Tanz der Stunden - Demopartitur (BO-019)

Amilcare Ponchielli
(1834-1886)
Tanz der Stunden
(Danza delle ore / Dance of the hours)
aus/from »La Gioconda«
Transkription für Symphonisches Blasorchester von
Transcription for Symphonic Band by
Stephan Ametsbichler
FULL SCORE / PARTITUR
SET OF PARTS / STIMMENVERZEICHNIS
(1) Piccolo
(2) Flute I
(2) Flute II
(2) Flute III
(2) Oboe I / II
(1) E Clarinet
(4) B Solo Clarinet / B Clarinet I
(3) B Clarinet II
(3) B Clarinet III
(1) E Alto Clarinet
(1) B Bass Clarinet
(1) E Alto Saxophone I
(1) E Alto Saxophone II
(1) B Tenor Saxophone
(1) E Baritone Saxophone
(2) Bassoon I / II
(2) B Cornet (Flügelhorn) I
(2) B Cornet (Flügelhorn) II
(2) B Trumpet I / II
(2) F Horn I / II
(2) F Horn III / IV
(1) Trombone I
(1) Trombone II
(1) Trombone III
(2) B Baritone I (Tenorhorn )
(2) C Baritone II (Bariton )
(1) B Baritone II ()
(4) Basses
(1) String Bass
(1) Harp
(1) Timpani
(1) Glockenspiel
(2) Percussion
Triangle, Bass Drum
TRIO Bläsermusik Edition
BO–019
ON REQUEST / AUF ANFRAGE
B Tenorhorn
(instead of / statt F Horn III / IV)
E Horns
B Trombones ()
E & B Basses ( and
)

Vorwort
Amilcare Ponchielli wird 31. August 1834 als Sohn
eines Ladenbesitzers und Dorforganisten in Paderno,
in der Nähe von Cremona, geboren. Der spätere
Lehrer Mascagnis und Puccinis besucht zunächst
das Konservatorium in Mailand, bekleidet ab 1854
das Amt des Organisten und Theaterkapellmeisters
in Cremona, wird 1883 Professor am Konservatorium
in Mailand.
Von den annähernd ein Dutzend Opern, die Ponchielli
zwischen 1851 und 1885 schrieb, wurde „La
Gioconda“ zu seinem theatralischen Meisterwerk.
Das Libretto basiert auf Victor Hugos „Angelo, Tyrann
von Padua“ und wurde von Arrito Boito, dem
Hauptlibrettisten Verdis, verfaßt. Der beachtliche
Erfolg der Uraufführung vom 8. April 1876 an der
Mailänder Scala konnte sich trotz einer überarbeiteten
Fassung nicht dauerhaft fortsetzen lassen. Heute
ist die in 4 Akten und 21 Musiknummern gegliederte
Oper, die stilistisch zwischen Verdi und dem
beginnenden Verismo steht, außerhalb Italiens
kaum auf den Spielplänen zu finden. Lediglich das
Ballett aus dem III. Akt zu Beginn der 2. Szene, der
„Tanz der Stunden“ hat die dauerhafte Gunst des
Publikums gewonnen.
Im Mittelpunkt der Handlung, die im venezianischen
Karneval spielt, steht La Gioconda, eine Straßensängerin,
die von Enzo, einem Fischer, der in
Wirklichkeit ein genuesischer Fürst ist, geliebt wird.
Doch auch Barnaba, ein Spion, begehrt Gioconda
und beginnt, allerlei Intrigen zu spinnen und Verwirrungen
zu stiften, um sein Ziel zu erreichen. Es
gelingt ihm, Laura, die Frau des mächtigen Ratsherrn
Alvise Badoero, für Enzo zu interessieren.
Schließlich entdeckt Alvise die Treulosigkeit seiner
Frau und befiehlt ihr, tief in seiner Ehre verletzt,
Gift zu trinken. Entschlossen, Laura um Enzos Willen
zu retten, vertauscht Gioconda das Gift gegen einen
Trank, der lediglich einen totenähnlichen
Schlaf erzeugt. Alvise hat zu einem großen Fest in
die prächtige Halle der „Ca’ d’Oro“ eingeladen und
empfängt seine Gäste mit einem aufwendig gestalteten
Ballett, dem „Tanz der Stunden“, dessen ausgelassene
Stimmung in dem Augenblick in Entsetzen
umschlägt, da die Totenglocke für Laura zu läuten
beginnt und Aviso den scheinbar leblosen Körper
seiner Frau vor seinen Gästen enthüllt.
Mit dem „Tanz der Stunden“ gelingt Ponchielli einer
der zauberhaftesten instrumentalen Einlagen in
der Operngeschichte des 19. Jh. In einem fein abgestimmten
Farbenspiel melodischer und instrumentatorischer
Einfälle charakterisiert und illustriert er
die Stunden des Tages.
Nach und nach erscheinen sie: zart und beinahe zaghaft,
wie silbrig glänzende Tautropfen, die Stunden
der Morgendämmerung (le ore dell’ aurora), gefolgt
von den ersten warm aufblitzenden und schließlich
Foreword
Amilcare Ponchielli was born on August 31, 1834,
son of a shopkeeper and parish organist in the
village of Paderno near Cremona. A pupil of the
Milan Conservatory, as of 1854 he held the position
of organist and theater conductor in Cremona, and
in 1883 became professor at the Milan Conservatory,
where Mascagni and Puccini were later among
his pupils.
Between 1851 and 1885 he composed nearly a
dozen operas, of which La Gioconda remains his
enduring masterpiece. The libretto by Arrito Boito
(later, Verdi’s most significant librettist) is based on
Victor Hugo’s Angelo, Tyrant of Padua. Despite
the estimable success of the premiere at La Scala,
Milan, on April 8, 1876, the opera, stylistically between
Verdi and early verismo, did not become a
popular favorite. Even in the revised version in four
acts and 21 musical numbers, revivals are rare outside
of Italy. Only the "Dance of th Hours", the
ballet which opens the second scene of the third
act, has remained a musical favorite with audiences
internationally.
The action, which takes place during the carnival
season in 17th-century Venice, centers around the
street singer La Gioconda, who loves the fisherman
Enzo – in reality an exiled nobleman of Genoa.
Barnaba, a spy, wants to possess la Gioconda, and
begins to weave a net of intrigues to attain that
goal. Knowing that Enzo loves Laura, the wife of
the inquisitor Alvise Badoero, Barnaba arranges
for Enzo to meet her on an island, but also advises
the husband of the meeting. Dishonored by her
infidelity, Alvise orders Laura to drink a goblet of
poison. for Enzo’s sake, La Gioconda resolves to
save Laura and substitutes a sleeping potion so
that later at a ball when Alvise draws aside a curtain
he revels a sleeping, though apparently dead,
Laura. The "Dance of the Hours" at the start of
the ball scene is the sumptuous ballet Alvise has
provided to entertain the guests he has invited to
his fest in the splendid hall of the "Ca’ d’Oro". The
guests’ merry mood turns to horror when the
funeral bell begins to peal for Laura as Alvise reveals
her seemingly lifeless body.
With the "Dance of the Hours" Ponchielli has
given us one of the most entrancing instrumental
interludes in all of 19th-century opera. With a harmonious
combination of instrumental colors and
melodic inspiration he characterizes and illustrates
the hours of the day.
They pass before us one by one: delicate and almost
hesitant, like silvery shining dewdrops, the hours of
the dawn (le ore dell’aurora) appear, followed by the
first flashing rays of the raising msun, which then
bursts into full brilliance as the morning and midday
hours ensue (le ore del giorno). Their graceful,

in vollem Glanz aufsteigenden Strahlen der aufgegangenen
Morgensonne, die Stunden des Tages (le
ore del giorno) wagen einen ersten, leichtfüßig grazilen
Tanz bis schließlich die Stunden des Abends
(le ore della sera) erscheinen, feierlicher, noch in
das Gold der späten Nachmittagssonne getaucht,
treten sie auf. Zu ihnen gesellen sich die Stunden
der Nacht (le ore della notte); es ist eine laue, beinahe
warme und verspielte Sommernacht, in einem romantisch
verklärten Licht. Nachdem sich alle Stunden
des Tages eingefunden haben – wiederum kündigt
ein Uhrwerk vom weiter fortschreitenden Tag –
vereinen sie sich in einem ausgelassenen und übermütig
erscheinenden Galopp.
Glonn, April 1998
light-footed dance finally leads to the hours of the
evening (le ore della sera), which first appear still serenely
bathed in golden late-afternoon sunlight.
They are joined by the hours of the night (le ore della
notte); it is a warm, beguiling summer night with
a touch of romance and enchantment in the air.
When we again hear the chimes of a clock marking
the passing of time, all the hours join together for a
rousing finale in the form of a madcap gallop.
Stephan Ametsbichler
Stephan Ametsbichler
1961 in Glonn (Oberbayern) geboren. Studierte Musikwissenschaft
an der Universität München und
Klarinette im Privatstudium bei Horst Schwantner
(Bayerisches Staatsorchester München). Seit 1989
stellvertretender Bundesdirigent, sei 1996 Bundesdirigent
im Musikbund von Ober- und Niederbayern;
seit 1990 staatlich anerkannter Dirigent von Blasorchestern
im Laienmusizieren. Leiter der Musikkapelle
Glonn und der Stadtkapelle Rosenheim. Dozent
für Holzbläserbetreuung und Dirigent bei internationalen
Lehrgängen für Symphonische Blasmusik.
Arrangeur für Bläsermusik und symphonische
Blasmusik. Mitglied des Akademischen Blasorchesters
München (stellvertretender Leiter) und Mitwirkender
in verschiedenen Laienchören und
Bläserensembles. Autor mehrerer Fachaufsätze in
Publikationen für Bläsermusik.
was born in 1961 in Glonn, Upper Bavaria. He studied
musicology at the University of Munich, and clarinet
as a private pupil of Horst Schwantner, member
of the Bavarian State Opera Orchestra in Munich. In
1989 Ametsbichler became assistant conductor, and
in 1996, head conductor of the Music Association of
Upper and Lower Bavaria; in 1990 he passed the state
examination as bandmaster for amateur musicians.
He is the leader of the local band in Glonn and the
municipal band at Rosenheim. In addition, he teaches
courses for advanced woodwind players, and conducts
symphonic bands at international meetings. As
an arranger, he specalizes in music for wind instruments
and symphonic bands. He is a member and associate
director of the Academic Symphonic band in
Munich, and participates in various amateur choirs
and wind ensembles. He has written a number of articles
for publications on music for wind instruments.
(Translations by Louis Bloom)
Fotokopieren und sonstige Vervielfältigung
– außer mit Genehmigung des Verlages –
gesetzlich verboten.
Any duplication, adaptation or arrangement
without authorization of the owner is an infringement
of copyright and subject to penalty
under the law.
Copyright 1998 by TRIO Bläsermusik Edition
Alle Aufführungen sind den entsprechenden
Stellen der GEMA oder anderer Verwertungsgesellschaftenmitzuteilen.
All public performances must be reported
to the GEMA or corresponding local royalty
organization.
International Copyright Secured All Rights Reserved Printed in Germany
Satz & Graphik: Studio für Notengraphik, Glonn. Herstellung: Strube Druck, München, Gebr. Westenhuber,München & TRIO BläsermusikEdition, Mühldorf

Grade: O–H / 4–5
Duration: ~ 12’
Piccolo
Flute I / II
Flute III
Oboe I / II
E Clarinet
B Solo Clarinet
B Clarinet I
B Clarinet II
B Clarinet III
E Alto Clarinet
B Bass Clarinet
E Alto Sax. I / II
B Tenor Sax.
E Baritone Sax.
Bassoon I / II
B Cornet I
(Flügelhorn I)
B Cornet II
(Flügelhorn II)
B Trumpet I / II
F Horn I / II
F Horn III / IV
Trombone I / II
Trombone III
B Baritone I /
Tenorhorn
C Baritone II /
Bariton
Basses
(String Bass)
Harp
Timpani
Tanz der Stunden
(Danza delle ore / Dance of the hours)
aus/from »La Gioconda«
Amilcare Ponchielli (1834-1886)
Arr.: Stephan Ametsbichler
SORTONO LE ORE DELL’ AURORA
Allegro brillante
a 2 (1 player each)
Harp
Harp
Harp
Harp
Harp
SORTONO LE ORE DELL’ AURORA
Allegro brillante
in f &
c/B
Glockenspiel
Triangle
Bass Drum
1998 by TRIO Bläsermusik Edition, Mühldorf / Inn
BO-019

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Glsp.
Trg.
B.D.
4
2 players
2 players
I.
5

6
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Glsp.
Trg.
B.D.
LE ORE DELL’ AURORA
7
Harp
Andante poco mosso
A
Fl. III
Harp.
Solo
Harp
Harp
I.
Harp (II. cued)
Harp
LE ORE DELL’ AURORA
Andante poco mosso
A

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Glsp.
Trg.
B.D.
12
I. Solo
I.
Ob. I
2 players
7

8
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Glsp.
Trg.
B.D.
18
Fl.
III
1 player each
Solo

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Glsp.
Trg.
B.D.
23
Picc.
B
I. Solo
I. Solo
(II. cued)
I.
Ob. I
Bsn. I
I.
B
9

10
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Glsp.
Trg.
B.D.
30
Fl. III
Picc.
a 2 (1 player each) a 2
a 2 (1 player each)
I.
I. Solo
(II. cued)
I.
2 players
Bass Cl.

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Glsp.
Trg.
B.D.
37
C
a 2
1 player each
I.
2 players all
all
C
Cornet prefered
I.
B. D.
with soft stick
11

12
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Trg.
B.D.
45 SORTONO LE ORE DEL GIORNO
all
a 2
a 2
I.
SORTONO LE ORE DEL GIORNO
Cornet prefered
IV.
I. (Bsn. I)
II. (Bsn. II)
Bass Cl.
+ Str.Bs. trem.
Str.Bs. pizz.
in f & c
B. D.

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Trg.
B.D.
DANZA DELLE ORE DEL GIORNO
55
D Moderato
I.+II. Solo
a 2 (all)
Solo
all
D Moderato
Solo
2 players
Str.Bs. arco
13
DANZA DELLE ORE DEL GIORNO

14
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
64
a 2
Solo

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
71
E
I. Solo
1 player each
(II. cued)
a 2
Ob.
I
2
players
Bsn.
I
Bsn.
II
E
III.
Bass Cl. 2 players
Str.Bs.
15

16
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
79
1
player each
all
Oboes
2
players
all
Solo
I. (Ob. II)
Bsn. I
Bsn.
II
I.
Bsn. I/II
Str.Bs. 8
va
a 2

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
86
F
I.
Solo
(II. cued)
I.
2 players all
I.
F
Soli
Str.Bs. loco
17

18
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
93
I.+II.
Solo
I.
I. Solo
(II. cued)
I.
2 players
all
Soli
a 2 Str.Bs. 8
va
Str.Bs. loco

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
99
I.+II.
Solo
I.
a 2
Solo
I.
a 2
III.
Solo
Str.Bs.
a 2
19

20
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
106
G SORTONO LE ORE DELLA SERA
a 2
I.
Fl. III
Solo
I. (Bsn. I)
Bsn. II
G SORTONO LE ORE DELLA SERA
Solo
Str.Bs. pizz.

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
114
a 2
Fl. III
Solo
I.
Bsn. I
2 players
21

22
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
123
I.
Solo
(II. cued)
a 2
I.
all
a 2
Str.Bs.
pizz.

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
131
H SORTONO LE ORE DELLA NOTTE
I.+II. Solo
I.
Solo
all
I.
H SORTONO LE ORE DELLA NOTTE
III.
III.
I. (Bsn. I)
II. (Bsn. II)
Solo
Solo
Str.Bs. 8
Str.Bs.
va
a 2
23

24
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
138
1 player each
III.
Bsn. I/II
2 players
Solo
Str.Bs. loco

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
146
I.
a 2
Bsn. I
I.
Ob. I, (con sord.)
Str.Bs. 8
va
a 2
25

26
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
153
I
I.
2 players
Alto/Bass
Cl.
a 2 I.
I. (Bsn. I)
Bsn. II
I
III.
II. (Hn. I)
Hn. II
a 2
Str.Bs. loco
B. D.

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Glsp.
Trg.
B.D.
162
Bass-Cl.
Solo
Bass Cl.
27

28
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Glsp.
Trg.
B.D.
170
Fl. III
Fl. III
Fl. III
Harp
Harp
Harp
Bass-Cl.
Harp
Harp
Harp
Harp
Harp Harp
Harp Harp Harp
Solo

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Glsp.
Trg.
B.D.
178
K Andante poco mosso
2 players each
2 players
K Andante poco mosso
con sord.
III.
Solo
2 players
Str.Bs. pizz.
Str.Bs.
Str.Bs.
Str.Bs.
Str.Bs.
29

30
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Trg.
B.D.
183
Fl.
III
2 players each
a 2 all
a 2
Ob. I
all
2 players
all
2 players
2 players
senza sord. all
2 players, con sord.
III.
a 2
III.
Solo
all
2 players all 2 players
Str.Bs.
Str.Bs. 8
va all 2 players Str.Bs. loco
a 2
B. D. with
hard stick

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Trg.
B.D.
188
31

32
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
193
Picc.
2 players
I. Solo
all
all
(II. cued)
Ob. I
2 players
2 players
all
all
all
all
Solo, Flügelhn. prefered
all
Solo
all, senza sord. I.
III.
all
2 players
Str.Bs.
2 players
Str.Bs. arco
pizz.
Str.Bs. arco
all
Str.Bs. pizz. 8 va
all
2 players
change c to B
B. D.
B. D.

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Glsp.
Trg.
B.D.
198
L
I. Solo
(II. cued)
I.
all
2 players
all
Bar. Sax.
L
I.
Bsn. I
Hn. II
Bsn. II
Str.Bs. pizz.
B. D. with soft stick
33

34
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Glsp.
Trg.
B.D.
203
a 2
a 2 (1 player each)
all
a 2
I. a 2
a 2
Solo
all
Flügelhorn prefered
+ II.
Bsn. I
all
Bsn. II
all
change c to B
B. D.

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Harp
Timp.
Glsp.
Trg.
B.D.
209
M
I. Solo
(II. cued)
I.
2 players
Solo
2 players
2 players
I. Solo
M
2 players
I.
II.
Str.Bs. arco
Str.Bs. pizz.
all
35

36
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
N
Allegro
vivacissimo
217
a 2
1 player each
Bass-Cl. I
I. Solo
I.
Solo,
N
Cornet prefered Allegro vivacissimo
all
Cornet prefered
I.

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
225
a 2 all
all
all
all
a 2
Solo
a 2
Str.Bs. arco = Bar. II (–> b. 231)
a 2
B. D. with hard stick
37

38
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
O
Con molto brio
233
a 2 a 2
a 2
a 2
a 2 a 2
O
Con molto brio
Solo
all
2
players
Solo
2 players
2 players
a 2 Str.Bs. 8
va

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
241
a 2 a 2 a 2 a 2
a 2
a 2 a 2
all
I.
all
all
all
Solo
all
2 players
all
all
all
Str.Bs. loco
2 players a 2 Str.Bs. 8
Str.Bs. loco
va all
39

40
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
249 P
a 2
a 2
Ob. I
Ob. I
2 players
3 players
a 2
Alto Cl.
Alto
Cl.
I. (Ob. II)
I. (Ob. II)
I.
P
Solo
Ob. I/II (con sord.)
Hn. III
III.
I.
2 players
2 players a 2 Str,Bs. 8
va Str,Bs. loco

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
257
a 2
a 2
a 2
a 2
Solo
2 players
Solo
Str.Bs.
a 2
41
1 player each

42
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
263
Q
a
2
(1 player)
2
players
each
all
all
3 players
I.
I.
Q
Solo
all
2 players
all
B. D.

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Trg.
B.D.
271
a 2
a 2
all
a 2
a
2
a 2
all
all
all
a 2
43
Str.Bs. 8 va

44
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
279 R
all
a 2
a 2
a 2
a 2
Solo
a 2 a 2
R
a 2
I. Solo
+ II.
Solo
loco
a 2 Str.Bs. 8
va
loco
B. D.

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
287
S
all a 2
a 2 a 2 a 2
2 players 1 player
3 players 2 players
all
a 2 a 2
I.
2
S
players
2 players
all
Solo
2 players
2 players
a 2 Str.Bs. 8
va
45

46
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
297
a 2
a 2
a 2 a 2 a 2
I.
a 2
a 2
Bsn. I
all
I.
all
all
Solo
2 players
all
all loco 2 players
a 2 Str.Bs. 8 loco
va all

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Trg.
B.D.
306
T
a 2
a 2
a 2
Bsn. I
T
all
Solo
2 players
2 players
all
all
Str.Bs. 8
va
47

48
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Trg.
B.D.
316
U
a 2
a 2
a 2
a 2
a 2
U
I.
II.
Solo
all
all
2 players all
a 2
Str.Bs. loco
B. D.

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
325
V
a 2
a 2
V
a 2 a 2
2 players
all
a 2 Str.Bs. 8 Str.Bs. loco
va 2 players
all
49

50
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
334
a 2
a 2 a 2
a 2
a 2
B. D.

Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
342 W
a 2
W
51

52
Picc.
Fl. I / II
Fl. III
Ob. I / II
E Cl.
Solo Cl.
B Cl. I
B Cl. II
B Cl. III
Alto Cl.
Bass Cl.
A.Sax.
I / II
T.Sax.
Bar.Sax.
Bsn. I / II
Ct. I
Ct. II
Trp. I / II
I / II
Hn.
III / IV
Trb. I / II
Trb. III
Bar. I
Bar. II
Bs.
(Str.Bs.)
Timp.
Glsp.
Trg.
B.D.
351
a 2
a 2
a 2
B. D.