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OUTSTANDING<br />
NEW<br />
CAMPAIGNS<br />
12 STRATEGY April 2008<br />
By Annette Bourdeau<br />
VESPA’S GANG OF SQUARES<br />
Watch out. Next time you turn a corner, you just might run into a six-foot-tall hipster with a head made<br />
of Vespa handlebars.<br />
The cut-outs were commissioned by Toronto-based Canadian Scooter Company to create buzz for<br />
the Vespa S model, which is a replica of a ’60s Vespa, except the original round headlight and mirrors<br />
are now square. The life-like Vespa-heads are decked out in retro-cool attire like Converse and other<br />
in-again brands to play on the notion that it’s hip to be square.<br />
The unbranded images will be affi xed like wallpaper at eye level on buildings around Toronto,<br />
Montreal, Calgary and Vancouver. There are four different Vespa-heads in total; they’ll<br />
appear either as singles or more intimidating “gangs.”<br />
“[They’re unbranded] to create curiosity and intrigue,” says Glen Hunt, creative<br />
catalyst at Toronto-based Dentsu Canada, adding that the images were done by<br />
Toronto-based street artist Fauxreel. “The idea is to bring something attractive to the<br />
locations – it’s more like art, so people appreciate it.” Hunt describes Faux Reel as<br />
“the Banksy of Canada,” referring to the renowned British graffi ti artist. Street teams<br />
will be handing out Vespa-head buttons, too, to further leverage the concept.<br />
Vespa is also working with Toronto-based prodco Crush to do a 40-foot outdoor<br />
projection of an interactive Vespa-head that turns around to check out and<br />
double-blink at passersby. Print and poster executions will also play on the<br />
Vespa-head concept, with headlines like “Born to be Square.”<br />
The scooter co is also launching a retro-cool TV spot this spring to push its LX<br />
model, featuring a hand-drawn, vintage-looking backdrop. It plays on the insight<br />
that Vespas aren’t the most macho, performance-driven machines out there, and<br />
features a guy who’s more artiste than stuntman attempting to jump across a row of<br />
cars on his Vespa. He, of course, fails miserably. The next shot features him picking<br />
up a beautiful girl to drive home the tagline, delivered by an announcer with an<br />
Italian accent: “Vespa, not built for jumping. Vespa, built for love.” There are 30- and<br />
45-second versions of the spot, which will run on TV, cinema and online. An online<br />
game will play on the spot’s concept, in which players can try to make their Vespas<br />
jump over things.<br />
www.strategymag.com<br />
advertiser: Jeremy Logan, VP sales;<br />
Jennifer Errico, marketing manager,<br />
Canadian Scooter Corp.<br />
CDs: Glen Hunt, Deborah Prenger<br />
ADs: David Glen, Deborah Prenger<br />
copywriters: Glen Hunt, Joe O’Neill<br />
interactive CD: Michael Gramlow<br />
interactive designer: Thomas Hong<br />
artist: Fauxreel<br />
account services: Sharon Hill,<br />
Natalie Vonlanthen-Choi<br />
production manager: Narine Artinian<br />
typographer: Henry Lee