BGQ tempi moderni / 2018
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filled with a very distinctive and unmistakable musical language. Crossing boundaries of common<br />
genres, in his music he plays with lyrical-melancholic melodies, ostentatious percussive<br />
ostinati, virtuoso solos, various time signatures of combining rhythms [also in the time signature<br />
of the primes] and complex sounds that are reminiscent of the harmonic tradition of Ravel and<br />
Debussy ...“ [Jazzzeitung 2oo9/o2].<br />
The track »Hinken« also relies on such a complex, unusual timing, namely it is in 13/8 time signature.<br />
Same as »Smoothie«, we owe the discovery and scouting of this piece to our percussionist<br />
Alexander Hladek, who played a major role in shaping our interpretation. »Hinken« was recorded<br />
during a live performance at Schloss Heiligenberg, Jugenheim in March 2o18.<br />
Barrios Guitar Quartet was founded in 1996. In its present day cast it performs together<br />
since 2o1o. With their CD recordings and music videos, the four musicians made a name<br />
for themselves internationally. In 2o16, the radio station Hessischer Rundfunk dedicated a<br />
one-hour portrait to them. <strong>BGQ</strong> has been a guest at major concert series and festivals such<br />
as Weilburger Schloss Konzerte, Rheingau Musik Festival, Schleswig-Holstein Musik Festival,<br />
Kurt Weill Fest Dessau, Darmstadt International Guitar Days, International Festival »Guitar<br />
and Nature« Erlbach etc.<br />
The quartet stands for a repertoire off the mainstream. Their extensive instrumentation and<br />
courage in exceeding stylistic boundaries allows the players to enter new dimensions of<br />
guitar music. This results in extraordinary, innovative arrangements that make the concert<br />
programs of the quartet so unique and unmistakable.<br />
<strong>BGQ</strong>: Stefan Hladek, Antje Asendorf, Martin Wentzel, Ulf Borcherding.<br />
Special guest: Alexander Hladek [percussions].<br />
<strong>BGQ</strong> Instruments: Otto Rauch: Baroque Guitars after Stradivari 2o1o & 2o11, »Hauser-Modell« 2oo3 &<br />
»Hauser-Modell« maple 2oo5, Octav Guitar 2oo5; Dieter Müller: Doubletop spruce 2o12 & cedar 2o13;<br />
Andreas Kirschner: Doubletop spruce 2o16 & Quintbass after Hauser 2oo9; Nikolaus Wolff: 8 String<br />
Guitar, spruce 2o16 & Baroque Guitar 2o13. Cajon J. Leiva Mezquita [Martin], Cajon Schlagwerk [Sascha]<br />
& various other percussion instruments.<br />
<strong>BGQ</strong> would like to offer special thanks for their invaluable help to Alexander Hladek, Dr. Dietrich Panke,<br />
Wilhelm Opatz, Frank Vogt, Walter Schumacher-Löffler, Bernd Goldau, Ev. Kirchengemeinde Bensheim-<br />
Auerbach, Aventis Foundation and all our Startnext supporters [kulturMut 2o17/2o18]. We are grateful<br />
to Paulette Jennis for help with the english translation and support on funding. Many thanks to Thomas<br />
Strunden for the exceptionally fine sound design.<br />
www.bgq.de info@bgq.de www.aureavox.de<br />
V<br />
ureaVox<br />
GEMA