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LIST OF ILLUSTRATIONS ix Artemisia . . . . . . . . . facing Thomyris . . . . . . . . . . . Candace . . . . . . . . . . Berenice . . . . . . . . . . Zenobia . . . . . . . . . . 157. Venatio, by Joannes Stradanus. See No. 89 . 158. Title-page of Turbervile, The Noble Arte of Venerie, 1575 159. A Huntsman, presenting the Fewmets of a Hart, makes his Report, from the same . . . . . . . 160. An Assembly, made in the presence of Queen Elizabeth, from the same . . . . . . . . . . 161. Title-page of Turbervile, The Booke of Faulconrie or Hauking, 1575 162. Hawking at the River, by Joannes Stradanus. See No. 87 facing 163. The Stalking-horse, by the same . . . . . . 164. Frontispiece of G. Markham, The Art of Archerie, 1634, showing Charles I shooting (probably) in Finsbury Fields 165. Longbow-men from a ballad (Wood 401, in the Bodleian Library) 166. Title-page of Joseph Swetnam, The School of Defence, 1617 167. Short Sword and Dagger against Rapier or Long Sword and Dagger, from the same . . . . . . . 168. The Geometrical School of Fencing, by Crispin van de Passe, from Girard Thibault d'An vers, Academie de VespSe, 1628 . facing 169. The Neapolitan Horse and the Spanish Horse, by Joannes Stradanus. See No. 87 . . . . . . . . facing 170. The Flanders Horse and the Barbary Horse, by the same facing 171. The Volte in the Cadence of the Curvet at the Pillar, by Crispin van de Passe, from A. de Pluvinel, Maneige Royal, 1623 facing 172. The Capriole or Goat-leap at the Pillar, from the same . facing 173. ' The perfite Saddle ', from G. Markham, Cavelarice, 1607. 174. ' Ephippiarius, Der Sattler ', by Jost Amman, from Hartmann Schopper, FlANOriAlA (a Latin version of Hans Sachs, EigenU liche Beschreibung alter Staende, see No. 59), 1568 175. A Cannon Bit from Blundeville, The Foure chief est offices, 1565-6, and Cheeks from Markham, Cavelarice, 1607 176. ' The perfite stirrop ' and ' the evill stirrop ', from Markham, Cavelarice, 1607 . . . . . . . . 177. Bullbaiting, by Joannes Stradanus. See No. 87 . . facing 178. Title-page of Kemps nine daies wonder, 1600. (Kemp is depicted a s a Morris-dancer) . . . . . . . 179. The Palace of Sheen, from the painting in the Fitzwilliam Museum, Cambridge, showing Morris-dancers in the foreground facing 180. The Capriole, trom ' Thoinot Arbeau \ Orchesographie, 1588 181. 'To swimme with his hands together ', from Christopher Middleton's translation, 1595, of Everard Digby, De Arte Natandi (1587) 182. Florentine Renaissance Football, from Giovanni de' Bardi, Dtscorso sopra 'l Giuoco del Calcio Fiorentino . . . facing PAGE 322 324 326 328 330 334 337 341 345 353 360 372 379 387 393 396 398 408 410 412 414 419 420 421 422 430 439 442 447 457 462
Page 1: DAMAGE BOOK
Page 12: Oxford University Press London Edin
Page 20: PRINTED IN ENGLAND AT THE OXFORD UN
Page 24: SHAKESPEARE'S ENGLAND XXVI. THE MAS
Page 28: viii SHAKESPEARE'S ENGLAND 126. Map
Page 34: ABBREVIATIONS EMPLOYED IN QUOTATION
Page 40: 2 SHAKESPEARE'S ENGLAND festivals,
Page 44: 4 SHAKESPEARE'S ENGLAND tapestry ar
Page 50: PAINTING, SCULPTURE, AND ENGRAVING
Page 62: From the painting in the NATIONAL P
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Page 72: SHAKESPEARE'S ENGLAND being the sec
Page 76: 16 SHAKESPEARE'S ENGLAND its culmin
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18 SHAKESPEARE'S ENGLAND was equall
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MUSIC 19 Prater noted, of 1550, and
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MUSIC 21 itinerant musicians to sat
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MUSIC 23 Music do I hear? Ha, ha !
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QUEliN ELIZABETH'S CITHERN AT HELMI
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26 SHAKESPEARE'S ENGLAND he fell in
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28 SHAKESPEARE'S ENGLAND Following
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MUSIC 3i of the modern flageolet, c
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MUSIC 33 Bass, base. Epithet of str
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MUSIC 35 wire, and played with a pl
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MUSIC 37 Take but degree away, untu
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MUSIC 39 The verb meaning ' to furn
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MUSIC 4i The verb is similarly used
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MUSIC 43 Noise. Musical sound, musi
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MUSIC 45 Rebeck. An early form of t
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MUSIC 47 Take but degree away, untu
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MUSIC 49 Stefhano. What is this sam
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ARCHITECTURE 5i of the squire, the
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Fig i CHARLECOTE GATE HOUSE
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54 SHAKESPEARE'S ENGLAND Charlecote
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56 SHAKESPEARE'S ENGLAND fashion, w
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60 SHAKESPEARE'S ENGLAND (particula
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62 SHAKESPEARE'S ENGLAND least, the
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ARCHITECTURE 63 the outside walls,
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ARCHITECTURE 65 not only served to
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Fix 8 M I D D L E T E M P L E H A L
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68 SHAKESPEARE'S ENGLAND time. Befo
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ARCHITECTURE 69 such and such a doo
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ARCHITECTURE 7* to support the chim
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Ficr i i S T A I R C A S E A T H A
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76 SHAKESPEARE'S ENGLAND In Shakesp
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78 SHAKESPEARE'S ENGLAND that kind'
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80 SHAKESPEARE'S ENGLAND man of col
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82 SHAKESPEARE'S ENGLAND in St. Mar
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HERALDRY 83 growing scandal in ' A
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HERALDRY 85 cunning in the armorial
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HERALDRY 87 upward headed argent',
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From a tomb in Westminster Abbey SH
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SHAKESPEARE'S ENGLAND warrant them
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SHAKESPEARE'S ENGLAND and obliterat
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94 SHAKESPEARE'S ENGLAND In 1597 we
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96 SHAKESPEARE'S ENGLAND worn curle
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98 SHAKESPEARE'S ENGLAND time as be
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COSTUME 99 Eighty different people
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COSTUME IOI to stand to see the run
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COSTUME 103 The dramatic change fro
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COSTUME 105 Shakespeare nowhere emp
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From CASPAR RU'TZ HABITUS VARIARUM
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no SHAKESPEARE'S ENGLAND In all por
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H2 SHAKESPEARE'S ENGLAND cap with a
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SHAKESPEARE'S ENGLAND and activity
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COSTUME 115 A miniature was frequen
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COSTUME 117 Royalty and ladies of t
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XX THE HOME : FURNITURE : FOOD AND
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FURNITURE AND PLATE 121 the time wh
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FURNITURE AND PLATE 123 spoons, flo
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AN ELIZABETHAN INLAID BUFFET
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126 SHAKESPEARE'S ENGLAND The furni
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128 SHAKESPEARE'S ENGLAND but certa
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SHAKESPEARE'S ENGLAND extant. In th
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SHAKESPEARE'S ENGLAND —also given
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FURNITURE AND PLATE 133 salts of pe
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MEALS : FOOD AND DRINK : COOKING 13
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MEALS: FOOD AND DRINK: COOKING 139
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CHRISTENING, MARRIAGE, BURIAL CUSTO
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AN EARLY JACOBEAN DINING TABLE
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150 SHAKESPEARE'S ENGLAND very sole
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SHAKESPEARE'S ENGLAND food of all k
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154 SHAKESPEARE'S ENGLAND centuries
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156 SHAKESPEARE'S ENGLAND most swee
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LONDON AND THE LIFE OF THE TOWN 157
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From VISSCHER'S VIEW OF LONDON 1616
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168 SHAKESPEARE'S ENGLAND the coach
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170 SHAKESPEARE'S ENGLAND soever le
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172 SHAKESPEARE'S ENGLAND which hel
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SHAKESPEARE'S ENGLAND had become co
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AUTHORS AND PATRONS 183 In both the
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AUTHORS AND PATRONS 185 before Edwa
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From MS ROYAL 18 A xlviii in the BR
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188 SHAKESPEARE'S ENGLAND where he
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192 SHAKESPEARE'S ENGLAND (1577), a
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SHAKESPEARE'S ENGLAND words, he ' w
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AUTHORS AND PATRONS 195 love of the
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AUTHORS AND PATRONS These high prai
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AUTHORS AND PATRONS the encourageme
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From the painting at WELBECK ABBEY
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202 SHAKESPEARE'S ENGLAND Essex's r
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SHAKESPEARE'S ENGLAND at his desire
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AUTHORS AND PATRONS 205 handled by
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AUTHORS AND PATRONS 207 feel himsel
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AUTHORS AND PATRONS of the ' mercen
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AUTHORS AND PATRONS Honour of the G
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BOOKSELLERS, PRINTERS, STATIONERS 2
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Title-page of DRAYTON'S POLT-OLBION
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222 SHAKESPEARE'S ENGLAND cannot sa
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SHAKESPEARE'S ENGLAND little, if an
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226 SHAKESPEARE'S ENGLAND is that o
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228 SHAKESPEARE'S ENGLAND return to
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230 SHAKESPEARE'S ENGLAND and until
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232 SHAKESPEARE'S ENGLAND which wou
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236 SHAKESPEARE'S ENGLAND ambitious
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238 SHAKESPEARE'S ENGLAND libraries
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XXIV ACTORS AND ACTING BY PERCY SIM
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SHAKESPEARE'S ENGLAND amusing skit
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SHAKESPEARE'S ENGLAND he 's your be
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246 SHAKESPEARE'S ENGLAND Years he
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248 SHAKESPEARE'S ENGLAND to him—
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ACTORS AND ACTING 249 eyes ', ' bew
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From the painting in the DULWICH GA
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252 SHAKESPEARE'S ENGLAND Poet and
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254 SHAKESPEARE'S ENGLAND No shows,
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256 SHAKESPEARE'S ENGLAND So Pistol
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258 SHAKESPEARE'S ENGLAND If the fo
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ACTORS AND ACTING 259 The specimens
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ACTORS AND ACTING 261 Before the st
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THE History of the two Maids of Mor
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ACTORS AND ACTING 265 This prevente
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ACTORS AND ACTING 267 Thus in the i
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ACTORS AND ACTING 269 on really gra
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From the painting in the DULWICH GA
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SHAKESPEARE'S ENGLAND common sailor
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SHAKESPEARE'S ENGLAND The Chorus in
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276 SHAKESPEARE'S ENGLAND Divell is
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278 SHAKESPEARE'S ENGLAND took him
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28o SHAKESPEARE'S ENGLAND nisba, 16
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ACTORS AND ACTING 281 ' good string
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XXV THE PLAYHOUSE BY WILLIAM ARCHER
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THE PLAYHOUSE 285 inexpensive, he s
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TITLE-PAGE OF WILLIAM ALABASTER'S R
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288 SHAKESPEARE'S ENGLAND Cathedral
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SHAKESPEARE'S ENGLAND traveller, De
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292 SHAKESPEARE'S ENGLAND and carry
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294 SHAKESPEARE'S ENGLAND In 1613,
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296 SHAKESPEARE'S ENGLAND 3. There
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298 SHAKESPEARE'S ENGLAND when the
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300 SHAKESPEARE'S ENGLAND found in
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302 SHAKESPEARE'S ENGLAND Had it be
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304 SHAKESPEARE'S ENGLAND beneath t
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306 SHAKESPEARE'S ENGLAND Thus in J
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308 SHAKESPEARE'S ENGLAND half-a-cr
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310 SHAKESPEARE'S ENGLAND were amon
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312 SHAKESPEARE'S ENGLAND won their
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THE MASQUE 313 Moors to have worn.
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THE MASQUE 315 The fiction is maint
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ATALANTA a Design for The Masque of
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318 SHAKESPEARE'S ENGLAND the wande
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THE MASQUE 319 They danced the reve
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THE MASQUE 321 boys attending on Cu
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THE MASQUE 323 were important and a
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THOMYRIS in The Masque of Queenes b
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326 SHAKESPEARE'S ENGLAND In the in
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THE MASQUE 327 basketmaker, who mad
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BERENICE in The Masque of Queenes b
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330 SHAKESPEARE'S ENGLAND into Dutc
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THE MASQUE 331 Caesar, and those gr
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THE MASQUE 333 Elizabeth, 3 vols.,
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HUNTING 335 facilities for learning
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THE NOBLE ARTE OF VENERIE OR HVNTIN
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HUNTING 339 lengthen the chase ; an
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HUNTING 34i and Lord Grey's had exc
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HUNTING 343 man of books, Jonson, w
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HUNTING 345 And there was always th
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HUNTING 347 There is little more to
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HUNTING 349 And twice to-day pick'd
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FALCONRY 351 § 2. FALCONRY BY THE
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The Booke of Faulconrie or Hau- KIN
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FALCONRY 355 the reason being that
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FALCONRY 357 as familiar as the haw
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FALCONRY 359 Here the judgement and
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HAWKING AT THE RIVER by JOANNES STR
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362 SHAKESPEARE'S ENGLAND a difficu
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364 SHAKESPEARE'S ENGLAND essential
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366 SHAKESPEARE'S ENGLAND The metho
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368 SHAKESPEARE'S ENGLAND most stri
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SHAKESPEARE'S ENGLAND Other methods
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372 SHAKESPEARE'S ENGLAND The stale
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ANGLING 373 Ursula in Much Ado abou
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COURSING, FOWLING, ANGLING 375 BIBL
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ARCHERY 377 the same in shooting as
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ARCHERY 379 unspecified number from
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ARCHERY 38i for which regular guide
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ARCHERY 383 Here the allusion is to
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ARCHERY 385 May-Day had been kept u
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ARCHERY 387 Shakespeare's reference
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FENCING AND DUELLING 389 § 5, FENC
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FENCING AND DUELLING Lastly, these
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THE SCHOOLE OF THE NOBLE and Worthy
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FENCING AND DUELLING 395 thus comme
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FENCING AND DUELLING 397 Sir John H
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From GIRARD THIBAULT'S ACADEMIE DE
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400 SHAKESPEARE'S ENGLAND the old a
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402 SHAKESPEARE'S ENGLAND duels in
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404 SHAKESPEARE'S ENGLAND This, we
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406 SHAKESPEARE'S ENGLAND Challenge
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408 SHAKESPEARE'S ENGLAND § 6. HOR
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HORSEMANSHIP, WITH FARRIERY 409 con
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From JOANNES STRADANCJS EQUILE 1570
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412 SHAKESPEARE'S ENGLAND If he par
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HORSEMANSHIP, WITH FARRIERY 413 ' t
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From A DE PL UV IN EL'S MANEIGE ROY
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416 SHAKESPEARE'S ENGLAND Shakespea
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418 SHAKESPEARE'S ENGLAND ' Breathe
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SHAKESPEARE'S ENGLAND necks, and al
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422 SHAKESPEARE'S ENGLAND play of E
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424 SHAKESPEARE'S ENGLAND He's mad
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426 SHAKESPEARE'S ENGLAND require e
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428 SHAKESPEARE'S ENGLAND § 7. BEA
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430 SHAKESPEARE'S ENGLAND compares
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432 SHAKESPEARE'S ENGLAND sixteenth
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434 SHAKESPEARE'S ENGLAND ' was bai
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436 SHAKESPEARE'S ENGLAND Fighting
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438 SHAKESPEARE'S ENGLAND admiratio
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SHAKESPEARE'S ENGLAND dancers, High
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442 SHAKESPEARE'S ENGLAND The Dump
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DANCING 443 expend his punning prop
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DANCING 445 The only time Shakespea
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DANCING 447 grace in the galliard',
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DANCING 449 as they are by Morley i
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GAMES 45i § 9. GAMES BY A. FORBES
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GAMES 453 To drink halfe pots, or d
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GAMES 455 There is much truth in th
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To swimme with his hands together.
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GAMES 459 sudden, all fall togither
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GAMES 461 Parolles, commenting on B
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GAMES 463 described by Giovanni de'
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GAMES 465 The best-known instance o
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GAMES 467 Clown. What manner of fel
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GAMES 469 Many and various were the
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GAMES 47i Mumchance was a similar g
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From an Elizabethan picture in the
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474 SHAKESPEARE'S ENGLAND and has f
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476 SHAKESPEARE'S ENGLAND An allusi
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478 SHAKESPEARE'S ENGLAND then, to
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480 SHAKESPEARE'S ENGLAND Blind-man
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482 SHAKESPEARE'S ENGLAND Hot-cockl
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XXVIII ROGUES AND VAGABONDS BY CHAR
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486 SHAKESPEARE'S ENGLAND the count
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488 SHAKESPEARE'S ENGLAND . a dange
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A FORGED PASSPORT WITH WHICH A VAGA
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ROGUES AND VAGABONDS 489 were sure
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ROGUES AND VAGABONDS 491 ment of va
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From HARMAN'S CAVEAT i
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494 SHAKESPEARE'S ENGLAND sure) tha
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496 SHAKESPEARE'S ENGLAND travelled
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498 SHAKESPEARE'S ENGLAND explains
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500 SHAKESPEARE'S ENGLAND same end
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502 SHAKESPEARE'S ENGLAND and deliv
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504 SHAKESPEARE'S ENGLAND fat knigh
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506 SHAKESPEARE'S ENGLAND The haple
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508 SHAKESPEARE'S ENGLAND Worship,
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510 SHAKESPEARE'S ENGLAND neglect d
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512 SHAKESPEARE'S ENGLAND broadside
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514 SHAKESPEARE'S ENGLAND ale-blown
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516 SHAKESPEARE'S ENGLAND ' a prope
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518 SHAKESPEARE'S ENGLAND These bal
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520 SHAKESPEARE'S ENGLAND Styrrop '
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522 SHAKESPEARE'S ENGLAND whom ther
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524 SHAKESPEARE'S ENGLAND of the fa
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526 SHAKESPEARE'S ENGLAND There dwe
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528 SHAKESPEARE'S ENGLAND End of Ip
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SHAKESPEARE'S ENGLAND in the Statio
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532 SHAKESPEARE'S ENGLAND preserved
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534 SHAKESPEARE'S ENGLAND and stran
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536 SHAKESPEARE'S ENGLAND drawing t
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BALLADS AND BROADSIDES 537 BIBLIOGR
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XXX SHAKESPEARE'S ENGLISH BY HENRY
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SHAKESPEARE'S ENGLISH 541 recommend
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SHAKESPEARE'S ENGLISH 543 of them h
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SHAKESPEARE'S ENGLISH 545 English U
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SHAKESPEARE'S ENGLISH visible symbo
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SHAKESPEARE'S ENGLISH substantives
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SHAKESPEARE'S ENGLISH 551 that the
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SHAKESPEARE'S ENGLISH 553 century h
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SHAKESPEARE'S ENGLISH 555 often use
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SHAKESPEARE'S ENGLISH 557 ordinaril
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SHAKESPEARE'S ENGLISH 559 taken pla
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SHAKESPEARE'S ENGLISH 561 origin us
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From HART'S ORTHOCRAPHIF. 1569
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564 SHAKESPEARE'S ENGLAND verb to i
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566 SHAKESPEARE'S ENGLAND considera
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568 SHAKESPEARE'S ENGLAND the tyran
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570 SHAKESPEARE'S ENGLAND DIALECT T
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572 SHAKESPEARE'S ENGLAND adjoining
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574 SHAKESPEARE'S ENGLAND BIBLIOGRA
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576 INDEX OF PASSAGES CITED The Com
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578 The Second Henry IV III. ii. 30
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580 INDEX OF PASSAGES CITED
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586 INDEX OF PASSAGES CITED *
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588 INDEX OF PROPER NAMES Bennet, J
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590 D.,T.,i.268. Dallam, Thomas, ii
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592 Grimald, Nicholas, i. 263. Grin
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594 La Vega, L. G. de, ii. I93. Law
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596 Loughborough, Leics., i. 315. L
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598 Plymouth. Devon, 1. 329, ii. 53
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6oo INDEX OF PROPER NAMES Style, Th
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INDEX OF SUBJECTS AND TECHNICAL TER
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604 INDEX OF SUBJECTS cock-fighting
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6o6 INDEX OF SUBJECTS hedgehog, i.
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6o8 INDEX OF SUBJECTS potato, i. 35
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6xo INDEX OF SUBJECTS, ETC. urchin,
show all

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