29.06.2018 Aufrufe

BGQ tempi moderni / 2018

Sie wollen auch ein ePaper? Erhöhen Sie die Reichweite Ihrer Titel.

YUMPU macht aus Druck-PDFs automatisch weboptimierte ePaper, die Google liebt.

filled with a very distinctive and unmistakable musical language. Crossing boundaries of common<br />

genres, in his music he plays with lyrical-melancholic melodies, ostentatious percussive<br />

ostinati, virtuoso solos, various time signatures of combining rhythms [also in the time signature<br />

of the primes] and complex sounds that are reminiscent of the harmonic tradition of Ravel and<br />

Debussy ...“ [Jazzzeitung 2oo9/o2].<br />

The track »Hinken« also relies on such a complex, unusual timing, namely it is in 13/8 time signature.<br />

Same as »Smoothie«, we owe the discovery and scouting of this piece to our percussionist<br />

Alexander Hladek, who played a major role in shaping our interpretation. »Hinken« was recorded<br />

during a live performance at Schloss Heiligenberg, Jugenheim in March 2o18.<br />

Barrios Guitar Quartet was founded in 1996. In its present day cast it performs together<br />

since 2o1o. With their CD recordings and music videos, the four musicians made a name<br />

for themselves internationally. In 2o16, the radio station Hessischer Rundfunk dedicated a<br />

one-hour portrait to them. <strong>BGQ</strong> has been a guest at major concert series and festivals such<br />

as Weilburger Schloss Konzerte, Rheingau Musik Festival, Schleswig-Holstein Musik Festival,<br />

Kurt Weill Fest Dessau, Darmstadt International Guitar Days, International Festival »Guitar<br />

and Nature« Erlbach etc.<br />

The quartet stands for a repertoire off the mainstream. Their extensive instrumentation and<br />

courage in exceeding stylistic boundaries allows the players to enter new dimensions of<br />

guitar music. This results in extraordinary, innovative arrangements that make the concert<br />

programs of the quartet so unique and unmistakable.<br />

<strong>BGQ</strong>: Stefan Hladek, Antje Asendorf, Martin Wentzel, Ulf Borcherding.<br />

Special guest: Alexander Hladek [percussions].<br />

<strong>BGQ</strong> Instruments: Otto Rauch: Baroque Guitars after Stradivari 2o1o & 2o11, »Hauser-Modell« 2oo3 &<br />

»Hauser-Modell« maple 2oo5, Octav Guitar 2oo5; Dieter Müller: Doubletop spruce 2o12 & cedar 2o13;<br />

Andreas Kirschner: Doubletop spruce 2o16 & Quintbass after Hauser 2oo9; Nikolaus Wolff: 8 String<br />

Guitar, spruce 2o16 & Baroque Guitar 2o13. Cajon J. Leiva Mezquita [Martin], Cajon Schlagwerk [Sascha]<br />

& various other percussion instruments.<br />

<strong>BGQ</strong> would like to offer special thanks for their invaluable help to Alexander Hladek, Dr. Dietrich Panke,<br />

Wilhelm Opatz, Frank Vogt, Walter Schumacher-Löffler, Bernd Goldau, Ev. Kirchengemeinde Bensheim-<br />

Auerbach, Aventis Foundation and all our Startnext supporters [kulturMut 2o17/2o18]. We are grateful<br />

to Paulette Jennis for help with the english translation and support on funding. Many thanks to Thomas<br />

Strunden for the exceptionally fine sound design.<br />

www.bgq.de info@bgq.de www.aureavox.de<br />

V<br />

ureaVox<br />

GEMA

Hurra! Ihre Datei wurde hochgeladen und ist bereit für die Veröffentlichung.

Erfolgreich gespeichert!

Leider ist etwas schief gelaufen!