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Red Allen - The Jazz Archive

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- 29 -<br />

9/11/34 Tu., NYC., FLETCHER HENDERSON & HIS ORCH.: Russell Smith, Irving Randolph, <strong>Red</strong> <strong>Allen</strong> (t) Claude Jones,<br />

Keg Johnson (tb) Buster Bailey (cl) Russell Procope, Hilton Jefferson (as) Ben Webster (ts) Fletcher Henderson (arr,p on<br />

the lst title) Horace (arr,p on the other three) Lawrence Lucie (g) Elmer James (b) Walter Johnson (d) Benny Carter (arr)<br />

/ AofH/Dec.DL/DecDL/CorCOPS/MCA(F)/Classics/HEP/<br />

38598-A 2:42 LIMEHOUSE BLUES -aBC (Furber-Braham) Dec 157/AH-61/ -9228 /-79228/ -1912 / 510060/ CD535/1009/<br />

-W.Johnson intro-<strong>Allen</strong> 32b-Bailey 32b-Johnson 8+8b-Webster 30b-trumpets 16b-trombones 8b-trumpets 8b-<br />

38599-A 3:04 SHANGHAI SHUFFLE -aFH (Rodemich-Conley) Dec 158/ --- / --- / --- / --- / --- / --- / -- /<br />

-saxes 32b-Bailey 32b-Randolph 32b-Procope 8b-<br />

38600-A 2:54 BIG JOHN SPECIAL -aHH (F..Henderson) Dec 214/ --- / --- / --- / --- / --- / --- / --- /<br />

-saxes lead 32b-Randolph 16b-Jefferson 8b-Randolph 8b-Henderson 8b-,saxes 8bHenderson 8b-<br />

-trumpets brd-<strong>Allen</strong> & Randolph 16b-; -arr.H.H.<br />

38601-A-B 2:49 HAPPY AS THE DAY IS LONG (Koeler-Arlen) --- / --- / --- / --- / --- / --- / --- / --- /<br />

from "Cotton Club Parade” -aBC; -saxes 32b-Jones ? 32b-Webster 32b-<strong>Allen</strong> 32b-Jefferson obligato 4b and coda-<br />

9/12/34, Wed., NYC., same but: Procope & Jefferson (as, cl) Fletcher (p on the first two) Horace(p, on the last two) Russ<br />

Morgan(arr) Alternate take of WRAPPIN´IT UP has been rumored; some European pressings of -A were dubbed from B.<br />

38602-A 3:07 TIDAL.WAVE -aRM (R.Morgan-Trask) Dec 213/ --- / --- / --- / --- / --- / --- / --- /<br />

-saxes & trombones 32b-Webster 32b-F.Henderson 6+6b-saxes Ob-f.Henderson 6b-muted brass 8b-<br />

-<strong>Allen</strong> 8b-muted brass 8+2b-Jefferson 2b-Bailey 6+6+6+6b-; (Cf. Vi-version 3/6/34)<br />

38603-A 2:59 DOWN SOUTH CAMP MEETING -aFH (Henderson) --- / --- / --- / --- / --- / --- --- /<br />

-saxes lead 28b-<strong>Allen</strong> muted 24b-Jefferson brd 2b-<strong>Allen</strong> 2b-saxes & brass 28bclarinet trio & brass 4+32b-<br />

38604-A-B 2:45 WRAPPIN´ IT UP "<strong>The</strong> Lindy Glide" -aFH Dec 157/ --- / --- / --- / --- / --- / --- / --- /<br />

(Henderson) -saxes lead 32b-Jefferson 32b-<strong>Allen</strong> 8+16b-brass & clarinets 8b-Bailey 8b-sax 8<br />

38605-A 2:45 MEMPHIS BLUES -aFH Dec 158/Neatw.CD-RP2016/ / --- /<br />

-B 2:45 MEMPHIS BLUES -aFH (W.C.Handy) Dec 158/ --- / --- / --- / --- / --- / --- / --- /<br />

-saxes 12b-Webster over brass 12b-Johnson 16b-Webster (high-ts) or Procope(as) & brass 12b<br />

-Jefferson 4+4b-Randolph 12b-<br />

38605-B on RA-CD-3; 38600-A 0n RA-CD-12(Trumpet Kings)<br />

9/25/34 Tu., NYC., same but: & Benny Carter (as,arr) Fletcher (p on 38724, -25, -28) Horace (p on -23, -.28) Will Hudson(arr)<br />

38723-A 3:03 WILD PARTY -aWH (W.Hudson) Dec 342/ --- / --- / --- / --- / --- / CD527/ --- /<br />

-Bailey intro 8b and obligato 32b-saxes 16b-Bailey 8b-saxes Bb-Johnson 16b-Jefferson 8b-<br />

-?Johnson 8b-<strong>Allen</strong> muted 16b-Webster 8b-<strong>Allen</strong> muted 8b-Bailey obligato 16b-<br />

38724-A 3:02 RUG CUTTER´S SWING -aHH (<strong>Allen</strong>-Henderson) --- / --- / --- / --- / --- / --- / --- / --- /<br />

-<strong>Allen</strong> muted 32b-Bailey 16+8b-Jones 6+6b-Jefferson 8b-Jones 6b-Webster 16b-<br />

-Johnson 8b-Webster 8b-saxes 16b-<strong>Allen</strong> 8b-<strong>Allen</strong> muted 8b-<br />

38725-A 2:51 HOTTER THAN `ELL (= YEAH MAN) -aHH Dec 555/ --- / --- / --- / --- / --- / --- / --- /<br />

(F.Henderson) -?Jones 32b-Bailey lead 4b-Bailey 28b-<strong>Allen</strong> 32b-Webster 32+8b-<br />

38728-A 2:41 LIZA (All <strong>The</strong> Clouds `ll Roll Away) -aFH --- / --- / --- / --- / --- / --- / --- / --- /<br />

from Ziegfield´s “Show Girl" (Gus Kahn-I.& G. Gershwin) -F.Henderson intro 8b-chimes-saxes 32b-?Randolph 8b<br />

-H.Henderson 4b-Carter 32b?Randolph 8b-?Johnson 16b-Procope 8b-?Keg Johnson 8b-F.Henderson 8b-<br />

matrices 38726-27 are by Glen Gray & Casa Loma Orch.; 38729 by the Buccaneers.<br />

all Decca-sides also on : MCA(USA) GRP-16432-CD”TIDAL WAVE” (1931-34; 21 sides)/<br />

poss.Oct./Nov./34, unknown broadcast – rerecorded in a studio Henry <strong>Red</strong> <strong>Allen</strong>(t,?scat-v) & unknown broadcaster (ann, ?scatv)<br />

in front of a mike to 9/25/34 Decca records 38724-A & 38723-A from FLETCHER HENDERSON & HIS ORCH.<br />

Aircheck 3:00 RUG CUTTER SWING -v? (H.<strong>Allen</strong>) rec.by Squirrel Ashcraft on a very corroded aluminium/ RA-CD-10<br />

-saxes 12b-<strong>Allen</strong> 4b-saxes 6b-muted trumpets 8b-<br />

--- 2:57 WILD PARTY (W..Hudson) --- / / RA-CD-10<br />

-Bailey intro 8b-obligato 32b-<strong>Allen</strong> & reeds 16b-Bailey 8b-<strong>Allen</strong> 8b-Jones 16b-Jefferson 8b-<br />

-Jones 8b--<strong>Allen</strong> t over Randolph muted-t 32b-saxes & brass 32b- with Bailey obligato 16b-<br />

W.C.<strong>Allen</strong> believed at an undated life-broadcast and wrote in HENDERSONIA: c.Aug./Sept.34, unknown location, broadcast:<br />

“<strong>The</strong> fact that the same soloists and routines are heard as on the corresponging Decca versions, indicates that these were made<br />

about the same period of time, before the band broke up in November. <strong>The</strong>y might have been made during engagements in<br />

Detroit, Cleveland, Pittsburg or other midwest cities. Another possibility would be from broadcasts at the Roseland Ballroom<br />

late Sept.. <strong>The</strong>re is a great deal of static and distortion on the tape available to me; the ballance is poor, one trumpet being very<br />

close to the mike. Someone can be heard scatting on the first title, and it does not sound like <strong>Red</strong> <strong>Allen</strong>.”<br />

F. Hoffmann: In fact it is a rerecorded session in the broadcast studio of 9/25/34 Decca-records with unknown broadcaster (v).<br />

<strong>Red</strong> <strong>Allen</strong> added on (t) and played new long solos backing his own and to other solos. Charly Parker did so later playing on<br />

broadcast to his own record. I brought the two pieces of very poor audio quality on RA-CD-10 – that anybody can make his<br />

own opinion. Several audio-engeneers denied any possibility to get any better digital-quality.

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