and 152:
144 Castle of Otranto, the knife is
Page 153 and 154:
146 and political realities during
Page 155 and 156:
149 destruction and disaster. One o
Page 157 and 158:
151 subvert both patriarchy and mon
Page 159 and 160:
153 BIBLIOGRAPHY Aers, David,ed. Me
Page 161 and 162:
155 Classen, Albrecht, ed. Violence
Page 163 and 164:
157 Ford, Jane M. Patriarchy and In
Page 165 and 166:
159 Lenz, Joseph. The Promised End:
Page 167 and 168:
161 Riddy, Felicity. Sir Thomas Mal
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