nov 10-14 2010 - Rehoboth Beach Film Society
nov 10-14 2010 - Rehoboth Beach Film Society
nov 10-14 2010 - Rehoboth Beach Film Society
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CounTRy spoTlIghT: IndIa<br />
The story of Dadasaheb Phalke told above is chronicled in the festival film<br />
Harishchandra Factory (PAGE 39). The 20<strong>10</strong> Indian entry into the Academy<br />
Awards for Best Foreign film is a delightful film that takes a light and<br />
entertaining approach to telling a true story. To call it an Indian biopic<br />
would be accurate, but would belie the nature of the character and the<br />
film. The other blockbuster is the 2009 Indian entry into the Academy<br />
Awards for Best Foreign <strong>Film</strong>, Like Stars on Earth (PAGE 45). It is a sweet<br />
film focusing on a little boy who is “different”. He just can’t seem to fit in<br />
and while he is a good kid, he encounters some disciplinary problems and<br />
is shipped off to boarding school. When a new teacher takes an interest in<br />
the boy, he finds out that the “problem” is dyslexia and goes about working<br />
with the child through their common interest in art. It is a beautiful story<br />
that is a triumph of the human spirit.<br />
On the independent end of the spectrum are 2 films that brought Indian<br />
Cinema to the world stage. Peepli Live (PAGE 49) is the first Indian film<br />
ever to screen in the Sundance <strong>Film</strong> Festival. Best labeled as a satire, the<br />
film uses the very real problem of farmer suicide to highlight the media<br />
frenzy in the country. When it is suggested that a farmer commit suicide<br />
to get insurance money that his family can use to create a better life, the<br />
media gets a hold of the story and runs with it. A little madcap, a little<br />
zany, a lot poignant, the bottom line is a great film. Udaan (PAGE 54) is<br />
youth story that focuses on a boy who comes back from boarding school to<br />
live under the iron fist of his father. The boy wants to be a writer and his<br />
beautiful poems dot the landscape of the film. His father will have none of<br />
it and the conflict between them escalates. A story of familial dysfunction<br />
permeates the story, yet it is a simple, touching film that shows the depth<br />
of the filmmaking talent in India.<br />
Finally, Kavi is in the Short Stories program (PAGE 66). The 20<strong>10</strong> Oscar ®<br />
nominated short film is about a boy in India who wants to play cricket and<br />
go to school, but instead he is forced to work in a brick kiln as a modernday<br />
slave. Unsatisfied with his fate, Kavi must choose to either accept what<br />
he’s always been told, or fight for a different life even if he’s unsure of the<br />
ultimate outcome.<br />
harishchandra Factory<br />
Page: 39<br />
liKe stars on earth<br />
Page: 45<br />
P ee P l i l i Ve<br />
Page: 49<br />
udaan<br />
Page: 54<br />
KaVi<br />
Page: 66<br />
81<br />
CounTRy spoTlIghT: IndIa