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FIVE / Overhearing / 153 The Problem of Open Source 153 “Le commerce intellectuel” 160 Women, Translation, Transnation 163 Overheard in Translation: Sophie Mereau, La Princesse de Clèves and the Loose Confession 168 María de Zayas’s Novelas amorosas y ejemplares and the Betrayal of Writing 173 Boccaccio, Privacy, and Partiality: Fiammetta and Decameron 10.3 177 SIX / Adapting / 183 Romantic Lines 183 Afterimages: Goethe and the Lily 189 Stems, Spirals, and the New Scientifi c Graphics 202 Overwriting: Balzac between Script and Scribble 210 Parallels, or Stendhal and the Line of the Self 222 Coda: Sebald’s Bibliographic Vanishing Points 230 IN PLACE OF AN AFTERWORD / Next to the Book / 235 Lection / Selection 235 “Book was there, it was there.” 236 Besides: Toward a Translational Humanism 239 Beckett’s “Eff” 241 Notes / 247 Index / 293
Page 2: Dreaming in Books
Page 5 and 6: PUBLICATION OF THIS BOOK HAS BEEN A
Page 8 and 9: List of Illustrations / xi Acknowle
Page 12 and 13: 0.1 Sketch accompanying Goethe’s
Page 14 and 15: ACKNOWLEDGMENTS This book is in one
Page 16: Acknowledgments / xv starts and his
Page 19 and 20: 2 / Introduction Menzel’s alignme
Page 21 and 22: 4 / Introduction in European and Am
Page 23 and 24: 6 / Introduction speak of something
Page 25 and 26: 8 / Introduction intermedial making
Page 27 and 28: 10 / Introduction cover the collect
Page 29 and 30: 12 / Introduction which romantic li
Page 31 and 32: 14 / Introduction boundedness and t
Page 33 and 34: 16 / Introduction Finally, if this
Page 36 and 37: Indeed, I wanted to write that my w
Page 38 and 39: Networking / 21 Rethinking the Book
Page 40 and 41: Networking / 23 cal perspectives ca
Page 42 and 43: Networking / 25 universe across an
Page 44 and 45: Networking / 27 “these prepublica
Page 46 and 47: Networking / 29 and Truth, in 1812.
Page 48 and 49: Networking / 31 novellas and the mi
Page 50 and 51: Networking / 33 collected edition a
Page 52 and 53: Networking / 35 novel, it was the s
Page 54 and 55: Networking / 37 autobiographical tu
Page 56 and 57: Networking / 39 “and it did not t
Page 58 and 59: Networking / 41 rates knowledge of
Page 60 and 61:
Networking / 43 ings of romanticism
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Networking / 45 lected edition shou
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Networking / 47 matized on the fron
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Networking / 49 In endowing the ana
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Networking / 51 Coda: Faust and the
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The physical sensation closest to t
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Copying / 55 what Philip Connell ha
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Copying / 57 tion also highlighted
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Copying / 59 to the reconstruction
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Copying / 61 discourse, this same v
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Copying / 63 And here the case of G
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Copying / 65 Hall (1822), Balzac’
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Copying / 67 technique of addressin
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Copying / 69 Precisely in such a ph
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Copying / 71 “The Magnetist,” t
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Copying / 73 Homer’s Odyssey prov
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Copying / 75 In the vast literature
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Copying / 77 to both readers and ce
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Copying / 79 only points backwards
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Copying / 81 ing sameness out of he
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Copying / 83 lected editions were i
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86 / Chapter Three Hagen’s Der Ni
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88 / Chapter Three them, then, some
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90 / Chapter Three that the reader
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92 / Chapter Three practice of conj
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94 / Chapter Three Figure 3.1 One c
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96 / Chapter Three Figure 3.2 Karl
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98 / Chapter Three tressed local cu
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100 / Chapter Three propriety, prop
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Figure 3.3 Title page, Walter Scott
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104 / Chapter Three “Von Volkslie
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106 / Chapter Three introduction, o
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108 / Chapter Three word that parti
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110 / Chapter Three of narrative pe
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112 / Chapter Three the fi gure of
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114 / Chapter Three the novel’s o
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116 / Chapter Three communicative r
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118 / Chapter Three tributions (to
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120 / Chapter Three Many readers ha
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122 / Chapter Four fi gure of the a
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Figure 4.1 Calendar page, Almanachs
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126 / Chapter Four has argued in an
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128 / Chapter Four “One has no id
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Figure 4.2 Dedication page, The Atl
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132 / Chapter Four we fi nd numerou
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134 / Chapter Four her own. Her mar
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Figure 4.5 Diary page, Le Souvenir
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138 / Chapter Four importantly not
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140 / Chapter Four misdirection of
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142 / Chapter Four derivative write
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144 / Chapter Four raphy, or all of
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146 / Chapter Four the brilliant sa
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148 / Chapter Four was a way of sim
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150 / Chapter Four neously being em
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152 / Chapter Four contributed to a
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154 / Chapter Five there were no ex
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156 / Chapter Five national cultura
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158 / Chapter Five surrounding cate
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160 / Chapter Five printed book. Th
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162 / Chapter Five that a large por
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164 / Chapter Five Homer, Dorothea
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166 / Chapter Five ample, by Wilhel
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168 / Chapter Five resentational cr
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170 / Chapter Five Lafayette’s wo
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172 / Chapter Five She passed part
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174 / Chapter Five ing his late nov
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176 / Chapter Five his “translati
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178 / Chapter Five German errathen
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180 / Chapter Five could never comp
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Word and image are correlates that
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Adapting / 185 Figure 6.2 Corporal
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Adapting / 187 new prints. And as G
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Adapting / 189 Wilhelm Meister’s
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Adapting / 191 not only drawing upo
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Adapting / 193 I want to turn in gr
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Adapting / 195 could be a visual re
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Adapting / 197 mirror image in the
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Adapting / 199 Figure 6.5 Lily stem
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Adapting / 201 Figure 6.7 Detail of
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Adapting / 203 see how the lily, as
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Adapting / 205 Figure 6.9 Goethe’
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Adapting / 207 other fundamental fi
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210 / Chapter Six nineteenth centur
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212 / Chapter Six tions such as La
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214 / Chapter Six epigraph opposite
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216 / Chapter Six historical opposi
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218 / Chapter Six illegible script
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220 / Chapter Six bourgeois age, it
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222 / Chapter Six sual epigraph. Th
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224 / Chapter Six signifi cance of
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226 / Chapter Six Figure 6.15 “Za
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228 / Chapter Six letter marks out
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230 / Chapter Six tural line turns
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232 / Chapter Six following this im
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He talked. After a while she began
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Next to the Book / 237 bringing the
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Next to the Book / 239 ter understa
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Next to the Book / 241 a podcast. I
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Next to the Book / 243 sounds that
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Next to the Book / 245 Little book.
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248 / Notes to Page 3 10. Karl Imme
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250 / Notes to Pages 6-9 28. Karl S
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252 / Notes to Pages 11-15 57. M. M
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254 / Notes to Pages 21-22 8. J. W.
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256 / Notes to Pages 24-25 Wilhelm
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258 / Notes to Pages 31-38 42. Cite
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260 / Notes to Pages 44-49 67. On t
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262 / Notes to Pages 55-58 comédie
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264 / Notes to Pages 65-74 Kritisch
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266 / Notes to Pages 80-87 72. Nath
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268 / Notes to Pages 90-92 19. Ann
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270 / Notes to Pages 98-101 54. J.
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272 / Notes to Pages 110-121 rapidl
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274 / Notes to Pages 125-127 13. Ma
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276 / Notes to Pages 134-141 body t
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278 / Notes to Pages 153-157 CHAPTE
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280 / Notes to Pages 159-161 24. Ho
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282 / Notes to Pages 166-171 writin
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284 / Notes to Pages 178-185 87. Bo
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286 / Notes to Pages 188-193 17. Sa
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288 / Notes to Pages 203-212 49. Se
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290 / Notes to Pages 222-231 86. Ho
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292 / Notes to Pages 240-242 as a f
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etrayal, as a form of communication
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Goethe, Johann Wolfgang von (contin
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isotherms, 207-10 Iwein, 95 Johanno
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novel, the (continued) Wilhelm Meis
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Shelley, Mary, 148 Shelley, Percy B
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