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USB DONE RIGHT: Two magic boxes that let computer audio ...

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On this, our 30th anniversary,<br />

Feedback<br />

Features<br />

Audio Then and Now<br />

it’s interesting to look back<br />

at the articles of our very<br />

first issue. But it’s even more<br />

instructive to look at the ads. Start with<br />

the rear cover.<br />

Can you imagine a cassette ad in<br />

a magazine today? Okay, cassettes are<br />

history, but how about an ad for blank<br />

CD’s or DVD’s? No?<br />

How about this one?<br />

Strange, <strong>that</strong> doesn’t look like Rega’s<br />

logo! And did Rega actually make speakers<br />

in 1982? In fact no. The now-forgotten<br />

Edon company was then the Rega<br />

importer, but had a hankering to build<br />

speakers. It asked Rega if it would mind<br />

if it borrowed the famous name. The<br />

speakers were in fact reasonably good,<br />

and were later sold as Rega Camber, and<br />

then just as Camber. They later morphed<br />

24 ULTRA HIGH FIDELITY Magazine<br />

into a maker of equipment and speaker<br />

stands. Incidentally, Edon refused to pay<br />

for <strong>that</strong> first ad, whose cut line, below<br />

the logo, read, “setting new standards<br />

in performance quality no value.”<br />

Although 1982 is usually given as<br />

the year Sony and Philips launched the<br />

Compact Disc, when we began no one<br />

had ever seen one, and so, inevitably,<br />

there were ads for turntables. Systemdek<br />

was represented, and <strong>that</strong> was hardly<br />

surprising, since the Systemdek was then<br />

an <strong>audio</strong>phile favorite. But this ad for a<br />

Technics with a plug-in cartridge might<br />

come as a bit of a surprise.<br />

We don’t know what Panasonic was<br />

thinking of with this ad. It did make<br />

some tables <strong>that</strong> were then highly<br />

praised, such as the SP-10, but the<br />

SL-DL5 came from a different galaxy.<br />

It featured direct drive, like most other<br />

mass market turntables, but it also had<br />

a flimsy and downright dodgy straightline<br />

tracking arm, and a P-mount<br />

plug-in phono cartridge whose rigidity<br />

depended entirely on the friction of the<br />

mount on the cartridge pins.<br />

That was our first Quad ad, placed<br />

by the brand’s then-new distributor,<br />

May Audio. It would become our most<br />

faithful advertiser. It and its successor<br />

companies have advertised in every<br />

issue of the magazine, with only a<br />

single exception. May Audio became<br />

our first product source when we set up<br />

our Audiophile Store in 1988. Although<br />

the store sources products from 18<br />

companies today, May and its successor,<br />

Liberty Trading, remain major sources.<br />

Other major ads in <strong>that</strong> first issue<br />

included Teac (with a cassette deck),<br />

Harman/Kardon, B&W, and — of<br />

yes — Classé, whose wondrous DR-2<br />

pure class A amplifier was then justly<br />

famous.<br />

And Mitsubishi. With a color double<br />

spread advertising…a receiver!

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