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arthur calder-Marshall<br />

A magic Steyning youth<br />

Arthur Calder-Marshall was born <strong>on</strong> 19th Aug<str<strong>on</strong>g>us</str<strong>on</strong>g>t,<br />

1908 at ‘El Misti’, Woodcote Road, Wallingt<strong>on</strong>,<br />

Surrey. It was <strong>on</strong> this road, incidentally, that<br />

Mervyn Peake’s father set up as a general<br />

practiti<strong>on</strong>er when he brought his family home<br />

from China. The experimental, left-leaning<br />

novels that Calder-Marshall wrote were <strong>on</strong>ce<br />

highly regarded. Now he is probably best k<str<strong>on</strong>g>now</str<strong>on</strong>g>n<br />

for being the father of the actress Anna Calder-<br />

Marshall. About Levy (1933) is the story of a<br />

sympathetic Jewish doctor, acc<str<strong>on</strong>g>us</str<strong>on</strong>g>ed of murder.<br />

Dead Centre (1935) <str<strong>on</strong>g>us</str<strong>on</strong>g>es no fewer than sixtyseven<br />

different narrators to tell a story that draws<br />

<strong>on</strong> the author’s own experiences teaching at a<br />

minor public school. One of the teachers in the<br />

novel exclaims, “It’s wr<strong>on</strong>g to blame the Public<br />

Schools for what is actually the nature of boys.”<br />

Calder-Marshall’s misgivings about private<br />

educati<strong>on</strong> were given a further airing in<br />

Challenge to Schools, a pamphlet published by<br />

the Hogarth Press. In an article published in the<br />

New Statesman and Nati<strong>on</strong> in February 1941, he<br />

coined the phrase ‘The Pink Decade’ to describe<br />

the 1930s. Once employed in Hollywood as a<br />

scriptwriter for Metro-Goldwyn-Mayer, during<br />

the war Calder-Marshall joined the film divisi<strong>on</strong><br />

of the Ministry of Informati<strong>on</strong>. An admiring<br />

depicti<strong>on</strong> of Calder-Marshall at this time appears<br />

in Memoirs of the Forties by Julian Maclaren-<br />

Ross. After the war he wrote books <strong>on</strong> subjects as<br />

diverse as Havelock Ellis and the salacio<str<strong>on</strong>g>us</str<strong>on</strong>g> picture<br />

postcards of D<strong>on</strong>ald McGill. He edited selecti<strong>on</strong>s<br />

of the writings of Jack L<strong>on</strong>d<strong>on</strong>, Tom Paine and<br />

George R Sims. The last named was author of It<br />

was Christmas Day in the Workho<str<strong>on</strong>g>us</str<strong>on</strong>g>e and <strong>on</strong>e of<br />

the many candidates for Jack the Ripper.<br />

Calder-Marshall’s life changed when<br />

commissi<strong>on</strong>ed to write a life of Vice-Admiral<br />

w w w. V I VA l E w E s . C o M<br />

l I t E r A r y s U s s E x<br />

Riall Wadham Woods. While serving as a signals<br />

officer at the Battle of Jutland, Woods allegedly<br />

received an ‘interposed message’ am<strong>on</strong>gst other<br />

Morse code traffic, instructing him to serve God.<br />

He later took Holy Orders and worked as a<br />

padre in a Whitechapel seaman’s hostel. During<br />

his research Calder-Marshall became c<strong>on</strong>vinced<br />

that Woods was praying for him from heaven,<br />

and the book, No Earthly Command, became<br />

partly biography and partly the story of Calder-<br />

Marshall’s own c<strong>on</strong>versi<strong>on</strong> to Christianity.<br />

Steyning is Calder-Marshall’s c<strong>on</strong>necti<strong>on</strong> with<br />

S<str<strong>on</strong>g>us</str<strong>on</strong>g>sex. The town is probably best k<str<strong>on</strong>g>now</str<strong>on</strong>g>n for<br />

its traditi<strong>on</strong> of treating whooping cough with<br />

d<strong>on</strong>key-hair sandwiches, a cure <str<strong>on</strong>g>now</str<strong>on</strong>g> largely<br />

discredited. Arthur moved there with his family<br />

at the age of fifteen. His grandfather wrote a<br />

poem entitled A Reverie at Steyning, which<br />

began, ‘I see the roofs of dear old Steyning/<br />

Quaint old-fashi<strong>on</strong>ed market town./ Some are<br />

roofed with S<str<strong>on</strong>g>us</str<strong>on</strong>g>sex limest<strong>on</strong>e,/Some are red, and<br />

some are brown.’ Printed at his own expense, it<br />

retailed for the modest sum of threepence with<br />

all proceeds going to the Church Lads’ Brigade.<br />

Arthur was befriended by the oddball proprietor<br />

of Steyning’s Vine Press, Victor Neuburg. He was<br />

a former associate of Aleister Crowley who, it was<br />

rumoured, had <strong>on</strong>ce transformed Neuburg into<br />

a zebra. Calder-Marshall’s memoir, The Magic<br />

of My Youth (1951) not <strong>on</strong>ly tells the story of his<br />

own later involvement with Crowley but is also a<br />

delightful evocati<strong>on</strong> of S<str<strong>on</strong>g>us</str<strong>on</strong>g>sex in the 1920s.<br />

David Jarman. This article is dedicated to<br />

the memory of John Grover (1917-1997) who<br />

introduced me to The Magic of My Youth.<br />

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