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McDonough, Donald. “Off with Their Heads: The British Novel and the Rise of<br />

Fascism“ Tennessee Philological Bulletin: Proceedings of the Annual Meeting<br />

of the Tennessee Philological Association 33 (1996): 34–42.<br />

Medalie, David. “'What Dignity Is There in That?': The Crisis of Dignity in Selected<br />

Late-Twentieth-Century Novels” Journal of Literary Studies/Tydskrif vir<br />

Literatuurwetenskap 20.1-2 (2004): 48–61.<br />

Mergenthal, Silvia. A Fast-Forward Version of England. Constructions of<br />

Englishness in Contemporary Fiction. Heidelberg: Winter, 2003.<br />

Messenger, Nigel. How to Study an E.M. Forster Novel. Houndmills: Macmillan,<br />

1991.<br />

Mizhou. “Fiction as Musicology: Aesthetic Listening in E. M. Forster's Howards End”<br />

Forum for Modern Language Studies 47.3 (2011): 237-50.<br />

Multhaup, Uwe. "'Money, Manors and Manners': Landes- und kulturkundliche<br />

Aspekte des englischen <strong>Country</strong> <strong>House</strong>" Anglistik & Englischunterricht 37<br />

(1989): 155–79.<br />

Newlands, Carole E. "Statius' Villa Poems and Ben Jonson's To Penshurst: The<br />

Shaping of a Tradition" Classical and Modern <strong>Literatur</strong>e: A Quarterly 8.4<br />

(1988): 291–300.<br />

Niederhoff, Burkhard. “E. M. Forster and the Supersession of Plot by Leitmotif: A<br />

Reading of Aspects of the Novel and Howards End” Anglia: Zeitschrift fur<br />

Englische Philologie 112.3-4 (1994): 341-63.<br />

Nünning, Ansgar (ed.). Unreliable Narration. Studien zur Theorie und Praxis<br />

unglaubwürdigen Erzählens in der englischsprachigen Erzählliteratur. WV<br />

Trier, 1998.<br />

Nünning, Ansgar. “Die Synthese aus Tradition und Innovation im englischen Roman<br />

der 1980er und 1990er Jahre: Die Rückkehr zum Erzählen bei Graham Swift,<br />

Kazuo Ishiguro und Barry Unsworth“ in: Ansgar & Vera Nünning (Hg.).<br />

Klassiker und Strömungen des englischen Romans im 20. Jahrhundert. WV<br />

Trier, 2000, 189–217.<br />

O’Brien, Susie. “Serving a new world order: postcolonial politics in Kazuo Ishiguro’s<br />

The Remains of the Day” Modern Fiction Studies 42 (1996): 787–806.<br />

Olson, Jeane N. “E. M. Forster's Prophetic Vision of the Modern Family in Howards<br />

End” Texas Studies in <strong>Literatur</strong>e and Language 35.3 (1993): 347-62.

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