Compositional Methods in Electroacoustic Music - Adrian Moore ...
Compositional Methods in Electroacoustic Music - Adrian Moore ...
Compositional Methods in Electroacoustic Music - Adrian Moore ...
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6 Biographies<br />
Akama, Ryoko University of Huddersfield.<br />
Ryoko Akama is a UK-based composer, a performer and a sound artist whose works have primarily components<br />
of acoustic and electroacoustic music. S<strong>in</strong>ce her career <strong>in</strong> 2000, her works have been performed, commissioned<br />
and published worldwide. She is a member of collective, the Lappetites, with other female composers<br />
- Eliane Radigue / Kaffe Mattews / AGF, whose first album was selected <strong>in</strong> the top 10 record<strong>in</strong>gs<br />
of 2005 by The Wire (London). The recent extension to <strong>in</strong>tegrate with dancers and participatory activities<br />
have expanded her career <strong>in</strong> uniquely <strong>in</strong>novative ways. Apprenticeship to Mrs. Yatotaka K<strong>in</strong>eie on Nagauta<br />
s<strong>in</strong>ce has taken her artistic <strong>in</strong>sight to deeper experimentation sound of Japanese traditional music. She develops<br />
concept of ‘Tradition and Experimentation <strong>in</strong> Sound’ with own ensemble, GEN. The score works <strong>in</strong>clude,<br />
transmigration (dedicated to MMM... ensemble), Tsurukame etc. She is currently a PhD researcher<br />
at CeReNem(Centre for Research <strong>in</strong> New <strong>Music</strong>) at the University of Huddersfield under the guidance by<br />
Lim and Monty Adk<strong>in</strong>s. Awards and funds received <strong>in</strong> the past <strong>in</strong>clude Huddersfield of University Fee Waiver<br />
Scholarship, Anglo Foundation Scholarship, Kirklees Council Art Fund and Japan Foundation Grants.<br />
Andean, James Bevan Centre for <strong>Music</strong> and Technology Sibelius Academy Hels<strong>in</strong>ki, F<strong>in</strong>land<br />
Babcock, Andrew University of Florida<br />
Born <strong>in</strong> Buffalo, NY, Andrew Babcock has been work<strong>in</strong>g <strong>in</strong> a variety of contexts with music and multimedia<br />
for over 10 years. After study<strong>in</strong>g composition with Samuel Pellman at Hamilton College, he worked <strong>in</strong><br />
New York City as a composer and sound designer for television, radio, and film. Andrew recently completed<br />
an MA <strong>in</strong> composition at the University at Buffalo, where he studied with Cort Lippe and Jeffrey Stadelman.<br />
Andrew’s ma<strong>in</strong> <strong>in</strong>terests lie <strong>in</strong> acousmatic music and explor<strong>in</strong>g the transformative potential of mundane sound<br />
materials and their ability to yield complex sonic associations and narrative structures. He was awarded first<br />
prize <strong>in</strong> the 2011 Sound <strong>in</strong> Space competition sponsored by Harvard University, Northeastern University, and<br />
the Goethe-Institut and was a f<strong>in</strong>alist <strong>in</strong> the Metamorphoses 2012 competition <strong>in</strong> Belgium. His works have<br />
been featured <strong>in</strong>ternationally at festivals such as Sonorities, ICMC, TES, NYCEMF, and SEAMUS. Andrew<br />
is currently work<strong>in</strong>g towards his PhD <strong>in</strong> composition at the University of Florida, study<strong>in</strong>g with Paul Koonce.<br />
Batchelor, Peter De Montfort University<br />
Peter Batchelor is a composer and sound artist liv<strong>in</strong>g <strong>in</strong> Birm<strong>in</strong>gham, UK. He has studied with Jonty Harrison<br />
and Andrew Lewis and is currently a lecturer at De Montfort University, Leicester. Predom<strong>in</strong>antly work<strong>in</strong>g<br />
with fixed-media, his output ranges from two-channel ‘tape’ compositions for concert diffusion to largescale<br />
multi-channel <strong>in</strong>stallation work. Compositions have received recognition from such sources as the Concours<br />
de musique electroacoustique de Bourges and the International ElectroAcoustic <strong>Music</strong> Contest of São<br />
Paulo and have been performed <strong>in</strong>ternationally.<br />
Bedard, Mart<strong>in</strong> Montreal Conservatory school of music<br />
Mart<strong>in</strong> Bedard graduated <strong>in</strong> <strong>in</strong>strumental composition from the University Laval (Quebec, Canada).<br />
Follow<strong>in</strong>g a course of five years with the composer Yves Daoust and André Fecteau, he graduated with the<br />
high dist<strong>in</strong>ction from the Conservatory of <strong>Music</strong> of Montreal <strong>in</strong> electroacoustic composition. He recently completed<br />
a PhD <strong>in</strong> electroacoustic composition at the University of Montreal with the composer Robert Normandeau.<br />
His works have been presented <strong>in</strong> more than 50 national and <strong>in</strong>ternational events and festivals. He is the w<strong>in</strong>ner<br />
or f<strong>in</strong>alist of eleven <strong>in</strong>ternational competitions. Includ<strong>in</strong>g an “Award of dict<strong>in</strong>ctions” at the 2010 Ars<br />
Electronica competition.<br />
Besides his activities as a composer, he teaches aural perception, composition and analysis of electroacoustic<br />
music at the <strong>Music</strong> Conservatory of Montreal and electroacoustic composition at the University of Montreal<br />
as a lecturer.<br />
Bentall, Robert Queen’s University, Belfast<br />
Rob Bentall is an electroacoustic composer hail<strong>in</strong>g from North London, England. Hav<strong>in</strong>g ga<strong>in</strong>ed a first degree<br />
<strong>in</strong> <strong>Music</strong> from the University of Manchester, graduat<strong>in</strong>g <strong>in</strong> 2010 and w<strong>in</strong>n<strong>in</strong>g the P.J. Leonard Prize for<br />
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