USB DONE RIGHT: Two magic boxes that let computer audio ...
USB DONE RIGHT: Two magic boxes that let computer audio ...
USB DONE RIGHT: Two magic boxes that let computer audio ...
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On this, our 30th anniversary,<br />
Feedback<br />
Features<br />
Audio Then and Now<br />
it’s interesting to look back<br />
at the articles of our very<br />
first issue. But it’s even more<br />
instructive to look at the ads. Start with<br />
the rear cover.<br />
Can you imagine a cassette ad in<br />
a magazine today? Okay, cassettes are<br />
history, but how about an ad for blank<br />
CD’s or DVD’s? No?<br />
How about this one?<br />
Strange, <strong>that</strong> doesn’t look like Rega’s<br />
logo! And did Rega actually make speakers<br />
in 1982? In fact no. The now-forgotten<br />
Edon company was then the Rega<br />
importer, but had a hankering to build<br />
speakers. It asked Rega if it would mind<br />
if it borrowed the famous name. The<br />
speakers were in fact reasonably good,<br />
and were later sold as Rega Camber, and<br />
then just as Camber. They later morphed<br />
24 ULTRA HIGH FIDELITY Magazine<br />
into a maker of equipment and speaker<br />
stands. Incidentally, Edon refused to pay<br />
for <strong>that</strong> first ad, whose cut line, below<br />
the logo, read, “setting new standards<br />
in performance quality no value.”<br />
Although 1982 is usually given as<br />
the year Sony and Philips launched the<br />
Compact Disc, when we began no one<br />
had ever seen one, and so, inevitably,<br />
there were ads for turntables. Systemdek<br />
was represented, and <strong>that</strong> was hardly<br />
surprising, since the Systemdek was then<br />
an <strong>audio</strong>phile favorite. But this ad for a<br />
Technics with a plug-in cartridge might<br />
come as a bit of a surprise.<br />
We don’t know what Panasonic was<br />
thinking of with this ad. It did make<br />
some tables <strong>that</strong> were then highly<br />
praised, such as the SP-10, but the<br />
SL-DL5 came from a different galaxy.<br />
It featured direct drive, like most other<br />
mass market turntables, but it also had<br />
a flimsy and downright dodgy straightline<br />
tracking arm, and a P-mount<br />
plug-in phono cartridge whose rigidity<br />
depended entirely on the friction of the<br />
mount on the cartridge pins.<br />
That was our first Quad ad, placed<br />
by the brand’s then-new distributor,<br />
May Audio. It would become our most<br />
faithful advertiser. It and its successor<br />
companies have advertised in every<br />
issue of the magazine, with only a<br />
single exception. May Audio became<br />
our first product source when we set up<br />
our Audiophile Store in 1988. Although<br />
the store sources products from 18<br />
companies today, May and its successor,<br />
Liberty Trading, remain major sources.<br />
Other major ads in <strong>that</strong> first issue<br />
included Teac (with a cassette deck),<br />
Harman/Kardon, B&W, and — of<br />
yes — Classé, whose wondrous DR-2<br />
pure class A amplifier was then justly<br />
famous.<br />
And Mitsubishi. With a color double<br />
spread advertising…a receiver!