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Spring Week3 - Architectural Association School of Architecture

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AA PhD Programme: Doctoral<br />

Research Public Presentations<br />

Dr Nerma Cridge<br />

Drawing the Unbuildable<br />

Tuesday 8 May, 1.00 Lecture Hall<br />

Starting with the premise that many<br />

highly important architectural projects<br />

are not simply unbuilt, but rather<br />

unbuildable, Nerma Cridge will define<br />

the category <strong>of</strong> the unbuildable. Both<br />

the unbuildable and the buildable will<br />

be revealed as working distinctly but,<br />

pertinently, not in opposition to one<br />

another. The discussion will focus on<br />

case studies from the peak period <strong>of</strong> the<br />

unbuildable – post-revolutionary Soviet<br />

Union – including Tatlin’s Tower and<br />

the Palace <strong>of</strong> the Soviets. Speculations<br />

on El Lissitzky’s Cloud Stirrups will form<br />

the basis for the examination <strong>of</strong> the<br />

notion <strong>of</strong> an architectural series.<br />

The lecture concludes with outlining<br />

possible new directions <strong>of</strong> research,<br />

beyond the scope <strong>of</strong> the PhD thesis.<br />

Dr Tania López Winkler<br />

The Detective <strong>of</strong> Modern Life<br />

Wednesday 9 May, 1.00 Lecture Hall<br />

This doctoral thesis proposes an alternative<br />

approach to examine modern life<br />

and 19th-century London by using the<br />

register <strong>of</strong> the literary figure <strong>of</strong> the English<br />

private detective – from which the clue<br />

is extracted as a semantic device.<br />

Modernity is <strong>of</strong>ten examined with the<br />

figure <strong>of</strong> the Parisian flâneur as a pivotal<br />

component. From Baudelaire’s essay<br />

‘The Painter <strong>of</strong> Modern Life’ and Walter<br />

Benjamin’s The Arcades Project, this<br />

figure has become central in scholarly<br />

discussions about modernity and how<br />

the 19th-century city reconfigured<br />

human experience. The lecture will<br />

discuss how the Private Detective genre<br />

shaped the final outcome, introduce<br />

the main propositions and arguments<br />

<strong>of</strong> the thesis and outline possible future<br />

lines <strong>of</strong> enquiry.<br />

Book Launch<br />

Lucy Bullivant<br />

New Arcadians: Emerging UK<br />

Architects<br />

Tuesday 8 May, 6.30<br />

AA Bookshop<br />

Young architects in the UK are making<br />

a name for themselves, not just because<br />

<strong>of</strong> the buildings they design, but also<br />

because <strong>of</strong> the ethos they share – one<br />

that embraces concern for the environment<br />

and makes a virtue <strong>of</strong> limited<br />

budgets. In New Arcadians (published by<br />

Merrell), author, critic and curator Lucy<br />

Bullivant pr<strong>of</strong>iles cutting-edge UK-based<br />

practices, presenting recent key projects<br />

as well as interviews with the architects.<br />

Complete with an introduction exploring<br />

key trends in contemporary British<br />

architecture and full biographies <strong>of</strong> all the<br />

featured practices, the book is an excit-<br />

ing overview <strong>of</strong> the work and attitudes<br />

<strong>of</strong> the rising generation <strong>of</strong> UK architects<br />

who are reinvigorating the pr<strong>of</strong>ession.<br />

Landscape Urbanism Lecture Series<br />

Lucy Bullivant<br />

Masterplanning Futures<br />

Wednesday 9 May, 6.00<br />

New S<strong>of</strong>t Room<br />

In the past, urban masterplans have<br />

been all-encompassing, fixed blueprints<br />

realised as physical form through<br />

conventional top-down processes.<br />

These frequently disregarded existing<br />

social and cultural structures, while the<br />

old modernist planning model zoned<br />

space for home and work. At a time<br />

<strong>of</strong> global urbanisation, these models<br />

are being replaced by more adaptable,<br />

mixed-use plans dealing holistically<br />

with the physical, social and economic<br />

revival <strong>of</strong> districts, cities and regions.<br />

Through today’s public participative<br />

approaches, multidisciplinary research<br />

and use <strong>of</strong> technologically enabled tools,<br />

the generative strategies, feedback<br />

loops and seed project/network-driven<br />

functionality <strong>of</strong> contemporary masterplanning<br />

instruments can give cities a<br />

greater resilience and capacity for social<br />

integration and change in the future.<br />

Lucy Bullivant will draw critically on<br />

the research findings for her new book,<br />

Masterplanning Futures (Routledge,<br />

July 2012), which analyses the ideals<br />

and conceptually advanced methodologies<br />

<strong>of</strong> different species <strong>of</strong> international<br />

masterplans, and their role in many<br />

different urban contexts in both the<br />

developed and developing world. These<br />

encompass landscape-driven imperatives;<br />

synergies in goals <strong>of</strong> social equity<br />

and urban expansion, for ecological<br />

systems and organic urban growth.<br />

Landscape Urbanism Lecture Series<br />

Pierre Bélanger<br />

Landscape Infrastructure:<br />

Urbanism beyond Engineering<br />

Thursday 10 May, 6.00<br />

New S<strong>of</strong>t Room<br />

Responding to the inertia <strong>of</strong> urban<br />

planning and the overexertion <strong>of</strong> civil<br />

engineering, there is an urgent need for<br />

the redesign <strong>of</strong> urban infrastructures and<br />

for the rethinking <strong>of</strong> the performance <strong>of</strong><br />

urban economies. Putting into question<br />

the conventional capacities <strong>of</strong> any single<br />

discipline to address the magnitude<br />

<strong>of</strong> urban challenges and ecological<br />

complexities today, the contemporary<br />

convergence <strong>of</strong> landscape and infrastructure<br />

proposes a series <strong>of</strong> systems<br />

and strategies for contemporary urbanisation<br />

where the synthesis <strong>of</strong> biophysical<br />

processes can be deployed across the<br />

footprint <strong>of</strong> urban regions and across<br />

the lifespan <strong>of</strong> service utilities in order to<br />

bridge the economic and ecologic divide<br />

<strong>of</strong> industrial economies. Stemming from<br />

the failure <strong>of</strong> 20th-century environmental-<br />

ism, the cultivation <strong>of</strong> current and historic<br />

affiliations between ecology, engineering,<br />

and geography provides fertile ground<br />

for the reclamation <strong>of</strong> infrastructure as<br />

design discourse and as design practice<br />

for the next generation <strong>of</strong> post-carbon<br />

public works in the 21st century.<br />

Pierre Bélanger is a Landscape<br />

Urbanist and Associate Pr<strong>of</strong>essor at<br />

the Harvard Graduate <strong>School</strong> <strong>of</strong> Design.<br />

His academic research and public work<br />

focus on the convergence <strong>of</strong> urbanism,<br />

landscape and ecology in the interrelated<br />

fields <strong>of</strong> planning, design and engineering.<br />

Bélanger is editor <strong>of</strong> the Landscape<br />

Infrastructures DVD (Canadian National<br />

Research Council, 2009) and his most<br />

recent publications include ‘Urbanism<br />

beyond Engineering’ (Infrastructure<br />

Sustainability & Design, 2012). Bélanger<br />

is a recipient <strong>of</strong> the Pr<strong>of</strong>essional Prix de<br />

Rome, awarded by the Canada Council<br />

for the Arts.<br />

Symposium<br />

Translate the Intangible<br />

Organised by PhD in <strong>Architectural</strong><br />

Design Candidates<br />

Friday 11 May, 10.00 Lecture Hall<br />

Translate the Intangible addresses the<br />

challenges <strong>of</strong> communicating dynamic<br />

aspects <strong>of</strong> contemporary design<br />

methodologies through static mediums<br />

such as text and images. As current<br />

design-oriented fields have amplified<br />

the implementation <strong>of</strong> computational<br />

and generative tools for various motives,<br />

the process <strong>of</strong> documentation and<br />

representation <strong>of</strong> the design process<br />

has become more difficult to express.<br />

Translate the Intangible brings together<br />

a multi-disciplinary group <strong>of</strong> leading<br />

practitioners to discuss the challenges<br />

involved in expressing the process in<br />

their work and propose new perspectives<br />

to address this.<br />

Guest speakers: Branko Kolarevic<br />

(University <strong>of</strong> Calgary), Mark Sarkisian<br />

(SOM San Francisco), Greg Lynn (Angewandte<br />

Wien & UCLA A+UD), Axel Kilian<br />

(Princeton University), Luca Dellatore<br />

(ARUP), Hod Lipson (Cornell University)<br />

Organised by Merate Barakat, Elif<br />

Erdine and Ali Farzaneh, the symposium<br />

will also serve as a platform for the PhD<br />

in <strong>Architectural</strong> Design students to present<br />

and discuss their individual research.<br />

Schedule:<br />

10.00 C<strong>of</strong>fee<br />

10.20 Introduction, Michael Weinstock<br />

10.30 Session 01: Spatial Cognition<br />

and Performative Systems<br />

Moderators: Merate Barakat, Urban<br />

Sonic Networking: Urban Design<br />

through Acoustic Sensory; Kensuke<br />

Hotta, Programmable <strong>Architecture</strong>:<br />

Towards Intelligent <strong>Architecture</strong><br />

Speakers: Luca Dellatore, Hod Lipson<br />

12.30 Lunch<br />

1.50 Afternoon session opening,<br />

Brett Steele


2.00 Session 02: Design(innovation)<br />

= f (nature, fab, material)<br />

Moderators: Francisca Aroso,<br />

Fabrication-based Design <strong>of</strong> Adaptable<br />

Transitional Spaces; Arturo Revilla,<br />

Processcity: Towards a New Territorial<br />

Performance <strong>of</strong> the Urban Border<br />

Speakers: Axel Kilian; Branko Kolarevic,<br />

4.00 Break<br />

4.30 Session 03: Generative<br />

Techniques for System Design<br />

Moderators: Ali Farzaneh, Mathematical<br />

Models and Digital Morphogenesis <strong>of</strong><br />

Urban Tissues; Elif Erdine, Generative<br />

Processes in Tower Design: Algorithms<br />

for the Integration <strong>of</strong> Tower Subsystems<br />

Speakers: Greg Lynn, Mark Sarkisian<br />

6.30 Roundtable discussion<br />

Building Conservation Open Lecture<br />

Barbara Van der Wee<br />

Victor Horta and the Restoration<br />

<strong>of</strong> his Buildings<br />

Friday 11 May, 2.00 New S<strong>of</strong>t Room<br />

Two talks will take place, from 2.00–3.30<br />

and 3.45–5.00.<br />

Barbara Van der Wee has been<br />

Associate Pr<strong>of</strong>essor, Research Group<br />

<strong>Architectural</strong> History and Conservation<br />

Raymond Lemaire International Centre<br />

for Conservation at the Katholieke<br />

Universiteit Leuven since 1999. She<br />

has specialised in her career in<br />

19th- and 20th-century heritage,<br />

especially in buildings which are<br />

protected as ‘monuments’.<br />

Forthcoming<br />

Members’ Trip to Madrid<br />

Friday 18 to Sunday 20 May<br />

Tickets still available – for full details, see<br />

www.aaschool.ac.uk/membership/<br />

benefits/events.php<br />

Exhibitions run to Saturday 26 May,<br />

Monday to Friday 10.00–7.00, Saturday<br />

10.00–3.00, unless otherwise stated.<br />

Bas Princen<br />

Photography, Landscape, Image<br />

AA Gallery<br />

Award-winning Dutch photographer<br />

Bas Princen’s work has become<br />

increasingly familiar: images that blur<br />

the artificial and natural, where the<br />

real and imagined are hard to separate.<br />

Less known – and never previously<br />

exhibited – are the A5 booklets Princen<br />

makes, consisting <strong>of</strong> a series <strong>of</strong> reference<br />

images. The booklets are between<br />

24 and 32 pages long and contain<br />

images downloaded by Princen from<br />

the internet <strong>of</strong> famous or completely<br />

unknown or already long-forgotten<br />

scenes and objects involving landscape<br />

and architecture, their low resolution<br />

disallowing reproduction any larger<br />

than 6 x 9 cm.<br />

Simple and handmade, the booklets<br />

can be replaced quickly or adjusted by<br />

reprinting on standard A4 paper, folded<br />

and stapled. They also form dummies for<br />

new books Princen plans to make and<br />

act as placeholders for photographs still<br />

to be taken. These dummies – or<br />

maquettes – are used by Princen to test<br />

possible dialogues and formal arrangements<br />

<strong>of</strong> future photographs. The<br />

maquettes guide and direct his view,<br />

making it possible to compress compositions<br />

and subjects taken from several<br />

reference images into one new individual<br />

photograph. These maquettes are exhibited<br />

alongside Princen’s photographs,<br />

making manifest the process <strong>of</strong> thinking<br />

to making.<br />

Zak Kyes Working With …<br />

Can Altay, Charles Arsène-Henry,<br />

Shumon Basar, Richard Birkett,<br />

Andrew Blauvelt, Edward Bottoms,<br />

Wayne Daly, Jesko Fezer,<br />

Joseph Grigely, Nikolaus Hirsch,<br />

Maria Lind, Markus Miessen,<br />

Michel Müller, Radim Peško,<br />

Barbara Steiner<br />

Front Members’ Room<br />

Zak Kyes is the recipient <strong>of</strong> the 2010<br />

INFORM Award, the annual accolade<br />

presented to graphic designers who<br />

develop a practice within the context<br />

<strong>of</strong> applied and contemporary art. The<br />

award was marked by a solo exhibition<br />

– ‘Zak Kyes Working With …’, originating<br />

at the Museum for Contemporary Art<br />

Leipzig in collaboration with the AA and<br />

the Graham Foundation, Chicago, where<br />

the show travels to in June. Curated with<br />

Barbara Steiner, the exhibition brings<br />

together a range <strong>of</strong> works by Kyes and a<br />

host <strong>of</strong> collaborators including architects,<br />

artists, writers, curators, editors and<br />

graphic designers, presenting contemporary<br />

graphic design as a practice that<br />

mediates, and is mediated by, its allied<br />

disciplines.<br />

A Swiss-American who lives and<br />

works in London, Kyes has developed<br />

a graphic design practice that includes<br />

publishing, editing and site-specific<br />

projects for and in collaboration with<br />

cultural institutions. In 2005 he founded<br />

the design studio Zak Group and in<br />

2006 became AA Art Director, where<br />

he co-founded Bedford Press, an imprint<br />

that seeks to develop new models for<br />

contemporary publishing.<br />

This project is supported by the<br />

Swiss Arts Council Pro Helvetia.<br />

A related catalogue will be published<br />

by Sternberg Press later this month.<br />

Intermediate Unit 7<br />

Eastern Promises: Incubator<br />

Galleries<br />

AA Bar<br />

Eastern Promises: Incubator Galleries<br />

shows AA Intermediate Unit 7’s work<br />

in progress and engages with its evolving<br />

agenda, methods, processes and<br />

products. It reveals the unit’s interest<br />

in design infrastructures as transfers<br />

between urban systems as well as its<br />

current focus on new hybrid typologies<br />

that exploit the clashes between culture<br />

and commerce in post-Soviet Moscow.<br />

Diagrammatic diagnostics and graphic<br />

condensations are presented in the<br />

‘Moscow Catalogue’, which suggests<br />

mediations for the city’s paradoxes,<br />

such as deconstruction/reconstruction,<br />

dispersal/concentration and concealment/revelation.<br />

Selected urban strategies and design<br />

prototypes include layered generic<br />

frameworks that organise specific<br />

cultural and commercial fragments;<br />

compressed megastructures that deploy<br />

as filing and display mechanisms; and<br />

thickened façade interfaces that collect<br />

surfaces, images and atmospheres.<br />

The display includes interactive archives,<br />

expansive matrices and controlled<br />

highlights to juxtapose concepts and<br />

artefacts, narratives and drawings,<br />

diagrams and images.<br />

Bank Holidays<br />

AA premises will be closed on the<br />

following Bank Holidays this term:<br />

Monday 7 May (Week 3),<br />

Monday 4 June and Tuesday 5 June<br />

(Week 7).<br />

Nicholas Boas Scholarship<br />

Final Call: Wednesday 9 May<br />

This travel scholarship, established in<br />

memory <strong>of</strong> former AA student Nicholas<br />

Boas (1975–1998), allows AA students<br />

to spend three weeks in Rome in July.<br />

The recipients will be based at the British<br />

<strong>School</strong> at Rome, where generations <strong>of</strong><br />

artists and scholars have researched<br />

the history, art and architecture <strong>of</strong> Italy.<br />

All expenses for the trip are generously<br />

taken care <strong>of</strong> by the Nicholas Boas Trust<br />

and any currently registered AA student<br />

may apply by submitting a short written<br />

paragraph stating why they wish to travel<br />

to Rome and what interest they intend<br />

to pursue while they are there.<br />

The successful candidate will be<br />

expected to produce a small body <strong>of</strong><br />

work as a result <strong>of</strong> their visit – sketches,<br />

photographs or the basis <strong>of</strong> a project.<br />

Please email applications to Belinda<br />

Flaherty at belinda@aaschool.ac.uk –<br />

these should include the name, address,<br />

telephone number and email address <strong>of</strong><br />

the applicant. Shortlisted applicants will<br />

be asked to attend an informal interview<br />

to discuss their current work and their<br />

ideas for a Rome visit. For further information,<br />

please contact Belinda Flaherty<br />

at the email address above.


Juries<br />

Diploma Unit 3, Tuesday 8 and<br />

Thursday 10 May, 2.00–5.30 (both days)<br />

32 Second Floor Back<br />

Forthcoming:<br />

Intermediate Unit 2, Friday 18 May,<br />

10.00 32 Second Floor Back<br />

Intermediate Unit 3, Monday 21 May,<br />

10.00 32 Second Floor Back<br />

Intermediate Unit 6, Tuesday 15 May,<br />

10.00 Lecture Hall<br />

Intermediate Unit 8, Friday 18 May,<br />

10.00 32 First Floor Back<br />

Intermediate Unit 9, Friday 18 May,<br />

10.00 Studio 1<br />

Intermediate Unit 10, Monday 14 May,<br />

10.00 Lecture Hall<br />

Intermediate Unit 13, Wednesday<br />

16 May, 10.00 32 Second Floor Back<br />

Diploma Unit 2, Tuesday 22 May, 10.00<br />

37 First Floor Front<br />

Diploma Unit 5, Friday 18 May, 10.00<br />

Rear Second Presentation<br />

Diploma Unit 6, Friday 18 May, 10.00<br />

Lecture Hall<br />

Diploma Unit 11, Thursday 17 May,<br />

10.00 Lecture Hall<br />

Diploma Unit 16, Wednesday<br />

16 May, 10.00 Lecture Hall<br />

Diploma Unit 17, Wednesday<br />

16 May, 10.00 37 First Floor Front<br />

AA Bookshop May selection<br />

This month’s selection <strong>of</strong> new titles from<br />

AA Bookshop can be ordered online at<br />

aabookshop.net. Members receive<br />

a 20 per cent discount on the month’s<br />

featured titles and up to 50 per cent<br />

discount on selected special <strong>of</strong>fers.<br />

To contact the Bookshop, please email<br />

bookshop@aabookshop.net or<br />

telephone 020 7887 4041. The new<br />

AA Bookshop is open at 32 Bedford<br />

Square.<br />

AA Undergraduate Bursary<br />

Application Forms<br />

These are available now for current<br />

students for the 2012/13 academic year,<br />

from Sabrina Blakstad in the Registrar’s<br />

Office. Completed applications must be<br />

returned by Friday 11 May.<br />

Bank Holiday<br />

AA premises closed<br />

11.30 History and Critical Thinking<br />

MA Dissertation Seminar<br />

Marina Lathouri<br />

32 FFB<br />

1.00 Doctoral Research Presentations<br />

Dr Nerma Cridge<br />

Drawing the Unbuildable<br />

Lecture Hall<br />

2.00 Jury<br />

Diploma Unit 3<br />

Day 1 <strong>of</strong> 2: see Thursday<br />

32 SFB<br />

2.00 Sustainable Environmental<br />

Design<br />

Embodied Energy<br />

Christian Dimbleby<br />

36 SFB<br />

4.00 Sustainable Environmental<br />

Design<br />

Adaptive Thermal Comfort<br />

Fergus Nicol<br />

36 SFB<br />

6.30 Book Launch<br />

Lucy Bullivant<br />

New Arcadians: Emerging UK Architects<br />

AA Bookshop<br />

11.30 Sustainable Environmental<br />

Design<br />

MSc / MArch Dissertation Research<br />

Programme staff<br />

33 FFB<br />

1.00 Doctoral Research Presentations<br />

Dr Tania López Winkler<br />

The Detective <strong>of</strong> Modern Life<br />

Lecture Hall<br />

6.00 Landscape Urbanism Lecture<br />

Series<br />

Lucy Bullivant<br />

Masterplanning Futures<br />

New S<strong>of</strong>t Room<br />

2.00 Jury<br />

Diploma Unit 3<br />

Day 2 <strong>of</strong> 2: see Tuesday<br />

32 SFB<br />

6.00 Landscape Urbanism Lecture<br />

Series<br />

Pierre Bélanger, Harvard GSD<br />

New S<strong>of</strong>t Room<br />

8.00 Sustainable Environmental<br />

Design<br />

Visit to research buildings in Nottingham<br />

Meet at front <strong>of</strong> the AA. Coach will leave<br />

at 8.30<br />

10.00 PhD Symposium<br />

Organised by PhD in <strong>Architectural</strong><br />

Design Candidates<br />

Translate the Intangible<br />

Lecture Hall<br />

10.00 Building Conservation/Year 1<br />

Medieval Sculpture<br />

Veronica Sekules<br />

11.50 Quinquennial Inspections<br />

Andrew Shepherd<br />

33 FFF<br />

10.00 Building Conservation/Year 2<br />

Voysey<br />

Clyde Binfield<br />

11.50 Repair <strong>of</strong> Modern Materials<br />

Tony Walker<br />

33 FFB<br />

2.00 Building Conservation/Years<br />

1/2<br />

Victor Horta and the Restoration<br />

<strong>of</strong> his Buildings<br />

Barbara Van Der Wee<br />

New S<strong>of</strong>t Room<br />

AA Members can access a black and<br />

white and/or larger print version <strong>of</strong><br />

Events List by going to the AA website<br />

at aaschool.ac.uk. For the audio<br />

infoline, please call 020 7887 4111.<br />

Events List online:<br />

www.aaschool.ac.uk/eventslist<br />

Email: eventslist@aaschool.ac.uk<br />

Published by the <strong>Architectural</strong> <strong>Association</strong>,<br />

36 Bedford Square, London WC1B 3ES<br />

T 020 7887 4000 F 020 7414 0782.<br />

Edited by the Print Studio. Note on the type:<br />

Mercury typeface designed by Radim Peško,<br />

radimpesko.com. Printed by Aquatint | BSC.<br />

<strong>Architectural</strong> <strong>Association</strong> (Inc.), Registered<br />

Charity No. 311083. Company Limited<br />

by Guarantee. Registered in England No.<br />

171402. Registered Office as above.

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