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New FR-10 will still be “<strong>new</strong>”<br />
when other makes are obsolete.<br />
Only this system gives you every one of the latest operational<br />
features. And packs ’em all into a low-profile, space-saving<br />
cabinet that fits flat against the wall - in fewer square feet of<br />
floor space than any previous system. And, FR-10 alone is ready<br />
now for tomorrow’s automated accessories.<br />
FR-10 combines everything you’ve ever wanted in a magnetic<br />
film recording system.<br />
Like dual design, for example. Lets you switch from 16 to<br />
35mm -and back again - in seconds, thanks to RCA’s unique<br />
plug-in sprocket and head assemblies. Speed and equalization<br />
changeover are automatic, with only one interlock system<br />
needed.<br />
Like silent, selective head switching - so you can update any<br />
section of any track without re-recording the whole reel. And<br />
exclusive “Unilogic” motor control system lets you choose<br />
between using either manual or automatic control.<br />
Like automatic loop setter. It lets you thread up much faster and<br />
more easily. FR-10 rewinds -through the sprocket - at<br />
1000 feet per minute, while handling up to 3000-foot reels. And<br />
you get complete metering for each channel, too, with up to six<br />
tracks available.<br />
On top of all that, FR-10 delivers reliability even beyond what<br />
you’ve come to take for granted from RCA. Along with matchless<br />
sound quality, of course. For information, write: RCA Film<br />
Recording, 2700 West Olive Avenue, Burbank, California 91 505, or<br />
1133 Avenue of Americas, New York, NY 10036. RCA Ltd., 1001<br />
Lenoir Street, Montreal 207, Quebec, Canada. RCA Ltd., Lincoln<br />
Way, Windmill Road, Sunbury-on-Thames, Middlesex, England.<br />
RCA Ltd., 11 Khartoum Road, North Ryde NSW, Australia 21 13.
If we haven’t got<br />
the exact color<br />
film processor<br />
you need<br />
we’ll buildr it.<br />
We think you’ll find exactly what you need in Jamieson’s complete line of color<br />
film processors.<br />
But there’s always that special case, that particular need, that unique re-<br />
quirement.<br />
So, if one of our 8mrn. 16mm. 35mm or 70mm color processors doesn’t fit<br />
your need, we have the experience and proven designs to build exactly what<br />
you need, at the speed you want.<br />
And even though we can modify and adapt our processors to special appli-<br />
cations, some things about them never change.<br />
Every Jarnieson color film processor incorporates our proven and patented<br />
small reservoir tube tanks. These tanks contain only about one fifteenth the<br />
amount of chemistry required by ordinary open tank types.<br />
You get highest quality color, freedom from scratch hazards, lower day-to-<br />
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There’s one more important thing. Cost. We think you’ll find Jamieson color<br />
film processors among the lowest priced in their class.<br />
For complete information on Jarnieson color processors, call or write today.<br />
Jamieson Film Company<br />
EQUIPMENT DIVISION<br />
2817 CANTON ST., DALLAS, TEXAS 75226<br />
A/C (214) 747-5634<br />
54 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />
Miller, and W. L. Wolf, Eastman Kodak<br />
Co., Rochester. R. A. Eynard, Ada/<br />
Gevaert, Inc., presented his paper, “Geva-<br />
chrome Original Films for a Sharp and<br />
Brilliant Television Image.” The third<br />
part of the program was a film, “Processing<br />
of Optical Sound Tracks on Color Films<br />
with Emphasis on Silver Sound Tracks on<br />
Improved Eastman Ektachrome R Print<br />
Film.” The film was introduced by Ray J.<br />
Wulf, Eastman Kodak, New York. who also<br />
answered questions following the presenta-<br />
tion. - Paul F. Wittlig, Secretary-Trcu-<br />
surer, New York.<br />
NEW YORK, Nov. 19 - The New York<br />
Section heard three papers at the Novem-<br />
ber Meeting: “Random Access Program-<br />
mer,” by Stan Busby, Ampex Corp., “A<br />
Fully Electronic Editing System,” by Keith<br />
Campbell, Adventronics, and “An Ap-<br />
proach for Standardization of Monitor<br />
Calibration,” by Gideon Fiat, American<br />
Broadcasting System. The first two papers<br />
had been presented at the 106th Technical<br />
Conference in Los Angeles. Mr. Busby’s<br />
presentation was excellent and generated a<br />
lot of questions. Mr. Campbell, who was<br />
scheduled to present the second paper,<br />
advised about one hour before meeting<br />
time that he had become ill and could not<br />
get to New York. Manager Don Collins,<br />
Tele-Cine, Inc., volunteered to read the<br />
paper and did a remarkably good job, but<br />
unfortunately without Mr. Campbell, it<br />
was not possible to have the scheduled<br />
equipment demonstration. Two things<br />
were noteworthy. First, the Ampex paper<br />
was good enough by itself to make the<br />
evening worthwhile, and second, a large<br />
portion of those attending were very ob-<br />
viously video oriented and had not attend-<br />
ed meetings for some time. - Paul F. Wit-<br />
tlig, Srcretary-Treasurer, New York.<br />
OHIO, Oct. 15 - The Ohio Section meet-<br />
ing of the <strong>SMPTE</strong> was preceded by a cock-<br />
tail hour and a short business meeting.<br />
The main part of the program was held at<br />
station WUAD-TV in Parma, Ohio with<br />
nearly 50 persons in attendance, including<br />
students from Eastern Michigan Universi-<br />
ty’s UFH station EMU-TV. The tour of<br />
the <strong>new</strong> facilities of the United Artists<br />
Broadcasting Corporation was punctuated<br />
by an informal presentation by W. C.<br />
Wiseman, Vice-president of UAB. and was<br />
reccivcd with high interest by the mern-<br />
hers. The program was followed by a post-<br />
session social hour with refreshments.<br />
- Rohcrt W. Wagner, S€cretary.Treas~irer,<br />
Columlms, OH.<br />
ROCHESTER, Sept. 11 - H. B. Archer, As-<br />
sistant to the Director, Graphic Arts Re-<br />
search Center, Rochester Institute of Tech-<br />
nology, presented an illustrated discussion<br />
on the general subject of reproduction<br />
photography. In addition he discussed<br />
problems peculiar to halftone reproduction<br />
for photo-mechanical color reproduction.<br />
Dr. J. A. C. Yule, Research Associate,<br />
Rochester Institute of Technology, dis-<br />
ciissed the principles and applications of<br />
color scanners. He also gave an excellent<br />
presentation on the inherent limitations of<br />
accurate color reproductions. - J. M. MC-<br />
Donough, Secretary-Treasurer, Rochester,<br />
NY.
OD=BYE HI<br />
HELLO E<br />
~<br />
B R W l O O J<br />
Television raster lines (right) enlarged from 16mm film frames. Lower. EBR-100 recording on<br />
e-grain (less than 0.1 micron) electron recording film. Top: klnescope recording on television<br />
ding film. Line-to-line spacing in both pctures is approximately 0 00058 inches or 14.7 microns.<br />
TRANSFER LIVE OR TAPE W TO 16 MM FILM ELECTRONICALLY<br />
AND GET PRINTS WITH 1000-LINE RESOLUTION.<br />
employs direct electron bombardment of the<br />
film, eliminating phosphor granukritg, faceplate<br />
halation and camera-lens losses and<br />
distortions.<br />
The 3M Brand EBR-100 far surpasses the<br />
conventional kinescope in reproduction quality<br />
and in the ability to produce<br />
films. It opens <strong>new</strong> horizons<br />
mass film distribution for educational and<br />
aining purposes.<br />
The EBR-100 is a machine that every major<br />
V studio, dubbing center, film lab and governent<br />
communications center will want to em-<br />
. Easy to install, completely s<br />
t beam monitoring provides simple,<br />
positive adjustment of<br />
exposure and gamma.<br />
Secondary electrons<br />
imaging the film target<br />
verify that focus, size,<br />
and linearity are correct.<br />
You can choose between<br />
a direct positive or a<br />
film negative with the flick of a switch. The sys-<br />
tem also is switchable from US standard 525-<br />
line to European 625-line requirements.<br />
The EBR-100 records on low-cost fine grain<br />
film. Overall resolution exceeds 1000 lines. The<br />
film uses conventional processing and is shown<br />
34 inches deep, weighs approximately 1000 Ib.<br />
and costs about $55,000. Optical or magnetic<br />
sound is available at extra cost.<br />
For details, call our EBR-100 information<br />
phone. The number is (805) 482-1911, ext.<br />
below.<br />
8
ARRIFLEX 16BL‘s<br />
play the numbers<br />
for Las Vegas spectacular:<br />
2 months, 25,000 miles, 70,000 feet!<br />
Mutual of Omaha wanted to put on an employee convention that would be rernern-<br />
bered-and Chapman/Spittler, Inc. of Omaha, in producing the film program for<br />
“Jetogether ’69”, found themselves tackling an assignment they would never forget.<br />
The show was to present, to a total audience of 3300 people, interviews with the<br />
insurance company‘s most successful salesman-each interview being linked to-<br />
gether by a “jet plane” ride from one salesman’s home town to the next. This<br />
meant, of course, that Chapman/Spittler had to do the actual traveling.<br />
And what an itinerary! In less than two months, the 3-man production crew had to<br />
set-up and film in no less than 24 cities across the U.S. and in Puerto Rico. They<br />
covered 25,000 miles-more than the equivalent of going around-the-world-<br />
filming in almost every setting imaginable: at airports, at Notre Dame Stadium, at<br />
the Indianapolis 500, in a locker room; high atop mountains, way out on beaches, in<br />
and on automobiles, aboard boats, golf carts, and even walking along hand-held.<br />
Under so many circumstances, in so many places on such a tight schedule, camera<br />
reliability was essential. Arriflexes were chosen.<br />
Loaded into Chapman/Spittler’s own aircraft, 16s and 16BL Arriflexes became part<br />
of an overall film unit uniquely designed for filmmaking on a continental scale. With<br />
so much travel in so short a time, the crew could rarely stop to screen rushes, to<br />
reassure themselves that the rigors of travel at this high-pitched pace, and the<br />
many changes of climate, had not affected camera operation.<br />
The proof of the pudding came with the two performances put on by Mutual of<br />
Omaha in Caesar‘s Palace. Interspersed with 35mm slides, the Arriflex-shot footage<br />
had to fill nine 10x14 ft. screens-as much a challenge to resolution, sharpness and<br />
registration as ever there was. As reported in the July ’69 Business Screen, the<br />
show was an outstanding success.<br />
Gambling may be commonplace in Las Vegas, but Chapman/Spittler, like every<br />
production company, cannot gamble with their assignments. It was with this under-<br />
standing that each of the Arriflex models was engineered. From the sensible,<br />
versatile design that adapts an Arriflex to every kind of project, to the sturdy, en-<br />
during construction that keeps it going in the face of constant use and abuse,<br />
Arriflex has continually proved how well it can stack the odds in its users’ favor.<br />
IRRTFLEX<br />
n CORPORATION OF AMERICA Woodside, N. Y. 11377<br />
56 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79
January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79 57
New Members<br />
The following members have been added to the Society's rolls since the October 1969<br />
<strong>Journal</strong>. Also listed are those regretfully reported as dcceased since then. The designations<br />
of pade are the same as thosc used in the JUIY l9G8 Directory. An up-to-date list Of<br />
Sustaining Members appcars on the outside back cover of each month's <strong>Journal</strong>. The<br />
membcrs listed below complete the Society's roll as of November 15.<br />
The Directory for Members, Part 11 of thc July 1968 <strong>Journal</strong>, shows the geographic<br />
membership distribution by states included in the Sections.<br />
Honorary (H) Life Fellow (LF) Life Member (LM) Fellow (F) Active (M) Associate (A)<br />
Student (S)<br />
Deceased: J. T. Barkelew (M) William T. Foxall (M) Carl Fredrik Nelson (A)<br />
Donald E. Boatman (M) Richard E. Johnson (M) John A. Todd (M)<br />
Pierre Demoreauille (M) Harold B. Miles (M) Frank Tunay (M)<br />
ATLANTA SECTION<br />
Patronis, Jr., Eugene T., Prof. of Physics,<br />
School of Phybics, Georgia Institute of Tech-<br />
nology, Atlanta, Ga. 30332 (M)<br />
Smith, Harper R., Mot. Pic. Photog. & Lab.<br />
Tech., State of Alabama. Mail: 6 Calhoun<br />
Rd., Montgomery, Ala. 36109 (A)<br />
Wayne. Clabern D., Theatre Projectionist, Al-<br />
bert Weis. Mail: P.O. Box 135, Thunder-<br />
boLt, Ga. 31404 (A)<br />
BOSTON SECTION<br />
Bell, David K., Student, Northeastern Univ.<br />
Mail: 43 Watson Ave.. Attleboro. Mass.<br />
02703 (S)<br />
Xelleher, 111, John J., Public Relations Staff<br />
Supvr.. New England Telephone Co., 185<br />
Franklin St., Rm. 104A. Boston, Mass. 02107<br />
(M)<br />
Olihm, Richard C., Asst. Dir., Edu. Div.,<br />
WGBH Educational Foundation. Mail: 9<br />
Pinckney St., Boston, Mass. 02114 (M)<br />
Pinel-Darrleux, Bertrand, Student, Worchester<br />
Polytechnic Institute. Mail: E/o Knight, 11<br />
Motiadnock Rd., Worchester, Mass. 01609 (S)<br />
CAPE KENNEDY SECTION<br />
French, Buster, Plans & Programs Analyst,<br />
Technicolor, Inc. Mail: 250 Jacala Dr.,<br />
Merritt Island, Fla. 32952 (A)<br />
Fulghum, Henry A., Photo Lab. Processing<br />
Techn., Technicolor, Inc. Mail: P.O. Box<br />
1001, Merritt Island, Fla. 32952 (A)<br />
MeArthur, Horace L., Supvr., Mot. Pic. Pro-<br />
cessing, Capital Film Laboratories, Inc.<br />
Mail: 1965 N.W. 186 St., Opa-Locka, Fla.<br />
33054 (M)<br />
Warner, Richard P., Sr. Engr., Martin Mari-<br />
etta Corn. Mail: 6220 Peso Ct.. Orlando.<br />
Fla. 32808 (M)<br />
Wilklnson, Dewayne, Student, Miami-Dade<br />
Jr. Colleae. Mail: 711 E. 39th St.. Hialeah.<br />
Fla. 33013 (S)<br />
CHICAGO SECTION<br />
Abhoud, Phyllis J., Sls. Supvr., Acme Film &<br />
Videotape, 333 N. Michigan, Chicago, 111.<br />
6Of31 (A)<br />
Benediet, Lon, Arsoc. WritedDir., Iowa State<br />
Univ., Inf. Sew., Alice Norton House, Fih<br />
Prodn. Unit., Amen, Iowa, 50010 (A)<br />
Cornell, Richard L., Student, Columbia College.<br />
Mail: 2209 Elmira Ave., Des Plaines, Ill.<br />
60018 (S)<br />
Enpe, Ken, Pres., Galaxy Film Service, Inc.,<br />
1511 Hennepin Ave., Minneapolis, Minn.<br />
55403 (A)<br />
Fimschfld, Ted, Staff A/V Splst., IBM. Mail:<br />
2026 Edgewood Ct., Rochester, Minn. 55901<br />
(M)<br />
Oresnbaum, William H., Vice Pres., Dir. of<br />
Engrg., Unilux, Inc. Mail: 1014 N. Belle-<br />
forte Ave., Oak Park, Ill. 60302 (A)<br />
Luebbing, Richard E., Engrg. Asst., North<br />
Eastern Ill. State College. Mail: 2658 N.<br />
Daxton, Chicago, Ill. 60614 (A)<br />
Marsh. H. Jeffrey, Film EditodCameraman,<br />
LTV - Film Prodn. Dept. Mail: 1015 N.<br />
Carrier Pkwy., Apt. C-260, Grand Prairie,<br />
Texas 75050 (A)<br />
MeLendon, Donald C., Owner, <strong>Motion</strong> Picture<br />
Equipment Co. Mail: 7007 Gulf Freeway,<br />
Rm. 105, Houston, Texas 77017 (M)<br />
fance, Thomas A., Stage Mgr., Lighting De-<br />
signer. Baylor Univ. Mail: 2Mw) Austin<br />
Aie., #119,- Waco, Texas 76708 (A)<br />
fordberg, Rod. Chf. Film Editor, WTTW-TV.<br />
Mail: 5656 N. Christiana Ave.. Chicago. -.<br />
Ill. Ml645 (A)<br />
Olsen. ~. Del. Vice Pres.. Galaxy Film Service.<br />
Mafi: 10119 Colfax Ave., S., Minneapolis,<br />
Minn. 55431 (A)<br />
Pettit, 111, Wi1li.m S., Student, Indiana<br />
Univ., A/V Center. Mail: 1610 Dorchester<br />
Dr., Apt. 26, Bloomington, Ind. 47401 (S)<br />
Pfeiffer, Paul C., Assoc. Engr., Dir. of Photo.,<br />
Texas Instruments, Inc. Mail: 1212 Cherrywood<br />
Dr., Richardson, Texas 7SW (M)<br />
Richey, Robert L., Asst. Prof. of Speech &<br />
Drama, Bethany College, Lindsborg, Kan.<br />
67456 (A)<br />
Schultz, Art. 0.. Self Empl., The Audio Visual.<br />
Mail: 125 E. Wells St.. Nilwaukee. Wirc.<br />
53202 (M)<br />
Stenberg, Pargaret L, Student, Golumbia<br />
College. Mail: 4901 N. Hennitaee. Chi-<br />
Perfect your CCTV system with COSMICAR" lenses<br />
Shown are a few selected at random from COSMICAR lenses ranging from 8.5mm to<br />
1,000mm and zooms.<br />
COSMICAR is also prepared to custom-make lenses of any specifications.<br />
:58<br />
Please write today to:<br />
COSMICAR OPTICAL CO., LTD,<br />
(Former name: ICHIZUKA OPTICAL CO., LTD.)<br />
568, Shimoochiai, 2-chome, Shinjuku-ku, Tokyo Cable Address: "MOVIEKINO<br />
_.- TOKYO"<br />
January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79
Taylor, Richard K., Cinemat./Mot. Pic. Supvr..<br />
3M Co. Mail: 957 Lincoln Ave., St. Paul,<br />
Minn. 55105 (M)<br />
Weitermann, Bruce R., Eiigr., Storer Broad-<br />
casting Co. Mail: 4549 N. 38 St., Milwaukee,<br />
Wisc. 53209 (M)<br />
Wilson, Donald J., Engrg., TV. National<br />
Broadcasting Co. Mail: 181 Forest Ave.,<br />
Glen Ellyn, Ill. (io137 (A)<br />
Young, George A., Student, Illinois Institute<br />
of Technology. Mail: 71 E. 32 St., Box 169,<br />
Chicago, Ill. 60616 (S)<br />
DENVER SECTION<br />
Legate, Kimmy R., TV Broadcast Engr., US.<br />
Air Force. Mail: 1303 N. Nevada, Apt. 28,<br />
Colorado Springs, Colo. R0903 (M)<br />
Martin, Robert E, Slsman.-Magnetic Prod Div.,<br />
3M Co. Mail: 1380 Steele #503. Denver,<br />
Colo. 80206 (A)<br />
DETROIT SECTION<br />
Collins, Craig J., Student, Eastern Michigan<br />
Univ. Mail: 20415 W. I1 Mile Rd., South-<br />
field, Mich. 48075 (S)<br />
Kelly, Thomas M., Student, East Michigan<br />
Univ. Mnil: 8611 Stinchfield Rd., Pinckney,<br />
Mich. 48169 (S)<br />
Soden, Richard E., Student, East Michigan<br />
Univ. Mail: 456 Bournemouth Cir., Grosse<br />
Pte. Farms, Mich. 48236 (S)<br />
HOLLYWOOD SECTION<br />
Aikea. John R., TV Instrumentation Grp.<br />
Leader, North American Rockwell. Mail:<br />
4777 Topeka Dr., Tarzana, Calif. 91356 (A)<br />
Allen, Rlcbard H., Pres., Richard H. Allen<br />
Films, 1716 Lafayette Rd., Los Angeles,<br />
Calif. 90019 (M)<br />
Al-Sanousi, Mohammad, Student, University<br />
of Southern Calif. Mail: 3730 McClintock<br />
Ave., #533F, Los Angeles, Calif. 9oM)7 (S)<br />
Altavena, John R., Mot. Pic. Techn.. U.S.<br />
Navy. Mail: 244 Palmer St, Apt. C-50,<br />
Chula Vista, Calif. 90220 (A)<br />
ELCOM (NORTH AM PTON) LI MlTED<br />
Arment, Harold L., Chf. Engr., Gen. Mgr.,<br />
United Broadcasting Co., Inc. Mail: P.O.<br />
Box 817, Holtville, Calif. 92250 (A)<br />
Baker, Aaron J., Prodn. 8mm, Consolidated<br />
Film Ind. Mail: 7116 Matilija Ave., Van<br />
Nuys, Calif. 91405 (A)<br />
Biehl, Jerry W.. Student, Univ. of Calif. at<br />
Los Angeles. Mail: 500 Landfair, La Angeles,<br />
Calif. 90024 (S)<br />
Brown, Marshall M., Dir. of Engrg., Audio-<br />
.-<br />
tronics Corn. Mail: 1891 Windsor Rd.. San<br />
Marino, Calif. 91109 (M)<br />
Castlllo, Alfonso, Sound & Lighting Engr., Cen-<br />
tury Plaza Hotel. Mail: 917 W. Madison<br />
Ave., Montebello, Calif. 90640 (A)<br />
Cathers, James P., Sound & Proj. Engr., De-<br />
Luxe General, Inc. Mail: 1831 N. Winona<br />
Blvd., Apt. 310, Los Angeles, Calif. 90027 (A)<br />
Cohan, Murray R., Engrg. Film Projection,<br />
N.B.C. Mail: 6725 Bellingham Ave., North<br />
Hollywood, Calif. 91602 (M)<br />
Cole, Anthony, Sr. Engr. Lockheed - Califor-<br />
nia. Mail: 7476 Hillside Ave., Hollywood,<br />
Calif. 90046 (M)<br />
Cory, Gordon C., Head, Mot. Pic. Lab., Naval<br />
Missile Center. Mail: 460 Bucknell Ave.,<br />
Ventura, Calif. 93003 (M)<br />
Daccurso, Joseph A., Student, Univ. of South-<br />
ern Calif. Mail: 935 W. 90 St., #105, Los An-<br />
geles, Calif. 90007 (S)<br />
Daviau, Allen. Independent Cinematographer,<br />
5718 W. Camerford Ave., Los Angeles, Calif.<br />
90038 (A)<br />
DeLucia, Frank S., Student, Univ. of Southern<br />
Calif. Mail: 1050 S. Westmoreland Ave.,<br />
Apt. #E, Los Angeles, Calif. 9ooo6 (S)<br />
de Wit Van Der Merwe, Stephmui, Camera-<br />
man, F.L.S.M. Film Production. Mail: P.O.<br />
Box 4841, Santa Barbara, Calif. 93103 (A)<br />
Droege, Charles A., Video Tape Engr., N.B.C.<br />
Mail: 902 Kemp St., Burbank, Calif. 91505<br />
(A)<br />
DuBois, Eugene L., TV Engr., N.B.C. Mail:<br />
17172 Sesnon Blvd.. Granada Hills, Calif.<br />
91344 (A)<br />
Dunirin, Patrick H., Student, Univ. of South-<br />
ern Calif. Mail: 3311 W. 3 St., Bldg. 1, Apt.<br />
321, Los Angeles, Calif. 9OOO5 (S)<br />
Enyingi, Peter, Student, Univ. of Southern<br />
Calif. Mail: 3730 McClintock Ave., Apt.<br />
536-F, Los Angeles Calif. 90007 (S)<br />
Fender, William D., Electro-Mechanical Engr.,<br />
Electro-Optical-Systems. Mail: 816 W. Col-<br />
orado Blvd. #3, Monrovia, Calif. 91016 (A)<br />
Flsd, Jr., Philip J., Sr. Fields Sls. Engr., Am-<br />
pex Corp. Mail: 1435 N. Avon St., Burbank.<br />
Calif. 91505 (A)<br />
Foater, William B., Freelance Photog., Self<br />
Empl., 10327 E. Starca Ave., Whittier, Calif.<br />
90601 (A)<br />
Frasier, Bill C., Chf. Audio Engr., Swartwout<br />
Film Productions. Mail: 3708 E. Poinsettia<br />
Dr., Phoenix, Arizona 85028 (A)<br />
Gibbons, Peter, Hd. of Camera Dept.. CBS<br />
Studio Center. Mail: 4539 Via Vienta, Mal-<br />
ibu. Calif. 90265 (M)<br />
Goldisrr, Sylvan, Tech. Dir., Eclair Corp. of<br />
America, 7262 Melrose Ave., Loa Angeles,<br />
Calif. 90046 (A)<br />
Qraham, David B., Chf. Engr., Hollywood<br />
Video Center. Mail: 4325 Natoma Ave.,<br />
Woodland Hills, Calif. 91364 (M)<br />
Grunze, Siegfried, Des. Engr., Technicolor, Inc.<br />
Mail: 13676 Garrick Ave., Sylmar. Calif. 91342<br />
(A)<br />
Helacher, tswrence W., TV Broadcast Engr.,<br />
KCET-Channel 28. Mail: 3763 Los Felk<br />
Blvd., Los Angeles, Calif. 9W27 (A)<br />
Hill, C. Matt, Vice Pres., Audio Graphic Films,<br />
837 N. Cahuenga, Hollywood, Calif. 90038 (A)<br />
Hill, R. Bruce, Vice Pres., Mktg., Mitchell<br />
Camera Corp. Mail: 19321 Mayall St., North-<br />
ridge, Calif. 91324 (MI<br />
Hogan, William Id., Engr. ABC. Mail: 4804<br />
Franklin Ave., #9, Lor, Angeles, Calif. 90027<br />
(M)<br />
Holmes, Richard, Recording Engr., Univ. of<br />
Calif.. at Loa Anaeles. Mail: 1313 Pacific<br />
Ave., Venice, Calii. 90291 (M)<br />
Horton, Jon, Screen Writing, Self Empl., 9952<br />
Robbins Dr., Beverly Hills, Calif. 90212 (A)<br />
Kaufman, Nathan L., Student, Univ. of South-<br />
ern Calif. Mail: 1119 W. 29 St., Apt. 1, Lor<br />
Angeles, Calif. 9oao7 (S)<br />
Keller, Dane M., 8mm Transfer Dept., Glen<br />
Glenn Sound Co. Moil: 5832 Waring Ave.,<br />
Hollywood, Calif. 90038 (A)<br />
Manufactured entirely to customers speci-<br />
fication, ELCOM sound equipment is now<br />
being incorporated into the major tele-<br />
vision studios of Great Britain. Of fully<br />
flexible design and equally suitable for<br />
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WEEDON ROAD INDUSTRIAL ESTATE - NORTHAMPTON ENGLAND Telephone : Northampton 51873<br />
60 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />
(A MEMBER OF THE PAINTON GROUP OF COMPANIES)
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January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79 61
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Kent, George, Dir., Int'l Mktg., Audio Graphic<br />
Films, 837 N. Cahuenga, Hollywood, Calif.<br />
W.78 (A)<br />
Kloba, Ted J., Product Splst. Broadcast, Electronic<br />
Engineering Co. of Calif. Mail: 16661<br />
McFadden #12, Tustin, Calif. 92680 (A)<br />
Kloepfer, Floyd F., TV Systems Design, North<br />
American Rockwell. Mail: 2037 Chestnut<br />
Creek Rd.. Diamond Bar, Calif. 91766 (A)<br />
Lane, Paul E., Industrial Products Splst.,<br />
Honevwell Inc.. 6620 TelearaDh -~ Rd.. Los An-<br />
geles; Calif. 90022 (A)<br />
Layos, William A., Sec. Treas., Cinesound Co.,<br />
Inc.. 915 N. Highland Ave.. Hollywood, Calif.<br />
90038 (M)<br />
Levington, Jerry E., Student, Calif. State College<br />
-Fullerton. Mail: 13841 Dawson St..<br />
#C. Garden Grove, Calif. 92640 (S)<br />
Lewis, Chuck, Re-Rec. Mixer, 20th-Century<br />
Fox. Mail: 6107 Rhodes Ave., North Hollywood,<br />
Calif. 91606 (M)<br />
Malkiewicr, Jan K., Lecturer in Film Techniques.<br />
Calif. Institute of the Arts. Mail:<br />
2679 Wavcrly Dr., Lo5 Angeles, Calif. 90039<br />
(A)<br />
Martin, €I. R., Self Empl.. P.O. Box 98, Hemet,<br />
Calif. 92343 (A)<br />
Martinez, Rene C., Electronic Techn., Technicolor.<br />
Inc. Mail: 9012 Crescent Dr., Los Angeles.<br />
Calif. 90046 (M)<br />
Maxwell, Jr., James G., Sls.. 3M Co. Mail:<br />
426 Via La Selva, Redondo Beach, Calif. 90277<br />
(A)<br />
McCotmick, Thomas J., Projection Engr., MGM<br />
Studios. Mail: 3533 Mentone Ave., #3, Los<br />
Angeles, Calif. 90034 (M)<br />
McGahan, Patrick D., Vice Pres., Tarot Prodactions,<br />
Inc. Mail: 1592 Crossroads of the<br />
Word, Los Angcles, Calif. WO28 (A)<br />
Mellenthin, Jr., William, Student, Don Martin<br />
School of Radio & TV. Mail: 10707 Landale<br />
St., #ll, North Hollywood. Calif. 91m2 (S)<br />
Meyer, Thomas R., Engr., RCA Corp. Mail:<br />
3.717-A W. Alameda Ave., Burbank, Calif.<br />
91505 (M)<br />
Meza. Gabriel, Student. Univ. of Southern<br />
Calif. Mail: 313 E. Hillsdale St., Inglewood,<br />
Calif. 90302 (S)<br />
Miller, Johnie, Maint. Supvr.. Studio Tech.<br />
Facilities, KCOP-TV. Mail: 1630 N. Kenmore,<br />
Apt. 309. Ins Angeles, Calif. 90027 (A)<br />
Moody, James L., Teacher, Berkey-ColorTran,<br />
1015 Chestnut St.. Burbank, Calif. 91502 (A)<br />
Moore, Michael C., Sound Rcdg. Techn., Free.<br />
lance, 3285 Ashwood Ave.. Los Angeles, Calif.<br />
9006% (M)<br />
Morton, John 0.. Sound Techn., Glen Glenn<br />
Sound Co., a40 Jellico, Van Nuys, Calif. 91406<br />
(A)<br />
Newbern, William C., Educational Media Conslt.,<br />
1800 N. Argyle Ave., #308, Hollywood,<br />
Calif. 90028 (A)<br />
Odom, Charles H., Group T,eader, Video Products,<br />
Conrac Corp. Mail: 1251 s. Belgreen<br />
Dr., Whittier, Calif. 90601 (M)<br />
Palmer, Herbert, Asst. Prof., Coord. Mot. Pic.,<br />
San Fernando Valley State College. Mail:<br />
2252 Mandelville Canyon Rd., Los Angeles,<br />
Calif. 90049 (A)<br />
Penner, John E., Student, Univ. of Southern<br />
Calif., 3311 W. 3 St.. Bldg. 1, Apt. 321, LOS<br />
Angeles. Calif. 9ooo5 (S)<br />
Phan, Vinh, Student, 801 Phillips Hall, 3500<br />
University Pk., Univ. of Southern California,<br />
Los Angeles, Calif. 90007 (s)<br />
Rimmer, Marion M., Western Mktg. Mgr., Berkey<br />
ColorTran, Inc. Mail: 3191 Wac0 Ave.,<br />
Santa Susana, Calif. 93063 (A)<br />
Ryaa, Steve S., Student, Univ. of Calif. at Los<br />
Angeles. Mail: 500 Landfair, Los Angeles,<br />
Calif. 90024 (S)<br />
Saul, Jr., Robert J., US. Navy, 15594 Casimir<br />
Ave., Gardena, Calif. 90249 (A)<br />
Schaap, Kenneth N., Student, Don Martin<br />
School of Radio & TV. Mail: 20726 Clark<br />
St., Woodland Hills, Calif. 91364 (S)<br />
Schoener, Richard J., prod. Asst., Bailey Film<br />
Associates. Mail: 3344 Keystone Ave.. #6,<br />
Tas Angeles, Calif. 90034 (A)<br />
Schwartr, Murray, Mgr. Product Dev. & Opt.<br />
Div.. Ponder & Best Corp. Mail: P.0. BOX<br />
241. Tarzana, Calif. 91356 (M)<br />
Taylor, Richard, Michael Co. Mail: 3657<br />
Dunn Dr., Los Angeles. Calif. 90034 (A)<br />
Tunks, Kent, Rcdg. Engr., RCA Records.<br />
Mail: 8545 Walnut Dr., Los Angeles, Calif.<br />
90046 (A)<br />
Valens Tom, Student, Univ. of Southern Calif.<br />
Mail: 2918% Grand Canal, Venice, Calif.<br />
90291 (S)<br />
62 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />
Vine, S. Howard, Vice Prer., Audio Graphic<br />
Films. Mail: 16645 Nordhoff St., Sepulveda,<br />
Calif. 91343 (A)<br />
Walker, Jr.. 0. R., FieM Serv. Engr., Philips<br />
Broadcast Equip. Corp. Mail: 28 Van Dyke<br />
St., Thousand Oaks, Calif. 91360 (M)<br />
Wexler, Howard, Student, Univ. of Southern<br />
Calif. Mail: 1616 N. Curson Ave., Los Ange-<br />
les, Calif. 90046 (S)<br />
Wfdmayer, William L., Dir. of Photographic<br />
Operations & Head of Camera Dept., Colum-<br />
bia Pictures Corp., 1438 N. Gower St., Holly-<br />
wood, Calif. 90028 (MI<br />
Zebrowski, George 5.. Student, Univ. of South-<br />
ern Calif. Mail: 3311 W. 3 St.. Bldg. 1,<br />
Apt. 321, Los Angeles, Calif. 9OOO5 (S)<br />
Zieve, Stan L., Mgr., Newsfilm Operations,<br />
N.B.C., 3ooo Alameda, Burbank, Calif. 90205<br />
(MI<br />
MONTREAL SECTION<br />
Derrosien, Robert B., Supor., Quality Control,<br />
Canadian Broadcasting Corp. Mail: 908-B<br />
Havre Des Iles, Chomedey, Laval, P.Q.,<br />
Canada (A)<br />
Lambert, Claude, Field Service Engr.. Interna-<br />
tional Video Corp. Mail: 152 Roreval St.,<br />
Ste Rose De Laval, P.Q., Canada (M)<br />
Llewellin, Peter, Supvr., Film & TV Prodn.,<br />
Bell Canada. Mail: 3475 Ridgewood Ave..<br />
Apt. 103, Montreal 247, P.Q., Canada (A)<br />
Quigley, Paul R., Self Empl., 1558 Pine Ave.,<br />
W., Apt. 3, Montreal 109, P.Q., Canada (A)<br />
Theal, Gary T., TV Film Writer/Producer, Bell<br />
Canada. Mail: 220 BerIioz No. 409, Nuns<br />
Island, Montreal 201, P.Q., Canada (A)<br />
NASHVILLE SECTION<br />
Brackett, Paul R., News Cameraman & Writer,<br />
WSM-TV. Mail: 315 Lynn Dr., Nashville,<br />
Tenn. 37211 (M)<br />
NEW YORK SECTION<br />
Amico, Michael, Serv. Ygr., Tech. Mgr. Re-<br />
cording, Cinema Beaulieu. Mail: 342 Van<br />
Name Ave., Staten Island, N.Y. 10303 (A)<br />
Apple, Jeffrey D., Self Empl., Freelance Cam-<br />
eraman, 235 E. 10 St.. 3E, New York, N.Y.<br />
10003 (A)<br />
Bumham, Jeffrey, Self Empl., Freelance Cam-<br />
eraman, 69 W. 9 St., New York, N.Y. 10011<br />
(A)<br />
Citelli, Joseph, Student, Allen School for Mot.<br />
Pic. Proj. Mail: 67-25 Clyde St., Forest<br />
Hills. N.Y. 11375 (S)<br />
Coren, Carol. Student, Temple Univ. Mail:<br />
1210 Levick St.. Philadelphia, Pa. 19111 (S)<br />
Crane, Charler J., Sls. Engr., Eastman Kodak<br />
Co., 200 Park Ave., New York, N.Y. 10017 (A)<br />
Cvetic, John J., Engrg. Supvr.. Westinghouse<br />
Broadcasting Co. Mail: 1807 Crosby Ave.,<br />
Pittsburgh, Pa. 15216 (A)<br />
Dahms, John P., Student, Rochester Institute<br />
of Technology. Mail: 19 Lyncrest Dr.,<br />
Paramus, N.J. 07652 (S)<br />
Damude, D. Brian, Student, New York Univ.<br />
Mail: 119 Sullivan St., #16, New York, N.Y.<br />
10012 (S)<br />
Derlnk, Leo S., Photog., Western Electric Co.<br />
Mail: 172 E. Hill Rd.. Ccfonia. N.J. OM67 (A)<br />
Dinges, Frank J., Techn., Audio Transfers.<br />
Mail: 176 W. 87 St., New York, N.Y. lW24<br />
(M)<br />
Else, Park A., Dir. of Prodn., McGraw-Hill,<br />
Inc.. 330 W. 42 St., New York, N.Y. 10036 (A)<br />
Ericson, Edward T., Vice Pres., Young Film<br />
Laboratories. Mail: 19 W. Mill Rd., Maple<br />
Shade, N.J. 08052 (A)<br />
Fisher, George, Student, Temple Univ. Mail:<br />
323 Bailey Rd., Rosemont, Pa. 19010 (S)<br />
Gallo, Anthony C., Process 8 Quality Control<br />
MRr.. Perfect Photo. Mail: 4439 Paul St..<br />
Pyiladelphia, Pa. 19124 (M)<br />
Gauthier, Frederick J., Lab. Mgr., Color Film<br />
Corm Mail: 14 Dover Rd., Congers. N.Y.<br />
lDi6 (A)<br />
Glasser, Mitchell, Student, Rocherter Institute<br />
of Technology. Mail: 15-18 Everett Terr.,<br />
Fair Lawn, N.J. 07410 (S)<br />
Oatton, 9. Douglas, Vice Pres., Prodn., Reeves<br />
Actron, 565 5 Ave., New York, N.Y. 10017 (A)<br />
Grossman, Morris L., Project Engr,, DeJur-<br />
Amsco Corp. Mail: 32-40 89 St., Jackson<br />
Heights, N.Y. 11369 (A)<br />
Harmon, Joseph A., Data Services Engr.. N.Y.<br />
Telephone Co. Mail: 73 S. Forest Avc..<br />
Rockville Centre, N.Y. 11570 (M)<br />
Haskett, Thoma. R., Assoc. Editor, BM/E.,<br />
Magazine of Broadcast Management/Engrg.<br />
Mail: 416 Lafaybtte St., New York, N.Y.<br />
10003 (A)
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High speed return of the film to “start”<br />
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January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Vdumc 79 63
64<br />
Binders for<br />
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SOCIETY OF MOTION PICTURE<br />
AND TELEVISION ENGINEERS<br />
9 East 41st Street, New York, N. Y. 10017<br />
(2121 TN7-5410<br />
for convenience in assembling and storing the increasing number of<br />
Standards and Recommended Practices that need to be kept on file<br />
Order these high-quality, durable leatherette ring binders,<br />
in sets of two, from <strong>SMPTE</strong> Headquarters. Price: $8.00 the set<br />
Society of <strong>Motion</strong> Picture and Television Engineers<br />
9 East 41 Street, New York, N. Y. 10017<br />
January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />
Herbkovitr, Antol, Assoc. Dir., Health Sciences<br />
Center State Univ., N.Y. Mail: 120 get-<br />
chams Rd., Syosset, N.Y. 11791 (M)<br />
Holub, Ernest G., Installation & Serv. Coord.,<br />
RCA Service Co., Bldg. Chic 225, Camden,<br />
N.J. 08101 (M)<br />
Hulko, R. Lee, Pres., Sterling Sound, he., 56<br />
W. 45 St., New York, N.Y. 10036 (A)<br />
Hunt, David R., Student, Temple Univ. Mail:<br />
409 N. Ea~ton Rd., N-4, Willow Grove, Pa.<br />
lorn [Sb<br />
MLG. Jacques A., Student, Allen School for<br />
Mot. Pic. Proj. Mail: 2657 Bedford Ave,.<br />
Apt. IA, Brooklyn, N.Y. 11210 (S)<br />
Pam, Albert F. W., Chf. Proj. Engr., Farrand<br />
Optical Co.. Inc. Mail: 4 Beech PI., Valhalla,<br />
N.Y. 10595 (A)<br />
Patrick, Jay, Pres., Tect, Inc., 254 Livingiton<br />
St., Northvale, N.J. 07647 (M)<br />
Putterman, William, A-V Engr., American<br />
Broadcasting Co. Mail: 80 Central Ave..<br />
East Brunswick, N.J. 08816 (M)<br />
Rhyins, Richard W., Dir. of Projects, Optronics<br />
Technology, Inc. Mail: 7 Griffith<br />
La., Ridgefield, Conn. 06877 (M)<br />
Sarrett, Robert, Electronic TU - HI FI Repair<br />
Techn., Heights Electronics. Mail: 740<br />
Grand Concourse, Bronx, N.Y. 10451 (A)<br />
Senie, Curtis J., Designer, Goo. C. Izcnour<br />
Associates, Inc., P.O. Box 1699 Yale Station,<br />
New Haven, Conn. 06520 (A)<br />
Sleight, Henry, Maint. Supvr.. Video Section,<br />
Reeves Telecom. Mail: 168 Berkeley PI.,<br />
Dumont, N.J. 0763 (M)<br />
Smith, Jr.. Jason H., Project Engr., CBS.<br />
Mail: 55 W. 92 St., Apt. SH, New York, N.Y.<br />
10025 (M)<br />
Stange, Paul A., Student, New York Univ.<br />
Mail: 154 6 Ave., Brooklyn, N.Y. 11217 (S)<br />
Swartz, Randy, Student, Temple Univ. Mail:<br />
1600 Garrett Rd.. Upper Darby, Pa. 19082 (S)<br />
Smith, Allen Q., Sls. Promotion Mgr., C.S. Ashcraft<br />
Co., 36-32 38 St., tong Island City, N.Y.<br />
11101 (M)<br />
Sterzel, Paul, Transfer Man, Magno Sound,<br />
Inc. Mail: 35-18 192 St., Flushing, N.Y.<br />
11358 (A)<br />
Thompson, Roscoe A., Chemist, Movielab. Inc.<br />
Mail: 324 E. 50 St., Apt. 4A, New York, N.Y.<br />
1OOn (M)<br />
Wehner, Jr.. Francis J., Student, Worcester<br />
Polytechnic Institute. Mail: P.O. Box W,<br />
Groton. Conn. 06340 (S)<br />
Weiner, Hal, Pres., Viaual Instruction Systems,<br />
Inc. Mail: 37-27 86 St., Jackson<br />
Heigh,ts, N.Y. 11372 (M)<br />
Pamparelli, Jr., Michael A., Student, Allen<br />
School for Mot. Pic. Proj. Mail: 3333 Hone<br />
Ave., Bronx, N.Y. 10469 (S)<br />
OHIO SECTION<br />
Reed, W. E.. Mgr., Cine Film Dept., Kenner<br />
Products, 912 Sycamore St., Cincinnati, Ohio<br />
45212 (A)<br />
ROCHESTER SECTION<br />
Baker, A. D., Sr. Proj. Engr., Eastman Kodak<br />
Co. Mail: 225 Heritage Cir., Rochester,<br />
N.Y. 14615 (A)<br />
Bobb, Idark, Student, Rochester Institute of<br />
Technology. Mail: Andrews Memorial Dr.,<br />
Box 68, Roche~ter, N.Y. 14623 (S)<br />
Collier, Kent R., Student, Rochester Institute<br />
of Technology. Mail: 207 Plymouth Ave..<br />
S., Apt. 10, Rochester, N.Y. 14606 (S)<br />
Cooksey, John A., Sr. Engr. Electronic Sys.,<br />
Singer-Link Div. Mail: Carriage House E.,<br />
Apt. C5, Kirkwood. N.Y. 13795 (A)<br />
Fuller, Gary W., Student, Rochester Institute<br />
of Technology. Mail: 25 Andrews Memorial<br />
Dr., Box 223, Rochester, N.Y. 14623 (S)
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January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />
65
Glasford, Glenn M., Prof., Electrical Engrg.,<br />
222 Hinds Hall, Syracuse Univ., Syracuse.<br />
N.Y. 13210 (M)<br />
Grftnville, Jr., Richard W., Engr., General<br />
Electric Co. Mail: 221 Park Lane, North<br />
Syracuse, N.Y. 13212 (M)<br />
YacNally, Raymond, Product Inf. Splst.. East-<br />
man Kodak Co., Int’l Mkts. Div., 343 State<br />
St., Rochester, N.Y. 14650 (A)<br />
Padn, Jr.. Willir~n. Student, Rochester Insti-<br />
tute of Technology. Mail: 25 Andrews Me-<br />
morial Dr., Box 993. Rochester, N.Y. 14623 (S)<br />
YcGrath, J. Jeffrey, Student, Rochester Insti-<br />
tute of Technolonv. Mail: 27 Southcross<br />
Trail, Fairport, NYY. 14450 (S)<br />
YcGrath, James A., Publication Data Splat.,<br />
Fastman Kodak Co.. State Street, Rochester.<br />
N.Y. 14650 (M)<br />
McSweeney, Gary J., Student, Rochester Tn-<br />
stitute of Technology. Mail: 170 Milford<br />
St., Apt. 7, Rochester, N.Y. 14615 (S)<br />
Mills, Daniel H., Mktg. Splst.. Eastman Kodak<br />
Co.. 343 State St., Rochester, N.Y. 14650 (M)<br />
Roberts, Jon, Student, R.I.T. School of Photo<br />
Science, Rochester, N.Y. 14623 (S)<br />
Waddell, Lyle O., Tech. Advisor, Photo Opt.<br />
Div., Air Force. Mail: 144 Golden Rod La.,<br />
Apt. 5, Rochester, N.Y. 14623 (M)<br />
SAN FRANCISCO SECTION<br />
Arcbey, Roger, Mgr., A-V Dept., The Bank of<br />
California, 400 California St., San Francisco,<br />
Calif. 94120 (A)<br />
Coleman, Charles H., Sr. Staff Engr., Ampex<br />
Corp. Mail: 1617 Notre Dame Ave., Belmont,<br />
Calif. 94002 (M)<br />
Delantoni, John H., Projectionist, Encore<br />
Theatre. Mail: 7 Seville Wav. #3. San<br />
Mateo, Calif. 94402 (A)<br />
_. .. ,<br />
Dowell, Charles H., Owner, Chuck Dowell<br />
Laboratories. Mail: 5412 E. Lansing<br />
Fresno, Calif. 93727 (A)<br />
Eppstein, A. D., Sr. Engr., Memorex<br />
10639 Maplewood Rd., Cupertino, Calif.<br />
(A)<br />
Film<br />
Way,<br />
Corp.<br />
95014<br />
Fadely, Jamrs K., Sr. Engr., Commercial Electronics,<br />
Inc. Mail: 930 Edgecliff Way, Red.<br />
wood City, Calif. 94061 (M)<br />
Hamaoui, Halfon. Sr. Engr., International<br />
Video Corp. Mail: 1050 Crestview, Mountain<br />
View. Calif. 94040 IM)<br />
Horowitr, Donald J.; Student, San Jose State<br />
College. Mail: 3271 Benton St.. Santa Clara.<br />
Calif. 95051 (S)<br />
Jamison, Walter C., TV Maintenance, KOMO-<br />
TV. Mail: 4907 217 S.W., Mountlake Terrace,<br />
Wash. 98043 (A)<br />
Levine, Stephen R., Student, Stanford Univer-<br />
-.<br />
sity. Mail: 48A Escondido Villane. Stan-<br />
ford, Calif. 94305 (S)<br />
Martin, Carl, Northwest Regional Mgr., Houston<br />
Fearless. Mail: 8 Foothill Pk. Ter..<br />
Iafayette, Calif. 94549 (A)<br />
Nelson, Earl H., Visual Media Coord., The<br />
Hoeing Co. Mail: 900 Warren Ave., N.,<br />
Seattle, Wash. 98109 (M)<br />
Ordsco, Albert, Field Engr., I.V.C. Mail:<br />
0187 San Juan St., Santa Clara, Calif. 94051<br />
(A)<br />
Reynolds, Robert J.. Studio Mgr., San Jose<br />
State College. Mail: 4833 Cloud Dr., San<br />
Jose, Calif. 95111 (A)<br />
Sargent, Karl D., Video Evaluation Engr..<br />
.~<br />
Amwx Coro. Mail: 2155 Lanai Ave.. Aot.<br />
10G,’San Jose, Calif. 95122 (A)<br />
Shibuya, Ted T., Chf. Cinemat., Pacific Broad-<br />
castinn System. 1534 Kapiolani Blvd., Hono-<br />
lulu, Hawaii 96814 (A)<br />
Slaughter, John E., Pres.. Gen. Mgr., The Com-<br />
munications Group, Ltd. Mail: 8601 Skyline<br />
Jllvd., Oakland, Calif. 94611 (M)<br />
Taylor, Kenneth I., Dir., Electro Mechanical<br />
Res. & Dev., Memorex Corp. Mail: 260<br />
Gabarda Way, Menlo Park, Calif. 94025 (M)<br />
Williams, Donald S., Systems Splst., RCA.<br />
Mail: P.0. Box 754, Palo Alto, Calif. 94302<br />
(M)<br />
Verrinder, James M., Sr. Applications Engr.,<br />
International Video Corp. Mail: 1917 Cala-<br />
brasas Blvd., Santa Clara, Calif. 95051 (A)<br />
Youngstrom, Jerry, Mgr., Product Dev.,<br />
Memorex Corp. Mail: 1768 Kimberly Dr..<br />
Sunnyvale, Calif. 94087 (A)<br />
66 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volu<br />
e 79<br />
TORONTO SECTION<br />
Allen, Robert, Lab. Techn., Best Film Indus-<br />
tries. Mail: 61 Spring Mount Ave., Toronto,<br />
Out., Canada (A)<br />
Antoniuk, Stan, Tech. Dir., Duffoto Process<br />
Co. Mail: 6220 37 St., S.W., Calgary, Al-<br />
berta, Canada (A)<br />
Bowers, Joseph, Chf. Sound Techn., Beat Film<br />
Industries. Mail: 11 Crown Hill Place, Apt.<br />
26, Toronto, Ont., Canada (A)<br />
Brown, Quentin, Dir. of Instructional Media.<br />
University of Manitoba, Dafoe Library<br />
Bldg. Winnipeg 19. Manitoba, Canada (A)<br />
Cox. Kelly, Producer, Duffoto Process Co.<br />
Mail: 25 Gladys Ridge Rd., Calgary, Al-<br />
berta, Canada (A)<br />
Eilcullen, John J., Sls. & Engrg., General<br />
Sound & Theatre Equip. Ltd. Mail: 7<br />
Foxden Rd., Don Mills 403 Ont., Canada (A)<br />
Lake, Harry, Dir. of Photography, John Lowry<br />
Productions. Mail: 32 Cavendiih Cres..<br />
Bramalea, Ont., Canada<br />
La<strong>new</strong>asser, Herb, Cameraman B Processing<br />
Supvr., Film Technique Ltd. Mail: P.O.<br />
Box 1007, Terminal A, Toronto 1, Ont..<br />
Canada (A)<br />
Northrop, Peter J., Tech. Adviaor, A-V Re-<br />
sources, Trent Univ. Mail: P.O. BOX 214.<br />
Lakefield, Ont., Canada (A)<br />
Rinpa, Nick I., Dir., Mktg., Miller Elec-<br />
tronics Ltd. Mail: 2221 Bonnacord Dr..<br />
Vancouver 16, B.C., Canada (A)<br />
WASHINGTON SECTION<br />
Reid, William Y., Asst. Head, Mot. Pic. Lab.<br />
Div., Naval Photographic Center. Mail:<br />
7857 Glenister Dr., Springfield, Va. 22152 (M)<br />
INTERNATIONAL<br />
De 1Pucc1, Joree B., Tech. Mgr,, Produccioner<br />
Argentinas De TV S.A.C.I. Mail: Recuero<br />
3291, Cap. Federal, Buenos Aires, Argentina<br />
(MI<br />
Stimson, Ian Q., Sr. Techn., South Western<br />
Telecasters Ltd. Mail: 14 Floreat St., Bunbury<br />
6230, Western Australia (A)<br />
Butt, Sidney J., Tech. Mgt., Studio Film Laboratories.<br />
Mail: 30, Ben Austins. West<br />
Common Red Bourn, Herta., England (A)<br />
Calder, Duncan C., Tech. Dir., Photomec (London)<br />
Ltd. Mail: 40 Dale Ave., Custard<br />
Wood, Wheathampatead, Herts, England (M)<br />
Cooper, Norman, Dev. Engr., Ilford, Ltd.<br />
Mail : “Highfields,” Stow Maries, Chelmsford,<br />
Essex,-England (M)<br />
Dick#, D. R. W., Managing Dir., G. Humphries<br />
& Co., Ltd., 71/81 Whitfield St., London W 1,<br />
England (A)<br />
Ellis, Robert, Tech. Dir., George Humphries &<br />
Co., Ltd. Mail: 26 Fitzroy Rd., Regentr<br />
Pk., London NW I. England (A)<br />
Gdwin, Eric, Sls. Engr., Rank Taylor Hobson.<br />
Mail: 120 Wintersdale Rd., Leicester,<br />
England (A)<br />
Wood, Charles B. B., Head, Image Scanning<br />
Sec., BBC, Research Dept.. Bagley Croft,<br />
Babylon La., Lower Kingswood, Tadworth,<br />
Surrey, England (M)<br />
Chevereau, Claude Pres., S.A. Chevereau, Service<br />
du Cinema, 20, Rue de In Chine, Paris<br />
20, France (A)<br />
Yeung, Steven Y. L., Color Lob. Techn., Shaw<br />
Brothers (H.K.) Ltd. Mail: 26 Tak Ming<br />
House. Choi Hung Rd., Kai Tak Estate.<br />
Kowloon Hong Kong (A)<br />
Yurty, D.’V. 9. S. X., Foreman, Charge of TV<br />
Center, Indian Institute of Technology. Television<br />
Center, Kanpur, India (M)<br />
Ayah, Alvaro Delgado, Mgr., Lab. Ternexcolor<br />
S. de R.L., Playa Caleta #261, Mexico D.F..<br />
Mexico (A)<br />
Loom, Herberto, Mgr., Serv. Espec. Cinematograficos<br />
S.A. Mail: Playa Caleta #Zal-A.<br />
Mexico D.F. (13), Mexico (A)<br />
Swanberg, Lars H., Dir., Tech. Res., Svenska<br />
Filminstitutet. Box 1327, 11183 Stockholm.<br />
Sweden (MI<br />
Agusrrevere, Santiago E., Tech. Dir., Cadena<br />
Venezolana de Televinion-Canal 3, Av. Lor<br />
Castanos - Montecristo, Caracas, Venezuela<br />
(M)<br />
Imth. Albert, Dr., Institut fur Photochemic<br />
& Filmtechnik. Technische Univernitat, Berlin,<br />
West Germany (H)<br />
Sachtler, Wendelin, Self Empl., Herzogstranm<br />
97, Munich 13, W. Germany (A)
To process Kbdak films best,,<br />
there5 nothing like a package<br />
It’s only natural.The Kodak films<br />
you’re using are the finest we can pro-<br />
duce. One important reason is end-<br />
less testing during manufacture. Of<br />
course, we use Kodak chemicals to<br />
test ourfilms.We call this“Match-<br />
Testing” because the films are<br />
matched to the chemicals and vice<br />
versa. So if you use Kodak packaged<br />
chemicals when you process black-<br />
and-white, ME-4 or ECO-2 color,<br />
or black-and-white reversal, you can<br />
be sure you’re getting the finest proc-<br />
essing.<br />
‘ ‘M at c h -Tes t i n g” is actual I y the<br />
final test for our packaged chemicals.<br />
There are many more before that.We<br />
test the initial ingredients, the mixed<br />
ingredients, and thefinishedchemical.<br />
We even test the packaging, so it<br />
comes to you in the best condition,<br />
When you get the chemical, it’s so<br />
right that you don’t even need a lab<br />
chemist.<br />
To make it easier to get the Kodak<br />
packaged chemicals you need, we<br />
now have a direct “One-Stop Shop-<br />
ping Service” for chemicals. Kodak<br />
warehouses throughout the country<br />
provide speedy delivery of the pack-<br />
aged chemicals you order.<br />
We top everything off with exten-<br />
sive and readily available technical<br />
resources. In short, we like to do<br />
everything we can to make sure our<br />
films grow up into great movies.<br />
Would the Kodak “One-Stop<br />
Shopping Service” for chemicals<br />
benefit you ? Talk to your Kodak<br />
Sales and Engineering Representa-<br />
tive about it,or call the nearest Kodak<br />
office listed below.<br />
EASTMAN KODAK COMPANY.<br />
Atlanta : 404/351-6510 Chicago: 312/654-0200<br />
Dallas: 214/FL 1-3221 Hollywood: 213/464-<br />
6131 New York: 212/MU 7-7080 San Fra<br />
cisco: 415/776-6055
\<br />
1. Introduction<br />
2. <strong>Motion</strong>-Picture Films<br />
3. Physical Aspects of the<br />
Projection Room<br />
4. General Rules for<br />
Good Projection<br />
5. Measuring Instruments<br />
6. The Basic <strong>Motion</strong>-Picture<br />
Projector<br />
7. Operational Maintenance and<br />
Repair of Projectors<br />
8. Projector Performance Testing<br />
9. Projection Light and<br />
Light Sources<br />
10. DC-Power Supplies for<br />
Projection Light Sources<br />
It. Projection Lenses and Optics<br />
12. <strong>Motion</strong>-Picture Theatre Screens<br />
13. <strong>Motion</strong>-Picture Sound Systems<br />
14. Theatre Construction and Design<br />
15. Theatre Seating<br />
16. Theatre Carpeting and Drapery<br />
17. Theatre Automation -Automatic<br />
Programming<br />
18. Drive-In Theatres<br />
19. The Theatre Supply Dealer<br />
20. The Competent Projectionist<br />
21. Problems in Projection - Case<br />
Histories<br />
Appendixes<br />
Manufacturers Honoring <strong>SMPTE</strong><br />
Request Cards 0 Index to<br />
<strong>SMPTE</strong>-Sponsored USA Standards<br />
and Recommended Practices<br />
0 List of <strong>SMPTE</strong> Publications<br />
0 Test Film Catalog<br />
Index<br />
Detailed Table of Contents on rcquest.<br />
M~PW AtraieaGee 0 I<br />
<strong>Motion</strong>-Picture Projection and<br />
Theatre Presentation Manual<br />
21 Chapters<br />
I Appendixes<br />
W 190-page book<br />
W Large format/two columns<br />
H 130 illustrations<br />
W Index<br />
H Cloth bound<br />
Single Copy Price-$7.50<br />
Less 20% to <strong>SMPTE</strong> Members,<br />
Libraries, and Booksellers<br />
Less 25% for 5 through 49 copies, plus shipping<br />
Less 33%% for 50 copies and more, plus shipping<br />
68 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />
<strong>new</strong><br />
products<br />
....................<br />
(and dmvmlopmmntr)<br />
Further information about there items can be<br />
obtained direct from the addresses given. As in<br />
the core of technical papers, the Society is not<br />
responsible for manufacturers' statements, and<br />
publication of these items doer not constitute<br />
endorsement of the products or services.<br />
A Norelco 3-Plumbicon color TV camera,<br />
designated LDH-1 and designed especially<br />
for applications in the fields of education,<br />
medicine and CATV, has been introduced<br />
by Philips Broadcast Equipment Corp.,<br />
One Philips Parkway, Montvale, NJ 07645.<br />
The camera is based on the same design<br />
concept as that of the Norelco PC-70 but<br />
it has been adapted to meet the needa of<br />
nontheatrical broadcasters, including bud-<br />
getary requirements. It is priced at<br />
$21,425. The LDH accepta either Plumbi-<br />
con image pickup tubes or (in a lower-<br />
priced version) 1-in vidicons. Switchable<br />
circuitry is designed into the system to<br />
complement the response characteristics of<br />
both sensors. Without any wiring modifi-<br />
cation, different modules can be plugged<br />
into the rear of the camera to obtain two<br />
basic camera versions. Without wiring<br />
modifications different modules can be<br />
plugged into the rear of the camera<br />
to obtain either RGB or NTSC encoded<br />
operation in accordance with the EIA<br />
scanning system. The LDH-1 will also be<br />
available in the PAL version.<br />
The LDH-1 can be supplied with or<br />
without its 7-in viewfinder. The live cam-<br />
era version (with viewfinder) also in-<br />
cludes an additional video switching and<br />
audio unit which is mounted beneath the<br />
viewfinder. Program sound is FM-modu-<br />
lated on a carrier wave and is available at<br />
a VHF socket.<br />
The camera uws the Philips prismatic<br />
beamsplitting system. To ensure perma-<br />
nent alignment, the assembly comprising<br />
the beamsplitter. pickup tubes with their<br />
associated deflection coil assemblies and<br />
FET preamplifiers is integrated into a sin-<br />
gle aluminum-alloy cast block and fixed<br />
into position. Camera electronics include
RECORDING - PROJECTION<br />
M.T. E. EQUIPMENT<br />
REVERSIBLE SYNC-INTERLOCK. OPERATION<br />
-For Yoat--<br />
SOUND STUDIO SCREENING ROOM<br />
PREVIEW ROOM CONFERENCE ROOM<br />
MAGNA=TECH ELECTRONIC COO,, INC.<br />
630 Ninth Avenue, New York, N. Y., 10036<br />
January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79 69
signal processing, time-base and power<br />
supply circuit boards. Camera controls arc<br />
conccntratcd on one module which can be<br />
taken from the camcra and linked to it by<br />
an intcrconricctitig cable so that the gain<br />
of tlic grccn channel, black level. color<br />
balance and lens iris can be rcmotcly con-<br />
trolled if dcsircd. A horizontal control cor-<br />
rection signal is dcrivcd from thc linear<br />
green signal and added to the thrcc color<br />
signals or the luminance signal after<br />
gamma correct ion.<br />
A compact, 24-ft color T V mobile unit de-<br />
signed cspecially for educational broad-<br />
casters has been annouricctl by RCA Corp.<br />
The unit contains the RCA TK-44A color<br />
camera, camera controls, picturc monitor,<br />
a high-band video-tape rccortlrr and audio<br />
facilities. Microwavc equipment can he<br />
added to relay live programs back to the<br />
home studio. The tape recordcr in thc<br />
mobile unit is the RCA TR-60 color TV<br />
tape rccorder intended to capture on tape<br />
the rnaxiinum amount color picture qual-<br />
ity provided by the camera. 'l'hc unit<br />
is air-conditioned and makes use of a<br />
heavy-duty Dodge chassis and a body cus-<br />
tom designed for TV equipment installa-<br />
tion and opcrations.<br />
The IVC-90, a 3-vidicon color TV ramera<br />
with a built-in viewfinder, lias brcn an-<br />
nounced by International Vidco Corp., 675<br />
Almanor Ave., Sunnyvale, CA 0408G. 'l'hc<br />
camera is self-contained and utilizes solid-<br />
state circuitry for compactness and porta-<br />
bility. Features include a permanently<br />
70<br />
Special Effects)<br />
aligncd optical system. A built-in inte-<br />
grated sync gcnerator and encoder provides<br />
cncodcd outputs from a single coaxial con-<br />
nrctor. The camera can also be used with<br />
an external sync generator and encoder.<br />
The control panel is located below the<br />
viewfinder and permits the operator to ad-<br />
just canicra master gain and pedestal and<br />
individual R, G and B target and pedestal.<br />
The basic camera is supplied with three<br />
separate mesh vidicon tubes, 6:1 zoom lens,<br />
a mechanical extcnsion of focus, zoom and<br />
iris; 50-pin Cannon connector with 25 ft of<br />
video cablc; and ac power cord. It is<br />
priced at $7,500. The IVC-90 is also avail-<br />
able as a film chain camera at a price of<br />
$7,200.<br />
An improved version of the Norelco PC-70<br />
color TV camera, designated the PC-'IOS,<br />
has been announced by Philips Broadcast<br />
Equipment Corp.. One Philips Parkway,<br />
Montvale, NJ 07645. The up-dated camera<br />
lias <strong>new</strong> 48-tlR SNR FET preamplifiers<br />
usrd to producc noise-free pictures beyond<br />
the earlier PC-70 performance in the low<br />
light areas. Other improvements include<br />
an electronic edge enhancement system<br />
which uses a <strong>new</strong> dynamic-image correla-<br />
tion filtcr tcchniquc to provide sharper<br />
pictures with less contributed noise even<br />
in the saturated red and blue areas.<br />
A <strong>new</strong> broadcast TV camera, a mono-<br />
chrome vcrsion of thc Ampex BC-210, has<br />
been announced by Ampcx Corp., 401<br />
Broadway, Redwood City, CA 94063. The<br />
monocliromc camcra, Modcl BC-PIOM, has<br />
CONTENTS : The Development of Special Effects<br />
The Application of Special Effects<br />
Atmospheric Effects<br />
Speci a I -Eff ects Props<br />
Optical Effects<br />
Sound Effects<br />
Miscellaneous Effects<br />
MORE THAN 100 ILLUSTRATIONS<br />
Discounts of 20% to <strong>SMPTE</strong> members and booksellrn<br />
on single copies; 25% on orders of 5 through 4n;<br />
33-1/3% on orders of 50 or morr.<br />
a singlc Plumbicon tube. It can be con-<br />
verted to meet future color requirements<br />
for nontheatrical use. It weighs 35 lb and<br />
uses lightweight camera cable less than 2<br />
oz/ft and 0.47 in in diameter. The BC-<br />
210M is Sl/, in wide, 13v' in high and<br />
20y2 in long with viewfinder. It is priced<br />
at $20,000. It can be converted to color for<br />
an additional $35,000. After color conver-<br />
sion the camera has the same dimensions<br />
as for monchrome but it weighs 50 lb.<br />
A closeddrcuit TV camera, Model ITV-<br />
15, has been announced by Advanced<br />
Technology and Systems Corp., 1143 Post<br />
Rd., Riverside, CT 06878. The camera is<br />
designed for continuous duty in closed-dr-<br />
cuit applications, such as security-surveil-<br />
lance systems. Features include a C-mount<br />
25mm f/1.9 lens, a 1-in vidicon, inter-<br />
changeable with an IR-sensitive vidicon,<br />
Reviewed by<br />
the <strong>SMPTE</strong> Advisory<br />
Committee on<br />
Specie1 Effects<br />
<strong>Motion</strong> Pictures:<br />
Herbert Meyer<br />
Choirmra<br />
Rusrell Brown<br />
Thomas G. Fisher<br />
Jack Froehlich<br />
Max Hankinr<br />
Ub lwerkr<br />
lven Martin<br />
Bob Mattey<br />
Frederic 1. Ponedel<br />
John Aoche<br />
J. Edward Stembr<br />
Edward Stones<br />
Virgil Summers<br />
Order from:<br />
Society of <strong>Motion</strong> Picture and Television Engineers<br />
9 East 41st Street, New York, N. Y. 10017<br />
January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79
Photographed at the Winter Olympics, 1968 - by Cinepress, Grenoble, France<br />
January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79
Plan NOW TO Attend The<br />
9th INTERNATIONAL CONGRESS<br />
ON HIGH-SPEED PHOTOGRAPHY<br />
August 2-7, 1970 / Denver Hilton Hotel / Denver, Colorado<br />
society 01 <strong>Motion</strong> Picture and Television Engineers<br />
Write for information on:<br />
Wow to attend<br />
Presenting a paper<br />
Equipment Exhibit<br />
525-line scan, 500-line resolution, RF and<br />
video outputs and switchable positive/neg-<br />
ative iniage reversal. The camera weighs 8<br />
lb and is 5.4 in wide by 12.6 in long by 3.1<br />
in high. It is priced at $425.<br />
The Amphicolor 1000, an all-solid-state<br />
full color T V projector and the Amphicon<br />
270 monochrome projector have been an-<br />
nounced by Amphicon Systems, Inc., One<br />
Graphic Place, Moonachie, NJ 07074. The<br />
Amphicon 1000 has three 6-in cathode-ray<br />
tubes and the 270 has one 6-in cathode-<br />
ray tube. Both the color and the mono-<br />
chrome projectors are designed for large-<br />
screen projection giving 8- to 20-ft-wide<br />
pictures. Both projectors are compatible<br />
with all EIA video sources. All controls<br />
have been designed to operate at unlim-<br />
ited remote distance. Electronics and opti-<br />
cal systems are contained in one unit. The<br />
Amphicon 1000 is priced at about $28,500.<br />
The 270 is priced at $7,500.<br />
A <strong>new</strong> broadcast color monitor utilizing<br />
the <strong>new</strong> 12.in Sony Trinitron one-gun<br />
color kinescope has been announced joint-<br />
ly by Television Equipment Associates,<br />
Box 1391 Bayville, NY 11709, and World<br />
Video, Inc., Box 149, Laurel, MD 20910.<br />
The monitor is designed to maintain con-<br />
vergence, even when moved, and to permit<br />
simple setup and color matching to other<br />
monitors. The monitor weighs 42 lb, has a<br />
12-in diameter faceplate and occupies 12%<br />
in of rack space.<br />
A package of Tone-Control equipment,<br />
9 East 41st Street<br />
New York, N.Y. 10017<br />
(212) TN 7-5410<br />
especially designed for closed-circuit TV<br />
operations, has been introduced by Televi-<br />
sion Equipment Associates, P.O. Box 1391,<br />
Bayville, NY 11709. Use of the equipment<br />
permits pan, tilt, zoom, focus and iris con-<br />
trols of a closed-circuit TV camera to be<br />
actuated over one twisted pair of wires<br />
over a voice telephone. The tone transmit-<br />
ters and receivers can accommodate up to<br />
40 channels over one voice-grade tele-<br />
phone line. The equipment for remote<br />
control operation, available separately, in-<br />
clude an FSK transmitter and receiver.<br />
The transmitter is priced at $150 and the<br />
receiver is priced at $245. A power supply,<br />
required at each transmission and recep-<br />
tion point, is priced at $115. A mounting<br />
frame at each transmission and reception<br />
point is priced at $25.<br />
The Model VS600 switcher, a <strong>new</strong> video<br />
switcher system using digital control logic,<br />
has been announced by Ampex Corp., 401<br />
Broadway, Redwood City, CA 94063. The<br />
switcher uses computer language commu-<br />
nication in the form of serially coded digi-<br />
tal logic between control panel and elec-<br />
tronic rack matrix to reduce interconnect-<br />
ing wires and increase reliability and per-<br />
formance. The VS600 has a buildingblock<br />
design in the matrix and logic which en-<br />
ables utilization of any combination of sig-<br />
nal inputs and outputs. Features include<br />
an automatic transition dissolve system<br />
which provides the operator with push-<br />
button control of the mode as well as the<br />
speed of program and scene transition. A<br />
rack-frame switching matrix employs solid<br />
72 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />
state circuits and diode transistor logic<br />
components which encode and decode the<br />
analog signals from control panel switch-<br />
es into the binary format. The rack assem-<br />
bly is wired with printed wire interlocking<br />
connectors. Each crosspoint can be inaert-<br />
ed in plug-in fashion to permit simplified<br />
assembly and modular expansion on a one<br />
by one basis. The rack-mounted matrix<br />
frames also include control logic, amplifi-<br />
ers, tally control and power supply. The<br />
basic VS600, including the remote control<br />
panel and matrix rack frames, is about<br />
$30,000.<br />
The DR-10, a television disc recording sye<br />
tern for immediate and repeated analysia<br />
of recorded monochrome pictures, has<br />
been announced by Ampex Corp., 401<br />
Broadway, Redwood City, CA 94063. In-<br />
formation recorded on the DR-10 can be<br />
erased when analysis is complete or the<br />
pictures can be transferred to video tape<br />
for permanent storage. The machine con-<br />
tinuously records information from a Tv<br />
camera with the last 7.5 to 80 seconds (de-<br />
pending on disc and head size) always<br />
available for replay. Pictures are viewed<br />
on a television receiver. As <strong>new</strong> informa-<br />
tion is recorded on the disc, old informa-<br />
tion is erased. The <strong>new</strong> systems range in<br />
price from $8,000 to $50,000 and are avail-<br />
able in either portable or rack-mounted<br />
version. They can be equipped with 12-in<br />
diameter discs for up to 60 seconds of con-<br />
tinuous recording capaaty or 14-in dim<br />
for a maximum of 80-second capacity. The<br />
portable recorders are 18% in wide, 24 in<br />
deep and 13 in high and weigh from 80<br />
to 113 lb. The rack-mounted recorders are<br />
19 in wide, 16 in high and 24 in deep.<br />
They weigh from 80 to 213 Ib.<br />
The CVI Model 122 Video Limit Indicator<br />
has been announced by Colorado Video,<br />
Inc., P.O. Box 928, Boulder, CO 80302.<br />
The instrument is intended to be used<br />
with the Model 120 Bar Graph Generator<br />
to provide an automatic warning signal<br />
whenever any bar tip exceeds pre-estab-<br />
lished programable high and low limits.<br />
The instrument is intended for use on<br />
closed-circuit T V systems. The video out-<br />
put signal as viewed on a TV monitor con-<br />
sists of 30 fine vertical lines running the<br />
full height of the TV raster. Each of the<br />
lines is manually positionable with 15<br />
lines representing negative input signal<br />
excursion limits and the other 15 indicat-<br />
ing positive input signal excursion limits.<br />
Although all lines appear continuously on<br />
the TV screen, actual alarm limits are IK-<br />
lected by means of external contact closures<br />
which may be programed to activate any<br />
combination of alarm limits. Active alarm<br />
limits are also in6cated by a change in<br />
character of the vertical marker lines dia-<br />
played on the TV screen. Model 122 is<br />
priced at $3,500.<br />
The Hewlett-Packard Model lll8SA Im-<br />
pedance Adapter for u8e with the 675Af<br />
676A Network Analyzer has been an-
“CINE-VOICE II” 16 mm Optical Sound-On-Film Camoa. ‘YURICON PRO.IOO”16mm Optlcal Sound-On-flim Camom. ”SUPER 1200” 16 mm Optical Sound.On.Fi!m Camera<br />
+g 100 ft. film capacity for 2% minutes of c 600 ft. film capacity for 16% minutes of c 1200 ft. film capacity for 33 minutes of<br />
recording; 6-Volt DC Convertor or 115-Volt AC recording. c $1820.00 (and up) with 30 day recording. c $6425.00 (and up) complete fOP<br />
operation. 6 1 180.00 (and up).<br />
money-back guarantee. - “High-Fidelity” Talking Pictures.<br />
t<br />
*<br />
“PRO-600 SPECIAL“ lbmm Light-Woinht Camera, PORIADLE POWER SUPPLY UNIT-Model PS21..Silent FlLYAPNETlC -Finger points to Magnetic pre-stripe<br />
C 400 ft. film capacity for 11 minutes of i,“ operation, furnishes Il5-Volt AC power to drive on unexposed film for recording lipsynchronized<br />
recording. * $1620.00 (and up). Single System’’ or “Double System” Auricon magnetic sound with your picture. Can be used<br />
Equipment from 12 Volt Storage Battery, for with all Auricon Cameras. d1325.00 (andup).<br />
remote “location” filming. ~$337.00<br />
Sfricfh for Profit<br />
CHOOSE AURICON<br />
TRIPOD- Models FT-10 and FT-1OS12.. .<br />
Pan-Tilt Head Professional Tripod for<br />
velvet-smooth action. Perfectly counter-balanced<br />
to prevent Camera “dumping.’* $406.25 (and up).<br />
If it’s profit you’re after in the production of<br />
16 mm Sound-On Film Talking Pictures, Auricon<br />
Cameras provide ideal working tools for shooting<br />
profitable Television Newsreels, film commercials,<br />
inserts, and local candid-camera programming.<br />
Now you can get Lip-Synchronized Optical or<br />
Magnetic Sound WITH your picture using Auricon<br />
16 mm Sound-On-Film Cameras. Precision designed<br />
and built to “take it.”<br />
Strictly for Profit-Choose Auricon!<br />
BALCtE AWIRICIO~, In-.<br />
ccllic<br />
a-oesi<br />
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Sr Auricon Equipment is sold with a 30 day Money Back Guarantee. You must be satisfied.<br />
I<br />
H O ~ ~ ~ ~ ~ ~<br />
January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79 75
!El<br />
your<br />
COOy !<br />
r 40 PAGE BROCHURE<br />
The popular Arriflex-at-Work series of<br />
case studies is now available in a <strong>new</strong><br />
40 page brochure. Read how filmmakers<br />
have used their ingenuity and Arriflex ver-<br />
satility to solve problems which you may<br />
face on your next assignment. For your<br />
free copy, fill in and mail the coupon today.<br />
MOTION PICTURE CAMERAS<br />
fi1-1-1-11111-1111<br />
1 ARRIFLEX CORPORATION OF AMERICA 1<br />
I WOODSIDE. N.Y. 11377 I<br />
1 0 Please send me your <strong>new</strong> 40 page brochure. I<br />
I<br />
Name<br />
I<br />
I Company I<br />
1 Address I<br />
I city<br />
I<br />
L I-I<br />
ZIP<br />
I<br />
nounced by Hewlett-Packard, 1501 Page<br />
Mill Rd., Palo Alto, CA 94304. The instru-<br />
ment is designed to determine, on a swept-<br />
frequency basis, the complex impedance<br />
(magnitude and phase) of antennas and<br />
cable networks, filter and amplifier inputs<br />
and outputs. or any two-terminal device,<br />
in a range between 10 kHz and 32 MHz.<br />
Measurement rcsults are displayed as plota<br />
of impedance magnitude and phase vs fre-<br />
quency on an oscilloscope or x-y recorder.<br />
The device to be measured is connected to<br />
the Impedance Adapter, which is con-<br />
nected, through attached cables, to the<br />
input and output connectors of the Model<br />
676A Tracking Detector. The measure-<br />
ment range of the Impedance Adapter is<br />
from 0.3n to 3n. Impedance magnitude<br />
is displayed on a logarithmic scale in units<br />
of dB, enabling the user to observe a 10,-<br />
0OO:l impcdance variation on one scale<br />
with a simultaneous display of phase over<br />
a 290” range. Model 11138A Impedance<br />
Adapter is priced at $175.<br />
Treise film rollers for laboratory proces-<br />
sors have been announced by Treise Engi-<br />
neering, Inc., 1941 First St., San Fernando,<br />
CA 91340. The rollers are of ball-bearing<br />
design to ensure minimum film pull and<br />
to provide smooth processor performance.<br />
They are molded of plastic, including the<br />
core. The lands in the rollers are angled<br />
so that the film “rides” with only the out-<br />
side edges touching so that the film image<br />
does not come in contact with the roller.<br />
In addition to standard rollers. “Soft-<br />
Touch” rollers with tires made of tiny sili-<br />
con or rubber knobs are available. The<br />
tires are designed to grip the film firmly<br />
and move it along smoothly so that it does<br />
not receive any abrasion even at high<br />
speeds. The rollers are available in sizes<br />
ranging from 21- to 7f-in outside diame-<br />
ter, in 8/16mm, 16/35mm and 70mm.<br />
and for shaft diameters of 1 in or 8 in.<br />
The O/G Chroma Professional System, a<br />
continuous tone electrophotographic sys-<br />
tem, has been announced by Opto/Graph-<br />
ics, Inc., 1520 Skokie Blvd., Northbrook,<br />
IL 60062. The system is designed to pro-<br />
duce nonsilvcr continuous tone prints<br />
from any size color or black-and-white<br />
transparency without a negative in less<br />
than two minutes. The process does not<br />
require watcr, tcmpcrature control or cor-<br />
rosive liquids. O/G Chroma paper is pan-<br />
chromatic and can be handled in room<br />
light until electrostatically charged. The<br />
system is priced at $385.<br />
74 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />
The Bauer T22, a single-system sound<br />
projector, providing sound projection and<br />
semi-automatic threading for all three<br />
8mm formats, has been announced by Al-<br />
lied Impex Carp., a division of AIC<br />
Photo, Inc., 168 Glen Cove Rd., Carle<br />
Place, NY 11514. The projector is supplied<br />
with a Vario Kliptagon f/1.4 zoom lens<br />
ranging from 18 to 3Omm and a 12-V,<br />
100-W quartz iodine projection lamp.<br />
Continuously variable speeds range from<br />
18 to 24 frames/s, forward or reverse, with<br />
or without light. There are two inputs.<br />
one for microphone and the other for an<br />
additional sound source, such as radio or<br />
tape recorder. Mixing is automatic when<br />
both inputs are used simultaneously.<br />
When the microphone is activated, the<br />
musical background is automatically re-<br />
duced to background level. The projector<br />
is 12 in long, 18% in high, 5 J/4 in wide<br />
and weighs 23 lb. It is priced at $379.95.<br />
Media 111, a portable multi-media projec-<br />
tion system, has been announced by Graf-<br />
lex Division, The Singer Co., 3750 Monroe<br />
Ave., Rochester. NY 14603. The system is<br />
designed for one-man presentation of film<br />
and sound programs in three formats,<br />
16mm. filmstrip and slide. The projector<br />
can be controlled remotely from a distance<br />
of up to 50 ft. The system includes the<br />
Graflex 900 16mm sound motion-picture<br />
projector, the Graflex SM-1000 filmstrip<br />
projector and Kodak Ektagraphic AV SO0<br />
2 by 2 slide projector. The projector con-<br />
trol relay unit operates on 24-V dc and<br />
contains circuitry and electromechanical<br />
relays with master switches to control<br />
equipment from the panel display at a re-<br />
mote location or in the projection area.<br />
The relay unit contains projector input-<br />
output receptacles and fail-safe network<br />
with indicator lights to designate what op-<br />
erational mode the projection equipment<br />
is in. Media 111 is priced at $2.81250. A<br />
console model of Media I11 is also avail-<br />
able at a price of $3,600.<br />
The Quad/Sonic series of 4-channel stereo
Our <strong>new</strong> building<br />
doubled capacity.<br />
Now a year later,<br />
we've doubled it<br />
a g<br />
lAnd we're adding the world's <strong>new</strong>est<br />
i n super 8 mm and 35 mm color facili-<br />
. ties to existing 16 mm capabilities II<br />
byron MOTION PICTURES<br />
65 K Street, Northeast, Washington, D.C. 20002 202/783-2700<br />
January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79 75
The generation gap:<br />
it may be America's<br />
best hope.<br />
Millions of young Americans not only<br />
stand taller than their fathers-they're<br />
aiming highcr. Sometimes, in a different<br />
direction.<br />
They have a vision of a more equal<br />
economy and society, and the will to<br />
take part in shaping them.<br />
Over 7,000,000 young men and<br />
women are now in our colleges and uni-<br />
versities. Keeping up with their num-<br />
bers, and the challenge of filling their<br />
knowledge needs, has brought about a<br />
financial crisis in higher education.<br />
Tuitions, on the average, pay only %<br />
the cost of educating a student. The<br />
other % must come from other sources.<br />
And the dilference in dollars amounts<br />
to billions.<br />
Our higher education must keep mov-<br />
ing ahead-with more facilities. larger<br />
faculties-and academic advances that<br />
will help this generation move ahead.<br />
It can't be done without more help<br />
from more individuals, more busincsses<br />
-with gifts and grants that encourage<br />
progress and innovation.<br />
To better understand the need, ask a<br />
college.<br />
Give to the college<br />
of your choice.<br />
Advertising contributed for the public good.<br />
tape equipment has been announced by<br />
Telcx Conimunications Div., 9600 Aldrich<br />
Ave. South, Minneapolis, MN 55420. The<br />
<strong>new</strong> models arc available in two basic ver-<br />
sions, play only, and rccord and play, each<br />
with or without amplifiers. Model 230-QQ<br />
is a tape transport without amplifiers for<br />
playback only of in-line 4-channel and<br />
standard stereo tapes. It is priced at $550.<br />
With 4-channel play-back preamplifiers,<br />
Model 230-QQ is priced at $670. Model<br />
230.QQRM is a record and playback trans-<br />
port without amplifiers for in-line I-chan-<br />
nel and standard stereo tapes. It is priced<br />
at $626. With 4-channel record and play-<br />
back prcatnplificr the price is $1,544.<br />
Two <strong>new</strong> Sclectroslide Projectors, Models<br />
SLR-12OOA and SLD-1200A, each using a<br />
1200-W tungsten-halogen lamp, have been<br />
announced by Spindler & Sauppe Inc.,<br />
1329 Grand Ccntral Ave., Glendale, CA<br />
91201. Both models are available either<br />
with or without the S&S Modcl 766 Ultra-<br />
bright 3,000-Im High Light Output SYS-<br />
tem. Both models accept the S7S Dynamic<br />
Dissolvc C:ontrol System without requiring<br />
special motlifica~ion. Other features in-<br />
clude an electrically operated built-in<br />
harndoor shutter and a redesigned central-<br />
ized control cluster. The reduced dimen-<br />
sions of the tungsten-halogen lamp allow<br />
more space between the lamp and the op-<br />
tics with increased cooling to the aspheric<br />
condenscr lens. The <strong>new</strong> slide projectors<br />
have <strong>new</strong>ly engineered circuitry control-<br />
ling the slide advance mechanism to filter<br />
ont accidental short-pulse and double-<br />
pulse signals from a prqjectionist. Model<br />
SLR-1200A has a 48-slide capacity. It is<br />
priced at $675. Model S1.D-1200A is a<br />
dual-drum model with a 96-slide capacity.<br />
It is priced at $924.<br />
The Slide/Title Holder, a <strong>new</strong> "macro-<br />
stage" assembly for the Beaulieu 4008ZM<br />
supcr 8 camcra (,[ournal, p. 920, Oct.<br />
1969), has beell announced by Cinema<br />
Beaulieu, Div. of Hervic Corp., 14225<br />
Vcntura Blvd., Sherman Oaks, CA 91403.<br />
The Slide/Title Holder assembly is at-<br />
tached to the sun-shade filter holder on<br />
front of thc 4008%M Angenieux zoom lens.<br />
The entire assembly can be rotated 360"<br />
around the lens for certain special effects.<br />
It accepts regular slides as well as title<br />
cards and other types of opaque or trans-<br />
lucent art matcrials. The Slide/Title<br />
Holder is supplied with a special plastic<br />
box which allows the uscr to place live in-<br />
sects and other small objects in front of<br />
tlie lens whcrc they rcinain within the<br />
field of vicw and in focus. Insects, such as<br />
an ant, a fly or a bcc can move freely<br />
within the plastic box. The Slide/Title<br />
Holdcr is priced at $45.<br />
The Mitee Grip, a device designed to<br />
support many types of lighting instru-<br />
mcnts and acccssorics as well as cameras,<br />
has bccn announced by Rerkey-ColorTran,<br />
76 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />
Inc., 1015 Chestnut St.. Burbanlt, CA<br />
91502. The Mitee Grip is designed to grip<br />
any surface securely. It is easy to adjust<br />
and incorporates quick-locking devices.<br />
Features include a 4-way bracket consist-<br />
ing of three male studs for the mounting<br />
of lighting fixtures and a t-in 20 thread-<br />
ed male stud for camera mounting. The<br />
price is $18.<br />
The 1540 Strobolume electronic atrob<br />
scope has been announced by General<br />
Radio Co., 300 Baker Ave., West Concord,<br />
MA 01781. The unit produces high-intensi-<br />
ty, short-duration flashes of light. A wide-<br />
beam angle makes possible stroboscopic<br />
viewing and speed measurement of large<br />
equipments. The beam pattern of the<br />
Strobolume at 10 ft is a 7- by 13-ft rectan-<br />
gle. The lamp assembly can be adjusted to<br />
produce a narrow 3- by 13-ft strip of light.<br />
Construction of the Strobolume is modu-<br />
lar. The power supply, control unit and<br />
lamp assembly are separated and cable-<br />
connected for applications requiring re-<br />
mote operation. Prices for the Strobolume<br />
begin at $775.<br />
A <strong>new</strong> battery-operated transient am@-<br />
tude detector capable of reproducing a<br />
3O-n~ width pulse to 90% amplitude ac-<br />
curacy has been announced by Electro-<br />
Metrics Corp., a subsidiary of Fairchild<br />
Camera and Instrument Corp., 88 Church<br />
St., Amsterdam, NY 12011. The unit,<br />
designated Model TAD-66, makes use of a<br />
high-impedance differential probe for<br />
handling input signals from 0.001 V to<br />
25 V. Four peak detectors, operating in<br />
parallel, sample and hold the input sig-<br />
nal after amplification. Two operate on<br />
the normal input and on the input in-<br />
verted to assure fully redundant peak de-<br />
tection. The outputs of each pair of peak<br />
detectors are fed to amplitude compara-<br />
tors. Each comparator sees only the high-<br />
est signal level that was fed to the detec-<br />
tors. A timing and sampling system built<br />
into the instrument alternately samples<br />
the outputs of the comparators to provide<br />
a pulse train, each pulse representing the<br />
highest transient seen during the sample<br />
time of the peak detectors. The detec-<br />
tors are automatically dumped upon be-<br />
ing sampled. The instrument is priced at<br />
$5,000.
NOW available<br />
through SMpTE..<br />
For the evaluation and adjustment of:<br />
focus Spacial frequency bursts in<br />
the center and corners for optimiza-<br />
tion of optical and electrical focus.<br />
Resolution Response Resolution<br />
wedges and spatial frequency bursts<br />
read up to 600 lines in central por-<br />
tion, and 300 in corners.<br />
Scanning Linearity Diagonal lines<br />
and fine circles for evaluation of<br />
system linearity.<br />
Streaking White bars provide excel-<br />
lent means of observing streaking.<br />
H 2 x 2 inch transparency<br />
H 8 x 10 inch transparency<br />
Scanning Size Eight arrows locate<br />
the perimeter of the pattern for accurate<br />
orientation and size of<br />
scanning.<br />
Field Uniformity Eight white bars<br />
for evaluating white level uniformity.<br />
Black level uniformity can be determined<br />
from horizontal and vertical<br />
display.<br />
Astigmatism Bull's-eye pattern provides<br />
a definite check for astigmatism<br />
of optical and electrical systems.<br />
Interlace Resolution patterns provide<br />
means for determining pairing.<br />
78 January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79<br />
employmmnt 11<br />
sorvico<br />
....*..............<br />
Thwo dew aro publl~hod for tho roniw af (ho<br />
n.mbonhip and tho 11dd. Thoy aro inrorhd<br />
Ihroo months, a1 110 chargo ta tho mombor. Tho<br />
Sostoty'i addross carnot bo wod far ropllw.<br />
Poiitionr Wanted<br />
Experienced Televiiion Audio Engineer who is<br />
second bat but tries harder, would like change<br />
nto film and/or recording industry. Want op-<br />
portunity to advance with growing concern.<br />
RclumC on requcmt. P.O. Box 2169 Grand Cen-<br />
tral Station, New York, NY 10017.<br />
Seeking a Start in Televirion: to apply intel-<br />
ligence and motivatlon based on B.S. (EE)<br />
Magna cum Laude from Polytechnic Inatitute<br />
of Brooklyn, 1968. Member of MENSA, E.A.T.<br />
Employed 1 yr as chief engr at Custom Photo-<br />
graphy (a film company), 119 Bank St., New<br />
York, N.Y. Immediate job offer not required<br />
for codderation. Telephone Steve Mintz, (212)<br />
691-8751<br />
Producer/Dkector. More than 15 years ex-<br />
perience in nearly all tvper govt. film (16mm<br />
and 35mm), including documentary, <strong>new</strong>s, train-<br />
ing, public relations, etc. Supervised all phasa of<br />
production from script to acreen. MA degree<br />
(cinema) 49 yra. old. Seek work in production/<br />
direction, permanent or temporary. Travel OK.<br />
RcsUmC on request. Write: Tom Fields, Box<br />
6591, Orlando, FL 32803.<br />
Producer, Director and Film Editor. Over 30<br />
years experience in <strong>new</strong>sreel, training, documen-<br />
taries, sporta, television and public relations<br />
films. Know all phasu motion picture produc-<br />
tion. Worked both in industry and U.S. govt.<br />
Write: John H. Swemey, 410 Cawell Dr.,<br />
Winter Park. FL 32789.<br />
Poritionr Available<br />
Salea Bepre8cntativel. Midwest, Southeart and<br />
South. Specializing in da of leruea and zoom<br />
luuca to OEM, Broadcast and CCTV. We<br />
have eatahlished accounts. Reply to Harold<br />
Lowe, Zolomatics Corp., 941 N. Highland Avc..<br />
Hollywood, Calif. 90038. Phone (213) 464-8101.<br />
<strong>Motion</strong>-Picture Laboratory Manager. To<br />
join a growing midwest firm. Applicant must have<br />
experience with B/W and Color processes both<br />
negative, positive, and reversal; aka knowledge<br />
of process and quality control. Please mad<br />
rbumC with salary requirements to P.O. Box<br />
#14488, Cincinnati, Ohio 45214.<br />
Sound Engineer. To work in a university film<br />
unit. Must be able to handle all sound tasks,<br />
including location and studio recording and<br />
mixing of unit. Experience required. Send rhmC<br />
to: M. Ali Issari, Instructional Media Center,<br />
Michigan State University, East Laming, Mich.<br />
4am.
In addressing business leaders, Roger Blough backed<br />
up this question with the alarming estimate of rising costs<br />
for higher education. “By the mid-seventies, annual expenditures<br />
will reach $30 billion, about double the 1965 figure.’’<br />
It’s vitally important that every business evaluate investment<br />
in higher education-and do so in light of rising costs.<br />
Corporate contributions that are geared to yesterday’s expenditures<br />
aren’t keeping pace with changing needs. If your<br />
company has not yet started an aid-to-education program,<br />
it’s time to get involved.<br />
Business needs educated people to produce money.<br />
Colleges need money to produce educated people. With<br />
tuitions covering only about V3 of the soaring costs, colleges<br />
and universities must have more help, now,<br />
Write for: “HOW to Aid Education.” It’s a booklet for<br />
management-of particular interest, if your company has not<br />
yet established an aid-to-education program. Address: Council<br />
for Financial Aid to Education, 6 East 45th Street,<br />
New York, N.Y. 10017.<br />
*Former Chairman, United States Steel Corporation<br />
Give to the college of your choice.<br />
advertising contributed for the public good.<br />
January 1970 <strong>Journal</strong> of the <strong>SMPTE</strong> Volume 79 79