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Her Madgesty<br />

PRG supplied a lighting rig of Clay Paky Sharpys, PRG<br />

Best Boy 4000 Spot Luminaires, Bad Boy Spot CMys, Philips<br />

Vari-Lite VL3500 Wash and Spot units, Robe Robin 1200<br />

and 600 LEDWash lights, and GLP Impression 120 RZ<br />

LEDs. Control was via three PRG V676 consoles, and a V476<br />

console.<br />

Madonna had two monitor engineers, Matt Napier and<br />

Sean Speuhler, who shared a DiGiCo SD7. Sean exclusively<br />

mixes Madonna’s vocals and her vocal effects, all of which<br />

she insists be done live so Matt used the SD7’s control<br />

surface and Sean used an EX-007 expander unit to mix on.<br />

Tim Colvard also used a SD7 to mix the house sound. PA of<br />

choice was all d&b audiotechnik.<br />

yes the show was bafflingly and intriguingly all over the<br />

place, the visual metaphors were tossed about in abandon<br />

but it was one hell of a spectacle. Technically it was a masterpiece<br />

of achievement; stunning visuals, spot on lighting<br />

and amazing sound. What can I say? With her confidence,<br />

charisma and attitude, her Madgesty rules.<br />

Introducing Three New GOBO Rotators<br />

Building dynamic, exciting, creative lighting effects just<br />

became three times easier...and quieter! Each of these<br />

new GOBO rotators by Rosco is belt driven and silent.<br />

Whether for a small theatre, growing church,<br />

Broadway designer or a broadcast lighting director,<br />

one of these three rotators is the right choice.<br />

42 Sawyer Lane<br />

Artarmon, NSW 2064<br />

Phone 029906-6262<br />

www.rosco.com<br />

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