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Nov 12 – Apr 13<br />

<strong>020</strong> <strong>7452</strong> <strong>3000</strong><br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>


National Theatre<br />

south Bank, london se1 9Px<br />

How to book<br />

No booking fee<br />

Online<br />

select your own seat online<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />

For an online version of this brochure<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/season<br />

By phone<br />

<strong>020</strong> <strong>7452</strong> <strong>3000</strong><br />

Mon – sat: 9.30am – 8pm,<br />

sun: 12pm – 3pm on performance days<br />

in person<br />

Mon – sat: 9.30am – 8pm,<br />

sun: 12pm – 6pm on performance days<br />

christmas and easter opening hours<br />

Date Theatre Building Box Office by phone Book in person<br />

Sun 23 Dec CLOSED<br />

Mon 24 Dec CLOSED<br />

Tue 25 Dec CLOSED<br />

Wed 26 Dec 4pm – 11pm 12.30pm – 8pm 4pm – 8pm<br />

Thur 27 & Fri 28 Dec 9.30am – 11pm 9.30am – 8pm 9.30am – 8pm<br />

Sat 29 Dec 9.30am – 11pm 9.30am – 8pm<br />

Sun 30 Dec CLOSED<br />

9.30am – 8pm<br />

Mon 31 Dec 9.30am – 6pm 9.30am – 6pm 9.30am – 6pm<br />

Tue 1 Jan 4pm – 11pm 12.30pm – 8pm 4pm – 8pm<br />

Fri 29 Mar CLOSED<br />

Sat 30 Mar 9.30am – 11pm 9.30am – 8pm 9.30am – 8pm<br />

Sun 31 Mar CLOSED<br />

Mon 1 Apr 4 – 11pm 12.30pm – 8pm 4pm – 8pm<br />

2<br />

TrAvelex £12 TickeTs<br />

Sponsored by<br />

National Theatre Live<br />

is proudly supported by<br />

The National Theatre’s<br />

Cottesloe Partner<br />

Philips and the National Theatre<br />

working in partnership to reduce<br />

energy consumption<br />

The National Theatre’s<br />

Airline Partner<br />

The National Theatre’s<br />

Photographic Images Partner<br />

The National Theatre<br />

in partnership with<br />

The National Theatre is a<br />

J.P. M<strong>org</strong>an Signature Series partner<br />

Innovation at the National Theatre<br />

is sponsored by<br />

Partner for<br />

contemporary clothing<br />

National Theatre Education<br />

is supported by<br />

Media Partner<br />

Travelex £12 Tickets


The captain of köpenick<br />

by carl Zuckmayer<br />

in a new english version by ron Hutchinson<br />

I used to think all the trouble in the world was<br />

caused by people giving orders. Now I reckon<br />

that it’s people being so willing to take them.<br />

released after fifteen years in prison, trapped<br />

in a bureaucratic maze, petty criminal Wilhelm<br />

voight wanders 1910 Berlin in desperate,<br />

hazardous pursuit of identity papers. luck<br />

changes when he picks up an abandoned military<br />

uniform in a fancy-dress shop and finds the city<br />

ready to obey his every command. At the head<br />

of six soldiers, he marches to the Mayor’s office,<br />

cites corruption and confiscates the treasury<br />

with ease. But still what he craves is official<br />

recognition that he exists.<br />

Finally we can trust the German people<br />

to follow wherever we lead them.<br />

A nation heads blindly towards war as the misfit<br />

takes on the state in ron Hutchinson’s savagely<br />

funny new version of carl Zuckmayer’s<br />

The Captain of Köpenick, first staged in<br />

Germany in 1931. Antony sher takes the<br />

title role.<br />

Audio-Described performances Fri 22 March at 7.30pm,<br />

Sat 23 March at 2pm (Touch Tour at 12.30pm)<br />

captioned performance Wed 3 Apr at 7.30pm<br />

Olivier Theatre 29 January – 4 April<br />

Cast includes<br />

sandy Batchelor<br />

Paul Bentall<br />

Jason cheater<br />

Paul chequer<br />

Alan David<br />

robert Demeger<br />

James Hayes<br />

Barnaby kay<br />

David killick<br />

siobhán Mcsweeney<br />

Nick Malinowski<br />

Olivia Poulet<br />

iris roberts<br />

Adrian schiller<br />

Antony sher<br />

robin Weaver<br />

lynne Wilmot<br />

Director<br />

Adrian Noble<br />

Designer<br />

Anthony Ward<br />

Lighting Designer<br />

Neil Austin<br />

Music<br />

steven edis<br />

Movement Director<br />

sue lefton<br />

Fight Director<br />

Malcolm ranson<br />

Sound Designer<br />

Mic Pool<br />

Supported by<br />

3


Cast<br />

to be announced<br />

Director<br />

Jeremy Herrin<br />

Designer<br />

rae smith<br />

Lighting Designer<br />

Paule constable<br />

Music<br />

stephen Warbeck<br />

Choreographer<br />

scott Ambler<br />

Sound Designer<br />

ian Dickinson<br />

National Theatre live<br />

broadcast 16 May<br />

at 7pm<br />

Original production<br />

sponsored by the<br />

National Theatre’s<br />

Cottesloe Partner,<br />

Neptune Investment<br />

Management.<br />

4<br />

This<br />

This House<br />

a new play by James Graham<br />

Olivier Theatre<br />

running time 2hrs 45mins<br />

House<br />

From 23 February<br />

This House<br />

a new play by James Graham<br />

HHHHH<br />

Daily express, Daily Telegraph<br />

‘A funny and moving political epic. Another hit<br />

is born in the cottesloe.’<br />

The Times<br />

‘James Graham’s superb new drama held everyone<br />

enthralled throughout... Funny, touching and<br />

cliff-hangingly suspenseful.’<br />

Daily Telegraph<br />

‘Jeremy Herrin’s production recaptures,<br />

with abundant theatricality, the mayhem<br />

of Westminster politics.’<br />

Guardian<br />

1974. The Uk faces economic crisis and a<br />

hung parliament. set in the engine rooms of<br />

Westminster, This House strips politics down to<br />

the practical realities of those behind the scenes:<br />

the whips who shepherd and coerce a chorus of<br />

MPs within the Mother of all Parliaments.<br />

Following a sell-out run in the cottesloe, James<br />

Graham’s acclaimed play transfers to the Olivier<br />

Theatre from February 2013.<br />

Audio-Described performance Sat 16 Mar at 2pm (Touch Tour at 12.30pm)<br />

captioned performance Sun 7 Apr at 2.30pm<br />

This House plays in the Cottesloe Theatre until 1 December –<br />

Day Tickets and returns only. See calendar for Access performances.<br />

photos © Corbis


Illustration © Gerald Scarfe<br />

The Magistrate<br />

by Arthur Wing Pinero<br />

With his louche air and a developed taste for<br />

smoking, gambling, port and women, it’s hard to<br />

believe cis Farringdon is only fourteen. And that’s<br />

because he isn’t. Agatha his mother lopped five<br />

years from her true age and his when she married<br />

the amiable Posket.<br />

The imminent arrival of cis’ godfather sends<br />

Agatha incognito to the Hôtel des Princes to warn<br />

him of her deception. But it’s also where her son<br />

has cajoled his otherwise staid stepfather into<br />

joining him for a binge. High-spirited carousing<br />

leads to a police raid and a night of outrageous<br />

mishap as the trapped guests make desperate<br />

attempts to conceal themselves from the law and<br />

from each other. indignities escalate at court the<br />

next day where Posket, the police magistrate,<br />

must preside.<br />

John lithgow takes the title role in this fast,<br />

furious, brilliantly plotted farce set in victorian<br />

london; he is joined by Nancy carroll, returning<br />

to the NT following her Olivier award-winning<br />

performance in After the Dance.<br />

National Theatre live broadcast 17 January at 7pm<br />

Audio-Described performances<br />

Fri 4 Jan at 7.30pm, Sat 5 Jan at 2pm (Touch Tour at 12.30pm)<br />

captioned performances<br />

Thu 10 Jan at 7.30pm, Tue 22 Jan at 7.30pm<br />

The<br />

Magistrate<br />

Olivier Theatre Until 10 February<br />

Cast<br />

Patrick Barlow<br />

Nicholas Blane<br />

Nicholas Burns<br />

Nancy carroll<br />

Tamsin carroll<br />

Alexander cobb<br />

christina cole<br />

richard Freeman<br />

Don Gallagher<br />

Amy Griffiths<br />

Joshua lacey<br />

John lithgow<br />

christopher logan<br />

Nicholas lumley<br />

Joshua McGuire<br />

sean Mckenzie<br />

Joshua Manning<br />

sarah Ovens<br />

Peter Polycarpou<br />

Beverly rudd<br />

roger sloman<br />

Jez Unwin<br />

Director<br />

Timothy sheader<br />

Designer<br />

katrina lindsay<br />

Lighting Designer<br />

James Farncombe<br />

Lyrics<br />

richard stilgoe<br />

Music<br />

richard sisson<br />

Movement Director<br />

liam steel<br />

Sound Designer<br />

Paul Arditti<br />

Vocal Arranger<br />

David shrubsole<br />

5


Cast<br />

Frances Ashman<br />

linda Bassett<br />

ellie Burrow<br />

selina cadell<br />

Philip childs<br />

Jack chissick<br />

Giles cooper<br />

carole Dance<br />

Andy de la Tour<br />

Frances de la Tour<br />

Peter egan<br />

Miles Jupp<br />

Barbara kirby<br />

Nicholas le Prevost<br />

Jess Murphy<br />

Alastair Parker<br />

robin Pearce<br />

Alexander Warner<br />

Director<br />

Nicholas Hytner<br />

Designer<br />

Bob crowley<br />

Lighting Designer<br />

James Farncombe<br />

Sound Designer<br />

rich Walsh<br />

Movement Director<br />

Jonathan Watkins<br />

Short film by<br />

Jon Driscoll<br />

People is supported<br />

by a group of<br />

individual donors<br />

Sponsored by<br />

6<br />

lyttelton Theatre<br />

World Premiere<br />

Now playing<br />

running time 2hrs 15mins<br />

People<br />

a new play by Alan Bennett<br />

A sale? Why not? Release all your wonderful<br />

treasures onto the open market and they are there<br />

for everyone to enjoy. It’s a kind of emancipation,<br />

a setting them free to range the world…<br />

a saleroom here, an exhibition there;<br />

art, Lady Stacpoole, is a rover.<br />

People spoil things; there are so many of them and<br />

the last thing one wants is them traipsing through<br />

one’s house. But with the park a jungle and a bath<br />

on the billiard table, what is one to do? Dorothy<br />

wonders if an attic sale could be a solution.<br />

Frances de la Tour takes the part of Dorothy in<br />

her third new play by Alan Bennett at the National<br />

following The History Boys and The Habit of Art.<br />

she is joined by selina cadell and linda Bassett.<br />

– How’re you doing?<br />

– Not sure.<br />

– Well why don’t you get on the mobile to your<br />

dick and find out.<br />

National Theatre live broadcast 21 March at 7pm<br />

captioned performances Mon 7 Jan at 7.45pm, Sun 3 Feb at 3pm,<br />

Mon 4 Feb at 7.45pm, Wed 27 Mar at 7.45pm<br />

Audio-Described performances Sat 12 Jan at 2pm<br />

(Touch Tour at 12.30pm), Mon 14 Jan at 7.45pm,<br />

Sat 9 March at 2pm (Touch Tour at 12.30pm)<br />

The World of Interiors © October 2007. Photography: Katya de Grunwald. Styling: Maud Hewlings


photo © Ge<strong>org</strong>e Logan/Corbis<br />

Port<br />

by simon stephens<br />

I see you in the morning, on the first morning<br />

I stayed over at your house. Waking up.<br />

Watching you lying asleep next to me.<br />

You looked, you looked. It was like. I think<br />

about that more than you probably think I do.<br />

stockport, 1988. it’s midnight. rachel, eleven, and<br />

Billy, six, wait in the car in agitated excitement.<br />

Their mother is at her wits’ end with all their chatter<br />

and fighting and dreams of Disneyland. she is<br />

about to leave them for good. Their father, drunk<br />

in the flat above, has locked the door. it’s a pivotal<br />

moment, the beginning of a thirteen-year odyssey<br />

for two kids, largely abandoned and growing up<br />

in the deprived suburban shadows of Manchester,<br />

a city that felt itself to be the most exciting<br />

in the world.<br />

A richly colourful portrait of a town with the<br />

everyday writ large, simon stephens’ Port is a<br />

celebration of the human spirit as rachel, through<br />

sheer courage and despite an economic and<br />

political climate that pushes her into the very<br />

margins, looks to the future and opts for love<br />

and life and for something better.<br />

Audio-Described performances Fri 15 Feb at 7.30pm,<br />

Sat 16 Feb at 2.15pm (Touch Tour at 12.45pm)<br />

captioned performances Sat 23 Feb at 2.15pm, Sun 3 Mar at 3pm<br />

Port<br />

lyttelton Theatre From 22 January<br />

Approx running time 2hrs 20mins<br />

Cast includes<br />

calum callaghan<br />

Jack Deam<br />

Danny kelly<br />

Mike Noble<br />

kate O’Flynn<br />

katherine Pearce<br />

Director<br />

Marianne elliott<br />

Designer<br />

lizzie clachan<br />

Lighting Designer<br />

Neil Austin<br />

Music by<br />

Badly Drawn Boy<br />

Movement Director<br />

scott Graham<br />

Fight Director<br />

kate Waters<br />

Sound Designer<br />

ian Dickinson<br />

7


Cast<br />

Tom Goodman-Hill<br />

Anastasia Hille<br />

Jonjo O’Neill<br />

Billie Piper<br />

Director<br />

rupert Goold<br />

Designer<br />

Miriam Buether<br />

Lighting Designer<br />

Jon clark<br />

Composer<br />

sarah Angliss<br />

Projection Designer<br />

Jon Driscoll<br />

Sound Designer<br />

christopher shutt<br />

Movement Director<br />

Aletta collins<br />

The National Theatre’s<br />

Cottesloe Partner<br />

8<br />

The Effect<br />

cottesloe Theatre<br />

World Premiere<br />

Until 23 February<br />

A co-production with Headlong<br />

The effect<br />

a new play by lucy Prebble<br />

Love is double blind.<br />

A clinical romance from the writer of ENRON.<br />

This funny and moving new play explores<br />

questions of sanity, neurology and the limits<br />

of medicine.<br />

Director rupert Goold reunites with designer<br />

Miriam Buether following their production of<br />

Earthquakes in London to deliver a vibrant<br />

theatrical exploration into the human brain<br />

via the heart.<br />

captioned performances Mon 14 Jan at 7.30pm, Tues 5 Feb at 7.30pm<br />

Audio-Described performances Fri 1 Feb at 7.30pm,<br />

Sat 2 Feb at 2.30pm (Touch Tour at 12.45pm)<br />

photo © 2012 My Soul, Katharine Dowson. Courtesy of the artist & GV Art, London


photo © ‘1927’<br />

A 1927 production<br />

The Animals and children<br />

Took to the streets<br />

Welcome to the Bayou, a part of the city feared<br />

and loathed, wherein lies the infamous Bayou<br />

Mansions: a stinking sprawling tenement block,<br />

where curtain-twitchers and peeping-toms live side<br />

by side, and the wolf... is always at the door.<br />

When Agnes eaves and her daughter arrive late<br />

one night, does it signal hope in this hopeless<br />

place, or has the real horror only just begun?<br />

Following a sell-out run at the National last<br />

winter, the internationally acclaimed show by<br />

award-winning company 1927 returns. seamlessly<br />

synchronizing live music, performance and<br />

storytelling with stunning film and animation,<br />

The Animals and Children... is a theatrical journey<br />

of startling originality, like a giant graphic novel<br />

burst into life.<br />

HHHH<br />

‘A jawdroppingly clever and gloriously subversive<br />

parable… 1927 conjure a world so complete<br />

it feels as if you’ve fallen down a rabbit hole.’<br />

Guardian<br />

lyttelton Theatre<br />

suitable for 11yrs+<br />

The<br />

Animals<br />

and<br />

Children<br />

Took to<br />

the<br />

Streets<br />

12 December – 10 January<br />

running time 70 minutes<br />

(no interval)<br />

Peformers<br />

suzanne Andrade<br />

esme Appleton<br />

lillian Henley<br />

Created by<br />

1927<br />

Directed and written by<br />

suzanne Andrade<br />

Film, Animation<br />

and Design<br />

Paul Barritt<br />

Producer<br />

Joanna crowley<br />

Music<br />

lillian Henley<br />

Costume<br />

sarah Munro and<br />

esme Appleton<br />

Co-commissioned by<br />

BAC, Malthouse Theatre<br />

Melbourne & The Showroom<br />

(University of Chichester)<br />

Developed at BAC<br />

Sponsored by<br />

9


Hymn<br />

a memoir of music in childhood<br />

words by Alan Bennett<br />

music by Ge<strong>org</strong>e Fenton<br />

Alan Bennett writes: ‘in 2001 the Medici Quartet<br />

commissioned the composer Ge<strong>org</strong>e Fenton<br />

to write a piece commemorating their thirtieth<br />

anniversary. Ge<strong>org</strong>e Fenton appeared in my<br />

play Forty Years On and has written music for<br />

many of my plays since, and he asked me to<br />

collaborate on the commission. Hymn was the<br />

result. First performed at the Harrogate Festival<br />

in August 2001, it’s a series of memoirs with<br />

music. Besides purely instrumental passages<br />

for the quartet, many of the speeches are<br />

under-scored, incorporating some of the<br />

hymns and music i remember from my<br />

childhood and youth.’<br />

It’s a dwindling band; old-fashioned and of a<br />

certain age, you can pick us out at funerals<br />

and memorial services because we can sing<br />

the hymns without the book.<br />

lyttelton Theatre, 22 November – 17 March<br />

Approximate running time 30mins<br />

Music<br />

performed by<br />

members of<br />

southbank<br />

sinfonia<br />

Director<br />

Nadia Fall<br />

10<br />

Designer<br />

Bob crowley<br />

Lighting Designer<br />

Tom snell<br />

Sound Designer<br />

Mike Walker<br />

captioned<br />

performances<br />

Sun 10 Feb at<br />

2.15pm, Sun 17<br />

Mar at 2.15pm<br />

sunday double bills Lunch and afternoon<br />

tea packages available – see page 27.<br />

Two recollections by<br />

Alex Jennings plays Alan Bennett in both pieces.<br />

cocktail sticks<br />

by Alan Bennett<br />

Hymn is coupled with Cocktail<br />

Sticks, an oratorio without music<br />

that revisits some of the themes<br />

and conversations of Alan Bennett’s<br />

memoir A Life Like Other People’s.<br />

A son talks to his dead father as his<br />

mother yearns for a different life.<br />

it’s funny, tender and sad.<br />

The pinnacle of my social life is a<br />

scrutty bit of lettuce and tomato<br />

and some tinned salmon. Mind you,<br />

I read in ideal Home that if you mix<br />

tinned salmon with this soft cheese<br />

you can make it into one of those<br />

moussy things. Shove a bit of lemon<br />

on it and it looks really classy.<br />

lyttelton Theatre, 5 December – 30 March<br />

Approximate running time 60mins<br />

World Premiere<br />

Cast includes<br />

Janet Dale<br />

Alex Jennings<br />

Director<br />

Nicholas Hytner<br />

Designer<br />

Bob crowley<br />

Lighting<br />

Designer<br />

Tom snell<br />

Sound Designer<br />

John leonard<br />

Music<br />

Ge<strong>org</strong>e Fenton<br />

captioned<br />

performances<br />

Sun 10 Feb<br />

at 3.30pm,<br />

Sun 17 Mar<br />

at 3.30pm<br />

Original illustration by Alan Bennett


Original artwork by Helen Musselwhite<br />

Hansel and Gretel<br />

written by lucy kirkwood<br />

devised by katie Mitchell and lucy kirkwood<br />

based on the story recorded by the Brothers Grimm<br />

Two children lost in the woods...<br />

a trail of breadcrumbs...<br />

and a bewitching house made of sweets.<br />

Following The Cat in the Hat and Beauty and<br />

the Beast, katie Mitchell returns to the National<br />

Theatre to stage the classic fairytale. she will<br />

collaborate once again with lucy kirkwood<br />

and designer vicki Mortimer, applying their<br />

extraordinary imagination and creativity to<br />

conjure the world of Hansel and Gretel in an<br />

intimate and magical new production.<br />

Beauty and the Beast was nominated for an<br />

Olivier Award for Best entertainment, the<br />

Daily Telegraph proclaiming it to be ‘superb.<br />

At once funny, moving and deliciously scary...<br />

a continuously inventive delight.’<br />

Hansel and Gretel promises to be an enchanting<br />

and eerie christmas treat, especially suitable for<br />

7–10-year-olds.<br />

captioned performance Thu 17 Jan at 6pm<br />

relaxed performance Sat 19 Jan at 1.30pm<br />

Audio-Described performances Fri 25 Jan at 6pm,<br />

Sat 26 Jan at 1.30pm (Touch Tour at 12pm)<br />

and Hansel<br />

Gretel<br />

cottesloe Theatre 7 December – 26 January<br />

Cast<br />

ruby Bentall<br />

kate Duchêne<br />

Dylan kennedy<br />

Justin salinger<br />

Amit shah<br />

Director<br />

katie Mitchell<br />

Designer<br />

vicki Mortimer<br />

Lighting Designer<br />

Jon clark<br />

Movement Director<br />

Joseph Alford<br />

Music<br />

Paul clark<br />

Puppet Designer<br />

Toby Olié<br />

Sound Designer<br />

Gareth Fry<br />

The National Theatre’s<br />

Cottesloe Partner<br />

11


Cast<br />

Marianne Adams<br />

sebastian Armesto<br />

leanne Best<br />

Anne Bird<br />

Nick Blakeley<br />

edward Bracey<br />

lorna Brown<br />

Bertie carvel<br />

Ashley chin<br />

John cormack<br />

scott Folan<br />

Michael Gould<br />

Michael Grady-Hall<br />

Jonathan Jaynes<br />

rory keenan<br />

rory langmuir<br />

Amanda lawrence<br />

Tunji lucas<br />

Brian Martin<br />

Okezie Morro<br />

Pierce reid<br />

Dwane Walcott<br />

Alex Warren<br />

simon Yadoo<br />

Director<br />

Bijan sheibani<br />

Set Designer<br />

Giles cadle<br />

Costume Designer<br />

Moritz Junge<br />

Lighting Designer<br />

Jon clark<br />

Video Designer<br />

Finn ross<br />

Music & Sound<br />

Dan Jones<br />

Movement Director<br />

Aline David<br />

Fight Director<br />

kate Waters<br />

12<br />

Damned<br />

by Despair<br />

Olivier Theatre<br />

running time 2hrs<br />

Until 17 December<br />

Damned by Despair<br />

by Tirso de Molina<br />

in a new version by Frank McGuinness<br />

‘Beautiful flashes of redemption and grace.’<br />

evening standard<br />

‘A lively and irreverent new version<br />

by Frank McGuinness.’<br />

Financial Times<br />

‘Glisters with invigorating wit... for only £12<br />

a pop thanks to the Travelex season, it’s a<br />

damned interesting way to spend an evening.’<br />

Daily Telegraph<br />

saintly Paulo discovers he’s doomed to share the<br />

fate of a complete stranger, enrico. Then he meets<br />

enrico for himself and realises he’s evil incarnate.<br />

if he’s damned, is Paulo too?<br />

Damned by Despair, written in 1635 by the great<br />

spanish dramatist Tirso de Molina, is brought to<br />

vivid life in Frank McGuinness’ new version.<br />

The subversive and at times riotous exploration<br />

of faith and the transformative power of love<br />

races across the italian landscape, relishing the<br />

unpredictability of fate, an extraordinary array of<br />

characters and their very real dilemmas.<br />

Supported by The Laura Pels International Foundation for Theater<br />

captioned performances Mon 26 Nov at 7.30pm,<br />

Sun 16 Dec at 2.30pm<br />

Audio-Described performance Sat 15 Dec at 2pm<br />

(Touch Tour at 12.30pm)<br />

photos: Brinkhoff / Mögenburg and Tristram Kenton


photo (Fiona Shaw) by Jason Bell<br />

scenes from an execution<br />

by Howard Barker<br />

HHHHH<br />

The Times<br />

‘Wonderful. Howard Barker’s play is a marvel –<br />

a philosophical, funny and wise tight-rope act.<br />

it blew me away.’<br />

The Times<br />

‘in a bravura performance, Fiona shaw brilliantly<br />

communicates the animal energy and the caustic,<br />

uncompromising spirit of the artist.’<br />

independent<br />

‘A fine revival by Tom cairns of Howard Barker’s<br />

tremendous play... has the feel of a contemporary<br />

classic.’<br />

Guardian<br />

commissioned to paint a vast canvas celebrating<br />

the triumphant Battle of lepanto, the free-spirited<br />

Galactia creates instead a breathtaking scene of<br />

war-torn carnage. in her fierce determination to<br />

stay true to herself, she alienates the authorities<br />

and faces incarceration. Her younger lover<br />

carpeta is approached to take over and seizes<br />

the assignment for himself.<br />

captioned performances Thu 15 Nov at 7.30pm, Sun 2 Dec at 3pm<br />

Audio-Described performances Fri 30 Nov at 7.30pm,<br />

Sat 1 Dec at 2.15pm (Touch Tour at 12.45pm)<br />

Scenes<br />

from an<br />

Execution<br />

lyttelton Theatre<br />

running time 2hrs 35mins<br />

Until 9 December<br />

Cast<br />

Jamie Ballard<br />

William chubb<br />

Mark extance<br />

robert Galas<br />

ian Hallard<br />

robert Hands<br />

lucas Hare<br />

Jennifer Jackson<br />

Gráinne keenan<br />

Gerrard McArthur<br />

iarla McGowan<br />

Tim Mcinnerny<br />

robyn Moore<br />

Phoebe Nicholls<br />

Tom Peters<br />

rochenda sandall<br />

Fiona shaw<br />

Jay simpson<br />

Director<br />

Tom cairns<br />

Designer<br />

Hildegard Bechtler<br />

Lighting Designer<br />

Peter Mumford<br />

Music & Sound<br />

Ben and Max<br />

ringham<br />

Supported by<br />

13


Platforms<br />

6pm (45mins) £4/£3 (unless stated)<br />

These Platforms are followed by a book signing. When you buy your copy from the NT Bookshop every purchase benefits the NT’s work.<br />

Howard Barker Phil Redmond Edna O’Brien<br />

Lucy Prebble<br />

Philip Pullman Mark Rylance<br />

Steven Berkoff Marianne Elliott<br />

Tom cairns on<br />

Scenes from an Execution<br />

Mon 12 Nov, lyttelton<br />

The director discusses his new<br />

production.<br />

Howard Barker<br />

Tue 13 Nov, lyttelton<br />

The writer of Scenes from an<br />

Execution talks to Mark Brown<br />

about his work.<br />

Life Saving: Josephine Hart’s<br />

introductions to Great Poets<br />

Wed 14 Nov, lyttelton<br />

As Josephine Hart’s illuminating<br />

introductions are published<br />

posthumously, actors including<br />

Fiona Shaw read her selection<br />

of British and Irish verse.<br />

Phil redmond<br />

Mon 19 Nov, cottesloe<br />

Mid-Term Report is the story of a<br />

working class lad from Liverpool,<br />

14<br />

who created Grange Hill, Brookside<br />

and Hollyoaks, and became one of<br />

the most influential producers and<br />

screenwriters in modern TV history.<br />

edna O’Brien<br />

Tue 20 Nov, cottesloe<br />

In Country Girl, the author reflects<br />

on a literary life of high drama, which<br />

began in 1960 with her controversial<br />

first novel, The Country Girls.<br />

Chaired by Mark Lawson.<br />

Alan Bennett SOLD OUT<br />

Wed 21 Nov, lyttelton<br />

Alan Bennett reads from his work,<br />

and talks about his new play, People.<br />

rupert Goold and lucy Prebble<br />

on The Effect<br />

Fri 23 Nov, cottesloe<br />

The director and playwright<br />

discuss this co-production<br />

between the NT and Headlong.<br />

ray cooney<br />

Tue 27 Nov, cottesloe<br />

Marking his 80th birthday and his<br />

66-year career, including the play<br />

Run for Your Wife, the comedy<br />

writer talks to Roger Foss, author<br />

of May the Farce Be With You.<br />

The Political Diary<br />

Wed 28 Nov, cottesloe<br />

Chris Mullin, former MP, diarist and<br />

author of A Very British Coup, joins<br />

Ruth Winstone, editor of Events,<br />

Dear Boy, Events, a compilation of<br />

20th-century political diarists, to<br />

discuss Britain’s political triumphs<br />

and disasters. Chaired by<br />

Genista McIntosh.<br />

An evening with Private Eye<br />

Mon 3 Dec, 5.45pm (1hr)<br />

£5/£4, Olivier<br />

Ian Hislop takes a satirical look<br />

at the events and people of 2012<br />

with Craig Brown, Harry Enfield,<br />

Lewis Macleod, Jan Ravens<br />

and John Sessions.<br />

Michael Morpurgo<br />

Wed 5 Dec, Olivier<br />

The author talks about his life and<br />

work with his biographer, Maggie<br />

Fergusson, and reads a new<br />

autobiographical short story<br />

from War Child to War Horse.<br />

John lithgow<br />

Mon 10 Dec, Olivier<br />

Currently appearing in The Magistrate,<br />

the actor, musician and author talks<br />

to Nicholas Hytner about his career,<br />

which includes Dexter on TV, and the<br />

Shrek films.<br />

Theatre Quiz<br />

Mon 17 Dec, Olivier<br />

The annual battle for theatrical<br />

knowledge between two competing<br />

teams from NT companies, hosted by<br />

quizmistress Emma Freud.<br />

Photos: Victoria Wicks, courtesy of Random House, courtesy of Faber, Katrin Ribbe, KT Bruce, Simon Annand, © Rex Features, Simon Annand


Photos: Hugo Glendinning, Sarah Dunn<br />

Philip Pullman<br />

Wed 2 Jan, Olivier<br />

Philip Pullman talks about his<br />

approach to retelling the fairytales<br />

of the Brothers Grimm in his new<br />

version of the stories, Grimm’s Tales<br />

for Young and Old, as Hansel and<br />

Gretel plays in the Cottesloe.<br />

Timothy sheader on<br />

The Magistrate<br />

Fri 4 Jan, Olivier<br />

The director discusses his<br />

production of Pinero’s farce.<br />

Mark rylance SOLD OUT<br />

Mon 7 Jan, cottesloe<br />

The actor, director and writer reads<br />

from and talks about his first play,<br />

I Am Shakespeare.<br />

The Annual Jocelyn<br />

Herbert lecture<br />

christopher Hampton –<br />

simplifying the Jungle<br />

Fri 11 Jan, Olivier<br />

Christopher Hampton, whose<br />

screenplays include Dangerous<br />

Liaisons and Atonement, worked<br />

with Jocelyn Herbert on two of<br />

his plays. He gives a playwright’s<br />

perspective on the role of the<br />

designer in the theatre.<br />

Jonathan Miller<br />

Mon 14 Jan, cottesloe<br />

The director, author, broadcaster,<br />

humorist and sculptor talks to Kate<br />

Bassett, author of In Two Minds:<br />

A Biography of Jonathan Miller.<br />

ian kelly<br />

Tue 15 Jan, cottesloe<br />

The actor and historian discusses<br />

Mr Foote’s Other Leg, the riotously<br />

true story of the one-legged<br />

comedian and ‘Oscar Wilde’ of the<br />

Ge<strong>org</strong>ian stage, Samuel Foote.<br />

steven Berkoff<br />

Tue 22 Jan, cottesloe<br />

The actor, director, writer and<br />

playwright talks to Geoffrey Colman<br />

about a new collection of his one-act<br />

plays – sharply written, shocking<br />

and endlessly surprising.<br />

Andy de la Tour<br />

Tue 5 Feb, cottesloe<br />

In his book Stand-up or Die, the<br />

actor currently appearing in People<br />

takes us on a journey into the<br />

gritty underground New York<br />

comedy circuit. He discusses the<br />

experience with Miles Jupp.<br />

Marianne elliott and<br />

simon stephens on Port<br />

Thu 7 Feb, lyttelton<br />

The director and playwright<br />

talk to Rachel Cooke about the<br />

new production.<br />

Benedict Nightingale<br />

Fri 8 Feb, cottesloe<br />

The former Times theatre critic<br />

is joined by Michael Billington to<br />

discuss Great Moments in Theatre,<br />

his entertaining tour through<br />

theatrical openings from Oedipus<br />

Rex to Jerusalem, including Plenty<br />

and Arcadia at the NT.<br />

Adrian Noble on<br />

The Captain of Köpenick<br />

Tue 5 Mar, Olivier<br />

The director talks about his<br />

production.<br />

James Graham and Jeremy Herrin<br />

on This House<br />

Tue 19 Mar, Olivier<br />

The writer and director discuss<br />

the production with Christopher<br />

Campbell as it transfers from the<br />

Cottesloe.<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/platforms<br />

in conversation with...<br />

3pm (1hr), £5/£4<br />

Afternoon interviews with members<br />

of the company, talking to Al Senter<br />

about their current role and career,<br />

and answering your questions.<br />

Fiona shaw<br />

Wed 14 Nov,<br />

lyttelton<br />

Billie Piper<br />

Mon 7 Jan,<br />

cottesloe<br />

Download free podcasts and videos<br />

of selected Platforms from the<br />

National Theatre in iTunes<br />

15


16<br />

One<br />

Man,<br />

Two<br />

Guvnors<br />

A new play by richard Bean<br />

based on The Servant of Two Masters<br />

by Carlo Goldoni, with songs by Grant Olding<br />

A FIFTY-sTAr hIT!<br />

�����<br />

Daily Telegraph<br />

�����<br />

Evening Standard<br />

�����<br />

Guardian<br />

�����<br />

Heat<br />

�����<br />

Independent<br />

�����<br />

Independent on Sunday<br />

�����<br />

Mail on Sunday<br />

�����<br />

Sunday Express<br />

�����<br />

Sunday Times<br />

�����<br />

The Sun<br />

Theatre royal Haymarket<br />

Haymarket, sW1<br />

Now booking until August 2013<br />

richard Bean’s award-winning play<br />

is a glorious celebration of British<br />

comedy: a unique, laugh-out-loud<br />

mix of satire, songs, slapstick and<br />

glittering one-liners.<br />

captioned performance<br />

Sat 8 Dec at 2.30pm<br />

Audio-Described performance<br />

Sat 13 Apr at 2.30pm (Touch Tour<br />

at 12.45pm)<br />

Presented by the National Theatre by arrangement<br />

with the Theatre Royal Haymarket Company<br />

The National Theatre’s Airline Partner<br />

Uk Tour<br />

13 – 17 Nov<br />

Glasgow Theatre<br />

royal<br />

20 – 24 Nov<br />

Belfast Grand<br />

Opera<br />

27 Nov – 1 Dec<br />

Blackpool Grand<br />

4 – 8 Dec<br />

Norwich<br />

Theatre royal<br />

11 – 15 Dec<br />

leeds Grand<br />

2 – 5 Jan 2013<br />

venue cymru,<br />

llandudno<br />

8 – 19 Jan<br />

The lowry,<br />

salford<br />

22 – 26 Jan<br />

Wales Millennium,<br />

cardiff<br />

29 Jan – 2 Feb<br />

Nottingham<br />

Theatre royal<br />

see onemantwoguvnors.com<br />

for casting and booking details.<br />

photos by Hugo Glendinning


War<br />

Horse<br />

based on a novel by Michael Morpurgo<br />

adapted by Nick stafford<br />

in association with<br />

Handspring Puppet company<br />

�����<br />

Daily Express, Daily Telegraph,<br />

Mail on Sunday, Sunday Times,<br />

Sunday Express, The Times<br />

‘Genius isn’t too strong<br />

a word to describe this<br />

astonishing production.’<br />

Daily Telegraph<br />

‘A landmark<br />

theatre event.’<br />

Time Magazine<br />

New london Theatre<br />

Drury lane, Wc2<br />

Now booking throughout 2013<br />

set at the dawn of World War i,<br />

War Horse tells the powerful and<br />

uplifting story of young Albert,<br />

his beloved horse Joey, and the<br />

unimaginable obstacles they<br />

overcome both individually and<br />

together. At the heart of the show<br />

are life-sized puppets which bring<br />

breathing, galloping, charging<br />

horses to thrilling life on stage.<br />

Filled with stirring music and some<br />

of the most innovative stagecraft of<br />

our time, War Horse is a remarkable<br />

tale of courage, loyalty and<br />

friendship, and an unf<strong>org</strong>ettable<br />

theatrical experience.<br />

Audio-Described performance<br />

Sat 9 Feb at 2.30pm (Touch Tour<br />

at 12.45pm)<br />

captioned performance<br />

Sat 16 Feb at 2.30pm<br />

No booking fee when booking<br />

through the National Theatre.<br />

running time 2hrs 40mins<br />

learn more about War Horse<br />

through workshops, events<br />

and online resources<br />

warhorseonstage.com/learning<br />

Presented by the National Theatre and<br />

National Angels.<br />

The National Theatre’s Airline Partner<br />

Uk and ireland Tour<br />

Theatre royal Plymouth<br />

27 sep – 12 Oct 2013<br />

Birmingham Hippodrome<br />

16 Oct – 10 Nov 2013<br />

The lowry, salford<br />

20 Nov – 18 Jan 2014<br />

edinburgh Festival Theatre<br />

22 Jan – 15 Feb 2014<br />

Mayflower Theatre, southampton<br />

19 Feb – 15 Mar 2014<br />

The Bord Géis energy<br />

Theatre, Dublin<br />

26 Mar – 26 Apr 2014<br />

sunderland empire Theatre<br />

30 Apr – 17 May 2014<br />

Bradford Alhambra<br />

21 May – 14 Jun 2014<br />

Wales Millennium centre, cardiff<br />

18 Jun – 19 Jul 2014<br />

see warhorseonstage.com<br />

for casting and booking details.<br />

17


The Curious<br />

Incident of<br />

Dog the<br />

inthe Night-Time<br />

based on the novel by Mark Haddon<br />

adapted by Simon Stephens<br />

Apollo Theatre<br />

shaftesbury Avenue, W1<br />

From March 2013<br />

photo (L<strong>uk</strong>e Treadaway) by Marunel Harlan


Following a sell-out run in the cottesloe<br />

and a record-breaking NT live<br />

broadcast, the smash-hit production<br />

transfers to the Apollo Theatre in the<br />

West end from March 2013.<br />

Priority booking for NT Members.<br />

Public booking opens 23 November.<br />

christopher, fifteen years old, stands beside<br />

Mrs shears’ dead dog. it has been speared with<br />

a garden fork, it is seven minutes after midnight and<br />

christopher is under suspicion. He records each fact<br />

in the book he is writing to solve the mystery of who<br />

murdered Wellington.<br />

christopher has an extraordinary brain, exceptional at<br />

maths while ill-equipped to interpret everyday life. He<br />

has never ventured alone beyond the end of his road,<br />

he detests being touched and he distrusts strangers.<br />

But his detective work, forbidden by his father, takes<br />

christopher on a frightening journey that upturns<br />

his world.<br />

Mark Haddon’s best-selling novel is the winner of<br />

seventeen literary prizes, including the prestigious<br />

Whitbread Award.<br />

No booking fee when booking<br />

through the National Theatre<br />

running time 2hrs 40mins<br />

suitable for 13yrs+<br />

Original production sponsored by the National Theatre’s<br />

Cottesloe Partner, Neptune Investment Management<br />

‘Brilliant, deep and funny. remarkable.’<br />

The Times<br />

‘True to the original novel, simon stephens’<br />

version drips with ideas.’<br />

evening standard<br />

‘Marianne elliott directs with all the flair that she<br />

displayed as co-director of War Horse.’<br />

Daily Telegraph<br />

‘riveting, emotional, intensely theatrical<br />

re-imagining. Nothing short of a triumph.’<br />

variety<br />

19


Podcasts National Theatre Membership<br />

The perfect gift for theatre-lovers<br />

Discover free podcasts about productions and events at the<br />

National Theatre, or delve into the archive and explore our National<br />

treasures. Watch or listen on your iPod, iPhone, iPad, MP3 player,<br />

Mac or Pc – podcasts are available to download on the National<br />

Theatre website or in iTunes. <strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/podcasts<br />

20<br />

subscribe to the National Theatre audio podcast to<br />

receive a weekly episode from the Theatre. currently<br />

available are interviews with Marianne elliott,<br />

Philip Pullman, Arthur Miller, James corden, Peter Hall,<br />

lenny Henry, Julie Walters and many other great artists.<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/ntpodcast<br />

A National Theatre membership opens up a world of opportunity –<br />

from accessing groundbreaking new theatre to fascinating talks and<br />

discussions. it makes a thoughtful and creative present for christmas<br />

or any special occasion.<br />

Your gift membership purchase will directly support our work<br />

on-stage as well as behind-the-scenes and will allow the recipient<br />

to enjoy priority booking and invitations to unique events throughout<br />

the year. it is a gift that will inspire, challenge and entertain.<br />

For more information please visit<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/giftmembership<br />

or contact support@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong> / <strong>020</strong> <strong>7452</strong> 3220<br />

photo by Johan Persson


photo by Ludovic des Cognets<br />

Best of British<br />

theatre broadcast<br />

to a cinema<br />

near you<br />

experienced by over a million people in more<br />

than 20 countries, National Theatre live<br />

broadcasts plays live from the london stage<br />

to 500 cinemas across the Uk and around<br />

the world.<br />

The Magistrate<br />

by Arthur Wing Pinero<br />

Broadcast live 17 January*<br />

People<br />

a new play by Alan Bennett<br />

Broadcast live 21 March*<br />

This House<br />

a new play by James Graham<br />

Broadcast live 16 May*<br />

*varying dates internationally.<br />

repeat screenings in selected venues.<br />

For more information and to book tickets visit<br />

ntlive.com<br />

Proudly supported by<br />

21


learning at<br />

the National Theatre<br />

For secondary schools<br />

& colleges<br />

student Workshops Active<br />

sessions, giving students an insight<br />

into acting, directing, design and<br />

producing at the NT. Dates on<br />

request. KS3+.<br />

Pre-show Q&A Meet a member of<br />

the creative team and find out how<br />

the director, designer and actors<br />

have realised the play. 30 minutes,<br />

pre-show. Dates on request. KS3+.<br />

NT revealed Events for<br />

students. From on-stage lecture<br />

demonstrations with NT practitioners<br />

to hands-on sessions giving a taste<br />

of what it means to work backstage.<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/secondary<br />

22<br />

For Teachers<br />

cPD Our programme of professional<br />

development courses for teachers<br />

explores different aspects of<br />

teaching drama and making<br />

theatre in school.<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/teachers<br />

For Primary schools<br />

Primary Theatre:<br />

Romeo and Juliet<br />

Adapted and directed by NT<br />

Associate Directors Ben Power<br />

and Bijan Sheibani, the production<br />

will tour London schools in the<br />

summer term, supported by an<br />

extensive education programme.<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/primary<br />

Digital classroom<br />

iTunes U for students<br />

Download or watch hundreds of<br />

free videos, podcasts, interviews,<br />

readings and background packs<br />

about making theatre.<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/itunesu<br />

Playwriting course<br />

Leading playwrights<br />

guide you through<br />

the process of writing<br />

a play, highlighting<br />

the key elements<br />

of a well-written play<br />

in this free course.<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/playwriting<br />

interactive whiteboard resources<br />

Interactive whiteboard resources<br />

Cullen<br />

Lucy Annand,<br />

for use in the classroom, designed<br />

Simon<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/learning photos<br />

by teachers for teachers.<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/iwr<br />

Online video<br />

On the National Theatre website<br />

you’ll find a substantial online<br />

video library of short films about<br />

productions, as well as backstage<br />

films about the varied and specialist<br />

skills that go into making a piece<br />

of theatre.<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/video<br />

YouTube<br />

The youtube/ntdiscovertheatre<br />

channel has a learning imperative<br />

and contains hundreds of videos<br />

about making theatre that are<br />

embeddable in VLEs such as Fronta<br />

and we hope they will prove useful<br />

to students and teachers of English<br />

and Drama.


National Theatre<br />

Bookshop<br />

shop NT for great christmas gifts.<br />

The National Theatre Bookshop is bursting with<br />

beautiful products, books and publications from<br />

around the world – perfect presents for everyone.<br />

We have ceramics and glassware from New Yorkers<br />

Fishs eddy, cheeky upcycled china from london’s Melody rose<br />

and g<strong>org</strong>eous hand-made stationery from le Typographe<br />

in Brussels.<br />

celebrated designer sarah campbell has created a limited-edition<br />

scarf exclusively for the NT, and we’ve designed a striking range<br />

of jewellery based on the NT’s architecture.<br />

There’s also an inspiring selection of books and plays,<br />

all perfect for gifts.<br />

come in and browse, or order online.<br />

Every purchase supports the National’s work<br />

and helps us achieve our vision.<br />

Opening times<br />

Mon to sat, 9.30am – 10.45pm<br />

sun, 12pm – 6pm<br />

(on performance days)<br />

<strong>020</strong> <strong>7452</strong> 3456<br />

bookshop@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />

<strong>nationaltheatre</strong>bookshop<br />

ntbookshop <strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/bookshop<br />

23


More from the National Theatre<br />

Dazzle<br />

Olivier exhibition space<br />

5 November – 6 January, Free<br />

Dazzle returns for the annual<br />

Christmas selling exhibition of<br />

jewellery, silversmithing and<br />

printmaking. The largest show of its<br />

kind in Europe, Dazzle is remarkable<br />

for the variety of materials on show<br />

beyond the usual precious metals<br />

and stones. This year, they include<br />

wood, paper, plastics and even<br />

Whitby jet – Jacqueline Cullen is<br />

the world’s leading exponent of this<br />

material. Heather Woof has a totally<br />

new take on the refractory metal<br />

titanium that is causing a sensation<br />

among jewellery collectors. Demi<br />

Wolfe-Power uses taxidermy skills<br />

with many of her pieces and Grace<br />

Girvan is well known for scouring<br />

24<br />

Scottish beaches for the constituent<br />

parts of her work. Dazzle has<br />

been drawing collectors, artists<br />

and members of the public to the<br />

National every Christmas since<br />

1981. The balance of the new and<br />

innovative with more traditional<br />

techniques makes the exhibition<br />

a must-see for lovers of designer<br />

jewellery. All items are for sale.<br />

lovedazzle.com<br />

Take a view –<br />

landscape Photographer<br />

of the Year 2012<br />

lyttelton exhibition space<br />

12 November – 12 January, Free<br />

Over 100 stunning photographs<br />

of some of the most beautiful<br />

landscapes in the UK will be on<br />

display, from entries to this popular<br />

annual competition, now in its<br />

sixth year. A full-colour book will<br />

also be available for sale in the NT<br />

Bookshop. This year’s Awards are<br />

held in association with Network<br />

Rail, with the exhibition sponsored<br />

by Epson UK.<br />

seeing landscape – Photographer<br />

and Awards founder, Charlie Waite, will<br />

be giving talks on his own personal<br />

approach to photography plus guided<br />

tours of the exhibition. Dates to be<br />

announced, please check NT website<br />

for details.<br />

echoes of a vanished<br />

World: A lifetime in<br />

Pictures, by robin<br />

Hanbury-Tenison<br />

Olivier exhibition space<br />

14 January – 10 March, Free<br />

Robin Hanbury-Tenison, the<br />

‘greatest explorer of the last twenty<br />

years’ (Sunday Times) is also<br />

one of the founders of Survival<br />

International. As such, he has been<br />

a tireless champion of the rights of<br />

indigenous peoples and, in the early<br />

years of his travels, an obsessive<br />

photographer of their homelands<br />

as they were eroded by the<br />

modern world.<br />

photos David Webb, Burma 1958 (Robin Hanbury-Tenison)


photos Clare Nicholson, Johan Persson, Oliver Prout<br />

Backstage Tours<br />

‘Fascinating and informative.’<br />

Time Out<br />

A brilliant insight into behind-the-<br />

scenes at the NT. Tours run up to<br />

six times daily and are a great way<br />

to visit unseen parts of the building.<br />

Tickets: £8.50/£7.50 concessions<br />

Approx 75mins.<br />

To book call <strong>020</strong> <strong>7452</strong> 3400.<br />

costume Tours<br />

selected saturdays, 10am, £12.50<br />

See the craft and skill of the NT’s<br />

costume team including the cutting<br />

room, dye shop and wig room.<br />

Approx 2hrs. Please call<br />

<strong>020</strong> <strong>7452</strong> 3400 for more information.<br />

Free live Music<br />

The best in jazz, folk and world music<br />

in the main foyer, before evening<br />

performances and weekend matinees.<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/music<br />

costume and Prop Hire<br />

Thousands of costumes, furniture<br />

and props from past NT productions.<br />

Beautifully crafted and historically<br />

accurate, the collection is available<br />

to hire for professional theatre and<br />

film, amateur groups, and even<br />

fancy dress. <strong>020</strong> 7735 4774.<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/hire<br />

Gift vouchers<br />

The perfect gift for theatre-lovers,<br />

vouchers can be used to buy tickets<br />

for any National Theatre production.<br />

Vouchers are sent in a gift pack<br />

either to you or the recipient.<br />

To purchase call <strong>020</strong> <strong>7452</strong> <strong>3000</strong>.<br />

NT Membership<br />

Great benefits and access<br />

to tickets<br />

Advance Member £15<br />

• Advance booking ahead of the<br />

general public<br />

advance@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />

Priority Member from £65<br />

• Extended priority booking ahead<br />

of Advance Members<br />

• 50% discount on Platform tickets<br />

priority@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />

supporting cast Member<br />

from £500<br />

• First priority booking and hotline<br />

to the Box Office<br />

• Use of the NT Members’ bar<br />

support@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />

corporate Member from £10,000<br />

• Access to the NT hospitality areas<br />

• Free tickets, dedicated account<br />

management and priority booking<br />

hgriffith@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />

Aged 16 – 25?<br />

Join entry Pass Free online<br />

and get access to exclusive<br />

workshops and events, £5 tickets<br />

for all NT productions and regular<br />

updates including our online<br />

season brochure.<br />

Through Entry Pass you’ll have the<br />

chance to learn more about the<br />

theatre and work with professionals<br />

at the NT. Members also get<br />

discounts at the Bookshop, cafés,<br />

on Backstage Tours and on<br />

Costume and Prop Hire.<br />

For details of how to join visit<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/entrypass<br />

25


Getting to the National Theatre<br />

south Bank, london se1 9Px<br />

cOveNT<br />

GArDeN<br />

eMBANkMeNT<br />

TeMPle<br />

WATerlOO<br />

sOUTHWArk<br />

Building opening hours<br />

Mon – sat: 9.30am – 11pm;<br />

sun: 12 – 6pm (on performance days).<br />

Getting here<br />

rail Waterloo, Waterloo East or walk<br />

over the river from Charing Cross.<br />

Underground Waterloo, Southwark or<br />

walk over the river from Embankment.<br />

Bus 1, 4, 26, 59, 68, 76, 77, 139, 168,<br />

171, 172, 176, 188, 211, 243, 341, 381,<br />

507, 521, X68, Riverside Bus (RV1).<br />

coach There are no coach drop-off<br />

spaces behind the National. Coaches<br />

can drop off on Upper Ground and there<br />

are parking spaces on the up ramp to<br />

Waterloo Bridge.<br />

Bicycles There are three racks around<br />

the building with space for 50 bicycles.<br />

Barclays Cycle Hire docking stations<br />

nearby tfl.gov.<strong>uk</strong>/barclayscyclehire<br />

car Park The car park entrance ramp has<br />

been permanently relocated to Theatre<br />

Avenue (the road between the National<br />

Theatre and the British Film Institute).<br />

Until all the works are completed,<br />

temporary signage will be used to make<br />

the new entrance as clear as possible.<br />

Please note that the exit ramp will remain<br />

in its original location. Car spaces in the<br />

NT car park are £8 after 5pm or if you<br />

attend a daytime ticketed event and leave<br />

before 7pm. Combined matinee/evening<br />

show rate: £14. Sunday/public holidays:<br />

£8 all day. Free parking for blue badge<br />

holders – validate at the Information<br />

Desk.<br />

Access<br />

Audio-Described performances<br />

and touch tours for blind and visually<br />

impaired people. We also offer access<br />

guides and programme information in<br />

large print and CD formats, and cast lists<br />

in large print.<br />

captioned performances for people<br />

who are deaf or hard of hearing.<br />

relaxed performances are aimed at<br />

anyone who would benefit from a more<br />

relaxed performance environment<br />

including people with an Autistic<br />

Spectrum Condition, sensory or<br />

communication disorders, or a<br />

learning disability. Call <strong>020</strong> <strong>7452</strong> 3961.<br />

infra red audio system is available in<br />

all theatres for every performance. Free<br />

headsets and neck loops, available from<br />

the information desk, are essential.<br />

Booking Access Tickets<br />

by phone <strong>020</strong> <strong>7452</strong> <strong>3000</strong> or email<br />

boxoffice@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />

Access information<br />

by phone <strong>020</strong> <strong>7452</strong> 3400 or email<br />

access@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/access<br />

silver winner, enjoy england<br />

Awards for excellence 2009 –<br />

Access for All Tourism<br />

P Wc<br />

Large-print, CD and braille versions of this rep brochure are available on request from access@<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />

Programme details are published in good faith, but changes may occasionally be necessary. Registered Charity No. 224223<br />

26<br />

T


photos by Ludovic Des Cognets, Alexandra Simms, Mark Simpson, Jamie Bott<br />

Food and Drink<br />

restaurants<br />

Relaxed dining in our cosy lounge,<br />

overlooking the South Bank.<br />

A delicious range of small sharing<br />

plates, seasonal cocktails and<br />

locally sourced drinks.<br />

Mezzanine<br />

Modern European dining with a<br />

regularly changing seasonal menu,<br />

perfect for pre and post theatre<br />

dining. Why not join us for a<br />

celebratory festive meal?<br />

Restaurant reservations:<br />

<strong>020</strong> <strong>7452</strong> 3600<br />

restaurantreservations@<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong><br />

The National runs its own catering;<br />

every purchase benefits the NT’s work.<br />

cafés<br />

Hot dishes, seasonal salads<br />

and sandwiches prepared daily<br />

in our kitchens. Wine, juices and<br />

Fairtrade hot drinks.<br />

Self service café<br />

positioned between<br />

Olivier Stalls and<br />

Circle.<br />

Enjoy a main meal and a glass of<br />

wine for £10 from either of our cafés.<br />

something to drink<br />

Hymn & Cocktail Sticks sunday double bills<br />

Available to book in advance:<br />

lunch in the Mezzanine Two courses and a glass<br />

of wine before the performances for £25.<br />

Afternoon tea available between shows for £9.<br />

champagne afternoon tea Enjoy after the<br />

performances for £20. See website or call for details.<br />

NationalTheatre<br />

espressoBar<br />

Organic, Fairtrade espresso-based<br />

coffees created by our skilled<br />

baristas. Freshly baked cakes<br />

and snacks – open from<br />

breakfast onwards.<br />

Theatre Bars<br />

All three theatres have dedicated<br />

bars – perfect for a drink before<br />

the show. Beat the queues and<br />

pre-order interval drinks and<br />

sandwiches from any of our bars.<br />

Champagne Partner<br />

The Deck is the NT’s beautiful<br />

roof-top events space which<br />

is licensed for civil ceremonies<br />

and partnerships for up to<br />

100 guests.<br />

After your ceremony, drinks and<br />

canapés can be served on The<br />

Deck’s outdoor terrace with<br />

the stunning panoramic view<br />

providing a perfect backdrop<br />

for photographs.<br />

‘everything, and i mean everything<br />

at The Deck was perfect... The day<br />

couldn’t have been any better and<br />

we shall cherish it for the rest of<br />

our lives.’<br />

Amy and Tim – 2011<br />

contact us to arrange a private<br />

viewing on <strong>020</strong> <strong>7452</strong> 3931<br />

TheDecklondon<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/thedeck<br />

27


A A<br />

A A<br />

B B<br />

28<br />

D<br />

D Olivier D<br />

£12 £22 £32<br />

Olivier<br />

£12 £26 £38 £47<br />

Lyttelton<br />

£12 £16 £24<br />

stage stage<br />

stage<br />

stage<br />

stage<br />

Travelex £12 Tickets<br />

Damned by Despair<br />

The Magistrate<br />

The Captain of Köpenick<br />

Previews 1 & 2<br />

£12 £20 £25 £25<br />

Olivier Theatre<br />

Open stage with seating for 1,110 people. First three rows in the<br />

Front Stalls have no arm-rests, are slightly narrower, and for some<br />

shows may offer a partially-restricted view.<br />

Cottesloe<br />

The seating plan changes<br />

for Cottesloe productions<br />

All remaining Previews<br />

£12 £24 £30 £30<br />

This House<br />

Seating plan to be confirmed<br />

cottesloe Theatre<br />

Studio theatre on three levels with<br />

flexible staging and seating for up to<br />

300. For some shows certain seats<br />

have a partially-restricted or restricted<br />

view – ticket prices reflect this.<br />

Lyttelton<br />

£12 £24 £34<br />

Port<br />

Previews 1 & 2<br />

£12 £20 £24<br />

All remaining Previews<br />

£12 £22 £28<br />

The Animals<br />

and Children<br />

Took to the Streets<br />

Half-price tickets<br />

for under-18yrs<br />

on top price<br />

lyttelton Theatre<br />

Proscenium stage with seating for 890 people. First four<br />

rows in the Front Stalls have no arm-rests, are slightly<br />

narrower and on a flat floor (not raked); for some shows<br />

they may offer a partially-restricted view.<br />

£12 £20 £32<br />

The Effect<br />

This House<br />

£12 £16 £24<br />

Hansel and Gretel<br />

All tickets £12 for<br />

under-18yrs<br />

All Previews £12 £14 £20<br />

Lyttelton<br />

£12 £26 £31 £38 £47<br />

People<br />

Scenes from<br />

an Execution<br />

Hymn £15<br />

Cocktail Sticks £25<br />

Sunday double bills £36


Ticketing information<br />

for productions at the National Theatre<br />

Box Office<br />

Monday – saturday: 9.30am – 8pm;<br />

sunday: in person 12pm – 6pm,<br />

by phone 12pm – 3pm<br />

on performance days<br />

<strong>020</strong> <strong>7452</strong> <strong>3000</strong><br />

Bank Holiday Opening Hours<br />

See inside front cover of this brochure.<br />

Discounts and concessions<br />

Day Tickets<br />

A limited number of £12 seats are<br />

available in person on the day of the<br />

performance – see above for opening<br />

hours. The location of seats varies.<br />

entry Pass<br />

Aged 16 – 25? Join Entry Pass online<br />

for FREE and access £5 tickets for<br />

all shows at the National.<br />

Find out more at<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/entrypass<br />

Under-18yrs half price<br />

for Monday – Friday evenings and all<br />

matinees. £12 for Hansel and Gretel.<br />

The half-price discount excludes<br />

Travelex productions and any tickets<br />

under £24.<br />

All discounts are at the discretion<br />

of the Box Office.<br />

senior citizens<br />

For midweek matinees, save £20 on<br />

£47 and £38 tickets in the Lyttelton<br />

and Olivier, and £10 on top price<br />

tickets for Port, The Effect and<br />

Travelex productions.<br />

Disabled People<br />

£15 tickets plus one companion<br />

at the same price (£12 for Travelex<br />

productions) are available for<br />

members of the NT’s Access List.<br />

To join for FREE call the Box Office<br />

or visit <strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/<br />

accesslist<br />

Groups<br />

Discounts for The Captain of<br />

Köpenick, People, Scenes from<br />

an Execution and The Magistrate –<br />

call <strong>020</strong> <strong>7452</strong> 3010.<br />

8 – 11 people: £2 off top two prices<br />

12 – 19 people: £4 off top two prices<br />

20+ people: £6 off top two prices plus<br />

one free ticket for the group <strong>org</strong>aniser.<br />

Excludes Previews.<br />

school and college Groups<br />

Call <strong>020</strong> <strong>7452</strong> 3010.<br />

Under-19yrs: £12 tickets for 10+<br />

people<br />

19 – 25yrs: £15 tickets for 10+ people.<br />

Excludes Saturday evenings and<br />

Travelex productions.<br />

standby (subject to availability)<br />

Available 90 minutes before the<br />

performance.<br />

People, Scenes from an Execution:<br />

£15 off top three prices.<br />

The Magistrate, The Captain of<br />

Köpenick: £15 off top two prices.<br />

Travelex productions and<br />

Hansel and Gretel: £5 off top price.<br />

Port and The Effect: £5 off top two<br />

prices. During Previews all standby<br />

tickets are £20.<br />

Reduced Standby: £10 from 45mins<br />

before the performance for Students,<br />

Stage Pass, SOLT, NCA, theatre<br />

unions and unemployed. Bring ID.<br />

standing<br />

£5 tickets available after all seats<br />

have been sold.<br />

Ticket exchange<br />

There are no refunds on tickets,<br />

but you can exchange them for<br />

a later performance or for credit.<br />

Terms and conditions and a small<br />

administration fee apply: call the<br />

Box Office for details.<br />

American express ®<br />

Cardmembers have exciting ticket<br />

benefits for National Theatre shows.<br />

For details visit<br />

<strong>nationaltheatre</strong>.<strong>org</strong>.<strong>uk</strong>/amex<br />

£12 Tickets<br />

To ensure as many people as<br />

possible can enjoy seats at our<br />

lowest price range, £12 tickets for<br />

Olivier and Lyttelton productions<br />

(that are not part of the Travelex<br />

season) will now be limited to<br />

2 per customer, per production.<br />

(You may buy an additional two £12<br />

tickets for under-18yrs.)<br />

For your safety and comfort<br />

Strobe lighting, smoke effects and<br />

gunshots are sometimes used in<br />

productions; details are available<br />

from the Information Desk after the<br />

first preview. Latecomers may not<br />

be admitted until a suitable break in<br />

the performance. Children under four<br />

are welcome in the foyers, however<br />

they cannot be admitted to the<br />

auditoriums. If parents or guardians<br />

would like guidance on the content<br />

and suitability of individual NT plays,<br />

please call the Information Desk<br />

on <strong>020</strong> <strong>7452</strong> 3400.<br />

Please leave coats and any bulky<br />

items such as bags and briefcases<br />

in the free cloakrooms.<br />

Preferred Card Partner<br />

29


calendar<br />

Nov<br />

Dec<br />

keY<br />

30<br />

Olivier lyttelton cottesloe<br />

Mon 12 6.00 PLATFORM Tom Cairns<br />

7.30 Scenes from an Execution 7.30 The Effect P SOLD OUT<br />

Tue 13 6.00 PLATFORM Howard Barker<br />

7.30 Scenes from an Execution 7.00 The Effect PRESS SOLD OUT<br />

Wed 14 3.00 IN CONVERSATION Fiona Shaw<br />

6.00 PLATFORM Life Saving<br />

7.30 The Magistrate P1 7.30 Scenes from an Execution 7.30 The Effect SOLD OUT<br />

Thu 15 7.30 The Magistrate P2 2.15 + 7.30 CAP Scenes from an Execution 2.30 + 7.30 The Effect SOLD OUT<br />

Fri 16 7.30 The Magistrate P 7.45 People SOLD OUT 7.30 This House SOLD OUT<br />

sat 17 7.30 The Magistrate P 2.00 + 7.45 People SOLD OUT 2.30 AUDIO + 7.30 This House SOLD OUT<br />

sun 18 BUilDiNG clOseD<br />

Mon 19 6.00 PLATFORM Phil Redmond<br />

7.30 The Magistrate P 7.45 People SOLD OUT 7.30 This House AUDIO SOLD OUT<br />

Tue 20 6.00 PLATFORM Edna O’Brien<br />

7.30 The Magistrate P 7.45 People SOLD OUT 7.30 This House SOLD OUT<br />

Wed 21 6.00 PLATFORM Alan Bennett SOLD OUT<br />

7.00 The Magistrate PRESS 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />

Thu 22 2.00 The Magistrate 6.00 Hymn 2.30 The Effect SOLD OUT<br />

7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />

Fri 23 6.00 PLATFORM Goold & Prebble<br />

7.30 Damned by Despair 7.30 Scenes from an Execution 7.30 The Effect SOLD OUT<br />

sat 24 2.00 + 7.30 Damned by Despair 2.15 + 7.30 Scenes from an Execution 2.30 + 7.30 The Effect SOLD OUT<br />

sun 25 BUilDiNG clOseD<br />

Mon 26 7.30 Damned by Despair CAP 7.45 People SOLD OUT 7.30 This House SOLD OUT<br />

Tue 27 6.00 Hymn 6.00 PLATFORM Ray Cooney<br />

7.30 Damned by Despair 7.45 People SOLD OUT 7.30 This House CAP SOLD OUT<br />

Wed 28 6.00 Hymn 6.00 PLATFORM The Political Diary<br />

7.30 Damned by Despair 7.45 People SOLD OUT 7.30 This House SOLD OUT<br />

Thu 29 2.00 + 7.30 Damned by Despair 2.00 + 7.45 People SOLD OUT 2.30 + 7.30 This House SOLD OUT<br />

Fri 30 7.30 The Magistrate 7.30 Scenes from an Execution AUDIO 7.30 This House SOLD OUT<br />

sat 1 2.00 + 7.30 The Magistrate 2.15 AUDIO + 7.30 Scenes from an Execution 2.30 + 7.30 This House SOLD OUT<br />

sun 2 2.30 The Magistrate 3.00 Scenes from an Execution CAP<br />

PlATFOrM/<br />

iN cONversATiON<br />

(see pages 14 – 15).<br />

P Preview<br />

performance<br />

Press Press night<br />

lAsT Last performance<br />

AUDiO<br />

Audio-Described<br />

performance for blind and<br />

visually impaired people.<br />

cAP<br />

STAGETEXT® Captioned<br />

performance for Deaf and<br />

hard of hearing people.<br />

An infra red audio system<br />

is available in all theatres.<br />

Free headsets and neck loops,<br />

available from the Information<br />

Desk, are essential.


Dec<br />

Olivier lyttelton cottesloe<br />

Mon 3 5.45 PLATFORM Private Eye<br />

7.30 The Magistrate 7.45 People SOLD OUT<br />

Tue 4 7.30 Damned by Despair 7.45 People SOLD OUT<br />

Wed 5 6.00 PLATFORM Michael Morpurgo 6.00 Cocktail Sticks<br />

7.30 Damned by Despair 7.45 People SOLD OUT<br />

Thu 6 2.00 + 7.30 Damned by Despair 2.00 + 7.45 People SOLD OUT<br />

Fri 7 7.30 The Magistrate 7.30 Scenes from an Execution 6.00 Hansel and Gretel P1<br />

sat 8 2.00 + 7.30 The Magistrate 2.15 + 7.30 Scenes from an Execution 6.00 Hansel and Gretel P2<br />

sun 9 2.30 The Magistrate 3.00 Scenes from an Execution LAST<br />

Mon 10 6.00 PLATFORM John Lithgow<br />

7.30 The Magistrate 1.30 Hansel and Gretel P<br />

Tue 11 7.30 The Magistrate 6.00 Hansel and Gretel P<br />

Wed 12 7.30 Damned by Despair 7.30 The Animals and Children 6.00 Hansel and Gretel P<br />

Thu 13 2.00 + 7.30 Damned by Despair 3.00 + 7.30 The Animals and Children 1.30 PRESS + 6.00 Hansel and Gretel<br />

Fri 14 7.30 Damned by Despair 7.45 People SOLD OUT 6.00 Hansel and Gretel<br />

sat 15 2.00 AUDIO Damned by Despair 2.00 People SOLD OUT 1.30 Hansel and Gretel<br />

6.00 Cocktail Sticks<br />

7.30 Damned by Despair 7.45 People SOLD OUT 6.00 Hansel and Gretel<br />

sun 16 2.30 Damned by Despair CAP 2.15 Hymn<br />

3.30 Cocktail Sticks<br />

Mon 17 6.00 PLATFORM Theatre Quiz<br />

7.30 Damned by Despair LAST 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />

Tue 18 6.00 Hymn<br />

7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />

Wed 19 6.00 Cocktail Sticks<br />

7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />

Thu 20 2.30 The Magistrate 2.00 People SOLD OUT 2.30 The Effect SOLD OUT<br />

6.00 Cocktail Sticks<br />

7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />

Fri 21 7.30 The Magistrate 7.30 The Animals and Children 7.00 Hansel and Gretel<br />

sat 22 2.00 + 7.30 The Magistrate 3.00 + 7.30 The Animals and Children 3.00 + 7.00 Hansel and Gretel<br />

sun 23 BUilDiNG clOseD<br />

Mon 24 BUilDiNG clOseD<br />

Tue 25 BUilDiNG clOseD<br />

Wed 26 7.30 The Magistrate 7.30 The Animals and Children 7.00 Hansel and Gretel<br />

Thu 27 2.00 + 7.30 The Magistrate 3.00 + 7.30 The Animals and Children 3.00 + 7.00 Hansel and Gretel<br />

Fri 28 7.30 The Magistrate 7.45 People SOLD OUT 3.00 + 7.00 Hansel and Gretel<br />

sat 29 2.00 + 7.30 The Magistrate 2.00 + 7.45 People SOLD OUT 3.00 + 7.00 Hansel and Gretel<br />

sun 30 BUilDiNG clOseD<br />

31


calendar<br />

Dec<br />

Jan<br />

keY<br />

32<br />

Olivier lyttelton cottesloe<br />

Mon 31 2.00 The Magistrate 2.00 People SOLD OUT 3.00 Hansel and Gretel<br />

Tue 1 7.30 The Magistrate 7.45 People SOLD OUT 7.00 Hansel and Gretel<br />

Wed 2 6.00 PLATFORM Philip Pullman 3.00 Hansel and Gretel<br />

7.30 The Magistrate 7.30 The Animals and Children 7.00 Hansel and Gretel<br />

Thu 3 2.00 + 7.30 The Magistrate 3.00 + 7.30 The Animals and Children 3.00 + 7.00 Hansel and Gretel<br />

Fri 4 6.00 PLATFORM Timothy Sheader 6.00 Cocktail Sticks<br />

7.30 The Magistrate AUDIO 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />

sat 5 2.00 AUDIO + 7.30 The Magistrate 2.00 + 7.45 People SOLD OUT 2.30 + 7.30 The Effect SOLD OUT<br />

sun 6 3.00 People SOLD OUT<br />

Mon 7 3.00 IN CONVERSATION Billie Piper<br />

6.00 Cocktail Sticks 6.00 PLATFORM Mark Rylance SOLD OUT<br />

7.30 The Magistrate 7.45 People CAP SOLD OUT 7.30 The Effect SOLD OUT<br />

Tue 8 6.00 Hymn 6.00 Hansel and Gretel<br />

7.30 The Magistrate 7.45 People SOLD OUT<br />

Wed 9 7.30 The Magistrate 7.30 The Animals and Children 6.00 Hansel and Gretel<br />

Thu 10 7.30 The Magistrate CAP 3.00 + 7.30 The Animals and Children LAST 1.30 + 6.00 Hansel and Gretel<br />

Fri 11 6.00 PLATFORM Jocelyn Herbert Lecture<br />

7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />

sat 12 2.00 The Magistrate 2.00 People AUDIO SOLD OUT 2.30 The Effect SOLD OUT<br />

6.00 Cocktail Sticks<br />

7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />

sun 13 2.15 Hymn<br />

3.30 Cocktail Sticks<br />

Mon 14 6.00 Hymn 6.00 PLATFORM Jonathan Miller<br />

7.30 The Magistrate 7.45 People AUDIO SOLD OUT 7.30 The Effect CAP SOLD OUT<br />

Tue 15 6.00 Cocktail Sticks 6.00 PLATFORM Ian Kelly<br />

7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect SOLD OUT<br />

Wed 16 7.30 The Magistrate 6.00 Hansel and Gretel<br />

Thu 17 7.00 The Magistrate NT LIVE 1.30 + 6.00 CAP Hansel and Gretel<br />

Fri 18 7.30 The Magistrate 6.00 Hansel and Gretel<br />

sat 19 2.00 + 7.30 The Magistrate 1.30 RELAXED + 7.00 Hansel and Gretel<br />

sun 20 BUilDiNG clOseD<br />

PlATFOrM/<br />

iN cONversATiON<br />

(see pages 14 – 15).<br />

P Preview<br />

performance<br />

Press Press night<br />

lAsT Last performance<br />

relAxeD For people with an<br />

Autism Spectrum condition,<br />

sensory/communication<br />

disorders or a learning<br />

disability.<br />

AUDiO<br />

Audio-Described<br />

performance for blind and<br />

visually impaired people.<br />

cAP<br />

STAGETEXT® Captioned<br />

performance for Deaf and<br />

hard of hearing people.<br />

An infra red audio system<br />

is available in all theatres .<br />

Free headsets and neck loops,<br />

available from the Information<br />

Desk, are essential.


Olivier lyttelton cottesloe<br />

Jan Mon 21 7.30 The Magistrate 7.30 The Effect SOLD OUT<br />

Tue 22 6.00 PLATFORM Steven Berkoff<br />

7.30 The Magistrate CAP 7.30 Port P1 7.30 The Effect SOLD OUT<br />

Wed 23 7.30 Port P2 2.30 + 7.30 The Effect SOLD OUT<br />

Thu 24 7.30 Port P 6.00 Hansel and Gretel<br />

Fri 25 7.30 Port P 6.00 Hansel and Gretel AUDIO<br />

sat 26 7.30 Port P 1.30 AUDIO + 6.00 Hansel and Gretel LAST<br />

sun 27 BUilDiNG clOseD<br />

Mon 28 7.00 Port PRESS 7.30 The Effect<br />

Tue 29 7.30 The Captain of Köpenick P1 7.30 Port 7.30 The Effect<br />

Wed 30 7.30 The Captain of Köpenick P2 2.15 + 7.30 Port 2.30 + 7.30 The Effect<br />

Feb<br />

Thu 31<br />

Fri 1<br />

7.30 The Captain of Köpenick P<br />

7.30 The Captain of Köpenick P<br />

7.30 Port<br />

7.45 People SOLD OUT<br />

7.30 The Effect<br />

7.30 The Effect AUDIO<br />

sat 2 2.00 People SOLD OUT<br />

6.00 Cocktail Sticks<br />

2.30 The Effect AUDIO<br />

7.30 The Captain of Köpenick P 7.45 People SOLD OUT 7.30 The Effect<br />

sun 3 3.00 People CAP SOLD OUT<br />

Mon 4 6.00 Hymn<br />

7.30 The Captain of Köpenick P 7.45 People CAP SOLD OUT 7.30 The Effect<br />

Tue 5 6.00 PLATFORM Andy de la Tour<br />

7.00 The Captain of Köpenick PRESS 7.30 Port 7.30 The Effect CAP<br />

Wed 6 2.00 + 7.30 The Captain of Köpenick 2.15 + 7.30 Port 2.30 + 7.30 The Effect<br />

Thu 7 6.00 PLATFORM Elliott & Stephens<br />

7.30 The Captain of Köpenick 7.30 Port 7.30 The Effect<br />

Fri 8 6.00 PLATFORM Benedict Nightingale<br />

7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect<br />

sat 9 2.00 The Magistrate 2.00 People SOLD OUT<br />

6.00 Cocktail Sticks<br />

2.30 The Effect<br />

7.30 The Magistrate 7.45 People SOLD OUT 7.30 The Effect<br />

sun 10 2.30 The Magistrate LAST 2.15 Hymn CAP<br />

3.30 Cocktail Sticks CAP<br />

Mon 11 6.00 Hymn<br />

7.45 People 7.30 The Effect<br />

Tue 12 6.00 Cocktail Sticks<br />

7.30 The Captain of Köpenick 7.45 People 7.30 The Effect<br />

Wed 13 2.00 The Captain of Köpenick 2.00 People<br />

6.00 Cocktail Sticks<br />

2.30 The Effect<br />

7.30 The Captain of Köpenick 7.45 People 7.30 The Effect<br />

33


Feb<br />

Mar<br />

keY<br />

34<br />

Olivier lyttelton cottesloe<br />

Thu 14 7.30 The Captain of Köpenick 7.30 Port 7.30 The Effect<br />

Fri 15 7.30 The Captain of Köpenick 7.30 Port AUDIO 7.30 The Effect<br />

sat 16 2.00 + 7.30 The Captain of Köpenick 2.15 AUDIO + 7.30 Port 2.30 + 7.30 The Effect<br />

sun 17 2.30 The Captain of Köpenick 3.00 Port<br />

Mon 18 6.00 Cocktail Sticks<br />

7.45 People 7.30 The Effect<br />

Tue 19 6.00 Hymn<br />

7.45 People 7.30 The Effect<br />

Wed 20 2.00 People 2.30 The Effect<br />

6.00 Cocktail Sticks<br />

7.45 People 7.30 The Effect<br />

Thu 21 6.00 Cocktail Sticks<br />

7.45 People 7.30 The Effect<br />

Fri 22 7.30 Port 7.30 The Effect<br />

sat 23 7.30 This House P1 2.15 CAP + 7.30 Port 2.30 + 7.30 The Effect LAST<br />

sun 24 3.00 Port<br />

Mon 25 6.00 Cocktail Sticks<br />

7.30 This House P2 7.45 People<br />

Tue 26 6.00 Cocktail Sticks<br />

7.30 This House P 7.45 People<br />

Wed 27 2.00 People<br />

6.00 Hymn<br />

7.30 This House P 7.45 People<br />

Thu 28 7.00 This House PRESS 7.45 People<br />

Fri 1 7.30 The Captain of Köpenick 7.30 Port<br />

sat 2 2.00 + 7.30 The Captain of Köpenick 2.15 + 7.30 Port<br />

sun 3 2.30 The Captain of Köpenick 3.00 Port CAP<br />

Mon 4 7.30 The Captain of Köpenick 7.30 Port<br />

Tue 5 6.00 PLATFORM Adrian Noble<br />

7.30 The Captain of Köpenick 7.30 Port<br />

Wed 6 2.00 + 7.30 The Captain of Köpenick 2.15 + 7.30 Port<br />

Thu 7 7.30 This House 7.45 People<br />

Fri 8 7.30 This House 7.45 People<br />

PlATFOrM/<br />

iN cONversATiON<br />

(see pages 14 – 15).<br />

P Preview<br />

performance<br />

Press Press night<br />

lAsT Last performance<br />

AUDiO<br />

Audio-Described<br />

performance for blind and<br />

visually impaired people.<br />

cAP<br />

STAGETEXT® Captioned<br />

performance for Deaf and<br />

hard of hearing people.<br />

cottesloe Theatre<br />

From February 2013, the<br />

Cottesloe Theatre will be<br />

refurbished as part of our NT<br />

Future transformation project,<br />

re-opening in spring 2014 as the<br />

Dorfman Theatre with improved<br />

facilities for our audiences.<br />

An infra red audio system<br />

is available in all theatres.<br />

Free headsets and neck loops,<br />

available from the Information<br />

Desk, are essential.


Mar<br />

Apr<br />

Olivier lyttelton<br />

sat 9 2.00 + 7.30 This House 2.00 AUDIO + 7.45 People<br />

sun 10 2.30 This House 2.15 Hymn<br />

3.30 Cocktail Sticks<br />

Mon 11 7.30 This House 7.30 Port<br />

Tue 12 7.30 The Captain of Köpenick 7.30 Port<br />

Wed 13 2.00 + 7.30 The Captain of Köpenick 2.15 + 7.30 Port<br />

Thu 14 7.30 The Captain of Köpenick 7.30 Port<br />

Fri 15 7.30 This House 7.45 People<br />

sat 16 2.00 This House AUDIO 2.00 People<br />

6.00 Cocktail Sticks<br />

7.30 This House 7.45 People<br />

sun 17 2.30 This House 2.15 Hymn CAP LAST<br />

3.30 Cocktail Sticks CAP<br />

Mon 18 6.00 Cocktail Sticks<br />

7.30 This House 7.45 People<br />

Tue 19 6.00 PLATFORM Graham & Herrin<br />

7.30 This House 7.45 People<br />

Wed 20 2.00 + 7.30 This House 7.45 People<br />

Thu 21 7.30 The Captain of Köpenick 7.00 People NT LIVE<br />

Fri 22 7.30 The Captain of Köpenick AUDIO 7.30 Port<br />

sat 23 2.00 AUDIO + 7.30 The Captain of Köpenick 2.15 + 7.30 Port<br />

sun 24 2.30 The Captain of Köpenick 3.00 Port LAST<br />

Mon 25 7.30 The Captain of Köpenick<br />

Tue 26 7.30 This House 7.45 People<br />

Wed 27 2.00 + 7.30 This House 2.00 + 7.45 CAP People<br />

Thu 28 6.00 Cocktail Sticks<br />

7.30 This House 7.45 People<br />

Fri 29 BUilDiNG clOseD<br />

sat 30 2.00 This House 2.00 People<br />

6.00 Cocktail Sticks LAST<br />

7.30 This House 7.45 People<br />

sun 31 BUilDiNG clOseD<br />

Mon 1 7.30 This House 7.45 People<br />

Tue 2 7.30 The Captain of Köpenick 7.45 People<br />

Wed 3 2.00 + 7.30 CAP The Captain of Köpenick<br />

Thu 4 7.30 The Captain of Köpenick LAST<br />

Fri 5 7.30 This House<br />

sat 6 2.00 + 7.30 This House<br />

sun 7 2.30 This House CAP<br />

Mon 8 7.30 This House<br />

THe sHeD<br />

From April 2013 we will open The Shed:<br />

a temporary performance space at the<br />

front of the building. Celebrating new<br />

theatre that is adventurous, ambitious<br />

and challenging, the programme will<br />

feature a mix of emerging and established<br />

artists, visitors from around the world and<br />

a range of unexpected collaborations.<br />

Booking information available in the<br />

New Year.<br />

35


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