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Sound formats<br />

Channel names and their abbreviations:<br />

FR front right (main)<br />

FL front left (main)<br />

C centre (centre speaker at the front)<br />

S surround (rear effect speaker)<br />

SR surround right (rear effect speaker at right)<br />

SL surround left (rear effect speaker at left)<br />

SB surround back (rear effect speaker at centre)<br />

SUB subwoofer (LFE, low bass speaker)<br />

PCM<br />

– Uncompressed sound format, used on<br />

CDs and many music DVDs.<br />

– Only two channels because it takes up<br />

a lot of storage space.<br />

– On some high-end music DVDs, the<br />

additional storage capacity is used to<br />

produce PCM sound at a higher resolution<br />

(24 bit) and sampling frequency<br />

(96 kHz).<br />

dolby Surround Pro Logic<br />

– Analogue multi-channel system, in<br />

widespread use since the 1980s. Is decoded<br />

from the two stereo channels.<br />

– 4 channels: FL, FR, C, S.<br />

– Drawbacks: surround channels are only<br />

mono and have a reduced frequency<br />

response (100 – 7,000 Hz).<br />

dolby Surround Pro Logic II<br />

– More modern format which generates 5<br />

channels from conventionally encoded<br />

stereo surround channels. Considerable<br />

improvement over Pro Logic because<br />

two separate surround channels<br />

are generated with full frequency response<br />

up to 20 kHz.<br />

– Various setting options make it easier to<br />

adapt the sound to current room conditions<br />

and the source, e.g. balance setting<br />

between front and surround channels<br />

and individual setting of the function<br />

of the centre speaker (either as a<br />

pure centre speaker or shared mode<br />

between the main speakers and the<br />

centre or even in phantom mode using<br />

only the front speakers).<br />

dolby digital<br />

– Digital encoding system with up to 6<br />

separate channels (from 1.0 (mono),<br />

and 2.0 (stereo) to 5.1: FR, FL, C, SR,<br />

SL, SUB). Previously called AC-3. The<br />

subwoofer channel is also referred to as<br />

the LFE (low frequency effect) channel<br />

and transmits approx. 20 – 120 Hz. All<br />

other channels transmit the full range<br />

of audible frequencies from 20 - 20,000<br />

Hz.<br />

– Data are compressed (around factor<br />

8).<br />

– Most widespread multi-channel standard<br />

because it is the prescribed stand-<br />

ard worldwide for DVDs. Apart from<br />

DVDs, this format is also used for digital<br />

TV.<br />

dolby digital ex<br />

– Further development of Dolby Digital.<br />

A system of matrix decoding generates<br />

an additional rear centre channel (surround<br />

back) from the surround channels<br />

(5.1 becomes 6.1). It is supposed<br />

to enable the sound sources to be better<br />

located.<br />

dTS (digital Theatre System)<br />

– Digital multi-channel system for 5.1<br />

channels such as Dolby Digital but with<br />

a higher resolution and less compression.<br />

– Theoretically will produce better sound<br />

than Dolby Digital.<br />

dTS-eS Matrix<br />

– Expansion of the DTS system by adding<br />

a surround back channel which is<br />

generated from the SL and SR channels<br />

(6.1), as with the Dolby Digital EX<br />

system.<br />

dTS-eS discrete<br />

– In this case, the SB channel is stored on<br />

the DVD as a genuine additional channel.<br />

– To improve the sound distribution, surround<br />

centre channels often use two<br />

surround back loudspeakers (SBL,<br />

SBR).<br />

dTS neo:6<br />

– The DTS Matrix processor is used here<br />

to generate 5.1 or even 6.1 channels<br />

from any stereo recording (similar to<br />

Dolby Surround Pro Logic II). There are<br />

two modes available: cinema for surround-encoded<br />

stereo film sound and<br />

music for stereo music recordings.<br />

MPeG Audio<br />

– Another encoding system for 5.1<br />

sound. This was originally considered<br />

as a standard for European DVD players.<br />

The system did not make an impression<br />

on the market and is of no<br />

importance today.<br />

– It should not be confused with MPEG<br />

2 which is a worldwide standard for<br />

encoding images on DVDs.<br />

THx<br />

– This is not a sound format but a series<br />

of standards and technologies established<br />

by Lucasfilm Ltd. Appliances and<br />

systems certified to the THX standard<br />

have to meet specific quality and performance<br />

standards.<br />

– There are two classes: THX Select and<br />

THX Ultra, where Select is the slightly<br />

„slimmer“ version for normal living-<br />

room conditions while Ultra is an uncompromising<br />

full version. There is also<br />

THX Ultra 2 which takes into account<br />

the arrangement and control of the surround<br />

back channels.<br />

dVd Audio<br />

– A standard which combines multichannel<br />

technology and high resolutions.<br />

– As many as 6 channels at 24 bit / 96<br />

kHz or two at 192 kHz can be used.<br />

– Loss-free compression of data.<br />

– DVD audio does not run on DVD video<br />

players unless there is also an additional<br />

Dolby Digital soundtrack encoded on<br />

the disk. DVD audio players are however<br />

also full-featured DVD video players.<br />

SACd (Super Audio Cd)<br />

– This is the second standard for multichannel<br />

technology with a high resolution.<br />

– Also as many as 6 channels at 24 bit /<br />

96 kHz or two at 192 kHz are used in<br />

conjunction with loss-free compression.<br />

– Only playable on special SACD players.<br />

There are, however, hybrid disks<br />

which include a second layer with a CD<br />

compatible track which can be played<br />

on normal CD players (at the normal<br />

resolution and in stereo, of course).<br />

42 Surround Sound VISATON ®

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