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Literatur Country House

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Hardy, Barbara. “Properties and Possession in Jane Austen’s Novels” in: McMaster,<br />

Juliet (ed.) Jane Austen’s Achievement. Houndmills: Macmillan, 1976.<br />

Harris, John. The Design of the English <strong>Country</strong> <strong>House</strong>, 1620-1920. London: Trefoil,<br />

1985.<br />

Hatano, Yoko. "Fanny Price and Molly Gibson: Bearers of the <strong>Country</strong> <strong>House</strong><br />

Tradition". Gaskell Society Journal 10 (1996): 92-101.<br />

Head, Dominic. The Cambridge Introduction to Modern British Fiction, 1950–2000.<br />

Cambridge UP, 2002.<br />

Henke, Christoph. “Remembering Selves, Constructing Selves: Memory and Identity<br />

in Contemporary British Fiction“ Journal for the Study of British Cultures 10.1<br />

(2003): 77-100.<br />

Herz, Judith Scherer (ed. & introd.); Martin, Robert K. (ed.) E. M. Forster:<br />

Centenary Revaluations. Toronto: U of Toronto P, 1982.<br />

Horn, Pamela. The Rise and Fall of the Victorian Servant. Dublin: Gill & Macmillan,<br />

1975.<br />

Iyer, Pico. “The Remains of the Day” Partisan Review 58/3 (1991): 585-89.<br />

Jenkins, Hugh. Feigned Commonwealths: The <strong>Country</strong>-<strong>House</strong> Poem and the<br />

Fashioning of the Ideal Community. Pittsburgh: Duquesne UP, 1998.<br />

Karschay, Stephan. “Only Connect! The Negotiation of Identities in E. M. Forster's<br />

Howards End and Zadie Smith's On Beauty” in Kamm, Jürgen (ed. and<br />

introd.); Sedlmayr, Gerold (ed. and introd.). Insular Mentalities: Mental Maps<br />

of Britain. Passau: Stutz, 2007, 201-13.<br />

Kazin, Alfred. “Howards End Revisited” Partisan Review 59.1 (1992): 29-43.<br />

Kelsall, Malcolm. The Great Good Place. The <strong>Country</strong> <strong>House</strong> and English <strong>Literatur</strong>e,<br />

Brighton: Harvester Wheatsheaf, 1993.<br />

Kremkau, Simone. Vergangenheit, Erinnerung und Nostalgie im englischen Roman<br />

nach 1945. Göttingen: Cuvillier, 2003.<br />

Lang, James M. “Public Memory, Private History: Kazuo Ishiguro's The Remains of<br />

the Day” CLIO: A Journal of <strong>Literatur</strong>e, History, and the Philosophy of<br />

History 29.2 (2000): 143-65.<br />

Langland, E., “Gesturing Towards an Open Space: Gender, Form, and Language in<br />

E.M. Forster’s Howards End” in L. Claridge; E. Langland (eds.). Out of

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