Marketing - Pearson
Marketing - Pearson
Marketing - Pearson
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Preface<br />
The Twelfth Edition—Creating More<br />
Value for You!<br />
The goal of Principles of <strong>Marketing</strong>, twelfth edition, is to introduce new marketing students to<br />
the fascinating world of modern marketing in an innovative yet practical and enjoyable way.<br />
Like any good marketer, we’re out to create more value for you, our customer. We’ve poured<br />
over every page, table, figure, fact, and example in an effort to make this the best text from<br />
which to learn about and teach marketing.<br />
Today’s marketing is all about creating customer value and building profitable customer<br />
relationships. It starts with understanding consumer needs and wants, deciding which target<br />
markets the organization can serve best, and developing a compelling value proposition by<br />
which the organization can win, keep, and grow targeted consumers. If an organization does<br />
these things well, it will reap the rewards in terms of market share, profits, and customer equity.<br />
<strong>Marketing</strong> is much more than just an isolated business function—it is a philosophy that<br />
guides the entire organization. The marketing department cannot create customer value and<br />
build profitable customer relationships by itself. This is a companywide undertaking that<br />
involves broad decisions about who the company wants as its customers, which needs to satisfy,<br />
what products and services to offer, what prices to set, what communications to send,<br />
and what partnerships to develop. <strong>Marketing</strong> must work closely with other company departments<br />
and with other organizations throughout its entire value-delivery system to delight customers<br />
by creating superior customer value.<br />
<strong>Marketing</strong>: Creating Customer Value<br />
and Relationships<br />
From beginning to end, Principles of <strong>Marketing</strong> develops an innovative customer-value and<br />
customer-relationships framework that captures the essence of today’s marketing.<br />
Five Major Value Themes<br />
The twelfth edition builds on five major value themes:<br />
<strong>Marketing</strong>: Creating and Capturing Customer Value<br />
Understand the<br />
marketplace and<br />
customer needs<br />
and wants<br />
Research<br />
customers and<br />
the marketplace<br />
Manage marketing<br />
information and<br />
customer data<br />
Create value for customers and<br />
build customer relationships<br />
Design a<br />
customer-driven<br />
marketing<br />
strategy<br />
Select customers<br />
to serve: market<br />
segmentation and<br />
targeting<br />
Decide on a value<br />
proposition:<br />
differentiation and<br />
positioning<br />
Harness marketing<br />
technology<br />
FIGURE 1.6 An expanded model of the marketing process<br />
Construct an<br />
integrated<br />
marketing program<br />
that delivers<br />
superior value<br />
Product and<br />
service design:<br />
build strong<br />
brands<br />
Pricing:<br />
create real value<br />
Distribution:<br />
manage demand<br />
and supply chains<br />
Promotion:<br />
communicate the<br />
value proposition<br />
Manage global<br />
markets<br />
Build profitable<br />
relationships and<br />
create customer<br />
delight<br />
Customer<br />
relationship<br />
management: build<br />
strong relationships<br />
with chosen<br />
customers<br />
Partner relationship<br />
management: build<br />
strong relationships<br />
with marketing<br />
partners<br />
Ensure ethical and<br />
social responsibility<br />
Capture value from<br />
customers in return<br />
Capture value from<br />
customers to<br />
create profits and<br />
customer equity<br />
Create satisfied,<br />
loyal customers<br />
Capture customer<br />
lifetime value<br />
Increase share of<br />
market and share<br />
of customer<br />
■ Creating value for customers in order to<br />
capture value from customers in return.<br />
Today’s marketers must be good at<br />
creating customer value and managing<br />
customer relationships. They must attract<br />
targeted customers with strong value<br />
propositions. Then, they must keep and<br />
grow customers by delivering superior<br />
customer value and effectively managing<br />
the company-customer interface. Today’s<br />
outstanding marketing companies understand<br />
the marketplace and customer<br />
needs, design value-creating marketing<br />
strategies, develop integrated marketing<br />
programs that deliver customer value and<br />
delight, and build strong customer relationships.<br />
In return, they capture value<br />
from customers in the form of sales, profits,<br />
and customer loyalty.<br />
xxi
xxii Preface<br />
FIGURE 2.8<br />
Return on marketing<br />
Source: Adapted from Roland T.<br />
Rust, Katherine N. Lemon, and<br />
Valerie A. Zeithamal, “Return<br />
on <strong>Marketing</strong>: Using Consumer<br />
Equity to Focus <strong>Marketing</strong><br />
Strategy,” Journal of <strong>Marketing</strong>,<br />
January 2004, p. 112.<br />
This innovative customer-value framework is introduced at the start of Chapter 1 in a<br />
five-step marketing process model, which details how marketing creates customer value and<br />
captures value in return. The framework is carefully explained in the first two chapters, providing<br />
students with a solid foundation. The framework is then integrated throughout the<br />
remainder of the text.<br />
■ Building and managing strong, value-creating brands. Well-positioned brands with<br />
strong brand equity provide the basis upon which to build customer value and profitable<br />
customer relationships. Today’s marketers must position their brands powerfully and<br />
manage them well.<br />
■ Managing return on marketing to recapture value. In order to capture value from customers<br />
in return, marketing managers must be good at measuring and managing the return on their<br />
marketing investments. They must ensure that their marketing dollars are being well spent.<br />
In the past, many marketers spent freely on<br />
Measuring and Managing Return<br />
on <strong>Marketing</strong> Investment<br />
<strong>Marketing</strong> investments<br />
<strong>Marketing</strong> returns<br />
Improved customer value and satisfaction<br />
Increased customer<br />
attraction<br />
Increased customer<br />
retention<br />
Increased customer lifetime values<br />
and customer equity<br />
Return on marketing investment<br />
Cost of marketing<br />
investment<br />
big, expensive marketing programs, often<br />
without thinking carefully about the financial<br />
and customer response returns on their<br />
spending. But all that is changing rapidly.<br />
Measuring and managing return on marketing<br />
investments has become an important<br />
part of strategic marketing decision making.<br />
■ Harnessing new marketing technologies.<br />
New digital and other high-tech marketing<br />
developments are dramatically changing<br />
how marketers create and communication<br />
customer value. Today’s marketers must<br />
know how to leverage new computer,<br />
information, communication, and distribution<br />
technologies to connect more effectively<br />
with customers and marketing partners<br />
in this digital age.<br />
■ <strong>Marketing</strong> in a socially responsible way around the globe. As technological developments<br />
make the world an increasingly smaller place, marketers must be good at marketing<br />
their brands globally and in socially responsible ways that create not just short-term value for<br />
individual customers but also long-term value for society as a whole.<br />
Important Changes and Additions<br />
We’ve thoroughly revised the twelfth edition of Principles of <strong>Marketing</strong> to reflect the major<br />
trends and forces impacting marketing in this era of customer value and relationships. Here are<br />
just some of the major changes you’ll find in this edition.<br />
■ This new edition builds on and extends the innovative customer-value framework from previous<br />
editions. No other marketing text presents such a clear and comprehensive customervalue<br />
approach.<br />
■ The integrated marketing communications chapters have been completely restructured to<br />
reflect sweeping shifts in how today’s marketers communicate value to customers.<br />
■ A newly revised Chapter 14—Communicating Customer Value—addresses today’s shifting<br />
integrated marketing communications model. It tells how marketers are now adding a<br />
host new-age media—everything from interactive TV and the Internet to iPods and cell<br />
phones to reach targeted customers with more personalized messages.<br />
■ Advertising and public relations are now combined in Chapter 15, which includes<br />
important new discussions on “Madison & Vine” (the merging of advertising and entertainment<br />
to break through the clutter), return on advertising, and other important topics.<br />
A restructured Chapter 16 now combines personal selling and sales promotion.<br />
■ The new Chapter 17—Direct and Online <strong>Marketing</strong>—provides focused new coverage of<br />
direct marketing and its fastest-growing arm, marketing on the Internet. The new chapter<br />
includes a section on new digital direct-marketing technologies, such as mobile<br />
phone marketing, podcasts and vodcasts, and interactive TV.
Appendix 2<br />
MARKETING BY THE NUMBERS<br />
■ We’ve revised the pricing discussions in Chapter 10—Pricing: Understanding and<br />
Capturing Customer Value. It now focuses on customer-value-based pricing—on understanding<br />
and capturing customer value as the basis for setting and adjusting prices. The<br />
revised chapter includes new discussions of “good-value” and “value-added” pricing strategies,<br />
dynamic pricing, and competitive pricing considerations.<br />
■ In line with the text’s emphasis on measuring and managing return on marketing, we’ve added<br />
a new Appendix 2: <strong>Marketing</strong> by the Numbers. This comprehensive<br />
new appendix introduces students to the marketing financial analysis that<br />
helps to guide, assess, and sup-<br />
432 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and <strong>Marketing</strong> Mix<br />
Madison & Vine: The New Intersection<br />
Real <strong>Marketing</strong> of Advertising and Entertainment<br />
<strong>Marketing</strong> decisions are coming under increasing scrutiny, and marketing managers must be<br />
accountable for the financial implications of their actions. This appendix provides a basic<br />
Welcome to the ever-busier intersection of Madison &<br />
introduction to marketing financial analysis. Such analysis guides marketers in making sound 15.1 Vine, where the advertising industry meets the enter-<br />
marketing decisions and in assessing the outcomes of those decisions.<br />
tainment industry. In today’s cluttered advertising environment,<br />
The appendix is built around a hypothetical manufacturer of high-definition consumer Madison Avenue knows that it must find new ways to engage ad-<br />
electronics products—HDX-treme. This company is launching a new product, and we will weary consumers with more compelling messages. The answer?<br />
discuss and analyze the various decisions HDX-treme’s marketing managers must make Entertainment! And who knows more about entertainment than the<br />
before and after launch.<br />
folks at Hollywood & Vine? The term “Madison & Vine” has come to<br />
HDX-treme manufactures high-definition televisions for the consumer market. The com- represent the merging of advertising and entertainment. It takes one<br />
pany has concentrated on televisions but is now entering the accessories market. of two primary forms: advertainment or branded entertainment.<br />
Specifically, the company is introducing a high-definition optical disc player (DVD) using The aim of advertainment is to make ads themselves so entertain-<br />
the Blu-ray format.<br />
ing, or so useful, that people want to watch them. It’s advertising by<br />
The appendix is organized into three sections. The first section deals with the pricing invitation rather than by intrusion. There’s no chance that you’d<br />
considerations and break-even and margin analysis assessments that guide the introduction watch ads on purpose, you say? Think again. For example, the Super<br />
of HDX-treme’s new-product launch. The second section begins with a discussion of estimat- Bowl has become an annual advertainment showcase. Tens of miling<br />
market potential and company sales. It then introduces the marketing budget, as illuslions of people tune in to the Super Bowl each year, as much to watch<br />
trated through a pro forma profit-and-loss statement followed by the actual profit-and-loss the entertaining ads as to see the game.<br />
statement. Next, the section discusses marketing performance measures, with a focus on help- And rather than bemoaning TiVo and other DVR systems, many<br />
ing marketing managers to better defend their decisions from a financial perspective. In the advertisers are now using them as a new medium for showing useful<br />
final section, we analyze the financial implications of various marketing tactics, such as or entertaining ads that consumers actually volunteer to watch. For<br />
increasing advertising expenditures, adding sales representatives to increase distribution, example, TiVo recently launched Product Watch, a service offering<br />
lowering price, or extending the product line.<br />
special on-demand ads to subscribers from companies such as Kraft<br />
At the end of each section, quantitative exercises provide you with an opportunity to Foods, Ford, Lending Tree, and Pioneer Electronics. Longer than tra-<br />
apply the concepts you learned in that section to contexts beyond HDX-treme.<br />
ditional 30-second spots, these ads allow consumers to research<br />
products before buying them or simply to learn something new. Kraft,<br />
for instance, offered 20 different cooking videos creating meals using<br />
Pricing, Break-Even, and Margin Analysis its products. And Pioneer sponsored a four-minute video ad on the<br />
ins and outs of buying a plasma-screen high-definition television.<br />
Pricing Considerations<br />
Interestingly, a recent study found that DVR users aren’t necessarily<br />
skipping all the ads. According to the study, 55 percent of DVR<br />
users take their finger off the fast-forward button to watch a commer-<br />
Determining price is one of the most important marketing mix decisions, and marketers<br />
cial that is entertaining or relevant, sometimes even watching it more<br />
have considerable leeway when setting prices. The limiting factors are demand and costs.<br />
than once. “If advertising is really entertaining, you don’t zap it,” notes<br />
Demand factors, such as buyer perceived value, set the price ceiling. The company’s costs<br />
an industry observer. “You might even go out of your way to see it.”<br />
set the price floor. In between these two factors, marketers must consider competitors’<br />
Beyond making their regular ads more entertaining, advertisers<br />
prices and other factors such as reseller requirements, government regulations, and com-<br />
are also creating new advertising forms that look less like ads and<br />
pany objectives.<br />
more like short films or shows. For example, as part of a $100 million<br />
Current competing high-definition DVD products in this relatively new product category<br />
campaign to introduce its Sunsilk line of hair care products in the Welcome to Madison & Vine. As this book cover suggests, in today’s<br />
were introduced in 2006 and sell at retail prices between $500 and $1,200. HDX-treme plans<br />
United States, Unilever is producing a series of two-minute short pro- cluttered advertising environment, Madison Avenue must find new ways<br />
to introduce its new product at a lower price in order to expand the market and to gain margrams<br />
that resemble sitcom episodes more than ads.<br />
to engage ad-weary consumers with more compelling messages. The<br />
ket share rapidly. We first consider HDX-treme’s pricing decision from a cost perspective.<br />
answer? Entertainment!<br />
Then, we consider consumer value, the competitive environment, and reseller requirements. The series, titled “Sunsilk Presents Max and Katie,” will run on<br />
the TBS cable network. The miniepisodes present a humorous<br />
Fixed costs<br />
Costs that do not vary with<br />
production or sales level.<br />
Determining Costs<br />
Recall from Chapter 10 that there are different types of costs. Fixed costs do not vary with production<br />
or sales level and include costs such as rent, interest, depreciation, and clerical and<br />
management salaries. Regardless of the level of output, the company must pay these costs.<br />
Whereas total fixed costs remain constant as output increases, the fixed cost per unit (or average<br />
fixed cost) will decrease as output increases because the total fixed costs are spread across<br />
look at the hectic life of a 20-something woman—not coincidentally,<br />
the Sunsilk target audience. In all, Unilever will produce<br />
85 miniepisodes of “Max and Katie,” with 65 intended<br />
for TBS and the rest to be available online, on cell phones,<br />
through e-mail, and at displays in stores. The woman at whom<br />
Sunsilk will be aimed “has grown up being marketed to her<br />
whole life,” says a Unilever marketing manager. “She’s open to<br />
advertising, if it’s entertaining to her.”<br />
Similarly, Procter & Gamble produced a series of 90-second advertising<br />
sitcoms called “At the Poocherellas,” shown on Nick at Night,<br />
featuring a family of dogs and promoting its Febreze brand. Each<br />
miniepisode includes the expected commercial break, which lasts<br />
A-11<br />
Execution style<br />
The approach, style, tone,<br />
words, and format used for<br />
executing an advertising<br />
message.<br />
MESSAGE EXECUTION The advertiser now must turn the big idea into an actual ad execution<br />
that will capture the target market’s attention and interest. The creative team must find the<br />
best approach, style, tone, words, and format for executing the message. Any message can be<br />
presented in different execution styles, such as the following:<br />
■ Slice of life: This style shows one or more “typical” people using the product in a normal setting.<br />
For example, two mothers at a picnic discuss the nutritional benefits of Jif peanut butter.<br />
port marketing decisions in this<br />
age of marketing accountability.<br />
The Return on <strong>Marketing</strong> section<br />
in Chapter 2 has also been<br />
revised, and we’ve added return<br />
on advertising and return on selling<br />
discussions in later chapters.<br />
■ Chapter 9 contains a new section<br />
on managing new-product<br />
development, covering new<br />
■<br />
customer-driven, team-based,<br />
holistic new-product development<br />
approaches.<br />
Chapter 5 (Consumer Behavior)<br />
provides a new discussion on<br />
“online social networks” that<br />
tells how marketers are tapping<br />
digital online networks such as<br />
YouTube, MySpace, and others<br />
to build stronger relationships<br />
between<br />
customers.<br />
their brands and<br />
The twelfth edition also includes new and expanded material on a wide range of other<br />
topics, including managing customer relationships and CRM, brand strategy and positioning,<br />
SWOT analysis, data mining and data networks, ethnographic consumer research, marketing<br />
and diversity, generational marketing, buzz marketing, services marketing, supplier satisfaction<br />
and partnering, environmental sustainability, cause-related marketing, socially responsible<br />
marketing, global marketing strategies, and much, much more.<br />
Countless new examples have been added within the running text. All tables, examples,<br />
and references throughout the text have been thoroughly updated. The twelfth edition of<br />
Principles of <strong>Marketing</strong> contains mostly new photos and advertisements that illustrate key<br />
points and make the text more effective and appealing. All new or revised company cases and<br />
many new video cases help to bring the real world directly into the classroom. The text even<br />
has a new look, with freshly designed figures. We don’t think you’ll find a fresher, more current,<br />
or more approachable text anywhere.<br />
Real Value through Real <strong>Marketing</strong><br />
Preface xxiii<br />
Principles of <strong>Marketing</strong> features in-depth, real-world examples and stories that show concepts in<br />
action and reveal the drama of modern marketing. In the twelfth edition, every chapter-opening<br />
vignette and Real <strong>Marketing</strong> highlight has been updated or replaced to provide fresh and relevant<br />
insights into real marketing practices. Learn how:<br />
■ NASCAR creates avidly loyal fans by selling not just stock car racing but a high-octane,<br />
totally involving experience<br />
■ Best Buy builds the right relationships with the right customers by going out of its way to<br />
attract and keep profitable “angel” customers while exorcizing unprofitable “demons”<br />
■ Nike’s “Just do it!” marketing strategy has matured as this venerable market leader has moved<br />
from maverick to mainstream
xxiv Preface<br />
chapter<br />
7<br />
Previewing the Concepts<br />
So far, you’ve learned what marketing is<br />
and about the importance of understanding<br />
consumers and the marketplace environment.<br />
With that as background, you’re<br />
now ready to delve deeper into marketing<br />
strategy and tactics. This chapter looks<br />
further into key customer-driven marketing<br />
strategy decisions—how to divide up<br />
markets into meaningful customer groups<br />
(segmentation), choose which customer<br />
groups to serve (targeting), create market<br />
offerings that best serve target customers<br />
(differentiation), and position the offerings<br />
in the minds of consumers (positioning).<br />
Customer-Driven<br />
<strong>Marketing</strong> Strategy<br />
Creating Value<br />
for Target Customers<br />
L<br />
■ Harrah’s, the world’s largest casino operator, maintains a vast customer database and uses<br />
CRM to manage day-to-day customer relationships and build customer loyalty<br />
■ Dunkin’ Donuts targets the “Dunkin’ Tribe”—not the Starbucks snob but the average Joe<br />
Part 3: Designing a Customer-Driven <strong>Marketing</strong><br />
Strategy and Integrated <strong>Marketing</strong> Mix<br />
ast year, Dunkin’ Donuts paid dozens of faithful customers in Phoenix,<br />
Chicago, and Charlotte, North Carolina, $100 a week to buy coffee at<br />
Starbucks instead. At the same time, the no-frills coffee chain paid Starbucks<br />
customers to make the opposite switch. When it later debriefed the two groups, Dunkin’<br />
says it found them so polarized that company researchers dubbed them “tribes”—<br />
each of whom loathed the very things that made the other tribe loyal to their coffee<br />
shop. Dunkin’ fans viewed Starbucks as pretentious and trendy, whereas Starbucks loyalists<br />
saw Dunkin’ as plain and unoriginal. “I don’t get it,” one Dunkin’ regular told<br />
researchers after visiting Starbucks. “If I want to sit on a couch, I stay at home.”<br />
William Rosenberg opened the first Dunkin’ Donuts in Quincy, Massachusetts, in<br />
1950. Residents flocked to his store each morning for the coffee and fresh doughnuts.<br />
Rosenberg started franchising the Dunkin’ Donuts name, and the chain grew<br />
rapidly throughout the Midwest and Southeast. By the early 1990s, however,<br />
Dunkin’ was losing breakfast sales to morning sandwiches at McDonald’s and<br />
Then, the chapters that follow explore<br />
the tactical marketing tools—the Real Four<strong>Marketing</strong><br />
Burger King. Starbucks Staples: and other high-end Positioning cafes began Made sprouting up, bringing more<br />
competition. Sales slid as the company clung to its strategy of selling sugary dough-<br />
Ps—by which marketers bring these strategies<br />
to life.<br />
These days, nuts by Staples the dozen. really is riding the easy button. But<br />
As an opening example of7.2 only five years In the ago, mid-1990s, things weren’t however, so easy Dunkin’ for the office- shifted its focus from doughnuts to coffee in<br />
segmentasupply<br />
superstore—or the for hope its customers. that promoting The ratio a more of customer frequently comconsumed<br />
item would drive store traffic.<br />
tion, targeting, differentiation, plaints and posi- to compliments was running an abysmal eight to one at<br />
The coffee push worked—coffee now makes up 62 percent of sales. And Dunkin’s<br />
tioning at work, let’s look at Staples Dunkin’ stores. The company’s slogan—“Yeah, we’ve got that”—had<br />
sales are growing at a double-digit clip, with profits up 35 percent over the past two<br />
Donuts. Dunkin’, a largely Eastern become U.S. laughable. Customers griped that items were often out of<br />
years. Based on this recent success, Dunkin’ now has ambitious plans to expand<br />
coffee chain, has ambitiousstock plans and said to the sales staff was unhelpful to boot.<br />
After weeks of into focus a groups national and coffee interviews, powerhouse, Shira Goodman, on a par with Starbucks, the nation’s largest cof-<br />
expand into a national powerhouse, on a<br />
Staples’ executive VP fee for chain. marketing, Over the had next a revelation. three years, “Customers Dunkin’ plans to remake its nearly 5,000 U.S.<br />
par with Starbucks. But Dunkin’ wanted isan no easier shopping experience,” she says. That simple reve-<br />
stores and to grow to triple that number in less than 15 years.<br />
Starbucks. In fact, it doesn’t want lation tohas be. resulted It in one of the most successful marketing cam-<br />
But Dunkin’ is not Starbucks. In fact, it doesn’t want to be. To succeed, it must<br />
targets a very different kind of paigns customer in recent history, built around the now-familiar “Staples: That<br />
was easy” tagline. But have Staples’ its own positioning clear vision turnaround of just took which a lot customers more it wants to serve (what segments<br />
with a very different value proposition.<br />
than simply bombarding and targeting) customers and with how a new (what slogan. positioning Before it or value proposition). Dunkin’ and<br />
Grab yourself some coffee and read could on. promise customers a simplified shopping experience, Staples<br />
Starbucks target very different customers, who want very different things from their<br />
had to actually deliver one. First, it had to live the slogan.<br />
When it launched<br />
favorite<br />
in 1986,<br />
coffee<br />
Staples<br />
shop.<br />
all<br />
Starbucks<br />
but invented<br />
is strongly<br />
the office-<br />
positioned as a sort of high-brow “third<br />
supply superstore. place”—outside Targeting small and the medium-size home and businesses, office—featuring it couches, eclectic music, wireless<br />
aimed to sell everything Internet for the access, office under and one art-splashed roof. But by walls. the mid- Dunkin’ has a decidedly more low-brow,<br />
1990s, the marketplace “everyman” was crowded kind of with positioning. retailers such as Office<br />
Depot, not to mention Target, Wal-Mart, and a slew of other online<br />
With its makeover, Dunkin’ plans to move upscale—a bit but not too far—to<br />
and offline sellers. Partly as a result of that competition, Staples’<br />
same-store sales fell rebrand for the first itself time as in a quick 2001. but appealing alternative to specialty coffee shops and fast-<br />
Customer research food chains. conducted A prototype by Goodman Dunkin’ and store her in team Euclid, Ohio, outside Cleveland, features<br />
revealed that although shoppers expected Staples and its competitors<br />
to have everything in stock, they placed little importance on<br />
price. Instead, customers overwhelmingly requested a simple,<br />
182<br />
straightforward shopping experience. “They wanted knowledgeable<br />
and helpful associates and hassle-free shopping,” Goodman says.<br />
The “Staples: That was easy” tagline was the simple—yet inspired—<br />
outgrowth of that realization.<br />
The slogan, however, was kept under wraps until the company<br />
could give its stores a major makeover. Staples removed from its inventory<br />
some 800 superfluous items, such as Britney Spears backpacks,<br />
that had little use in the corporate world. Office chairs, which had been<br />
displayed in the rafters, were moved to the floor so customers could try The “Staples: That was easy” marketing campaign has played a major<br />
them out. Staples also added larger signs and retrained sales associ- role in repositioning Staples. But marketing promises count for little if<br />
ates to walk shoppers to the correct aisle. Because customers revealed not backed by the reality of the customer experience.<br />
that the availability of ink was one of their biggest concerns, the company<br />
introduced an in-stock guarantee on printer cartridges. Even The Easy Button soon birthed a string of humorous and popular<br />
communications were simplified—a four-paragraph letter sent to television commercials, which premiered in January 2005 and also<br />
prospective customers was cut to two sentences.<br />
aired during the Super Bowl a month later. In one spot, called “The<br />
Only when all of the customer-experience pieces were in place did Wall,” an emperor uses the button to erect a giant barrier as maraud-<br />
Staples begin communicating its new positioning to customers. It ers approach; another shows an office worker causing printer car-<br />
took about a year to get the stores up to snuff, Goodman says, but tridges to rain down from above. Online, Staples created a download-<br />
“once we felt that the experience was significantly easier, we able Easy Button toolbar, which took shoppers directly from their<br />
changed the tagline.”<br />
desktops to Staples.com, and billboards reminded commuters that<br />
For starters, the company hired a new ad agency, McCann- an Easy Button would be helpful in snarled traffic.<br />
Erickson Worldwide, which had also created MasterCard’s nine-year- As a result of the advertising onslaught, customers began asking<br />
old “Priceless” campaign. A group of McCann copywriters and art about buying real Easy Buttons, so Staples again took the cue. It<br />
directors held a marathon brainstorming session to find ways to illus- began selling $5 three-inch red plastic buttons that when pushed say<br />
trate the concept of “easy.” As the creative session dragged on, the “That was easy.” Staples promised to donate $1 million in button<br />
group’s creative director mentioned how nice it would be if she could profits to charity each year, and by mid-2006, it had sold its millionth<br />
just push a button to come up with a great ad, so they could go to button. By selling the Easy Button as a sort of modern-day stress ball,<br />
lunch. The Easy Button was born. “It took an amorphous concept Staples has turned its customers into advertisers. Homegrown<br />
and made it tangible,” Goodman says.<br />
movies starring the button have appeared on video-sharing site<br />
(continues)<br />
rounded granite-style coffee bars, where workers make espresso drinks face-to-face<br />
with customers. Open-air pastry cases brim with yogurt parfaits and fresh fruit, and<br />
a carefully orchestrated pop-music soundtrack is piped throughout.<br />
Yet Dunkin’ built itself on serving simple fare to working-class customers. Inching<br />
upscale without alienating that base will prove tricky. There will be no couches in the<br />
new stores. And Dunkin’ renamed a new hot sandwich a “stuffed melt” after customers<br />
complained that calling it a “panini” was too fancy. “We’re walking that [fine]<br />
line,” says Regina Lewis, the chain’s vice president of consumer insights. “The thing<br />
about the Dunkin’ tribe is, they see through the hype.”<br />
Dunkin’s research showed that although loyal Dunkin’ customers want nicer<br />
stores, they were bewildered and turned off by the atmosphere at Starbucks. They<br />
groused that crowds of laptop users made it difficult to find a seat. They didn’t like<br />
Starbucks’ “tall,” “grande,” and “venti” lingo for small, medium, and large coffees.<br />
And they couldn’t understand why anyone would pay as much as $4 for a cup of<br />
coffee. “It was almost as though they were a group of Martians talking about a group<br />
of Earthlings,” says an executive from Dunkin’s ad agency. One customer told<br />
researchers that lingering in a Starbucks felt like “celebrating Christmas with people<br />
you don’t know.” The Starbucks customers that Dunkin’ paid to switch were equally<br />
uneasy in Dunkin’ shops. “The Starbucks people couldn’t bear that they weren’t<br />
special anymore,” says the ad executive.<br />
Valuable Learning Aids<br />
Objectives<br />
After studying this chapter, you should<br />
be able to<br />
1. define the four major steps in designing a<br />
customer-driven market strategy: market<br />
segmentation, market targeting,<br />
differentiation, and positioning<br />
2. list and discuss the major bases for<br />
segmenting consumer and business markets<br />
3. explain how companies identify attractive<br />
market segments and choose a market<br />
targeting strategy<br />
4. discuss how companies position their<br />
products for maximum competitive<br />
advantage in the marketplace<br />
■ Tiny nicher Bike Friday creates<br />
customer evangelists—<br />
delighted customers who<br />
can’t wait to tell others<br />
about the company<br />
■ Apple Computer founder<br />
■<br />
Steve Jobs used dazzling customer-<br />
driven innovation to<br />
first start the company and<br />
then to remake it again 20<br />
years later<br />
Staples held back its nowfamiliar<br />
“Staples: That was<br />
easy” repositioning campaign<br />
for more than a year.<br />
First, it had to live the slogan.<br />
■ Ryanair—Europe’s original,<br />
largest, and most profitable<br />
low-fares airline—appears<br />
to have found a radical new<br />
pricing solution: Fly free!<br />
■ The NBA has become one of today’s hottest global brands, jamming<br />
down one international slam dunk after another<br />
■ Dove—with its Campaign for Real Beauty campaign featuring<br />
candid and confident images of real women of all types—is<br />
on a bold mission to create a broader and healthier view of<br />
beauty<br />
These and countless other examples and illustrations throughout<br />
each chapter reinforce key concepts and bring marketing to life.<br />
A wealth of chapter-opening, within-chapter, and end-of-chapter learning devices help students<br />
to learn, link, and apply major concepts:<br />
■ Previewing the Concepts. A section at the beginning of each chapter briefly previews<br />
chapter concepts, links them with previous chapter concepts, outlines chapter learning<br />
objectives, and introduces the chapter-opening vignette.<br />
■ Chapter-opening marketing stories. Each chapter begins with an engaging, deeply developed<br />
marketing story that introduces the chapter material and sparks student interest.<br />
■ Real <strong>Marketing</strong> highlights. Each chapter contains two highlight features that provide an<br />
in-depth look at real marketing practices of large and small companies.<br />
■ Reviewing the Concepts. A summary at the end of each chapter reviews major chapter<br />
concepts and chapter objectives.<br />
■ Reviewing the Key Terms. Key terms are highlighted within the text, clearly defined<br />
in the margins of the pages in which they first appear, and listed at the end of each<br />
chapter.<br />
■ Discussing the Concepts and Applying the Concepts. Each chapter contains a set of discussion<br />
questions and application exercises covering major chapter concepts.<br />
■ Focus on Technology. Application exercises at the end of each chapter provide discussion<br />
on important and emerging marketing technologies in this digital age.<br />
■ Focus on Ethics. Situation descriptions and questions highlight important issues in marketing<br />
ethics at the end of each chapter.<br />
183
Company Case Saturn: An Image Makeover<br />
Things are about to change at Saturn. The General Motors From the beginning, Saturn set out to break through the<br />
brand had only three iterations of the same compact car for GM bureaucracy and become “A different kind of car. A dif-<br />
the entire decade of the 1990s. But Saturn will soon introferent kind of company.” As the single-most defining charduce<br />
an all-new lineup of vehicles that includes a midacteristic of the new company, Saturn proclaimed that its<br />
sized sport sedan, an eight-passenger crossover vehicle, a sole focus would be people: customers, employees, and<br />
two-seat roadster, a new compact, and a hybrid SUV. communities. Saturn put significant resources into cus-<br />
Having anticipated the brand’s renaissance for years, Saturn tomer research and product development. The first Saturn<br />
executives, employees, and customers are beside themg<br />
cars were g made “from gscratch,”<br />
without any allegiance to<br />
selves with glee.<br />
the GM parts bin or suppliers. The goal was to produce not<br />
But with all this change, industry observers are wonder- only a high-quality vehicle, but one known for safety and<br />
ing whether Saturn will be able to maintain the very charac- innovative features that would “wow” the customer.<br />
teristics that have distinguished the Video brand since Case its incep- Harley-Davidson<br />
Saturn’s focus on employees began with an unprecetion.<br />
Given that Saturn established itself based on a very dented contract with United Auto Workers (UAW). The con-<br />
Few brands engender such intense loyalty as that found in the hearts of<br />
narrow line of compact vehicles, many believe that the tract was so simple, it fit in a shirt Harley’s pocket. Web It established site, customers pro- can book a trip to Milwaukee to visit the<br />
Harley-Davidson owners. Why? Because the company’s marketers spend<br />
move from targeting one segment of customers to targeting gressive work rules, with special Harley factory emphasis in the company’s given tohometown<br />
or turn a Las Vegas vacation<br />
a great deal of time thinking about customers. They want to know who<br />
multiple segments will be challenging. Will a newly posi- benefits, work teams, and the concept into “an of authentic empowerment. Harley-Davidson At adventure.”<br />
their customers are, how they think and feel, and why they buy a Harley.<br />
tioned Saturn still meet the needs of one of the most loyal the retail end, Saturn selected dealers After viewing based the on video carefully featuring Harley-Davidson, answer the follow-<br />
That attention to detail has helped build Harley-Davidson into a $5 billion<br />
cadres of customers in the automotive world?<br />
crafted criteria. It paid service personnel ing questions and about sales marketing associ- strategy.<br />
company with more than 900,000 Harley Owners Group (HOG) members<br />
ates a salary rather than commission. 1. List This several would products help that creare<br />
included in Harley-Davidson’s busi-<br />
and 1,200 dealerships worldwide.<br />
A NEW KIND OF CAR COMPANY<br />
ate an environment that would reverse ness portfolio. the common Analyze cus- the portfolio using the Boston Consulting<br />
Harley sells much more than motorcycles. The company sells a feel-<br />
In 1980, GM recognized its inferiority to the Japanese big tomer perception of the dealer as a nemesis. Group growth-share matrix.<br />
ing of independence, individualism, and freedom. To support that<br />
three (Honda, Toyota, and Datsun) with respect to compact Finally, in addition to customer and employee relations,<br />
lifestyle, Harley-Davidson offers clothes and accessories both for riders 2. Which strategies in the product/market expansion grid is Harleyvehicles.<br />
The Japanese had a lower cost structure, yet built Saturn focused on social responsibility. Human resources<br />
and those who simply like to associate with the brand. Harley further Davidson using to grow sales and profits?<br />
better cars. In an effort to offer a more competitive economy policies gave equal opportunities to women, ethnic minori-<br />
extends the brand experience by offering travel adventures. Through 3. List some of the members of Harley’s value-delivery network.<br />
car, GM actually turned to the enemy. It entered into a joint ties, and people with disabilities. Saturn designed environ-<br />
venture with Toyota to build small cars. Soon, a Toyota mentally responsible manufacturing processes, even going<br />
plant in Northern Focus California on Technology<br />
was turning out Corollas on beyond legal requirements. The company also gave heavy<br />
one assembly line while making very similar Chevy Novas philanthropic support to various causes. All of these actions<br />
on a Television second. is Meanwhile, hitting the small in a screen—the long-term mobile effort phones to make that better more than earned 1. Saturn Explain a why number younger of Gen awards Yers might recognizing be more likely its environ- to adapt new<br />
small 80 cars, percent GM gave of adults the green now carry. light to Networks Group 99, are a now secretive producing mentally mobile and socially phone technologies responsible as actions. compared to other demographic<br />
task “mobisodes,” force that two-minute resulted episodes in formation produced of exclusively the Saturn for mobile groups.<br />
Corporation phones. Services in 1985. such as Verizon’s Vcast let you watch TV or stream con-<br />
(case continues)<br />
2. What other macroenvironmental and microenvironmental forces<br />
tent for a monthly fee. Who will subscribe to this? Certainly the younger might affect the growth of mobile TV?<br />
segment of the Generation Y demographic—the growing 57 percent of<br />
3. How can other marketers use mobile marketing to communicate<br />
U.S. teens, ages 13 to 17 years, who now own mobile phones. Although<br />
with and promote to consumers?<br />
this is below the percentage of all adults owning mobile phones, this<br />
group displays the most intense connectivity to their phones and the most<br />
interest in new features.<br />
Focus on Ethics<br />
In February, 2005, R.J. Reynolds began a promotion that included direct- public advocacy groups, and the alcohol distillers themselves. The attormail<br />
pieces to young adults on their birthdays. The campaign, entitled ney generals and advocacy groups said the promotion endorsed heavy<br />
“Drinks on Us,” included a birthday greeting as well as a set of drink drinking. The distillers were angry because their brands were used with-<br />
coasters that included recipes for many drinks. The drink recipes, which out permission. In addition, the distillers argued that the promotion vio-<br />
were for mixed drinks of high alcohol content, included many distiller lates the alcohol industry advertising code, which prohibits marketing that<br />
brands such as Jack Daniels, Southern Comfort, and Finlandia Vodka. encourages excessive drinking.<br />
With the recipe on one side of the coaster, the flip side included a tag line 1. What prominent environmental forces come into play in this situation?<br />
such as “Go ’til Daybreak, and Make Sure You’re Sittin.” Shortly after its<br />
2. Is this promotion wrong? Should R.J. Reynolds stop the promotion?<br />
release, the promotion came under attack from several attorney generals,<br />
■ Company Cases. All new or revised company cases for class or written<br />
discussion are provided at the end of each chapter. These cases<br />
challenge students to apply marketing principles to real companies in<br />
real situations.<br />
■ Video Shorts. Short vignettes and discussion questions appear<br />
at the end of every chapter, to be used with the set of 4- to 7minute<br />
videos that accompany this edition.<br />
■ <strong>Marketing</strong> Plan appendix. Appendix 1 contains a sample marketing<br />
plan that helps students to apply important marketing<br />
planning concepts.<br />
■ <strong>Marketing</strong> by the Numbers appendix. A new Appendix 2 introduces students<br />
to the marketing financial analysis that helps to guide, assess, and<br />
support marketing decisions.<br />
More than ever before, the twelfth edition of Principles of <strong>Marketing</strong> creates<br />
value for you—it gives you all you need to know about marketing in<br />
an effective and enjoyable totallearning package!<br />
A Valuable Supplements Package<br />
A successful marketing course requires more than a well-written book. Today’s classroom<br />
requires a dedicated teacher and a fully integrated teaching system. A total package of teaching<br />
and learning supplements extends this edition’s emphasis on creating value for both the<br />
student and instructor. The following aids support Principles of <strong>Marketing</strong>.<br />
Supplements for Instructors<br />
The following supplements are available to adopting instructors.<br />
Instructor’s Manual with Video Case Notes (ISBN: 0-13-239003-5)<br />
The instructor’s handbook for this text provides suggestions for using features and elements of<br />
the text. This Instructor’s Manual includes a chapter overview, objectives, a detailed lecture<br />
outline (incorporating key terms, text art, chapter objectives, and references to various pedagogical<br />
elements), and support for end-of-chapter material. Also included within each chapter<br />
is a section that offers barriers to effective learning, student projects/assignments, as well<br />
as an outside example, all of which provide a springboard for innovative learning experiences<br />
in the classroom. Video Case Notes, offering a brief summary of each segment, along with<br />
answers to the case questions in the text, as well as teaching ideas on how to present the material<br />
in class are also offered in the Instructor’s Manual.<br />
Visit the Instructor’s Resource Center Online (www.prenhall.com/irc) for these addtional<br />
elements:<br />
■ “Professors on the Go!” serves to bring key material upfront in the manual, where an<br />
instructor who is short on time can take a quick look and find key points and assignments<br />
to incorporate into the lecture, without having to page through all the material provided<br />
for each chapter.<br />
■ Annotated Instructor’s Notes, which serve as a quick reference for the entire supplements<br />
package. Suggestions for using materials from the Instructor’s Manual, PowerPoint slides,<br />
Test Item File, Video Library, and online material are offered for each section within every<br />
chapter.<br />
■ More Quantitative Exercises, based on the concepts covered in Appendix 2: <strong>Marketing</strong> by<br />
the Numbers. An additional set of exercises are offered here, not found in the textbook.<br />
Suggested answers are provided as well.<br />
Test Item File (ISBN: 0-13-239004-3)<br />
Preface xxv<br />
Featuring more than 3,000 questions, 175 questions per chapter, this Test Item File has been<br />
written specifically for the twelfth edition. Each chapter consists of multiple-choice, true/false,
chapter<br />
Previewing the Concepts<br />
478<br />
17<br />
In the previous three chapters, you<br />
learned about communicating customer<br />
value through integrated marketing communication<br />
(IMC) and about four specific<br />
elements of the marketing communications<br />
mix—advertising, publicity, personal<br />
selling, and sales promotion. In this<br />
chapter, we’ll look at the final IMC element,<br />
direct marketing, and at its fastestgrowing<br />
form, online marketing. Actually,<br />
direct marketing can be viewed as more<br />
than just a communications tool. In many<br />
ways it constitutes an overall marketing<br />
approach—a blend of communication and<br />
distribution channels all rolled into one.<br />
As you read on, remember that although<br />
this chapter examines direct marketing as<br />
a separate tool, it must be carefully integrated<br />
with other elements of the promotion<br />
mix.<br />
To set the stage, let’s first look at Dell,<br />
the world’s largest direct marketer of<br />
computer systems and the number-one PC<br />
maker worldwide. Ask anyone at Dell and<br />
they’ll tell you that the company owes its<br />
incredible success to what it calls the Dell<br />
Direct Model, a model that starts with<br />
direct customer relationships and ends<br />
with the Dell customer experience. Says<br />
one analyst, “There’s no better way to<br />
make, sell, and deliver PCs than the way<br />
Dell does it, and nobody executes [the<br />
direct] model better than Dell.”<br />
Direct and Online<br />
<strong>Marketing</strong><br />
Building Direct Customer<br />
Relationships<br />
When 19-year-old Michael Dell began selling personal computers out of<br />
his college dorm room in 1984, competitors and industry insiders<br />
scoffed at the concept of direct computer marketing. Yet young Michael<br />
proved the skeptics wrong—way wrong. In little more than two decades, he has<br />
turned his dorm-room mail-order business into the burgeoning, $56 billion Dell<br />
computer empire.<br />
Dell is now the world’s largest direct marketer of computer systems and the<br />
number-one PC maker worldwide. In the United States, Dell is number-one in desktop<br />
PC sales, number-one in laptops, number-one in servers, and number-two (and<br />
gaining) in printers. In fact, Dell flat out dominates the U.S. PC market, with a<br />
33.5 percent market share, compared with number-two HP’s 19.4 percent and<br />
number-three Gateway’s 6.1 percent. Dell has produced a ten-year average annual<br />
return to investors of 39 percent, best among all Fortune 100 companies. Investors<br />
have enjoyed explosive share gains of more than 28,000 percent since Dell went<br />
public fewer than 20 years ago.<br />
What’s the secret to Dell’s stunning success? Anyone at Dell can tell you without<br />
hesitation: It’s the company’s radically different business model—the direct model.<br />
“We have a tremendously clear business model,” says Michael Dell, the company’s<br />
41-year-old founder and chairman. “There’s no confusion about what the value<br />
proposition is, what the company offers, and why it’s great for customers.” An industry<br />
analyst agrees: “There’s no better way to make, sell, and deliver PCs than the way<br />
Dell does it, and nobody executes [the direct] model better than Dell.”<br />
Dell’s direct-marketing approach delivers greater customer value through an<br />
unbeatable combination of product customization, low prices, fast delivery, and<br />
award-winning customer service. A customer can talk by phone with a Dell representative<br />
at 1-800-Buy-Dell or log onto www.dell.com on Monday morning; order a<br />
fully customized, state-of-the-art PC to suit his or her special needs; and have the<br />
machine delivered to his or her doorstep or desktop by Wednesday—all at a price<br />
that’s well below competitors’ prices for a comparably performing PC. Dell backs its<br />
products with high-quality service and support. As a result, Dell consistently ranks<br />
among the industry leaders in product reliability and service, and its customers are<br />
routinely among the industry’s most satisfied.<br />
Dell customers get exactly the machines they need. Michael Dell’s initial idea was<br />
to serve individual buyers by letting them customize machines with the special features<br />
they wanted at low prices. However, this one-to-one approach also appeals<br />
strongly to corporate buyers, because Dell can so easily preconfigure each computer
to precise requirements. Dell routinely preloads machines with a company’s own<br />
software and even undertakes tedious tasks such as pasting inventory tags onto<br />
each machine so that computers can be delivered directly to a given employee’s<br />
desk. As a result, more than 85 percent of Dell’s sales come from business, government,<br />
and educational buyers.<br />
The direct model results in more efficient selling and lower costs, which translate<br />
into lower prices for customers. “Nobody, but nobody, makes [and markets]<br />
computer hardware more efficiently than Dell,” says another analyst. “No unnecessary<br />
costs: This is an all-but-sacred mandate of the famous Dell direct business<br />
model.” Because Dell builds machines to order, it carries barely any inventory—<br />
less than three days’ worth by some accounts. Dealing one-to-one with customers<br />
helps the company react immediately to shifts in demand, so Dell doesn’t get stuck<br />
with PCs no one wants. Finally, by selling directly, Dell has no dealers to pay. As a<br />
result, on average, Dell’s costs are 12 percent lower than those of its leading PC<br />
competitor.<br />
Dell knows that time is money, and the company is obsessed with “speed.”<br />
According to one account, Dell squeezes “time out of every step in the process—<br />
from the moment an order is taken to collecting the cash. [By selling direct, manufacturing<br />
to order, and] tapping credit cards and electronic payment, Dell converts<br />
the average sale to cash in less than 24 hours.” By contrast, competitors selling<br />
through dealers might take 35 days or longer.<br />
Objectives<br />
After studying this chapter, you should<br />
be able to<br />
1. define direct marketing and discuss its<br />
benefits to customers and companies<br />
2. identify and discuss the major forms of<br />
direct marketing<br />
3. explain how companies have responded to<br />
the Internet and other powerful new<br />
technologies with online marketing<br />
strategies<br />
4. discuss how companies go about conducting<br />
online marketing to profitably deliver more<br />
value to customers<br />
5. overview the public policy and ethical issues<br />
presented by direct marketing<br />
479
480 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
Direct marketing<br />
Direct connections with<br />
carefully targeted individual<br />
consumers to both obtain an<br />
immediate response and<br />
cultivate lasting customer<br />
relationships.<br />
Such blazing speed results in more satisfied customers and still lower costs. For example, customers<br />
are often delighted to find their new computers arriving within as few as 36 hours of placing an order.<br />
And because Dell doesn’t order parts until an order is booked, it can take advantage of ever-falling component<br />
costs. On average, its parts are 60 days newer than those in competing machines, and, hence,<br />
60 days farther down the price curve. This gives Dell a 6 percent profit advantage from parts costs alone.<br />
As you might imagine, competitors are no longer scoffing at Michael Dell’s vision of the future. In<br />
fact, competing and noncompeting companies alike are studying the Dell direct model closely.<br />
“Somehow Dell has been able to take flexibility and speed and build it into their DNA. It’s almost like<br />
drinking water,” says the CEO of another Fortune 500 company, who visited recently to absorb some<br />
of the Dell magic to apply to his own company. “I’m trying to drink as much water here as I can.”<br />
Still, as Dell grows larger and as the once-torrid growth in the sales of PCs slows, the Dell direct<br />
model is facing challenges. After years of rocketing revenue and profit numbers, Dell’s recent growth<br />
has slowed. Although Dell still dominates in selling PCs, servers, and peripherals to business markets,<br />
it appears to be stumbling in its attempts to sell an expanding assortment of high-tech consumer electronics<br />
products to final buyers. Some analysts suggest that Dell’s vaunted direct model may not work<br />
as well for selling LCD TVs, handhelds, MP3 players, digital cameras, and other personal digital<br />
devices—products that consumers want to see and experience first-hand before buying. In fact, Dell<br />
plans to add retail stores to help bolster the consumer side of its business.<br />
Slowing growth has led some analysts to ask, “Is the much-feared Dell Way running out of gas?” No<br />
way, says Dell. There’s no question, the company admits, that Dell isn’t the high-flying growth company<br />
it once was—you can’t expect a $56-billion-a-year giant to grow like a full-throttle start-up. But<br />
Dell continues to dominate its PC markets, and other companies would kill for Dell’s “disappointing”<br />
growth numbers—sales last year grew 13.6 percent, and profits were up 17.4 percent. “We still have<br />
an outrageous track record,” says Dell CEO Kevin Rollins. “Our [direct] model still works very well,”<br />
Michael Dell agrees. “We wouldn’t trade ours for anyone else’s!” he says. “In the past ten years our<br />
sales are up about 15 times, earnings and the stock price are up about 20 times. Not too shabby!”<br />
It’s hard to argue with success, and Michael Dell has been very successful. By following his<br />
hunches, at the tender age of 41 he has built one of the world’s hottest companies. In the process,<br />
he’s become one of the world’s richest men, amassing a personal fortune of more than $17 billion. 1<br />
Many of the marketing and promotion tools that we’ve examined in previous chapters were<br />
developed in the context of mass marketing: targeting broad markets with standardized messages<br />
and offers distributed through intermediaries. Today, however, with the trend toward<br />
more narrowly targeted marketing, many companies are adopting direct marketing, either as a<br />
primary marketing approach or as a supplement to other approaches. In this section, we<br />
explore the exploding world of direct marketing.<br />
Direct marketing consists of direct connections with carefully targeted individual consumers<br />
to both obtain an immediate response and cultivate lasting customer relationships.<br />
Direct marketers communicate directly with customers, often on a one-to-one, interactive<br />
basis. Using detailed databases, they tailor their marketing offers and communications to the<br />
needs of narrowly defined segments or even individual buyers.<br />
Beyond brand and relationship building, direct marketers usually seek a direct, immediate,<br />
and measurable consumer response. For example, as we learned in the chapter-opening<br />
story, Dell interacts directly with customers, by telephone or through its Web site, to design<br />
built-to-order systems that meet customers’ individual needs. Buyers order directly from Dell,<br />
and Dell quickly and efficiently delivers the new computers to their homes or offices.<br />
The New Direct-<strong>Marketing</strong> Model<br />
Early direct marketers—catalog companies, direct mailers, and telemarketers—gathered customer<br />
names and sold goods mainly by mail and telephone. Today, however, fired by rapid<br />
advances in database technologies and new marketing media—especially the Internet—direct
■ The new direct marketing<br />
model: Companies such as<br />
GEICO have built their entire<br />
approach to the marketplace<br />
around direct marketing: just<br />
visit geico.com or call 1-800-<br />
947-auto.<br />
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 481<br />
marketing has undergone a dramatic transformation. According to the head of the Direct<br />
<strong>Marketing</strong> Association, “In recent years, the dramatic growth of the Internet and the increasing<br />
sophistication of database technologies have [created] an extraordinary expansion of<br />
direct marketing and a seismic shift in what it is, how it’s used, and who uses it.” 2<br />
In previous chapters, we’ve discussed direct marketing as direct distribution—as marketing<br />
channels that contain no intermediaries. We also include direct marketing as one element<br />
of the promotion mix—as an approach for communicating directly with consumers. In actuality,<br />
direct marketing is both these things.<br />
Most companies still use direct marketing as a supplementary channel or medium for<br />
marketing their goods and messages. Thus, Lexus markets mostly through mass-media advertising<br />
and its high-quality dealer network but also supplements these channels with direct<br />
marketing. Its direct marketing includes promotional CDs and other materials mailed directly<br />
to prospective buyers and a Web page (www.lexus.com) that provides consumers with information<br />
about various models, competitive comparisons, financing, and dealer locations.<br />
Similarly, most department stores sell the majority of their merchandise off their store shelves<br />
but also sell through direct mail and online catalogs.<br />
However, for many companies today, direct marketing is more than just a supplementary<br />
channel or medium. For these companies, direct marketing—especially in its most recent<br />
transformation, online marketing—constitutes a complete model for doing business. More<br />
than just another marketing channel or advertising medium, this new direct model is rapidly<br />
changing the way companies think about building relationships with customers.<br />
Rather than using direct marketing and the Internet only as supplemental approaches,<br />
firms employing the direct model use it as the only approach. Companies such as Dell,<br />
Amazon.com, eBay, and GEICO have built their entire approach to the marketplace around<br />
direct marketing.<br />
Growth and Benefits of Direct <strong>Marketing</strong><br />
Direct marketing has become the fastest-growing form of marketing. According to the Direct<br />
<strong>Marketing</strong> Association, U.S. companies spent $161 billion on direct marketing last year,<br />
accounting for whopping 48 percent of total U.S. advertising expenditures. These expenditures<br />
generated an estimated $1.85 trillion in direct marketing sales, or about 7 percent of<br />
total sales in the U.S. economy. And direct marketing-driven sales are growing rapidly. The<br />
DMA estimates that direct marketing sales will grow 6.4 percent annually through 2009, compared<br />
with a projected 4.8 percent annual growth for total U.S. sales. 3
482 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
Direct marketing continues to become more Web oriented, and Internet marketing is<br />
claiming a fast-growing share of direct marketing spending and sales. The Internet now<br />
accounts for only about 16 percent of direct marketing-driven sales. However, the DMA predicts<br />
that over the next five years Internet marketing expenditures will grow at a blistering<br />
18 percent a year, three times faster than expenditures in other direct marketing media.<br />
Internet-driven sales will grow by 12.6 percent.<br />
Whether employed as a complete business model or as a supplement to a broader integrated<br />
marketing mix, direct marketing brings many benefits to both buyers and sellers.<br />
Benefits to Buyers<br />
For buyers, direct marketing is convenient, easy, and private. Direct marketers never close<br />
their doors, and customers don’t have to battle traffic, find parking spaces, and trek through<br />
stores to find products. From the comfort of their homes or offices, they can browse catalogs<br />
or company Web sites at any time of the day or night. Business buyers can learn about products<br />
and services without tying up time with salespeople.<br />
Direct marketing gives buyers ready access to a wealth of products. For example, unrestrained<br />
by physical boundaries, direct marketers can offer an almost unlimited selection to<br />
consumers almost anywhere in the world. For example, by making computers to order and<br />
selling directly, Dell can offer buyers thousands of self-designed PC configurations, many<br />
times the number offered by competitors who sell preconfigured PCs through retail stores. And<br />
just compare the huge selections offered by many Web merchants to the more meager assortments<br />
of their brick-and-mortar counterparts. For instance, log onto Bulbs.com, “the Web’s<br />
no. 1 light bulb superstore,” and you’ll have instant access to every imaginable kind of light<br />
bulb or lamp—incandescent bulbs, fluorescent bulbs, projection bulbs, surgical bulbs, automotive<br />
bulbs—you name it. No physical store could offer handy access to such a vast selection.<br />
Direct marketing channels also give buyers access to a wealth of comparative information<br />
about companies, products, and competitors. Good catalogs or Web sites often provide more<br />
information in more useful forms than even the most helpful retail salesperson can. For example,<br />
the Amazon.com site offers more information than most of us can digest, ranging from<br />
top-10 product lists, extensive product descriptions, and expert and user product reviews to<br />
recommendations based on customers’ previous purchases. And Sears catalogs offer a treasure<br />
trove of information about the store’s merchandise and services. In fact, you probably<br />
wouldn’t think it strange to see a Sears salesperson referring to a catalog in the store while trying<br />
to advise a customer on a specific product or offer.<br />
Finally, direct marketing is interactive and immediate—buyers can interact with sellers<br />
by phone or on the seller’s Web site to create exactly the configuration of information, products,<br />
or services they desire, and then order them on the spot. Moreover, direct marketing<br />
gives consumers a greater measure of control. Consumers decide which catalogs they will<br />
browse and which Web sites they will visit.<br />
Benefits to Sellers<br />
For sellers, direct marketing is a powerful tool for building customer relationships. Using<br />
database marketing, today’s marketers can target small groups or individual consumers and<br />
promote their offers through personalized communications. Because of the one-to-one nature<br />
of direct marketing, companies can interact with customers by phone or online, learn more<br />
about their needs, and tailor products and services to specific customer tastes. In turn, customers<br />
can ask questions and volunteer feedback.<br />
Direct marketing also offers sellers a low-cost, efficient, speedy alternative for reaching<br />
their markets. Direct marketing has grown rapidly in business-to-business marketing, partly in<br />
response to the ever-increasing costs of marketing through the sales force. When personal sales<br />
calls cost an average of more than $400 per contact, they should be made only when necessary<br />
and to high-potential customers and prospects. Lower-cost-per-contact media—such as telemarketing,<br />
direct mail, and company Web sites—often prove more cost effective. Similarly,<br />
online direct marketing results in lower costs, improved efficiencies, and speedier handling of<br />
channel and logistics functions, such as order processing, inventory handling, and delivery.<br />
Direct marketers such as Amazon.com or Dell also avoid the expense of maintaining a store<br />
and the related costs of rent, insurance, and utilities, passing the savings along to customers.<br />
Direct marketing can also offer greater flexibility. It allows marketers to make ongoing<br />
adjustments to its prices and programs, or to make immediate and timely announcements and
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 483<br />
offers. For example, Southwest Airlines’ DING! application takes advantage of the flexibility<br />
and immediacy of the Web to share low-fare offers directly with customers: 4<br />
■ Southwest Airlines “DING!” application takes advantage of flexibility and<br />
immediacy of the Web to share low-fare offers directly with customers.<br />
Customer database<br />
An organized collection of<br />
comprehensive data about<br />
individual customers or<br />
prospects, including<br />
geographic, demographic,<br />
psychographic, and<br />
behavioral data.<br />
When Jim Jacobs hears a “ding” coming from his desktop computer, he thinks about<br />
discount air fares like the $122 ticket he recently bought for a flight from Tampa to<br />
Baltimore on Southwest Airlines.<br />
Several times a day, Southwest sends<br />
Jacobs and hundreds of thousands of<br />
other computer users discounts through<br />
an application called DING! “If I move<br />
quickly,” says Jacobs, a corporate<br />
telecommunications salesman who lives<br />
in Tampa, “I can usually save a lot of<br />
money.” The fare to Baltimore underbid<br />
the airline’s own Web site by $36, he<br />
says. DING! lets Southwest bypass the<br />
reservations system and pass bargain<br />
fares directly to interested customers.<br />
Eventually, DING! may even allow<br />
Southwest to customize fare offers based<br />
on each customer’s unique characteristics<br />
and travel preferences. For now,<br />
DING! gets a Southwest icon on the customer’s<br />
desktop and lets the airline build<br />
relationships with customers by helping<br />
them to save money. Following its DING!<br />
launch in early 2005, Southwest experienced<br />
its two biggest online sales days<br />
ever. In the first 13 months, two million<br />
customers downloaded DING! and the<br />
program produced more than $80 million<br />
worth of fares.<br />
Finally, direct marketing gives sellers access to buyers that they could not reach through<br />
other channels. Smaller firms can mail catalogs to customers outside their local markets and<br />
post 1-800 telephone numbers to handle orders and inquiries. Internet marketing is a truly<br />
global medium that allows buyers and sellers to click from one country to another in seconds.<br />
A Web surfer from Paris or Istanbul can access an online L.L. Bean catalog as easily as someone<br />
living in Freeport, Maine, the direct retailer’s hometown. Even small marketers find that<br />
they have ready access to global markets.<br />
Customer Databases and Direct <strong>Marketing</strong><br />
Effective direct marketing begins with a good customer database. A customer database is an<br />
organized collection of comprehensive data about individual customers or prospects, including<br />
geographic, demographic, psychographic, and behavioral data. A good customer database<br />
can be a potent relationship-building tool. The database gives companies “a snapshot of how<br />
customers look and behave.” Says one expert, “A company is no better than what it knows<br />
[about its customers].” 5<br />
Many companies confuse a customer database with a customer mailing list. A customer<br />
mailing list is simply a set of names, addresses, and telephone numbers. A customer database<br />
contains much more information. In consumer marketing, the customer database might contain<br />
a customer’s demographics (age, income, family members, birthdays), psychographics<br />
(activities, interests, and opinions), and buying behavior (buying preferences and the recency,<br />
frequency, and monetary value—RFM—of past purchases). In business-to-business marketing,<br />
the customer profile might contain the products and services the customer has bought;<br />
past volumes and prices; key contacts (and their ages, birthdays, hobbies, and favorite foods);<br />
competing suppliers; status of current contracts; estimated customer spending for the next<br />
few years; and assessments of competitive strengths and weaknesses in selling and servicing<br />
the account.
484 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
Direct-mail marketing<br />
Direct marketing by sending<br />
an offer, announcement,<br />
reminder, or other item to a<br />
person at a particular<br />
address.<br />
Some of these databases are huge. For example, casino operator Harrah’s Entertainment<br />
has built a customer database containing 30 terabytes worth of customer information, roughly<br />
three times the number of printed characters in the Library of Congress. Internet portal Yahoo!<br />
records every click made by every visitor, adding some 400 billion bytes of data per day to its<br />
database—the equivalent of 800,000 books. And Wal-Mart captures data on every item, for<br />
every customer, for every store, every day. Its database contains more than 570 terabytes of<br />
data—that’s 570 trillion bytes, far greater than the storage horsepower of 100,000 personal<br />
computers. 6<br />
Companies use their databases in many ways. They use databases to locate good potential<br />
customers and to generate sales leads. They can mine their databases to learn about customers<br />
in detail, and then fine-tune their market offerings and communications to the special preferences<br />
and behaviors of target segments or individuals. In all, a company’s database can be an<br />
important tool for building stronger long-term customer relationships. For example, financial<br />
services provider USAA uses its database to find ways to serve the long-term needs of customers,<br />
regardless of immediate sales impact, creating an incredibly loyal customer base:<br />
USAA provides financial services to U.S. military personnel and their families,<br />
largely through direct marketing via the telephone and Internet. It maintains a customer<br />
database built from customer purchasing histories and from information collected<br />
directly from customers. To keep the database fresh, the organization regularly<br />
surveys its more than 5.6 million customers worldwide to learn such things as<br />
whether they have children (and if so, how old they are), if they have moved recently,<br />
and when they plan to retire. USAA uses the database to tailor direct marketing<br />
offers to the specific needs of individual customers. For example, for customers looking<br />
toward retirement, it sends information on estate planning. If the family has<br />
college-age children, USAA sends those children information on how to manage<br />
their credit cards. If the family has younger children, it sends booklets on things such<br />
as financing a child’s education. One delighted reporter, a USAA customer, recounts<br />
how USAA even helped him teach his 16-year-old-daughter to drive. Just before her<br />
birthday, but before she received her driver’s license, USAA mailed a “package of<br />
materials, backed by research, to help me teach my daughter how to drive, help her<br />
practice, and help us find ways to agree on what constitutes safe driving later on,<br />
when she gets her license.” What’s more, marvels the reporter, “USAA didn’t try to<br />
sell me a thing. My take-away: that USAA is investing in me for the long term, that it<br />
defines profitability not just by what it sells today.” Through such skillful use of its<br />
database, USAA serves each customer uniquely, resulting in high levels of customer<br />
loyalty and sales growth. The average customer household owns almost five USAA<br />
products, and the $12 billion company retains 97 percent of its customers. 7<br />
Like many other marketing tools, database marketing requires a special investment.<br />
Companies must invest in computer hardware, database software, analytical programs, communication<br />
links, and skilled personnel. The database system must be user-friendly and<br />
available to various marketing groups, including those in product and brand management,<br />
new-product development, advertising and promotion, direct mail, telemarketing, Web marketing,<br />
field sales, order fulfillment, and customer service. However, a well-managed database<br />
should lead to sales and customer-relationship gains that will more than cover its costs.<br />
Forms of Direct <strong>Marketing</strong><br />
The major forms of direct marketing—as shown in Figure 17.1—include personal selling,<br />
direct-mail marketing, catalog marketing, telephone marketing, direct-response television<br />
marketing, kiosk marketing, new digital direct marketing technologies, and online marketing.<br />
We examined personal selling in depth in Chapter 16. Here, we examine the other<br />
direct-marketing forms.<br />
Direct-Mail <strong>Marketing</strong><br />
Direct-mail marketing involves sending an offer, announcement, reminder, or other item to a<br />
person at a particular address. Using highly selective mailing lists, direct marketers send out
Catalog marketing<br />
Direct marketing through<br />
print, video, or electronic<br />
catalogs that are mailed to<br />
select customers, made<br />
available in stores, or<br />
presented online.<br />
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 485<br />
FIGURE 17.1<br />
Forms of direct marketing<br />
New digital<br />
technologies<br />
Online<br />
marketing<br />
Kiosk<br />
marketing<br />
Face-to-face<br />
selling<br />
Customers and<br />
prospects<br />
Direct-response<br />
television<br />
marketing<br />
Direct-mail<br />
marketing<br />
Telemarketing<br />
Catalog<br />
marketing<br />
millions of mail pieces each year—letters, catalogues, ads, brochures, samples, CDs and<br />
DVDs, and other “salespeople with wings.” Direct mail is by far the largest direct marketing<br />
medium. The DMA reports that direct mail (including both catalog and non-catalog mail)<br />
drives fully one-third of all U.S. direct marketing sales. 8<br />
Direct mail is well suited to direct, one-to-one communication. It permits high targetmarket<br />
selectivity, can be personalized, is flexible, and allows easy measurement of results.<br />
Although direct mail costs more than mass media such as television or magazines per thousand<br />
people reached, the people it reaches are much better prospects. Direct mail has proved<br />
successful in promoting all kinds of products, from books, music, DVDs, and magazine<br />
subscriptions to insurance, gift items, clothing, gourmet foods, and industrial products.<br />
Charities also use direct mail heavily to raise billions of dollars each year.<br />
The direct-mail industry constantly seeks new methods and approaches. For example,<br />
CDs and DVDs are now among the fastest-growing direct-mail media. One study showed that<br />
including a CD or DVD in a marketing offer generates responses between 50 to 600 percent<br />
greater than traditional direct mail. 9 New forms of delivery have also become popular, such as<br />
fax mail, voice mail, and e-mail. Fax mail and voice mail are subject to the same do-not-call<br />
restrictions as telemarketing, so their use has been limited in recent years. However, e-mail is<br />
booming as a direct marketing tool. Today’s e-mail messages have moved far beyond the drab<br />
text-only messages of old. The new breed of e-mail ad uses animation, interactive links,<br />
streaming video, and personalized audio messages to reach out and grab attention.<br />
E-mail and other new forms deliver direct mail at incredible speeds compared to the post<br />
office’s “snail mail” pace. Yet, much like mail delivered through traditional channels, they<br />
may be resented as “junk mail” or SPAM if sent to people who have no interest in them. For<br />
this reason, smart marketers are targeting their direct mail carefully so as not waste their<br />
money and recipients’ time. They are designing permission-based programs, sending e-mail<br />
ads only to those who want to receive them. We will discuss e-mail marketing in more detail<br />
later in the chapter.<br />
Catalog <strong>Marketing</strong><br />
Advances in technology, along with the move toward personalized, one-to-one marketing<br />
have resulted in exciting changes in catalog marketing. Catalog Age magazine used to define<br />
a catalog as “a printed, bound piece of at least eight pages, selling multiple products, and
486 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
■ More and more catalogs are<br />
going digital. For example,<br />
click on the Shop by Catalog<br />
link at www.llbean.com and<br />
you can flip through the latest<br />
L.L. Bean catalog page by page<br />
online.<br />
offering a direct ordering mechanism.” Today, only a few years later, this definition is sadly<br />
out of date.<br />
With the stampede to the Internet, more and more catalogs are going digital. A variety of<br />
Web-only catalogers have emerged, and most print catalogers have added Web-based catalogs<br />
to their marketing mixes. For example, click on the Shop by Catalog link at www.llbean.com<br />
and you can flip through the latest L.L. Bean catalog page by page online. One study found<br />
that consumers now make 36 percent of their catalog purchases online.<br />
However, although the Internet has provided a new avenue for catalog sales, all you have<br />
to do is to check your mailbox to know that printed catalogs remain the primary medium.<br />
Research shows that print catalogs generate many of those online orders. Customers who<br />
receive print catalogs are more likely to buy online, and they spend 16 percent more than customers<br />
who did not receive catalogs. 10<br />
Catalog marketing has grown explosively during the past 25 years. Annual catalog sales<br />
amounted to about $133 billion last year and are expected to grow to top $158 billion by 2009. 11<br />
Some large general-merchandise retailers—such as J.C. Penney and Spiegel—sell a full line of<br />
merchandise through catalogs. In recent years, these giants have been challenged by thousands<br />
of specialty catalogs that serve highly specialized market niches. According to one study, some<br />
10,000 companies now produce 14,000 unique catalog titles in the United States. 12<br />
Consumers can buy just about anything from a catalog. Sharper Image catalogs hawk<br />
everything from $300 robot vacuum cleaners to $4,500 see-through kayaks. Each year Lillian<br />
Vernon sends out 22 editions of its 6 catalogs with total circulation of 101 million copies to its<br />
20-million-person database, selling more than 6,000 different items, ranging from shoes to<br />
decorative lawn birds and monogrammed oven mitts. 13 Specialty department stores, such<br />
as Neiman Marcus, Bloomingdale’s, and Saks Fifth Avenue, use catalogs to cultivate uppermiddle-class<br />
markets for high-priced, often exotic, merchandise.<br />
Catalogs can be an effective sales and relationship builder. A recent study conducted by<br />
Frank About Women, a marketing-to-women communications company, found that a majority<br />
of women who receive catalogs are actively engaged with them.<br />
Eighty-nine percent of the participants revealed that they do more than just browse<br />
through the catalogs they receive in the mail. They circle or “tab” the items that they<br />
want, fold over the corners of pages, and tear pages out. Some 69 percent save their<br />
catalogs to look through again. More than just a buying tool, many women view catalogs<br />
as a source of entertainment and inspiration. Women claim to love perusing<br />
catalogs almost like reading a woman’s magazine, looking for ideas for everything
Telephone marketing<br />
Using the telephone to sell<br />
directly to customers.<br />
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 487<br />
from decorating, to fashion, to that extra special gift. More than one-third of women<br />
surveyed greet their catalogs with enthusiasm, stating they are the first things they<br />
look at when they get their mail. Seventy-five percent of women find catalog browsing<br />
really enjoyable, fun, and relaxing, with 74 percent agreeing that they get excited<br />
when a new catalog arrives. 14<br />
Web-based catalogs present a number of benefits versus printed catalogs. They save on<br />
production, printing, and mailing costs. Whereas print-catalog space is limited, online catalogs<br />
can offer an almost unlimited amount of merchandise. Web catalogs also allow real-time<br />
merchandising: Products and features can be added or removed as needed, and prices can be<br />
adjusted instantly to match demand. Finally, online catalogs can be spiced up with interactive<br />
entertainment and promotional features, such as games, contests, and daily specials.<br />
Along with the benefits, however, Web-based catalogs also present challenges. Whereas a<br />
print catalog is intrusive and creates its own attention, Web catalogs are passive and must be<br />
marketed. Attracting new customers is much more difficult for a Web catalog than for a print<br />
catalog. Thus, even catalogers who are sold on the Web are not likely to abandon their print<br />
catalogs.<br />
Telephone <strong>Marketing</strong><br />
Telephone marketing involves using the telephone to sell directly to consumers and business<br />
customers. Telephone marketing now accounts for 22 percent of all direct marketingdriven<br />
sales. We’re all familiar with telephone marketing directed toward consumers, but<br />
business-to-business marketers also use telephone marketing extensively, accounting for<br />
more than 55 percent of all telephone marketing sales.<br />
Marketers use outbound telephone marketing to sell directly to consumers and businesses.<br />
Inbound toll-free 800 numbers are used to receive orders from television and print<br />
ads, direct mail, or catalogs. The use of 800 numbers has taken off in recent years as more and<br />
more companies have begun using them, and as current users have added new features such<br />
as toll-free fax numbers. To accommodate this<br />
rapid growth, new toll-free area codes, such as<br />
888, 877, and 866, have been added.<br />
Properly designed and targeted telemarketing<br />
provides many benefits, including purchasing<br />
convenience and increased product and service<br />
information. However, the explosion in<br />
unsolicited outbound telephone marketing over<br />
the years annoyed many consumers, who<br />
objected to the almost daily “junk phone calls”<br />
that pull them away from the dinner table or fill<br />
the answering machine.<br />
In 2003, U.S. lawmakers responded with a<br />
National Do-Not-Call Registry, managed by the<br />
Federal Trade Commission. The legislation<br />
bans most telemarketing calls to registered<br />
phone numbers (although people can still<br />
receive calls from nonprofit groups, politicians,<br />
and companies with which they have recently<br />
done business). Delighted consumers have<br />
responded enthusiastically. To date, they have<br />
registered more than 110 million phone numbers<br />
at www.donotcall.com or by calling 888-<br />
382-1222. Businesses that break do-not-call<br />
laws can be fined up to $11,000 per violation.<br />
As a result, reports an FTC spokesperson, the<br />
program “has been exceptionally successful.” 15<br />
Do-not-call legislation has hurt the telemarketing<br />
industry, but not all that much. Two<br />
■ Marketers use inbound toll-free 800 numbers to receive orders from television<br />
and print ads, direct mail, or catalogs. Here, the Carolina Cookie Company urges,<br />
“Don’t wait another day. Call now to place an order or request a catalog.”<br />
major forms of telemarketing—inbound consumer<br />
telemarketing and outbound business-tobusiness<br />
telemarketing—remain strong and<br />
growing. Telemarketing also remains a major
488 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
Direct-response television<br />
marketing<br />
Direct marketing via<br />
television, including directresponse<br />
television<br />
advertising (or infomercials)<br />
and home shopping<br />
channels.<br />
fundraising tool for nonprofits groups. However, many telemarketers are shifting to alternative<br />
methods for capturing new customers and sales, from direct mail, direct-response TV,<br />
and live-chat Web technology to sweepstakes that prompt customers to call in.<br />
For example, ServiceMaster’s TruGreen lawn-care service used to generate about 90 percent<br />
of its sales through telemarketing. It now uses more direct mail, as well have having<br />
employees go door-to-door in neighborhoods where it already has customers. The new<br />
approach appears to be working even better than the old cold-calling one. The company’s sales<br />
were up last year, and less than 50 percent of sales came from telemarketing. “We were nervous,<br />
but were thrilled with what we’ve accomplished,” says ServiceMaster’s chief<br />
executive. 16<br />
In fact, do-not-call appears to be helping most direct marketers more than it’s hurting<br />
them. Many of these marketers are shifting their call-center activity from making cold calls on<br />
often resentful customers to managing existing customer relationships. They are developing<br />
“opt-in” calling systems, in which they provide useful information and offers to customers<br />
who have invited the company to contact them by phone or e-mail. These “sales tactics have<br />
[produced] results as good—or even better—than telemarketing,” declares one analyst. “The<br />
opt-in model is proving [more] valuable for marketers [than] the old invasive one.” 17<br />
Direct-Response Television <strong>Marketing</strong><br />
Direct-response television marketing takes one of two major forms. The first is directresponse<br />
television advertising (DRTV). Direct marketers air television spots, often 60 or 120<br />
seconds long, which persuasively describe a product and give customers a toll-free number or<br />
Web site for ordering. Television viewers also often encounter full 30-minute or longer advertising<br />
programs, or infomercials, for a single product.<br />
Some successful direct-response ads run for years and become classics. For example,<br />
Dial Media’s ads for Ginsu knives ran for seven years and sold almost three million sets of<br />
knives, worth more than $40 million in sales; its Armourcote cookware ads generated more<br />
than twice that much. Bowflex has grossed more than $1.3 billion in infomercial sales. And<br />
over the past 40 years, infomercial czar Ron Popeil’s company, Ronco, has sold billions of<br />
dollars worth of TV-marketed gadgets, including the original Veg-O-Matic, the Pocket<br />
Fisherman, Mr. Microphone, “Hair in a Can,” the Giant Food Dehydrator and Beef Jerky<br />
Machine, and the Showtime Rotisserie & BBQ. 18<br />
For years, infomercials have been associated with somewhat questionable pitches for<br />
juicers and other kitchen gadgets, get-rich-quick schemes, and nifty ways to stay in shape<br />
without working very hard at it. In recent years, however, a number of large companies—<br />
from Procter & Gamble, Dell, Sears, Disney, Bose, and Revlon to IBM, GM, Land Rover,<br />
Anheuser-Busch, and even AARP and the U.S. Navy—have begun using infomercials to sell<br />
their wares, refer customers to retailers, send out product information, recruit members, or<br />
attract buyers to their Web sites (see Real <strong>Marketing</strong> 17.1). For example, P&G has used DRTV<br />
to market more than a dozen brands, including Dryel, Mr. Clean, CoverGirl, Iams pet food,<br />
and Old Spice. An estimated 20 percent of all new infomercials now come to you courtesy of<br />
Fortune 1000 companies. 19<br />
Direct-response TV commercials are usually cheaper to make and the media purchase is<br />
less costly. Moreover, unlike most media campaigns, direct-response ads always include a<br />
1-800 number or Web address, making it easier for marketers to track the impact of their<br />
pitches. For these reasons, DRTV is growing more quickly than traditional broadcast and<br />
cable advertising. Some DRTV experts even predict that in five or ten years, as marketers seek<br />
greater returns on their advertising investments, all television advertising will be some form<br />
of direct-response advertising. “In a business environment where marketers are obsessed with<br />
return on investment,” notes one such expert, “direct response is tailor-made—[marketers<br />
can] track phone calls and Web-site hits generated by the ads. [They can] use DRTV to build<br />
brand awareness while simultaneously generating leads and sales.” 20<br />
Home shopping channels, another form of direct-response television marketing, are television<br />
programs or entire channels dedicated to selling goods and services. Some home shopping<br />
channels, such as the Quality Value Channel (QVC), Home Shopping Network (HSN),<br />
and ShopNBC, broadcast 24 hours a day. Program hosts chat with viewers by phone and offer<br />
products ranging from jewelry, lamps, collectible dolls, and clothing to power tools and consumer<br />
electronics. Viewers call a toll-free number or go online to order goods. With widespread<br />
distribution on cable and satellite television, the top three shopping networks combined<br />
now reach 248 million homes worldwide.
Real <strong>Marketing</strong><br />
17.1<br />
It’s late at night and you can’t get to sleep. So you<br />
grab the TV remote, surf channels, and chance upon<br />
a fast-talking announcer, breathlessly pitching some new must-have<br />
kitchen gadget. A grinning blonde coannouncer fawns over the gadget’s<br />
every feature, and the studio audience roars its approval. After<br />
putting the gadget through its paces, the announcer asks, “How<br />
much would you expect to pay? Three hundred dollars? Two hundred?<br />
Well, think again! This amazing gadget can be yours for just<br />
four easy payments of $19.95, plus shipping and handling!”<br />
“Oooooh!” the audience screams. “But wait! There’s more,” declares<br />
the announcer. “If you act now, you will also receive an additional<br />
gadget, absolutely free. That’s two for the price of one.” With operators<br />
standing by, you don’t have a minute to lose.<br />
Sound familiar? We’ve all seen countless infomercials like this,<br />
hawking everything from kitchen gadgets, cleaning compounds, and<br />
fitness solutions to psychic advice and get-rich-quick schemes.<br />
Traditionally, such pitches have had a kind of fly-by-night feel about<br />
them. And in the cold light of day, such a purchase may not seem<br />
like such a good deal after all. Such is the reputation of directresponse<br />
TV advertising. Yet, behind the hype is a powerful approach<br />
to marketing that is becoming more mainstream every day.<br />
Ron Popeil pioneered direct-response product sales. Whether you<br />
realize it or not, you’ve probably been exposed to dozens of Popeil’s<br />
inventions over the years, and his direct-marketing model has<br />
become the standard for the infomercial industry. His company,<br />
Ronco, has brought us such classics as the Veg-o-Matic, the Electric<br />
Food Dehydrator, the Showtime Rotisserie Oven, the GLH Formula<br />
Hair System, the Automatic 5-Minute Pasta and Sausage Maker, the<br />
Popeil Pocket Fisherman, the Inside the Egg Shell Electric Egg<br />
Scrambler, and the Dial-O-Matic Food Slicer.<br />
The use of infomercials has grown explosively in recent years.<br />
Why? Because they can produce spectacular results. Although only<br />
one in 60 infomercials turns a profit, “successful pitches can generate<br />
annual sales of as much as $50 million,” notes one analyst.<br />
“And breakout hits become gold mines: Ron Popeil has sold $1 billion<br />
worth of Ronco rotisserie ovens, and the Tae-Bo Workout<br />
infomercial. . . netted $300 million in its first year. Other benefits<br />
include viewer recall that can be three times higher than for traditional<br />
30-second spots and phenomenal brand awareness: Ninetytwo<br />
percent of consumers have heard of the Nautilus Bowflex home<br />
fitness system—about the same number of folks that recognize the<br />
Nike brand.” Says the head of an infomercial advertising agency,<br />
“It’s the power of the half-hour.”<br />
Moreover, the retail store revenue from a successful infomercial<br />
can be many times the actual infomercial sales. For example, more<br />
than 85 percent of George Foreman’s Mean Lean Grilling Machine<br />
sales came from retail locations. Mass retailers have embraced such<br />
direct-response staples as Foreman’s grill, OxiClean, and Orange Glo.<br />
Some, such as drug-chain heavyweight Walgreens, devote entire<br />
front-of-store sections to such goods. Whereas it used to take years to<br />
get retail distribution for “As seen on TV” products, many now make<br />
it to store shelves within a month of going on television.<br />
Such infomercial success hasn’t gone unnoticed among the big<br />
hitters in corporate America. Direct-response television marketing is<br />
rapidly becoming a mainstay weapon in the marketing arsenals of<br />
even the most reputable companies. <strong>Marketing</strong> heavyweights such<br />
as Dell, Procter & Gamble, Disney, Time-Life, General Motors, Apple,<br />
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 489<br />
Infomercials: But Wait, There’s More!<br />
Ronco and Ron Popeil, with his Veg-o-Matics, food dehydrators, and<br />
electric egg scramblers, paved the way for a host of mainstream<br />
marketers who now use direct-response ads.<br />
Motorola, and Sears now use direct-response TV to peddle specific<br />
products and promotions and to draw new customers into their other<br />
direct-to-consumer channels. For example, Procter & Gamble used a<br />
series of infomercials to help propel the Swiffer WetJet past rival<br />
Clorox’s ReadyMop when other marketing efforts alone failed to do<br />
the trick. And P&G launched its Swiffer Dusters product with a campaign<br />
that included direct-response ads and a tie-in to the DVD<br />
release of the Jennifer Lopez film Maid in Manhattan. Consumers<br />
contacting the 1-800 number got coupons for both the new Swiffer<br />
Duster and the DVD.<br />
Today’s infomercials have evolved with the times—most now<br />
include highly professional pitches and Web sites to go along with the<br />
ever-present toll-free phone number. They also employ a new breed<br />
of spokesperson. Once a refuge for Hollywood has-beens such as<br />
Suzanne Somers, who squeezed away on her thigh master to blearyeyed<br />
insomniacs, infomercials now are now enlisting A-list celebrities.<br />
One of the nation’s largest infomercial companies, Gunthy-<br />
Renker, pays top dollar for a stable of stars to pitch its Proactiv acne<br />
treatment. It paid Sean (P. Diddy) Combs $3 million for a four-hour<br />
shoot. In four months, the Combs Proactiv infomercial ran an average<br />
of more than 10 times on each of 1,400 local TV stations. Other<br />
Proactiv ads have featured Jessica Simpson (paid $2.5 million),<br />
Vanessa Williams ($2.5 million), Alicia Keys ($3 million), and Britney<br />
Spears ($1 million). In all, the ads produced some $650 million in<br />
Proactiv sales last year.<br />
Interest in direct-response has now expanded beyond the usual<br />
fitness, personal-care, and home-care fare. For instance, submarine-<br />
(continues)
490 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
(continued)<br />
sandwich giant Quiznos has turned to late-night infomercials to sell<br />
franchises. Trailing only Subway and Starbucks in the number of<br />
franchises opened annually, Quiznos created a successful 30-minute<br />
spot in which current franchise owners discussed the benefits of<br />
owning a Quiznos restaurant and encouraged interested people to<br />
attend informational meetings at local hotels. Ice cream chain Carvel<br />
also uses infomercials to reach potential franchisees. The results are<br />
measurable: “We can push a button to see what commercial ran,<br />
how many responses it got, how much revenue it generated if it was<br />
selling something, and what the net [return on investment] was,”<br />
says an executive of the direct-response firm that created the campaign.<br />
The results are also impressive: “We got easily four times the<br />
normal response than with standard media,” says a Carvel marketer.<br />
So, direct-response TV ads are no longer just the province of Ron<br />
Popeil and his Veg-o-Matics, food dehydrators, and electric egg<br />
scramblers. Although Popeil and his imitators paved the way, their<br />
success now has mainstream marketers tuning in to direct-response<br />
Despite their lowbrow images, home shopping channels have evolved into highly sophisticated,<br />
very successful marketing operations. Consider QVC:<br />
Wired magazine once described QVC as a place appealing to “trailer-park housewives<br />
frantically phoning for another ceramic clown.” But look past QVC’s reputation and<br />
you’ll find it is one of the world’s most successful and innovative retailers. Last year,<br />
the company rang up $5.7 billion in sales and $760 million in operating profit, making<br />
it nearly as big and roughly twice as profitable as Amazon.com. Although QVC sells<br />
no advertising, it’s the third-largest U.S. broadcaster in terms of revenue (behind NBC<br />
and ABC), and its sales and profits are larger than those of all other TV-based retailers<br />
combined. Remarkably, thanks to shrewd coordination with TV programming that<br />
drives buyers online, the company’s Web site, QVC.com, is now the nation’s sixth-largest<br />
general merchandise Internet retailer. Moreover, QVC isn’t just a place where littleknown<br />
marketers hawk trinkets and trash at bare-bones prices. Prominent manufacturers<br />
such as Estee Lauder, Nextel, and<br />
Tourneau now sell through QVC. The<br />
network’s $80 million single-day sales<br />
record happened on Dec. 2, 2001, when<br />
Dell sold $65 million worth of PCs in 24<br />
hours. (One month later, Michael Dell<br />
went on QVC, doing $48,000 in sales<br />
every minute he chatted on air.) Even<br />
high-fashion designers such as John<br />
Bartlett and Marc Bauer now sell lines<br />
on QVC.<br />
QVC has honed the art and science<br />
of TV retailing. Its producers react in<br />
real time, adjusting offers, camera<br />
angles, lighting, and dialogue to maximize<br />
sales and profits. QVC has<br />
become the gold standard of “retailtainment”—the<br />
blending of retailing<br />
■ QVC is more than just a place where little-known sellers hawk trinkets and trash<br />
at bare-bones prices. Behind the cameras, it’s a sophisticated marketer with sales<br />
and profits larger than all other TV-based retailers combined.<br />
ads. In fact, last year marketers spent $21.5 billion on directresponse<br />
television advertising, reaping more than $150 billion in<br />
revenues in return. What does the future hold for the direct-response<br />
TV industry? Wait, there’s more!<br />
Sources: Thomas Mucha, “Stronger Sales in Just 28 Minutes,” Business<br />
2.0, June 2005, pp. 56–60; Jack Neff, “Direct Response Getting<br />
Respect,” Advertising Age, January 20, 2003, p. 4; Kristi Arellano,<br />
“Quiznos’ Success Not without Problems,” Knight Ridder Tribune<br />
Business News, June 19, 2005, p. 1; Peter Latterman, “So Long<br />
Suzanne Somers,” Forbes, July 4, 2005, p. 60; Victor Grillo, Jr., “Calling<br />
All Brands,” Mediaweek, July 11, 2005, p. 14; Gregg Cebrzynski,<br />
“Carvel Joins ‘Slicers and Dicers’ with Direct-Response Ads,” Nation’s<br />
Restaurant News, February 13, 2006, p. 14; Jack Neff, “What Procter &<br />
Gamble Learned from Veg-O-Matic,” Advertising Age, April 10, 2006,<br />
pp. 1, 65; and Direct <strong>Marketing</strong> Association, “The DMA 2006 Statistical<br />
Fact Book,” June 2006, pp. 249–250.<br />
and entertainment. QVC folks call it<br />
the “backyard fence” sell—the feeling<br />
that the merchants are neighbors visiting<br />
from next door. But according to
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 491<br />
QVC’s president for U.S. commerce, “we aren’t really in the business of selling.”<br />
Instead, QVC uses products to build relationships with customers. 21<br />
Kiosk <strong>Marketing</strong><br />
As consumers become more and more comfortable with computer and digital technologies,<br />
many companies are placing information and ordering machines—called kiosks (in contrast<br />
to vending machines, which dispense actual products)—in stores, airports, and other locations.<br />
Kiosks are popping up everywhere these days, from self-service hotel and airline<br />
check-in devices to in-store ordering kiosks that let you order merchandise not carried in<br />
the store.<br />
In-store Kodak, Fuji, and HP kiosks let customers transfer pictures from memory sticks,<br />
mobile phones, and other digital storage devices, edit them, and make high-quality color<br />
prints. Kiosks in Hilton hotel lobbies let guests view their reservations, get room keys, view<br />
prearrival messages, check in and out, and even change seat assignments and print boarding<br />
passes for flights on any of 18 airlines. Outdoor equipment retailer REI has at least four Webenabled<br />
kiosks in each of its 63 stores that provide customers with product information and<br />
let them place orders online. Kiosks in Target stores link to articles from Consumer Reports<br />
magazine, and Mazda dealers let customers use kiosks to research car and truck values<br />
through Kelly Blue Book. 22<br />
Business marketers also use kiosks. For example, Dow Plastics places kiosks at trade<br />
shows to collect sales leads and to provide information on its 700 products. The kiosk system<br />
reads customer data from encoded registration badges and produces technical data sheets that<br />
can be printed at the kiosk or faxed or mailed to the customer. The system has resulted in a<br />
400 percent increase in qualified sales leads. 23<br />
New Digital Direct <strong>Marketing</strong> Technologies<br />
Today, thanks to a wealth of new digital technologies, direct marketers can reach and interact<br />
with consumers just about anywhere, at anytime, about almost anything. Here, we look into<br />
several exciting new digital direct marketing technologies: mobile phone marketing, podcasts<br />
and vodcasts, and interactive TV (ITV).<br />
Mobile Phone <strong>Marketing</strong><br />
With almost 200 million Americans now subscribing to wireless services, many marketers<br />
view mobile phones as the next big direct marketing medium. According to one expert, “the<br />
cell phone, which makes on-the-go conversing so convenient, is morphing into a content<br />
device, a kind of digital Swiss Army knife with the capability of filling its owner’s every spare<br />
minute with games, music, live and on-demand TV, Web browsing, and, oh yes, advertising.”<br />
24 A recent survey found that 89 percent of major brands will be marketed via mobile<br />
phones by 2008. More than half of those brands will likely spend up to 25 percent of their<br />
marketing budgets on mobile phone marketing. 25<br />
Marketers of all kinds are now integrating mobile phones into their direct marketing.<br />
Cell phone promotions include everything from ring-tone give-aways, mobile games, and adsupported<br />
content to text-in contests and sweepstakes. For example, McDonald’s recently put<br />
a promotion code on 20 million Big Mac packages in a joint sweepstakes contest with the<br />
House of Blues, urging participants to enter to win prizes and to text in from concerts. Some<br />
40 percent of contest entries came via text messaging, resulting in a 3 percent sales gain for<br />
McDonald’s. More importantly, 24 percent of those entering via cell phones opted in to<br />
receive future promotions and messages. 26<br />
Perhaps nowhere is mobile phone marketing more advanced that in Japan. Here’s a<br />
glimpse of what the future might hold for cell phone marketing in the United States and other<br />
countries.<br />
In Japan, life revolves around cell phones, and marketers know it. Take Nami, a 37year-old<br />
graphic designer in Tokyo who regularly uses her phone to send and receive<br />
e-mails on the go. Her 11-year-old daughter enjoys downloading wallpaper and animated<br />
trailers featuring Disney characters, and Nami’s boyfriend relies on his<br />
phone’s global positioning system to navigate Tokyo’s labyrinthine of streets. The<br />
family can also use cell phones to buy a can of Coke from high-tech vending
492 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
machines, receive e-coupons from<br />
neighborhood stores, and even have<br />
their fortunes told. Digital coupons are<br />
taking off, as are GPS-based promotions<br />
used by retailers to target people<br />
near their stores. Mobile-ad spending<br />
in Japan is expected to hit $680 million<br />
by 2009, up from just $158 million<br />
last year.<br />
Japanese direct marketers are experimenting<br />
with new ways to use the<br />
mobile devices for brand building.<br />
Nestlé, for example, is trying out a new<br />
technology called Quick Response<br />
(QR) codes, which can be scanned like<br />
digital bar codes. QR codes on print<br />
and outdoor ads can be read by cell<br />
phone cameras, which redirect the<br />
user’s phone to a designated mobile<br />
URL site. Nestlé used QR codes in a<br />
campaign to launch a canned drink<br />
called Nescafé Shake. It promoted<br />
Shake with two 15-minute short films<br />
that humorously communicated a<br />
sense of fun around the act of “shaking” with a story about a slacker kid who winds<br />
up with a dog’s wagging tail on his behind. A QR code on promotional materials led<br />
cell phone users to a mobile site where they could download the film as well as its<br />
original music as songs or ring tones. In the first three weeks after Nestlé’s “Nonta’s<br />
Tail” film debuted, 120,000 people visited the mobile site and another 550,000<br />
watched the film on the Internet. 27<br />
■ Mobile phone marketing: To launch its Nescafé Shake canned drink in Japan,<br />
Nestlé used Quick Response codes, which can be scanned like UPC codes by a cell<br />
phone, to direct consumers to marketing pitches for the new product.<br />
Podcasts and Vodcasts<br />
Podcasting and vodcasting are the latest on-the-go, on-demand technologies. The name<br />
podcast derives from Apple’s now-everywhere iPod. With podcasting, consumers can download<br />
audio files (podcasts) or video files (vodcasts) via the Internet to an iPod or other handheld<br />
device and then listen to or view them whenever and wherever they wish. They can<br />
search for podcast topics through sites such as iTunes or through podcast networks such as<br />
PodTrac, Podbridge, or PodShow. These days, you can download podcasts or vodcasts on an<br />
exploding array of topics, everything from your favorite National Public Radio show, a recent<br />
sit-com episode, or current sports features to the latest music video or Go-Daddy commercial.<br />
One recent study predicts that the U.S. podcast audience will reach 50 million by 2010,<br />
up from 5 million in 2005. More than 20 percent of today’s podcast listeners make more<br />
than $100,000 a year. 28 As a result, this new medium is drawing much attention from marketers.<br />
Many are now integrating podcasts and vodcasts into their direct marketing programs<br />
in the form of ad-supported podcasts, downloadable ads and informational features,<br />
and other promotions.<br />
For example, Volvo sponsors podcasts on Autoblog and Absolut vodka buys ads on<br />
PodShow programs. Kraft Foods offers up hundreds of recipes using the iPod’s text function<br />
and Nestlé Purina publishes podcasts on animal training and behavioral issues. The Walt<br />
Disney World Resort offers weekly podcasts on a mix of topics, including behind-the-scenes<br />
tours, interviews, upcoming events, and news about new attractions. 29<br />
Honda recently offered a vodcast as part of a new ad campaign for its Honda Civic. The<br />
vodcast consists of a two-minute, “This is what a Honda feels like” ad, in which human<br />
voices replicate the sounds that passengers hear in a Honda Civic. The vodcast also includes<br />
behind-the-scenes footage of the making of the ad. According to a Honda marketing executive,<br />
this dynamic new medium “is enabling people to experience what a Honda feels like from<br />
one of their most personal and closest touch points—their iPod.” 30<br />
Interactive TV (ITV)<br />
Interactive TV (ITV) lets viewers interact with television programming and advertising using<br />
their remote controls. In the past, ITV has been slow to catch on. However, satellite broad-
Online marketing<br />
Company efforts to market<br />
products and services and<br />
build customer relationships<br />
over the Internet.<br />
Internet<br />
A vast public web of<br />
computer networks that<br />
connects users of all types all<br />
around the world to each<br />
other and to an amazingly<br />
large “information repository.”<br />
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 493<br />
casting systems such as DirecTV and Echostar are now offering ITV capabilities, and the technology<br />
appears poised to take off as a direct marketing medium.<br />
Interactive TV gives marketers an opportunity to reach targeted audiences in an interactive,<br />
more involving way. For example, BMW recently ran interactive ads on Echostar that<br />
allowed viewers to request catalogs and several screens worth of other information using their<br />
remotes. The number of requests exceeded BMW’s expectations tenfold. Similarly, Sony uses<br />
ITV to interact with TiVo users: 31<br />
Sony is running ads for its Bravia flat-panel TVs that let viewers, if they have TiVo,<br />
choose among different endings, whether they’re watching live TV or a recorded<br />
program. Five seconds into the commercial, two on-screen choices appear—one<br />
aimed at men and one at women. A menu of “male” endings revolves around picture<br />
quality and size, and the “female” options focus on the TV’s aesthetics. Sony hopes<br />
that the interactive and entertaining ad will keep viewers involved. It’s even hoping<br />
that by offering 12 possible endings for its ad, viewers will be curious enough to<br />
watch them all. “If you provide viewers with a worthwhile experience, they’ll<br />
absolutely stay engaged,” says an executive from the ad agency that created the<br />
Bravia campaign.<br />
More broadly, TiVo plans to roll out what may sound like the ultimate in gall:<br />
ads on demand. It’s not so crazy. Consumers about to spend big money on cars,<br />
travel, new kitchens, and the like have shown plenty of interest in watching video<br />
about the stuff they plan to buy. TiVo wants to offer that content more conveniently<br />
and on viewers’ terms. TiVo’s budding broadband link to the Net, which, among<br />
other things, connects a viewer’s TiVo screen with their Yahoo! homepage, is seen<br />
as just the beginning of full-blown convergence between interactive TV and the<br />
Internet.<br />
Mobile phone marketing, podcasts and vodcasts, and interactive TV offer exciting direct<br />
marketing opportunities. But marketers must be careful to use these new direct marketing<br />
approaches wisely. As with other direct marketing forms, marketers who use them risk backlash<br />
from consumers who may resent such marketing as an invasion of their privacy.<br />
Marketers must target their direct marketing offers carefully, bringing real value to customers<br />
rather than making unwanted intrusions into their lives.<br />
Online <strong>Marketing</strong><br />
As noted earlier, online marketing is the fastest-growing form of direct marketing. Recent<br />
technological advances have created a digital age. Widespread use of the Internet and other<br />
powerful new technologies are having a dramatic impact on both buyers and the marketers<br />
who serve them. In this section, we examine how marketing strategy and practice are changing<br />
to take advantage of today’s Internet technologies.<br />
<strong>Marketing</strong> and the Internet<br />
Much of the world’s business today is carried out over digital networks that connect people<br />
and companies. The Internet, a vast public web of computer networks, connects users of all<br />
types all around the world to each other and to an amazingly large information repository.<br />
Internet usage continues to grow steadily. Last year, Internet household penetration in the<br />
United States reached 64 percent, with more than 205 million people now using the Internet<br />
at home or at work. The average U.S. Internet user spends some 31 hours a month surfing the<br />
Web at home, plus another 78 hours a month at work. Worldwide, some 470 million people<br />
now have Internet access. 32<br />
The Internet has given marketers a whole new way to create value for customers and<br />
build customer relationships. The Web has fundamentally changed customers’ notions of<br />
convenience, speed, price, product information, and service. The amazing success of early<br />
click-only companies—the so-called dot-coms such as Amazon.com, eBay, Expedia, and hundreds<br />
of others—caused existing brick-and-mortar manufacturers and retailers to reexamine<br />
how they served their markets. Now, almost all of these traditional companies have set up<br />
their own online sales and communications channels, becoming click-and-mortar competitors.<br />
It’s hard to find a company today that doesn’t have a substantial Web presence.
494 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
Business-to-consumer<br />
(B2C) online marketing<br />
Selling goods and services<br />
online to final consumers.<br />
FIGURE 17.2<br />
Online domains<br />
Initiated by<br />
business<br />
Initiated by<br />
consumer<br />
Online <strong>Marketing</strong> Domains<br />
The four major online marketing domains are shown in Figure 17.2. They include B2C (business<br />
to consumer), B2B (business to business), C2C (consumer to consumer), and C2B (consumer<br />
to business).<br />
Business to Consumer (B2C)<br />
The popular press has paid the most attention to business-to-consumer (B2C) online<br />
marketing—selling goods and services online to final consumers. Today’s consumers can buy<br />
almost anything online—from clothing, kitchen gadgets, and airline tickets to computers and<br />
cars. Online consumer buying continues to grow at a healthy rate. Some 65 percent of American<br />
online users now use the Internet to shop. Last year, U.S. consumers spent an estimated $95 billion<br />
online, and consumer Internet spending is expected to reach $144 billion by 2010. 33<br />
Perhaps more importantly, the Internet now influences 27 percent of total retail sales—<br />
sales transacted online plus those carried out offline but encouraged by online research. By<br />
2010, the Internet will influence a staggering 50 percent of total retail sales. 34 Thus, smart<br />
marketers are employing integrated multichannel strategies that use the Web to drive sales to<br />
other marketing channels.<br />
As more and more people find their way onto the Web, the population of online consumers<br />
is becoming more mainstream and diverse. The Web now offers marketers a palette of<br />
different kinds of consumers seeking different kinds of online experiences. However, Internet<br />
consumers still differ from traditional offline consumers in their approaches to buying and in<br />
their responses to marketing. In the Internet exchange process, customer initiate and control<br />
the contact. Traditional marketing targets a somewhat passive audience. In contrast, online<br />
marketing targets people who actively select which Web sites they will visit and what marketing<br />
information they will receive about which products and under what conditions. Thus,<br />
the new world of online marketing requires new marketing approaches.<br />
People now go online to order a wide range<br />
of goods—clothing from Gap or L.L. Bean,<br />
books or electronics from Amazon.com, furniture<br />
from Ethan Allen, major appliances from<br />
Sears, flowers from Calyx & Corolla, or even<br />
home mortgages from Quicken Loans. 35<br />
■ B2C Web sites: People now go online to order a wide range of goods and<br />
services, even home mortgages.<br />
Targeted to<br />
consumers<br />
B2C<br />
(business to consumer)<br />
C2C<br />
(consumer to consumer)<br />
Targeted to<br />
businesses<br />
B2B<br />
(business to business)<br />
C2B<br />
(consumer to business)<br />
At Quicken Loans (www.quickenloans.<br />
com), prospective borrowers receive a<br />
high-tech, high-touch, one-stop mortgage<br />
shopping experience. At the site,<br />
customers can research a wide variety<br />
of home-financing and refinancing options,<br />
apply for a mortgage, and receive<br />
quick loan approval—all without leaving<br />
the comfort and security of their<br />
homes. The site provides useful interactive<br />
tools that help borrowers decide<br />
how much house they can afford,<br />
whether to rent or buy, whether to refinance<br />
a current mortgage, the economics<br />
of fixing up their current homes<br />
rather than moving, and much more.<br />
Customers can receive advice by phone<br />
or by chatting online with one of 2,700
Business-to-business (B2B)<br />
online marketing<br />
Using B2B Web sites, e-mail,<br />
online product catalogs,<br />
online trading networks, and<br />
other online resources to<br />
reach new business<br />
customers, serve current<br />
customers more effectively,<br />
and obtain buying efficiencies<br />
and better prices.<br />
Consumer-to-consumer<br />
(C2C) online marketing<br />
Online exchanges of goods<br />
and information between final<br />
consumers.<br />
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 495<br />
mortgage experts and sign up for later e-mail rate updates. Quicken Loans closed more<br />
than $12 billion in mortgage loans last year.<br />
Business to Business (B2B)<br />
Although the popular press has given the most attention to B2C Web sites, business-tobusiness<br />
(B2B) online marketing is also flourishing. B2B marketers use B2B Web sites,<br />
e-mail, online product catalogs, online trading networks, and other online resources to<br />
reach new business customers, serve current customers more effectively, and obtain buying<br />
efficiencies and better prices.<br />
Most major B2B marketers now offer product information, customer purchasing, and customer<br />
support services online. For example, corporate buyers can visit Sun Microsystems’<br />
Web site (www.sun.com), select detailed descriptions of Sun’s products and solutions,<br />
request sales and service information, and interact with staff members. Some major companies<br />
conduct almost all of their business on the Web. Networking equipment and software<br />
maker Cisco Systems takes more than 80 percent of its orders over the Internet.<br />
Beyond simply selling their products and services online, companies can use the Internet<br />
to build stronger relationships with important business customers. For example, Dell has set<br />
up customized Web sites for more than 113,000 business and institutional customers worldwide.<br />
These individualized Premier Dell.com sites help business customers to more efficiently<br />
manage all phases of their Dell computer buying and ownership. Each customer’s<br />
Premier Dell.com Web site can include a customized online computer store, purchasing and<br />
asset management reports and tools, system-specific technical information, links to useful<br />
information throughout Dell’s extensive Web site, and more. The site makes all the information<br />
a customer needs in order to do business with Dell available in one place, 24 hours a day,<br />
7 days a week. 36<br />
Consumer to Consumer (C2C)<br />
Much consumer-to-consumer (C2C) online marketing and communication occurs on the Web<br />
between interested parties over a wide range of products and subjects. In some cases, the<br />
Internet provides an excellent means by which consumers can buy or exchange goods or<br />
information directly with one another. For example, eBay, Amazon.com Auctions,<br />
Overstock.com, and other auction sites offer popular marketspaces for displaying and selling<br />
almost anything, from art and antiques, coins and stamps, and jewelry to computers and consumer<br />
electronics.<br />
EBay’s C2C online trading community of more than 181 million registered users worldwide<br />
(greater than the combined populations of France, Spain, and Britain!) transacted some<br />
$40 billion in trades last year. On any given day, the company’s Web site lists more than<br />
16 million items up for auction in more than 45,000 categories. Such C2C sites give people<br />
access to much larger audiences than the local flea market or newspaper classifieds (which,<br />
by the way, are now also going online). Interestingly, based on its huge success in the C2C<br />
market, eBay has now attracted a large number of B2C sellers, ranging from small businesses<br />
peddling their regular wares to large businesses liquidating excess inventory at auction. 37<br />
In other cases, C2C involves interchanges of information through Internet forums that<br />
appeal to specific special-interest groups. Such activities may be organized for commercial or<br />
noncommercial purposes. An example is Web logs, or blogs, online journals where people<br />
post their thoughts, usually on a narrowly defined topic. Blogs can be about anything, from<br />
politics or baseball to haiku, car repair, or the latest television series. Today’s blogosphere<br />
consists of more than 10 million blogs, with 40,000 new ones popping up every day. About<br />
16 percent of all American adults now read blogs, and 1 in every 17 Americans has created a<br />
blog of his or her own. 38<br />
Many marketers are now tapping into blogs as a medium for reaching carefully targeted<br />
consumers. One way is to advertise on an existing blog or to influence content there. For<br />
example, before GE announced a major energy-efficient technology initiative last year, GE<br />
executives met with major environmental bloggers to build support. Microsoft reaches out to<br />
bloggers to promote its Xbox game systems and other new products. And in an effort to<br />
improve its often-battered image, Wal-Mart now works directly with bloggers, feeding them<br />
nuggets of positive news, suggesting topics for posting, and even inviting them to visit company<br />
headquarters. “Bloggers who agreed to receive the e-mail messages said they were eager<br />
to hear Wal-Mart’s side of the story, which they. . . felt had been drowned out by critics,” say<br />
an analyst. The bloggers also “were tantalized by the promise of exclusive news that might<br />
attract more visitors to their Web sites.” 39
496 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
Consumer-to-business<br />
(C2B) online marketing<br />
Online exchanges in which<br />
consumers search out sellers,<br />
learn about their offers, and<br />
initiate purchases, sometimes<br />
even driving transaction terms.<br />
Other companies set up their own blogs. For example, Coca-Cola set up a blog to add an<br />
online community element to its sponsorship of the 2006 Winter Olympics. It enlisted a halfdozen<br />
college students from around the world to blog about their trips to the games. Coke<br />
paid to fly and accommodate students from China, Germany, Italy, Canada, and Australia,<br />
each of whom agreed to post conversations about the positive side of the games. Similarly,<br />
before the games began, VisaUSA launched a site where it urged Olympic hopefuls to blog<br />
about the games. The blog site allowed for posting photos and comments, podcasting, and<br />
video blogging. 40<br />
As a marketing tool, blogs offer some advantages. They can offer a fresh, original, personal,<br />
and cheap way to reach today’s fragmented audiences. However, the blogosphere is<br />
cluttered and difficult to control. “Blogs may help companies bond with consumers in exciting<br />
new ways, but they won’t help them control the relationship,” says a blog expert. Such<br />
Web journals remain largely a C2C medium. “That isn’t to suggest companies can’t influence<br />
the relationship or leverage blogs to engage in a meaningful relationship,” says the expert,<br />
“but the consumer will remain in control.” 41<br />
In all, C2C means that online buyers don’t just consume product information—increasingly,<br />
they create it. They join Internet interest groups to share information, with the result that “word<br />
of Web” is joining “word of mouth” as an important buying influence.<br />
Consumer to Business (C2B)<br />
The final online marketing domain is consumer-to-business (C2B) online marketing. Thanks<br />
to the Internet, today’s consumers are finding it easier to communicate with companies. Most<br />
companies now invite prospects and customers to send in suggestions and questions via company<br />
Web sites. Beyond this, rather than waiting for an invitation, consumers can search out<br />
sellers on the Web, learn about their offers, initiate purchases, and give feedback. Using the<br />
Web, consumers can even drive transactions with businesses, rather than the other way<br />
around. For example, using Priceline.com, would-be buyers can bid for airline tickets, hotel<br />
rooms, rental cars, cruises, and vacation packages,<br />
leaving the sellers to decide whether to<br />
accept their offers.<br />
Consumers can also use Web sites such as<br />
PlanetFeedback.com to ask questions, offer suggestions,<br />
lodge complaints, or deliver compliments<br />
to companies. The site provides letter<br />
templates for consumers to use based on their<br />
moods and reasons for contacting the company.<br />
The site then forwards the letters to the customer<br />
service manager at each company and<br />
helps to obtain a response. “About 80 percent of<br />
the companies respond to complaints, some<br />
within an hour,” says a PlanetFeedback.com<br />
spokesperson. 42<br />
■ C2B e-commerce: Consumers can use Web sites such as PlanetFeedback.com to<br />
ask questions, offer suggestions, lodge complaints, or deliver compliments to<br />
companies.<br />
Types of Online Marketers<br />
Companies of all types are now marketing<br />
online. In this section, we first discuss the different<br />
types of online marketers shown in<br />
Figure 17.3. Then, we examine how companies<br />
go about conducting online marketing.<br />
Click-Only versus Click-and-<br />
Mortar Marketers<br />
The Internet gave birth to a new species of<br />
marketers—the click-only dot-coms—which<br />
operate only online without any brick-and-mortar<br />
market presence. In addition, most traditional<br />
brick-and-mortar companies have now added<br />
online marketing operations, transforming themselves<br />
into click-and-mortar competitors.
FIGURE 17.3<br />
Types of online marketers<br />
Click-only companies<br />
The so-called dot-coms,<br />
which operate only online<br />
without any brick-and-mortar<br />
market presence.<br />
Click-and-mortar<br />
companies<br />
Traditional brick-and-mortar<br />
companies that have added<br />
online marketing to their<br />
operations.<br />
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 497<br />
Seller<br />
Seller<br />
Seller<br />
Click-Only Companies<br />
Brick-and-mortar<br />
store channels<br />
Brick-and-mortar (brick-only) marketers<br />
Online marketing<br />
channels<br />
Click-only marketers<br />
Brick-and-mortar<br />
store channels<br />
Online marketing<br />
channels<br />
Click-and-mortar marketers<br />
Consumers<br />
Consumers<br />
Consumers<br />
Click-only companies come in many shapes and sizes. They include e-tailers, dot-coms that<br />
sell products and services directly to final buyers via the Internet. Examples include<br />
Amazon.com, Expedia, and Wine.com. The click-only group also includes search engines and<br />
portals, such as Yahoo!, Google, and MSN, which began as search engines and later added services<br />
such as news, weather, stock reports, entertainment, and storefronts, hoping to become<br />
the first port of entry to the Internet. Shopping or price comparison sites, such as<br />
Froogle.com, Yahoo! Shopping, and Bizrate.com, give instant product and price comparisons<br />
from thousands of vendors.<br />
Internets service providers (ISPs) such as AOL and Earthlink are click-only companies<br />
that provide Internet and e-mail connections for a fee. Transaction sites, such as eBay, take<br />
commissions for transactions conducted on their sites. Finally, various content sites, such as<br />
New York Times on the Web (www.nytimes.com), ESPN.com, and Encyclopaedia Britannica<br />
Online, provide financial, news, research, and other information.<br />
The hype surrounding such click-only Web businesses reached astronomical levels during<br />
the “dot-com gold rush” of the late 1990s, when avid investors drove dot-com stock prices<br />
to dizzying heights. However, the investing frenzy collapsed in the year 2000, and many highflying,<br />
overvalued dot-coms came crashing back to Earth. Even some of the strongest and most<br />
attractive e-tailers—eToys.com, Pets.com, Furniture.com, Garden.com—filed for bankruptcy.<br />
Now on firmer footing, many click-only dot-coms are surviving and even prospering in<br />
today’s marketspace.<br />
Click-and-Mortar Companies<br />
As the Internet grew, established brick-and-mortar companies realized that, to compete effectively<br />
with online competitors, they had to go online themselves. Thus, many one-time brickand-mortar<br />
companies are now prospering as click-and-mortar companies. For example, Office<br />
Depot’s more than 1,000 office-supply superstores rack up annual sales of $13.5 billion in more<br />
than 23 countries. But you might be surprised to learn that Office Depot’s fastest recent growth<br />
has come not from its traditional “brick-and-mortar” channels, but from the Internet.<br />
Office Depot’s online sales have soared in recent years, now accounting for 27 percent<br />
of total sales. Selling on the Web lets Office Depot build deeper, more personalized relationships<br />
with customers large and small. “Contract customers”—the 80,000 or so<br />
larger businesses that have negotiated relationships with Office Depot—enjoy customized<br />
online ordering that includes company-specific product lists and pricing. For
498 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
example, GE or Procter & Gamble can<br />
create lists of approved office products<br />
at discount prices, and then let company<br />
departments or even individuals<br />
do their own purchasing. This reduces<br />
ordering costs, cuts through the red<br />
tape, and speeds up the ordering<br />
process for customers. At the same<br />
time, it encourages companies to use<br />
Office Depot as a sole source for office<br />
supplies. Even the smallest companies<br />
find 24-hour-a-day online ordering<br />
easier and more efficient. More importantly,<br />
Office Depot’s Web operations<br />
don’t steal from store sales. Instead,<br />
the OfficeDepot.com site actually<br />
builds store traffic by helping customers<br />
find a local store and check<br />
stock. In return, the local store promotes<br />
the Web site through in-store<br />
kiosks. If customers don’t find what<br />
they need on the shelves, they can<br />
quickly order it via the Web from the<br />
kiosk. Thus, Office Depot now offers a full range of contact points and delivery modes—<br />
online, by phone or fax, and in the store. No click-only or brick-only seller can match<br />
the call, click, or visit convenience and support afforded by Office Depot’s click-andmortar<br />
model. 43<br />
■ Click-and-mortar marketing: No click-only or brick-only seller can match the call,<br />
click, or visit convenience and support afforded by Office Depot’s “4 easy ways to shop.”<br />
FIGURE 17.4<br />
Setting up for online<br />
marketing<br />
Many click-and-mortar companies are now having more online success than their clickonly<br />
competitors. In fact, in a recent ranking of the top 50 online retail sites, only 15 were<br />
click-only retailers, whereas the others were multichannel retailers. 44 What gives the clickand-mortar<br />
companies an advantage? Established companies such as Best Buy, Blockbuster,<br />
Fidelity, and Office Depot have known and trusted brand names and greater financial<br />
resources. They have large customer bases, deeper industry knowledge and experience, and<br />
good relationships with key suppliers.<br />
By combining online marketing and established brick-and-mortar operations, the clickand-mortar<br />
retailers can also offer customers more options. For example, consumers can<br />
choose the convenience and assortment of 24-hour-a-day online shopping, the more personal<br />
and hands-on experience of in-store shopping, or both. Customers can buy merchandise<br />
online, and then easily return unwanted goods to a nearby store. For example, those wanting<br />
to do business with Fidelity Investments can call a Fidelity agent on the phone, go online to<br />
the company’s Web site, or visit the local Fidelity branch office. This lets Fidelity issue a powerful<br />
invitation in its advertising: “Call, click, or visit Fidelity Investments.”<br />
Setting Up an Online <strong>Marketing</strong> Presence<br />
Clearly, all companies need to consider moving online. Companies can conduct online marketing<br />
in any of the four ways shown in Figure 17.4: creating a Web site, placing ads and promotions<br />
online, setting up or participating in Web communities, or using e-mail.<br />
Creating Web<br />
communities<br />
Creating a<br />
Web site<br />
Conducting<br />
online<br />
marketing<br />
Placing ads or<br />
promotions online<br />
Using e-mail
Corporate Web site<br />
A Web site designed to build<br />
customer goodwill and to<br />
supplement other sales<br />
channels, rather than to sell<br />
the company’s products<br />
directly.<br />
<strong>Marketing</strong> Web site<br />
A Web site that engages<br />
consumers in interactions<br />
that will move them closer to<br />
a direct purchase or other<br />
marketing outcome.<br />
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 499<br />
Creating a Web Site<br />
For most companies, the first step in conducting online marketing is to create a Web site.<br />
However, beyond simply creating a Web site, marketers must design an attractive site and find<br />
ways to get consumers to visit the site, stay around, and come back often.<br />
TYPES OF WEB SITES Web sites vary greatly in purpose and content. The most basic type is a<br />
corporate Web site. These sites are designed to build customer goodwill and to supplement<br />
other sales channels, rather than to sell the company’s products directly. They typically offer<br />
a rich variety of information and other features in an effort to answer customer questions,<br />
build closer customer relationships, and generate excitement about the company. For example,<br />
although you can buy ice cream and other items at the gift shop at Ben & Jerry’s Web site<br />
(benjerry.com), the site’s primary purpose is to enhance customer relationships. At the site,<br />
you can learn all about Ben & Jerry’s company philosophy, products, and locations. Or you<br />
can visit the Fun Stuff area and send a free e-card to a friend, subscribe to the Chunk Mail<br />
newsletter, or while away time playing Scooper Challenge or Virtual Checkers.<br />
Other companies create a marketing Web site. These sites engage consumers in an interaction<br />
that will move them closer to a direct purchase or other marketing outcome. For example,<br />
visitors to SonyStyle.com can search through dozens of categories of Sony products, learn more<br />
about specific items, and read expert product reviews. They can check out the latest hot deals,<br />
place orders online, and pay by credit card, all with a few mouse clicks.<br />
MINI USA operates a marketing Web site at www.miniusa.com. Once a potential customer<br />
clicks in, the carmaker wastes no time trying to turn the inquiry into a sale, and then into a longterm<br />
relationship. The site offers a garage full of useful information and interactive selling features,<br />
including detailed and fun descriptions of current MINI models, tools for designing your<br />
very own MINI, information on dealer locations and services, and even tools for tracking your<br />
new MINI from factory to delivery.<br />
■ The MINI marketing Web site does more than just provide information or sell<br />
cars; it keeps customers engaged, from designing their very own MINI to tracking it<br />
from factory to delivery.<br />
Before Angela DiFabio bought her<br />
MINI Cooper last September, she spent<br />
untold hours on the company’s Web<br />
site, playing with dozens of possibilities<br />
before coming up with the perfect<br />
combination: a chili-pepper-red exterior,<br />
white racing stripes on the hood,<br />
and a “custom rally badge bar” on the<br />
grill. When DiFabio placed her order<br />
with her dealer, the same build-yourown<br />
tool—and all the price and product<br />
details it provided—left her feeling<br />
like she was getting a fair deal. “He<br />
even used the site to order my car,” she<br />
says. While she waited for her MINI to<br />
arrive, DiFabio logged on to MINI’s<br />
Web site every day, this time using its<br />
“Where’s My Baby?” tracking tool to<br />
follow her car, like an expensive FedEx<br />
package, from the factory in Britain to<br />
its delivery. The Web site does more<br />
than just provide information or sell<br />
products or services. It makes an<br />
impact on the customer experience: It’s<br />
fun, it’s individual, it makes users feel<br />
like part of the clan. 45<br />
DESIGNING EFFECTIVE WEB SITES Creating a Web site is one thing; getting people to visit the<br />
site is another. To attract visitors, companies aggressively promote their Web sites in offline<br />
print and broadcast advertising and through ads and links on other sites. But today’s Web<br />
users are quick to abandon any Web site that doesn’t measure up. The key is to create enough<br />
value and excitement to get consumers who come to the site to stick around and come back<br />
again. This means that companies must constantly update their sites to keep them current,<br />
fresh, and useful.
500 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
For some types of products, attracting visitors is easy. Consumers buying new cars,<br />
computers, or financial services will be open to information and marketing initiatives from<br />
sellers. Marketers of lower-involvement products, however, may face a difficult challenge<br />
in attracting Web site visitors. If you’re in the market for a computer and you see a banner<br />
ad that says, “The top ten PCs under $800,” you’ll likely click on the banner. But what kind<br />
of ad would get you to visit a site like dentalfloss.com?<br />
A key challenge is designing a Web site that is attractive on first view and interesting<br />
enough to encourage repeat visits. Many marketers create colorful, graphically sophisticated<br />
Web sites that combine text, sound, and animation to capture and hold attention (for<br />
examples, see www.looneytunes.com or www.nike.com). To attract new visitors and to<br />
encourage revisits, suggests one expert, online marketers should pay close attention to the<br />
seven Cs of effective Web site design: 46<br />
■ Context: the site’s layout and design<br />
■ Content: the text, pictures, sound, and video that the Web site contains<br />
■ Community: the ways that the site enables user-to-user communication<br />
■ Customization: the site’s ability to tailor itself to different users or to allow users to personalize<br />
the site<br />
■ Communication: the ways the site enables site-to-user, user-to-site, or two-way communication<br />
■ Connection: the degree that the site is linked<br />
to other sites<br />
■ Commerce: the site’s capabilities to enable<br />
commercial transactions<br />
■ Effective Web sites: Applying the 7Cs of effective Web site design, is this a good<br />
site (see www.altoids.com)?<br />
Online advertising<br />
Advertising that appears while<br />
consumers are surfing the<br />
Web, including display ads<br />
(banners, interstitials, popups),<br />
search-related ads,<br />
online classifieds, and other<br />
forms.<br />
Placing Ads and Promotions Online<br />
And to keep customers coming back to the site,<br />
companies need to embrace yet another “C”—<br />
constant change.<br />
At the very least, a Web site should be easy<br />
to use, professional looking, and physically<br />
attractive. Ultimately, however, Web sites must<br />
also be useful. When it comes to Web surfing and<br />
shopping, most people prefer substance over<br />
style and function over flash. Thus, effective Web<br />
sites contain deep and useful information, interactive<br />
tools that help buyers find and evaluate<br />
products of interest, links to other related sites,<br />
changing promotional offers, and entertaining<br />
features that lend relevant excitement.<br />
As consumers spend more and more time on the Internet, many companies are shifting more<br />
of their marketing dollars to online advertising to build their brands or to attract visitors to<br />
their Web sites. Online advertising is becoming a major medium. Last year, U.S. companies<br />
spent more than $12.5 billion on online advertising, up 30 percent over the previous year.<br />
Online ad spending will jump to more than $22 billion by 2009, representing about 11 percent<br />
of all direct marketing ad spending and rivaling the amounts spent on cable/satellite TV<br />
and radio. 47 Here, we discuss forms of online advertising and promotion and their future.<br />
FORMS OF ONLINE ADVERTISING The major forms of online advertising include display ads,<br />
search-related ads, and online classifieds. Online display ads might appear anywhere on an<br />
Internet user’s screen. The most common form is banners, banner-shaped ads found at the<br />
top, bottom, left, right, or center of a Web page. For instance, a Web surfer looking up airline<br />
schedules or fares might encounter a flashing banner that screams, “Rent a car from Alamo<br />
and get up to two days free!” Clicking on the ad takes consumers to the Alamo Web site,<br />
where they can redeem the promotion.<br />
Interstitials are online display ads that appear between screen changes on a Web site,<br />
especially while a new screen is loading. For example, visit www.marketwatch.com and<br />
you’ll probably see a 10-second ad for Visa, Verizon, or another sponsor before the homepage<br />
loads. Pop-ups are online ads that appear suddenly in a new window in front of the window<br />
being viewed. Such ads can multiply out of control, creating a major annoyance. As a result,
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 501<br />
Internet services and Web browser providers have developed applications that let users block<br />
most pop-ups. But not to worry. Many advertisers have now developed pop-unders, new windows<br />
that evade pop-up blockers by appearing behind the page you’re viewing.<br />
With the increase in broadband Internet access in American homes, many companies are<br />
developing exciting new rich media display ads, which incorporate animation, video, sound,<br />
and interactivity. Rich media ads attract and hold consumer attention better than traditional<br />
banner ads. They employ techniques such as float, fly, and snapback—animations that jump<br />
out and sail over the Web page before retreating to their original space. But many rich media<br />
ads do more than create a little bit of jumping animation. For example, to attract would-be<br />
commodity traders to its Web site, the Chicago Board of Trade runs a small rich media banner<br />
ad that explodes into a small site when the user’s mouse rolls over it. The mouse-over site features<br />
free streaming quotes, sample research, and a virtual trading account, all of which<br />
would never fit into a traditional static ad. 48<br />
Another hot growth area for online advertising is search-related ads (or contextual advertising),<br />
in which text-based ads and links appear alongside search engine results on sites such<br />
as Google and Yahoo!. For example, search Google for “HDTV” and you’ll see inconspicuous<br />
ads for ten or more advertisers, ranging from Circuit City, Best Buy, and Amazon.com to Dish<br />
Network and Nextag.com. Nearly all of Google’s $6.1 billion in revenues come from ad sales.<br />
An advertiser buys search terms from the search site and pays only if consumers click through<br />
to its site. Search-related ads account for some 41 percent of all online advertising expenditures,<br />
more than any other category of online advertising. 49<br />
Search ads can be an effective way to link consumers to other forms of online promotion. For<br />
example, Honda used key word searches to lure Web surfers to a site promoting its Element truck:<br />
The current Element campaign features the vehicle “talking” to sundry animals—a<br />
platypus, a possum, a burro, and a crab—in cartoony spots. Honda bought those keyword<br />
terms and uses search ads as invitations to “see the platypus in its Element.”<br />
That link leads consumers to elementandfriends.com,<br />
which features<br />
Element ads and a related game.<br />
Honda also bought variants of “funny<br />
video” and “funny commercials,”<br />
search terms that have demographic<br />
profiles compatible with likely<br />
Element buyers. In many cases, the<br />
search terms cost just 10 cents or 15<br />
cents per click and drew about 40 percent<br />
of the Element’s Web site traffic.<br />
“It seemed a little quirky, but the more<br />
you thought about it, the more it<br />
seemed to resonate well with the campaign,”<br />
says Honda’s senior manager<br />
of marketing. For its Ridgeline truck,<br />
which was advertised during the<br />
Super Bowl, Honda bought a “few<br />
thousand” search terms somehow<br />
■ Search-related ads account for some 41 percent of all online advertising<br />
expenditures: Honda used key word searches to lure Web surfers to a site promoting<br />
its Element truck. The site features the vehicle “talking” to sundry animals—a<br />
platypus, a possum, a burro, and a crab—in cartoony spots.<br />
related to the Super Bowl (as in “Super<br />
Bowl ad”). Those terms generated<br />
more than 3.5 million online impressions<br />
from just Yahoo! and Google on<br />
the day after the Super Bowl alone. 50<br />
OTHER FORMS OF ONLINE PROMOTION Other forms of online promotions include content<br />
sponsorships, alliances and affiliate programs, and viral advertising.<br />
Using content sponsorships, companies gain name exposure on the Internet by sponsoring<br />
special content on various Web sites, such as news or financial information or special-interest<br />
topics. For example, Scotts, the lawn-and-garden products company, sponsors the Local<br />
Forecast section on WeatherChannel.com; and David Sunflower Seeds sponsors the ESPN<br />
Fantasy Baseball site at ESPN.com. Sponsorships are best placed in carefully targeted sites<br />
where they can offer relevant information or service to the audience.<br />
Internet companies can also develop alliances and affiliate programs, in which they work<br />
with other companies, online and offline, to “promote each other.” Amazon.com has more than
502 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
Viral marketing<br />
The Internet version of wordof-mouth<br />
marketing—Web<br />
sites, e-mail messages, or<br />
other marketing events that<br />
are so infectious that<br />
customers will want to pass<br />
them along to friends.<br />
Web communities<br />
Web sites upon which<br />
members can congregate<br />
online and exchange views on<br />
issues of common interest.<br />
■ Viral marketing: Burger King’s<br />
colossally successful Subservient<br />
Chicken site gets consumers interacting<br />
with the brand and buzzing about its<br />
edgy new positioning.<br />
900,000 affiliates who post Amazon.com banners on their Web sites. And Yahoo!, whose ad revenue<br />
makes up 84 percent of its total worldwide revenue, has become a fertile ground for<br />
alliances with movie studios and TV production companies:<br />
In one episode of The Apprentice, teams created and marketed a new flavor of<br />
Ciao Bella Ice Cream. Although Ciao Bella had previously sold its ice creams in<br />
only 18 stores in the New York and San Francisco, Yahoo! convinced the manufacturer<br />
to place the new product in 760 stores around the country. An endof-episode<br />
promotion urged viewers to visit Yahoo!’s local online search<br />
engine to look for the store nearest them. The product sold out by 5 P.M. the<br />
next day. And thanks to Yahoo!’s registration database, it was able to provide<br />
Ciao Bella with the demographic characteristics of respondents. 51<br />
Finally, online marketers use viral marketing, the Internet version of word-of-mouth<br />
marketing. Viral marketing involves creating a Web site, e-mail message, or other marketing<br />
event that is so infectious that customers will want to pass it along to their friends. Because<br />
customers pass the message or promotion along to others, viral marketing can be very inexpensive.<br />
And when the information comes from a friend, the recipient is much more likely to<br />
open and read it. Consider Burger King’s now-classic Subservient Chicken viral campaign:<br />
The Web site, www.subservientchicken.com, features a dingy living room,<br />
where the subservient chicken—someone in a giant chicken suit and a garter<br />
belt—hangs out in front of his Web cam and awaits your bidding. Type in commands,<br />
and the chicken does exactly what you ask. It will flap its wings, roll<br />
over, or jump up and down. It will also moon the viewer, dance the Electric<br />
Slide, or die. (Suggestions for lewd acts are met with a “naughty naughty” shake<br />
of the wing.) In other words, you can have your way with the chicken. Get it?<br />
Have it your way! The site promotes Burger King’s TenderCrisp chicken and ties<br />
it into Burger King’s successful “Have It Your Way” marketing campaign.<br />
“As viral marketing goes, subservientchicken.com is a colossal success,”<br />
says an advertising expert. “There is great overlap between Web regulars and<br />
Burger King’s core audience.” If nothing more, the site gets consumers to interact<br />
with the brand. And it gets them buzzing about Burger King’s edgy new<br />
positioning. Burger King has never advertised the site. When it was first created,<br />
the developer at Crispin Porter � Bogusky (CP�B), the ad agency that<br />
created the site, e-mailed the URL to several other CP�B people, asking them<br />
to send the link out to friends to test. From that single e-mail, without a peep of<br />
promotion, the Subservient Chicken site ended the day with 1 million total<br />
hits. It received 46 million hits in only the first week following its launch,<br />
385 million in the first nine months. Says one Burger King ad director, the<br />
award-winning site helped “sell a lot, a lot, a lot of chicken sandwiches.” 52<br />
THE FUTURE OF ONLINE ADVERTISING Although online advertising still accounts for<br />
only a minor portion of the total advertising and marketing expenditures of most<br />
companies, it is growing rapidly. Online advertising serves a useful purpose, especially<br />
as a supplement to other marketing efforts. As a result, it is playing an increasingly<br />
important role in the marketing mixes of many advertisers.<br />
For example, although Procter & Gamble spends only a small portion of its ad<br />
media budget online, it views the Web as an important medium. According to a P&G<br />
marketer, online marketing is “a permission-based way to offer consumers more<br />
information about a product than can be shared in a typical 30-second spot. It opens<br />
a two-way exchange where we can better educate consumers about our products.” 53<br />
Creating or Participating in Web Communities<br />
The popularity of blogs and other Web forums has resulted in a rash of commercially<br />
sponsored Web sites called Web communities, which take advantage of the C2C properties<br />
of the Internet. Such sites allow members to congregate online and exchange<br />
views on issues of common interest. They are the cyberspace equivalent to a<br />
Starbucks coffeehouse, a place where everybody knows your e-mail address.<br />
For example, iVillage.com is a Web community in which women can exchange<br />
views and obtain information, support, and solutions on families, food, fitness, relationships,<br />
relaxation, home and garden, news and issues, or just about any other topic.
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 503<br />
The site draws more than 25 million unique visitors<br />
each quarter, putting it in a league with magazines such<br />
as Cosmopolitan, Glamour, and Vogue. Another example<br />
is MyFamily.com, which aspires to be the largest<br />
and most active online community in the world for families.<br />
It provides free, private family Web sites upon<br />
which family members can connect online to hold family<br />
discussions, share family news, create online family<br />
photo albums, maintain a calendar of family events,<br />
jointly build family trees, and buy gifts for family members<br />
quickly and easily. 54<br />
Visitors to these Internet neighborhoods develop<br />
a strong sense of community. Such communities are<br />
attractive to advertisers because they draw frequent,<br />
lengthy visits from consumers with common interests<br />
and well-defined demographics. For example,<br />
iVillage.com provides an ideal environment for the<br />
Web ads of companies such as Procter & Gamble,<br />
Kimberly-Clark, Nabisco, Avon, Clairol, Hallmark,<br />
and others who target women consumers. And<br />
MyFamily.com hosts The Shops@MyFamily, in which<br />
such companies as Disney, Kodak, Hallmark, Hewlett-<br />
Packard, and Microsoft advertise and sell their familyoriented<br />
products.<br />
Using E-Mail<br />
E-mail has exploded onto the scene as an important<br />
online marketing tool. A recent study of ad, brand, and<br />
marketing managers found that nearly half of all the B2B<br />
and B2C companies surveyed use e-mail marketing to<br />
reach customers. Companies currently spend about<br />
$1.1 billion a year on e-mail marketing, up from just<br />
$164 million in 1999. And this spending will grow by<br />
an estimated 20 percent annually through 2009. Total<br />
annual e-mail volume in the United States is expected<br />
to rise to almost 2.7 trillion messages in 2007. 55<br />
To compete effectively in this ever-more-cluttered<br />
e-mail environment, marketers are designing “enriched” e-mail messages—animated, interactive,<br />
and personalized messages full of streaming audio and video. Then, they are targeting<br />
these attention-grabbers more carefully to those who want them and will act upon them.<br />
Consider Nintendo, a natural for e-mail-based marketing:<br />
Young computer-savvy gaming fans actually look forward to Nintendo’s monthly email<br />
newsletter for gaming tips and for announcements of exciting new games. When<br />
the company launched its Star Fox Adventure game, it created an intensive e-mail<br />
campaign in the weeks before and after the product launch. The campaign included<br />
a variety of messages targeting potential customers. “Each message has a different<br />
look and feel, and . . . that builds excitement for Nintendo,” notes an executive working<br />
on the account. The response? More than a third of all recipients opened the<br />
e-mails. And they did more than just glance at the messages: Click-through rates<br />
averaged more than 10 percent. Nearly two-thirds of those opening the message<br />
watched its 30-second streaming video in its entirety. Nintendo also gathered<br />
insightful customer data from the 20 percent of people who completed an embedded<br />
survey. Although the company feared that the barrage of messages might create “list<br />
fatigue” and irritate customers, the campaign received very few negative responses.<br />
The unsubscribe rate was under 1 percent. 56<br />
■ Web communities: iVillage.com, a Web community for women, provides<br />
an ideal environment for Web ads of companies such as Procter & Gamble,<br />
Kimberly Clark, Avon, Hallmark, and others.<br />
Spam<br />
Unsolicited, unwanted<br />
commercial e-mail messages.<br />
As with other types of online marketing, companies must be careful that they don’t<br />
cause resentment among Internet users who are already overloaded with “junk e-mail.” The<br />
explosion of spam—unsolicited, unwanted commercial e-mail messages that clog up our<br />
e-mail boxes—has produced consumer frustration and anger. According to one research company,<br />
spam accounts for as much as 84 percent of total inbound e-mail. 57 E-mail marketers
504 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
Real <strong>Marketing</strong><br />
17.2<br />
E-mail is one hot marketing medium. In mindboggling<br />
numbers, e-mail ads are popping onto our<br />
computer screens and filling up our e-mail boxes. And they’re no<br />
longer just the quiet, plain-text messages of old. The new breed of<br />
in-your-face e-mail ad is designed to command your attention—<br />
loaded with glitzy features such as animation, interactive links, color<br />
photos, streaming video, and personalized audio messages.<br />
But there’s a dark side to the exploding use of e-mail marketing.<br />
The biggest problem? Spam—the deluge of unsolicited, unwanted<br />
commercial messages that now clutter up our e-mail boxes and our<br />
lives. Various studies show that spam now accounts for an inboxclogging<br />
60 to 83 percent of e-mails sent daily throughout the world,<br />
up from only 7 percent in 2002. One recent study found that the<br />
average consumer received 3,253 spam messages last year.<br />
Despite these dismal statistics, when used properly, e-mail can be<br />
the ultimate direct marketing medium. Blue-chip marketers such as<br />
Amazon.com, Dell, L.L.Bean, Office Depot, and others use it regularly,<br />
and with great success. E-mail lets these marketers send highly<br />
targeted, tightly personalized, relationship-building messages to consumers<br />
who actually want to receive them, at a cost of only a few<br />
cents per contact. E-mail ads really can command attention and get<br />
customers to act. According to one estimate, well-designed e-mail<br />
campaigns sent to internal customer lists typically achieve 10 to<br />
20 percent click-through rates. That’s pretty good when compared<br />
with the 1 to 2 percent average response rates for traditional direct<br />
mail and the less than 1 percent response to traditional banner ads.<br />
However, although carefully designed e-mails may be effective,<br />
and may even be welcomed by selected consumers, critics argue<br />
that most commercial e-mail messages amount to little more than<br />
annoying “junk mail” to the rest of us. Too many bulk e-mailers blast<br />
out lowest-common-denominator mailings to anyone with an e-mail<br />
address. There is no customization—no relationship building.<br />
Everyone gets the same hyperventilated messages. Moreover, too<br />
often, the spam comes from shady sources and pitches objectionable<br />
products—everything from Viagra and body-enhancement products<br />
to pornography and questionable investments. And the messages<br />
are often sent from less-than-reputable marketers.<br />
At least in part, it’s e-mail economics that are to blame for our<br />
overflowing inboxes. Sending e-mail is so easy and so inexpensive<br />
E-Mail <strong>Marketing</strong>: The Hot <strong>Marketing</strong> Medium? Or Pestering<br />
Millions for Profit?<br />
that almost anyone can afford to do it, even at paltry response rates.<br />
“In the field of direct marketing, it doesn’t get much cheaper than<br />
spam,” says one analyst. “One needs only a credit card (to buy lists<br />
of e-mail addresses), a computer, and an Internet connection.<br />
Otherwise, it costs nothing to send bulk e-mail, even masses of it.”<br />
For example, Touch Media Group once pumped out eight million emails<br />
a day. That makes the company sound like a big-city direct marketing<br />
behemoth. But in reality, it began as a home-based business run<br />
by a 44-year-old mother, Laura Betterly, in Dunedin, Florida, dubbed<br />
the Spam Queen by the Wall Street Journal. Betterly regularly dispatched<br />
messages to half a million or more strangers with a single click<br />
on the “send” icon. She found that she could make a profit on even very<br />
low responses. For example, if only 65 of the half million recipients<br />
responded, Betterly’s company made $40. In all, Betterly cleared more<br />
than $200,000 a year in income from her small business.<br />
The problem, of course, is that it was far easier for Betterly to hit<br />
the “send” button on an e-mail to a million and a half strangers than<br />
it was for the beleaguered recipients to hit the delete key on all those<br />
messages. One analyst calculated that the recipient cost of Betterly’s<br />
e-mails far exceeded the $40 in revenue that it produced for her.<br />
Assume that the average time getting rid of the junk was two seconds,<br />
and that the average recipient values his or her time at the<br />
mean wage paid in the United States, which is around $14 per<br />
hour, or $0.0039 per second. This implies a total cost, incurred<br />
by uninterested recipients, of 500,000 times two seconds times<br />
$0.0039 per second, which gives $3,900. And such dollar calculations<br />
don’t begin to account for the shear frustration of having<br />
to deal with all those many junk messages.<br />
The impact of spam on consumers and businesses is alarming. One<br />
recent study places the average time spent at work each day deleting<br />
spam at 2.8 minutes. This loss in productivity equals $21.6 billion<br />
per year based on average U.S. wages.<br />
In response to such costs and frustrations, Internet service<br />
providers and Web-browser producers have created sophisticated<br />
spam filters. For example, AOL now blocks some 1.5 billion spam<br />
messages a day, more than half a trillion a year, from reaching the<br />
e-mail boxes of AOL subscribers. It’s blocking eight out of every ten<br />
attempted e-mails as spam. The government is also stepping in. In<br />
walk a fine line between adding value for consumers and being intrusive (see Real<br />
<strong>Marketing</strong> 17.2).<br />
To avoid irritating consumers by sending unwanted marketing e-mail, companies<br />
should ask customers for permission to e-mail marketing pitches. They should also tell<br />
recipients how to “opt in” or “opt out” of e-mail promotions at any time. This approach,<br />
known as permission-based marketing, has become a standard model for e-mail marketing.<br />
The Promise and Challenges of Online <strong>Marketing</strong><br />
Online marketing continues to offer both great promise and many challenges for the future.<br />
Its most ardent apostles still envision a time when the Internet and online marketing will<br />
replace magazines, newspapers, and even stores as sources for information and buying.<br />
Most marketers, however, hold a more realistic view. To be sure, online marketing will<br />
become a successful business model for some companies, Internet firms such as<br />
Amazon.com, eBay, and Google, and direct-marketing companies such as Dell. Michael<br />
Dell’s goal is one day “to have all customers conduct all transactions on the Internet, glob-
2003, Congress passed the CAN-SPAM Act<br />
(the Controlling the Assault of Non-Solicited<br />
Pornography and <strong>Marketing</strong> Act), which<br />
attempts to clean up the e-mail industry by<br />
banning deceptive subject lines, requiring a<br />
real return address, and giving consumers a<br />
way to “opt out.” Such actions have helped<br />
somewhat. The number of spam messages<br />
received last year dropped by 17 percent over<br />
the previous year. However, most of us still get<br />
a barrage of e-mail come-ons each day.<br />
Most legitimate e-mail marketers welcome<br />
such controls. Left unchecked, they reason,<br />
spam will make legitimate e-mail marketing less<br />
effective, or even impossible. But the industry<br />
worries that solutions such as spam filters and<br />
the CAN-SPAM Act often filter out the good emails<br />
with the bad, dampening the rich potential<br />
of e-mail for companies that want to use it as a<br />
valid marketing tool. In fact, according to one<br />
study, as much as 20 percent of legitimate bulk<br />
commercial e-mail—which includes online statements<br />
and receipts as well as mail that users sign<br />
up to receive—gets caught in spam filters.<br />
So, what’s a marketer to do? Permission-based e-mail is the best<br />
solution. Companies can send e-mails only to customers who “opt<br />
in”—those who grant permission in advance. They can let consumers<br />
specify what types of messages they’d like to receive.<br />
Financial services firms such as Charles Schwab use configurable<br />
e-mail systems that let customers choose what they want to get.<br />
Others, such as Yahoo! or Amazon.com, include long lists of opt-in<br />
boxes for different categories of marketing material. Amazon.com targets<br />
opt-in customers with a limited number of helpful “we thought<br />
you’d like to know” messages based on their expressed preferences<br />
and previous purchases. Few customers object and many actually<br />
welcome such promotional messages.<br />
Permission-based marketing ensures that e-mails are sent only to<br />
customers who want them. Still, marketers must be careful not to<br />
abuse the privilege. There’s a fine line between legitimate e-mail mar-<br />
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 505<br />
In response to the spam epidemic, Internet service providers such as AOL have created<br />
sophisticated spam filters.<br />
keting and spam. Companies that cross the line will quickly learn that<br />
“opting out” is only a click away for disgruntled consumers.<br />
Sources: Quotes and other information from Jennifer Drumluk and Joe<br />
Tyler, “Cracking the E-Mail <strong>Marketing</strong> Code,” Association Management,<br />
March 2005, pp. 52–56; Matt Haig and Mylene Mangalindan, “Spam<br />
Queen: For Bulk E-Mailer, Pestering Millions Offers Path to Profit,” Wall<br />
Street Journal, November 13, 2002, p. A1; Jennifer Wolcott, “You Call It<br />
Spam, They Call It a Living,” Christian Science Monitor, March 22, 2004,<br />
p. 12; “AOL Top-10 List Reveals Spammers Are Getting More<br />
Sophisticated,” Wireless News, December 29, 2005, p. 1; Enid Burns,<br />
“The Deadly Duo: Spam and Viruses,” March 2006, accessed at<br />
www.clickz.com; and Jessica E. Vascellaro, “Spam Filters Wild; Spate of<br />
Incidents at Verizon, AOL Point to Growing Problem of Blocking<br />
Legitimate E-Mail,” Wall Street Journal, May 3, 2006, p. D1.<br />
ally.” However, for most companies, online marketing will remain just one important<br />
approach to the marketplace that works alongside other approaches in a fully integrated<br />
marketing mix.<br />
Despite the many challenges, companies large and small are quickly integrating online<br />
marketing into their marketing strategies and mixes. As it continues to grow, online marketing<br />
will prove to be a powerful direct marketing tool for building customer relationships, improving<br />
sales, communicating company and product information, and delivering products and<br />
services more efficiently and effectively.<br />
Integrated Direct <strong>Marketing</strong><br />
Too often, a company’s different direct-marketing efforts are not well integrated with one<br />
another or with other elements of its marketing and promotion mixes. For example, a firm’s<br />
media advertising may be handled by the advertising department working with a traditional
506 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
Integrated direct marketing<br />
Direct-marketing campaigns<br />
that use multiple vehicles and<br />
multiple stages to improve<br />
response rates and profits.<br />
advertising agency. Meanwhile, its direct-mail and catalog business may be handled by directmarketing<br />
specialists, whereas its Web site is developed and operated by an outside Internet<br />
firm. Even within a given direct-marketing campaign, too many companies use only a “one-shot”<br />
effort to reach and sell a prospect or a single vehicle in multiple stages to trigger purchases.<br />
A more powerful approach is integrated direct marketing, which involves using carefully<br />
coordinated multiple-media, multiple-stage campaigns. Such campaigns can greatly improve<br />
response. Whereas a direct-mail piece alone might generate a 2 percent response, adding a Web<br />
site and toll-free phone number might raise the response rate by 50 percent. Then, a welldesigned<br />
outbound e-mail campaign might lift response by an additional 500 percent.<br />
Suddenly, a 2 percent response has grown to 15 percent or more by adding interactive marketing<br />
channels to a regular mailing.<br />
Integrating direct marketing channels with each other and with other media has become<br />
a top priority for marketers. For example, consider the integrated direct marketing efforts of<br />
professional services firm Ernst & Young:<br />
Ernst & Young is taking a decidedly integrated approach with its online, e-mail, and<br />
other direct marketing. It integrates its e-mail efforts with other media, including<br />
direct mail, and tightly weaves both into interactive elements on the company’s site.<br />
For example, a promotion for an annual conference it hosted in October for energy<br />
executives began much earlier in the year with a “save the date” e-mail to clients and<br />
prospects. That was followed up by a rich media e-mail. “We created these flash<br />
movies that we e-mailed them, and the call to action was embedded there,” says an<br />
Ernst & Young marketing executive. “There was a link built in that brought them to<br />
the Web site to find out details about the conference.” Next, to reinforce the online<br />
messages, the company sent out direct-mail invitations, which included a registration<br />
form as well as the Web address for those who chose to register online. To ensure<br />
that Ernst & Young’s direct marketing messages are well integrated, representatives<br />
from each marketing discipline meet on a regular basis. “We all sit around the table<br />
and talk about what we’ve done, what’s in process, and what we’re planning,” says<br />
the marketing executive. “The results rely on ‘the whole thing.’ Otherwise, it’s like<br />
making a cake without putting in the flour.” 58<br />
Public Policy Issues in Direct <strong>Marketing</strong><br />
Direct marketers and their customers usually enjoy mutually rewarding relationships.<br />
Occasionally, however, a darker side emerges. The aggressive and sometimes shady tactics of<br />
a few direct marketers can bother or harm consumers, giving the entire industry a black eye.<br />
Abuses range from simple excesses that irritate consumers to instances of unfair practices or<br />
even outright deception and fraud. The direct marketing industry has also faced growing<br />
invasion-of-privacy concerns, and online marketers must deal with Internet security issues.<br />
Irritation, Unfairness, Deception, and Fraud<br />
Direct-marketing excesses sometimes annoy or offend consumers. Most of us dislike directresponse<br />
TV commercials that are too loud, too long, and too insistent. Our mailboxes fill up<br />
with unwanted junk mail, our e-mail boxes fill up with unwanted spam, and our computer<br />
screens fill up with unwanted pop-up or pop-under ads.<br />
Beyond irritating consumers, some direct marketers have been accused of taking unfair<br />
advantage of impulsive or less-sophisticated buyers. TV shopping channels and program-long<br />
“infomercials” targeting television-addicted shoppers seem to be the worst culprits. They feature<br />
smooth-talking hosts, elaborately staged demonstrations, claims of drastic price reductions,<br />
“while they last” time limitations, and unequaled ease of purchase to inflame buyers<br />
who have low sales resistance.<br />
Worse yet, so-called heat merchants design mailers and write copy intended to mislead<br />
buyers. Even well-known direct mailers have been accused of deceiving consumers. A few<br />
years back, sweepstakes promoter Publishers Clearing House paid $52 million to settle accusations<br />
that its high-pressure mailings confused or misled consumers, especially the elderly, into<br />
believing that they had won prizes or would win if they bought the company’s magazines. 59<br />
Fraudulent schemes, such as investment scams or phony collections for charity, have also<br />
multiplied in recent years. Internet fraud, including identity theft and financial scams, has become
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 507<br />
a serious problem. Internet-related complaints accounted for 46 percent of the 431,000 fraud complaints<br />
received by the FTC last year, resulting in monetary losses of more than $335 million. And<br />
last year alone, the Federal Internet Crime Complaint Center (IC3) received almost 232,000 complaints<br />
related to Internet fraud, a whopping 368 percent increase from 2002. 60<br />
One common form of Internet fraud is phishing, a type of identity theft that uses deceptive<br />
e-mails and fraudulent Web sites to fool users into divulging their personal data.<br />
According to one survey, half of all Internet users have received a phishing e-mail. Although<br />
many consumers are now aware of such schemes, phishing can be extremely costly to those<br />
caught in the Net. It also damages the brand identities of legitimate online marketers who<br />
have worked to build user confidence in Web and e-mail transactions. 61<br />
Many consumers also worry about online security. They fear that unscrupulous snoopers<br />
will eavesdrop on their online transactions or intercept their credit card numbers and make<br />
unauthorized purchases. In a recent survey, six out of ten online shoppers were concerned<br />
enough about online security that they considered reducing the amount of their online holiday<br />
shopping. 62 Such concerns are costly for direct-marketing companies. A recent study<br />
indicated that almost 30 percent of North American consumers who have been online but<br />
haven’t made a purchase cited concerns about credit card fraud and other factors as holding<br />
them back. Another study predicts that annual online sales could be as much as 25 percent<br />
higher if consumers’ security concerns were adequately addressed. 63<br />
Another Internet marketing concern is that of access by vulnerable or unauthorized<br />
groups. For example, marketers of adult-oriented materials have found it difficult to restrict<br />
access by minors. In a more specific example, a while back, sellers using eBay found themselves<br />
the victims of a 14-year-old boy who’d bid on and purchased more than $3 million<br />
worth of high-priced antiques and rare artworks on the site. eBay has a strict policy against<br />
bidding by anyone under age 18 but works largely on the honor system. Unfortunately, this<br />
honor system did little to prevent the teenager from taking a cyberspace joyride. 64<br />
Invasion of Privacy<br />
Invasion of privacy is perhaps the toughest public policy issue now confronting the directmarketing<br />
industry. Consumers often benefit from database marketing—they receive more<br />
offers that are closely matched to their interests. However, many critics worry that marketers<br />
may know too much about consumers’ lives and that they may use this knowledge to take<br />
unfair advantage of consumers. At some point, they claim, the extensive use of databases<br />
intrudes on consumer privacy.<br />
These days, it seems that almost every time consumers enter a sweepstakes, apply for a<br />
credit card, visit a Web site, or order products by mail, telephone, or the Internet, their names<br />
enter some company’s already bulging database. Using sophisticated computer technologies,<br />
direct marketers can use these databases to “microtarget” their selling efforts. Online privacy<br />
causes special concerns. Most online marketers have become skilled at collecting and analyzing<br />
detailed consumer information.<br />
Some consumers and policy makers worry that the ready availability of information may<br />
leave consumers open to abuse if companies make unauthorized use of the information in<br />
marketing their products or exchanging databases with other companies. For example, they<br />
ask, should AT&T be allowed to sell marketers the names of customers who frequently call the<br />
800 numbers of catalog companies? Should a company such as American Express be allowed<br />
to make data on its millions of cardholders worldwide available to merchants who accept<br />
AmEx cards? Is it right for credit bureaus to compile and sell lists of people who have recently<br />
applied for credit cards—people who are considered prime direct-marketing targets because<br />
of their spending behavior? Or is it right for states to sell the names and addresses of driver’s<br />
license holders, along with height, weight, and gender information, allowing apparel retailers<br />
to target tall or overweight people with special clothing offers?<br />
In their drives to build databases, companies sometimes get carried away. For example,<br />
Microsoft caused substantial privacy concerns when one version of its Windows software<br />
used a “Registration Wizard” that snooped into users’ computers. When users went online to<br />
register, without their knowledge, Microsoft “read” the configurations of their PCs to learn<br />
about the major software products they were running. Users protested loudly and Microsoft<br />
abandoned the practice.<br />
These days, it’s not only the large companies that can access such private information.<br />
The explosion of information technology has put these capabilities into the hands almost any<br />
business. For example, one bar owner discovered the power of information technology after<br />
he acquired a simple, inexpensive device to check IDs.
508 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
About 10,000 people a week go to The<br />
Rack, a bar in Boston. . . . One by one,<br />
they hand over their driver’s licenses to<br />
a doorman, who swipes them through a<br />
sleek black machine. If a license is<br />
valid and its holder is over 21, a red<br />
light blinks and the patron is waved<br />
through. But most of the customers are<br />
not aware that it also pulls up the<br />
name, address, birth date, and other<br />
personal details from a data strip on the<br />
back of the license. Even height, eye<br />
color, and sometimes Social Security<br />
number are registered. “You swipe the<br />
license, and all of a sudden someone’s<br />
whole life as we know it pops up in<br />
front of you,” said Paul Barclay, the<br />
bar’s owner. “It’s almost voyeuristic.”<br />
Mr. Barclay soon found that he could<br />
build a database of personal information,<br />
providing an intimate perspective<br />
on his clientele that can be useful in<br />
marketing. Now, for any given night or hour, he can break down his clientele by sex,<br />
age, zip code, or other characteristics. If he wanted to, he could find out how many<br />
blond women named Karen over 5 feet 2 inches came in over a weekend, or how<br />
many of his customers have the middle initial M. More practically, he can build<br />
mailing lists based on all that data—and keep track of who comes back. 65<br />
■ Privacy: The explosion of information technology has put sometimes frightening<br />
capabilities into the hands of almost any business. One bar owner discovered the power<br />
of information technology after he acquired a simple, inexpensive device to check IDs.<br />
A Need for Action<br />
All of this calls for strong actions by marketers to curb privacy abuses before legislators step<br />
in to do it for them. For example, in response to online privacy and security concerns, the federal<br />
government has considered numerous legislative actions to regulate how Web operators<br />
obtain and use consumer information. State governments are also stepping in. In 2003,<br />
California enacted the California Online Privacy Protection Act (OPPA), under which any<br />
online business that collects personally identifiable information from California residents<br />
must take steps such as posting its privacy policy and notifying consumers about what data<br />
will be gathered and how it will be used. 66<br />
Of special concern are the privacy rights of children. In 1998, the Federal Trade<br />
Commission surveyed 212 Web sites directed toward children. It found that 89 percent of the<br />
sites collected personal information from children. However, 46 percent of them did not<br />
include any disclosure of their collection and use of such information. As a result, Congress<br />
passed the Children’s Online Privacy Protection Act (COPPA), which requires Web site operators<br />
targeting children to post privacy policies on their sites. They must also notify parents<br />
about the information they’re gathering and obtain parental consent before collecting personal<br />
information from children under the age of 13. Under this act, Interstate Bakeries was<br />
recently required to rework its Planet Twinkie Web site after the Children’s Advertising<br />
Review Unit found that the site allowed children under 13 to submit their full name and<br />
phone number without parental consent. 67<br />
Many companies have responded to consumer privacy and security concerns with<br />
actions of their own. Still others are taking an industrywide approach. For example, TRUSTe,<br />
a nonprofit self-regulatory organization, works with many large corporate sponsors, including<br />
Microsoft, AT&T, and Intuit, to audit companies’ privacy and security measures and help consumers<br />
navigate the Web safely. According to the company’s Web site, “TRUSTe believes that<br />
an environment of mutual trust and openness will help make and keep the Internet a free,<br />
comfortable, and richly diverse community for everyone.” To reassure consumers, the company<br />
lends it “trustmark” stamp of approval to Web sites that meet its privacy and security<br />
standards. 68<br />
The direct-marketing industry as a whole is also addressing public policy issues. For<br />
example, in an effort to build consumer confidence in shopping direct, the Direct <strong>Marketing</strong><br />
Association (DMA)—the largest association for businesses practicing direct, database, and<br />
interactive marketing, with more than 4,800 member companies—launched a “Privacy
Chapter 17 Direct and Online <strong>Marketing</strong>: Building Direct Customer Relationships 509<br />
Promise to American Consumers.” The Privacy Promise requires that all DMA members<br />
adhere to a carefully developed set of consumer privacy rules. Members must agree to notify<br />
customers when any personal information is rented, sold, or exchanged with others. They<br />
must also honor consumer requests to “opt out” of receiving further solicitations or having<br />
their contact information transferred to other marketers. Finally, they must abide by the<br />
DMA’s Preference Service by removing the names of consumers who wish not to receive mail,<br />
telephone, or e-mail offers. 69<br />
Direct marketers know that, left untended, such problems will lead to increasingly negative<br />
consumer attitudes, lower response rates, and calls for more restrictive state and federal legislation.<br />
“Privacy and customer permission have become the cornerstones of customer trust, [and]<br />
trust has become the cornerstone to a continuing relationship,” says one expert. Companies<br />
must “become the custodians of customer trust and protect the privacy of their customers.” 70<br />
Most direct marketers want the same things that consumers want: honest and welldesigned<br />
marketing offers targeted only toward consumers who will appreciate and respond<br />
to them. Direct marketing is just too expensive to waste on consumers who don’t want it.
Value-based pricing<br />
Setting prices based on<br />
buyers’ perceptions of value<br />
rather than on the seller’s<br />
cost.<br />
FIGURE 10.1<br />
Considerations in setting<br />
price<br />
Factors to Consider When Setting Prices<br />
The price the company charges will fall somewhere between one that is too high to produce<br />
any demand and one that is too low to produce a profit. Figure 10.1 summarizes the major<br />
considerations in setting price. Customer perceptions of the product’s value set the ceiling for<br />
prices. If customers perceive that the price is greater than the product’s value, they will not<br />
buy the product. Product costs set the floor for prices. If the company prices the product<br />
below its costs, company profits will suffer. In setting its price between these two extremes,<br />
the company must consider a number of other internal and external factors, including its<br />
overall marketing strategy and mix, the nature of the market and demand, and competitors’<br />
strategies and prices.<br />
In the end, the customer will decide whether a product’s price is right. Pricing decisions,<br />
like other marketing mix decisions, must start with customer value. When customers buy a<br />
product, they exchange something of value (the price) in order to get something of value (the<br />
benefits of having or using the product). Effective, customer-oriented pricing involves understanding<br />
how much value consumers place on the benefits they receive from the product and<br />
setting a price that captures this value.<br />
Value-Based Pricing<br />
Good pricing begins with a complete understanding of the value that a product or service creates<br />
for customers. Value-based pricing uses buyers’ perceptions of value, not the seller’s cost,<br />
as the key to pricing. Value-based pricing means that the marketer cannot design a product<br />
and marketing program and then set the price. Price is considered along with the other marketing<br />
mix variables before the marketing program is set.<br />
Figure 10.2 compares value-based pricing with cost-based pricing. Cost-based pricing is<br />
product driven. The company designs what it considers to be a good product, adds up the<br />
costs of making the product, and sets a price that covers costs plus a target profit. <strong>Marketing</strong><br />
must then convince buyers that the product’s value at that price justifies its purchase. If the<br />
price turns out to be too high, the company must settle for lower markups or lower sales, both<br />
resulting in disappointing profits.<br />
Value-based pricing reverses this process. The company sets its target price based<br />
on customer perceptions of the product value. The targeted value and price then drive<br />
Customer<br />
perceptions<br />
of value<br />
Price ceiling<br />
No demand above<br />
this price<br />
Other internal and external<br />
considerations<br />
<strong>Marketing</strong> strategy, objectives,<br />
and mix<br />
Nature of the market and demand<br />
Competitors’ strategies and prices<br />
Product<br />
costs<br />
Price floor<br />
No profits below<br />
this price
286 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
FIGURE 10.2<br />
Value-based pricing versus<br />
cost-based pricing<br />
Source: Thomas T. Nagle and<br />
Reed K. Holden, The Strategy<br />
and Tactics of Pricing, 3rd ed.<br />
(Upper Saddle River, NJ:<br />
Prentice Hall, 2002), p. 4.<br />
Reproduced by permission of<br />
<strong>Pearson</strong> Education, Inc., Upper<br />
Saddle River, New Jersey.<br />
Product<br />
Cost<br />
Cost-based pricing<br />
Price<br />
Value-based pricing<br />
Customers Value<br />
Price<br />
Value<br />
Cost<br />
Customers<br />
Product<br />
decisions about product design and what costs can be incurred. As a result, pricing<br />
begins with analyzing consumer needs and value perceptions, and price is set to match<br />
consumers’ perceived value.<br />
It’s important to remember that “good value” is not the same as “low price.” For example,<br />
prices for a Hermes Birkin Bag start at $6,000—a less expensive handbag might carry as much,<br />
but some consumers place great value on the intangibles they receive from a one-of-a kind<br />
handmade bag that has a year-long waiting list. Similarly, some car buyers consider the luxurious<br />
Bentley Continental GT automobile a real value, even at an eye-popping price of<br />
$150,000:<br />
■ Value-based pricing: “Good value” is not the same as “low price.” Some car<br />
buyers consider the luxurious Bentley Continental GT automobile a real value,<br />
even at an eye-popping price of $150,000.<br />
Stay with me here, because I’m about to<br />
[tell you why] a certain automobile costing<br />
$150,000 is not actually expensive, but is<br />
in fact a tremendous value. Every Bentley<br />
GT is built by hand, an Old World bit of<br />
automaking requiring 160 hours per vehicle.<br />
Craftsmen spend 18 hours simply<br />
stitching the perfectly joined leather of the<br />
GT’s steering wheel, almost as long as it<br />
takes to assemble an entire VW Golf. The<br />
results are impressive: Dash and doors are<br />
mirrored with walnut veneer, floor pedals<br />
are carved from aluminum, window and<br />
seat toggles are cut from actual metal<br />
rather than plastic, and every air vent is<br />
perfectly chromed. . . . The sum of all this<br />
is a fitted cabin that approximates that of a<br />
$300,000 vehicle, matched to an engine<br />
the equal of a $200,000 automobile, within<br />
a car that has brilliantly incorporated . . .<br />
technological sophistication. As I said, the<br />
GT is a bargain. [Just ask anyone on the<br />
lengthy waiting list.] The waiting time to<br />
bring home your very own GT is currently<br />
half a year. 6<br />
A company using value-based pricing must find<br />
out what value buyers assign to different competitive<br />
offers. However, companies often find it hard to<br />
measure the value customers will attach to its product.<br />
For example, calculating the cost of ingredients<br />
in a meal at a fancy restaurant is relatively easy. But<br />
assigning a value to other satisfactions such as taste,<br />
environment, relaxation, conversation, and status is<br />
very hard. And these values will vary both for different<br />
consumers and different situations.<br />
Still, consumers will use these perceived values<br />
to evaluate a product’s price, so the company must
Good-value pricing<br />
Offering just the right<br />
combination of quality and<br />
good service at a fair price.<br />
Chapter 10 Pricing Products: Understanding and Capturing Customer Value 287<br />
work to measure them. Sometimes, companies ask consumers how much they would pay for<br />
a basic product and for each benefit added to the offer. Or a company might conduct experiments<br />
to test the perceived value of different product offers. According to an old Russian<br />
proverb, there are two fools in every market—one who asks too much and one who asks too<br />
little. If the seller charges more than the buyers’ perceived value, the company’s sales will suffer.<br />
If the seller charges less, its products sell very well. But they produce less revenue than<br />
they would if they were priced at the level of perceived value.<br />
We now examine two types of value-based pricing: good-value pricing and value-added<br />
pricing.<br />
Good-Value Pricing<br />
During the past decade, marketers have noted a fundamental shift in consumer attitudes<br />
toward price and quality. Many companies have changed their pricing approaches to bring<br />
them into line with changing economic conditions and consumer price perceptions. More<br />
and more, marketers have adopted good-value pricing strategies—offering just the right combination<br />
of quality and good service at a fair price.<br />
In many cases, this has involved introducing less-expensive versions of established,<br />
brand name products. Fast-food restaurants such as Taco Bell and McDonald’s offer “value<br />
menus.” Armani offers the less-expensive, more<br />
casual Armani Exchange fashion line. Procter &<br />
Gamble created Charmin Basic—it is “slightly<br />
less ‘squeezably soft’ but it’s a lot less pricey than<br />
Procter & Gamble’s other toilet paper.” It’s “Soft.<br />
Strong. Sensible.” 7 In other cases, good-value<br />
pricing has involved redesigning existing brands<br />
to offer more quality for a given price or the same<br />
quality for less.<br />
An important type of good-value pricing at<br />
the retail level is everyday low pricing (EDLP).<br />
EDLP involves charging a constant, everyday<br />
low price with few or no temporary price discounts.<br />
In contrast, high-low pricing involves<br />
charging higher prices on an everyday basis but<br />
running frequent promotions to lower prices<br />
temporarily on selected items. In recent years,<br />
high-low pricing has given way to EDLP in retail<br />
settings ranging from Saturn car dealerships to<br />
Giant Eagle supermarkets to furniture store<br />
Room & Board.<br />
The king of EDLP is Wal-Mart, which practically<br />
defined the concept. Except for a few sale<br />
items every month, Wal-Mart promises everyday<br />
low prices on everything it sells. In contrast,<br />
Kmart’s recent attempts to match Wal-Mart’s EDLP strategy failed. To offer everyday low<br />
prices, a company must first have everyday low costs. However, because Kmart’s costs are<br />
much higher than Wal-Mart’s, it could not make money at the lower prices and quickly abandoned<br />
the attempt. 8<br />
■ Good-value pricing: Procter & Gamble’s Charmin Basic is still “squeezably soft”<br />
but it’s a lot less pricey than P&G’s other toilet paper. It’s “the quality toilet<br />
tissue at the price you’ll love.”<br />
Value-added pricing<br />
Attaching value-added<br />
features and services to<br />
differentiate a company’s<br />
offers and to support<br />
charging higher prices.<br />
Value-Added Pricing<br />
In many business-to-business marketing situations, the challenge is to build the company’s<br />
pricing power—its power to escape price competition and to justify higher prices and margins<br />
without losing market share. To retain pricing power, a firm must retain or build the value of its<br />
market offering. This is especially true for suppliers of commodity products, which are characterized<br />
by little differentiation and intense price competition. If companies “rely on price to<br />
capture and retain business, they reduce whatever they’re selling to a commodity,” says an analyst.<br />
“Once that happens, there is no customer loyalty.” 9<br />
To increase their pricing power, many companies adopt value-added pricing strategies. Rather<br />
than cutting prices to match competitors, they attach value-added features and services to differentiate<br />
their offers and thus support higher prices (see Real <strong>Marketing</strong> 10.1). “Even in today’s economic<br />
environment, it’s not about price,” says a pricing expert. “It’s about keeping customers loyal<br />
by providing service they can’t find anywhere else.” 10
In the past few years, a new type of social interaction has exploded onto the scene—<br />
online social networking—carried out over Internet media ranging from blogs to social networking<br />
sites such as MySpace.com and Facebook.com. This new form of high-tech buzz has<br />
big implications for marketers.<br />
Personal connections—forged through words, pictures, video, and audio posted just<br />
for the [heck] of it—are the life of the new Web, bringing together the estimated<br />
60 million bloggers, [an unbelievable] 72 million MySpace.com users, and millions<br />
more on single-use social networks where people share one category of stuff, like<br />
Flickr (photos), Del.icio.us (links), Digg (news stories), Wikipedia (encyclopedia articles),<br />
and YouTube (video). . . . It’s hard to overstate the coming impact of these new<br />
network technologies on business: They hatch trends and build immense waves of<br />
interest in specific products. They serve [up] giant, targeted audiences to advertisers.<br />
They edge out old media with the loving labor of amateurs. They effortlessly provide<br />
hyperdetailed data to marketers. If your customers are satisfied, networks can help build<br />
fanatical loyalty; if not, they’ll amplify every complaint until you do something about it.<br />
[The new social networking technologies] provide an authentic, peer-to-peer channel of<br />
communication that is far more credible than any corporate flackery. 16<br />
Marketers are working to harness the power of these new social networks to promote<br />
their products and build closer customer relationships. For example, when Volkswagen set<br />
up a MySpace.com site for Helga, the German-accented, dominatrix-type blonde who appears<br />
in its controversial Volkswagen GTI ads, tens of thousands of fans signed up as “friends.” 17<br />
And companies regularly post ads or custom videos on video-sharing sites such as YouTube.<br />
When Adidas recently reintroduced its adicolor shoe, a customizable white-on-white<br />
sneaker with a set of seven color markers, it signed on seven top creative directors to<br />
develop innovative videos designed especially for downloading to iPods and other<br />
■ Social networking: Adidas harnessed the power of social networks to reintroduce its customizable adicolor<br />
shoe. It developed innovative downloadable videos that celebrate color and personal expression—here in<br />
pink—and then released them through e-mail and social networking sites like YouTube.
handhelds. The directors were given complete creative control to interpret their<br />
assigned color as they saw fit. “The directors that we chose we feel have a good deal<br />
of underground street cred,” says an Adidas marketing executive. The project was<br />
not tied specifically to the product. Rather, the directors were asked to “celebrate<br />
color, customization, and personal expression.” The diverse set of short films was<br />
then released, one film a week, via e-mail and sites such as YouTube. The films drew<br />
more than 2.1 million viewers within three weeks, 20 million within the first two<br />
months, and the numbers were growing exponentially with each new release. 18
Real <strong>Marketing</strong><br />
9.1<br />
You will never meet Catherine, Anna, Maria, or Monica.<br />
But the future success of Swedish home appliances<br />
maker Electrolux depends on what these four women think.<br />
Catherine, for instance, a type A career woman who is a perfectionist<br />
at home, loves the idea of simply sliding her laundry basket into a<br />
washing machine, instead of having to lift the clothes from the basket<br />
and into the washer. That product idea has been moved onto the fast<br />
track for consideration.<br />
So, just who are Catherine and the other women? Well, they don’t<br />
actually exist. They are composites based on in-depth interviews with<br />
some 160,000 consumers from around the globe. To divine the<br />
needs of these mythical customers, 53 Electrolux employees—in<br />
teams that included designers, engineers, and marketers hailing<br />
from various divisions—gathered in Stockholm last November for a<br />
weeklong brainstorming session. The Catherine team began by ripping<br />
photographs out of a pile of magazines and sticking them onto<br />
poster boards. Next to a picture of a woman wearing a sharply tailored<br />
suit, they scribbled some of Catherine’s attributes: driven, busy,<br />
and a bit overwhelmed.<br />
With the help of these characters, Electrolux product developers<br />
are searching for the insights they’ll need to dream up the next batch<br />
of hot products. It’s a new way of doing things for Electrolux, but then<br />
again, a lot is new at the company. When Chief Executive Hans<br />
Straberg took the helm in 2002, Electrolux—which sells products<br />
under the Electrolux, Eureka, and Frigidaire brands—was the world’s<br />
number-two home appliances maker behind Whirlpool. The company<br />
faced spiraling costs, and its middle-market products were<br />
gradually losing out to cheaper goods from Asia and Eastern Europe.<br />
Competition in the United States, where Electrolux gets 40 percent of<br />
its sales, was ferocious. The company’s stock was treading water.<br />
Straberg had to do something radical, especially in the area of<br />
new-product innovation. So he began breaking down barriers<br />
between departments and forcing his designers, engineers, and mar-<br />
Chapter 9 New-Product Development and Product Life-Cycle Strategies 265<br />
Electrolux: Cleaning Up with Customer-Centered,<br />
Team-Based New-Product Development<br />
keters to work together to come up with new products. He also introduced<br />
an intense focus on the customer. He set out to become “the<br />
leader in our industry in terms of systematic development of new<br />
products based on consumer insight.”<br />
At the Stockholm brainstorming session, for example, group<br />
leader Kim Scott urges everyone “to think of yourselves as<br />
Catherine.” The room buzzes with discussion. Ideas are refined,<br />
sketches drawn up. The group settles on three concepts: Breeze, a<br />
clothes steamer that also removes stains; an Ironing Center, similar to<br />
a pants press but for shirts; and Ease, the washing machine that<br />
holds a laundry basket inside its drum.<br />
Half the group races off to the machine shop to turn out a prototype<br />
for Breeze, while the rest stay upstairs to bang out a marketing plan.<br />
Over the next hour, designer Lennart Johansson carves and sandpapers<br />
a block of peach-colored polyurethane until a contraption that resembles<br />
a cross between an electric screwdriver and a handheld vacuum<br />
begins to emerge. The designers in the group want the Breeze to be<br />
smaller, but engineer Giuseppe Frucco points out that would leave too<br />
little space for a charging station for the 1,500-watt unit.<br />
For company veterans such as Frucco, who works at Electrolux’s<br />
fabric care research and development center in Porcia, Italy, this<br />
dynamic groupthink is a refreshing change: “We never used to create<br />
new products together,” he says. “The designers would come up with<br />
something and then tell us to build it.” The new way saves time and<br />
money by avoiding the technical glitches that crop up as a new<br />
design moves from the drafting table to the factory floor. The ultimate<br />
goal is to come up with new products that consumers will gladly pay<br />
a premium for: Gadgets with drop-dead good looks and clever features<br />
that ordinary people can understand without having to pore<br />
through a thick users’ manual. “Consumers are prepared to pay for<br />
good design and good performance,” says CEO Straberg.<br />
Few companies have pulled off the range of hot new offerings that<br />
Electrolux has. One clear hit is a cordless stick and hand vacuum,<br />
Customer-centered new-product development: Electrolux’s new-product team starts by watching and talking<br />
with consumers to understand their problems. Here, they build a bulletin board packed with pictures and postits<br />
detailing consumers struggling with household cleaning chores and possible product solutions. Then the<br />
team moves to the lab to create products that solve customer problems. “We were thinking of you when we<br />
developed this product,” says Electrolux.<br />
(continues)
266 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
(continued)<br />
called Pronto in the United States. Available in an array of metallic hues<br />
with a rounded, ergonomic design, this is the Cinderella of vacuums.<br />
Too attractive to be locked up in the broom closet, it calls out to be displayed<br />
in your kitchen. In Europe, it now commands 50 percent of the<br />
market for stick vacs, a coup for a product with fewer than two years on<br />
the market. The Pronto is cleaning up in the United States, too. Stacy<br />
Silk, a buyer at retail chain Best Buy, says it is one of her hottest sellers,<br />
even though it retails for around $100, double the price of comparable<br />
models. A recent check at Best Buy’s online site shows that the Pronto<br />
is currently out of stock. “The biggest thing is the aesthetics,” Silk says.<br />
“That gets people to walk over and look.”<br />
Electrolux is crafting such new products even while moving away<br />
from many traditional customer research tools. The company relies<br />
less heavily on focus groups and now prefers to interview people in<br />
their homes where they can be videotaped pushing a vacuum or<br />
shoving laundry into the washer. “Consumers think they know what<br />
they want, but they often have trouble articulating it,” says<br />
Electrolux’s senior vice-president for global design. “But when we<br />
watch them, we can ask, ‘Why do you do that?’ We can change the<br />
product and solve their problems.”<br />
This customer-centered, team-based new-product development<br />
approach is producing results. Under the new approach, newproduct<br />
launches have almost doubled in quantity, and the proportion<br />
of new-product launches that result in outsized unit sales is now<br />
running at 50 percent of all introductions, up from around 25 percent<br />
previously. As a result, Electrolux’s sales, profits, and share price are<br />
all up sharply.<br />
It all boils down to understanding consumers and giving them<br />
what they need and want. According to a recent Electrolux annual<br />
report:<br />
“Thinking of you” sums up our product offering. That is how<br />
we create value for our customers—and thereby for our shareholders.<br />
All product development and marketing starts with<br />
understanding consumer needs, expectations, dreams, and<br />
motivation. That’s why we contact tens of thousands of consumers<br />
throughout the world every year.... The first steps in<br />
product development are to ask questions, observe, discuss,<br />
and analyze. So we can actually say, “We were thinking of you<br />
when we developed this product.”<br />
Thanks to such thinking, Electrolux has now grown to become the<br />
world’s biggest household appliances company. Catherine and the<br />
other women would be pleased.<br />
Source: Portions adapted from Ariene Sains and Stanley Reed,<br />
“Electrolux Cleans Up,” BusinessWeek, February 27, 2006, pp. 42–43;<br />
with quotes and extracts adapted from “Products Developed on the<br />
Basis of Consumer Insight,” Acceleration . . . Electrolux Annual Report,<br />
April 7, 2006, p. 7; accessed at www.electrolux.com/node60.aspx.<br />
Additional information from Caroline Perry, “Electrolux Doubles Spend<br />
with New Strategy,” <strong>Marketing</strong> Week, February 16, 2006, pp. 7–9.
Appendix 2<br />
Fixed costs<br />
Costs that do not vary with<br />
production or sales level.<br />
MARKETING BY THE NUMBERS<br />
<strong>Marketing</strong> decisions are coming under increasing scrutiny, and marketing managers must be<br />
accountable for the financial implications of their actions. This appendix provides a basic<br />
introduction to marketing financial analysis. Such analysis guides marketers in making sound<br />
marketing decisions and in assessing the outcomes of those decisions.<br />
The appendix is built around a hypothetical manufacturer of high-definition consumer<br />
electronics products—HDX-treme. This company is launching a new product, and we will<br />
discuss and analyze the various decisions HDX-treme’s marketing managers must make<br />
before and after launch.<br />
HDX-treme manufactures high-definition televisions for the consumer market. The company<br />
has concentrated on televisions but is now entering the accessories market.<br />
Specifically, the company is introducing a high-definition optical disc player (DVD) using<br />
the Blu-ray format.<br />
The appendix is organized into three sections. The first section deals with the pricing<br />
considerations and break-even and margin analysis assessments that guide the introduction<br />
of HDX-treme’s new-product launch. The second section begins with a discussion of estimating<br />
market potential and company sales. It then introduces the marketing budget, as illustrated<br />
through a pro forma profit-and-loss statement followed by the actual profit-and-loss<br />
statement. Next, the section discusses marketing performance measures, with a focus on helping<br />
marketing managers to better defend their decisions from a financial perspective. In the<br />
final section, we analyze the financial implications of various marketing tactics, such as<br />
increasing advertising expenditures, adding sales representatives to increase distribution,<br />
lowering price, or extending the product line.<br />
At the end of each section, quantitative exercises provide you with an opportunity to<br />
apply the concepts you learned in that section to contexts beyond HDX-treme.<br />
Pricing, Break-Even, and Margin Analysis<br />
Pricing Considerations<br />
Determining price is one of the most important marketing-mix decisions, and marketers<br />
have considerable leeway when setting prices. The limiting factors are demand and costs.<br />
Demand factors, such as buyer-perceived value, set the price ceiling. The company’s costs<br />
set the price floor. In between these two factors, marketers must consider competitors’<br />
prices and other factors such as reseller requirements, government regulations, and company<br />
objectives.<br />
Current competing high-definition DVD products in this relatively new product category<br />
were introduced in 2006 and sell at retail prices between $500 and $1,200. HDX-treme plans<br />
to introduce its new product at a lower price in order to expand the market and to gain market<br />
share rapidly. We first consider HDX-treme’s pricing decision from a cost perspective.<br />
Then, we consider consumer value, the competitive environment, and reseller requirements.<br />
Determining Costs<br />
Recall from Chapter 10 that there are different types of costs. Fixed costs do not vary with production<br />
or sales level and include costs such as rent, interest, depreciation, and clerical and<br />
management salaries. Regardless of the level of output, the company must pay these costs.<br />
Whereas total fixed costs remain constant as output increases, the fixed cost per unit (or average<br />
fixed cost) will decrease as output increases because the total fixed costs are spread across<br />
A-11
A-12 Appendix 2 <strong>Marketing</strong> by the Numbers<br />
Variable costs<br />
Costs that vary directly with<br />
the level of production.<br />
Total costs<br />
The sum of the fixed and<br />
variable costs for any given<br />
level of production.<br />
Cost-plus pricing (or<br />
markup pricing)<br />
Adding a standard markup to<br />
the cost of the product.<br />
Relevant costs<br />
Costs that will occur in the<br />
future and that will vary<br />
across the alternatives being<br />
considered.<br />
Break-even price<br />
The price at which total<br />
revenue equals total cost and<br />
profit is zero.<br />
Return on investment (ROI)<br />
pricing (or target-return<br />
pricing)<br />
A cost-based pricing method<br />
that determines price based<br />
on a specified rate of return<br />
on investment.<br />
more units of output. Variable costs vary directly with the level of production and include<br />
costs related to the direct production of the product (such as costs of goods sold—COGS) and<br />
many of the marketing costs associated with selling it. Although these costs tend to be uniform<br />
for each unit produced, they are called variable because their total varies with the number<br />
of units produced. Total costs are the sum of the fixed and variable costs for any given<br />
level of production.<br />
HDX-treme has invested $10 million in refurbishing an existing facility to manufacture<br />
the new DVD product. Once production begins, the company estimates that it will incur fixed<br />
costs of $20 million per year. The variable cost to produce each DVD player is estimated to be<br />
$250 and is expected to remain at that level for the output capacity of the facility.<br />
Setting Price Based on Costs<br />
HDX-treme starts with the cost-based approach to pricing discussed in Chapter 10. Recall that<br />
the simplest method, cost-plus pricing (or markup pricing), simply adds a standard markup<br />
to the cost of the product. To use this method, however, HDX-treme must specify an expected<br />
unit sales so that total unit costs can be determined. Unit variable costs will remain constant<br />
regardless of the output, but average unit fixed costs will decrease as output increases.<br />
To illustrate this method, suppose HDX-treme has fixed costs of $20 million, variable<br />
costs of $250 per unit, and expects unit sales of 1 million units. Thus, the cost per DVD player<br />
is given by:<br />
Unit cost � variable cost � fixed costs � $250 � $20,000,000 � $270<br />
unit sales 1,000,000<br />
Note that we do not include the initial investment of $10 million in the total fixed cost<br />
figure. It is not considered a fixed cost because it is not a relevant cost. Relevant costs are<br />
those that will occur in the future and that will vary across the alternatives being considered.<br />
HDX-treme’s investment to refurbish the manufacturing facility was a one-time cost that will<br />
not reoccur in the future. Such past costs are sunk costs and should not be considered in<br />
future analyses.<br />
Also notice that if HDX-treme sells its DVD player for $270, the price is equal to the total<br />
cost per unit. This is the break even price—the price at which unit revenue (price) equals unit<br />
cost and profit is zero.<br />
Suppose HDX-treme does not want to merely break even but rather wants to earn a 25%<br />
markup on sales. HDX-treme’s markup price is: 1<br />
unit cost<br />
Markup price �<br />
� $270 � $360<br />
(1 � desired return on sales) 1 � .25<br />
This is the price that HDX-treme would sell the DVD player to resellers such as wholesalers or<br />
retailers to earn a 25% profit on sales.<br />
Another approach HDX-treme could use is called return on investment (ROI) pricing<br />
(or target-return pricing). In this case, the company would consider the initial $10 million<br />
investment, but only to determine the dollar profit goal. Suppose the company wants a<br />
30% return on its investment. The price necessary to satisfy this requirement can be determined<br />
by: 2<br />
ROI price � unit cost � ROI � investment � $270 � 0.3� $10,000,000 � $273<br />
unit sales 1,000,000<br />
That is, if HDX-treme sells its DVD players for $273 each, it will realize a 30% return on its<br />
initial investment of $10 million.<br />
In these pricing calculations, unit cost is a function of the expected sales, which were<br />
estimated to be 1 million units. But what if actual sales were lower? Then the unit cost would<br />
be higher because the fixed costs would be spread over fewer units, and the realized percentage<br />
markup on sales or ROI would be lower. Alternatively, if sales are higher than the estimated<br />
1 million units, unit cost would be lower than $270, so a lower price would produce<br />
the desired markup on sales or ROI. It’s important to note that these cost-based pricing methods<br />
are internally focused and do not consider demand, competitors’ prices, or reseller<br />
requirements. Because HDX-treme will be selling these DVD players to consumers through<br />
wholesalers and retailers offering competing brands, the company must consider markup<br />
pricing from this perspective.
Markup<br />
The difference between a<br />
company’s selling price for a<br />
product and its cost to<br />
manufacture or purchase it.<br />
Value-based pricing<br />
Offering just the right<br />
combination of quality and<br />
good service at a fair price.<br />
Markup chain<br />
The sequence of markups<br />
used by firms at each level in<br />
a channel.<br />
Break-even analysis<br />
Analysis to determine the unit<br />
volume and dollar sales<br />
needed to be profitable given<br />
a particular price and cost<br />
structure.<br />
Setting Price Based on External Factors<br />
Appendix 2 <strong>Marketing</strong> by the Numbers A-13<br />
Whereas costs determine the price floor, HDX-treme also must consider external factors when<br />
setting price. HDX-treme does not have the final say concerning the final price to consumers—<br />
retailers do. So it must start with its suggested retail price and work back. In doing so, HDXtreme<br />
must consider the markups required by resellers that sell the product to consumers.<br />
In general, a dollar markup is the difference between a company’s selling price for a<br />
product and its cost to manufacture or purchase it. For a retailer, then, the markup is the difference<br />
between the price it charges consumers and the cost the retailer must pay for the product.<br />
Thus, for any level of reseller:<br />
Dollar markup � selling price � cost<br />
Markups are usually expressed as a percentage, and there are two different ways to compute<br />
markups—on cost or on selling price:<br />
dollar markup<br />
Markup percentage on cost �<br />
cost<br />
dollar markup<br />
Markup percentage on selling price �<br />
selling price<br />
To apply reseller margin analysis, HDX-treme must first set the suggested retail price and<br />
then work back to the price at which it must sell the DVD player to a wholesaler. Suppose<br />
retailers expect a 30% margin and wholesalers want a 20% margin based on their respective<br />
selling prices. And suppose that HDX-treme sets a manufacturer’s suggested retail price<br />
(MSRP) of $599.99 for its high-definition DVD player.<br />
Recall that HDX-treme wants to expand the market by pricing low and generating market<br />
share quickly. HDX-treme selected the $599.99 MSRP because it is much lower than most<br />
competitors’ prices, which can be as high as $1,200. And the company’s research shows that<br />
it is below the threshold at which more consumers are willing to purchase the product. By<br />
using buyers’ perceptions of value and not the seller’s cost to determine the MSRP, HDXtreme<br />
is using value-based pricing. For simplicity, we will use an MSRP of $600 in further<br />
analyses.<br />
To determine the price HDX-treme will charge wholesalers, we must first subtract the<br />
retailer’s margin from the retail price to determine the retailer’s cost ($600 � ($600 � 0.30) �<br />
$420). The retailer’s cost is the wholesaler’s price, so HDX-treme next subtracts the wholesaler’s<br />
margin ($420 � ($420 � 0.20) � $336). Thus, the markup chain representing the<br />
sequence of markups used by firms at each level in a channel for HDX-treme’s new product is:<br />
Suggested retail price: $600<br />
minus retail margin (30%): � $180<br />
Retailer’s cost/wholesaler’s price: $420<br />
minus wholesaler’s margin (20%): � $ 84<br />
Wholesaler’s cost/HDX-treme’s price: $336<br />
By deducting the markups for each level in the markup chain, HDX-treme arrives at a price for<br />
the DVD player to wholesalers of $336.<br />
Break-Even and Margin Analysis<br />
The previous analyses derived a value-based price of $336 for HDX-treme’s DVD player.<br />
Although this price is higher than the break-even price of $270 and covers costs, that price<br />
assumed a demand of 1 million units. But how many units and what level of dollar sales must<br />
HDX-treme achieve to break even at the $336 price? And what level of sales must be achieved<br />
to realize various profit goals? These questions can be answered through break-even and margin<br />
analysis.<br />
Determining Break-Even Unit Volume and Dollar Sales<br />
Based on an understanding of costs, consumer value, the competitive environment, and reseller<br />
requirements, HDX-treme has decided to set its price to wholesalers at $336. At that price, what<br />
sales level will be needed for HDX-treme to break even or make a profit? Break-even analysis<br />
determines the unit volume and dollar sales needed to be profitable given a particular price and
A-14 Appendix 2 <strong>Marketing</strong> by the Numbers<br />
Unit contribution<br />
The amount that each unit<br />
contributes to covering fixed<br />
costs—the difference<br />
between price and variable<br />
costs.<br />
Contribution margin<br />
The unit contribution divided<br />
by the selling price.<br />
cost structure. At the break-even point, total revenue equals total costs and profit is zero. Above<br />
this point, the company will make a profit; below it, the company will lose money. HDX-treme<br />
can calculate break-even volume using the following formula: 3<br />
fixed costs<br />
Break-even volume �<br />
price � unit variable cost<br />
The denominator (price � unit variable cost) is called unit contribution (sometimes<br />
called contribution margin). It represents the amount that each unit contributes to covering<br />
fixed costs. Break-even volume represents the level of output at which all (variable and fixed)<br />
costs are covered. In HDX-treme’s case, break-even unit volume is:<br />
fixed cost<br />
Break-even volume �<br />
� $20,000,000 � 232,558.1 units<br />
price � variable cost $336 � $250<br />
Thus, at the given cost and pricing structure, HDX-treme will break even at 232,559 units.<br />
To determine the break-even dollar sales, simply multiply unit break-even volume by the<br />
selling price:<br />
BE sales � BE vol � price � 232,559 units � $336 � $78,139,824<br />
Another way to calculate dollar break-even sales is to use the percentage contribution margin<br />
(hereafter referred to as contribution margin), which is the unit contribution divided by the<br />
selling price:<br />
Then,<br />
Contribution margin � price � variable cost � $336�$250 � 0.256 or 25.6%<br />
price $336<br />
fixed costs<br />
Break-even sales �<br />
� $20,000,000 � $78,125,000<br />
contribution margin 0.256<br />
Note that the difference between the two break-even sales calculations is due to rounding.<br />
Such break-even analysis helps HDX-treme by showing the unit volume needed to cover<br />
costs. If production capacity cannot attain this level of output, then the company should not<br />
launch this product. However, the unit break-even volume is well within HDX-treme’s capacity.<br />
Of course, the bigger question concerns whether HDX-treme can sell this volume at the<br />
$336 price. We’ll address that issue a little later.<br />
Understanding contribution margin is useful in other types of analyses as well, particularly<br />
if unit prices and unit variable costs are unknown or if a company (say, a retailer) sells<br />
many products at different prices and knows the percentage of total sales variable costs represent.<br />
Whereas unit contribution is the difference between unit price and unit variable costs,<br />
total contribution is the difference between total sales and total variable costs. The overall<br />
contribution margin can be calculated by:<br />
total sales � total variable costs<br />
Contribution margin �<br />
total sales<br />
Regardless of the actual level of sales, if the company knows what percentage of sales<br />
is represented by variable costs, it can calculate contribution margin. For example, HDXtreme’s<br />
unit variable cost is $250, or 74% of the selling price ($250 ÷ $336 � 0.74). That<br />
means for every $1 of sales revenue for HDX-treme, $0.74 represents variable costs, and the<br />
difference ($0.26) represents contribution to fixed costs. But even if the company doesn’t<br />
know its unit price and unit variable cost, it can calculate the contribution margin from<br />
total sales and total variable costs or from knowledge of the total cost structure. It can set<br />
total sales equal to 100% regardless of the actual absolute amount and determine the contribution<br />
margin:<br />
Contribution margin � 100% � 74% � 1 � 0.74 � 1 � 0.74 � 0.26 or 26%<br />
100% 1<br />
Note that this matches the percentage calculated from the unit price and unit variable cost<br />
information. This alternative calculation will be very useful later when analyzing various<br />
marketing decisions.
Determining “Breakeven” for Profit Goals<br />
Appendix 2 <strong>Marketing</strong> by the Numbers A-15<br />
Although it is useful to know the break-even point, most companies are more interested in<br />
making a profit. Assume HDX-treme would like to realize a $5 million profit in the first year.<br />
How many DVD players must it sell at the $336 price to cover fixed costs and produce this<br />
profit? To determine this, HDX-treme can simply add the profit figure to fixed costs and again<br />
divide by the unit contribution to determine unit sales: 4<br />
Unit volume � fixed cost � profit goal � $20,000,000 � $5,000,000 � 290,697.7 units<br />
price � variable cost $336 � $250<br />
Thus, to earn a $5 million profit, HDX-treme must sell 290,698 units. Multiply by price to<br />
determine dollar sales needed to achieve a $5 million profit:<br />
Or use the contribution margin:<br />
Dollar sales � 290,698 units � $336 � $97,674,528<br />
Sales � fixed cost � profit goal � $20,000,000 � $5,000,000 � $97,656,250<br />
contribution margin 0.256<br />
Again, note that the difference between the two break-even sales calculations is due to<br />
rounding.<br />
As we saw previously, a profit goal can also be stated as a return on investment goal. For<br />
example, recall that HDX-treme wants a 30% return on its $10 million investment. Thus, its<br />
absolute profit goal is $3 million ($10,000,000 � 0.30). This profit goal is treated the same<br />
way as in the previous example: 5<br />
Or<br />
Unit volume � fixed cost � profit goal � $20,000,000 � $3,000,000 � 267,442 units<br />
price � variable cost $336 � $250<br />
Dollar sales � 267,442 units � $336 � $89,860,512<br />
Dollar sales � fixed cost � profit goal � $20,000,000 � $3,000,000 � $89,843,750<br />
contribution margin 0.256<br />
Finally, HDX-treme can express its profit goal as a percentage of sales, which we also saw<br />
in previous pricing analyses. Assume HDX-treme desires a 25% return on sales. To determine<br />
the unit and sales volume necessary to achieve this goal, the calculation is a little different<br />
from the previous two examples. In this case, we incorporate the profit goal into the unit contribution<br />
as an additional variable cost. Look at it this way: If 25% of each sale must go toward<br />
profits, that leaves only 75% of the selling price to cover fixed costs. Thus, the equation<br />
becomes: 6<br />
So,<br />
fixed cost fixed cost<br />
Unit volume �<br />
price � variable cost � (0.25 � price) or (0.75 � price)�variable cost<br />
Unit volume �<br />
$20,000,000<br />
� 10,000,000 units<br />
(0.75 � $336) � $250<br />
Dollar sales necessary � 10,000,000 units � $336 � $3,360,000,000<br />
Thus, HDX-treme would need more than $3 billion in sales to realize a 25% return on<br />
sales given its current price and cost structure! Could it possibly achieve this level of sales?<br />
The major point is this: Although break-even analysis can be useful in determining the level<br />
of sales needed to cover costs or to achieve a stated profit goal, it does not tell the company<br />
whether it is possible to achieve that level of sales at the specified price. To address this issue,<br />
HDX-treme needs to estimate demand for this product.<br />
Before moving on, however, let’s stop here and practice applying the concepts covered so<br />
far. Now that you have seen pricing and break-even concepts in action as they related to HDXtreme’s<br />
new DVD player, here are several exercises for you to apply what you have learned in<br />
other contexts.
A-16 Appendix 2 <strong>Marketing</strong> by the Numbers<br />
Total market demand<br />
The total volume that would<br />
be bought by a defined<br />
consumer group in a defined<br />
geographic area in a defined<br />
time period in a defined<br />
marketing environment under<br />
a defined level and mix of<br />
industry marketing effort.<br />
Market potential<br />
The upper limit of market<br />
demand.<br />
<strong>Marketing</strong> by the Numbers Exercise Set One<br />
Now that you’ve studied pricing, break-even, and margin analysis as they relate to HDX-treme’s<br />
new-product launch, use the following exercises to apply these concepts in other contexts.<br />
1.1 Sanborn, a manufacturer of electric roof vents, realizes a cost of $55 for every unit it produces.<br />
Its total fixed costs equal $2 million. If the company manufactures 500,000 units,<br />
compute the following:<br />
a. unit cost<br />
b. markup price if the company desires a 10% return on sales<br />
c. ROI price if the company desires a 25% return on an investment of $1 million<br />
1.2 An interior decorator purchases items to sell in her store. She purchases a lamp for<br />
$125 and sells it for $225. Determine the following:<br />
a. dollar markup<br />
b. markup percentage on cost<br />
c. markup percentage on selling price<br />
1.3 A consumer purchases a toaster from a retailer for $60. The retailer’s markup is 20%,<br />
and the wholesaler’s markup is 15%, both based on selling price. For what price does<br />
the manufacturer sell the product to the wholesaler?<br />
1.4 A vacuum manufacturer has a unit cost of $50 and wishes to achieve a margin of<br />
30% based on selling price. If the manufacturer sells directly to a retailer who then<br />
adds a set margin of 40% based on selling price, determine the retail price charged<br />
to consumers.<br />
1.5 Advanced Electronics manufactures DVDs and sells them directly to retailers who typically<br />
sell them for $20. Retailers take a 40% margin based on the retail selling price.<br />
Advanced’s cost information is as follows:<br />
DVD package and disc $2.50/DVD<br />
Royalties $2.25/DVD<br />
Advertising and promotion $500,000<br />
Overhead $200,000<br />
Calculate the following:<br />
a. contribution per unit and contribution margin<br />
b. break-even volume in DVD units and dollars<br />
c. volume in DVD units and dollar sales necessary if Advanced’s profit goal is 20%<br />
profit on sales<br />
d. net profit if 5 million DVDs are sold<br />
Demand Estimates, the <strong>Marketing</strong> Budget,<br />
and <strong>Marketing</strong> Performance Measures<br />
Market Potential and Sales Estimates<br />
HDX-treme has now calculated the sales needed to break even and to attain various profit<br />
goals on its DVD player. However, the company needs more information regarding demand in<br />
order to assess the feasibility of attaining the needed sales levels. This information is also<br />
needed for production and other decisions. For example, production schedules need to be<br />
developed and marketing tactics need to be planned.<br />
The total market demand for a product or service is the total volume that would be<br />
bought by a defined consumer group in a defined geographic area in a defined time period in<br />
a defined marketing environment under a defined level and mix of industry marketing effort.<br />
Total market demand is not a fixed number but a function of the stated conditions. For example,<br />
next year’s total market demand for high-definition DVD players will depend on how<br />
much Samsung, Sony, Pioneer, Toshiba, and other producers spend on marketing their<br />
brands. It also depends on many environmental factors, such as government regulations, economic<br />
conditions, and the level of consumer confidence in a given market. The upper limit of<br />
market demand is called market potential.<br />
One general but practical method that HDX-treme might use for estimating total market<br />
demand uses three variables: (1) the number of prospective buyers, (2) the quantity purchased
Chain ratio method<br />
Estimating market demand by<br />
multiplying a base number by<br />
a chain of adjusting<br />
percentages.<br />
Appendix 2 <strong>Marketing</strong> by the Numbers A-17<br />
by an average buyer per year, and (3) the price of an average unit. Using these numbers, HDXtreme<br />
can estimate total market demand as follows:<br />
where<br />
Q � n � q � p<br />
Q � total market demand<br />
n � number of buyers in the market<br />
q � quantity purchased by an average buyer per year<br />
p � price of an average unit<br />
A variation of this approach is the chain ratio method. This method involves multiplying<br />
a base number by a chain of adjusting percentages. For example, HDX-treme’s high-definition<br />
DVD player is designed to play high-definition DVD movies on high-definition televisions.<br />
Thus, consumers who do not own a high-definition television will not likely purchase this<br />
player. Additionally, not all HDTV households will be willing and able to purchase the new<br />
high-definition DVD player. HDX-treme can estimate U.S. demand using a chain of calculations<br />
like the following:<br />
Total number of U.S. households<br />
� The percentage of U.S. households owning a high-definition television<br />
� The percentage of these households willing and able to buy a high-definition<br />
DVD player<br />
AC Nielsen, the television ratings company, estimates that there are more than 110 million<br />
TV households in the United States. 7 The Consumer Electronics Association estimates<br />
that 38% of TV households will own HDTVs by the end of 2006. 8 However, HDX-treme’s<br />
research indicates that only 44.5% of HDTV households possess the discretionary income<br />
needed and are willing to buy a high-definition DVD player. Then, the total number of households<br />
willing and able to purchase this product is:<br />
110 million households � 0.38 � 0.445 � 18.6 million households<br />
Because HDTVs are relatively new and expensive products, most households have only<br />
one of these televisions, and it’s usually the household’s primary television. 9 Thus, consumers<br />
who buy a high-definition DVD player will likely buy only one per household.<br />
Assuming the average retail price across all brands is $750 for this product, the estimate of<br />
total market demand is as follows:<br />
18.6 million households � 1 DVD player per household � $750 � $14 billion<br />
This simple chain of calculations gives HDX-treme only a rough estimate of potential<br />
demand. However, more detailed chains involving additional segments and other qualifying<br />
factors would yield more accurate and refined estimates. Still, these are only estimates of<br />
market potential. They rely heavily on assumptions regarding adjusting percentages,<br />
average quantity, and average price. Thus, HDX-treme must make certain that its assumptions<br />
are reasonable and defendable. As can be seen, the overall market potential in dollar<br />
sales can vary widely given the average price used. For this reason, HDX-treme will<br />
use unit sales potential to determine its sales estimate for next year. Market potential in<br />
terms of units is 18.6 million DVD players (18.6 million households � 1 DVD player per<br />
household).<br />
Assuming that HDX-treme wants to attain 2% market share (comparable to its share of<br />
the HDTV market) in the first year after launching this product, then it can forecast unit sales<br />
at 18.6 million units � 0.02 � 372,000 units. At a selling price of $336 per unit, this translates<br />
into sales of $124.99 million (372,000 units � $336 per unit). For simplicity, further analyses<br />
will use forecasted sales of $125 million.<br />
This unit volume estimate is well within HDX-treme’s production capacity and exceeds<br />
not only the break-even estimate (232,559 units) calculated earlier, but also the volume necessary<br />
to realize a $5 million profit (290,698 units) or a 30% return on investment (267,442<br />
units). However, this forecast falls well short of the volume necessary to realize a 25% return<br />
on sales (10 million units!) and may require that HDX-treme revise expectations.<br />
To assess expected profits, we must now look at the budgeted expenses for launching this<br />
product. To do this, we will construct a pro forma profit-and-loss statement.
A-18 Appendix 2 <strong>Marketing</strong> by the Numbers<br />
Pro forma (or projected)<br />
profit-and-loss statement<br />
(or income statement or<br />
operating statement)<br />
A statement that shows<br />
projected revenues less<br />
budgeted expenses and<br />
estimates the projected net<br />
profit for an organization,<br />
product, or brand during a<br />
specific planning period,<br />
typically a year.<br />
TABLE A2.1<br />
Pro Forma Profit-and-Loss<br />
Statement for the 12-Month<br />
Period Ended December 31,<br />
2006<br />
The Profit-and-Loss Statement and <strong>Marketing</strong> Budget<br />
All marketing managers must account for the profit impact of their marketing strategies. A<br />
major tool for projecting such profit impact is a pro forma (or projected) profit-and-loss statement<br />
(also called an income statement or operating statement). A pro forma statement shows<br />
projected revenues less budgeted expenses and estimates the projected net profit for an organization,<br />
product, or brand during a specific planning period, typically a year. It includes<br />
direct product production costs, marketing expenses budgeted to attain a given sales forecast,<br />
and overhead expenses assigned to the organization or product. A profit-and-loss statement<br />
typically consists of several major components (see Table A2.1):<br />
■ Net sales—gross sales revenue minus returns and allowances (for example, trade, cash,<br />
quantity, and promotion allowances). HDX-treme’s net sales for 2006 are estimated to be<br />
$125 million, as determined in the previous analysis.<br />
■ Cost of goods sold (sometimes called cost of sales)—the actual cost of the merchandise sold<br />
by a manufacturer or reseller. It includes the cost of inventory, purchases, and other costs<br />
associated with making the goods. HDX-treme’s cost of goods sold is estimated to be 50%<br />
of net sales, or $62.5 million.<br />
■ Gross margin (or gross profit)—the difference between net sales and cost of goods sold.<br />
HDX-treme’s gross margin is estimated to be $62.5 million.<br />
■ Operating expenses—the expenses incurred while doing business. These include all other<br />
expenses beyond the cost of goods sold that are necessary to conduct business. Operating<br />
expenses can be presented in total or broken down in detail. Here, HDX-treme’s estimated<br />
operating expenses include marketing expenses and general and administrative expenses.<br />
<strong>Marketing</strong> expenses include sales expenses, promotion expenses, and distribution<br />
expenses. The new product will be sold though HDX-treme’s sales force, so the company<br />
budgets $5 million for sales salaries. However, because sales representatives earn a 10%<br />
commission on sales, HDX-treme must also add a variable component to sales expenses<br />
of $12.5 million (10% of $125 million net sales), for a total budgeted sales expense of<br />
$17.5 million. HDX-treme sets its advertising and promotion to launch this product at<br />
$10 million. However, the company also budgets 4% of sales, or $5 million, for cooperative<br />
advertising allowances to retailers who promote HDX-treme’s new product in their advertising.<br />
Thus, the total budgeted advertising and promotion expenses are $15 million<br />
($10 million for advertising plus $5 million in co-op allowances). Finally, HDX-treme budgets<br />
10% of net sales, or $12.5 million, for freight and delivery charges. In all, total marketing<br />
expenses are estimated to be $17.5 million � $15 million � $12.5 million � $45 million.<br />
General and administrative expenses are estimated at $5 million, broken down into<br />
$2 million for managerial salaries and expenses for the marketing function and $3 million<br />
of indirect overhead allocated to this product by the corporate accountants (such as depreciation,<br />
interest, maintenance, and insurance). Total expenses for the year, then, are estimated<br />
to be $50 million ($45 million marketing expenses � $5 million in general and<br />
administrative expenses).<br />
% of sales<br />
Net Sales $125,000,000 100%<br />
Cost of Goods Sold 62,500,000 50%<br />
Gross Margin $ 62,500,000 50%<br />
<strong>Marketing</strong> Expenses<br />
Sales expenses $17,500,000<br />
Promotion expenses 15,000,000<br />
Freight 12,500,000 45,000,000 36%<br />
General and Administrative Expenses<br />
Managerial salaries and expenses $2,000,000<br />
Indirect overhead 3,000,000 5,000,000 4%<br />
Net Profit Before Income Tax $12,500,000 10%
Profit-and-loss statement<br />
(or income statement or<br />
operating statement)<br />
A statement that shows actual<br />
revenues less expenses and<br />
net profit for an organization,<br />
product, or brand during a<br />
specific planning period,<br />
typically a year.<br />
Market share<br />
Company sales divided by<br />
market sales.<br />
TABLE A2.2<br />
Profit-and-Loss Statement for<br />
the 12-Month Period Ended<br />
December 31, 2006<br />
Appendix 2 <strong>Marketing</strong> by the Numbers A-19<br />
■ Net profit before taxes—profit earned after all costs are deducted. HDX-treme’s estimated<br />
net profit before taxes is $12.5 million.<br />
In all, as Table A2.1 shows, HDX-treme expects to earn a profit on its new DVD player of<br />
$12.5 million in 2006. Also note that the percentage of sales that each component of the<br />
profit-and-loss statement represents is given in the right-hand column. These percentages are<br />
determined by dividing the cost figure by net sales (that is, marketing expenses represent 36%<br />
of net sales determined by $45 million ÷ $125 million). As can be seen, HDX-treme projects a<br />
net profit return on sales of 10% in the first year after launching this product.<br />
<strong>Marketing</strong> Performance Measures<br />
Now let’s fast-forward a year. HDX-treme’s high-definition DVD player has been on the market<br />
for one year and management wants to assess its sales and profit performance. One way to<br />
assess this performance is to compute performance ratios derived from HDX-treme’s profitand-loss<br />
statement.<br />
Whereas the pro forma profit-and-loss statement shows projected financial performance,<br />
the statement given in Table A2.2 shows HDX-treme’s actual financial performance based on<br />
actual sales, cost of goods sold, and expenses during the past year. By comparing the profitand-loss<br />
statement from one period to the next, HDX-treme can gauge performance against<br />
goals, spot favorable or unfavorable trends, and take appropriate corrective action.<br />
The profit-and-loss statement shows that HDX-treme lost $1 million rather than making<br />
the $12.5 million profit projected in the pro forma statement. Why? One obvious reason is<br />
that net sales fell $25 million short of estimated sales. Lower sales translated into lower variable<br />
costs associated with marketing the product. However, both fixed costs and the cost of<br />
goods sold as a percentage of sales exceeded expectations. Hence, the product’s contribution<br />
margin was 21% rather than the estimated 26%. That is, variable costs represented 79% of<br />
sales (55% for cost of goods sold, 10% for sales commissions, 10% for freight, and 4% for coop<br />
allowances). Recall that contribution margin can be calculated by subtracting that fraction<br />
from one (1�0.79 � 0.21). Total fixed costs were $22 million, $2 million more than estimated.<br />
Thus, the sales that HDX-treme needed to break even given this cost structure can be calculated<br />
as:<br />
fixed costs<br />
Break-even sales �<br />
� $22,000,000 � $104,761,905<br />
contribution margin 0.21<br />
If HDX-treme had achieved another $5 million in sales, it would have earned a profit.<br />
Although HDX-treme’s sales fell short of the forecasted sales, so did overall industry sales<br />
for this product. Overall industry sales were only $2.5 billion. That means that HDX-treme’s<br />
market share was 4% ($100 million ÷ $2.5 billion � 0.04 � 4%), which was higher than forecasted.<br />
Thus, HDX-treme attained a higher-than-expected market share but the overall market<br />
sales were not as high as estimated.<br />
% of sales<br />
Net Sales $100,000,000 100%<br />
Cost of Goods Sold 55,000,000 55%<br />
Gross Margin $ 45,000,000 45%<br />
<strong>Marketing</strong> Expenses<br />
Sales expenses $15,000,000<br />
Promotion expenses 14,000,000<br />
Freight 10,000,000 39,000,000 39%<br />
General and Administrative Expenses<br />
Managerial salaries and expenses $2,000,000<br />
Indirect overhead 5,000,000 7,000,000 7%<br />
Net Profit Before Income Tax ($1,000,000) (�1%)
A-20 Appendix 2 <strong>Marketing</strong> by the Numbers<br />
Operating ratios<br />
The ratios of selected<br />
operating statement items to<br />
net sales.<br />
Gross margin percentage<br />
The percentage of net sales<br />
remaining after cost of goods<br />
sold—calculated by dividing<br />
gross margin by net sales.<br />
Net profit percentage<br />
The percentage of each sales<br />
dollar going to profit—<br />
calculated by dividing net<br />
profits by net sales.<br />
Operating expense<br />
percentage<br />
The portion of net sales going<br />
to operating expenses—<br />
calculated by dividing total<br />
expenses by net sales.<br />
Inventory turnover rate (or<br />
stockturn rate for resellers)<br />
The number of times an<br />
inventory turns over or is sold<br />
during a specified time period<br />
(often one year)—calculated<br />
based on costs, selling price,<br />
or units.<br />
Analytic Ratios<br />
The profit-and-loss statement provides the figures needed to compute some crucial operating<br />
ratios—the ratios of selected operating statement items to net sales. These ratios let marketers<br />
compare the firm’s performance in one year to that in previous years (or with industry standards<br />
and competitors’ performance in that year). The most commonly used operating ratios<br />
are the gross margin percentage, the net profit percentage, and the operating expense percentage.<br />
The inventory turnover rate and return on investment (ROI) are often used to measure<br />
managerial effectiveness and efficiency.<br />
The gross margin percentage indicates the percentage of net sales remaining after cost of<br />
goods sold that can contribute to operating expenses and net profit before taxes. The higher<br />
this ratio, the more a firm has left to cover expenses and generate profit. HDX-treme’s gross<br />
margin ratio was 45%:<br />
Gross margin percentage � gross margin � $45,000,000 � 0.45 = 45%<br />
net sales $100,000,000<br />
Note that this percentage is lower than estimated, and this ratio is seen easily in the percentage<br />
of sales column in Table A2.2. Stating items in the profit-and-loss statement as a percent<br />
of sales allows managers to quickly spot abnormal changes in costs over time. If there<br />
was previous history for this product and this ratio was declining, management should examine<br />
it more closely to determine why it has decreased (that is, because of a decrease in sales<br />
volume or price, an increase in costs, or a combination of these). In HDX-treme’s case, net<br />
sales were $25 million lower than estimated, and cost of goods sold was higher than estimated<br />
(55% rather than the estimated 50%).<br />
The net profit percentage shows the percentage of each sales dollar going to profit. It is<br />
calculated by dividing net profits by net sales:<br />
Net profit percentage � net profit � �$1,000,000 � �0.01 � �1.0%<br />
net sales $100,000,000<br />
This ratio is easily seen in the percent of sales column. HDX-treme’s DVD player generated<br />
negative profits in the first year, not a good situation given that before the product launch net<br />
profits before taxes were estimated at more than $12 million. Later in this appendix, we will<br />
discuss further analyses the marketing manager should conduct to defend the product.<br />
The operating expense percentage indicates the portion of net sales going to operating<br />
expenses. Operating expenses include marketing and other expenses not directly related to<br />
marketing the product, such as indirect overhead assigned to this product. It is calculated by:<br />
Operating expense percentage � total expenses � $46,000,000 � 0.46 � 46%<br />
net sales $100,000,000<br />
This ratio can also be quickly determined from the percent of sales column in the profit-andloss<br />
statement by adding the percentages for marketing expenses and general and administrative<br />
expenses (39% � 7%). Thus, 46 cents of every sales dollar went for operations. Although<br />
HDX-treme wants this ratio to be as low as possible, and 46% is not an alarming amount, it is<br />
of concern if it is increasing over time or if a loss is realized.<br />
Another useful ratio is the inventory turnover rate (also called stockturn rate for<br />
resellers). The inventory turnover rate is the number of times an inventory turns over or is<br />
sold during a specified time period (often one year). This rate tells how quickly a business is<br />
moving inventory through the organization. Higher rates indicate that lower investments in<br />
inventory are made, thus freeing up funds for other investments. It may be computed on a<br />
cost, selling price, or unit basis. The formula based on cost is:<br />
cost of goods sold<br />
Inventory turnover rate �<br />
average inventory at cost<br />
Assuming HDX-treme’s beginning and ending inventories were $30 million and $20 million,<br />
respectively, the inventory turnover rate is:<br />
$55,000,000 $55,000,000<br />
Inventory turnover rate �<br />
($30,000,000 � $20,000,000)/2 � � 2.2<br />
$25,000,000<br />
That is, HDX-treme’s inventory turned over 2.2 times in 2006. Normally, the higher the<br />
turnover rate, the higher the management efficiency and company profitability. However, this<br />
rate should be compared to industry averages, competitors’ rates, and past performance to
Return on investment (ROI)<br />
A measure of managerial<br />
effectiveness and efficiency—<br />
net profit before taxes divided<br />
by total investment.<br />
Net marketing contribution<br />
(NMC)<br />
A measure of marketing<br />
profitability that includes only<br />
components of profitability<br />
controlled by marketing.<br />
<strong>Marketing</strong> return on sales<br />
(or marketing ROS)<br />
The percent of net sales<br />
attributable to the net<br />
marketing contribution—<br />
calculated by dividing net<br />
marketing contribution by net<br />
sales.<br />
Appendix 2 <strong>Marketing</strong> by the Numbers A-21<br />
determine if HDX-treme is doing well. A competitor with similar sales but a higher inventory<br />
turnover rate will have fewer resources tied up in inventory, allowing it to invest in other<br />
areas of the business.<br />
Companies frequently use return on investment (ROI) to measure managerial effectiveness<br />
and efficiency. For HDX-treme, ROI is the ratio of net profits to total investment required<br />
to manufacture the new product. This investment includes capital investments in land, buildings,<br />
and equipment (here, the initial $10 million to refurbish the manufacturing facility) plus<br />
inventory costs (HDX-treme’s average inventory totaled $25 million), for a total of $35 million.<br />
Thus, HDX-treme’s ROI for the DVD player is:<br />
Return on investment � net profit before taxes � �$1,000,000 � �.0286 ��2.86%<br />
investment $35,000,000<br />
ROI is often used to compare alternatives, and a positive ROI is desired. The alternative with<br />
the highest ROI is preferred to other alternatives. HDX-treme needs to be concerned with the<br />
ROI realized. One obvious way HDX-treme can increase ROI is to increase net profit by reducing<br />
expenses. Another way is to reduce its investment, perhaps by investing less in inventory<br />
and turning it over more frequently.<br />
<strong>Marketing</strong> Profitability Metrics<br />
Given the above financial results, you may be thinking that HDX-treme should drop this new<br />
product. But what arguments can marketers make for keeping or dropping this product? The<br />
obvious arguments for dropping the product are that first-year sales were well below expected<br />
levels and the product lost money, resulting in a negative return on investment.<br />
So what would happen if HDX-treme did drop this product? Surprisingly, if the company<br />
drops the product, the profits for the total organization will decrease by $4 million! How can<br />
that be? <strong>Marketing</strong> managers need to look closely at the numbers in the profit-and-loss statement<br />
to determine the net marketing contribution for this product. In HDX-treme’s case, the net<br />
marketing contribution for the DVD player is $4 million, and if the company drops this product,<br />
that contribution will disappear as well. Let’s look more closely at this concept to illustrate how<br />
marketing managers can better assess and defend their marketing strategies and programs.<br />
NET MARKETING CONTRIBUTION Net marketing contribution (NMC), along with other marketing<br />
metrics derived from it, measures marketing profitability. It includes only components<br />
of profitability that are controlled by marketing. Whereas the previous calculation of net<br />
profit before taxes from the profit-and-loss statement includes operating expenses not under<br />
marketing’s control, NMC does not. Referring back to HDX-treme’s profit-and-loss statement<br />
given in Table A2.2, we can calculate net marketing contribution for the DVD player as:<br />
NMC � net sales � cost of goods sold � marketing expenses<br />
� $100 million � $55 million � $41 million � $4 million<br />
The marketing expenses include sales expenses ($15 million), promotion expenses ($14 million),<br />
freight expenses ($10 million), and the managerial salaries and expenses of the marketing<br />
function ($2 million), which total $41 million.<br />
Thus, the DVD player actually contributed $4 million to HDX-treme’s profits. It was the<br />
$5 million of indirect overhead allocated to this product that caused the negative profit.<br />
Further, the amount allocated was $2 million more than estimated in the pro forma profitand-loss<br />
statement. Indeed, if only the estimated amount had been allocated, the product<br />
would have earned a profit of $1 million rather than losing $1 million. If HDX-treme drops the<br />
DVD player product, the $5 million in fixed overhead expenses will not disappear—it will<br />
simply have to be allocated elsewhere. However, the $4 million in net marketing contribution<br />
will disappear.<br />
MARKETING RETURN ON SALES AND INVESTMENT To get an even deeper understanding of the<br />
profit impact of marketing strategy, we’ll now examine two measures of marketing efficiency—<br />
marketing return on sales (marketing ROS) and marketing return on investment (marketing<br />
ROI). 10<br />
<strong>Marketing</strong> return on sales (or marketing ROS) shows the percent of net sales attributable<br />
to the net marketing contribution. For our DVD player, ROS is:<br />
<strong>Marketing</strong> ROS � net marketing contribution � $4,000,000 � 0.04 � 4%<br />
net sales $100,000,000
A-22 Appendix 2 <strong>Marketing</strong> by the Numbers<br />
<strong>Marketing</strong> return on<br />
investment (or marketing<br />
ROI)<br />
A measure of the marketing<br />
productivity of a marketing<br />
investment—calculated by<br />
dividing net marketing<br />
contribution by marketing<br />
expenses.<br />
Thus, out of every $100 of sales, the product returns $4 to HDX-treme’s bottom line. A high<br />
marketing ROS is desirable. But to assess whether this is a good level of performance, HDXtreme<br />
must compare this figure to previous marketing ROS levels for the product, the ROSs of<br />
other products in the company’s portfolio, and the ROSs of competing products.<br />
<strong>Marketing</strong> return on investment (or marketing ROI) measures the marketing productivity<br />
of a marketing investment. In HDX-treme’s case, the marketing investment is represented<br />
by $41 million of the total expenses. Thus, <strong>Marketing</strong> ROI is:<br />
<strong>Marketing</strong> ROI � net marketing contribution � $4,000,000 � 0.0976 � 9.76%<br />
net sales $41,000,000<br />
As with marketing ROS, a high value is desirable, but this figure should be compared with<br />
previous levels for the given product and with the marketing ROIs of competitors’ products.<br />
Note from this equation that marketing ROI could be greater than 100%. This can be<br />
achieved by attaining a higher net marketing contribution and/or a lower total marketing<br />
expense.<br />
In this section, we estimated market potential and sales, developed profit-and-loss statements,<br />
and examined financial measures of performance. In the next section, we discuss<br />
methods for analyzing the impact of various marketing tactics. However, before moving on to<br />
those analyses, here’s another set of quantitative exercises to help you apply what you’ve<br />
learned to other situations.<br />
<strong>Marketing</strong> by the Numbers Exercise Set Two<br />
2.1 Determine the market potential for a product that has 50 million prospective buyers<br />
who purchase an average of 3 per year and price averages $25. How many units must a<br />
company sell if it desires a 10% share of this market?<br />
2.2 Develop a profit-and-loss statement for the Westgate division of North Industries. This<br />
division manufactures light fixtures sold to consumers through home improvement<br />
and hardware stores. Cost of goods sold represents 40% of net sales. <strong>Marketing</strong><br />
expenses include selling expenses, promotion expenses, and freight. Selling expenses<br />
include sales salaries totaling $3 million per year and sales commissions (5% of sales).<br />
The company spent $3 million on advertising last year, and freight costs were 10% of<br />
sales. Other costs include $2 million for managerial salaries and expenses for the marketing<br />
function and another $3 million for indirect overhead allocated to the division.<br />
a. Develop the profit-and-loss statement if net sales were $20 million last year.<br />
b. Develop the profit-and-loss statement if net sales were $40 million last year.<br />
c. Calculate Westgate’s break-even sales.<br />
2.3 Using the profit-and-loss statement you developed in question 2.2b, and assuming that<br />
Westgate’s beginning inventory was $11 million, ending inventory was $7 million, and<br />
total investment was $20 million including inventory, determine the following:<br />
a. gross margin percentage<br />
b. net profit percentage<br />
c. operating expense percentage<br />
d. inventory turnover rate<br />
e. return on investment (ROI)<br />
f. net marketing contribution<br />
g. marketing return on sales (marketing ROS)<br />
h. marketing return on investment (marketing ROI)<br />
i. Is the Westgate division doing well? Explain your answer.<br />
Financial Analysis of <strong>Marketing</strong> Tactics<br />
Although the first-year profit performance for HDX-treme’s DVD player was less than desired,<br />
management feels that this attractive market has excellent growth opportunities. Although<br />
the sales of HDX-treme’s DVD player were lower than initially projected, they were not unreasonable<br />
given the size of the current market. Thus, HDX-treme wants to explore new marketing<br />
tactics to help grow the market for this product and increase sales for the company.<br />
For example, the company could increase advertising to promote more awareness of the<br />
new DVD player and its category. It could add salespeople to secure greater product distribution.<br />
HDX-treme could decrease prices so that more consumers could afford its player.
Workload method<br />
An approach to determining<br />
sales force size based on the<br />
workload required and the<br />
time available for selling.<br />
Appendix 2 <strong>Marketing</strong> by the Numbers A-23<br />
Finally, to expand the market, HDX-treme could introduce a lower-priced model in addition<br />
to the higher-priced original offering. Before pursuing any of these tactics, HDX-treme must<br />
analyze the financial implications of each.<br />
Increase Advertising Expenditures<br />
Although most consumers understand DVD players, they may not be aware of highdefinition<br />
DVD players. Thus, HDX-treme is considering boosting its advertising to make<br />
more people aware of the benefits of high-definition DVD players in general and of its own<br />
brand in particular.<br />
What if HDX-treme’s marketers recommend increasing national advertising by 50% to<br />
$15 million (assume no change in the variable cooperative component of promotional expenditures)?<br />
This represents an increase in fixed costs of $5 million. What increase in sales will<br />
be needed to break even on this $5 million increase in fixed costs?<br />
A quick way to answer this question is to divide the increase in fixed cost by the contribution<br />
margin, which we found in a previous analysis to be 21%:<br />
Increase in sales � increase in fixed cost � $5,000,000 � $23,809,524<br />
contribution margin 0.21<br />
Thus, a 50% increase in advertising expenditures must produce a sales increase of almost $24<br />
million to just break even. That $24 million sales increase translates into an almost 1 percentage<br />
point increase in market share (1% of the $2.5 billion overall market equals $25 million).<br />
That is, to break even on the increased advertising expenditure, HDX-treme would have to<br />
increase its market share from 4% to 4.95% ($123,809,524 ÷ $2.5 billion � 0.0495 or 4.95%<br />
market share). All of this assumes that the total market will not grow, which might or might<br />
not be a reasonable assumption.<br />
Increase Distribution Coverage<br />
HDX-treme also wants to consider hiring more salespeople in order to call on new retailer<br />
accounts and increase distribution through more outlets. Even though HDX-treme sells directly<br />
to wholesalers, its sales representatives call on retail accounts to perform other functions in addition<br />
to selling, such as training retail salespeople. Currently, HDX-treme employs 60 sales reps<br />
who earn an average of $50,000 in salary plus 10% commission on sales. The DVD player is currently<br />
sold to consumers through 1,875 retail outlets. Suppose HDX-treme wants to increase that<br />
number of outlets to 2,500, an increase of 625 retail outlets. How many additional salespeople<br />
will HDX-treme need, and what sales will be necessary to break even on the increased cost?<br />
One method for determining what size sales force HDX-treme will need is the workload<br />
method. The workload method uses the following formula to determine the salesforce size:<br />
where<br />
NC � FC � LC<br />
NS �<br />
TA<br />
NS � number of salespeople<br />
NC � number of customers<br />
FC � average frequency of customer calls per customer<br />
LC � average length of customer call<br />
TA � time an average salesperson has available for selling per year<br />
HDX-treme’s sales reps typically call on accounts an average of 20 times per year for about<br />
2 hours per call. Although each sales rep works 2,000 hours per year (50 weeks per year �<br />
40 hours per week), they spent about 15 hours per week on nonselling activities such as administrative<br />
duties and travel. Thus, the average annual available selling time per sales rep per year<br />
is 1,250 hours (50 weeks � 25 hours per week). We can now calculate how many sales reps HDXtreme<br />
will need to cover the anticipated 2,500 retail outlets:<br />
NS � 2,500 � 20 � 2 � 80 salespeople<br />
1,250<br />
Therefore, HDX-treme will need to hire 20 more salespeople. The cost to hire these reps will<br />
be $1 million (20 salespeople � $50,000 salary per sales person).
A-24 Appendix 2 <strong>Marketing</strong> by the Numbers<br />
What increase in sales will be required to break even on this increase in fixed costs? The<br />
10% commission is already accounted for in the contribution margin, so the contribution<br />
margin remains unchanged at 21%. Thus, the increase in sales needed to cover this increase<br />
in fixed costs can be calculated by:<br />
Increase in sales � increase in fixed cost � $1,000,000 � $4,761,905<br />
contribution margin 0.21<br />
That is, HDX-treme’s sales must increase almost $5 million to break even on this tactic. So,<br />
how many new retail outlets will the company need to secure to achieve this sales increase?<br />
The average revenue generated per current outlet is $53,333 ($100 million in sales divided by<br />
1,875 outlets). To achieve the nearly $5 million sales increase needed to break even, HDXtreme<br />
would need about 90 new outlets ($4,761,905 ÷ $53,333 � 89.3 outlets), or about 4.5<br />
outlets per new rep. Given that current reps cover about 31 outlets apiece (1,875 outlets ÷ 60<br />
reps), this seems very reasonable.<br />
Decrease Price<br />
HDX-treme is also considering lowering its price to increase sales revenue through increased volume.<br />
The company’s research has shown that demand for most types of consumer electronics<br />
products is elastic—that is, the percentage increase in the quantity demanded is greater than the<br />
percentage decrease in price. It has also been found that when the price of HDTVs goes down, the<br />
quantity of DVD players demanded increases because they are complementary products.<br />
What increase in sales would be necessary to break even on a 10% decrease in price?<br />
That is, what increase in sales will be needed to maintain the total contribution that HDXtreme<br />
realized at the higher price? The current total contribution can be determined by multiplying<br />
the contribution margin by total sales: 11<br />
Current total contribution � contribution margin � sales � .21 � $100 million � $21 million<br />
Price changes result in changes in unit contribution and contribution margin. Recall that the<br />
contribution margin of 21% was based on variable costs representing 79% of sales. Therefore,<br />
unit variable costs can be determined by multiplying the original price by this percentage:<br />
$336 � 0.79 � $265.44 per unit. If price is decreased by 10%, the new price is $302.40.<br />
However, variable costs do not change just because price decreased, so the contribution and<br />
contribution margin decrease as follows:<br />
Old New (reduced 10%)<br />
Price $336 $302.40<br />
� Unit variable cost $265.44 $265.44<br />
� Unit contribution $70.56 $36.96<br />
Contribution margin $70.56/$336 � 0.21 or 21% $36.96/$302.40 � 0.12 or 12%<br />
So a 10% reduction in price results in a decrease in the contribution margin from 21% to<br />
12%. 12 To determine the sales level needed to break even on this price reduction, we calculate<br />
the level of sales that must be attained at the new contribution margin to achieve the original<br />
total contribution of $21 million:<br />
So,<br />
New contribution margin � new sales level � original total contribution<br />
New sales level � original contribution � $21,000,000 � $175,000,000<br />
new contribution margin 0.12<br />
Thus, sales must increase by $75 million ($175 million � $100 million) just to break even on a<br />
10% price reduction. This means that HDX-treme must increase market share to 7% ($175 million<br />
÷ $2.5 billion) to achieve the current level of profits (assuming no increase in the total<br />
market sales). The marketing manager must assess whether or not this is a reasonable goal.<br />
Extend the Product Line<br />
As a final option, HDX-treme is considering extending its DVD player product line by offering<br />
a lower-priced model. Of course, the new, lower-priced product would steal some sales from
Cannibalization<br />
The situation in which one<br />
product sold by a company<br />
takes a portion of its sales<br />
from other company<br />
products.<br />
Appendix 2 <strong>Marketing</strong> by the Numbers A-25<br />
the higher-priced model. This is called cannibalization—the situation in which one product<br />
sold by a company takes a portion of its sales from other company products. If the new product<br />
has a lower contribution than the original product, the company’s total contribution will<br />
decrease on the cannibalized sales. However, if the new product can generate enough new<br />
volume, it is worth considering.<br />
To assess cannibalization, HDX-treme must look at the incremental contribution gained<br />
by having both products available. Recall in the previous analysis we determined that unit<br />
variable costs were $265.44 and unit contribution was just over $70. Assuming costs remain<br />
the same next year, HDX-treme can expect to realize a contribution per unit of approximately<br />
$70 for every unit of the original DVD player sold.<br />
Assume that the first model high-definition DVD player offered by HDX-treme is called<br />
HD1 and the new, lower-priced model is called HD2. HD2 will retail for $400, and resellers<br />
will take the same markup percentages on price as they do with the higher-priced model.<br />
Therefore, HD2’s price to wholesalers will be $224 as follows:<br />
Retail price: $400<br />
minus retail margin (30%): � $120<br />
Retailer’s cost/wholesaler’s price: $280<br />
minus wholesaler’s margin (20%): � $ 56<br />
Wholesaler’s cost/HDX-treme’s price $224<br />
If HD2’s variable costs are estimated to be $174, then its contribution per unit will equal $50<br />
($224 � $174 � $50). That means for every unit that HD2 cannibalizes from HD1, HDX-treme<br />
will lose $20 in contribution toward fixed costs and profit (that is, contribution HD2 � contribution<br />
HD1 � $50 � $70 � �$20). You might conclude that HDX-treme should not pursue this<br />
tactic because it appears as though the company will be worse off if it introduces the lowerpriced<br />
model. However, if HD2 captures enough additional sales, HDX-treme will be better<br />
off even though some HD1 sales are cannibalized. The company must examine what will happen<br />
to total contribution, which requires estimates of unit volume for both products.<br />
Originally, HDX-treme estimated that next year’s sales of HD1 would be 600,000 units.<br />
However, with the introduction of HD2, it now estimates that 200,000 of those sales will be<br />
cannibalized by the new model. If HDX-treme sells only 200,000 units of the new HD2 model<br />
(all cannibalized from HD1), the company would lose $4 million in total contribution<br />
(200,000 units � �$20 per cannibalized unit � �$4 million)—not a good outcome. However,<br />
HDX-treme estimates that HD2 will generate the 200,000 of cannibalized sales plus an additional<br />
500,000 unit sales. Thus, the contribution on these additional HD2 units will be $25<br />
million (i.e., 500,000 units � $50 per unit � $25 million). The net effect is that HDX-treme<br />
will gain $21 million in total contribution by introducing HD2.<br />
The following table compares HDX-treme’s total contribution with and without the introduction<br />
of HD2:<br />
HD1 only HD1 and HD2<br />
HD1 contribution 600,000 units � $70 400,000 units � $70<br />
� $42,000,000 � $28,000,000<br />
HD2 contribution 0 700,000 units � $50<br />
� $35,000,000<br />
Total contribution $42,000,000 $63,000,000<br />
The difference in the total contribution is a net gain of $21 million ($63 million � $42 million).<br />
Based on this analysis, HDX-treme should introduce the HD2 model because it results in<br />
a positive incremental contribution. However, if fixed costs will increase by more than $21 million<br />
as a result of adding this model, then the net effect will be negative and HDX-treme should<br />
not pursue this tactic.<br />
Now that you have seen these marketing tactic analysis concepts in action as they related<br />
to HDX-treme’s new DVD player, here are several exercises for you to apply what you have<br />
learned in this section in other contexts.<br />
<strong>Marketing</strong> by the Numbers Exercise Set Three<br />
3.1 Kingsford, Inc. sells small plumbing components to consumers through retail outlets.<br />
Total industry sales for Kingsford’s relevant market last year were $80 million, with
A-26 Appendix 2 <strong>Marketing</strong> by the Numbers<br />
Kingsford’s sales representing 10% of that total. Contribution margin is 25%.<br />
Kingsford’s sales force calls on retail outlets and each sales rep earns $45,000 per year<br />
plus 1% commission on all sales. Retailers receive a 40% margin on selling price and<br />
generate average revenue of $10,000 per outlet for Kingsford.<br />
a. The marketing manager has suggested increasing consumer advertising by $300,000.<br />
By how much would dollar sales need to increase to break even on this expenditure?<br />
What increase in overall market share does this represent?<br />
b. Another suggestion is to hire three more sales representatives to gain new consumer<br />
retail accounts. How many new retail outlets would be necessary to break even on<br />
the increased cost of adding three sales reps?<br />
c. A final suggestion is to make a 20% across-the-board price reduction. By how much<br />
would dollar sales need to increase to maintain Kingsford’s current contribution?<br />
(See endnote 12 to calculate the new contribution margin.)<br />
d. Which suggestion do you think Kingsford should implement? Explain your<br />
recommendation.<br />
3.2 PepsiCo sells its soft drinks in approximately 400,000 retail establishments, such as<br />
supermarkets, discount stores, and convenience stores. Sales representatives call on<br />
each retail account weekly, which means each account is called on by a sales rep 52<br />
times per year. The average length of a sales call is 75 minutes (or 1.25 hours). An average<br />
salesperson works 2,000 hours per year (50 weeks per year � 40 hours per week),<br />
but each spends 10 hours a week on nonselling activities, such as administrative tasks<br />
and travel. How many sales people does PepsiCo need?<br />
3.3 Hair Zone manufactures a brand of hair-styling gel. It is considering adding a modified<br />
version of the product—a foam that provides stronger hold. Hair Zone’s variable costs<br />
and prices to wholesalers are:<br />
Current hair gel New foam product<br />
Unit selling price 2.00 2.25<br />
Unit variable costs .85 1.25<br />
Hair Zone expects to sell 1 million units of the new styling foam in the first year after<br />
introduction, but it expects that 60% of those sales will come from buyers who normally<br />
purchase Hair Zone’s styling gel. Hair Zone estimates that it would sell 1.5 million<br />
units of the gel if it did not introduce the foam. If the fixed cost of launching the<br />
new foam will be $100,000 during the first year, should Hair Zone add the new product<br />
to its line? Why or why not?
chapter<br />
Previewing the Concepts<br />
So far, you’ve learned what marketing is<br />
and about the importance of understanding<br />
consumers and the marketplace environment.<br />
With that as background, you’re<br />
now ready to delve deeper into marketing<br />
strategy and tactics. This chapter looks<br />
further into key customer-driven marketing<br />
strategy decisions—how to divide up<br />
markets into meaningful customer groups<br />
(segmentation), choose which customer<br />
groups to serve (targeting), create market<br />
offerings that best serve target customers<br />
(differentiation), and position the offerings<br />
in the minds of consumers (positioning).<br />
Then, the chapters that follow explore<br />
the tactical marketing tools—the Four<br />
Ps—by which marketers bring these strategies<br />
to life.<br />
As an opening example of segmentation,<br />
targeting, differentiation, and positioning<br />
at work, let’s look at Dunkin’<br />
Donuts. Dunkin’, a largely Eastern U.S.<br />
coffee chain, has ambitious plans to<br />
expand into a national powerhouse, on a<br />
par with Starbucks. But Dunkin’ is no<br />
Starbucks. In fact, it doesn’t want to be. It<br />
targets a very different kind of customer<br />
with a very different value proposition.<br />
Grab yourself some coffee and read on.<br />
182<br />
7<br />
Part 3: Designing a Customer-Driven <strong>Marketing</strong><br />
Strategy and Integrated <strong>Marketing</strong> Mix<br />
Customer-Driven<br />
<strong>Marketing</strong> Strategy<br />
Creating Value<br />
for Target Customers<br />
Last year, Dunkin’ Donuts paid dozens of faithful customers in Phoenix,<br />
Chicago, and Charlotte, North Carolina, $100 a week to buy coffee at<br />
Starbucks instead. At the same time, the no-frills coffee chain paid Starbucks<br />
customers to make the opposite switch. When it later debriefed the two groups, Dunkin’<br />
says it found them so polarized that company researchers dubbed them “tribes”—<br />
each of whom loathed the very things that made the other tribe loyal to their coffee<br />
shop. Dunkin’ fans viewed Starbucks as pretentious and trendy, whereas Starbucks loyalists<br />
saw Dunkin’ as plain and unoriginal. “I don’t get it,” one Dunkin’ regular told<br />
researchers after visiting Starbucks. “If I want to sit on a couch, I stay at home.”<br />
William Rosenberg opened the first Dunkin’ Donuts in Quincy, Massachusetts, in<br />
1950. Residents flocked to his store each morning for the coffee and fresh doughnuts.<br />
Rosenberg started franchising the Dunkin’ Donuts name, and the chain grew<br />
rapidly throughout the Midwest and Southeast. By the early 1990s, however,<br />
Dunkin’ was losing breakfast sales to morning sandwiches at McDonald’s and<br />
Burger King. Starbucks and other high-end cafes began sprouting up, bringing more<br />
competition. Sales slid as the company clung to its strategy of selling sugary doughnuts<br />
by the dozen.<br />
In the mid-1990s, however, Dunkin’ shifted its focus from doughnuts to coffee in<br />
the hope that promoting a more frequently consumed item would drive store traffic.<br />
The coffee push worked—coffee now makes up 62 percent of sales. And Dunkin’s<br />
sales are growing at a double-digit clip, with profits up 35 percent over the past two<br />
years. Based on this recent success, Dunkin’ now has ambitious plans to expand<br />
into a national coffee powerhouse, on a par with Starbucks, the nation’s largest coffee<br />
chain. Over the next three years, Dunkin’ plans to remake its nearly 5,000 U.S.<br />
stores and to grow to triple that number in less than 15 years.<br />
But Dunkin’ is not Starbucks. In fact, it doesn’t want to be. To succeed, it must<br />
have its own clear vision of just which customers it wants to serve (what segments<br />
and targeting) and how (what positioning or value proposition). Dunkin’ and<br />
Starbucks target very different customers, who want very different things from their<br />
favorite coffee shop. Starbucks is strongly positioned as a sort of high-brow “third<br />
place”—outside the home and office—featuring couches, eclectic music, wireless<br />
Internet access, and art-splashed walls. Dunkin’ has a decidedly more low-brow,<br />
“everyman” kind of positioning.<br />
With its makeover, Dunkin’ plans to move upscale—a bit but not too far—to<br />
rebrand itself as a quick but appealing alternative to specialty coffee shops and fastfood<br />
chains. A prototype Dunkin’ store in Euclid, Ohio, outside Cleveland, features
ounded granite-style coffee bars, where workers make espresso drinks face-to-face<br />
with customers. Open-air pastry cases brim with yogurt parfaits and fresh fruit, and<br />
a carefully orchestrated pop-music soundtrack is piped throughout.<br />
Yet Dunkin’ built itself on serving simple fare to working-class customers. Inching<br />
upscale without alienating that base will prove tricky. There will be no couches in the<br />
new stores. And Dunkin’ renamed a new hot sandwich a “stuffed melt” after customers<br />
complained that calling it a “panini” was too fancy. “We’re walking that [fine]<br />
line,” says Regina Lewis, the chain’s vice president of consumer insights. “The thing<br />
about the Dunkin’ tribe is, they see through the hype.”<br />
Dunkin’s research showed that although loyal Dunkin’ customers want nicer<br />
stores, they were bewildered and turned off by the atmosphere at Starbucks. They<br />
groused that crowds of laptop users made it difficult to find a seat. They didn’t like<br />
Starbucks’ “tall,” “grande,” and “venti” lingo for small, medium, and large coffees.<br />
And they couldn’t understand why anyone would pay as much as $4 for a cup of<br />
coffee. “It was almost as though they were a group of Martians talking about a group<br />
of Earthlings,” says an executive from Dunkin’s ad agency. One customer told<br />
researchers that lingering in a Starbucks felt like “celebrating Christmas with people<br />
you don’t know.” The Starbucks customers that Dunkin’ paid to switch were equally<br />
uneasy in Dunkin’ shops. “The Starbucks people couldn’t bear that they weren’t<br />
special anymore,” says the ad executive.<br />
Objectives<br />
After studying this chapter, you should<br />
be able to<br />
1. define the four major steps in designing a<br />
customer-driven market strategy: market<br />
segmentation, market targeting,<br />
differentiation, and positioning<br />
2. list and discuss the major bases for<br />
segmenting consumer and business markets<br />
3. explain how companies identify attractive<br />
market segments and choose a market<br />
targeting strategy<br />
4. discuss how companies position their<br />
products for maximum competitive<br />
advantage in the marketplace<br />
183
184 Part 3 Designing a Customer-Driven <strong>Marketing</strong> Strategy and Integrated <strong>Marketing</strong> Mix<br />
Market segmentation<br />
Dividing a market into smaller<br />
groups with distinct needs,<br />
characteristics, or behaviors<br />
who might require separate<br />
products or marketing mixes.<br />
Such opposing opinions aren’t surprising, given the differences in the two stores’ customers. About<br />
45 percent of Dunkin’ Donuts customers have an annual household income between $45,000 and<br />
$100,000 a year, with 30 percent earning less than that and 25 percent earning more. Dunkin’s customers<br />
include blue- and white-collar workers across all age, race, and income demographics. By<br />
contrast, Starbucks targets a higher-income, more professional group.<br />
But Dunkin’ researchers concluded that it wasn’t income that set the two tribes apart, as much as<br />
an ideal: Dunkin’ tribe members want to be part of a crowd, whereas members of the Starbucks tribe<br />
want to stand out as individuals. “The Starbucks tribe, they seek out things to make them feel more<br />
important,” says Dunkin’ VP Lewis. Members of the Dunkin’ Donuts tribe “don’t need to be any more<br />
important than they are.”<br />
Based on such findings, Dunkin’ executives have made dozens of store-redesign decisions, big and<br />
small, ranging from where to put the espresso machines to how much of its signature pink and orange<br />
color scheme to retain to where to display its fresh baked goods. Out went the square laminate tables,<br />
to be replaced by round imitation-granite tabletops and sleek chairs. Dunkin’ covered store walls in<br />
espresso brown and dialed down the pink and orange tones. Executives considered but held off on<br />
installing wireless Internet access because customers “just don’t feel it’s Dunkin’ Donuts.” Executives<br />
continue to discuss dropping the word “donuts” from its signs to convey that its menu is now broader.<br />
To grab a bigger share of customers, Dunkin’ is expanding its menu beyond breakfast with hearty<br />
snacks that can substitute for meals, such as smoothies and dough-wrapped pork bites. The new<br />
Euclid store is doing three times the sales of other stores in its area, partly because more customers<br />
are coming after 11 A.M. for new gourmet cookies and Dunkin’ Dawgs, hot dogs wrapped in dough.<br />
Focus groups liked hot flatbreads and smoothies, but balked at tiny pinwheels of dough stuffed with<br />
various fillings. Customers said “they felt like something at a fancy cocktail hour,” says Lewis, and they<br />
weren’t substantial enough.<br />
Stacey Stevens, a 34-year-old Euclid resident who recently visited the new Dunkin’ prototype store,<br />
said she noticed it felt different than other Dunkin’ locations. “I don’t remember there being lots of<br />
music,” she said, while picking up a dozen doughnuts. “I like it in here.” She said it felt “more upbeat”<br />
than Starbucks. One Euclid store manager even persuaded Richard Wandersleben to upgrade from a<br />
regular coffee to a $2.39 latte during a recent visit. The 73- year-old retired tool-and-die maker, who<br />
drinks about three cups of coffee a day, says the Dunkin’ Donuts latte suited him fine. “It’s a little<br />
creamier” than regular coffee, he said.<br />
Dunkin’ knows that it’ll take some time to refresh its image. And whatever else happens, it plans to stay<br />
true to the needs and preferences of the Dunkin’ tribe. Dunkin’s “not going after the Starbucks coffee<br />
snob,” says one analyst, it’s “going after the average Joe.” Dunkin’s positioning and value proposition are<br />
pretty well summed up in its new ad campaign, which features the slogan “America Runs on Dunkin’.”<br />
The ads show everyone from office and construction workers to harried families relying on the chain to get<br />
them through their day. Says one ad, “It’s where everyday people get things done every day.” 1<br />
Companies today recognize that they cannot appeal to all buyers in the marketplace, or at least<br />
not to all buyers in the same way. Buyers are too numerous, too widely scattered, and too varied<br />
in their needs and buying practices. Moreover, the companies themselves vary widely in their<br />
abilities to serve different segments of the market. Instead, like Dunkin’ Donuts, a company must<br />
identify the parts of the market that it can serve best and most profitably. It must design<br />
customer-driven marketing strategies that build the right relationships with the right customers.<br />
Thus, most companies have moved away from mass marketing and toward target<br />
marketing—identifying market segments, selecting one or more of them, and developing<br />
products and marketing programs tailored to each. Instead of scattering their marketing efforts<br />
(the “shotgun” approach), firms are focusing on the buyers who have greater interest in the<br />
values they create best (the “rifle” approach).<br />
Figure 7.1 shows the four major steps in designing a customer-driven marketing strategy.<br />
In the first two stpes, the company selects the customers that it will serve. Market segmentation<br />
involves dividing a market into smaller groups of buyers with distinct needs, characteristics,<br />
or behaviors who might require separate products or marketing mixes. The company