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Shakespeare's England An Account of the Life & Manners of his AGE Volume - Clarendon Press Oxford
Page 1: DAMAGE BOOK
Page 12: Oxford University Press London Edin
Page 22: CONTENTS VOLUME II XVII. THE FINE A
Page 26: LIST OF ILLUSTRATIONS VOLUME II Fro
Page 30: LIST OF ILLUSTRATIONS ix Artemisia
Page 34: ABBREVIATIONS EMPLOYED IN QUOTATION
Page 40: 2 SHAKESPEARE'S ENGLAND festivals,
Page 44: 4 SHAKESPEARE'S ENGLAND tapestry ar
Page 50: PAINTING, SCULPTURE, AND ENGRAVING
Page 62: From the painting in the NATIONAL P
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12 SHAKESPEARE'S ENGLAND speare's a
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SHAKESPEARE'S ENGLAND being the sec
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16 SHAKESPEARE'S ENGLAND its culmin
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18 SHAKESPEARE'S ENGLAND was equall
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MUSIC 19 Prater noted, of 1550, and
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MUSIC 21 itinerant musicians to sat
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MUSIC 23 Music do I hear? Ha, ha !
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QUEliN ELIZABETH'S CITHERN AT HELMI
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26 SHAKESPEARE'S ENGLAND he fell in
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28 SHAKESPEARE'S ENGLAND Following
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MUSIC 3i of the modern flageolet, c
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MUSIC 33 Bass, base. Epithet of str
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MUSIC 35 wire, and played with a pl
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MUSIC 37 Take but degree away, untu
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MUSIC 39 The verb meaning ' to furn
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MUSIC 4i The verb is similarly used
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MUSIC 43 Noise. Musical sound, musi
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MUSIC 45 Rebeck. An early form of t
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MUSIC 47 Take but degree away, untu
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MUSIC 49 Stefhano. What is this sam
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ARCHITECTURE 5i of the squire, the
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Fig i CHARLECOTE GATE HOUSE
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54 SHAKESPEARE'S ENGLAND Charlecote
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56 SHAKESPEARE'S ENGLAND fashion, w
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60 SHAKESPEARE'S ENGLAND (particula
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62 SHAKESPEARE'S ENGLAND least, the
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ARCHITECTURE 63 the outside walls,
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ARCHITECTURE 65 not only served to
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Fix 8 M I D D L E T E M P L E H A L
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68 SHAKESPEARE'S ENGLAND time. Befo
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ARCHITECTURE 69 such and such a doo
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ARCHITECTURE 7* to support the chim
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Ficr i i S T A I R C A S E A T H A
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76 SHAKESPEARE'S ENGLAND In Shakesp
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78 SHAKESPEARE'S ENGLAND that kind'
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80 SHAKESPEARE'S ENGLAND man of col
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82 SHAKESPEARE'S ENGLAND in St. Mar
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HERALDRY 83 growing scandal in ' A
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HERALDRY 85 cunning in the armorial
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HERALDRY 87 upward headed argent',
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From a tomb in Westminster Abbey SH
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SHAKESPEARE'S ENGLAND warrant them
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SHAKESPEARE'S ENGLAND and obliterat
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94 SHAKESPEARE'S ENGLAND In 1597 we
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96 SHAKESPEARE'S ENGLAND worn curle
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98 SHAKESPEARE'S ENGLAND time as be
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COSTUME 99 Eighty different people
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COSTUME IOI to stand to see the run
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COSTUME 103 The dramatic change fro
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COSTUME 105 Shakespeare nowhere emp
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From CASPAR RU'TZ HABITUS VARIARUM
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no SHAKESPEARE'S ENGLAND In all por
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H2 SHAKESPEARE'S ENGLAND cap with a
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SHAKESPEARE'S ENGLAND and activity
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COSTUME 115 A miniature was frequen
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COSTUME 117 Royalty and ladies of t
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XX THE HOME : FURNITURE : FOOD AND
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FURNITURE AND PLATE 121 the time wh
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FURNITURE AND PLATE 123 spoons, flo
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AN ELIZABETHAN INLAID BUFFET
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126 SHAKESPEARE'S ENGLAND The furni
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128 SHAKESPEARE'S ENGLAND but certa
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SHAKESPEARE'S ENGLAND extant. In th
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SHAKESPEARE'S ENGLAND —also given
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FURNITURE AND PLATE 133 salts of pe
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MEALS : FOOD AND DRINK : COOKING 13
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MEALS: FOOD AND DRINK: COOKING 139
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CHRISTENING, MARRIAGE, BURIAL CUSTO
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AN EARLY JACOBEAN DINING TABLE
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150 SHAKESPEARE'S ENGLAND very sole
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SHAKESPEARE'S ENGLAND food of all k
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154 SHAKESPEARE'S ENGLAND centuries
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156 SHAKESPEARE'S ENGLAND most swee
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LONDON AND THE LIFE OF THE TOWN 157
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From VISSCHER'S VIEW OF LONDON 1616
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168 SHAKESPEARE'S ENGLAND the coach
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170 SHAKESPEARE'S ENGLAND soever le
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172 SHAKESPEARE'S ENGLAND which hel
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SHAKESPEARE'S ENGLAND had become co
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AUTHORS AND PATRONS 183 In both the
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AUTHORS AND PATRONS 185 before Edwa
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From MS ROYAL 18 A xlviii in the BR
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188 SHAKESPEARE'S ENGLAND where he
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192 SHAKESPEARE'S ENGLAND (1577), a
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SHAKESPEARE'S ENGLAND words, he ' w
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AUTHORS AND PATRONS 195 love of the
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AUTHORS AND PATRONS These high prai
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AUTHORS AND PATRONS the encourageme
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From the painting at WELBECK ABBEY
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202 SHAKESPEARE'S ENGLAND Essex's r
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SHAKESPEARE'S ENGLAND at his desire
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AUTHORS AND PATRONS 205 handled by
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AUTHORS AND PATRONS 207 feel himsel
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AUTHORS AND PATRONS of the ' mercen
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AUTHORS AND PATRONS Honour of the G
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BOOKSELLERS, PRINTERS, STATIONERS 2
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Title-page of DRAYTON'S POLT-OLBION
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222 SHAKESPEARE'S ENGLAND cannot sa
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SHAKESPEARE'S ENGLAND little, if an
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226 SHAKESPEARE'S ENGLAND is that o
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228 SHAKESPEARE'S ENGLAND return to
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230 SHAKESPEARE'S ENGLAND and until
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232 SHAKESPEARE'S ENGLAND which wou
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236 SHAKESPEARE'S ENGLAND ambitious
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238 SHAKESPEARE'S ENGLAND libraries
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XXIV ACTORS AND ACTING BY PERCY SIM
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SHAKESPEARE'S ENGLAND amusing skit
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SHAKESPEARE'S ENGLAND he 's your be
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246 SHAKESPEARE'S ENGLAND Years he
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248 SHAKESPEARE'S ENGLAND to him—
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ACTORS AND ACTING 249 eyes ', ' bew
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From the painting in the DULWICH GA
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252 SHAKESPEARE'S ENGLAND Poet and
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254 SHAKESPEARE'S ENGLAND No shows,
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256 SHAKESPEARE'S ENGLAND So Pistol
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258 SHAKESPEARE'S ENGLAND If the fo
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ACTORS AND ACTING 259 The specimens
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ACTORS AND ACTING 261 Before the st
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THE History of the two Maids of Mor
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ACTORS AND ACTING 265 This prevente
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ACTORS AND ACTING 267 Thus in the i
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ACTORS AND ACTING 269 on really gra
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From the painting in the DULWICH GA
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SHAKESPEARE'S ENGLAND common sailor
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SHAKESPEARE'S ENGLAND The Chorus in
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276 SHAKESPEARE'S ENGLAND Divell is
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278 SHAKESPEARE'S ENGLAND took him
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28o SHAKESPEARE'S ENGLAND nisba, 16
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ACTORS AND ACTING 281 ' good string
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XXV THE PLAYHOUSE BY WILLIAM ARCHER
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THE PLAYHOUSE 285 inexpensive, he s
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TITLE-PAGE OF WILLIAM ALABASTER'S R
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288 SHAKESPEARE'S ENGLAND Cathedral
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SHAKESPEARE'S ENGLAND traveller, De
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292 SHAKESPEARE'S ENGLAND and carry
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294 SHAKESPEARE'S ENGLAND In 1613,
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296 SHAKESPEARE'S ENGLAND 3. There
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298 SHAKESPEARE'S ENGLAND when the
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300 SHAKESPEARE'S ENGLAND found in
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302 SHAKESPEARE'S ENGLAND Had it be
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304 SHAKESPEARE'S ENGLAND beneath t
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306 SHAKESPEARE'S ENGLAND Thus in J
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308 SHAKESPEARE'S ENGLAND half-a-cr
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310 SHAKESPEARE'S ENGLAND were amon
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312 SHAKESPEARE'S ENGLAND won their
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THE MASQUE 313 Moors to have worn.
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THE MASQUE 315 The fiction is maint
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ATALANTA a Design for The Masque of
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318 SHAKESPEARE'S ENGLAND the wande
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THE MASQUE 319 They danced the reve
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THE MASQUE 321 boys attending on Cu
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THE MASQUE 323 were important and a
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THOMYRIS in The Masque of Queenes b
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326 SHAKESPEARE'S ENGLAND In the in
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THE MASQUE 327 basketmaker, who mad
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BERENICE in The Masque of Queenes b
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330 SHAKESPEARE'S ENGLAND into Dutc
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THE MASQUE 331 Caesar, and those gr
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THE MASQUE 333 Elizabeth, 3 vols.,
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HUNTING 335 facilities for learning
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THE NOBLE ARTE OF VENERIE OR HVNTIN
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HUNTING 339 lengthen the chase ; an
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HUNTING 34i and Lord Grey's had exc
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HUNTING 343 man of books, Jonson, w
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HUNTING 345 And there was always th
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HUNTING 347 There is little more to
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HUNTING 349 And twice to-day pick'd
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FALCONRY 351 § 2. FALCONRY BY THE
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The Booke of Faulconrie or Hau- KIN
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FALCONRY 355 the reason being that
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FALCONRY 357 as familiar as the haw
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FALCONRY 359 Here the judgement and
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HAWKING AT THE RIVER by JOANNES STR
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362 SHAKESPEARE'S ENGLAND a difficu
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364 SHAKESPEARE'S ENGLAND essential
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366 SHAKESPEARE'S ENGLAND The metho
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368 SHAKESPEARE'S ENGLAND most stri
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SHAKESPEARE'S ENGLAND Other methods
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372 SHAKESPEARE'S ENGLAND The stale
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ANGLING 373 Ursula in Much Ado abou
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COURSING, FOWLING, ANGLING 375 BIBL
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ARCHERY 377 the same in shooting as
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ARCHERY 379 unspecified number from
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ARCHERY 38i for which regular guide
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ARCHERY 383 Here the allusion is to
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ARCHERY 385 May-Day had been kept u
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ARCHERY 387 Shakespeare's reference
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FENCING AND DUELLING 389 § 5, FENC
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FENCING AND DUELLING Lastly, these
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THE SCHOOLE OF THE NOBLE and Worthy
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FENCING AND DUELLING 395 thus comme
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FENCING AND DUELLING 397 Sir John H
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From GIRARD THIBAULT'S ACADEMIE DE
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400 SHAKESPEARE'S ENGLAND the old a
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402 SHAKESPEARE'S ENGLAND duels in
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404 SHAKESPEARE'S ENGLAND This, we
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406 SHAKESPEARE'S ENGLAND Challenge
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408 SHAKESPEARE'S ENGLAND § 6. HOR
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HORSEMANSHIP, WITH FARRIERY 409 con
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From JOANNES STRADANCJS EQUILE 1570
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412 SHAKESPEARE'S ENGLAND If he par
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HORSEMANSHIP, WITH FARRIERY 413 ' t
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From A DE PL UV IN EL'S MANEIGE ROY
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416 SHAKESPEARE'S ENGLAND Shakespea
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418 SHAKESPEARE'S ENGLAND ' Breathe
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SHAKESPEARE'S ENGLAND necks, and al
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422 SHAKESPEARE'S ENGLAND play of E
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424 SHAKESPEARE'S ENGLAND He's mad
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426 SHAKESPEARE'S ENGLAND require e
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428 SHAKESPEARE'S ENGLAND § 7. BEA
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430 SHAKESPEARE'S ENGLAND compares
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432 SHAKESPEARE'S ENGLAND sixteenth
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434 SHAKESPEARE'S ENGLAND ' was bai
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436 SHAKESPEARE'S ENGLAND Fighting
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438 SHAKESPEARE'S ENGLAND admiratio
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SHAKESPEARE'S ENGLAND dancers, High
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442 SHAKESPEARE'S ENGLAND The Dump
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DANCING 443 expend his punning prop
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DANCING 445 The only time Shakespea
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DANCING 447 grace in the galliard',
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DANCING 449 as they are by Morley i
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GAMES 45i § 9. GAMES BY A. FORBES
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GAMES 453 To drink halfe pots, or d
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GAMES 455 There is much truth in th
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To swimme with his hands together.
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GAMES 459 sudden, all fall togither
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GAMES 461 Parolles, commenting on B
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GAMES 463 described by Giovanni de'
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GAMES 465 The best-known instance o
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GAMES 467 Clown. What manner of fel
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GAMES 469 Many and various were the
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GAMES 47i Mumchance was a similar g
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From an Elizabethan picture in the
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474 SHAKESPEARE'S ENGLAND and has f
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476 SHAKESPEARE'S ENGLAND An allusi
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478 SHAKESPEARE'S ENGLAND then, to
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480 SHAKESPEARE'S ENGLAND Blind-man
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482 SHAKESPEARE'S ENGLAND Hot-cockl
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XXVIII ROGUES AND VAGABONDS BY CHAR
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486 SHAKESPEARE'S ENGLAND the count
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488 SHAKESPEARE'S ENGLAND . a dange
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A FORGED PASSPORT WITH WHICH A VAGA
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ROGUES AND VAGABONDS 489 were sure
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ROGUES AND VAGABONDS 491 ment of va
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From HARMAN'S CAVEAT i
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494 SHAKESPEARE'S ENGLAND sure) tha
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496 SHAKESPEARE'S ENGLAND travelled
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498 SHAKESPEARE'S ENGLAND explains
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500 SHAKESPEARE'S ENGLAND same end
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502 SHAKESPEARE'S ENGLAND and deliv
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504 SHAKESPEARE'S ENGLAND fat knigh
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506 SHAKESPEARE'S ENGLAND The haple
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508 SHAKESPEARE'S ENGLAND Worship,
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510 SHAKESPEARE'S ENGLAND neglect d
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512 SHAKESPEARE'S ENGLAND broadside
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514 SHAKESPEARE'S ENGLAND ale-blown
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516 SHAKESPEARE'S ENGLAND ' a prope
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518 SHAKESPEARE'S ENGLAND These bal
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520 SHAKESPEARE'S ENGLAND Styrrop '
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522 SHAKESPEARE'S ENGLAND whom ther
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524 SHAKESPEARE'S ENGLAND of the fa
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526 SHAKESPEARE'S ENGLAND There dwe
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528 SHAKESPEARE'S ENGLAND End of Ip
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SHAKESPEARE'S ENGLAND in the Statio
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532 SHAKESPEARE'S ENGLAND preserved
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534 SHAKESPEARE'S ENGLAND and stran
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536 SHAKESPEARE'S ENGLAND drawing t
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BALLADS AND BROADSIDES 537 BIBLIOGR
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XXX SHAKESPEARE'S ENGLISH BY HENRY
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SHAKESPEARE'S ENGLISH 541 recommend
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SHAKESPEARE'S ENGLISH 543 of them h
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SHAKESPEARE'S ENGLISH 545 English U
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SHAKESPEARE'S ENGLISH visible symbo
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SHAKESPEARE'S ENGLISH substantives
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SHAKESPEARE'S ENGLISH 551 that the
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SHAKESPEARE'S ENGLISH 553 century h
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SHAKESPEARE'S ENGLISH 555 often use
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SHAKESPEARE'S ENGLISH 557 ordinaril
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SHAKESPEARE'S ENGLISH 559 taken pla
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SHAKESPEARE'S ENGLISH 561 origin us
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From HART'S ORTHOCRAPHIF. 1569
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564 SHAKESPEARE'S ENGLAND verb to i
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566 SHAKESPEARE'S ENGLAND considera
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568 SHAKESPEARE'S ENGLAND the tyran
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570 SHAKESPEARE'S ENGLAND DIALECT T
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572 SHAKESPEARE'S ENGLAND adjoining
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574 SHAKESPEARE'S ENGLAND BIBLIOGRA
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576 INDEX OF PASSAGES CITED The Com
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578 The Second Henry IV III. ii. 30
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580 INDEX OF PASSAGES CITED
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586 INDEX OF PASSAGES CITED *
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588 INDEX OF PROPER NAMES Bennet, J
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590 D.,T.,i.268. Dallam, Thomas, ii
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592 Grimald, Nicholas, i. 263. Grin
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594 La Vega, L. G. de, ii. I93. Law
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596 Loughborough, Leics., i. 315. L
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598 Plymouth. Devon, 1. 329, ii. 53
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6oo INDEX OF PROPER NAMES Style, Th
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INDEX OF SUBJECTS AND TECHNICAL TER
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604 INDEX OF SUBJECTS cock-fighting
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6o6 INDEX OF SUBJECTS hedgehog, i.
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6o8 INDEX OF SUBJECTS potato, i. 35
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6xo INDEX OF SUBJECTS, ETC. urchin,
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