020 7452 3000 nationaltheatre.org.uk
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Nov 12 – Apr 13<br />
<strong>020</strong> <strong>7452</strong> <strong>3000</strong><br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>
National Theatre<br />
south Bank, london se1 9Px<br />
How to book<br />
No booking fee<br />
Online<br />
select your own seat online<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />
For an online version of this brochure<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/season<br />
By phone<br />
<strong>020</strong> <strong>7452</strong> <strong>3000</strong><br />
Mon – sat: 9.30am – 8pm,<br />
sun: 12pm – 3pm on performance days<br />
in person<br />
Mon – sat: 9.30am – 8pm,<br />
sun: 12pm – 6pm on performance days<br />
christmas and easter opening hours<br />
Date Theatre Building Box Office by phone Book in person<br />
Sun 23 Dec CLOSED<br />
Mon 24 Dec CLOSED<br />
Tue 25 Dec CLOSED<br />
Wed 26 Dec 4pm – 11pm 12.30pm – 8pm 4pm – 8pm<br />
Thur 27 & Fri 28 Dec 9.30am – 11pm 9.30am – 8pm 9.30am – 8pm<br />
Sat 29 Dec 9.30am – 11pm 9.30am – 8pm<br />
Sun 30 Dec CLOSED<br />
9.30am – 8pm<br />
Mon 31 Dec 9.30am – 6pm 9.30am – 6pm 9.30am – 6pm<br />
Tue 1 Jan 4pm – 11pm 12.30pm – 8pm 4pm – 8pm<br />
Fri 29 Mar CLOSED<br />
Sat 30 Mar 9.30am – 11pm 9.30am – 8pm 9.30am – 8pm<br />
Sun 31 Mar CLOSED<br />
Mon 1 Apr 4 – 11pm 12.30pm – 8pm 4pm – 8pm<br />
2<br />
TrAvelex £12 TickeTs<br />
Sponsored by<br />
National Theatre Live<br />
is proudly supported by<br />
The National Theatre’s<br />
Cottesloe Partner<br />
Philips and the National Theatre<br />
working in partnership to reduce<br />
energy consumption<br />
The National Theatre’s<br />
Airline Partner<br />
The National Theatre’s<br />
Photographic Images Partner<br />
The National Theatre<br />
in partnership with<br />
The National Theatre is a<br />
J.P. M<strong>org</strong>an Signature Series partner<br />
Innovation at the National Theatre<br />
is sponsored by<br />
Partner for<br />
contemporary clothing<br />
National Theatre Education<br />
is supported by<br />
Media Partner<br />
Travelex £12 Tickets
The captain of köpenick<br />
by carl Zuckmayer<br />
in a new english version by ron Hutchinson<br />
I used to think all the trouble in the world was<br />
caused by people giving orders. Now I reckon<br />
that it’s people being so willing to take them.<br />
released after fifteen years in prison, trapped<br />
in a bureaucratic maze, petty criminal Wilhelm<br />
voight wanders 1910 Berlin in desperate,<br />
hazardous pursuit of identity papers. luck<br />
changes when he picks up an abandoned military<br />
uniform in a fancy-dress shop and finds the city<br />
ready to obey his every command. At the head<br />
of six soldiers, he marches to the Mayor’s office,<br />
cites corruption and confiscates the treasury<br />
with ease. But still what he craves is official<br />
recognition that he exists.<br />
Finally we can trust the German people<br />
to follow wherever we lead them.<br />
A nation heads blindly towards war as the misfit<br />
takes on the state in ron Hutchinson’s savagely<br />
funny new version of carl Zuckmayer’s<br />
The Captain of Köpenick, first staged in<br />
Germany in 1931. Antony sher takes the<br />
title role.<br />
Audio-Described performances Fri 22 March at 7.30pm,<br />
Sat 23 March at 2pm (Touch Tour at 12.30pm)<br />
captioned performance Wed 3 Apr at 7.30pm<br />
Olivier Theatre 29 January – 4 April<br />
Cast includes<br />
sandy Batchelor<br />
Paul Bentall<br />
Jason cheater<br />
Paul chequer<br />
Alan David<br />
robert Demeger<br />
James Hayes<br />
Barnaby kay<br />
David killick<br />
siobhán Mcsweeney<br />
Nick Malinowski<br />
Olivia Poulet<br />
iris roberts<br />
Adrian schiller<br />
Antony sher<br />
robin Weaver<br />
lynne Wilmot<br />
Director<br />
Adrian Noble<br />
Designer<br />
Anthony Ward<br />
Lighting Designer<br />
Neil Austin<br />
Music<br />
steven edis<br />
Movement Director<br />
sue lefton<br />
Fight Director<br />
Malcolm ranson<br />
Sound Designer<br />
Mic Pool<br />
Supported by<br />
3
Cast<br />
to be announced<br />
Director<br />
Jeremy Herrin<br />
Designer<br />
rae smith<br />
Lighting Designer<br />
Paule constable<br />
Music<br />
stephen Warbeck<br />
Choreographer<br />
scott Ambler<br />
Sound Designer<br />
ian Dickinson<br />
National Theatre live<br />
broadcast 16 May<br />
at 7pm<br />
Original production<br />
sponsored by the<br />
National Theatre’s<br />
Cottesloe Partner,<br />
Neptune Investment<br />
Management.<br />
4<br />
This<br />
This House<br />
a new play by James Graham<br />
Olivier Theatre<br />
running time 2hrs 45mins<br />
House<br />
From 23 February<br />
This House<br />
a new play by James Graham<br />
HHHHH<br />
Daily express, Daily Telegraph<br />
‘A funny and moving political epic. Another hit<br />
is born in the cottesloe.’<br />
The Times<br />
‘James Graham’s superb new drama held everyone<br />
enthralled throughout... Funny, touching and<br />
cliff-hangingly suspenseful.’<br />
Daily Telegraph<br />
‘Jeremy Herrin’s production recaptures,<br />
with abundant theatricality, the mayhem<br />
of Westminster politics.’<br />
Guardian<br />
1974. The Uk faces economic crisis and a<br />
hung parliament. set in the engine rooms of<br />
Westminster, This House strips politics down to<br />
the practical realities of those behind the scenes:<br />
the whips who shepherd and coerce a chorus of<br />
MPs within the Mother of all Parliaments.<br />
Following a sell-out run in the cottesloe, James<br />
Graham’s acclaimed play transfers to the Olivier<br />
Theatre from February 2013.<br />
Audio-Described performance Sat 16 Mar at 2pm (Touch Tour at 12.30pm)<br />
captioned performance Sun 7 Apr at 2.30pm<br />
This House plays in the Cottesloe Theatre until 1 December –<br />
Day Tickets and returns only. See calendar for Access performances.<br />
photos © Corbis
Illustration © Gerald Scarfe<br />
The Magistrate<br />
by Arthur Wing Pinero<br />
With his louche air and a developed taste for<br />
smoking, gambling, port and women, it’s hard to<br />
believe cis Farringdon is only fourteen. And that’s<br />
because he isn’t. Agatha his mother lopped five<br />
years from her true age and his when she married<br />
the amiable Posket.<br />
The imminent arrival of cis’ godfather sends<br />
Agatha incognito to the Hôtel des Princes to warn<br />
him of her deception. But it’s also where her son<br />
has cajoled his otherwise staid stepfather into<br />
joining him for a binge. High-spirited carousing<br />
leads to a police raid and a night of outrageous<br />
mishap as the trapped guests make desperate<br />
attempts to conceal themselves from the law and<br />
from each other. indignities escalate at court the<br />
next day where Posket, the police magistrate,<br />
must preside.<br />
John lithgow takes the title role in this fast,<br />
furious, brilliantly plotted farce set in victorian<br />
london; he is joined by Nancy carroll, returning<br />
to the NT following her Olivier award-winning<br />
performance in After the Dance.<br />
National Theatre live broadcast 17 January at 7pm<br />
Audio-Described performances<br />
Fri 4 Jan at 7.30pm, Sat 5 Jan at 2pm (Touch Tour at 12.30pm)<br />
captioned performances<br />
Thu 10 Jan at 7.30pm, Tue 22 Jan at 7.30pm<br />
The<br />
Magistrate<br />
Olivier Theatre Until 10 February<br />
Cast<br />
Patrick Barlow<br />
Nicholas Blane<br />
Nicholas Burns<br />
Nancy carroll<br />
Tamsin carroll<br />
Alexander cobb<br />
christina cole<br />
richard Freeman<br />
Don Gallagher<br />
Amy Griffiths<br />
Joshua lacey<br />
John lithgow<br />
christopher logan<br />
Nicholas lumley<br />
Joshua McGuire<br />
sean Mckenzie<br />
Joshua Manning<br />
sarah Ovens<br />
Peter Polycarpou<br />
Beverly rudd<br />
roger sloman<br />
Jez Unwin<br />
Director<br />
Timothy sheader<br />
Designer<br />
katrina lindsay<br />
Lighting Designer<br />
James Farncombe<br />
Lyrics<br />
richard stilgoe<br />
Music<br />
richard sisson<br />
Movement Director<br />
liam steel<br />
Sound Designer<br />
Paul Arditti<br />
Vocal Arranger<br />
David shrubsole<br />
5
Cast<br />
Frances Ashman<br />
linda Bassett<br />
ellie Burrow<br />
selina cadell<br />
Philip childs<br />
Jack chissick<br />
Giles cooper<br />
carole Dance<br />
Andy de la Tour<br />
Frances de la Tour<br />
Peter egan<br />
Miles Jupp<br />
Barbara kirby<br />
Nicholas le Prevost<br />
Jess Murphy<br />
Alastair Parker<br />
robin Pearce<br />
Alexander Warner<br />
Director<br />
Nicholas Hytner<br />
Designer<br />
Bob crowley<br />
Lighting Designer<br />
James Farncombe<br />
Sound Designer<br />
rich Walsh<br />
Movement Director<br />
Jonathan Watkins<br />
Short film by<br />
Jon Driscoll<br />
People is supported<br />
by a group of<br />
individual donors<br />
Sponsored by<br />
6<br />
lyttelton Theatre<br />
World Premiere<br />
Now playing<br />
running time 2hrs 15mins<br />
People<br />
a new play by Alan Bennett<br />
A sale? Why not? Release all your wonderful<br />
treasures onto the open market and they are there<br />
for everyone to enjoy. It’s a kind of emancipation,<br />
a setting them free to range the world…<br />
a saleroom here, an exhibition there;<br />
art, Lady Stacpoole, is a rover.<br />
People spoil things; there are so many of them and<br />
the last thing one wants is them traipsing through<br />
one’s house. But with the park a jungle and a bath<br />
on the billiard table, what is one to do? Dorothy<br />
wonders if an attic sale could be a solution.<br />
Frances de la Tour takes the part of Dorothy in<br />
her third new play by Alan Bennett at the National<br />
following The History Boys and The Habit of Art.<br />
she is joined by selina cadell and linda Bassett.<br />
– How’re you doing?<br />
– Not sure.<br />
– Well why don’t you get on the mobile to your<br />
dick and find out.<br />
National Theatre live broadcast 21 March at 7pm<br />
captioned performances Mon 7 Jan at 7.45pm, Sun 3 Feb at 3pm,<br />
Mon 4 Feb at 7.45pm, Wed 27 Mar at 7.45pm<br />
Audio-Described performances Sat 12 Jan at 2pm<br />
(Touch Tour at 12.30pm), Mon 14 Jan at 7.45pm,<br />
Sat 9 March at 2pm (Touch Tour at 12.30pm)<br />
The World of Interiors © October 2007. Photography: Katya de Grunwald. Styling: Maud Hewlings
photo © Ge<strong>org</strong>e Logan/Corbis<br />
Port<br />
by simon stephens<br />
I see you in the morning, on the first morning<br />
I stayed over at your house. Waking up.<br />
Watching you lying asleep next to me.<br />
You looked, you looked. It was like. I think<br />
about that more than you probably think I do.<br />
stockport, 1988. it’s midnight. rachel, eleven, and<br />
Billy, six, wait in the car in agitated excitement.<br />
Their mother is at her wits’ end with all their chatter<br />
and fighting and dreams of Disneyland. she is<br />
about to leave them for good. Their father, drunk<br />
in the flat above, has locked the door. it’s a pivotal<br />
moment, the beginning of a thirteen-year odyssey<br />
for two kids, largely abandoned and growing up<br />
in the deprived suburban shadows of Manchester,<br />
a city that felt itself to be the most exciting<br />
in the world.<br />
A richly colourful portrait of a town with the<br />
everyday writ large, simon stephens’ Port is a<br />
celebration of the human spirit as rachel, through<br />
sheer courage and despite an economic and<br />
political climate that pushes her into the very<br />
margins, looks to the future and opts for love<br />
and life and for something better.<br />
Audio-Described performances Fri 15 Feb at 7.30pm,<br />
Sat 16 Feb at 2.15pm (Touch Tour at 12.45pm)<br />
captioned performances Sat 23 Feb at 2.15pm, Sun 3 Mar at 3pm<br />
Port<br />
lyttelton Theatre From 22 January<br />
Approx running time 2hrs 20mins<br />
Cast includes<br />
calum callaghan<br />
Jack Deam<br />
Danny kelly<br />
Mike Noble<br />
kate O’Flynn<br />
katherine Pearce<br />
Director<br />
Marianne elliott<br />
Designer<br />
lizzie clachan<br />
Lighting Designer<br />
Neil Austin<br />
Music by<br />
Badly Drawn Boy<br />
Movement Director<br />
scott Graham<br />
Fight Director<br />
kate Waters<br />
Sound Designer<br />
ian Dickinson<br />
7
Cast<br />
Tom Goodman-Hill<br />
Anastasia Hille<br />
Jonjo O’Neill<br />
Billie Piper<br />
Director<br />
rupert Goold<br />
Designer<br />
Miriam Buether<br />
Lighting Designer<br />
Jon clark<br />
Composer<br />
sarah Angliss<br />
Projection Designer<br />
Jon Driscoll<br />
Sound Designer<br />
christopher shutt<br />
Movement Director<br />
Aletta collins<br />
The National Theatre’s<br />
Cottesloe Partner<br />
8<br />
The Effect<br />
cottesloe Theatre<br />
World Premiere<br />
Until 23 February<br />
A co-production with Headlong<br />
The effect<br />
a new play by lucy Prebble<br />
Love is double blind.<br />
A clinical romance from the writer of ENRON.<br />
This funny and moving new play explores<br />
questions of sanity, neurology and the limits<br />
of medicine.<br />
Director rupert Goold reunites with designer<br />
Miriam Buether following their production of<br />
Earthquakes in London to deliver a vibrant<br />
theatrical exploration into the human brain<br />
via the heart.<br />
captioned performances Mon 14 Jan at 7.30pm, Tues 5 Feb at 7.30pm<br />
Audio-Described performances Fri 1 Feb at 7.30pm,<br />
Sat 2 Feb at 2.30pm (Touch Tour at 12.45pm)<br />
photo © 2012 My Soul, Katharine Dowson. Courtesy of the artist & GV Art, London
photo © ‘1927’<br />
A 1927 production<br />
The Animals and children<br />
Took to the streets<br />
Welcome to the Bayou, a part of the city feared<br />
and loathed, wherein lies the infamous Bayou<br />
Mansions: a stinking sprawling tenement block,<br />
where curtain-twitchers and peeping-toms live side<br />
by side, and the wolf... is always at the door.<br />
When Agnes eaves and her daughter arrive late<br />
one night, does it signal hope in this hopeless<br />
place, or has the real horror only just begun?<br />
Following a sell-out run at the National last<br />
winter, the internationally acclaimed show by<br />
award-winning company 1927 returns. seamlessly<br />
synchronizing live music, performance and<br />
storytelling with stunning film and animation,<br />
The Animals and Children... is a theatrical journey<br />
of startling originality, like a giant graphic novel<br />
burst into life.<br />
HHHH<br />
‘A jawdroppingly clever and gloriously subversive<br />
parable… 1927 conjure a world so complete<br />
it feels as if you’ve fallen down a rabbit hole.’<br />
Guardian<br />
lyttelton Theatre<br />
suitable for 11yrs+<br />
The<br />
Animals<br />
and<br />
Children<br />
Took to<br />
the<br />
Streets<br />
12 December – 10 January<br />
running time 70 minutes<br />
(no interval)<br />
Peformers<br />
suzanne Andrade<br />
esme Appleton<br />
lillian Henley<br />
Created by<br />
1927<br />
Directed and written by<br />
suzanne Andrade<br />
Film, Animation<br />
and Design<br />
Paul Barritt<br />
Producer<br />
Joanna crowley<br />
Music<br />
lillian Henley<br />
Costume<br />
sarah Munro and<br />
esme Appleton<br />
Co-commissioned by<br />
BAC, Malthouse Theatre<br />
Melbourne & The Showroom<br />
(University of Chichester)<br />
Developed at BAC<br />
Sponsored by<br />
9
Hymn<br />
a memoir of music in childhood<br />
words by Alan Bennett<br />
music by Ge<strong>org</strong>e Fenton<br />
Alan Bennett writes: ‘in 2001 the Medici Quartet<br />
commissioned the composer Ge<strong>org</strong>e Fenton<br />
to write a piece commemorating their thirtieth<br />
anniversary. Ge<strong>org</strong>e Fenton appeared in my<br />
play Forty Years On and has written music for<br />
many of my plays since, and he asked me to<br />
collaborate on the commission. Hymn was the<br />
result. First performed at the Harrogate Festival<br />
in August 2001, it’s a series of memoirs with<br />
music. Besides purely instrumental passages<br />
for the quartet, many of the speeches are<br />
under-scored, incorporating some of the<br />
hymns and music i remember from my<br />
childhood and youth.’<br />
It’s a dwindling band; old-fashioned and of a<br />
certain age, you can pick us out at funerals<br />
and memorial services because we can sing<br />
the hymns without the book.<br />
lyttelton Theatre, 22 November – 17 March<br />
Approximate running time 30mins<br />
Music<br />
performed by<br />
members of<br />
southbank<br />
sinfonia<br />
Director<br />
Nadia Fall<br />
10<br />
Designer<br />
Bob crowley<br />
Lighting Designer<br />
Tom snell<br />
Sound Designer<br />
Mike Walker<br />
captioned<br />
performances<br />
Sun 10 Feb at<br />
2.15pm, Sun 17<br />
Mar at 2.15pm<br />
sunday double bills Lunch and afternoon<br />
tea packages available – see page 27.<br />
Two recollections by<br />
Alex Jennings plays Alan Bennett in both pieces.<br />
cocktail sticks<br />
by Alan Bennett<br />
Hymn is coupled with Cocktail<br />
Sticks, an oratorio without music<br />
that revisits some of the themes<br />
and conversations of Alan Bennett’s<br />
memoir A Life Like Other People’s.<br />
A son talks to his dead father as his<br />
mother yearns for a different life.<br />
it’s funny, tender and sad.<br />
The pinnacle of my social life is a<br />
scrutty bit of lettuce and tomato<br />
and some tinned salmon. Mind you,<br />
I read in ideal Home that if you mix<br />
tinned salmon with this soft cheese<br />
you can make it into one of those<br />
moussy things. Shove a bit of lemon<br />
on it and it looks really classy.<br />
lyttelton Theatre, 5 December – 30 March<br />
Approximate running time 60mins<br />
World Premiere<br />
Cast includes<br />
Janet Dale<br />
Alex Jennings<br />
Director<br />
Nicholas Hytner<br />
Designer<br />
Bob crowley<br />
Lighting<br />
Designer<br />
Tom snell<br />
Sound Designer<br />
John leonard<br />
Music<br />
Ge<strong>org</strong>e Fenton<br />
captioned<br />
performances<br />
Sun 10 Feb<br />
at 3.30pm,<br />
Sun 17 Mar<br />
at 3.30pm<br />
Original illustration by Alan Bennett
Original artwork by Helen Musselwhite<br />
Hansel and Gretel<br />
written by lucy kirkwood<br />
devised by katie Mitchell and lucy kirkwood<br />
based on the story recorded by the Brothers Grimm<br />
Two children lost in the woods...<br />
a trail of breadcrumbs...<br />
and a bewitching house made of sweets.<br />
Following The Cat in the Hat and Beauty and<br />
the Beast, katie Mitchell returns to the National<br />
Theatre to stage the classic fairytale. she will<br />
collaborate once again with lucy kirkwood<br />
and designer vicki Mortimer, applying their<br />
extraordinary imagination and creativity to<br />
conjure the world of Hansel and Gretel in an<br />
intimate and magical new production.<br />
Beauty and the Beast was nominated for an<br />
Olivier Award for Best entertainment, the<br />
Daily Telegraph proclaiming it to be ‘superb.<br />
At once funny, moving and deliciously scary...<br />
a continuously inventive delight.’<br />
Hansel and Gretel promises to be an enchanting<br />
and eerie christmas treat, especially suitable for<br />
7–10-year-olds.<br />
captioned performance Thu 17 Jan at 6pm<br />
relaxed performance Sat 19 Jan at 1.30pm<br />
Audio-Described performances Fri 25 Jan at 6pm,<br />
Sat 26 Jan at 1.30pm (Touch Tour at 12pm)<br />
and Hansel<br />
Gretel<br />
cottesloe Theatre 7 December – 26 January<br />
Cast<br />
ruby Bentall<br />
kate Duchêne<br />
Dylan kennedy<br />
Justin salinger<br />
Amit shah<br />
Director<br />
katie Mitchell<br />
Designer<br />
vicki Mortimer<br />
Lighting Designer<br />
Jon clark<br />
Movement Director<br />
Joseph Alford<br />
Music<br />
Paul clark<br />
Puppet Designer<br />
Toby Olié<br />
Sound Designer<br />
Gareth Fry<br />
The National Theatre’s<br />
Cottesloe Partner<br />
11
Cast<br />
Marianne Adams<br />
sebastian Armesto<br />
leanne Best<br />
Anne Bird<br />
Nick Blakeley<br />
edward Bracey<br />
lorna Brown<br />
Bertie carvel<br />
Ashley chin<br />
John cormack<br />
scott Folan<br />
Michael Gould<br />
Michael Grady-Hall<br />
Jonathan Jaynes<br />
rory keenan<br />
rory langmuir<br />
Amanda lawrence<br />
Tunji lucas<br />
Brian Martin<br />
Okezie Morro<br />
Pierce reid<br />
Dwane Walcott<br />
Alex Warren<br />
simon Yadoo<br />
Director<br />
Bijan sheibani<br />
Set Designer<br />
Giles cadle<br />
Costume Designer<br />
Moritz Junge<br />
Lighting Designer<br />
Jon clark<br />
Video Designer<br />
Finn ross<br />
Music & Sound<br />
Dan Jones<br />
Movement Director<br />
Aline David<br />
Fight Director<br />
kate Waters<br />
12<br />
Damned<br />
by Despair<br />
Olivier Theatre<br />
running time 2hrs<br />
Until 17 December<br />
Damned by Despair<br />
by Tirso de Molina<br />
in a new version by Frank McGuinness<br />
‘Beautiful flashes of redemption and grace.’<br />
evening standard<br />
‘A lively and irreverent new version<br />
by Frank McGuinness.’<br />
Financial Times<br />
‘Glisters with invigorating wit... for only £12<br />
a pop thanks to the Travelex season, it’s a<br />
damned interesting way to spend an evening.’<br />
Daily Telegraph<br />
saintly Paulo discovers he’s doomed to share the<br />
fate of a complete stranger, enrico. Then he meets<br />
enrico for himself and realises he’s evil incarnate.<br />
if he’s damned, is Paulo too?<br />
Damned by Despair, written in 1635 by the great<br />
spanish dramatist Tirso de Molina, is brought to<br />
vivid life in Frank McGuinness’ new version.<br />
The subversive and at times riotous exploration<br />
of faith and the transformative power of love<br />
races across the italian landscape, relishing the<br />
unpredictability of fate, an extraordinary array of<br />
characters and their very real dilemmas.<br />
Supported by The Laura Pels International Foundation for Theater<br />
captioned performances Mon 26 Nov at 7.30pm,<br />
Sun 16 Dec at 2.30pm<br />
Audio-Described performance Sat 15 Dec at 2pm<br />
(Touch Tour at 12.30pm)<br />
photos: Brinkhoff / Mögenburg and Tristram Kenton
photo (Fiona Shaw) by Jason Bell<br />
scenes from an execution<br />
by Howard Barker<br />
HHHHH<br />
The Times<br />
‘Wonderful. Howard Barker’s play is a marvel –<br />
a philosophical, funny and wise tight-rope act.<br />
it blew me away.’<br />
The Times<br />
‘in a bravura performance, Fiona shaw brilliantly<br />
communicates the animal energy and the caustic,<br />
uncompromising spirit of the artist.’<br />
independent<br />
‘A fine revival by Tom cairns of Howard Barker’s<br />
tremendous play... has the feel of a contemporary<br />
classic.’<br />
Guardian<br />
commissioned to paint a vast canvas celebrating<br />
the triumphant Battle of lepanto, the free-spirited<br />
Galactia creates instead a breathtaking scene of<br />
war-torn carnage. in her fierce determination to<br />
stay true to herself, she alienates the authorities<br />
and faces incarceration. Her younger lover<br />
carpeta is approached to take over and seizes<br />
the assignment for himself.<br />
captioned performances Thu 15 Nov at 7.30pm, Sun 2 Dec at 3pm<br />
Audio-Described performances Fri 30 Nov at 7.30pm,<br />
Sat 1 Dec at 2.15pm (Touch Tour at 12.45pm)<br />
Scenes<br />
from an<br />
Execution<br />
lyttelton Theatre<br />
running time 2hrs 35mins<br />
Until 9 December<br />
Cast<br />
Jamie Ballard<br />
William chubb<br />
Mark extance<br />
robert Galas<br />
ian Hallard<br />
robert Hands<br />
lucas Hare<br />
Jennifer Jackson<br />
Gráinne keenan<br />
Gerrard McArthur<br />
iarla McGowan<br />
Tim Mcinnerny<br />
robyn Moore<br />
Phoebe Nicholls<br />
Tom Peters<br />
rochenda sandall<br />
Fiona shaw<br />
Jay simpson<br />
Director<br />
Tom cairns<br />
Designer<br />
Hildegard Bechtler<br />
Lighting Designer<br />
Peter Mumford<br />
Music & Sound<br />
Ben and Max<br />
ringham<br />
Supported by<br />
13
Platforms<br />
6pm (45mins) £4/£3 (unless stated)<br />
These Platforms are followed by a book signing. When you buy your copy from the NT Bookshop every purchase benefits the NT’s work.<br />
Howard Barker Phil Redmond Edna O’Brien<br />
Lucy Prebble<br />
Philip Pullman Mark Rylance<br />
Steven Berkoff Marianne Elliott<br />
Tom cairns on<br />
Scenes from an Execution<br />
Mon 12 Nov, lyttelton<br />
The director discusses his new<br />
production.<br />
Howard Barker<br />
Tue 13 Nov, lyttelton<br />
The writer of Scenes from an<br />
Execution talks to Mark Brown<br />
about his work.<br />
Life Saving: Josephine Hart’s<br />
introductions to Great Poets<br />
Wed 14 Nov, lyttelton<br />
As Josephine Hart’s illuminating<br />
introductions are published<br />
posthumously, actors including<br />
Fiona Shaw read her selection<br />
of British and Irish verse.<br />
Phil redmond<br />
Mon 19 Nov, cottesloe<br />
Mid-Term Report is the story of a<br />
working class lad from Liverpool,<br />
14<br />
who created Grange Hill, Brookside<br />
and Hollyoaks, and became one of<br />
the most influential producers and<br />
screenwriters in modern TV history.<br />
edna O’Brien<br />
Tue 20 Nov, cottesloe<br />
In Country Girl, the author reflects<br />
on a literary life of high drama, which<br />
began in 1960 with her controversial<br />
first novel, The Country Girls.<br />
Chaired by Mark Lawson.<br />
Alan Bennett SOLD OUT<br />
Wed 21 Nov, lyttelton<br />
Alan Bennett reads from his work,<br />
and talks about his new play, People.<br />
rupert Goold and lucy Prebble<br />
on The Effect<br />
Fri 23 Nov, cottesloe<br />
The director and playwright<br />
discuss this co-production<br />
between the NT and Headlong.<br />
ray cooney<br />
Tue 27 Nov, cottesloe<br />
Marking his 80th birthday and his<br />
66-year career, including the play<br />
Run for Your Wife, the comedy<br />
writer talks to Roger Foss, author<br />
of May the Farce Be With You.<br />
The Political Diary<br />
Wed 28 Nov, cottesloe<br />
Chris Mullin, former MP, diarist and<br />
author of A Very British Coup, joins<br />
Ruth Winstone, editor of Events,<br />
Dear Boy, Events, a compilation of<br />
20th-century political diarists, to<br />
discuss Britain’s political triumphs<br />
and disasters. Chaired by<br />
Genista McIntosh.<br />
An evening with Private Eye<br />
Mon 3 Dec, 5.45pm (1hr)<br />
£5/£4, Olivier<br />
Ian Hislop takes a satirical look<br />
at the events and people of 2012<br />
with Craig Brown, Harry Enfield,<br />
Lewis Macleod, Jan Ravens<br />
and John Sessions.<br />
Michael Morpurgo<br />
Wed 5 Dec, Olivier<br />
The author talks about his life and<br />
work with his biographer, Maggie<br />
Fergusson, and reads a new<br />
autobiographical short story<br />
from War Child to War Horse.<br />
John lithgow<br />
Mon 10 Dec, Olivier<br />
Currently appearing in The Magistrate,<br />
the actor, musician and author talks<br />
to Nicholas Hytner about his career,<br />
which includes Dexter on TV, and the<br />
Shrek films.<br />
Theatre Quiz<br />
Mon 17 Dec, Olivier<br />
The annual battle for theatrical<br />
knowledge between two competing<br />
teams from NT companies, hosted by<br />
quizmistress Emma Freud.<br />
Photos: Victoria Wicks, courtesy of Random House, courtesy of Faber, Katrin Ribbe, KT Bruce, Simon Annand, © Rex Features, Simon Annand
Photos: Hugo Glendinning, Sarah Dunn<br />
Philip Pullman<br />
Wed 2 Jan, Olivier<br />
Philip Pullman talks about his<br />
approach to retelling the fairytales<br />
of the Brothers Grimm in his new<br />
version of the stories, Grimm’s Tales<br />
for Young and Old, as Hansel and<br />
Gretel plays in the Cottesloe.<br />
Timothy sheader on<br />
The Magistrate<br />
Fri 4 Jan, Olivier<br />
The director discusses his<br />
production of Pinero’s farce.<br />
Mark rylance SOLD OUT<br />
Mon 7 Jan, cottesloe<br />
The actor, director and writer reads<br />
from and talks about his first play,<br />
I Am Shakespeare.<br />
The Annual Jocelyn<br />
Herbert lecture<br />
christopher Hampton –<br />
simplifying the Jungle<br />
Fri 11 Jan, Olivier<br />
Christopher Hampton, whose<br />
screenplays include Dangerous<br />
Liaisons and Atonement, worked<br />
with Jocelyn Herbert on two of<br />
his plays. He gives a playwright’s<br />
perspective on the role of the<br />
designer in the theatre.<br />
Jonathan Miller<br />
Mon 14 Jan, cottesloe<br />
The director, author, broadcaster,<br />
humorist and sculptor talks to Kate<br />
Bassett, author of In Two Minds:<br />
A Biography of Jonathan Miller.<br />
ian kelly<br />
Tue 15 Jan, cottesloe<br />
The actor and historian discusses<br />
Mr Foote’s Other Leg, the riotously<br />
true story of the one-legged<br />
comedian and ‘Oscar Wilde’ of the<br />
Ge<strong>org</strong>ian stage, Samuel Foote.<br />
steven Berkoff<br />
Tue 22 Jan, cottesloe<br />
The actor, director, writer and<br />
playwright talks to Geoffrey Colman<br />
about a new collection of his one-act<br />
plays – sharply written, shocking<br />
and endlessly surprising.<br />
Andy de la Tour<br />
Tue 5 Feb, cottesloe<br />
In his book Stand-up or Die, the<br />
actor currently appearing in People<br />
takes us on a journey into the<br />
gritty underground New York<br />
comedy circuit. He discusses the<br />
experience with Miles Jupp.<br />
Marianne elliott and<br />
simon stephens on Port<br />
Thu 7 Feb, lyttelton<br />
The director and playwright<br />
talk to Rachel Cooke about the<br />
new production.<br />
Benedict Nightingale<br />
Fri 8 Feb, cottesloe<br />
The former Times theatre critic<br />
is joined by Michael Billington to<br />
discuss Great Moments in Theatre,<br />
his entertaining tour through<br />
theatrical openings from Oedipus<br />
Rex to Jerusalem, including Plenty<br />
and Arcadia at the NT.<br />
Adrian Noble on<br />
The Captain of Köpenick<br />
Tue 5 Mar, Olivier<br />
The director talks about his<br />
production.<br />
James Graham and Jeremy Herrin<br />
on This House<br />
Tue 19 Mar, Olivier<br />
The writer and director discuss<br />
the production with Christopher<br />
Campbell as it transfers from the<br />
Cottesloe.<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/platforms<br />
in conversation with...<br />
3pm (1hr), £5/£4<br />
Afternoon interviews with members<br />
of the company, talking to Al Senter<br />
about their current role and career,<br />
and answering your questions.<br />
Fiona shaw<br />
Wed 14 Nov,<br />
lyttelton<br />
Billie Piper<br />
Mon 7 Jan,<br />
cottesloe<br />
Download free podcasts and videos<br />
of selected Platforms from the<br />
National Theatre in iTunes<br />
15
16<br />
One<br />
Man,<br />
Two<br />
Guvnors<br />
A new play by richard Bean<br />
based on The Servant of Two Masters<br />
by Carlo Goldoni, with songs by Grant Olding<br />
A FIFTY-sTAr hIT!<br />
�����<br />
Daily Telegraph<br />
�����<br />
Evening Standard<br />
�����<br />
Guardian<br />
�����<br />
Heat<br />
�����<br />
Independent<br />
�����<br />
Independent on Sunday<br />
�����<br />
Mail on Sunday<br />
�����<br />
Sunday Express<br />
�����<br />
Sunday Times<br />
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The Sun<br />
Theatre royal Haymarket<br />
Haymarket, sW1<br />
Now booking until August 2013<br />
richard Bean’s award-winning play<br />
is a glorious celebration of British<br />
comedy: a unique, laugh-out-loud<br />
mix of satire, songs, slapstick and<br />
glittering one-liners.<br />
captioned performance<br />
Sat 8 Dec at 2.30pm<br />
Audio-Described performance<br />
Sat 13 Apr at 2.30pm (Touch Tour<br />
at 12.45pm)<br />
Presented by the National Theatre by arrangement<br />
with the Theatre Royal Haymarket Company<br />
The National Theatre’s Airline Partner<br />
Uk Tour<br />
13 – 17 Nov<br />
Glasgow Theatre<br />
royal<br />
20 – 24 Nov<br />
Belfast Grand<br />
Opera<br />
27 Nov – 1 Dec<br />
Blackpool Grand<br />
4 – 8 Dec<br />
Norwich<br />
Theatre royal<br />
11 – 15 Dec<br />
leeds Grand<br />
2 – 5 Jan 2013<br />
venue cymru,<br />
llandudno<br />
8 – 19 Jan<br />
The lowry,<br />
salford<br />
22 – 26 Jan<br />
Wales Millennium,<br />
cardiff<br />
29 Jan – 2 Feb<br />
Nottingham<br />
Theatre royal<br />
see onemantwoguvnors.com<br />
for casting and booking details.<br />
photos by Hugo Glendinning
War<br />
Horse<br />
based on a novel by Michael Morpurgo<br />
adapted by Nick stafford<br />
in association with<br />
Handspring Puppet company<br />
�����<br />
Daily Express, Daily Telegraph,<br />
Mail on Sunday, Sunday Times,<br />
Sunday Express, The Times<br />
‘Genius isn’t too strong<br />
a word to describe this<br />
astonishing production.’<br />
Daily Telegraph<br />
‘A landmark<br />
theatre event.’<br />
Time Magazine<br />
New london Theatre<br />
Drury lane, Wc2<br />
Now booking throughout 2013<br />
set at the dawn of World War i,<br />
War Horse tells the powerful and<br />
uplifting story of young Albert,<br />
his beloved horse Joey, and the<br />
unimaginable obstacles they<br />
overcome both individually and<br />
together. At the heart of the show<br />
are life-sized puppets which bring<br />
breathing, galloping, charging<br />
horses to thrilling life on stage.<br />
Filled with stirring music and some<br />
of the most innovative stagecraft of<br />
our time, War Horse is a remarkable<br />
tale of courage, loyalty and<br />
friendship, and an unf<strong>org</strong>ettable<br />
theatrical experience.<br />
Audio-Described performance<br />
Sat 9 Feb at 2.30pm (Touch Tour<br />
at 12.45pm)<br />
captioned performance<br />
Sat 16 Feb at 2.30pm<br />
No booking fee when booking<br />
through the National Theatre.<br />
running time 2hrs 40mins<br />
learn more about War Horse<br />
through workshops, events<br />
and online resources<br />
warhorseonstage.com/learning<br />
Presented by the National Theatre and<br />
National Angels.<br />
The National Theatre’s Airline Partner<br />
Uk and ireland Tour<br />
Theatre royal Plymouth<br />
27 sep – 12 Oct 2013<br />
Birmingham Hippodrome<br />
16 Oct – 10 Nov 2013<br />
The lowry, salford<br />
20 Nov – 18 Jan 2014<br />
edinburgh Festival Theatre<br />
22 Jan – 15 Feb 2014<br />
Mayflower Theatre, southampton<br />
19 Feb – 15 Mar 2014<br />
The Bord Géis energy<br />
Theatre, Dublin<br />
26 Mar – 26 Apr 2014<br />
sunderland empire Theatre<br />
30 Apr – 17 May 2014<br />
Bradford Alhambra<br />
21 May – 14 Jun 2014<br />
Wales Millennium centre, cardiff<br />
18 Jun – 19 Jul 2014<br />
see warhorseonstage.com<br />
for casting and booking details.<br />
17
The Curious<br />
Incident of<br />
Dog the<br />
inthe Night-Time<br />
based on the novel by Mark Haddon<br />
adapted by Simon Stephens<br />
Apollo Theatre<br />
shaftesbury Avenue, W1<br />
From March 2013<br />
photo (L<strong>uk</strong>e Treadaway) by Marunel Harlan
Following a sell-out run in the cottesloe<br />
and a record-breaking NT live<br />
broadcast, the smash-hit production<br />
transfers to the Apollo Theatre in the<br />
West end from March 2013.<br />
Priority booking for NT Members.<br />
Public booking opens 23 November.<br />
christopher, fifteen years old, stands beside<br />
Mrs shears’ dead dog. it has been speared with<br />
a garden fork, it is seven minutes after midnight and<br />
christopher is under suspicion. He records each fact<br />
in the book he is writing to solve the mystery of who<br />
murdered Wellington.<br />
christopher has an extraordinary brain, exceptional at<br />
maths while ill-equipped to interpret everyday life. He<br />
has never ventured alone beyond the end of his road,<br />
he detests being touched and he distrusts strangers.<br />
But his detective work, forbidden by his father, takes<br />
christopher on a frightening journey that upturns<br />
his world.<br />
Mark Haddon’s best-selling novel is the winner of<br />
seventeen literary prizes, including the prestigious<br />
Whitbread Award.<br />
No booking fee when booking<br />
through the National Theatre<br />
running time 2hrs 40mins<br />
suitable for 13yrs+<br />
Original production sponsored by the National Theatre’s<br />
Cottesloe Partner, Neptune Investment Management<br />
‘Brilliant, deep and funny. remarkable.’<br />
The Times<br />
‘True to the original novel, simon stephens’<br />
version drips with ideas.’<br />
evening standard<br />
‘Marianne elliott directs with all the flair that she<br />
displayed as co-director of War Horse.’<br />
Daily Telegraph<br />
‘riveting, emotional, intensely theatrical<br />
re-imagining. Nothing short of a triumph.’<br />
variety<br />
19
Podcasts National Theatre Membership<br />
The perfect gift for theatre-lovers<br />
Discover free podcasts about productions and events at the<br />
National Theatre, or delve into the archive and explore our National<br />
treasures. Watch or listen on your iPod, iPhone, iPad, MP3 player,<br />
Mac or Pc – podcasts are available to download on the National<br />
Theatre website or in iTunes. <strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/podcasts<br />
20<br />
subscribe to the National Theatre audio podcast to<br />
receive a weekly episode from the Theatre. currently<br />
available are interviews with Marianne elliott,<br />
Philip Pullman, Arthur Miller, James corden, Peter Hall,<br />
lenny Henry, Julie Walters and many other great artists.<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/ntpodcast<br />
A National Theatre membership opens up a world of opportunity –<br />
from accessing groundbreaking new theatre to fascinating talks and<br />
discussions. it makes a thoughtful and creative present for christmas<br />
or any special occasion.<br />
Your gift membership purchase will directly support our work<br />
on-stage as well as behind-the-scenes and will allow the recipient<br />
to enjoy priority booking and invitations to unique events throughout<br />
the year. it is a gift that will inspire, challenge and entertain.<br />
For more information please visit<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/giftmembership<br />
or contact support@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong> / <strong>020</strong> <strong>7452</strong> 3220<br />
photo by Johan Persson
photo by Ludovic des Cognets<br />
Best of British<br />
theatre broadcast<br />
to a cinema<br />
near you<br />
experienced by over a million people in more<br />
than 20 countries, National Theatre live<br />
broadcasts plays live from the london stage<br />
to 500 cinemas across the Uk and around<br />
the world.<br />
The Magistrate<br />
by Arthur Wing Pinero<br />
Broadcast live 17 January*<br />
People<br />
a new play by Alan Bennett<br />
Broadcast live 21 March*<br />
This House<br />
a new play by James Graham<br />
Broadcast live 16 May*<br />
*varying dates internationally.<br />
repeat screenings in selected venues.<br />
For more information and to book tickets visit<br />
ntlive.com<br />
Proudly supported by<br />
21
learning at<br />
the National Theatre<br />
For secondary schools<br />
& colleges<br />
student Workshops Active<br />
sessions, giving students an insight<br />
into acting, directing, design and<br />
producing at the NT. Dates on<br />
request. KS3+.<br />
Pre-show Q&A Meet a member of<br />
the creative team and find out how<br />
the director, designer and actors<br />
have realised the play. 30 minutes,<br />
pre-show. Dates on request. KS3+.<br />
NT revealed Events for<br />
students. From on-stage lecture<br />
demonstrations with NT practitioners<br />
to hands-on sessions giving a taste<br />
of what it means to work backstage.<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/secondary<br />
22<br />
For Teachers<br />
cPD Our programme of professional<br />
development courses for teachers<br />
explores different aspects of<br />
teaching drama and making<br />
theatre in school.<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/teachers<br />
For Primary schools<br />
Primary Theatre:<br />
Romeo and Juliet<br />
Adapted and directed by NT<br />
Associate Directors Ben Power<br />
and Bijan Sheibani, the production<br />
will tour London schools in the<br />
summer term, supported by an<br />
extensive education programme.<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/primary<br />
Digital classroom<br />
iTunes U for students<br />
Download or watch hundreds of<br />
free videos, podcasts, interviews,<br />
readings and background packs<br />
about making theatre.<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/itunesu<br />
Playwriting course<br />
Leading playwrights<br />
guide you through<br />
the process of writing<br />
a play, highlighting<br />
the key elements<br />
of a well-written play<br />
in this free course.<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/playwriting<br />
interactive whiteboard resources<br />
Interactive whiteboard resources<br />
Cullen<br />
Lucy Annand,<br />
for use in the classroom, designed<br />
Simon<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/learning photos<br />
by teachers for teachers.<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/iwr<br />
Online video<br />
On the National Theatre website<br />
you’ll find a substantial online<br />
video library of short films about<br />
productions, as well as backstage<br />
films about the varied and specialist<br />
skills that go into making a piece<br />
of theatre.<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/video<br />
YouTube<br />
The youtube/ntdiscovertheatre<br />
channel has a learning imperative<br />
and contains hundreds of videos<br />
about making theatre that are<br />
embeddable in VLEs such as Fronta<br />
and we hope they will prove useful<br />
to students and teachers of English<br />
and Drama.
National Theatre<br />
Bookshop<br />
shop NT for great christmas gifts.<br />
The National Theatre Bookshop is bursting with<br />
beautiful products, books and publications from<br />
around the world – perfect presents for everyone.<br />
We have ceramics and glassware from New Yorkers<br />
Fishs eddy, cheeky upcycled china from london’s Melody rose<br />
and g<strong>org</strong>eous hand-made stationery from le Typographe<br />
in Brussels.<br />
celebrated designer sarah campbell has created a limited-edition<br />
scarf exclusively for the NT, and we’ve designed a striking range<br />
of jewellery based on the NT’s architecture.<br />
There’s also an inspiring selection of books and plays,<br />
all perfect for gifts.<br />
come in and browse, or order online.<br />
Every purchase supports the National’s work<br />
and helps us achieve our vision.<br />
Opening times<br />
Mon to sat, 9.30am – 10.45pm<br />
sun, 12pm – 6pm<br />
(on performance days)<br />
<strong>020</strong> <strong>7452</strong> 3456<br />
bookshop@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />
<strong>nationaltheatre</strong>bookshop<br />
ntbookshop <strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/bookshop<br />
23
More from the National Theatre<br />
Dazzle<br />
Olivier exhibition space<br />
5 November – 6 January, Free<br />
Dazzle returns for the annual<br />
Christmas selling exhibition of<br />
jewellery, silversmithing and<br />
printmaking. The largest show of its<br />
kind in Europe, Dazzle is remarkable<br />
for the variety of materials on show<br />
beyond the usual precious metals<br />
and stones. This year, they include<br />
wood, paper, plastics and even<br />
Whitby jet – Jacqueline Cullen is<br />
the world’s leading exponent of this<br />
material. Heather Woof has a totally<br />
new take on the refractory metal<br />
titanium that is causing a sensation<br />
among jewellery collectors. Demi<br />
Wolfe-Power uses taxidermy skills<br />
with many of her pieces and Grace<br />
Girvan is well known for scouring<br />
24<br />
Scottish beaches for the constituent<br />
parts of her work. Dazzle has<br />
been drawing collectors, artists<br />
and members of the public to the<br />
National every Christmas since<br />
1981. The balance of the new and<br />
innovative with more traditional<br />
techniques makes the exhibition<br />
a must-see for lovers of designer<br />
jewellery. All items are for sale.<br />
lovedazzle.com<br />
Take a view –<br />
landscape Photographer<br />
of the Year 2012<br />
lyttelton exhibition space<br />
12 November – 12 January, Free<br />
Over 100 stunning photographs<br />
of some of the most beautiful<br />
landscapes in the UK will be on<br />
display, from entries to this popular<br />
annual competition, now in its<br />
sixth year. A full-colour book will<br />
also be available for sale in the NT<br />
Bookshop. This year’s Awards are<br />
held in association with Network<br />
Rail, with the exhibition sponsored<br />
by Epson UK.<br />
seeing landscape – Photographer<br />
and Awards founder, Charlie Waite, will<br />
be giving talks on his own personal<br />
approach to photography plus guided<br />
tours of the exhibition. Dates to be<br />
announced, please check NT website<br />
for details.<br />
echoes of a vanished<br />
World: A lifetime in<br />
Pictures, by robin<br />
Hanbury-Tenison<br />
Olivier exhibition space<br />
14 January – 10 March, Free<br />
Robin Hanbury-Tenison, the<br />
‘greatest explorer of the last twenty<br />
years’ (Sunday Times) is also<br />
one of the founders of Survival<br />
International. As such, he has been<br />
a tireless champion of the rights of<br />
indigenous peoples and, in the early<br />
years of his travels, an obsessive<br />
photographer of their homelands<br />
as they were eroded by the<br />
modern world.<br />
photos David Webb, Burma 1958 (Robin Hanbury-Tenison)
photos Clare Nicholson, Johan Persson, Oliver Prout<br />
Backstage Tours<br />
‘Fascinating and informative.’<br />
Time Out<br />
A brilliant insight into behind-the-<br />
scenes at the NT. Tours run up to<br />
six times daily and are a great way<br />
to visit unseen parts of the building.<br />
Tickets: £8.50/£7.50 concessions<br />
Approx 75mins.<br />
To book call <strong>020</strong> <strong>7452</strong> 3400.<br />
costume Tours<br />
selected saturdays, 10am, £12.50<br />
See the craft and skill of the NT’s<br />
costume team including the cutting<br />
room, dye shop and wig room.<br />
Approx 2hrs. Please call<br />
<strong>020</strong> <strong>7452</strong> 3400 for more information.<br />
Free live Music<br />
The best in jazz, folk and world music<br />
in the main foyer, before evening<br />
performances and weekend matinees.<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/music<br />
costume and Prop Hire<br />
Thousands of costumes, furniture<br />
and props from past NT productions.<br />
Beautifully crafted and historically<br />
accurate, the collection is available<br />
to hire for professional theatre and<br />
film, amateur groups, and even<br />
fancy dress. <strong>020</strong> 7735 4774.<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/hire<br />
Gift vouchers<br />
The perfect gift for theatre-lovers,<br />
vouchers can be used to buy tickets<br />
for any National Theatre production.<br />
Vouchers are sent in a gift pack<br />
either to you or the recipient.<br />
To purchase call <strong>020</strong> <strong>7452</strong> <strong>3000</strong>.<br />
NT Membership<br />
Great benefits and access<br />
to tickets<br />
Advance Member £15<br />
• Advance booking ahead of the<br />
general public<br />
advance@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />
Priority Member from £65<br />
• Extended priority booking ahead<br />
of Advance Members<br />
• 50% discount on Platform tickets<br />
priority@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />
supporting cast Member<br />
from £500<br />
• First priority booking and hotline<br />
to the Box Office<br />
• Use of the NT Members’ bar<br />
support@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />
corporate Member from £10,000<br />
• Access to the NT hospitality areas<br />
• Free tickets, dedicated account<br />
management and priority booking<br />
hgriffith@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />
Aged 16 – 25?<br />
Join entry Pass Free online<br />
and get access to exclusive<br />
workshops and events, £5 tickets<br />
for all NT productions and regular<br />
updates including our online<br />
season brochure.<br />
Through Entry Pass you’ll have the<br />
chance to learn more about the<br />
theatre and work with professionals<br />
at the NT. Members also get<br />
discounts at the Bookshop, cafés,<br />
on Backstage Tours and on<br />
Costume and Prop Hire.<br />
For details of how to join visit<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/entrypass<br />
25
Getting to the National Theatre<br />
south Bank, london se1 9Px<br />
cOveNT<br />
GArDeN<br />
eMBANkMeNT<br />
TeMPle<br />
WATerlOO<br />
sOUTHWArk<br />
Building opening hours<br />
Mon – sat: 9.30am – 11pm;<br />
sun: 12 – 6pm (on performance days).<br />
Getting here<br />
rail Waterloo, Waterloo East or walk<br />
over the river from Charing Cross.<br />
Underground Waterloo, Southwark or<br />
walk over the river from Embankment.<br />
Bus 1, 4, 26, 59, 68, 76, 77, 139, 168,<br />
171, 172, 176, 188, 211, 243, 341, 381,<br />
507, 521, X68, Riverside Bus (RV1).<br />
coach There are no coach drop-off<br />
spaces behind the National. Coaches<br />
can drop off on Upper Ground and there<br />
are parking spaces on the up ramp to<br />
Waterloo Bridge.<br />
Bicycles There are three racks around<br />
the building with space for 50 bicycles.<br />
Barclays Cycle Hire docking stations<br />
nearby tfl.gov.<strong>uk</strong>/barclayscyclehire<br />
car Park The car park entrance ramp has<br />
been permanently relocated to Theatre<br />
Avenue (the road between the National<br />
Theatre and the British Film Institute).<br />
Until all the works are completed,<br />
temporary signage will be used to make<br />
the new entrance as clear as possible.<br />
Please note that the exit ramp will remain<br />
in its original location. Car spaces in the<br />
NT car park are £8 after 5pm or if you<br />
attend a daytime ticketed event and leave<br />
before 7pm. Combined matinee/evening<br />
show rate: £14. Sunday/public holidays:<br />
£8 all day. Free parking for blue badge<br />
holders – validate at the Information<br />
Desk.<br />
Access<br />
Audio-Described performances<br />
and touch tours for blind and visually<br />
impaired people. We also offer access<br />
guides and programme information in<br />
large print and CD formats, and cast lists<br />
in large print.<br />
captioned performances for people<br />
who are deaf or hard of hearing.<br />
relaxed performances are aimed at<br />
anyone who would benefit from a more<br />
relaxed performance environment<br />
including people with an Autistic<br />
Spectrum Condition, sensory or<br />
communication disorders, or a<br />
learning disability. Call <strong>020</strong> <strong>7452</strong> 3961.<br />
infra red audio system is available in<br />
all theatres for every performance. Free<br />
headsets and neck loops, available from<br />
the information desk, are essential.<br />
Booking Access Tickets<br />
by phone <strong>020</strong> <strong>7452</strong> <strong>3000</strong> or email<br />
boxoffice@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />
Access information<br />
by phone <strong>020</strong> <strong>7452</strong> 3400 or email<br />
access@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/access<br />
silver winner, enjoy england<br />
Awards for excellence 2009 –<br />
Access for All Tourism<br />
P Wc<br />
Large-print, CD and braille versions of this rep brochure are available on request from access@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />
Programme details are published in good faith, but changes may occasionally be necessary. Registered Charity No. 224223<br />
26<br />
T
photos by Ludovic Des Cognets, Alexandra Simms, Mark Simpson, Jamie Bott<br />
Food and Drink<br />
restaurants<br />
Relaxed dining in our cosy lounge,<br />
overlooking the South Bank.<br />
A delicious range of small sharing<br />
plates, seasonal cocktails and<br />
locally sourced drinks.<br />
Mezzanine<br />
Modern European dining with a<br />
regularly changing seasonal menu,<br />
perfect for pre and post theatre<br />
dining. Why not join us for a<br />
celebratory festive meal?<br />
Restaurant reservations:<br />
<strong>020</strong> <strong>7452</strong> 3600<br />
restaurantreservations@<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />
The National runs its own catering;<br />
every purchase benefits the NT’s work.<br />
cafés<br />
Hot dishes, seasonal salads<br />
and sandwiches prepared daily<br />
in our kitchens. Wine, juices and<br />
Fairtrade hot drinks.<br />
Self service café<br />
positioned between<br />
Olivier Stalls and<br />
Circle.<br />
Enjoy a main meal and a glass of<br />
wine for £10 from either of our cafés.<br />
something to drink<br />
Hymn & Cocktail Sticks sunday double bills<br />
Available to book in advance:<br />
lunch in the Mezzanine Two courses and a glass<br />
of wine before the performances for £25.<br />
Afternoon tea available between shows for £9.<br />
champagne afternoon tea Enjoy after the<br />
performances for £20. See website or call for details.<br />
NationalTheatre<br />
espressoBar<br />
Organic, Fairtrade espresso-based<br />
coffees created by our skilled<br />
baristas. Freshly baked cakes<br />
and snacks – open from<br />
breakfast onwards.<br />
Theatre Bars<br />
All three theatres have dedicated<br />
bars – perfect for a drink before<br />
the show. Beat the queues and<br />
pre-order interval drinks and<br />
sandwiches from any of our bars.<br />
Champagne Partner<br />
The Deck is the NT’s beautiful<br />
roof-top events space which<br />
is licensed for civil ceremonies<br />
and partnerships for up to<br />
100 guests.<br />
After your ceremony, drinks and<br />
canapés can be served on The<br />
Deck’s outdoor terrace with<br />
the stunning panoramic view<br />
providing a perfect backdrop<br />
for photographs.<br />
‘everything, and i mean everything<br />
at The Deck was perfect... The day<br />
couldn’t have been any better and<br />
we shall cherish it for the rest of<br />
our lives.’<br />
Amy and Tim – 2011<br />
contact us to arrange a private<br />
viewing on <strong>020</strong> <strong>7452</strong> 3931<br />
TheDecklondon<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/thedeck<br />
27
A A<br />
A A<br />
B B<br />
28<br />
D<br />
D Olivier D<br />
£12 £22 £32<br />
Olivier<br />
£12 £26 £38 £47<br />
Lyttelton<br />
£12 £16 £24<br />
stage stage<br />
stage<br />
stage<br />
stage<br />
Travelex £12 Tickets<br />
Damned by Despair<br />
The Magistrate<br />
The Captain of Köpenick<br />
Previews 1 & 2<br />
£12 £20 £25 £25<br />
Olivier Theatre<br />
Open stage with seating for 1,110 people. First three rows in the<br />
Front Stalls have no arm-rests, are slightly narrower, and for some<br />
shows may offer a partially-restricted view.<br />
Cottesloe<br />
The seating plan changes<br />
for Cottesloe productions<br />
All remaining Previews<br />
£12 £24 £30 £30<br />
This House<br />
Seating plan to be confirmed<br />
cottesloe Theatre<br />
Studio theatre on three levels with<br />
flexible staging and seating for up to<br />
300. For some shows certain seats<br />
have a partially-restricted or restricted<br />
view – ticket prices reflect this.<br />
Lyttelton<br />
£12 £24 £34<br />
Port<br />
Previews 1 & 2<br />
£12 £20 £24<br />
All remaining Previews<br />
£12 £22 £28<br />
The Animals<br />
and Children<br />
Took to the Streets<br />
Half-price tickets<br />
for under-18yrs<br />
on top price<br />
lyttelton Theatre<br />
Proscenium stage with seating for 890 people. First four<br />
rows in the Front Stalls have no arm-rests, are slightly<br />
narrower and on a flat floor (not raked); for some shows<br />
they may offer a partially-restricted view.<br />
£12 £20 £32<br />
The Effect<br />
This House<br />
£12 £16 £24<br />
Hansel and Gretel<br />
All tickets £12 for<br />
under-18yrs<br />
All Previews £12 £14 £20<br />
Lyttelton<br />
£12 £26 £31 £38 £47<br />
People<br />
Scenes from<br />
an Execution<br />
Hymn £15<br />
Cocktail Sticks £25<br />
Sunday double bills £36
Ticketing information<br />
for productions at the National Theatre<br />
Box Office<br />
Monday – saturday: 9.30am – 8pm;<br />
sunday: in person 12pm – 6pm,<br />
by phone 12pm – 3pm<br />
on performance days<br />
<strong>020</strong> <strong>7452</strong> <strong>3000</strong><br />
Bank Holiday Opening Hours<br />
See inside front cover of this brochure.<br />
Discounts and concessions<br />
Day Tickets<br />
A limited number of £12 seats are<br />
available in person on the day of the<br />
performance – see above for opening<br />
hours. The location of seats varies.<br />
entry Pass<br />
Aged 16 – 25? Join Entry Pass online<br />
for FREE and access £5 tickets for<br />
all shows at the National.<br />
Find out more at<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/entrypass<br />
Under-18yrs half price<br />
for Monday – Friday evenings and all<br />
matinees. £12 for Hansel and Gretel.<br />
The half-price discount excludes<br />
Travelex productions and any tickets<br />
under £24.<br />
All discounts are at the discretion<br />
of the Box Office.<br />
senior citizens<br />
For midweek matinees, save £20 on<br />
£47 and £38 tickets in the Lyttelton<br />
and Olivier, and £10 on top price<br />
tickets for Port, The Effect and<br />
Travelex productions.<br />
Disabled People<br />
£15 tickets plus one companion<br />
at the same price (£12 for Travelex<br />
productions) are available for<br />
members of the NT’s Access List.<br />
To join for FREE call the Box Office<br />
or visit <strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/<br />
accesslist<br />
Groups<br />
Discounts for The Captain of<br />
Köpenick, People, Scenes from<br />
an Execution and The Magistrate –<br />
call <strong>020</strong> <strong>7452</strong> 3010.<br />
8 – 11 people: £2 off top two prices<br />
12 – 19 people: £4 off top two prices<br />
20+ people: £6 off top two prices plus<br />
one free ticket for the group <strong>org</strong>aniser.<br />
Excludes Previews.<br />
school and college Groups<br />
Call <strong>020</strong> <strong>7452</strong> 3010.<br />
Under-19yrs: £12 tickets for 10+<br />
people<br />
19 – 25yrs: £15 tickets for 10+ people.<br />
Excludes Saturday evenings and<br />
Travelex productions.<br />
standby (subject to availability)<br />
Available 90 minutes before the<br />
performance.<br />
People, Scenes from an Execution:<br />
£15 off top three prices.<br />
The Magistrate, The Captain of<br />
Köpenick: £15 off top two prices.<br />
Travelex productions and<br />
Hansel and Gretel: £5 off top price.<br />
Port and The Effect: £5 off top two<br />
prices. During Previews all standby<br />
tickets are £20.<br />
Reduced Standby: £10 from 45mins<br />
before the performance for Students,<br />
Stage Pass, SOLT, NCA, theatre<br />
unions and unemployed. Bring ID.<br />
standing<br />
£5 tickets available after all seats<br />
have been sold.<br />
Ticket exchange<br />
There are no refunds on tickets,<br />
but you can exchange them for<br />
a later performance or for credit.<br />
Terms and conditions and a small<br />
administration fee apply: call the<br />
Box Office for details.<br />
American express ®<br />
Cardmembers have exciting ticket<br />
benefits for National Theatre shows.<br />
For details visit<br />
<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/amex<br />
£12 Tickets<br />
To ensure as many people as<br />
possible can enjoy seats at our<br />
lowest price range, £12 tickets for<br />
Olivier and Lyttelton productions<br />
(that are not part of the Travelex<br />
season) will now be limited to<br />
2 per customer, per production.<br />
(You may buy an additional two £12<br />
tickets for under-18yrs.)<br />
For your safety and comfort<br />
Strobe lighting, smoke effects and<br />
gunshots are sometimes used in<br />
productions; details are available<br />
from the Information Desk after the<br />
first preview. Latecomers may not<br />
be admitted until a suitable break in<br />
the performance. Children under four<br />
are welcome in the foyers, however<br />
they cannot be admitted to the<br />
auditoriums. If parents or guardians<br />
would like guidance on the content<br />
and suitability of individual NT plays,<br />
please call the Information Desk<br />
on <strong>020</strong> <strong>7452</strong> 3400.<br />
Please leave coats and any bulky<br />
items such as bags and briefcases<br />
in the free cloakrooms.<br />
Preferred Card Partner<br />
29
calendar<br />
Nov<br />
Dec<br />
keY<br />
30<br />
Olivier lyttelton cottesloe<br />
Mon 12 6.00 PLATFORM Tom Cairns<br />
7.30 Scenes from an Execution 7.30 The Effect P SOLD OUT<br />
Tue 13 6.00 PLATFORM Howard Barker<br />
7.30 Scenes from an Execution 7.00 The Effect PRESS SOLD OUT<br />
Wed 14 3.00 IN CONVERSATION Fiona Shaw<br />
6.00 PLATFORM Life Saving<br />
7.30 The Magistrate P1 7.30 Scenes from an Execution 7.30 The Effect SOLD OUT<br />
Thu 15 7.30 The Magistrate P2 2.15 + 7.30 CAP Scenes from an Execution 2.30 + 7.30 The Effect SOLD OUT<br />
Fri 16 7.30 The Magistrate P 7.45 People SOLD OUT 7.30 This House SOLD OUT<br />
sat 17 7.30 The Magistrate P 2.00 + 7.45 People SOLD OUT 2.30 AUDIO + 7.30 This House SOLD OUT<br />
sun 18 BUilDiNG clOseD<br />
Mon 19 6.00 PLATFORM Phil Redmond<br />
7.30 The Magistrate P 7.45 People SOLD OUT 7.30 This House AUDIO SOLD OUT<br />
Tue 20 6.00 PLATFORM Edna O’Brien<br />
7.30 The Magistrate P 7.45 People SOLD OUT 7.30 This House SOLD OUT<br />
Wed 21 6.00 PLATFORM Alan Bennett SOLD OUT<br />
7.00 The Magistrate PRESS 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />
Thu 22 2.00 The Magistrate 6.00 Hymn 2.30 The Effect SOLD OUT<br />
7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />
Fri 23 6.00 PLATFORM Goold & Prebble<br />
7.30 Damned by Despair 7.30 Scenes from an Execution 7.30 The Effect SOLD OUT<br />
sat 24 2.00 + 7.30 Damned by Despair 2.15 + 7.30 Scenes from an Execution 2.30 + 7.30 The Effect SOLD OUT<br />
sun 25 BUilDiNG clOseD<br />
Mon 26 7.30 Damned by Despair CAP 7.45 People SOLD OUT 7.30 This House SOLD OUT<br />
Tue 27 6.00 Hymn 6.00 PLATFORM Ray Cooney<br />
7.30 Damned by Despair 7.45 People SOLD OUT 7.30 This House CAP SOLD OUT<br />
Wed 28 6.00 Hymn 6.00 PLATFORM The Political Diary<br />
7.30 Damned by Despair 7.45 People SOLD OUT 7.30 This House SOLD OUT<br />
Thu 29 2.00 + 7.30 Damned by Despair 2.00 + 7.45 People SOLD OUT 2.30 + 7.30 This House SOLD OUT<br />
Fri 30 7.30 The Magistrate 7.30 Scenes from an Execution AUDIO 7.30 This House SOLD OUT<br />
sat 1 2.00 + 7.30 The Magistrate 2.15 AUDIO + 7.30 Scenes from an Execution 2.30 + 7.30 This House SOLD OUT<br />
sun 2 2.30 The Magistrate 3.00 Scenes from an Execution CAP<br />
PlATFOrM/<br />
iN cONversATiON<br />
(see pages 14 – 15).<br />
P Preview<br />
performance<br />
Press Press night<br />
lAsT Last performance<br />
AUDiO<br />
Audio-Described<br />
performance for blind and<br />
visually impaired people.<br />
cAP<br />
STAGETEXT® Captioned<br />
performance for Deaf and<br />
hard of hearing people.<br />
An infra red audio system<br />
is available in all theatres.<br />
Free headsets and neck loops,<br />
available from the Information<br />
Desk, are essential.
Dec<br />
Olivier lyttelton cottesloe<br />
Mon 3 5.45 PLATFORM Private Eye<br />
7.30 The Magistrate 7.45 People SOLD OUT<br />
Tue 4 7.30 Damned by Despair 7.45 People SOLD OUT<br />
Wed 5 6.00 PLATFORM Michael Morpurgo 6.00 Cocktail Sticks<br />
7.30 Damned by Despair 7.45 People SOLD OUT<br />
Thu 6 2.00 + 7.30 Damned by Despair 2.00 + 7.45 People SOLD OUT<br />
Fri 7 7.30 The Magistrate 7.30 Scenes from an Execution 6.00 Hansel and Gretel P1<br />
sat 8 2.00 + 7.30 The Magistrate 2.15 + 7.30 Scenes from an Execution 6.00 Hansel and Gretel P2<br />
sun 9 2.30 The Magistrate 3.00 Scenes from an Execution LAST<br />
Mon 10 6.00 PLATFORM John Lithgow<br />
7.30 The Magistrate 1.30 Hansel and Gretel P<br />
Tue 11 7.30 The Magistrate 6.00 Hansel and Gretel P<br />
Wed 12 7.30 Damned by Despair 7.30 The Animals and Children 6.00 Hansel and Gretel P<br />
Thu 13 2.00 + 7.30 Damned by Despair 3.00 + 7.30 The Animals and Children 1.30 PRESS + 6.00 Hansel and Gretel<br />
Fri 14 7.30 Damned by Despair 7.45 People SOLD OUT 6.00 Hansel and Gretel<br />
sat 15 2.00 AUDIO Damned by Despair 2.00 People SOLD OUT 1.30 Hansel and Gretel<br />
6.00 Cocktail Sticks<br />
7.30 Damned by Despair 7.45 People SOLD OUT 6.00 Hansel and Gretel<br />
sun 16 2.30 Damned by Despair CAP 2.15 Hymn<br />
3.30 Cocktail Sticks<br />
Mon 17 6.00 PLATFORM Theatre Quiz<br />
7.30 Damned by Despair LAST 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />
Tue 18 6.00 Hymn<br />
7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />
Wed 19 6.00 Cocktail Sticks<br />
7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />
Thu 20 2.30 The Magistrate 2.00 People SOLD OUT 2.30 The Effect SOLD OUT<br />
6.00 Cocktail Sticks<br />
7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />
Fri 21 7.30 The Magistrate 7.30 The Animals and Children 7.00 Hansel and Gretel<br />
sat 22 2.00 + 7.30 The Magistrate 3.00 + 7.30 The Animals and Children 3.00 + 7.00 Hansel and Gretel<br />
sun 23 BUilDiNG clOseD<br />
Mon 24 BUilDiNG clOseD<br />
Tue 25 BUilDiNG clOseD<br />
Wed 26 7.30 The Magistrate 7.30 The Animals and Children 7.00 Hansel and Gretel<br />
Thu 27 2.00 + 7.30 The Magistrate 3.00 + 7.30 The Animals and Children 3.00 + 7.00 Hansel and Gretel<br />
Fri 28 7.30 The Magistrate 7.45 People SOLD OUT 3.00 + 7.00 Hansel and Gretel<br />
sat 29 2.00 + 7.30 The Magistrate 2.00 + 7.45 People SOLD OUT 3.00 + 7.00 Hansel and Gretel<br />
sun 30 BUilDiNG clOseD<br />
31
calendar<br />
Dec<br />
Jan<br />
keY<br />
32<br />
Olivier lyttelton cottesloe<br />
Mon 31 2.00 The Magistrate 2.00 People SOLD OUT 3.00 Hansel and Gretel<br />
Tue 1 7.30 The Magistrate 7.45 People SOLD OUT 7.00 Hansel and Gretel<br />
Wed 2 6.00 PLATFORM Philip Pullman 3.00 Hansel and Gretel<br />
7.30 The Magistrate 7.30 The Animals and Children 7.00 Hansel and Gretel<br />
Thu 3 2.00 + 7.30 The Magistrate 3.00 + 7.30 The Animals and Children 3.00 + 7.00 Hansel and Gretel<br />
Fri 4 6.00 PLATFORM Timothy Sheader 6.00 Cocktail Sticks<br />
7.30 The Magistrate AUDIO 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />
sat 5 2.00 AUDIO + 7.30 The Magistrate 2.00 + 7.45 People SOLD OUT 2.30 + 7.30 The Effect SOLD OUT<br />
sun 6 3.00 People SOLD OUT<br />
Mon 7 3.00 IN CONVERSATION Billie Piper<br />
6.00 Cocktail Sticks 6.00 PLATFORM Mark Rylance SOLD OUT<br />
7.30 The Magistrate 7.45 People CAP SOLD OUT 7.30 The Effect SOLD OUT<br />
Tue 8 6.00 Hymn 6.00 Hansel and Gretel<br />
7.30 The Magistrate 7.45 People SOLD OUT<br />
Wed 9 7.30 The Magistrate 7.30 The Animals and Children 6.00 Hansel and Gretel<br />
Thu 10 7.30 The Magistrate CAP 3.00 + 7.30 The Animals and Children LAST 1.30 + 6.00 Hansel and Gretel<br />
Fri 11 6.00 PLATFORM Jocelyn Herbert Lecture<br />
7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />
sat 12 2.00 The Magistrate 2.00 People AUDIO SOLD OUT 2.30 The Effect SOLD OUT<br />
6.00 Cocktail Sticks<br />
7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />
sun 13 2.15 Hymn<br />
3.30 Cocktail Sticks<br />
Mon 14 6.00 Hymn 6.00 PLATFORM Jonathan Miller<br />
7.30 The Magistrate 7.45 People AUDIO SOLD OUT 7.30 The Effect CAP SOLD OUT<br />
Tue 15 6.00 Cocktail Sticks 6.00 PLATFORM Ian Kelly<br />
7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />
Wed 16 7.30 The Magistrate 6.00 Hansel and Gretel<br />
Thu 17 7.00 The Magistrate NT LIVE 1.30 + 6.00 CAP Hansel and Gretel<br />
Fri 18 7.30 The Magistrate 6.00 Hansel and Gretel<br />
sat 19 2.00 + 7.30 The Magistrate 1.30 RELAXED + 7.00 Hansel and Gretel<br />
sun 20 BUilDiNG clOseD<br />
PlATFOrM/<br />
iN cONversATiON<br />
(see pages 14 – 15).<br />
P Preview<br />
performance<br />
Press Press night<br />
lAsT Last performance<br />
relAxeD For people with an<br />
Autism Spectrum condition,<br />
sensory/communication<br />
disorders or a learning<br />
disability.<br />
AUDiO<br />
Audio-Described<br />
performance for blind and<br />
visually impaired people.<br />
cAP<br />
STAGETEXT® Captioned<br />
performance for Deaf and<br />
hard of hearing people.<br />
An infra red audio system<br />
is available in all theatres .<br />
Free headsets and neck loops,<br />
available from the Information<br />
Desk, are essential.
Olivier lyttelton cottesloe<br />
Jan Mon 21 7.30 The Magistrate 7.30 The Effect SOLD OUT<br />
Tue 22 6.00 PLATFORM Steven Berkoff<br />
7.30 The Magistrate CAP 7.30 Port P1 7.30 The Effect SOLD OUT<br />
Wed 23 7.30 Port P2 2.30 + 7.30 The Effect SOLD OUT<br />
Thu 24 7.30 Port P 6.00 Hansel and Gretel<br />
Fri 25 7.30 Port P 6.00 Hansel and Gretel AUDIO<br />
sat 26 7.30 Port P 1.30 AUDIO + 6.00 Hansel and Gretel LAST<br />
sun 27 BUilDiNG clOseD<br />
Mon 28 7.00 Port PRESS 7.30 The Effect<br />
Tue 29 7.30 The Captain of Köpenick P1 7.30 Port 7.30 The Effect<br />
Wed 30 7.30 The Captain of Köpenick P2 2.15 + 7.30 Port 2.30 + 7.30 The Effect<br />
Feb<br />
Thu 31<br />
Fri 1<br />
7.30 The Captain of Köpenick P<br />
7.30 The Captain of Köpenick P<br />
7.30 Port<br />
7.45 People SOLD OUT<br />
7.30 The Effect<br />
7.30 The Effect AUDIO<br />
sat 2 2.00 People SOLD OUT<br />
6.00 Cocktail Sticks<br />
2.30 The Effect AUDIO<br />
7.30 The Captain of Köpenick P 7.45 People SOLD OUT 7.30 The Effect<br />
sun 3 3.00 People CAP SOLD OUT<br />
Mon 4 6.00 Hymn<br />
7.30 The Captain of Köpenick P 7.45 People CAP SOLD OUT 7.30 The Effect<br />
Tue 5 6.00 PLATFORM Andy de la Tour<br />
7.00 The Captain of Köpenick PRESS 7.30 Port 7.30 The Effect CAP<br />
Wed 6 2.00 + 7.30 The Captain of Köpenick 2.15 + 7.30 Port 2.30 + 7.30 The Effect<br />
Thu 7 6.00 PLATFORM Elliott & Stephens<br />
7.30 The Captain of Köpenick 7.30 Port 7.30 The Effect<br />
Fri 8 6.00 PLATFORM Benedict Nightingale<br />
7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect<br />
sat 9 2.00 The Magistrate 2.00 People SOLD OUT<br />
6.00 Cocktail Sticks<br />
2.30 The Effect<br />
7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect<br />
sun 10 2.30 The Magistrate LAST 2.15 Hymn CAP<br />
3.30 Cocktail Sticks CAP<br />
Mon 11 6.00 Hymn<br />
7.45 People 7.30 The Effect<br />
Tue 12 6.00 Cocktail Sticks<br />
7.30 The Captain of Köpenick 7.45 People 7.30 The Effect<br />
Wed 13 2.00 The Captain of Köpenick 2.00 People<br />
6.00 Cocktail Sticks<br />
2.30 The Effect<br />
7.30 The Captain of Köpenick 7.45 People 7.30 The Effect<br />
33
Feb<br />
Mar<br />
keY<br />
34<br />
Olivier lyttelton cottesloe<br />
Thu 14 7.30 The Captain of Köpenick 7.30 Port 7.30 The Effect<br />
Fri 15 7.30 The Captain of Köpenick 7.30 Port AUDIO 7.30 The Effect<br />
sat 16 2.00 + 7.30 The Captain of Köpenick 2.15 AUDIO + 7.30 Port 2.30 + 7.30 The Effect<br />
sun 17 2.30 The Captain of Köpenick 3.00 Port<br />
Mon 18 6.00 Cocktail Sticks<br />
7.45 People 7.30 The Effect<br />
Tue 19 6.00 Hymn<br />
7.45 People 7.30 The Effect<br />
Wed 20 2.00 People 2.30 The Effect<br />
6.00 Cocktail Sticks<br />
7.45 People 7.30 The Effect<br />
Thu 21 6.00 Cocktail Sticks<br />
7.45 People 7.30 The Effect<br />
Fri 22 7.30 Port 7.30 The Effect<br />
sat 23 7.30 This House P1 2.15 CAP + 7.30 Port 2.30 + 7.30 The Effect LAST<br />
sun 24 3.00 Port<br />
Mon 25 6.00 Cocktail Sticks<br />
7.30 This House P2 7.45 People<br />
Tue 26 6.00 Cocktail Sticks<br />
7.30 This House P 7.45 People<br />
Wed 27 2.00 People<br />
6.00 Hymn<br />
7.30 This House P 7.45 People<br />
Thu 28 7.00 This House PRESS 7.45 People<br />
Fri 1 7.30 The Captain of Köpenick 7.30 Port<br />
sat 2 2.00 + 7.30 The Captain of Köpenick 2.15 + 7.30 Port<br />
sun 3 2.30 The Captain of Köpenick 3.00 Port CAP<br />
Mon 4 7.30 The Captain of Köpenick 7.30 Port<br />
Tue 5 6.00 PLATFORM Adrian Noble<br />
7.30 The Captain of Köpenick 7.30 Port<br />
Wed 6 2.00 + 7.30 The Captain of Köpenick 2.15 + 7.30 Port<br />
Thu 7 7.30 This House 7.45 People<br />
Fri 8 7.30 This House 7.45 People<br />
PlATFOrM/<br />
iN cONversATiON<br />
(see pages 14 – 15).<br />
P Preview<br />
performance<br />
Press Press night<br />
lAsT Last performance<br />
AUDiO<br />
Audio-Described<br />
performance for blind and<br />
visually impaired people.<br />
cAP<br />
STAGETEXT® Captioned<br />
performance for Deaf and<br />
hard of hearing people.<br />
cottesloe Theatre<br />
From February 2013, the<br />
Cottesloe Theatre will be<br />
refurbished as part of our NT<br />
Future transformation project,<br />
re-opening in spring 2014 as the<br />
Dorfman Theatre with improved<br />
facilities for our audiences.<br />
An infra red audio system<br />
is available in all theatres.<br />
Free headsets and neck loops,<br />
available from the Information<br />
Desk, are essential.
Mar<br />
Apr<br />
Olivier lyttelton<br />
sat 9 2.00 + 7.30 This House 2.00 AUDIO + 7.45 People<br />
sun 10 2.30 This House 2.15 Hymn<br />
3.30 Cocktail Sticks<br />
Mon 11 7.30 This House 7.30 Port<br />
Tue 12 7.30 The Captain of Köpenick 7.30 Port<br />
Wed 13 2.00 + 7.30 The Captain of Köpenick 2.15 + 7.30 Port<br />
Thu 14 7.30 The Captain of Köpenick 7.30 Port<br />
Fri 15 7.30 This House 7.45 People<br />
sat 16 2.00 This House AUDIO 2.00 People<br />
6.00 Cocktail Sticks<br />
7.30 This House 7.45 People<br />
sun 17 2.30 This House 2.15 Hymn CAP LAST<br />
3.30 Cocktail Sticks CAP<br />
Mon 18 6.00 Cocktail Sticks<br />
7.30 This House 7.45 People<br />
Tue 19 6.00 PLATFORM Graham & Herrin<br />
7.30 This House 7.45 People<br />
Wed 20 2.00 + 7.30 This House 7.45 People<br />
Thu 21 7.30 The Captain of Köpenick 7.00 People NT LIVE<br />
Fri 22 7.30 The Captain of Köpenick AUDIO 7.30 Port<br />
sat 23 2.00 AUDIO + 7.30 The Captain of Köpenick 2.15 + 7.30 Port<br />
sun 24 2.30 The Captain of Köpenick 3.00 Port LAST<br />
Mon 25 7.30 The Captain of Köpenick<br />
Tue 26 7.30 This House 7.45 People<br />
Wed 27 2.00 + 7.30 This House 2.00 + 7.45 CAP People<br />
Thu 28 6.00 Cocktail Sticks<br />
7.30 This House 7.45 People<br />
Fri 29 BUilDiNG clOseD<br />
sat 30 2.00 This House 2.00 People<br />
6.00 Cocktail Sticks LAST<br />
7.30 This House 7.45 People<br />
sun 31 BUilDiNG clOseD<br />
Mon 1 7.30 This House 7.45 People<br />
Tue 2 7.30 The Captain of Köpenick 7.45 People<br />
Wed 3 2.00 + 7.30 CAP The Captain of Köpenick<br />
Thu 4 7.30 The Captain of Köpenick LAST<br />
Fri 5 7.30 This House<br />
sat 6 2.00 + 7.30 This House<br />
sun 7 2.30 This House CAP<br />
Mon 8 7.30 This House<br />
THe sHeD<br />
From April 2013 we will open The Shed:<br />
a temporary performance space at the<br />
front of the building. Celebrating new<br />
theatre that is adventurous, ambitious<br />
and challenging, the programme will<br />
feature a mix of emerging and established<br />
artists, visitors from around the world and<br />
a range of unexpected collaborations.<br />
Booking information available in the<br />
New Year.<br />
35
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