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VEL Velocity Switch MOD Modulation Wheel XFD Crossfade 3XFD Crossfade mit 3 Layern KEY Keyswitch Instrument CC Midi Control Change (C0) Key-Switches start from C0 BeLL & MeTAL Type INSTRUMeNTS Here are some very unusual instruments from around the world. They all have varying dynamics, playing styles and loops. Hugh Tracey Kalimba Kalimba Kibirizi Tuning Plates The MONGOLIAN JEWS HARP and the Hungarian Jews Harp played by Sandro Friedrich, with unique loops. Jews Harp th e sa r o n The Saron is a Gamelan Glockenspiel from Lombok (1 octave). Gamelan Crash Bells & Saron & Gamelan Glockenspiel & Gamelan Wood Cowbell Ka l I m B a s The Kalimbas (African plucked instruments, here with 5 and 15 small metal rods) include programmes in the original tuning and in the European half tone tuning. Bass Kalimba & Gopichand & Tamborcito aB B re V I a t I o n s & Be l l & Me t a l ty P e In s t r u M e n t s 04
mo r e Be l l In s t r u m e n t s A selection of ethnic bell instruments is available as well as Tibetan singing bells, which are played with a rubber-coated stick. There are temple cymbals from China and Tibet and bells from Burma. You will fi nd European instruments, such as a Metallophone, a chromatic 2 octave Glockenspiel, and small tubular bells. These too have varying dynamics. A few more unusual instruments are the Shanghai baby piano (its little wooden clappers fall on to longer metal rods), a bamboo vibraphone with synthetically produced tremolo. Shanghai Baby Piano (China) Also included are a Gamelan crashbell, where four fi rmly fi xed cymbals are hit by two cymbals, and the Dreamcatchers, which are very much like windchimes. Gamelan Crash Bells (Lombok) Here are some very unusual instruments from around the world. They all have varying dynamics, playing styles, loops and pitch programmes. Tibetan Temple Cymbals Tibetan Singing Bells Metallophon (Germany) & Chromatic Glockenspiel (Germany) & Small Bamboo Vibraphon (Synth. Tremolo). 05 Be l l & Me t a l ty P e In I n s t r u M n e e n t s
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Page 10 and 11: Jo o c h I n (du l c I M e r) The J
Page 12 and 13: Ba l a l a I k a & do M r a The Bal
Page 14 and 15: co r a sa Z The Cora, a harp-like s
Page 16 and 17: oc a r I n a s Ocarinas are fi pple
Page 18 and 19: Ba W u The Bawu is a smooth and mel
Page 20 and 21: The Pan Flute - named after Pan, go
Page 22 and 23: aF r I c a n do n n do n n The Afri
Page 24 and 25: WORLD peRCUSSION Here are some very
Page 26 and 27: Po n c h I & Gr e G o r I a n ch a
Page 28 and 29: THe MUSICIANS FROM eTHNO WORLD Ma r
Page 30 and 31: Studio in Zurich, an insider-tip fo
Page 32 and 33: THe VOICeS FROM eTHNOWORLD Fo u x I
Page 34 and 35: Be n sc h Ä d l I c h Boy´s Voice
Page 36 and 37: el V a st a n d s In tI M B e r Gra
Page 38 and 39: QUICK START MANUAL: oP e r a t I o
Page 40 and 41: lo WPa s s / hIPa s s on/oFF sW I t
Page 42 and 43: LOW pASS / (HI pASS) By using the L
Page 44 and 45: In s t r u M e n t lIst BeLL Type I
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