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New FR-10 will still be “<strong>new</strong>”<br />

when other makes are obsolete.<br />

Only this system gives you every one of the latest operational<br />

features. And packs ’em all into a low-profile, space-saving<br />

cabinet that fits flat against the wall - in fewer square feet of<br />

floor space than any previous system. And, FR-10 alone is ready<br />

now for tomorrow’s automated accessories.<br />

FR-10 combines everything you’ve ever wanted in a magnetic<br />

film recording system.<br />

Like dual design, for example. Lets you switch from 16 to<br />

35mm -and back again - in seconds, thanks to RCA’s unique<br />

plug-in sprocket and head assemblies. Speed and equalization<br />

changeover are automatic, with only one interlock system<br />

needed.<br />

Like silent, selective head switching - so you can update any<br />

section of any track without re-recording the whole reel. And<br />

exclusive “Unilogic” motor control system lets you choose<br />

between using either manual or automatic control.<br />

Like automatic loop setter. It lets you thread up much faster and<br />

more easily. FR-10 rewinds -through the sprocket - at<br />

1000 feet per minute, while handling up to 3000-foot reels. And<br />

you get complete metering for each channel, too, with up to six<br />

tracks available.<br />

On top of all that, FR-10 delivers reliability even beyond what<br />

you’ve come to take for granted from RCA. Along with matchless<br />

sound quality, of course. For information, write: RCA Film<br />

Recording, 2700 West Olive Avenue, Burbank, California 91 505, or<br />

1133 Avenue of Americas, New York, NY 10036. RCA Ltd., 1001<br />

Lenoir Street, Montreal 207, Quebec, Canada. RCA Ltd., Lincoln<br />

Way, Windmill Road, Sunbury-on-Thames, Middlesex, England.<br />

RCA Ltd., 11 Khartoum Road, North Ryde NSW, Australia 21 13.


If we haven’t got<br />

the exact color<br />

film processor<br />

you need<br />

we’ll buildr it.<br />

We think you’ll find exactly what you need in Jamieson’s complete line of color<br />

film processors.<br />

But there’s always that special case, that particular need, that unique re-<br />

quirement.<br />

So, if one of our 8mrn. 16mm. 35mm or 70mm color processors doesn’t fit<br />

your need, we have the experience and proven designs to build exactly what<br />

you need, at the speed you want.<br />

And even though we can modify and adapt our processors to special appli-<br />

cations, some things about them never change.<br />

Every Jarnieson color film processor incorporates our proven and patented<br />

small reservoir tube tanks. These tanks contain only about one fifteenth the<br />

amount of chemistry required by ordinary open tank types.<br />

You get highest quality color, freedom from scratch hazards, lower day-to-<br />

day chemical costs and the gentlest, most reliable film transport system<br />

available.<br />

There’s one more important thing. Cost. We think you’ll find Jamieson color<br />

film processors among the lowest priced in their class.<br />

For complete information on Jarnieson color processors, call or write today.<br />

Jamieson Film Company<br />

EQUIPMENT DIVISION<br />

2817 CANTON ST., DALLAS, TEXAS 75226<br />

A/C (214) 747-5634<br />

54 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />

Miller, and W. L. Wolf, Eastman Kodak<br />

Co., Rochester. R. A. Eynard, Ada/<br />

Gevaert, Inc., presented his paper, “Geva-<br />

chrome Original Films for a Sharp and<br />

Brilliant Television Image.” The third<br />

part of the program was a film, “Processing<br />

of Optical Sound Tracks on Color Films<br />

with Emphasis on Silver Sound Tracks on<br />

Improved Eastman Ektachrome R Print<br />

Film.” The film was introduced by Ray J.<br />

Wulf, Eastman Kodak, New York. who also<br />

answered questions following the presenta-<br />

tion. - Paul F. Wittlig, Secretary-Trcu-<br />

surer, New York.<br />

NEW YORK, Nov. 19 - The New York<br />

Section heard three papers at the Novem-<br />

ber Meeting: “Random Access Program-<br />

mer,” by Stan Busby, Ampex Corp., “A<br />

Fully Electronic Editing System,” by Keith<br />

Campbell, Adventronics, and “An Ap-<br />

proach for Standardization of Monitor<br />

Calibration,” by Gideon Fiat, American<br />

Broadcasting System. The first two papers<br />

had been presented at the 106th Technical<br />

Conference in Los Angeles. Mr. Busby’s<br />

presentation was excellent and generated a<br />

lot of questions. Mr. Campbell, who was<br />

scheduled to present the second paper,<br />

advised about one hour before meeting<br />

time that he had become ill and could not<br />

get to New York. Manager Don Collins,<br />

Tele-Cine, Inc., volunteered to read the<br />

paper and did a remarkably good job, but<br />

unfortunately without Mr. Campbell, it<br />

was not possible to have the scheduled<br />

equipment demonstration. Two things<br />

were noteworthy. First, the Ampex paper<br />

was good enough by itself to make the<br />

evening worthwhile, and second, a large<br />

portion of those attending were very ob-<br />

viously video oriented and had not attend-<br />

ed meetings for some time. - Paul F. Wit-<br />

tlig, Srcretary-Treasurer, New York.<br />

OHIO, Oct. 15 - The Ohio Section meet-<br />

ing of the <strong>SMPTE</strong> was preceded by a cock-<br />

tail hour and a short business meeting.<br />

The main part of the program was held at<br />

station WUAD-TV in Parma, Ohio with<br />

nearly 50 persons in attendance, including<br />

students from Eastern Michigan Universi-<br />

ty’s UFH station EMU-TV. The tour of<br />

the <strong>new</strong> facilities of the United Artists<br />

Broadcasting Corporation was punctuated<br />

by an informal presentation by W. C.<br />

Wiseman, Vice-president of UAB. and was<br />

reccivcd with high interest by the mern-<br />

hers. The program was followed by a post-<br />

session social hour with refreshments.<br />

- Rohcrt W. Wagner, S€cretary.Treas~irer,<br />

Columlms, OH.<br />

ROCHESTER, Sept. 11 - H. B. Archer, As-<br />

sistant to the Director, Graphic Arts Re-<br />

search Center, Rochester Institute of Tech-<br />

nology, presented an illustrated discussion<br />

on the general subject of reproduction<br />

photography. In addition he discussed<br />

problems peculiar to halftone reproduction<br />

for photo-mechanical color reproduction.<br />

Dr. J. A. C. Yule, Research Associate,<br />

Rochester Institute of Technology, dis-<br />

ciissed the principles and applications of<br />

color scanners. He also gave an excellent<br />

presentation on the inherent limitations of<br />

accurate color reproductions. - J. M. MC-<br />

Donough, Secretary-Treasurer, Rochester,<br />

NY.


OD=BYE HI<br />

HELLO E<br />

~<br />

B R W l O O J<br />

Television raster lines (right) enlarged from 16mm film frames. Lower. EBR-100 recording on<br />

e-grain (less than 0.1 micron) electron recording film. Top: klnescope recording on television<br />

ding film. Line-to-line spacing in both pctures is approximately 0 00058 inches or 14.7 microns.<br />

TRANSFER LIVE OR TAPE W TO 16 MM FILM ELECTRONICALLY<br />

AND GET PRINTS WITH 1000-LINE RESOLUTION.<br />

employs direct electron bombardment of the<br />

film, eliminating phosphor granukritg, faceplate<br />

halation and camera-lens losses and<br />

distortions.<br />

The 3M Brand EBR-100 far surpasses the<br />

conventional kinescope in reproduction quality<br />

and in the ability to produce<br />

films. It opens <strong>new</strong> horizons<br />

mass film distribution for educational and<br />

aining purposes.<br />

The EBR-100 is a machine that every major<br />

V studio, dubbing center, film lab and governent<br />

communications center will want to em-<br />

. Easy to install, completely s<br />

t beam monitoring provides simple,<br />

positive adjustment of<br />

exposure and gamma.<br />

Secondary electrons<br />

imaging the film target<br />

verify that focus, size,<br />

and linearity are correct.<br />

You can choose between<br />

a direct positive or a<br />

film negative with the flick of a switch. The sys-<br />

tem also is switchable from US standard 525-<br />

line to European 625-line requirements.<br />

The EBR-100 records on low-cost fine grain<br />

film. Overall resolution exceeds 1000 lines. The<br />

film uses conventional processing and is shown<br />

34 inches deep, weighs approximately 1000 Ib.<br />

and costs about $55,000. Optical or magnetic<br />

sound is available at extra cost.<br />

For details, call our EBR-100 information<br />

phone. The number is (805) 482-1911, ext.<br />

below.<br />

8


ARRIFLEX 16BL‘s<br />

play the numbers<br />

for Las Vegas spectacular:<br />

2 months, 25,000 miles, 70,000 feet!<br />

Mutual of Omaha wanted to put on an employee convention that would be rernern-<br />

bered-and Chapman/Spittler, Inc. of Omaha, in producing the film program for<br />

“Jetogether ’69”, found themselves tackling an assignment they would never forget.<br />

The show was to present, to a total audience of 3300 people, interviews with the<br />

insurance company‘s most successful salesman-each interview being linked to-<br />

gether by a “jet plane” ride from one salesman’s home town to the next. This<br />

meant, of course, that Chapman/Spittler had to do the actual traveling.<br />

And what an itinerary! In less than two months, the 3-man production crew had to<br />

set-up and film in no less than 24 cities across the U.S. and in Puerto Rico. They<br />

covered 25,000 miles-more than the equivalent of going around-the-world-<br />

filming in almost every setting imaginable: at airports, at Notre Dame Stadium, at<br />

the Indianapolis 500, in a locker room; high atop mountains, way out on beaches, in<br />

and on automobiles, aboard boats, golf carts, and even walking along hand-held.<br />

Under so many circumstances, in so many places on such a tight schedule, camera<br />

reliability was essential. Arriflexes were chosen.<br />

Loaded into Chapman/Spittler’s own aircraft, 16s and 16BL Arriflexes became part<br />

of an overall film unit uniquely designed for filmmaking on a continental scale. With<br />

so much travel in so short a time, the crew could rarely stop to screen rushes, to<br />

reassure themselves that the rigors of travel at this high-pitched pace, and the<br />

many changes of climate, had not affected camera operation.<br />

The proof of the pudding came with the two performances put on by Mutual of<br />

Omaha in Caesar‘s Palace. Interspersed with 35mm slides, the Arriflex-shot footage<br />

had to fill nine 10x14 ft. screens-as much a challenge to resolution, sharpness and<br />

registration as ever there was. As reported in the July ’69 Business Screen, the<br />

show was an outstanding success.<br />

Gambling may be commonplace in Las Vegas, but Chapman/Spittler, like every<br />

production company, cannot gamble with their assignments. It was with this under-<br />

standing that each of the Arriflex models was engineered. From the sensible,<br />

versatile design that adapts an Arriflex to every kind of project, to the sturdy, en-<br />

during construction that keeps it going in the face of constant use and abuse,<br />

Arriflex has continually proved how well it can stack the odds in its users’ favor.<br />

IRRTFLEX<br />

n CORPORATION OF AMERICA Woodside, N. Y. 11377<br />

56 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79


January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79 57


New Members<br />

The following members have been added to the Society's rolls since the October 1969<br />

<strong>Journal</strong>. Also listed are those regretfully reported as dcceased since then. The designations<br />

of pade are the same as thosc used in the JUIY l9G8 Directory. An up-to-date list Of<br />

Sustaining Members appcars on the outside back cover of each month's <strong>Journal</strong>. The<br />

membcrs listed below complete the Society's roll as of November 15.<br />

The Directory for Members, Part 11 of thc July 1968 <strong>Journal</strong>, shows the geographic<br />

membership distribution by states included in the Sections.<br />

Honorary (H) Life Fellow (LF) Life Member (LM) Fellow (F) Active (M) Associate (A)<br />

Student (S)<br />

Deceased: J. T. Barkelew (M) William T. Foxall (M) Carl Fredrik Nelson (A)<br />

Donald E. Boatman (M) Richard E. Johnson (M) John A. Todd (M)<br />

Pierre Demoreauille (M) Harold B. Miles (M) Frank Tunay (M)<br />

ATLANTA SECTION<br />

Patronis, Jr., Eugene T., Prof. of Physics,<br />

School of Phybics, Georgia Institute of Tech-<br />

nology, Atlanta, Ga. 30332 (M)<br />

Smith, Harper R., Mot. Pic. Photog. & Lab.<br />

Tech., State of Alabama. Mail: 6 Calhoun<br />

Rd., Montgomery, Ala. 36109 (A)<br />

Wayne. Clabern D., Theatre Projectionist, Al-<br />

bert Weis. Mail: P.O. Box 135, Thunder-<br />

boLt, Ga. 31404 (A)<br />

BOSTON SECTION<br />

Bell, David K., Student, Northeastern Univ.<br />

Mail: 43 Watson Ave.. Attleboro. Mass.<br />

02703 (S)<br />

Xelleher, 111, John J., Public Relations Staff<br />

Supvr.. New England Telephone Co., 185<br />

Franklin St., Rm. 104A. Boston, Mass. 02107<br />

(M)<br />

Olihm, Richard C., Asst. Dir., Edu. Div.,<br />

WGBH Educational Foundation. Mail: 9<br />

Pinckney St., Boston, Mass. 02114 (M)<br />

Pinel-Darrleux, Bertrand, Student, Worchester<br />

Polytechnic Institute. Mail: E/o Knight, 11<br />

Motiadnock Rd., Worchester, Mass. 01609 (S)<br />

CAPE KENNEDY SECTION<br />

French, Buster, Plans & Programs Analyst,<br />

Technicolor, Inc. Mail: 250 Jacala Dr.,<br />

Merritt Island, Fla. 32952 (A)<br />

Fulghum, Henry A., Photo Lab. Processing<br />

Techn., Technicolor, Inc. Mail: P.O. Box<br />

1001, Merritt Island, Fla. 32952 (A)<br />

MeArthur, Horace L., Supvr., Mot. Pic. Pro-<br />

cessing, Capital Film Laboratories, Inc.<br />

Mail: 1965 N.W. 186 St., Opa-Locka, Fla.<br />

33054 (M)<br />

Warner, Richard P., Sr. Engr., Martin Mari-<br />

etta Corn. Mail: 6220 Peso Ct.. Orlando.<br />

Fla. 32808 (M)<br />

Wilklnson, Dewayne, Student, Miami-Dade<br />

Jr. Colleae. Mail: 711 E. 39th St.. Hialeah.<br />

Fla. 33013 (S)<br />

CHICAGO SECTION<br />

Abhoud, Phyllis J., Sls. Supvr., Acme Film &<br />

Videotape, 333 N. Michigan, Chicago, 111.<br />

6Of31 (A)<br />

Benediet, Lon, Arsoc. WritedDir., Iowa State<br />

Univ., Inf. Sew., Alice Norton House, Fih<br />

Prodn. Unit., Amen, Iowa, 50010 (A)<br />

Cornell, Richard L., Student, Columbia College.<br />

Mail: 2209 Elmira Ave., Des Plaines, Ill.<br />

60018 (S)<br />

Enpe, Ken, Pres., Galaxy Film Service, Inc.,<br />

1511 Hennepin Ave., Minneapolis, Minn.<br />

55403 (A)<br />

Fimschfld, Ted, Staff A/V Splst., IBM. Mail:<br />

2026 Edgewood Ct., Rochester, Minn. 55901<br />

(M)<br />

Oresnbaum, William H., Vice Pres., Dir. of<br />

Engrg., Unilux, Inc. Mail: 1014 N. Belle-<br />

forte Ave., Oak Park, Ill. 60302 (A)<br />

Luebbing, Richard E., Engrg. Asst., North<br />

Eastern Ill. State College. Mail: 2658 N.<br />

Daxton, Chicago, Ill. 60614 (A)<br />

Marsh. H. Jeffrey, Film EditodCameraman,<br />

LTV - Film Prodn. Dept. Mail: 1015 N.<br />

Carrier Pkwy., Apt. C-260, Grand Prairie,<br />

Texas 75050 (A)<br />

MeLendon, Donald C., Owner, <strong>Motion</strong> Picture<br />

Equipment Co. Mail: 7007 Gulf Freeway,<br />

Rm. 105, Houston, Texas 77017 (M)<br />

fance, Thomas A., Stage Mgr., Lighting De-<br />

signer. Baylor Univ. Mail: 2Mw) Austin<br />

Aie., #119,- Waco, Texas 76708 (A)<br />

fordberg, Rod. Chf. Film Editor, WTTW-TV.<br />

Mail: 5656 N. Christiana Ave.. Chicago. -.<br />

Ill. Ml645 (A)<br />

Olsen. ~. Del. Vice Pres.. Galaxy Film Service.<br />

Mafi: 10119 Colfax Ave., S., Minneapolis,<br />

Minn. 55431 (A)<br />

Pettit, 111, Wi1li.m S., Student, Indiana<br />

Univ., A/V Center. Mail: 1610 Dorchester<br />

Dr., Apt. 26, Bloomington, Ind. 47401 (S)<br />

Pfeiffer, Paul C., Assoc. Engr., Dir. of Photo.,<br />

Texas Instruments, Inc. Mail: 1212 Cherrywood<br />

Dr., Richardson, Texas 7SW (M)<br />

Richey, Robert L., Asst. Prof. of Speech &<br />

Drama, Bethany College, Lindsborg, Kan.<br />

67456 (A)<br />

Schultz, Art. 0.. Self Empl., The Audio Visual.<br />

Mail: 125 E. Wells St.. Nilwaukee. Wirc.<br />

53202 (M)<br />

Stenberg, Pargaret L, Student, Golumbia<br />

College. Mail: 4901 N. Hennitaee. Chi-<br />

Perfect your CCTV system with COSMICAR" lenses<br />

Shown are a few selected at random from COSMICAR lenses ranging from 8.5mm to<br />

1,000mm and zooms.<br />

COSMICAR is also prepared to custom-make lenses of any specifications.<br />

:58<br />

Please write today to:<br />

COSMICAR OPTICAL CO., LTD,<br />

(Former name: ICHIZUKA OPTICAL CO., LTD.)<br />

568, Shimoochiai, 2-chome, Shinjuku-ku, Tokyo Cable Address: "MOVIEKINO<br />

_.- TOKYO"<br />

January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79


Taylor, Richard K., Cinemat./Mot. Pic. Supvr..<br />

3M Co. Mail: 957 Lincoln Ave., St. Paul,<br />

Minn. 55105 (M)<br />

Weitermann, Bruce R., Eiigr., Storer Broad-<br />

casting Co. Mail: 4549 N. 38 St., Milwaukee,<br />

Wisc. 53209 (M)<br />

Wilson, Donald J., Engrg., TV. National<br />

Broadcasting Co. Mail: 181 Forest Ave.,<br />

Glen Ellyn, Ill. (io137 (A)<br />

Young, George A., Student, Illinois Institute<br />

of Technology. Mail: 71 E. 32 St., Box 169,<br />

Chicago, Ill. 60616 (S)<br />

DENVER SECTION<br />

Legate, Kimmy R., TV Broadcast Engr., US.<br />

Air Force. Mail: 1303 N. Nevada, Apt. 28,<br />

Colorado Springs, Colo. R0903 (M)<br />

Martin, Robert E, Slsman.-Magnetic Prod Div.,<br />

3M Co. Mail: 1380 Steele #503. Denver,<br />

Colo. 80206 (A)<br />

DETROIT SECTION<br />

Collins, Craig J., Student, Eastern Michigan<br />

Univ. Mail: 20415 W. I1 Mile Rd., South-<br />

field, Mich. 48075 (S)<br />

Kelly, Thomas M., Student, East Michigan<br />

Univ. Mnil: 8611 Stinchfield Rd., Pinckney,<br />

Mich. 48169 (S)<br />

Soden, Richard E., Student, East Michigan<br />

Univ. Mail: 456 Bournemouth Cir., Grosse<br />

Pte. Farms, Mich. 48236 (S)<br />

HOLLYWOOD SECTION<br />

Aikea. John R., TV Instrumentation Grp.<br />

Leader, North American Rockwell. Mail:<br />

4777 Topeka Dr., Tarzana, Calif. 91356 (A)<br />

Allen, Rlcbard H., Pres., Richard H. Allen<br />

Films, 1716 Lafayette Rd., Los Angeles,<br />

Calif. 90019 (M)<br />

Al-Sanousi, Mohammad, Student, University<br />

of Southern Calif. Mail: 3730 McClintock<br />

Ave., #533F, Los Angeles, Calif. 9oM)7 (S)<br />

Altavena, John R., Mot. Pic. Techn.. U.S.<br />

Navy. Mail: 244 Palmer St, Apt. C-50,<br />

Chula Vista, Calif. 90220 (A)<br />

ELCOM (NORTH AM PTON) LI MlTED<br />

Arment, Harold L., Chf. Engr., Gen. Mgr.,<br />

United Broadcasting Co., Inc. Mail: P.O.<br />

Box 817, Holtville, Calif. 92250 (A)<br />

Baker, Aaron J., Prodn. 8mm, Consolidated<br />

Film Ind. Mail: 7116 Matilija Ave., Van<br />

Nuys, Calif. 91405 (A)<br />

Biehl, Jerry W.. Student, Univ. of Calif. at<br />

Los Angeles. Mail: 500 Landfair, La Angeles,<br />

Calif. 90024 (S)<br />

Brown, Marshall M., Dir. of Engrg., Audio-<br />

.-<br />

tronics Corn. Mail: 1891 Windsor Rd.. San<br />

Marino, Calif. 91109 (M)<br />

Castlllo, Alfonso, Sound & Lighting Engr., Cen-<br />

tury Plaza Hotel. Mail: 917 W. Madison<br />

Ave., Montebello, Calif. 90640 (A)<br />

Cathers, James P., Sound & Proj. Engr., De-<br />

Luxe General, Inc. Mail: 1831 N. Winona<br />

Blvd., Apt. 310, Los Angeles, Calif. 90027 (A)<br />

Cohan, Murray R., Engrg. Film Projection,<br />

N.B.C. Mail: 6725 Bellingham Ave., North<br />

Hollywood, Calif. 91602 (M)<br />

Cole, Anthony, Sr. Engr. Lockheed - Califor-<br />

nia. Mail: 7476 Hillside Ave., Hollywood,<br />

Calif. 90046 (M)<br />

Cory, Gordon C., Head, Mot. Pic. Lab., Naval<br />

Missile Center. Mail: 460 Bucknell Ave.,<br />

Ventura, Calif. 93003 (M)<br />

Daccurso, Joseph A., Student, Univ. of South-<br />

ern Calif. Mail: 935 W. 90 St., #105, Los An-<br />

geles, Calif. 90007 (S)<br />

Daviau, Allen. Independent Cinematographer,<br />

5718 W. Camerford Ave., Los Angeles, Calif.<br />

90038 (A)<br />

DeLucia, Frank S., Student, Univ. of Southern<br />

Calif. Mail: 1050 S. Westmoreland Ave.,<br />

Apt. #E, Los Angeles, Calif. 9ooo6 (S)<br />

de Wit Van Der Merwe, Stephmui, Camera-<br />

man, F.L.S.M. Film Production. Mail: P.O.<br />

Box 4841, Santa Barbara, Calif. 93103 (A)<br />

Droege, Charles A., Video Tape Engr., N.B.C.<br />

Mail: 902 Kemp St., Burbank, Calif. 91505<br />

(A)<br />

DuBois, Eugene L., TV Engr., N.B.C. Mail:<br />

17172 Sesnon Blvd.. Granada Hills, Calif.<br />

91344 (A)<br />

Dunirin, Patrick H., Student, Univ. of South-<br />

ern Calif. Mail: 3311 W. 3 St., Bldg. 1, Apt.<br />

321, Los Angeles, Calif. 9OOO5 (S)<br />

Enyingi, Peter, Student, Univ. of Southern<br />

Calif. Mail: 3730 McClintock Ave., Apt.<br />

536-F, Los Angeles Calif. 90007 (S)<br />

Fender, William D., Electro-Mechanical Engr.,<br />

Electro-Optical-Systems. Mail: 816 W. Col-<br />

orado Blvd. #3, Monrovia, Calif. 91016 (A)<br />

Flsd, Jr., Philip J., Sr. Fields Sls. Engr., Am-<br />

pex Corp. Mail: 1435 N. Avon St., Burbank.<br />

Calif. 91505 (A)<br />

Foater, William B., Freelance Photog., Self<br />

Empl., 10327 E. Starca Ave., Whittier, Calif.<br />

90601 (A)<br />

Frasier, Bill C., Chf. Audio Engr., Swartwout<br />

Film Productions. Mail: 3708 E. Poinsettia<br />

Dr., Phoenix, Arizona 85028 (A)<br />

Gibbons, Peter, Hd. of Camera Dept.. CBS<br />

Studio Center. Mail: 4539 Via Vienta, Mal-<br />

ibu. Calif. 90265 (M)<br />

Goldisrr, Sylvan, Tech. Dir., Eclair Corp. of<br />

America, 7262 Melrose Ave., Loa Angeles,<br />

Calif. 90046 (A)<br />

Qraham, David B., Chf. Engr., Hollywood<br />

Video Center. Mail: 4325 Natoma Ave.,<br />

Woodland Hills, Calif. 91364 (M)<br />

Grunze, Siegfried, Des. Engr., Technicolor, Inc.<br />

Mail: 13676 Garrick Ave., Sylmar. Calif. 91342<br />

(A)<br />

Helacher, tswrence W., TV Broadcast Engr.,<br />

KCET-Channel 28. Mail: 3763 Los Felk<br />

Blvd., Los Angeles, Calif. 9W27 (A)<br />

Hill, C. Matt, Vice Pres., Audio Graphic Films,<br />

837 N. Cahuenga, Hollywood, Calif. 90038 (A)<br />

Hill, R. Bruce, Vice Pres., Mktg., Mitchell<br />

Camera Corp. Mail: 19321 Mayall St., North-<br />

ridge, Calif. 91324 (MI<br />

Hogan, William Id., Engr. ABC. Mail: 4804<br />

Franklin Ave., #9, Lor, Angeles, Calif. 90027<br />

(M)<br />

Holmes, Richard, Recording Engr., Univ. of<br />

Calif.. at Loa Anaeles. Mail: 1313 Pacific<br />

Ave., Venice, Calii. 90291 (M)<br />

Horton, Jon, Screen Writing, Self Empl., 9952<br />

Robbins Dr., Beverly Hills, Calif. 90212 (A)<br />

Kaufman, Nathan L., Student, Univ. of South-<br />

ern Calif. Mail: 1119 W. 29 St., Apt. 1, Lor<br />

Angeles, Calif. 9oao7 (S)<br />

Keller, Dane M., 8mm Transfer Dept., Glen<br />

Glenn Sound Co. Moil: 5832 Waring Ave.,<br />

Hollywood, Calif. 90038 (A)<br />

Manufactured entirely to customers speci-<br />

fication, ELCOM sound equipment is now<br />

being incorporated into the major tele-<br />

vision studios of Great Britain. Of fully<br />

flexible design and equally suitable for<br />

music recording, film dubbing, broad-<br />

casting and outside broadcast vehicles,<br />

ELCOM sound equipment features mod-<br />

ular construction based on International<br />

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Technical features include extremely low<br />

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Other products manufactured by ELCOM<br />

include a complete range of Audio<br />

Filters and Audio Switching Systems.<br />

WEEDON ROAD INDUSTRIAL ESTATE - NORTHAMPTON ENGLAND Telephone : Northampton 51873<br />

60 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />

(A MEMBER OF THE PAINTON GROUP OF COMPANIES)


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January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79 61


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HOLLYWOOD<br />

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Kent, George, Dir., Int'l Mktg., Audio Graphic<br />

Films, 837 N. Cahuenga, Hollywood, Calif.<br />

W.78 (A)<br />

Kloba, Ted J., Product Splst. Broadcast, Electronic<br />

Engineering Co. of Calif. Mail: 16661<br />

McFadden #12, Tustin, Calif. 92680 (A)<br />

Kloepfer, Floyd F., TV Systems Design, North<br />

American Rockwell. Mail: 2037 Chestnut<br />

Creek Rd.. Diamond Bar, Calif. 91766 (A)<br />

Lane, Paul E., Industrial Products Splst.,<br />

Honevwell Inc.. 6620 TelearaDh -~ Rd.. Los An-<br />

geles; Calif. 90022 (A)<br />

Layos, William A., Sec. Treas., Cinesound Co.,<br />

Inc.. 915 N. Highland Ave.. Hollywood, Calif.<br />

90038 (M)<br />

Levington, Jerry E., Student, Calif. State College<br />

-Fullerton. Mail: 13841 Dawson St..<br />

#C. Garden Grove, Calif. 92640 (S)<br />

Lewis, Chuck, Re-Rec. Mixer, 20th-Century<br />

Fox. Mail: 6107 Rhodes Ave., North Hollywood,<br />

Calif. 91606 (M)<br />

Malkiewicr, Jan K., Lecturer in Film Techniques.<br />

Calif. Institute of the Arts. Mail:<br />

2679 Wavcrly Dr., Lo5 Angeles, Calif. 90039<br />

(A)<br />

Martin, €I. R., Self Empl.. P.O. Box 98, Hemet,<br />

Calif. 92343 (A)<br />

Martinez, Rene C., Electronic Techn., Technicolor.<br />

Inc. Mail: 9012 Crescent Dr., Los Angeles.<br />

Calif. 90046 (M)<br />

Maxwell, Jr., James G., Sls.. 3M Co. Mail:<br />

426 Via La Selva, Redondo Beach, Calif. 90277<br />

(A)<br />

McCotmick, Thomas J., Projection Engr., MGM<br />

Studios. Mail: 3533 Mentone Ave., #3, Los<br />

Angeles, Calif. 90034 (M)<br />

McGahan, Patrick D., Vice Pres., Tarot Prodactions,<br />

Inc. Mail: 1592 Crossroads of the<br />

Word, Los Angcles, Calif. WO28 (A)<br />

Mellenthin, Jr., William, Student, Don Martin<br />

School of Radio & TV. Mail: 10707 Landale<br />

St., #ll, North Hollywood. Calif. 91m2 (S)<br />

Meyer, Thomas R., Engr., RCA Corp. Mail:<br />

3.717-A W. Alameda Ave., Burbank, Calif.<br />

91505 (M)<br />

Meza. Gabriel, Student. Univ. of Southern<br />

Calif. Mail: 313 E. Hillsdale St., Inglewood,<br />

Calif. 90302 (S)<br />

Miller, Johnie, Maint. Supvr.. Studio Tech.<br />

Facilities, KCOP-TV. Mail: 1630 N. Kenmore,<br />

Apt. 309. Ins Angeles, Calif. 90027 (A)<br />

Moody, James L., Teacher, Berkey-ColorTran,<br />

1015 Chestnut St.. Burbank, Calif. 91502 (A)<br />

Moore, Michael C., Sound Rcdg. Techn., Free.<br />

lance, 3285 Ashwood Ave.. Los Angeles, Calif.<br />

9006% (M)<br />

Morton, John 0.. Sound Techn., Glen Glenn<br />

Sound Co., a40 Jellico, Van Nuys, Calif. 91406<br />

(A)<br />

Newbern, William C., Educational Media Conslt.,<br />

1800 N. Argyle Ave., #308, Hollywood,<br />

Calif. 90028 (A)<br />

Odom, Charles H., Group T,eader, Video Products,<br />

Conrac Corp. Mail: 1251 s. Belgreen<br />

Dr., Whittier, Calif. 90601 (M)<br />

Palmer, Herbert, Asst. Prof., Coord. Mot. Pic.,<br />

San Fernando Valley State College. Mail:<br />

2252 Mandelville Canyon Rd., Los Angeles,<br />

Calif. 90049 (A)<br />

Penner, John E., Student, Univ. of Southern<br />

Calif., 3311 W. 3 St.. Bldg. 1, Apt. 321, LOS<br />

Angeles. Calif. 9ooo5 (S)<br />

Phan, Vinh, Student, 801 Phillips Hall, 3500<br />

University Pk., Univ. of Southern California,<br />

Los Angeles, Calif. 90007 (s)<br />

Rimmer, Marion M., Western Mktg. Mgr., Berkey<br />

ColorTran, Inc. Mail: 3191 Wac0 Ave.,<br />

Santa Susana, Calif. 93063 (A)<br />

Ryaa, Steve S., Student, Univ. of Calif. at Los<br />

Angeles. Mail: 500 Landfair, Los Angeles,<br />

Calif. 90024 (S)<br />

Saul, Jr., Robert J., US. Navy, 15594 Casimir<br />

Ave., Gardena, Calif. 90249 (A)<br />

Schaap, Kenneth N., Student, Don Martin<br />

School of Radio & TV. Mail: 20726 Clark<br />

St., Woodland Hills, Calif. 91364 (S)<br />

Schoener, Richard J., prod. Asst., Bailey Film<br />

Associates. Mail: 3344 Keystone Ave.. #6,<br />

Tas Angeles, Calif. 90034 (A)<br />

Schwartr, Murray, Mgr. Product Dev. & Opt.<br />

Div.. Ponder & Best Corp. Mail: P.0. BOX<br />

241. Tarzana, Calif. 91356 (M)<br />

Taylor, Richard, Michael Co. Mail: 3657<br />

Dunn Dr., Los Angeles. Calif. 90034 (A)<br />

Tunks, Kent, Rcdg. Engr., RCA Records.<br />

Mail: 8545 Walnut Dr., Los Angeles, Calif.<br />

90046 (A)<br />

Valens Tom, Student, Univ. of Southern Calif.<br />

Mail: 2918% Grand Canal, Venice, Calif.<br />

90291 (S)<br />

62 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />

Vine, S. Howard, Vice Prer., Audio Graphic<br />

Films. Mail: 16645 Nordhoff St., Sepulveda,<br />

Calif. 91343 (A)<br />

Walker, Jr.. 0. R., FieM Serv. Engr., Philips<br />

Broadcast Equip. Corp. Mail: 28 Van Dyke<br />

St., Thousand Oaks, Calif. 91360 (M)<br />

Wexler, Howard, Student, Univ. of Southern<br />

Calif. Mail: 1616 N. Curson Ave., Los Ange-<br />

les, Calif. 90046 (S)<br />

Wfdmayer, William L., Dir. of Photographic<br />

Operations & Head of Camera Dept., Colum-<br />

bia Pictures Corp., 1438 N. Gower St., Holly-<br />

wood, Calif. 90028 (MI<br />

Zebrowski, George 5.. Student, Univ. of South-<br />

ern Calif. Mail: 3311 W. 3 St.. Bldg. 1,<br />

Apt. 321, Los Angeles, Calif. 9OOO5 (S)<br />

Zieve, Stan L., Mgr., Newsfilm Operations,<br />

N.B.C., 3ooo Alameda, Burbank, Calif. 90205<br />

(MI<br />

MONTREAL SECTION<br />

Derrosien, Robert B., Supor., Quality Control,<br />

Canadian Broadcasting Corp. Mail: 908-B<br />

Havre Des Iles, Chomedey, Laval, P.Q.,<br />

Canada (A)<br />

Lambert, Claude, Field Service Engr.. Interna-<br />

tional Video Corp. Mail: 152 Roreval St.,<br />

Ste Rose De Laval, P.Q., Canada (M)<br />

Llewellin, Peter, Supvr., Film & TV Prodn.,<br />

Bell Canada. Mail: 3475 Ridgewood Ave..<br />

Apt. 103, Montreal 247, P.Q., Canada (A)<br />

Quigley, Paul R., Self Empl., 1558 Pine Ave.,<br />

W., Apt. 3, Montreal 109, P.Q., Canada (A)<br />

Theal, Gary T., TV Film Writer/Producer, Bell<br />

Canada. Mail: 220 BerIioz No. 409, Nuns<br />

Island, Montreal 201, P.Q., Canada (A)<br />

NASHVILLE SECTION<br />

Brackett, Paul R., News Cameraman & Writer,<br />

WSM-TV. Mail: 315 Lynn Dr., Nashville,<br />

Tenn. 37211 (M)<br />

NEW YORK SECTION<br />

Amico, Michael, Serv. Ygr., Tech. Mgr. Re-<br />

cording, Cinema Beaulieu. Mail: 342 Van<br />

Name Ave., Staten Island, N.Y. 10303 (A)<br />

Apple, Jeffrey D., Self Empl., Freelance Cam-<br />

eraman, 235 E. 10 St.. 3E, New York, N.Y.<br />

10003 (A)<br />

Bumham, Jeffrey, Self Empl., Freelance Cam-<br />

eraman, 69 W. 9 St., New York, N.Y. 10011<br />

(A)<br />

Citelli, Joseph, Student, Allen School for Mot.<br />

Pic. Proj. Mail: 67-25 Clyde St., Forest<br />

Hills. N.Y. 11375 (S)<br />

Coren, Carol. Student, Temple Univ. Mail:<br />

1210 Levick St.. Philadelphia, Pa. 19111 (S)<br />

Crane, Charler J., Sls. Engr., Eastman Kodak<br />

Co., 200 Park Ave., New York, N.Y. 10017 (A)<br />

Cvetic, John J., Engrg. Supvr.. Westinghouse<br />

Broadcasting Co. Mail: 1807 Crosby Ave.,<br />

Pittsburgh, Pa. 15216 (A)<br />

Dahms, John P., Student, Rochester Institute<br />

of Technology. Mail: 19 Lyncrest Dr.,<br />

Paramus, N.J. 07652 (S)<br />

Damude, D. Brian, Student, New York Univ.<br />

Mail: 119 Sullivan St., #16, New York, N.Y.<br />

10012 (S)<br />

Derlnk, Leo S., Photog., Western Electric Co.<br />

Mail: 172 E. Hill Rd.. Ccfonia. N.J. OM67 (A)<br />

Dinges, Frank J., Techn., Audio Transfers.<br />

Mail: 176 W. 87 St., New York, N.Y. lW24<br />

(M)<br />

Else, Park A., Dir. of Prodn., McGraw-Hill,<br />

Inc.. 330 W. 42 St., New York, N.Y. 10036 (A)<br />

Ericson, Edward T., Vice Pres., Young Film<br />

Laboratories. Mail: 19 W. Mill Rd., Maple<br />

Shade, N.J. 08052 (A)<br />

Fisher, George, Student, Temple Univ. Mail:<br />

323 Bailey Rd., Rosemont, Pa. 19010 (S)<br />

Gallo, Anthony C., Process 8 Quality Control<br />

MRr.. Perfect Photo. Mail: 4439 Paul St..<br />

Pyiladelphia, Pa. 19124 (M)<br />

Gauthier, Frederick J., Lab. Mgr., Color Film<br />

Corm Mail: 14 Dover Rd., Congers. N.Y.<br />

lDi6 (A)<br />

Glasser, Mitchell, Student, Rocherter Institute<br />

of Technology. Mail: 15-18 Everett Terr.,<br />

Fair Lawn, N.J. 07410 (S)<br />

Oatton, 9. Douglas, Vice Pres., Prodn., Reeves<br />

Actron, 565 5 Ave., New York, N.Y. 10017 (A)<br />

Grossman, Morris L., Project Engr,, DeJur-<br />

Amsco Corp. Mail: 32-40 89 St., Jackson<br />

Heights, N.Y. 11369 (A)<br />

Harmon, Joseph A., Data Services Engr.. N.Y.<br />

Telephone Co. Mail: 73 S. Forest Avc..<br />

Rockville Centre, N.Y. 11570 (M)<br />

Haskett, Thoma. R., Assoc. Editor, BM/E.,<br />

Magazine of Broadcast Management/Engrg.<br />

Mail: 416 Lafaybtte St., New York, N.Y.<br />

10003 (A)


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High speed return of the film to “start”<br />

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Actors, who so often succumb to the<br />

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interference. Acceptable “takes” can be<br />

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Complete reels of the motion picture are<br />

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January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Vdumc 79 63


64<br />

Binders for<br />

<strong>SMPTE</strong> - sponsored<br />

U.S.A. Standards<br />

and<br />

<strong>SMPTE</strong><br />

Recommended<br />

Practices<br />

to keep your <strong>Journal</strong>s<br />

Each issue can be easily bound or detached I<br />

Order these durable, high-quality binders<br />

from <strong>SMPTE</strong> - Price: $3.50, plus postage.<br />

SOCIETY OF MOTION PICTURE<br />

AND TELEVISION ENGINEERS<br />

9 East 41st Street, New York, N. Y. 10017<br />

(2121 TN7-5410<br />

for convenience in assembling and storing the increasing number of<br />

Standards and Recommended Practices that need to be kept on file<br />

Order these high-quality, durable leatherette ring binders,<br />

in sets of two, from <strong>SMPTE</strong> Headquarters. Price: $8.00 the set<br />

Society of <strong>Motion</strong> Picture and Television Engineers<br />

9 East 41 Street, New York, N. Y. 10017<br />

January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />

Herbkovitr, Antol, Assoc. Dir., Health Sciences<br />

Center State Univ., N.Y. Mail: 120 get-<br />

chams Rd., Syosset, N.Y. 11791 (M)<br />

Holub, Ernest G., Installation & Serv. Coord.,<br />

RCA Service Co., Bldg. Chic 225, Camden,<br />

N.J. 08101 (M)<br />

Hulko, R. Lee, Pres., Sterling Sound, he., 56<br />

W. 45 St., New York, N.Y. 10036 (A)<br />

Hunt, David R., Student, Temple Univ. Mail:<br />

409 N. Ea~ton Rd., N-4, Willow Grove, Pa.<br />

lorn [Sb<br />

MLG. Jacques A., Student, Allen School for<br />

Mot. Pic. Proj. Mail: 2657 Bedford Ave,.<br />

Apt. IA, Brooklyn, N.Y. 11210 (S)<br />

Pam, Albert F. W., Chf. Proj. Engr., Farrand<br />

Optical Co.. Inc. Mail: 4 Beech PI., Valhalla,<br />

N.Y. 10595 (A)<br />

Patrick, Jay, Pres., Tect, Inc., 254 Livingiton<br />

St., Northvale, N.J. 07647 (M)<br />

Putterman, William, A-V Engr., American<br />

Broadcasting Co. Mail: 80 Central Ave..<br />

East Brunswick, N.J. 08816 (M)<br />

Rhyins, Richard W., Dir. of Projects, Optronics<br />

Technology, Inc. Mail: 7 Griffith<br />

La., Ridgefield, Conn. 06877 (M)<br />

Sarrett, Robert, Electronic TU - HI FI Repair<br />

Techn., Heights Electronics. Mail: 740<br />

Grand Concourse, Bronx, N.Y. 10451 (A)<br />

Senie, Curtis J., Designer, Goo. C. Izcnour<br />

Associates, Inc., P.O. Box 1699 Yale Station,<br />

New Haven, Conn. 06520 (A)<br />

Sleight, Henry, Maint. Supvr.. Video Section,<br />

Reeves Telecom. Mail: 168 Berkeley PI.,<br />

Dumont, N.J. 0763 (M)<br />

Smith, Jr.. Jason H., Project Engr., CBS.<br />

Mail: 55 W. 92 St., Apt. SH, New York, N.Y.<br />

10025 (M)<br />

Stange, Paul A., Student, New York Univ.<br />

Mail: 154 6 Ave., Brooklyn, N.Y. 11217 (S)<br />

Swartz, Randy, Student, Temple Univ. Mail:<br />

1600 Garrett Rd.. Upper Darby, Pa. 19082 (S)<br />

Smith, Allen Q., Sls. Promotion Mgr., C.S. Ashcraft<br />

Co., 36-32 38 St., tong Island City, N.Y.<br />

11101 (M)<br />

Sterzel, Paul, Transfer Man, Magno Sound,<br />

Inc. Mail: 35-18 192 St., Flushing, N.Y.<br />

11358 (A)<br />

Thompson, Roscoe A., Chemist, Movielab. Inc.<br />

Mail: 324 E. 50 St., Apt. 4A, New York, N.Y.<br />

1OOn (M)<br />

Wehner, Jr.. Francis J., Student, Worcester<br />

Polytechnic Institute. Mail: P.O. Box W,<br />

Groton. Conn. 06340 (S)<br />

Weiner, Hal, Pres., Viaual Instruction Systems,<br />

Inc. Mail: 37-27 86 St., Jackson<br />

Heigh,ts, N.Y. 11372 (M)<br />

Pamparelli, Jr., Michael A., Student, Allen<br />

School for Mot. Pic. Proj. Mail: 3333 Hone<br />

Ave., Bronx, N.Y. 10469 (S)<br />

OHIO SECTION<br />

Reed, W. E.. Mgr., Cine Film Dept., Kenner<br />

Products, 912 Sycamore St., Cincinnati, Ohio<br />

45212 (A)<br />

ROCHESTER SECTION<br />

Baker, A. D., Sr. Proj. Engr., Eastman Kodak<br />

Co. Mail: 225 Heritage Cir., Rochester,<br />

N.Y. 14615 (A)<br />

Bobb, Idark, Student, Rochester Institute of<br />

Technology. Mail: Andrews Memorial Dr.,<br />

Box 68, Roche~ter, N.Y. 14623 (S)<br />

Collier, Kent R., Student, Rochester Institute<br />

of Technology. Mail: 207 Plymouth Ave..<br />

S., Apt. 10, Rochester, N.Y. 14606 (S)<br />

Cooksey, John A., Sr. Engr. Electronic Sys.,<br />

Singer-Link Div. Mail: Carriage House E.,<br />

Apt. C5, Kirkwood. N.Y. 13795 (A)<br />

Fuller, Gary W., Student, Rochester Institute<br />

of Technology. Mail: 25 Andrews Memorial<br />

Dr., Box 223, Rochester, N.Y. 14623 (S)


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January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />

65


Glasford, Glenn M., Prof., Electrical Engrg.,<br />

222 Hinds Hall, Syracuse Univ., Syracuse.<br />

N.Y. 13210 (M)<br />

Grftnville, Jr., Richard W., Engr., General<br />

Electric Co. Mail: 221 Park Lane, North<br />

Syracuse, N.Y. 13212 (M)<br />

YacNally, Raymond, Product Inf. Splst.. East-<br />

man Kodak Co., Int’l Mkts. Div., 343 State<br />

St., Rochester, N.Y. 14650 (A)<br />

Padn, Jr.. Willir~n. Student, Rochester Insti-<br />

tute of Technology. Mail: 25 Andrews Me-<br />

morial Dr., Box 993. Rochester, N.Y. 14623 (S)<br />

YcGrath, J. Jeffrey, Student, Rochester Insti-<br />

tute of Technolonv. Mail: 27 Southcross<br />

Trail, Fairport, NYY. 14450 (S)<br />

YcGrath, James A., Publication Data Splat.,<br />

Fastman Kodak Co.. State Street, Rochester.<br />

N.Y. 14650 (M)<br />

McSweeney, Gary J., Student, Rochester Tn-<br />

stitute of Technology. Mail: 170 Milford<br />

St., Apt. 7, Rochester, N.Y. 14615 (S)<br />

Mills, Daniel H., Mktg. Splst.. Eastman Kodak<br />

Co.. 343 State St., Rochester, N.Y. 14650 (M)<br />

Roberts, Jon, Student, R.I.T. School of Photo<br />

Science, Rochester, N.Y. 14623 (S)<br />

Waddell, Lyle O., Tech. Advisor, Photo Opt.<br />

Div., Air Force. Mail: 144 Golden Rod La.,<br />

Apt. 5, Rochester, N.Y. 14623 (M)<br />

SAN FRANCISCO SECTION<br />

Arcbey, Roger, Mgr., A-V Dept., The Bank of<br />

California, 400 California St., San Francisco,<br />

Calif. 94120 (A)<br />

Coleman, Charles H., Sr. Staff Engr., Ampex<br />

Corp. Mail: 1617 Notre Dame Ave., Belmont,<br />

Calif. 94002 (M)<br />

Delantoni, John H., Projectionist, Encore<br />

Theatre. Mail: 7 Seville Wav. #3. San<br />

Mateo, Calif. 94402 (A)<br />

_. .. ,<br />

Dowell, Charles H., Owner, Chuck Dowell<br />

Laboratories. Mail: 5412 E. Lansing<br />

Fresno, Calif. 93727 (A)<br />

Eppstein, A. D., Sr. Engr., Memorex<br />

10639 Maplewood Rd., Cupertino, Calif.<br />

(A)<br />

Film<br />

Way,<br />

Corp.<br />

95014<br />

Fadely, Jamrs K., Sr. Engr., Commercial Electronics,<br />

Inc. Mail: 930 Edgecliff Way, Red.<br />

wood City, Calif. 94061 (M)<br />

Hamaoui, Halfon. Sr. Engr., International<br />

Video Corp. Mail: 1050 Crestview, Mountain<br />

View. Calif. 94040 IM)<br />

Horowitr, Donald J.; Student, San Jose State<br />

College. Mail: 3271 Benton St.. Santa Clara.<br />

Calif. 95051 (S)<br />

Jamison, Walter C., TV Maintenance, KOMO-<br />

TV. Mail: 4907 217 S.W., Mountlake Terrace,<br />

Wash. 98043 (A)<br />

Levine, Stephen R., Student, Stanford Univer-<br />

-.<br />

sity. Mail: 48A Escondido Villane. Stan-<br />

ford, Calif. 94305 (S)<br />

Martin, Carl, Northwest Regional Mgr., Houston<br />

Fearless. Mail: 8 Foothill Pk. Ter..<br />

Iafayette, Calif. 94549 (A)<br />

Nelson, Earl H., Visual Media Coord., The<br />

Hoeing Co. Mail: 900 Warren Ave., N.,<br />

Seattle, Wash. 98109 (M)<br />

Ordsco, Albert, Field Engr., I.V.C. Mail:<br />

0187 San Juan St., Santa Clara, Calif. 94051<br />

(A)<br />

Reynolds, Robert J.. Studio Mgr., San Jose<br />

State College. Mail: 4833 Cloud Dr., San<br />

Jose, Calif. 95111 (A)<br />

Sargent, Karl D., Video Evaluation Engr..<br />

.~<br />

Amwx Coro. Mail: 2155 Lanai Ave.. Aot.<br />

10G,’San Jose, Calif. 95122 (A)<br />

Shibuya, Ted T., Chf. Cinemat., Pacific Broad-<br />

castinn System. 1534 Kapiolani Blvd., Hono-<br />

lulu, Hawaii 96814 (A)<br />

Slaughter, John E., Pres.. Gen. Mgr., The Com-<br />

munications Group, Ltd. Mail: 8601 Skyline<br />

Jllvd., Oakland, Calif. 94611 (M)<br />

Taylor, Kenneth I., Dir., Electro Mechanical<br />

Res. & Dev., Memorex Corp. Mail: 260<br />

Gabarda Way, Menlo Park, Calif. 94025 (M)<br />

Williams, Donald S., Systems Splst., RCA.<br />

Mail: P.0. Box 754, Palo Alto, Calif. 94302<br />

(M)<br />

Verrinder, James M., Sr. Applications Engr.,<br />

International Video Corp. Mail: 1917 Cala-<br />

brasas Blvd., Santa Clara, Calif. 95051 (A)<br />

Youngstrom, Jerry, Mgr., Product Dev.,<br />

Memorex Corp. Mail: 1768 Kimberly Dr..<br />

Sunnyvale, Calif. 94087 (A)<br />

66 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volu<br />

e 79<br />

TORONTO SECTION<br />

Allen, Robert, Lab. Techn., Best Film Indus-<br />

tries. Mail: 61 Spring Mount Ave., Toronto,<br />

Out., Canada (A)<br />

Antoniuk, Stan, Tech. Dir., Duffoto Process<br />

Co. Mail: 6220 37 St., S.W., Calgary, Al-<br />

berta, Canada (A)<br />

Bowers, Joseph, Chf. Sound Techn., Beat Film<br />

Industries. Mail: 11 Crown Hill Place, Apt.<br />

26, Toronto, Ont., Canada (A)<br />

Brown, Quentin, Dir. of Instructional Media.<br />

University of Manitoba, Dafoe Library<br />

Bldg. Winnipeg 19. Manitoba, Canada (A)<br />

Cox. Kelly, Producer, Duffoto Process Co.<br />

Mail: 25 Gladys Ridge Rd., Calgary, Al-<br />

berta, Canada (A)<br />

Eilcullen, John J., Sls. & Engrg., General<br />

Sound & Theatre Equip. Ltd. Mail: 7<br />

Foxden Rd., Don Mills 403 Ont., Canada (A)<br />

Lake, Harry, Dir. of Photography, John Lowry<br />

Productions. Mail: 32 Cavendiih Cres..<br />

Bramalea, Ont., Canada<br />

La<strong>new</strong>asser, Herb, Cameraman B Processing<br />

Supvr., Film Technique Ltd. Mail: P.O.<br />

Box 1007, Terminal A, Toronto 1, Ont..<br />

Canada (A)<br />

Northrop, Peter J., Tech. Adviaor, A-V Re-<br />

sources, Trent Univ. Mail: P.O. BOX 214.<br />

Lakefield, Ont., Canada (A)<br />

Rinpa, Nick I., Dir., Mktg., Miller Elec-<br />

tronics Ltd. Mail: 2221 Bonnacord Dr..<br />

Vancouver 16, B.C., Canada (A)<br />

WASHINGTON SECTION<br />

Reid, William Y., Asst. Head, Mot. Pic. Lab.<br />

Div., Naval Photographic Center. Mail:<br />

7857 Glenister Dr., Springfield, Va. 22152 (M)<br />

INTERNATIONAL<br />

De 1Pucc1, Joree B., Tech. Mgr,, Produccioner<br />

Argentinas De TV S.A.C.I. Mail: Recuero<br />

3291, Cap. Federal, Buenos Aires, Argentina<br />

(MI<br />

Stimson, Ian Q., Sr. Techn., South Western<br />

Telecasters Ltd. Mail: 14 Floreat St., Bunbury<br />

6230, Western Australia (A)<br />

Butt, Sidney J., Tech. Mgt., Studio Film Laboratories.<br />

Mail: 30, Ben Austins. West<br />

Common Red Bourn, Herta., England (A)<br />

Calder, Duncan C., Tech. Dir., Photomec (London)<br />

Ltd. Mail: 40 Dale Ave., Custard<br />

Wood, Wheathampatead, Herts, England (M)<br />

Cooper, Norman, Dev. Engr., Ilford, Ltd.<br />

Mail : “Highfields,” Stow Maries, Chelmsford,<br />

Essex,-England (M)<br />

Dick#, D. R. W., Managing Dir., G. Humphries<br />

& Co., Ltd., 71/81 Whitfield St., London W 1,<br />

England (A)<br />

Ellis, Robert, Tech. Dir., George Humphries &<br />

Co., Ltd. Mail: 26 Fitzroy Rd., Regentr<br />

Pk., London NW I. England (A)<br />

Gdwin, Eric, Sls. Engr., Rank Taylor Hobson.<br />

Mail: 120 Wintersdale Rd., Leicester,<br />

England (A)<br />

Wood, Charles B. B., Head, Image Scanning<br />

Sec., BBC, Research Dept.. Bagley Croft,<br />

Babylon La., Lower Kingswood, Tadworth,<br />

Surrey, England (M)<br />

Chevereau, Claude Pres., S.A. Chevereau, Service<br />

du Cinema, 20, Rue de In Chine, Paris<br />

20, France (A)<br />

Yeung, Steven Y. L., Color Lob. Techn., Shaw<br />

Brothers (H.K.) Ltd. Mail: 26 Tak Ming<br />

House. Choi Hung Rd., Kai Tak Estate.<br />

Kowloon Hong Kong (A)<br />

Yurty, D.’V. 9. S. X., Foreman, Charge of TV<br />

Center, Indian Institute of Technology. Television<br />

Center, Kanpur, India (M)<br />

Ayah, Alvaro Delgado, Mgr., Lab. Ternexcolor<br />

S. de R.L., Playa Caleta #261, Mexico D.F..<br />

Mexico (A)<br />

Loom, Herberto, Mgr., Serv. Espec. Cinematograficos<br />

S.A. Mail: Playa Caleta #Zal-A.<br />

Mexico D.F. (13), Mexico (A)<br />

Swanberg, Lars H., Dir., Tech. Res., Svenska<br />

Filminstitutet. Box 1327, 11183 Stockholm.<br />

Sweden (MI<br />

Agusrrevere, Santiago E., Tech. Dir., Cadena<br />

Venezolana de Televinion-Canal 3, Av. Lor<br />

Castanos - Montecristo, Caracas, Venezuela<br />

(M)<br />

Imth. Albert, Dr., Institut fur Photochemic<br />

& Filmtechnik. Technische Univernitat, Berlin,<br />

West Germany (H)<br />

Sachtler, Wendelin, Self Empl., Herzogstranm<br />

97, Munich 13, W. Germany (A)


To process Kbdak films best,,<br />

there5 nothing like a package<br />

It’s only natural.The Kodak films<br />

you’re using are the finest we can pro-<br />

duce. One important reason is end-<br />

less testing during manufacture. Of<br />

course, we use Kodak chemicals to<br />

test ourfilms.We call this“Match-<br />

Testing” because the films are<br />

matched to the chemicals and vice<br />

versa. So if you use Kodak packaged<br />

chemicals when you process black-<br />

and-white, ME-4 or ECO-2 color,<br />

or black-and-white reversal, you can<br />

be sure you’re getting the finest proc-<br />

essing.<br />

‘ ‘M at c h -Tes t i n g” is actual I y the<br />

final test for our packaged chemicals.<br />

There are many more before that.We<br />

test the initial ingredients, the mixed<br />

ingredients, and thefinishedchemical.<br />

We even test the packaging, so it<br />

comes to you in the best condition,<br />

When you get the chemical, it’s so<br />

right that you don’t even need a lab<br />

chemist.<br />

To make it easier to get the Kodak<br />

packaged chemicals you need, we<br />

now have a direct “One-Stop Shop-<br />

ping Service” for chemicals. Kodak<br />

warehouses throughout the country<br />

provide speedy delivery of the pack-<br />

aged chemicals you order.<br />

We top everything off with exten-<br />

sive and readily available technical<br />

resources. In short, we like to do<br />

everything we can to make sure our<br />

films grow up into great movies.<br />

Would the Kodak “One-Stop<br />

Shopping Service” for chemicals<br />

benefit you ? Talk to your Kodak<br />

Sales and Engineering Representa-<br />

tive about it,or call the nearest Kodak<br />

office listed below.<br />

EASTMAN KODAK COMPANY.<br />

Atlanta : 404/351-6510 Chicago: 312/654-0200<br />

Dallas: 214/FL 1-3221 Hollywood: 213/464-<br />

6131 New York: 212/MU 7-7080 San Fra<br />

cisco: 415/776-6055


\<br />

1. Introduction<br />

2. <strong>Motion</strong>-Picture Films<br />

3. Physical Aspects of the<br />

Projection Room<br />

4. General Rules for<br />

Good Projection<br />

5. Measuring Instruments<br />

6. The Basic <strong>Motion</strong>-Picture<br />

Projector<br />

7. Operational Maintenance and<br />

Repair of Projectors<br />

8. Projector Performance Testing<br />

9. Projection Light and<br />

Light Sources<br />

10. DC-Power Supplies for<br />

Projection Light Sources<br />

It. Projection Lenses and Optics<br />

12. <strong>Motion</strong>-Picture Theatre Screens<br />

13. <strong>Motion</strong>-Picture Sound Systems<br />

14. Theatre Construction and Design<br />

15. Theatre Seating<br />

16. Theatre Carpeting and Drapery<br />

17. Theatre Automation -Automatic<br />

Programming<br />

18. Drive-In Theatres<br />

19. The Theatre Supply Dealer<br />

20. The Competent Projectionist<br />

21. Problems in Projection - Case<br />

Histories<br />

Appendixes<br />

Manufacturers Honoring <strong>SMPTE</strong><br />

Request Cards 0 Index to<br />

<strong>SMPTE</strong>-Sponsored USA Standards<br />

and Recommended Practices<br />

0 List of <strong>SMPTE</strong> Publications<br />

0 Test Film Catalog<br />

Index<br />

Detailed Table of Contents on rcquest.<br />

M~PW AtraieaGee 0 I<br />

<strong>Motion</strong>-Picture Projection and<br />

Theatre Presentation Manual<br />

21 Chapters<br />

I Appendixes<br />

W 190-page book<br />

W Large format/two columns<br />

H 130 illustrations<br />

W Index<br />

H Cloth bound<br />

Single Copy Price-$7.50<br />

Less 20% to <strong>SMPTE</strong> Members,<br />

Libraries, and Booksellers<br />

Less 25% for 5 through 49 copies, plus shipping<br />

Less 33%% for 50 copies and more, plus shipping<br />

68 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />

<strong>new</strong><br />

products<br />

....................<br />

(and dmvmlopmmntr)<br />

Further information about there items can be<br />

obtained direct from the addresses given. As in<br />

the core of technical papers, the Society is not<br />

responsible for manufacturers' statements, and<br />

publication of these items doer not constitute<br />

endorsement of the products or services.<br />

A Norelco 3-Plumbicon color TV camera,<br />

designated LDH-1 and designed especially<br />

for applications in the fields of education,<br />

medicine and CATV, has been introduced<br />

by Philips Broadcast Equipment Corp.,<br />

One Philips Parkway, Montvale, NJ 07645.<br />

The camera is based on the same design<br />

concept as that of the Norelco PC-70 but<br />

it has been adapted to meet the needa of<br />

nontheatrical broadcasters, including bud-<br />

getary requirements. It is priced at<br />

$21,425. The LDH accepta either Plumbi-<br />

con image pickup tubes or (in a lower-<br />

priced version) 1-in vidicons. Switchable<br />

circuitry is designed into the system to<br />

complement the response characteristics of<br />

both sensors. Without any wiring modifi-<br />

cation, different modules can be plugged<br />

into the rear of the camera to obtain two<br />

basic camera versions. Without wiring<br />

modifications different modules can be<br />

plugged into the rear of the camera<br />

to obtain either RGB or NTSC encoded<br />

operation in accordance with the EIA<br />

scanning system. The LDH-1 will also be<br />

available in the PAL version.<br />

The LDH-1 can be supplied with or<br />

without its 7-in viewfinder. The live cam-<br />

era version (with viewfinder) also in-<br />

cludes an additional video switching and<br />

audio unit which is mounted beneath the<br />

viewfinder. Program sound is FM-modu-<br />

lated on a carrier wave and is available at<br />

a VHF socket.<br />

The camera uws the Philips prismatic<br />

beamsplitting system. To ensure perma-<br />

nent alignment, the assembly comprising<br />

the beamsplitter. pickup tubes with their<br />

associated deflection coil assemblies and<br />

FET preamplifiers is integrated into a sin-<br />

gle aluminum-alloy cast block and fixed<br />

into position. Camera electronics include


RECORDING - PROJECTION<br />

M.T. E. EQUIPMENT<br />

REVERSIBLE SYNC-INTERLOCK. OPERATION<br />

-For Yoat--<br />

SOUND STUDIO SCREENING ROOM<br />

PREVIEW ROOM CONFERENCE ROOM<br />

MAGNA=TECH ELECTRONIC COO,, INC.<br />

630 Ninth Avenue, New York, N. Y., 10036<br />

January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79 69


signal processing, time-base and power<br />

supply circuit boards. Camera controls arc<br />

conccntratcd on one module which can be<br />

taken from the camcra and linked to it by<br />

an intcrconricctitig cable so that the gain<br />

of tlic grccn channel, black level. color<br />

balance and lens iris can be rcmotcly con-<br />

trolled if dcsircd. A horizontal control cor-<br />

rection signal is dcrivcd from thc linear<br />

green signal and added to the thrcc color<br />

signals or the luminance signal after<br />

gamma correct ion.<br />

A compact, 24-ft color T V mobile unit de-<br />

signed cspecially for educational broad-<br />

casters has been annouricctl by RCA Corp.<br />

The unit contains the RCA TK-44A color<br />

camera, camera controls, picturc monitor,<br />

a high-band video-tape rccortlrr and audio<br />

facilities. Microwavc equipment can he<br />

added to relay live programs back to the<br />

home studio. The tape recordcr in thc<br />

mobile unit is the RCA TR-60 color TV<br />

tape rccorder intended to capture on tape<br />

the rnaxiinum amount color picture qual-<br />

ity provided by the camera. 'l'hc unit<br />

is air-conditioned and makes use of a<br />

heavy-duty Dodge chassis and a body cus-<br />

tom designed for TV equipment installa-<br />

tion and opcrations.<br />

The IVC-90, a 3-vidicon color TV ramera<br />

with a built-in viewfinder, lias brcn an-<br />

nounced by International Vidco Corp., 675<br />

Almanor Ave., Sunnyvale, CA 0408G. 'l'hc<br />

camera is self-contained and utilizes solid-<br />

state circuitry for compactness and porta-<br />

bility. Features include a permanently<br />

70<br />

Special Effects)<br />

aligncd optical system. A built-in inte-<br />

grated sync gcnerator and encoder provides<br />

cncodcd outputs from a single coaxial con-<br />

nrctor. The camera can also be used with<br />

an external sync generator and encoder.<br />

The control panel is located below the<br />

viewfinder and permits the operator to ad-<br />

just canicra master gain and pedestal and<br />

individual R, G and B target and pedestal.<br />

The basic camera is supplied with three<br />

separate mesh vidicon tubes, 6:1 zoom lens,<br />

a mechanical extcnsion of focus, zoom and<br />

iris; 50-pin Cannon connector with 25 ft of<br />

video cablc; and ac power cord. It is<br />

priced at $7,500. The IVC-90 is also avail-<br />

able as a film chain camera at a price of<br />

$7,200.<br />

An improved version of the Norelco PC-70<br />

color TV camera, designated the PC-'IOS,<br />

has been announced by Philips Broadcast<br />

Equipment Corp.. One Philips Parkway,<br />

Montvale, NJ 07645. The up-dated camera<br />

lias <strong>new</strong> 48-tlR SNR FET preamplifiers<br />

usrd to producc noise-free pictures beyond<br />

the earlier PC-70 performance in the low<br />

light areas. Other improvements include<br />

an electronic edge enhancement system<br />

which uses a <strong>new</strong> dynamic-image correla-<br />

tion filtcr tcchniquc to provide sharper<br />

pictures with less contributed noise even<br />

in the saturated red and blue areas.<br />

A <strong>new</strong> broadcast TV camera, a mono-<br />

chrome vcrsion of thc Ampex BC-210, has<br />

been announced by Ampcx Corp., 401<br />

Broadway, Redwood City, CA 94063. The<br />

monocliromc camcra, Modcl BC-PIOM, has<br />

CONTENTS : The Development of Special Effects<br />

The Application of Special Effects<br />

Atmospheric Effects<br />

Speci a I -Eff ects Props<br />

Optical Effects<br />

Sound Effects<br />

Miscellaneous Effects<br />

MORE THAN 100 ILLUSTRATIONS<br />

Discounts of 20% to <strong>SMPTE</strong> members and booksellrn<br />

on single copies; 25% on orders of 5 through 4n;<br />

33-1/3% on orders of 50 or morr.<br />

a singlc Plumbicon tube. It can be con-<br />

verted to meet future color requirements<br />

for nontheatrical use. It weighs 35 lb and<br />

uses lightweight camera cable less than 2<br />

oz/ft and 0.47 in in diameter. The BC-<br />

210M is Sl/, in wide, 13v' in high and<br />

20y2 in long with viewfinder. It is priced<br />

at $20,000. It can be converted to color for<br />

an additional $35,000. After color conver-<br />

sion the camera has the same dimensions<br />

as for monchrome but it weighs 50 lb.<br />

A closeddrcuit TV camera, Model ITV-<br />

15, has been announced by Advanced<br />

Technology and Systems Corp., 1143 Post<br />

Rd., Riverside, CT 06878. The camera is<br />

designed for continuous duty in closed-dr-<br />

cuit applications, such as security-surveil-<br />

lance systems. Features include a C-mount<br />

25mm f/1.9 lens, a 1-in vidicon, inter-<br />

changeable with an IR-sensitive vidicon,<br />

Reviewed by<br />

the <strong>SMPTE</strong> Advisory<br />

Committee on<br />

Specie1 Effects<br />

<strong>Motion</strong> Pictures:<br />

Herbert Meyer<br />

Choirmra<br />

Rusrell Brown<br />

Thomas G. Fisher<br />

Jack Froehlich<br />

Max Hankinr<br />

Ub lwerkr<br />

lven Martin<br />

Bob Mattey<br />

Frederic 1. Ponedel<br />

John Aoche<br />

J. Edward Stembr<br />

Edward Stones<br />

Virgil Summers<br />

Order from:<br />

Society of <strong>Motion</strong> Picture and Television Engineers<br />

9 East 41st Street, New York, N. Y. 10017<br />

January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79


Photographed at the Winter Olympics, 1968 - by Cinepress, Grenoble, France<br />

January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79


Plan NOW TO Attend The<br />

9th INTERNATIONAL CONGRESS<br />

ON HIGH-SPEED PHOTOGRAPHY<br />

August 2-7, 1970 / Denver Hilton Hotel / Denver, Colorado<br />

society 01 <strong>Motion</strong> Picture and Television Engineers<br />

Write for information on:<br />

Wow to attend<br />

Presenting a paper<br />

Equipment Exhibit<br />

525-line scan, 500-line resolution, RF and<br />

video outputs and switchable positive/neg-<br />

ative iniage reversal. The camera weighs 8<br />

lb and is 5.4 in wide by 12.6 in long by 3.1<br />

in high. It is priced at $425.<br />

The Amphicolor 1000, an all-solid-state<br />

full color T V projector and the Amphicon<br />

270 monochrome projector have been an-<br />

nounced by Amphicon Systems, Inc., One<br />

Graphic Place, Moonachie, NJ 07074. The<br />

Amphicon 1000 has three 6-in cathode-ray<br />

tubes and the 270 has one 6-in cathode-<br />

ray tube. Both the color and the mono-<br />

chrome projectors are designed for large-<br />

screen projection giving 8- to 20-ft-wide<br />

pictures. Both projectors are compatible<br />

with all EIA video sources. All controls<br />

have been designed to operate at unlim-<br />

ited remote distance. Electronics and opti-<br />

cal systems are contained in one unit. The<br />

Amphicon 1000 is priced at about $28,500.<br />

The 270 is priced at $7,500.<br />

A <strong>new</strong> broadcast color monitor utilizing<br />

the <strong>new</strong> 12.in Sony Trinitron one-gun<br />

color kinescope has been announced joint-<br />

ly by Television Equipment Associates,<br />

Box 1391 Bayville, NY 11709, and World<br />

Video, Inc., Box 149, Laurel, MD 20910.<br />

The monitor is designed to maintain con-<br />

vergence, even when moved, and to permit<br />

simple setup and color matching to other<br />

monitors. The monitor weighs 42 lb, has a<br />

12-in diameter faceplate and occupies 12%<br />

in of rack space.<br />

A package of Tone-Control equipment,<br />

9 East 41st Street<br />

New York, N.Y. 10017<br />

(212) TN 7-5410<br />

especially designed for closed-circuit TV<br />

operations, has been introduced by Televi-<br />

sion Equipment Associates, P.O. Box 1391,<br />

Bayville, NY 11709. Use of the equipment<br />

permits pan, tilt, zoom, focus and iris con-<br />

trols of a closed-circuit TV camera to be<br />

actuated over one twisted pair of wires<br />

over a voice telephone. The tone transmit-<br />

ters and receivers can accommodate up to<br />

40 channels over one voice-grade tele-<br />

phone line. The equipment for remote<br />

control operation, available separately, in-<br />

clude an FSK transmitter and receiver.<br />

The transmitter is priced at $150 and the<br />

receiver is priced at $245. A power supply,<br />

required at each transmission and recep-<br />

tion point, is priced at $115. A mounting<br />

frame at each transmission and reception<br />

point is priced at $25.<br />

The Model VS600 switcher, a <strong>new</strong> video<br />

switcher system using digital control logic,<br />

has been announced by Ampex Corp., 401<br />

Broadway, Redwood City, CA 94063. The<br />

switcher uses computer language commu-<br />

nication in the form of serially coded digi-<br />

tal logic between control panel and elec-<br />

tronic rack matrix to reduce interconnect-<br />

ing wires and increase reliability and per-<br />

formance. The VS600 has a buildingblock<br />

design in the matrix and logic which en-<br />

ables utilization of any combination of sig-<br />

nal inputs and outputs. Features include<br />

an automatic transition dissolve system<br />

which provides the operator with push-<br />

button control of the mode as well as the<br />

speed of program and scene transition. A<br />

rack-frame switching matrix employs solid<br />

72 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />

state circuits and diode transistor logic<br />

components which encode and decode the<br />

analog signals from control panel switch-<br />

es into the binary format. The rack assem-<br />

bly is wired with printed wire interlocking<br />

connectors. Each crosspoint can be inaert-<br />

ed in plug-in fashion to permit simplified<br />

assembly and modular expansion on a one<br />

by one basis. The rack-mounted matrix<br />

frames also include control logic, amplifi-<br />

ers, tally control and power supply. The<br />

basic VS600, including the remote control<br />

panel and matrix rack frames, is about<br />

$30,000.<br />

The DR-10, a television disc recording sye<br />

tern for immediate and repeated analysia<br />

of recorded monochrome pictures, has<br />

been announced by Ampex Corp., 401<br />

Broadway, Redwood City, CA 94063. In-<br />

formation recorded on the DR-10 can be<br />

erased when analysis is complete or the<br />

pictures can be transferred to video tape<br />

for permanent storage. The machine con-<br />

tinuously records information from a Tv<br />

camera with the last 7.5 to 80 seconds (de-<br />

pending on disc and head size) always<br />

available for replay. Pictures are viewed<br />

on a television receiver. As <strong>new</strong> informa-<br />

tion is recorded on the disc, old informa-<br />

tion is erased. The <strong>new</strong> systems range in<br />

price from $8,000 to $50,000 and are avail-<br />

able in either portable or rack-mounted<br />

version. They can be equipped with 12-in<br />

diameter discs for up to 60 seconds of con-<br />

tinuous recording capaaty or 14-in dim<br />

for a maximum of 80-second capacity. The<br />

portable recorders are 18% in wide, 24 in<br />

deep and 13 in high and weigh from 80<br />

to 113 lb. The rack-mounted recorders are<br />

19 in wide, 16 in high and 24 in deep.<br />

They weigh from 80 to 213 Ib.<br />

The CVI Model 122 Video Limit Indicator<br />

has been announced by Colorado Video,<br />

Inc., P.O. Box 928, Boulder, CO 80302.<br />

The instrument is intended to be used<br />

with the Model 120 Bar Graph Generator<br />

to provide an automatic warning signal<br />

whenever any bar tip exceeds pre-estab-<br />

lished programable high and low limits.<br />

The instrument is intended for use on<br />

closed-circuit T V systems. The video out-<br />

put signal as viewed on a TV monitor con-<br />

sists of 30 fine vertical lines running the<br />

full height of the TV raster. Each of the<br />

lines is manually positionable with 15<br />

lines representing negative input signal<br />

excursion limits and the other 15 indicat-<br />

ing positive input signal excursion limits.<br />

Although all lines appear continuously on<br />

the TV screen, actual alarm limits are IK-<br />

lected by means of external contact closures<br />

which may be programed to activate any<br />

combination of alarm limits. Active alarm<br />

limits are also in6cated by a change in<br />

character of the vertical marker lines dia-<br />

played on the TV screen. Model 122 is<br />

priced at $3,500.<br />

The Hewlett-Packard Model lll8SA Im-<br />

pedance Adapter for u8e with the 675Af<br />

676A Network Analyzer has been an-


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January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79 75


!El<br />

your<br />

COOy !<br />

r 40 PAGE BROCHURE<br />

The popular Arriflex-at-Work series of<br />

case studies is now available in a <strong>new</strong><br />

40 page brochure. Read how filmmakers<br />

have used their ingenuity and Arriflex ver-<br />

satility to solve problems which you may<br />

face on your next assignment. For your<br />

free copy, fill in and mail the coupon today.<br />

MOTION PICTURE CAMERAS<br />

fi1-1-1-11111-1111<br />

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Name<br />

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I<br />

nounced by Hewlett-Packard, 1501 Page<br />

Mill Rd., Palo Alto, CA 94304. The instru-<br />

ment is designed to determine, on a swept-<br />

frequency basis, the complex impedance<br />

(magnitude and phase) of antennas and<br />

cable networks, filter and amplifier inputs<br />

and outputs. or any two-terminal device,<br />

in a range between 10 kHz and 32 MHz.<br />

Measurement rcsults are displayed as plota<br />

of impedance magnitude and phase vs fre-<br />

quency on an oscilloscope or x-y recorder.<br />

The device to be measured is connected to<br />

the Impedance Adapter, which is con-<br />

nected, through attached cables, to the<br />

input and output connectors of the Model<br />

676A Tracking Detector. The measure-<br />

ment range of the Impedance Adapter is<br />

from 0.3n to 3n. Impedance magnitude<br />

is displayed on a logarithmic scale in units<br />

of dB, enabling the user to observe a 10,-<br />

0OO:l impcdance variation on one scale<br />

with a simultaneous display of phase over<br />

a 290” range. Model 11138A Impedance<br />

Adapter is priced at $175.<br />

Treise film rollers for laboratory proces-<br />

sors have been announced by Treise Engi-<br />

neering, Inc., 1941 First St., San Fernando,<br />

CA 91340. The rollers are of ball-bearing<br />

design to ensure minimum film pull and<br />

to provide smooth processor performance.<br />

They are molded of plastic, including the<br />

core. The lands in the rollers are angled<br />

so that the film “rides” with only the out-<br />

side edges touching so that the film image<br />

does not come in contact with the roller.<br />

In addition to standard rollers. “Soft-<br />

Touch” rollers with tires made of tiny sili-<br />

con or rubber knobs are available. The<br />

tires are designed to grip the film firmly<br />

and move it along smoothly so that it does<br />

not receive any abrasion even at high<br />

speeds. The rollers are available in sizes<br />

ranging from 21- to 7f-in outside diame-<br />

ter, in 8/16mm, 16/35mm and 70mm.<br />

and for shaft diameters of 1 in or 8 in.<br />

The O/G Chroma Professional System, a<br />

continuous tone electrophotographic sys-<br />

tem, has been announced by Opto/Graph-<br />

ics, Inc., 1520 Skokie Blvd., Northbrook,<br />

IL 60062. The system is designed to pro-<br />

duce nonsilvcr continuous tone prints<br />

from any size color or black-and-white<br />

transparency without a negative in less<br />

than two minutes. The process does not<br />

require watcr, tcmpcrature control or cor-<br />

rosive liquids. O/G Chroma paper is pan-<br />

chromatic and can be handled in room<br />

light until electrostatically charged. The<br />

system is priced at $385.<br />

74 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />

The Bauer T22, a single-system sound<br />

projector, providing sound projection and<br />

semi-automatic threading for all three<br />

8mm formats, has been announced by Al-<br />

lied Impex Carp., a division of AIC<br />

Photo, Inc., 168 Glen Cove Rd., Carle<br />

Place, NY 11514. The projector is supplied<br />

with a Vario Kliptagon f/1.4 zoom lens<br />

ranging from 18 to 3Omm and a 12-V,<br />

100-W quartz iodine projection lamp.<br />

Continuously variable speeds range from<br />

18 to 24 frames/s, forward or reverse, with<br />

or without light. There are two inputs.<br />

one for microphone and the other for an<br />

additional sound source, such as radio or<br />

tape recorder. Mixing is automatic when<br />

both inputs are used simultaneously.<br />

When the microphone is activated, the<br />

musical background is automatically re-<br />

duced to background level. The projector<br />

is 12 in long, 18% in high, 5 J/4 in wide<br />

and weighs 23 lb. It is priced at $379.95.<br />

Media 111, a portable multi-media projec-<br />

tion system, has been announced by Graf-<br />

lex Division, The Singer Co., 3750 Monroe<br />

Ave., Rochester. NY 14603. The system is<br />

designed for one-man presentation of film<br />

and sound programs in three formats,<br />

16mm. filmstrip and slide. The projector<br />

can be controlled remotely from a distance<br />

of up to 50 ft. The system includes the<br />

Graflex 900 16mm sound motion-picture<br />

projector, the Graflex SM-1000 filmstrip<br />

projector and Kodak Ektagraphic AV SO0<br />

2 by 2 slide projector. The projector con-<br />

trol relay unit operates on 24-V dc and<br />

contains circuitry and electromechanical<br />

relays with master switches to control<br />

equipment from the panel display at a re-<br />

mote location or in the projection area.<br />

The relay unit contains projector input-<br />

output receptacles and fail-safe network<br />

with indicator lights to designate what op-<br />

erational mode the projection equipment<br />

is in. Media 111 is priced at $2.81250. A<br />

console model of Media I11 is also avail-<br />

able at a price of $3,600.<br />

The Quad/Sonic series of 4-channel stereo


Our <strong>new</strong> building<br />

doubled capacity.<br />

Now a year later,<br />

we've doubled it<br />

a g<br />

lAnd we're adding the world's <strong>new</strong>est<br />

i n super 8 mm and 35 mm color facili-<br />

. ties to existing 16 mm capabilities II<br />

byron MOTION PICTURES<br />

65 K Street, Northeast, Washington, D.C. 20002 202/783-2700<br />

January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79 75


The generation gap:<br />

it may be America's<br />

best hope.<br />

Millions of young Americans not only<br />

stand taller than their fathers-they're<br />

aiming highcr. Sometimes, in a different<br />

direction.<br />

They have a vision of a more equal<br />

economy and society, and the will to<br />

take part in shaping them.<br />

Over 7,000,000 young men and<br />

women are now in our colleges and uni-<br />

versities. Keeping up with their num-<br />

bers, and the challenge of filling their<br />

knowledge needs, has brought about a<br />

financial crisis in higher education.<br />

Tuitions, on the average, pay only %<br />

the cost of educating a student. The<br />

other % must come from other sources.<br />

And the dilference in dollars amounts<br />

to billions.<br />

Our higher education must keep mov-<br />

ing ahead-with more facilities. larger<br />

faculties-and academic advances that<br />

will help this generation move ahead.<br />

It can't be done without more help<br />

from more individuals, more busincsses<br />

-with gifts and grants that encourage<br />

progress and innovation.<br />

To better understand the need, ask a<br />

college.<br />

Give to the college<br />

of your choice.<br />

Advertising contributed for the public good.<br />

tape equipment has been announced by<br />

Telcx Conimunications Div., 9600 Aldrich<br />

Ave. South, Minneapolis, MN 55420. The<br />

<strong>new</strong> models arc available in two basic ver-<br />

sions, play only, and rccord and play, each<br />

with or without amplifiers. Model 230-QQ<br />

is a tape transport without amplifiers for<br />

playback only of in-line 4-channel and<br />

standard stereo tapes. It is priced at $550.<br />

With 4-channel play-back preamplifiers,<br />

Model 230-QQ is priced at $670. Model<br />

230.QQRM is a record and playback trans-<br />

port without amplifiers for in-line I-chan-<br />

nel and standard stereo tapes. It is priced<br />

at $626. With 4-channel record and play-<br />

back prcatnplificr the price is $1,544.<br />

Two <strong>new</strong> Sclectroslide Projectors, Models<br />

SLR-12OOA and SLD-1200A, each using a<br />

1200-W tungsten-halogen lamp, have been<br />

announced by Spindler & Sauppe Inc.,<br />

1329 Grand Ccntral Ave., Glendale, CA<br />

91201. Both models are available either<br />

with or without the S&S Modcl 766 Ultra-<br />

bright 3,000-Im High Light Output SYS-<br />

tem. Both models accept the S7S Dynamic<br />

Dissolvc C:ontrol System without requiring<br />

special motlifica~ion. Other features in-<br />

clude an electrically operated built-in<br />

harndoor shutter and a redesigned central-<br />

ized control cluster. The reduced dimen-<br />

sions of the tungsten-halogen lamp allow<br />

more space between the lamp and the op-<br />

tics with increased cooling to the aspheric<br />

condenscr lens. The <strong>new</strong> slide projectors<br />

have <strong>new</strong>ly engineered circuitry control-<br />

ling the slide advance mechanism to filter<br />

ont accidental short-pulse and double-<br />

pulse signals from a prqjectionist. Model<br />

SLR-1200A has a 48-slide capacity. It is<br />

priced at $675. Model S1.D-1200A is a<br />

dual-drum model with a 96-slide capacity.<br />

It is priced at $924.<br />

The Slide/Title Holder, a <strong>new</strong> "macro-<br />

stage" assembly for the Beaulieu 4008ZM<br />

supcr 8 camcra (,[ournal, p. 920, Oct.<br />

1969), has beell announced by Cinema<br />

Beaulieu, Div. of Hervic Corp., 14225<br />

Vcntura Blvd., Sherman Oaks, CA 91403.<br />

The Slide/Title Holder assembly is at-<br />

tached to the sun-shade filter holder on<br />

front of thc 4008%M Angenieux zoom lens.<br />

The entire assembly can be rotated 360"<br />

around the lens for certain special effects.<br />

It accepts regular slides as well as title<br />

cards and other types of opaque or trans-<br />

lucent art matcrials. The Slide/Title<br />

Holder is supplied with a special plastic<br />

box which allows the uscr to place live in-<br />

sects and other small objects in front of<br />

tlie lens whcrc they rcinain within the<br />

field of vicw and in focus. Insects, such as<br />

an ant, a fly or a bcc can move freely<br />

within the plastic box. The Slide/Title<br />

Holdcr is priced at $45.<br />

The Mitee Grip, a device designed to<br />

support many types of lighting instru-<br />

mcnts and acccssorics as well as cameras,<br />

has bccn announced by Rerkey-ColorTran,<br />

76 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />

Inc., 1015 Chestnut St.. Burbanlt, CA<br />

91502. The Mitee Grip is designed to grip<br />

any surface securely. It is easy to adjust<br />

and incorporates quick-locking devices.<br />

Features include a 4-way bracket consist-<br />

ing of three male studs for the mounting<br />

of lighting fixtures and a t-in 20 thread-<br />

ed male stud for camera mounting. The<br />

price is $18.<br />

The 1540 Strobolume electronic atrob<br />

scope has been announced by General<br />

Radio Co., 300 Baker Ave., West Concord,<br />

MA 01781. The unit produces high-intensi-<br />

ty, short-duration flashes of light. A wide-<br />

beam angle makes possible stroboscopic<br />

viewing and speed measurement of large<br />

equipments. The beam pattern of the<br />

Strobolume at 10 ft is a 7- by 13-ft rectan-<br />

gle. The lamp assembly can be adjusted to<br />

produce a narrow 3- by 13-ft strip of light.<br />

Construction of the Strobolume is modu-<br />

lar. The power supply, control unit and<br />

lamp assembly are separated and cable-<br />

connected for applications requiring re-<br />

mote operation. Prices for the Strobolume<br />

begin at $775.<br />

A <strong>new</strong> battery-operated transient am@-<br />

tude detector capable of reproducing a<br />

3O-n~ width pulse to 90% amplitude ac-<br />

curacy has been announced by Electro-<br />

Metrics Corp., a subsidiary of Fairchild<br />

Camera and Instrument Corp., 88 Church<br />

St., Amsterdam, NY 12011. The unit,<br />

designated Model TAD-66, makes use of a<br />

high-impedance differential probe for<br />

handling input signals from 0.001 V to<br />

25 V. Four peak detectors, operating in<br />

parallel, sample and hold the input sig-<br />

nal after amplification. Two operate on<br />

the normal input and on the input in-<br />

verted to assure fully redundant peak de-<br />

tection. The outputs of each pair of peak<br />

detectors are fed to amplitude compara-<br />

tors. Each comparator sees only the high-<br />

est signal level that was fed to the detec-<br />

tors. A timing and sampling system built<br />

into the instrument alternately samples<br />

the outputs of the comparators to provide<br />

a pulse train, each pulse representing the<br />

highest transient seen during the sample<br />

time of the peak detectors. The detec-<br />

tors are automatically dumped upon be-<br />

ing sampled. The instrument is priced at<br />

$5,000.


NOW available<br />

through SMpTE..<br />

For the evaluation and adjustment of:<br />

focus Spacial frequency bursts in<br />

the center and corners for optimiza-<br />

tion of optical and electrical focus.<br />

Resolution Response Resolution<br />

wedges and spatial frequency bursts<br />

read up to 600 lines in central por-<br />

tion, and 300 in corners.<br />

Scanning Linearity Diagonal lines<br />

and fine circles for evaluation of<br />

system linearity.<br />

Streaking White bars provide excel-<br />

lent means of observing streaking.<br />

H 2 x 2 inch transparency<br />

H 8 x 10 inch transparency<br />

Scanning Size Eight arrows locate<br />

the perimeter of the pattern for accurate<br />

orientation and size of<br />

scanning.<br />

Field Uniformity Eight white bars<br />

for evaluating white level uniformity.<br />

Black level uniformity can be determined<br />

from horizontal and vertical<br />

display.<br />

Astigmatism Bull's-eye pattern provides<br />

a definite check for astigmatism<br />

of optical and electrical systems.<br />

Interlace Resolution patterns provide<br />

means for determining pairing.<br />

78 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />

employmmnt 11<br />

sorvico<br />

....*..............<br />

Thwo dew aro publl~hod for tho roniw af (ho<br />

n.mbonhip and tho 11dd. Thoy aro inrorhd<br />

Ihroo months, a1 110 chargo ta tho mombor. Tho<br />

Sostoty'i addross carnot bo wod far ropllw.<br />

Poiitionr Wanted<br />

Experienced Televiiion Audio Engineer who is<br />

second bat but tries harder, would like change<br />

nto film and/or recording industry. Want op-<br />

portunity to advance with growing concern.<br />

RclumC on requcmt. P.O. Box 2169 Grand Cen-<br />

tral Station, New York, NY 10017.<br />

Seeking a Start in Televirion: to apply intel-<br />

ligence and motivatlon based on B.S. (EE)<br />

Magna cum Laude from Polytechnic Inatitute<br />

of Brooklyn, 1968. Member of MENSA, E.A.T.<br />

Employed 1 yr as chief engr at Custom Photo-<br />

graphy (a film company), 119 Bank St., New<br />

York, N.Y. Immediate job offer not required<br />

for codderation. Telephone Steve Mintz, (212)<br />

691-8751<br />

Producer/Dkector. More than 15 years ex-<br />

perience in nearly all tvper govt. film (16mm<br />

and 35mm), including documentary, <strong>new</strong>s, train-<br />

ing, public relations, etc. Supervised all phasa of<br />

production from script to acreen. MA degree<br />

(cinema) 49 yra. old. Seek work in production/<br />

direction, permanent or temporary. Travel OK.<br />

RcsUmC on request. Write: Tom Fields, Box<br />

6591, Orlando, FL 32803.<br />

Producer, Director and Film Editor. Over 30<br />

years experience in <strong>new</strong>sreel, training, documen-<br />

taries, sporta, television and public relations<br />

films. Know all phasu motion picture produc-<br />

tion. Worked both in industry and U.S. govt.<br />

Write: John H. Swemey, 410 Cawell Dr.,<br />

Winter Park. FL 32789.<br />

Poritionr Available<br />

Salea Bepre8cntativel. Midwest, Southeart and<br />

South. Specializing in da of leruea and zoom<br />

luuca to OEM, Broadcast and CCTV. We<br />

have eatahlished accounts. Reply to Harold<br />

Lowe, Zolomatics Corp., 941 N. Highland Avc..<br />

Hollywood, Calif. 90038. Phone (213) 464-8101.<br />

<strong>Motion</strong>-Picture Laboratory Manager. To<br />

join a growing midwest firm. Applicant must have<br />

experience with B/W and Color processes both<br />

negative, positive, and reversal; aka knowledge<br />

of process and quality control. Please mad<br />

rbumC with salary requirements to P.O. Box<br />

#14488, Cincinnati, Ohio 45214.<br />

Sound Engineer. To work in a university film<br />

unit. Must be able to handle all sound tasks,<br />

including location and studio recording and<br />

mixing of unit. Experience required. Send rhmC<br />

to: M. Ali Issari, Instructional Media Center,<br />

Michigan State University, East Laming, Mich.<br />

4am.


In addressing business leaders, Roger Blough backed<br />

up this question with the alarming estimate of rising costs<br />

for higher education. “By the mid-seventies, annual expenditures<br />

will reach $30 billion, about double the 1965 figure.’’<br />

It’s vitally important that every business evaluate investment<br />

in higher education-and do so in light of rising costs.<br />

Corporate contributions that are geared to yesterday’s expenditures<br />

aren’t keeping pace with changing needs. If your<br />

company has not yet started an aid-to-education program,<br />

it’s time to get involved.<br />

Business needs educated people to produce money.<br />

Colleges need money to produce educated people. With<br />

tuitions covering only about V3 of the soaring costs, colleges<br />

and universities must have more help, now,<br />

Write for: “HOW to Aid Education.” It’s a booklet for<br />

management-of particular interest, if your company has not<br />

yet established an aid-to-education program. Address: Council<br />

for Financial Aid to Education, 6 East 45th Street,<br />

New York, N.Y. 10017.<br />

*Former Chairman, United States Steel Corporation<br />

Give to the college of your choice.<br />

advertising contributed for the public good.<br />

January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79 79

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