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ICFF last year, she approached him about designing a wallcovering collection that references<br />

nature. Rashid jumped at the opportunity, but put a spin on the concept. “Nature can be dull,”<br />

Rashid says. “It’s a given; it’s already created. I am much more interested in what we can create.”<br />

So he proposed Digital Nature, which takes two-dimensional wallcoverings and makes them<br />

appear to c<strong>om</strong>e alive. “I tried to get a c<strong>om</strong>plexity that makes them appear 3D with abstract<br />

forms so that one can read things in them that have to do with nature.” The five patterns allude<br />

to distinct natural aspects, fr<strong>om</strong> the pairs of bud-like shapes of Rosetta, to Zenith’s tentacles<br />

that rise the height of the wall, to the irregular grid of Space Warp with its avian-influenced<br />

forms. “But none of the patterns in this collection are actually Cartesian - no real grid,” Rashid<br />

continues. “All are very organic, very human. You look at them and see all organic forms: Legs,<br />

birds, waterfalls, when in fact all are digitally produced. I like that diametric.”<br />

www.wolf-gordon.c<strong>om</strong><br />

Dimension Elevator<br />

The Dimension Elevator serves as a publicly accessible forum for immersive art. Environments are<br />

realized through synchronized video projections on four walls acc<strong>om</strong>panied by fourchannel audio.<br />

Imagine four large video screens arranged to form a ro<strong>om</strong> for up to 20 people. Vivid panoramic<br />

imagery and sounds surround and engage you. The focus of the installation is to provide a new<br />

level of viewer experience and encourage creative explorations for both new media artists and<br />

the viewing public. While immersive experiences have long been available in venues such as IMAX<br />

theatres, rides at theme parks, and arcade hall videogames, the Dimension Elevator is different<br />

in that it is accessible to both artists and art viewers. Rather than requiring a c<strong>om</strong>pany to spend<br />

a year creating a show that is highly strategized and targeted so that it can be econ<strong>om</strong>ically<br />

successful, a single person can create a unique sensory experiment in an afternoon.<br />

www.dandelion.org/dimensionelevator<br />

Film Speaker<br />

Q-TI has produced a speaker which is as thin as paper, transparent as glass, light as vinyl, and<br />

can be rolled up like tape. The speaker emits audio in all directions, and can be printed or painted<br />

with any image. Film Speaker is made of a piezoelectric coating bonded with PVDF (Poly Vinylidene<br />

Fluoride). Previously, it had been very difficult to adhere any material to a PVDF surface. However,<br />

a new surface modification technology makes it possible to form electrodes on the PVDF surface<br />

with strong adhesion After the polymer surface is irradiated by a low energy ion beam in a<br />

reactive gas environment, polar functional groups can be formed on the surface and change into<br />

a hydrophilic state. This IAR treated polymer can be easily printed with strong adhesion. Ultra<br />

flat and uniform film can be obtained using a P&I coating technique (PICT). Electrical signal fr<strong>om</strong><br />

audio source, such as tape or CD player, is transmitted to a speaker via electric wire or wave.<br />

Then a diaphragm vibrates air and reproduces the original sound. A simple sandwich structure<br />

is created by forming polymeric electrodes on both sides of the surface-modified PVDF film.<br />

Sound can then be generated fr<strong>om</strong> a sheet of film without any thermal treatment and additional<br />

process.<br />

GlassFresco<br />

GlassFresco is an innovative new product that c<strong>om</strong>bines continuous-tone color imagery with<br />

Cesar Color’s proprietary interlayer technology. Working fr<strong>om</strong> photographs, slides, digital-<strong>data</strong><br />

files or cust<strong>om</strong>er provided artwork, it is possible to create dramatic architectural glass products<br />

in opaque, transparent or translucent c<strong>om</strong>positions. As shown in Amanda Weil’s three-sided<br />

shower design above, fine art and photographic images can now be used as design elements<br />

achieving effects not previously possible. Processed under heat and pressure, Cesar Color’s<br />

tough and resilient thermoplastic laminating interlayer permanently bonds two lights of glass.<br />

The c<strong>om</strong>pleted product is a laminated safety glass which c<strong>om</strong>plies with all major building codes<br />

and industry standards. Laminated glass resists penetration by impacting objects and is almost<br />

impossible to cut fr<strong>om</strong> one side. GlassFresco offers significantly greater resistance to forced<br />

entry than ordinary monolithic glass. Cesar Color’s design staff assist specifiers by facilitating<br />

the transfer of artistic expressions within the glass medium. Cust<strong>om</strong> applications and designs<br />

are encouraged.<br />

www.cesarcolor.c<strong>om</strong><br />

Intelligent Fabrics<br />

Today’s switching and sensing technologies are basically rigid or semi-rigid. This results in<br />

extensive limitations on their applications and new product design bec<strong>om</strong>es constrained<br />

by their physical inflexibility. ElekTex is the c<strong>om</strong>bination of conductive fabric structures and

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