03.03.2013 Views

view contents - Metro Magazine

view contents - Metro Magazine

view contents - Metro Magazine

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Australian and New Zealand Cinema<br />

6 Shortcuts Tina Kaufman<br />

8 Making it Real: The Home Song Stories<br />

Michael Kitson<br />

12 To Love More: Clubland Director Cherie Nowlan<br />

Rjurik Davidson<br />

18 Going Walkabout: Lucky Miles<br />

Dave Hoskin<br />

22 A Road Movie Without a Road: An<br />

Inter<strong>view</strong> with Michael James Rowland<br />

Brian McFarlane<br />

30 This Boy's Life: Romulus, My Father Rjurik Davidson<br />

34 Sex, Drugs and No Control: West Rani Kellock<br />

38 Silence, Please: Dr Plonk Brian McFarlane<br />

42 Some Takes on the Meaning of 'Noise': Noise<br />

D. Bruno Starrs<br />

48 Their Brothers' Keepers: Bra Boys Bruce Andrews<br />

54 It All Begins at Home: Accelerating Local Film<br />

Talent Lior Albeck-Ripka<br />

58 In Danger of Great Film: The Tenth Revelation<br />

Perth International Film Festival Darren Jorgensen<br />

62 Vibrant and Varied: The Melbourne International<br />

Animation Festival Elizabeth Markham<br />

Focus on Asia and the Middle East<br />

66 The Curse of the Golden Flower and the<br />

Two Trends in Chinese Cinema Mike Walsh<br />

72 Palestine Uncut: The Inaugural Melbourne–<br />

Palestine Film Festival Dmetri Kakmi<br />

The Atlab/Kodak Cinema Collection<br />

76 Introduction Brian McFarlane<br />

78 Newsfront Rose Lucas<br />

Special Feature:<br />

Awakening the Past<br />

86 Taking the 'Nation' Out of Gallipoli: Tolga<br />

Örnek's Gallipoli: The Frontline Catherine Simpson<br />

92 Bonds of War: Tolga Örnek on Gallipoli: The<br />

Frontline and Australian–Turkish Relations<br />

Catherine Simpson<br />

96 The Shape of Light – Australian<br />

Cinematographers: Part One: Setting the<br />

Scene; Russell Boyd Dave Hare<br />

102 The Picture That Might Have Been:<br />

The Story of the Kelly Gang Mike Walsh<br />

Industry Perspectives<br />

106 Filmonomics: An Introduction to the<br />

Economics of the Box Office Jordi McKenzie<br />

112 The Big Picture: Australian Box Office Wrap<br />

Matthew Hancock<br />

118 From the Big Screen to the Computer<br />

Screen: australianscreen Goes Online<br />

Tina Kaufman<br />

126 Get Your Shorts Out Angela Zivkovic<br />

129 Vale Richard Franklin Kevin Adams<br />

130 A Pathway for Low Budget Filmmakers:<br />

IndiVision Monique Hohnberg


Contributors for this issue (L-r): 1. bruCe andrews. 2. Lior aLbeCk-ripka. 3. Monique hohnberg. 4. rjurik davidson. 5. jordi MCkenzie 6. Mike waLsh.<br />

eDITOR<br />

Peter Tapp<br />

ASSISTANT eDITORS<br />

Natalie Book and Rjurik Davidson<br />

SUB-eDITORS<br />

Dmetri Kakmi and Aiden O’Hehir<br />

COMMISSIONING eDITORS<br />

Tina Kaufman and Geoff Lealand<br />

ART DIReCTOR<br />

PROOFReADeRS<br />

Zak Hamer, Dmetri Kakmi<br />

and Aiden O’Hehir<br />

SUBSCRIPTIONS MANAGeR<br />

Zak Hamer<br />

PRINTING<br />

Adams Printers<br />

ADVeRTISING<br />

ph 61 3 9525 3907<br />

MeMBeRSHIP/DISTRIBUTION<br />

ATOM, PO Box 2040<br />

St Kilda West Post Office,<br />

St Kilda, VIC, 3182, Australia<br />

eMAIL<br />

editor@atom.org.au<br />

AssociAte editors FOR REFEREED ARTICLES<br />

CHRIS BeRRY Associate Professor, Film Studies<br />

Programme, University of California, Berkeley • Ina<br />

BeRTRAND Principal Fellow, School of Fine Arts,<br />

Classical Studies and Archaeology, University of<br />

Melbourne • Kate Bowles Lecturer, Department<br />

of Communication and Cultural Studies, University<br />

of Wollongong • FelIcIty collIns Lecturer,<br />

Department of Cinema Studies, La Trobe University<br />

• JacKIe cooK Senior Lecturer, School of<br />

Communication and Information Studies, University<br />

of South Australia • Jeanette DelaMoIR Senior<br />

Lecturer, School of Contemporary Communication,<br />

Central Queensland University • anna DzenIs<br />

Lecturer, Department of Cinema Studies, La Trobe<br />

University • FReDa FReIBeRg Independent Film<br />

Scholar • ROGeR HORROCKS Professor Emeritus,<br />

University of Auckland • John langeR Associate<br />

Professor, Department of Communication, Language<br />

ISSN 0312 2654 Published June 2007<br />

<strong>Metro</strong> is produced by the Australian Teachers<br />

of Media Inc. (ATOM) with assistance from the<br />

Australian Film Commission, ACMI and the NSW<br />

Film and Television Office. <strong>Metro</strong> is a partlyrefereed<br />

journal, for those authors who request<br />

that their pieces be refereed. Manuscripts, of a<br />

maximum of 3,000 words, should be submitted<br />

for blind re<strong>view</strong> with identification of author(s) on a<br />

separate page, including author details. Manuscripts<br />

should be typed, double-spaced, on A4 paper<br />

(one side only), and three copies supplied. If the<br />

manuscript is accepted for publication you will be<br />

asked to email the article as an attachment in Word.<br />

ACCOMPANyINg PHOTOgRAPHS or graphics are<br />

prefered. ELECTRONIC IMAgES: preferably 300dpi<br />

EPS, TIFF, JPEg or Photoshop (for Macintosh),<br />

not too small, and please do not embed in Word<br />

document. A <strong>Metro</strong> style sheet is available from our<br />

web site (below).<br />

www.metromagazine.com.au<br />

and Cultural Studies, Victoria University of Technology<br />

• BRIan McFaRlane Honorary Associate<br />

Professor, English Department, Monash University<br />

• DR geoFF MayeR Reader and Associate<br />

Professor, Head, School of Communication, Arts &<br />

Critical Enquiry, La Trobe University • Jane MIlls<br />

Associate Senior Research Fellow, Australian Film,<br />

Television & Radio School • Meaghan MoRRIs<br />

Professor, Department of Cultural Studies, Lingnan<br />

University, Hong Kong • loRRaIne MoRtIMeR<br />

Senior Lecturer, Department of Sociology and<br />

Anthropology, La Trobe University • GABRIeLLe<br />

MURRAY Lecturer in Cinema Studies, La Trobe<br />

University • LeONIe NAUGHTON Cinema<br />

Studies Fellow, University of Melbourne • haRRy<br />

OLDMeADOW Senior Lecturer, Department of<br />

Arts, La Trobe University (Bendigo) • lelanD<br />

POAGUe Professor, Department of English, Iowa<br />

COVER IMAGE: Joan Chen in Tony Ayres' feature<br />

film The Home Song Stories. (See full article in<br />

the Australian and New Zealand Cinema section.)<br />

State University • Dana Polan Professor, Critical<br />

Studies, School of Cinema-TV, University of Southern<br />

California • DavID Rowe Director, Centre for<br />

Cultural Research, University of Western Sydney •<br />

RICK THOMPSON Senior Lecturer, Department<br />

of Cinema Studies, La Trobe University • sue<br />

TURNBULL Senior Lecturer, Department of Media<br />

Studies, La Trobe University • con veRevIs<br />

Lecturer, Department of Visual Culture, Monash<br />

University • MIchael walsh Lecturer, Department<br />

of Screen Studies, Flinders University • Deane<br />

WILLIAMS Lecturer, Department of Visual Culture,<br />

Monash University • BRIan yecIes Lecturer in<br />

Communication and Cultural Studies, Faculty of Arts,<br />

University of Wollongong • auDRey yue Lecturer,<br />

Department of English and Cultural Studies, University<br />

of Melbourne.<br />

The <strong>view</strong>s expressed in signed articles and re<strong>view</strong>s do not necessarily represent the <strong>view</strong>s of the editors or ATOM. © Copyright 2007 Australian Teachers of Media<br />

(ATOM). <strong>Metro</strong> <strong>Magazine</strong> is indexed by the following organizations: FIAF in the International Index to Film/TV Periodicals • BFI in their CD-ROM Film Index International<br />

• International Education (ERIC) • Film & TV Documentation Centre's Film Literature Index • Australian Council of Educational Research (ACER) in Australian<br />

Education Index available on the 'Austrom CD-ROM' • Informit online • APAIS fully indexes <strong>Metro</strong> • Bibliographic Services in Guidelines


AustralianTV<br />

136 Your Typical Mini-Series: Bastard Boys<br />

Rjurik Davidson<br />

142 Our Digital Aunty – The ABC's New<br />

Media Future: Part One: Now We Are Two:<br />

ABC2 Marissa Cooke<br />

Media<br />

148 Performing History: The Circa Theatre at the<br />

National Museum of Australia Kylie Message<br />

152 Invasion of the iPod People: Music and<br />

Radio Kate Matthews<br />

158 Done by Law: Australia's New Media<br />

Ownership Laws Cynthia Karena<br />

162 Reading the Signs: An Inter<strong>view</strong> with Andy<br />

Carmichael Nicholas Searle<br />

Critical Views<br />

166 Two Westerns That Weren't?: The Tracker<br />

and The Proposition D. Bruno Starrs<br />

173 Translating Identities: The Italian as<br />

'Other' in Two early American Films<br />

Dennis Barone<br />

178 Showing Some Fight: Kemira's Challenge to<br />

Industrial Relations Rebecca Coyle and Lisa Milner<br />

Regular Features<br />

184 tv eye<br />

190 idiot's box<br />

198 wires up<br />

202 book re<strong>view</strong>s<br />

our business is<br />

helping you achieve<br />

your vision<br />

Film Victoria has a range of programs to<br />

support emerging and professional writers:<br />

New Feature Writers<br />

Television Drama Script Development<br />

Feature Film Script Development<br />

Documentary Development<br />

Find out more about these programs:<br />

Visit www.film.vic.gov.au<br />

Email contact@film.vic.gov.au<br />

Call 03 96603200

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!