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Hermetic Philosophy and Alchemy - A Bardon Companion

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attempts of his false panegyrists, who, anxious it would seem rather for the intellectual than the moral<br />

fame of their hero, have ventured to slur over his assertions as dubious. Aquinas is much too far<br />

committed in his writings for their quibbling exceptions to tell in proof against his own direct <strong>and</strong><br />

positive affirmation. "Metalla transmutari possunt unum in aliud", says he, "cum naturalia sint et<br />

ipsorum material eadem". Metals can be transmuted one into another, since they are of one <strong>and</strong> the<br />

same matter" (50). Declarations more or less plain to the same effect are frequent, <strong>and</strong> his treatise, De<br />

Esse et Essentia, is eminently instructive. It is true he slurs over points <strong>and</strong> sophisticates also<br />

occasionally in order to screen the doctrine from superficial detection; for Aquinas was above all<br />

anxious to direct inquirers to the higher purposes <strong>and</strong> application of the Divine Art, <strong>and</strong> universal<br />

theosophy, rather than to rest its capabilities of quickening <strong>and</strong> perfection in the mineral kingdom, as<br />

at that period many were wont to do, sacrificing their whole life’s hope to the multiplication of gold.<br />

"Fac sicut te ore tenens docui, ut scis quod tibi non scribo, quoniam peccatum esset hoc secretum<br />

virissecularibus revelare, qui magis hanc scientiam propter vanitatem quam propter debitum finem et<br />

Dei honorem quaerunt". And again, "ne sis garrulous sed pone ori tuo custodiam; et it filiam<br />

sapientum margaritam ante porcas non projicies. Noli te, charissime, cum majori opere occupare,<br />

quia propter salutis et Christi praedictionis officium;et lucr<strong>and</strong>i tempus magni debes attendere divitiis<br />

spiritialibus, quam lucris temporibus inhiare" (51).<br />

The pretensions of Arnold di Villa Nova have not been contested, nor are his writings the only<br />

evidence of his skill in the Great Art. Contemporary scholars bear him witness, <strong>and</strong> instances are<br />

related of the wonderful projections he made with the transmuting powder. The Jurisconsult, John<br />

Andre, mentions him, <strong>and</strong> testifies to the genuine conversions of some iron bars into pure gold at<br />

Rome. Oldradus also <strong>and</strong> the Abbot Panorimitanus of about the same period, praise the <strong>Hermetic</strong> Art<br />

as beneficial <strong>and</strong> rational, <strong>and</strong> the wisdom of the alchemist Arnold di Villa Nova (52) The works of<br />

this philosopher are very numerous. The Rosarium Philosophicum, esteemed amongst the best, is<br />

published in the Theatrum Chemicum, <strong>and</strong> at the end of the folio edition of his works. The Speculum, a<br />

luminous treatise; the Carmina, Questiones ad Bonifacium, the Testamentum, <strong>and</strong> some others are<br />

given entire in the Theatrum Chemicum, but have not been translated.<br />

About this time <strong>and</strong> towards the close of the 14th century, an excitement began to be perceptible in the<br />

public mind. So many men of acknowledged science <strong>and</strong> piety, one after another, agreeing about the<br />

reality of transmutation, <strong>and</strong> giving tangible proofs of their own skill, could not fail to produce an<br />

effect; the art became in high request, <strong>and</strong> its professors were invited from all quarters, <strong>and</strong> held in<br />

high honor by the world. Lesser geniuses caught the scattered doctrines <strong>and</strong> set to work, some with<br />

sufficient underst<strong>and</strong>ing <strong>and</strong> with various success.<br />

Alain de l’Isle is said to have obtained the Elixir, but his chief testimony has been excluded by the<br />

editors of his other works; soften <strong>and</strong> unscrupulously has private prejudice interfered to defraud the<br />

public judgment of its rights <strong>and</strong> true data. The rejected treatise, however, was printed separately, <strong>and</strong><br />

may be found in the third volume of the Theatrum Chemicum (53). This philosopher also wrote a<br />

commentary on the Prophecies of Merlin, which are reported to have sole reference to the arcane of<br />

the <strong>Hermetic</strong> Art (54).<br />

Raymond Lully is supposed to have become acquainted with Arnold, <strong>and</strong> the Universal Science, late<br />

in life; but when the fame of his Christian zeal <strong>and</strong> talents had already become known <strong>and</strong><br />

acknowledged abroad, his declarations in favor of alchemy had the greater weight. Unlike his<br />

cloistered predecessors, secluded <strong>and</strong> known as they were by name only to the world, Raymond had<br />

traveled over Europe, <strong>and</strong> a great part of Africa <strong>and</strong> Asia; <strong>and</strong> with his former fame was at length<br />

mingled the discovery of alchemy <strong>and</strong> the philosophers’ stone. John Cremer, Abbot of Westminster,<br />

had worked for 30 years, it is related, assiduously with the hope of obtaining the secret. The enigmas<br />

of the old adepts had sadly perplexed <strong>and</strong> led him astray; but he had discovered enough to convince<br />

him of the reality, <strong>and</strong> to encourage him to proceed with the investigation; when, Lully’s fame having<br />

reached him, he determined to seek that philosopher, then resident in Italy; was fortunate in meeting<br />

with him <strong>and</strong> gaining his confidence, <strong>and</strong> not a little edified by the pious <strong>and</strong> charitable life Lully led

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