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had something to show the boy while we were still alone.<br />
* * *<br />
About halfway between the ranch and Debaria, I spied a deserted sheepherder’s lean-to, and suggested we shelter in there <strong>for</strong> a bit and have a<br />
bite. Bill Streeter agreed willingly enough. He had lost his da’ and everyone else he’d known, but he was still a growing boy and he’d had nothing to<br />
eat since his dinner the night be<strong>for</strong>e.<br />
We tethered our mounts away from the wind and sat on the floor inside the lean-to with our backs against the wall. I had dried beef wrapped in<br />
leaves in my saddlebag. The meat was salty, but my waterskin was full. The boy ate half a dozen chunks of the meat, tearing off big bites and<br />
washing them down with water.<br />
A strong gust of wind shook the lean-to. Millie blatted a protest and fell silent.<br />
“It’ll be a full-going simoom by dark,” Young Bill said. “You watch and see if it ain’t.”<br />
“I like the sound of the wind,” I said. “It makes me think of a story my mother read to me when I was a sma’ one. ‘The Wind Through the Keyhole,’<br />
it was called. Does thee know it?”<br />
Young Bill shook his head. “Mister, are <strong>you</strong> really a gunslinger? Say true?”<br />
“I am.”<br />
“Can I hold one of <strong>you</strong>r guns <strong>for</strong> a minute?”<br />
“Never in life,” I said, “but <strong>you</strong> can look at one of these, if <strong>you</strong>’d like.” I took a shell from my belt and handed it to him.<br />
He examined it closely, from brass base to lead tip. “Gods, it’s heavy! Long, too! I bet if <strong>you</strong> shot someone with one of these, he’d stay down.”<br />
“Yes. A shell’s a dangerous thing. But it can be pretty, too. Would <strong>you</strong> like to see a trick I can do with <strong>this</strong> one?”<br />
“Sure.”<br />
I took it back and began to dance it from knuckle to knuckle, my fingers rising and falling in waves. Young Bill watched, wide-eyed. “How does<br />
thee do it?”<br />
“The same way anyone does anything,” I said. “Practice.”<br />
“Will <strong>you</strong> show me the trick?”<br />
“If <strong>you</strong> watch close, <strong>you</strong> may see it <strong>for</strong> <strong>you</strong>rself,” I said. “Here it is . . . and here it isn’t.” I palmed the shell so fast it disappeared, thinking of Susan<br />
Delgado, as I supposed I always would when I did <strong>this</strong> trick. “Now here it is again.”<br />
The shell danced fast . . . then slow . . . then fast again.<br />
“Follow it with <strong>you</strong>r eyes, Bill, and see if <strong>you</strong> can make out how I get it to disappear. Don’t take <strong>you</strong>r eyes off it.” I dropped my voice to a lulling<br />
murmur. “Watch . . . and watch . . . and watch. Does it make <strong>you</strong> sleepy?”<br />
“A little,” he said. His eyes slipped slowly closed, then the lids rose again. “I didn’t sleep much last night.”<br />
“Did <strong>you</strong> not? Watch it go. Watch it slow. See it disappear and then . . . see it as it speeds up again.”<br />
Back and <strong>for</strong>th the shell went. The wind blew, as lulling to me as my voice was to him.<br />
“Sleep if <strong>you</strong> want, Bill. Listen to the wind and sleep. But listen to my voice, too.”<br />
“I hear <strong>you</strong>, gunslinger.” His eyes closed again and <strong>this</strong> time didn’t reopen. His hands were clasped limply in his lap. “I hear <strong>you</strong> very well.”<br />
“You can still see the shell, can’t <strong>you</strong>? Even with <strong>you</strong>r eyes closed.”<br />
“Yes . . . but it’s bigger now. It flashes like gold.”<br />
“Do <strong>you</strong> say so?”<br />
“Yes . . .”<br />
“Go deeper, Bill, but hear my voice.”<br />
“I hear.”<br />
“I want <strong>you</strong> to turn <strong>you</strong>r mind back to last night. Your mind and <strong>you</strong>r eyes and <strong>you</strong>r ears. Will <strong>you</strong> do that?”<br />
A frown creased his brow. “I don’t want to.”<br />
“It’s safe. All that’s happened, and besides, I’m with <strong>you</strong>.”<br />
“You’re with me. And <strong>you</strong> have guns.”<br />
“So I do. Nothing will happen to <strong>you</strong> as long as <strong>you</strong> can hear my voice, because we’re together. I’ll keep thee safe. Do <strong>you</strong> understand that?”<br />
“Yes.”<br />
“Your da’ told <strong>you</strong> to sleep out under the stars, didn’t he?”<br />
“Aye. It was to be a warm night.”<br />
“But that wasn’t the real reason, was it?”<br />
“No. It was because of Elrod. Once he twirled the bunkhouse cat by her tail, and she never came back. Sometimes he pulls me around by my hair<br />
and sings ‘The Boy Who Loved Jenny.’ My da’ can’t stop him, because Elrod’s bigger. Also, he has a knife in his boot. He could cut with it. But he<br />
couldn’t cut the beast, could he?” His clasped hands twitched. “Elrod’s dead and I’m glad. I’m sorry about all the others . . . and my da’, I don’t know<br />
what I’ll do wi’out my da’ . . . but I’m glad about Elrod. He won’t tease me nummore. He won’t scare me nummore. I seen it, aye.”<br />
So he did know more than the top of his mind had let him remember.<br />
“Now <strong>you</strong>’re out on the graze.”<br />
“On the graze.”<br />
“Wrapped up in <strong>you</strong>r blanket and shinnie.”<br />
“Shaddie.”<br />
“Your blanket and shaddie. You’re awake, maybe looking up at the stars, at Old Star and Old Mother—”<br />
“No, no, asleep,” Bill said. “But the screams wake me up. The screams from the bunkhouse. And the sounds of fighting. Things are breaking. And<br />
something’s roaring.”<br />
“What do <strong>you</strong> do, Bill?”<br />
“I go down. I’m afraid to, but my da’ . . . my da’s in there. I look in the window at the far end. It’s greasepaper, but I can see through it well enough.<br />
More than I want to see. Because I see . . . I see . . . mister, can I wake up?”<br />
“Not yet. Remember that I’m with <strong>you</strong>.”<br />
“Have <strong>you</strong> drawn <strong>you</strong>r guns, mister?” He was shivering.<br />
“I have. To protect <strong>you</strong>. What do <strong>you</strong> see?”<br />
“Blood. And a beast.”<br />
“What kind, can <strong>you</strong> tell?”<br />
“A bear. One so tall its head reaches the ceiling. It goes up the middle of the bunkhouse . . . between the cots, ye ken, and on its back legs . . .