William Mathias Catalogue
Discover the music of William Mathias published by OUP.
Discover the music of William Mathias published by OUP.
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<strong>William</strong> <strong>Mathias</strong><br />
<strong>William</strong> <strong>Mathias</strong> was born in Whitland, Dyfed in<br />
1934 and died in 1992. He began to compose at an<br />
early age, studying first at the University College of<br />
Wales, Aberystwyth, taking his BMus with first-class<br />
honours, and subsequently on an Open Scholarship in<br />
composition at the Royal Academy of Music. He was<br />
elected a Fellow of the Royal Academy of Music in 1965,<br />
and gained the DMus of the University of Wales in 1966.<br />
In 1968 he was awarded the Bax Society Prize under the<br />
Harriet Cohen International Music Awards, and in 1981<br />
the John Edwards Memorial Award. From 1970-1988<br />
he was Professor and Head of the Music Department at<br />
the University College of North Wales, Bangor. He was<br />
known as a conductor and pianist, and gave or directed<br />
many premières of his own works. In 1972 he founded<br />
the North Wales Music Festival at St Asaph Cathedral<br />
and remained its artistic director until his death.<br />
A house composer with Oxford University Press since<br />
1961, his compositions cover an extraordinarily wide<br />
range. Early success include the Clarinet Sonatina<br />
at the 1957 Cheltenham Festival (followed within a<br />
year by broadcasts in France and Poland), and the<br />
Divertimento for String Orchestra which, following its<br />
London première, was quickly taken up as far afield as<br />
Prague and California. He has made a highly significant<br />
contribution to twentieth-century organ music, and his<br />
church music and carols are still regularly performed<br />
worldwide. Works such as the Symphonies, Clarinet<br />
Concerto, Harp Concerto, Improvisations for Harp, Laudi,<br />
Piano Concerto No.3, Ave Rex, Riddles and This Worlde’s<br />
Joie have entered the repertory; the Organ Concerto<br />
scored a great success in the 1984 BBC Proms, and Lux<br />
Aeterna has been hailed as one of the finest British<br />
choral/orchestral works this century.<br />
<strong>Mathias</strong>’ musical language embraced both instrumental<br />
and vocal forms with equal success, and he addressed a<br />
large and varied audience both in Britain and abroad. He<br />
was awarded an Honorary DMus by Westminster Choir<br />
College, Princeton in 1987 and he was made CBE in the<br />
1985 New Year’s Honours. In 1992, the year of his death,<br />
Nimbus Records embarked upon a series of recordings<br />
of his major works.<br />
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