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QUICK START MANUAL: oP e r a t I o n: In order to load a new instrument simply doubleklick the .nki file in the Kontakt-Browser or drag it to the right with the mouse. If you drag on to an existing instrument then this one will be overwritten. The instrument interface of EW5 always boots with the quick Edit Page. For most applications this page is sufficient. To changing the value of the faders at a finer resolution simply hold the shift-key. With Cmd-Click (MAC) or Strg (PC) you can reset every fader to its default setting. The value-window above the tune-fader has two arrows to transpose in semi-tone steps. By doubleclicking the window you can manually enter the number. To get a description of the fader functions just activate the INFO button in the top bar. This displays helpful information in the bottom bar during mouse-over. Also it is recommended to activate the keyboardview in Kontakt in order to see where the sample keys (grey) and the key switches (pink) are located. Newly loaded instruments are not displayed immediately. First you must click the interface to select it. You can change to a smaller view of the instruments by clicking the Ethno World 5 Icon (red circle). If thats not small enough click the minus-symbol at the top right of the instrument. th e In s t r u M e n t s: There are various types of instruments which becomes apparent in the layout of the Quick Edit Page: • TM SYNC: musical phrases and licks are synced to the tempo automaticly. Be mindful that extreme deviation from the original file leads to distortion of the audio signal. The more overtones and polyphony a signal has, the sooner the distortion occurs. • TM: The TM-Patches also have Time-machine, but all samples play in original tempo and tuning. However you can edit every note separately. • BM: The Beat-machine-patches have the advantage that the loops automaticly sync to the tempo but the samples are sliced, meaning they are cut into fragments. The Speed-fader displays the BM-Sound lengths in quarters. If you divide these, for example the loop doubles in speed. • The “Normal”-patches without prefix mostly use the DFD-Mode (HD Streaming) and load very fast and use up the least resources. • KEY-Patches: With the lower keys of your master-keyboard (usually E0) you can select variations of the instrument. The particular description of the variation is displayed on the Quick Edit Page in “active Key-group”. With instruments that contain Licks or Loops, every note is assigned to its individual Group, so that every phrase can be edited in Group-Edit and Sample Start Parameters. Bell tyPe + Metal tyPe + GonGs & BoWls: • Since metal instruments sound especially interesting when tuned down, there are patches where the samples cover a wide range called LOW or WIDE RANGE.. VoIces and choIr, BoWed InstruMents: • Also there are many TM and TM SYNC Sounds, but also Pad- and Solo Sounds. In order to play Solo Sounds authentically you should activate the new Legato Function (Performance – Legato - Start-offset) and also with the sustain pedal the Glide-Effect. The Legato-Function enables very real note transitions, because it skips the attackphase of the following samples in order to elegantly lead into the next Note. • With many VOICES there are Pad-Sounds or Playback Tracks in the lower range of the keyboard in order to put the sung phrases in context.. Qu I c k s t a r t M a n u a l 38
World druMs a n d World PercussIon • In World Drums and World Percussion most of the patches are a mix of loops, rolls, fl ams and single hits. Whereby most of the loops where programmed as Beat-machine Sounds (sliced). Many rolls and fl ams however are Time-machine-Sounds identifi able by the 100 (middle setting) of the Speed-Fader. With this you can easily sync turnarounds and breaks to your song-tempo or integrate these sounds into your loops. With single hits the Speed-Fader is useless. • Tipp: Try playing several loops at once, but vary them in panorama, Tuning and fi lter settings. By doing this you can create very interesting and individual rhythms. THe eTHNO WORLD 5 INSTRUMeNT INTeRFACe: QUICK eDIT pAGe: This page gives you easy access to the most important parameters of your instrument. sP e e d: Controls the speed in Timemachine-Mode (TM) or Beatmachine-Mode (BM). tu n e: Sets the tuning in semitones. For exact settings and fi ne-tuning use the data-entry fi eld. Just doubleclick and enter your data or use the mouse (high resolution with shift). sa M P l e st a r t: Sets the point where the sample begins to play. With the Sample Start Range, you can adjust a wider range of this slider. sa M P l e st a r t ra n G e: Here you can adjust a wider range of the Sample Start slider. a c t I V e ke y G r o u P: shows the selected keygroup-articulation. You can switch the keygroups in most „KEY“-instruments with the lower keys, starting on E0. Vo l u M e : Sets the volume of the selected group or the entire instrument, depending on the EDIT ALL button status. Pa n: Sets the panning of the selected group or the entire instrument, depending on the EDIT ALL button status. at t a c k: Sets the attack time of the selected group or the entire instrument, depending on the EDIT ALL button status. re l e a s e: Sets the release time of the selected group or the entire instrument, depending on the EDIT ALL button status. Ve l o c I t I y: Adjusts the amount that the velocity changes the volume of the selected group or the entire instrument, depending on the EDIT ALL button status. PI t c h B. ra n G e: Sets the pitch bend range in semitones of the selected group or the entire instrument, depending on the EDIT ALL button status. 39 Qu I c k s t a r t M a n u a l
Page 2 and 3: We l c o m e t o th e Ko n t a K t4
Page 4 and 5: VEL Velocity Switch MOD Modulation
Page 6 and 7: cy M B a l s Cymbals consist of thi
Page 8 and 9: JI n G h u oP e r a VIolIn The litt
Page 10 and 11: Jo o c h I n (du l c I M e r) The J
Page 12 and 13: Ba l a l a I k a & do M r a The Bal
Page 14 and 15: co r a sa Z The Cora, a harp-like s
Page 16 and 17: oc a r I n a s Ocarinas are fi pple
Page 18 and 19: Ba W u The Bawu is a smooth and mel
Page 20 and 21: The Pan Flute - named after Pan, go
Page 22 and 23: aF r I c a n do n n do n n The Afri
Page 24 and 25: WORLD peRCUSSION Here are some very
Page 26 and 27: Po n c h I & Gr e G o r I a n ch a
Page 28 and 29: THe MUSICIANS FROM eTHNO WORLD Ma r
Page 30 and 31: Studio in Zurich, an insider-tip fo
Page 32 and 33: THe VOICeS FROM eTHNOWORLD Fo u x I
Page 34 and 35: Be n sc h Ä d l I c h Boy´s Voice
Page 36 and 37: el V a st a n d s In tI M B e r Gra
Page 40 and 41: lo WPa s s / hIPa s s on/oFF sW I t
Page 42 and 43: LOW pASS / (HI pASS) By using the L
Page 44 and 45: In s t r u M e n t lIst BeLL Type I
Page 46 and 47: Kena 2 Krumhorn 4 Launeddas 4 Low W

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