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Ðåãóëÿòîð [4] Portamnt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[000…127] Ýôôåêò ïîðòàìåíòî îáåñïå÷èâàåò ïëàâíîå ñêîëüæåíèå ïî âûñîòå îò îäíîé íîòû ê äðóãîé. Çíà÷åíèå ïàðàìåòðà óïðàâëÿåò ñêîðîñòüþ ýôôåêòà (âðåìåíåì ñêîëüæåíèÿ îò îäíîé íîòû ê äðóãîé). Çíà÷åíèå 000 ñîîòâåòñòâóåò îòêëþ÷åííîìó ýôôåêòó ïîðòàìåíòî. Страница 4. PITCH-B Íà ñòðàíèöå ðàñïîëîæåíû ïàðàìåòðû, îïðåäåëÿþùèå õàðàêòåð âîçäåéñòâèÿ íà çâóê êîëåñ [PITCH] è [MOD]. Ðåãóëÿòîð [1] BndRange . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[–12…+12] Äèàïàçîí (â ïîëóòîíàõ) óïðàâëåíèÿ âûñîòîé çâó÷àíèÿ ïðè ïîìîùè êîëåñà [PTCH]. Ðåãóëÿòîð [2] Vib Int . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[–2400…+2400] Ãëóáèíà âèáðàòî ïðè âûêðó÷åííîì äî îòêàçà îò ñåáÿ êîëåñå [MOD]. Ïî óìîë÷àíèþ èñòî÷íèêîì ìîäóëÿöèè äëÿ êîëåñà [MOD] ÿâëÿåòñÿ ãåíåðàòîð LFO2. Страница 5. OSC1 Ãåíåðàòîð ñîçäàåò âîëíó, êîòîðàÿ ÿâëÿåòñÿ îñíîâîé çâó÷àíèÿ. Êàæäûé òåìáð îáîðóäîâàí äâóìÿ ãåíåðàòîðàìè. Ïàðàìåòðû ýòîé ñòðàíèöû îòíîñÿòñÿ ê ãåíåðàòîðó 1. Ðåãóëÿòîð [1] îïðåäåëÿåò ôîðìó âîëíû, ðåãóëÿòîð [2] – òèï ìîäóëÿöèè ãåíåðàòîðà. Ôóíêöèè ðåãóëÿòîðîâ [3] è [4] îïðåäåëÿþòñÿ çíà÷åíèÿìè ðåãóëÿòîðîâ [1] è [2] (ñì. ñòð. 29–32). Ðåãóëÿòîð [1] WAVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[Saw, Pulse, Triangle, Sine, Formant, Noise, Audio In] Âûáîð âîëíîâîé ôîðìû äëÿ ãåíåðàòîðà 1. Çíà÷åíèÿ Saw, Pulse, Triangle è Sine ñîîòâåòñòâóþò òðàäèöèîííûì àíàëîãîâûì âîëíîâûì ôîðìàì. Saw: Ïèëîîáðàçíàÿ âîëíà. Pulse: Ïðÿìîóãîëüíàÿ âîëíà. Triangle: Òðåóãîëüíàÿ âîëíà. 28 Korg R3. Ðóêîâîäñòâî ïîëüçîâàòåëÿ
Sine: Ñèíóñîèäàëüíàÿ âîëíà. Formant: Ôîðìàíòà, â êîòîðîé çàôèêñèðîâàíû õàðàêòåðèñòèêè ÷åëîâå÷åñêîãî ãîëîñà. Noise: Ãåíåðàòîð øóìà. DWGS: Âîëíîâàÿ ôîðìà DWGS (Digital Waveform Generation System). Ýòè âîëíû ñîçäàþòñÿ ïðè ïîìîùè àääèòèâíîãî ñèíòåçà. Âñåãî äîñòóïíî 64 ôîðìû DWGS. Audio In: Â êà÷åñòâå ãåíåðàòîðà èñïîëüçóåòñÿ çâóê ñ àóäèîâõîäà. Ïàðàìåòðû ñòðàíèöû PITCH íå âëèÿþò íà ñèãíàë, ïîëó÷àåìûé ñ àóäèîâõîäîâ [AUDIO INPUT 1] èëè [AUDIO INPUT 2]. Ðåãóëÿòîð [2] OSC1 Mod . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[Waveform, Cross, Unison, VPM] Âûáîð òèïà ìîäóëÿöèè äëÿ ãåíåðàòîðà 1. ðèñ 5-1: Êðîññ-ìîäóëÿöèÿ Êîëè÷åñòâî äîñòóïíûõ ãîëîñîâ ìîæåò âàðüèðîâàòüñÿ â çàâèñèìîñòè îò ñî÷åòàíèÿ ïàðàìåòðîâ “Wave” è “OSC1 Mod”. Waveform: Ðåãóëÿòîð “Control 1” óïðàâëÿåò ôîðìîé âîëíû. Ñëåäóþùèå ïàðàìåòðû (Cross, Unison, VPM) äîñòóïíû òîëüêî â òîì ñëó÷àå, åñëè äëÿ ïàðàìåòðà “Wave” âûáðàíî çíà÷åíèå Saw, Pulse, Tri èëè Sin; äëÿ çíà÷åíèé Formant, Noise, DWGS è Audio In îíè íåäîñòóïíû. Cross: Êðîññ-ìîäóëÿöèÿ èñïîëüçóåò âîëíó ãåíåðàòîðà 2 äëÿ ìîäóëÿöèè ÷àñòîòû ãåíåðàòîðà 1 ñ âûñîêîé ñêîðîñòüþ. Âîëíà, îïðåäåëåííàÿ ïàðàìåòðîì “Wave” áóäåò íåñóùåé (ðèñ 5–1). Unison: Óíèñîí-ìîäóëÿöèÿ èìèòèðóåò íàëîæåíèå ïÿòè ãåíåðàòîðîâ äðóã íà äðóãà äëÿ ñîçäàíèÿ áîëåå áîãàòîãî çâóêà. Â îòëè÷èå îò ïàðàìåòðà SW ñòðàíèöû 2. Unison, äàííûé ïàðàìåòð íå ñíèæàåò ïîëèôîíèþ èíñòðóìåíòà. VPM (Variable Phase Modulation): VPM ïðîèçâîäèò îáåðòîíû ìåòàëëè÷åñêîãî îòòåíêà, èñïîëüçóÿ ñèíóñîèäàëüíóþ âîëíó ãàðìîíè÷åñêîé ÷àñòîòû äëÿ ìîäóëÿöèè ôàçû ãåíåðàòîðà 1. Â îòëè÷èå îò êðîññ-ìîäóëÿöèè, âîëíîâûå ôîðìû VPM çâó÷àò ñòàòè÷íî. Ãåíåðàòîð 1 ðàáîòàåò ñ ñîáñòâåííûì ãåíåðàòîðîì ñèíóñîèäàëüíûõ âîëí, è, â îòëè÷èå îò êðîññ-ìîäóëÿöèè, ãåíåðàòîð 2 íà VPM íå îêàçûâàåò íèêàêîãî âîçäåéñòâèÿ. ðèñ 5-2: Óíèñîí-ìîäóëÿöèÿ Ðåãóëÿòîð [3] OSC1Ctrl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[000…127/–63…+63/—-] Ôóíêöèÿ, íàçíà÷åííàÿ íà ýòîò ðåãóëÿòîð, îïðåäåëÿåòñÿ çíà÷åíèÿìè ïàðàìåòðîâ “Wave” è “OSC Mod” (ñì. äàëåå). Ïðè îïðåäåëåííûõ êîìáèíàöèÿõ çíà÷åíèé äàííûé ðåãóëÿòîð ïðîèçâîäèò øóì. Korg R3. Ðóêîâîäñòâî ïîëüçîâàòåëÿ 29
Page 1 and 2: KORG R3 Ðóêîâîäñòâî ïî
Page 3 and 4: Î ñîõðàííîñòè äàíí
Page 5 and 6: Структура программ
Page 7 and 8: Вокодер Âîêîäåð ïð
Page 9 and 10: 1. Ðàçúåì AUDIO INPUT1 [MIC]
Page 11 and 12: Тыльная панель 5 6 8 2
Page 13 and 14: Ïðåæäå ÷åì ïðèñòóï
Page 15 and 16: Быстрый старт Демо
Page 17 and 18: Èñïîëüçîâàíèå êëàâ
Page 19 and 20: Модуляционные посл
Page 21 and 22: Ñîõðàíåíèå Â äàííî
Page 23 and 24: Ïðîñëóøèâàíèå îäíî
Page 25 and 26: Параметры тембров
Page 27: Ðåãóëÿòîð [3] Spread . . .
Page 31 and 32: Ðåãóëÿòîð [1] Wave: Forman
Page 33 and 34: Ïåðåä êîììóòàöèåé
Page 35 and 36: Ðåãóëÿòîð [3] OSC2Semi . .
Page 37 and 38: Ðåãóëÿòîð [2] Reso1 . . .
Page 39 and 40: Êëàâèàòóðíûé òðåêè
Page 41 and 42: Ðåãóëÿòîð [3] Key Trk . .
Page 43 and 44: ðèñ 14-1: Îãèáàþùàÿ EG1
Page 45 and 46: Страница 16. EG3 Íà äà
Page 47 and 48: Ðåãóëÿòîð [2] Key Sync . .
Page 49 and 50: NoiseLvl: Ïàðàìåòð “Noise
Page 51 and 52: Ðåãóëÿòîð [4] Resolutn . .
Page 53 and 54: Ðåãóëÿòîð [4] HiEQGain . .
Page 55 and 56: Ðåãóëÿòîð [4] Value Çäå
Page 57 and 58: Страница 33. ARPEGGIATOR-B
Page 59 and 60: Ðåãóëÿòîð [2] Input2Lv . .
Page 61 and 62: Ðåãóëÿòîð [3] HPF Gate . .
Page 63 and 64: Страница 38. FILTER/AMP Í
Page 65 and 66: Ðåãóëÿòîð [2] Transpos . .
Page 67 and 68: Подключение MIDI-уст
Page 69 and 70: Ïàðàìåòð “POSITION” Ã
Page 71 and 72: Ðåãóëÿòîð [3] Routing . .
Page 73 and 74: Страница 44. MIDI CC# MAP
Page 75 and 76: Ðåãóëÿòîð [2] A.SwFunc . .
Page 77 and 78: Сохранение формант
Page 79 and 80:
Дамп данных 6-1. Дамп
Page 81 and 82:
Калибровка педали 1
Page 83 and 84:
Áàíê/íîìåð Íàçâàíè
Page 85 and 86:
Áàíê/íîìåð Íàçâàíè
Page 87 and 88:
Íåâîçìîæíî ïðîèçâå
Page 89 and 90:
[AUDIO INPUT 2] Ðàçúåì: 6.3
Page 91 and 92:
Ðåäàêòèðîâàíèå . . .
Page 93:
Ïàðàìåòðû “CONTROL CHANG
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