view contents - Metro Magazine
view contents - Metro Magazine
view contents - Metro Magazine
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Australian and New Zealand Cinema<br />
6 Shortcuts Tina Kaufman<br />
8 Making it Real: The Home Song Stories<br />
Michael Kitson<br />
12 To Love More: Clubland Director Cherie Nowlan<br />
Rjurik Davidson<br />
18 Going Walkabout: Lucky Miles<br />
Dave Hoskin<br />
22 A Road Movie Without a Road: An<br />
Inter<strong>view</strong> with Michael James Rowland<br />
Brian McFarlane<br />
30 This Boy's Life: Romulus, My Father Rjurik Davidson<br />
34 Sex, Drugs and No Control: West Rani Kellock<br />
38 Silence, Please: Dr Plonk Brian McFarlane<br />
42 Some Takes on the Meaning of 'Noise': Noise<br />
D. Bruno Starrs<br />
48 Their Brothers' Keepers: Bra Boys Bruce Andrews<br />
54 It All Begins at Home: Accelerating Local Film<br />
Talent Lior Albeck-Ripka<br />
58 In Danger of Great Film: The Tenth Revelation<br />
Perth International Film Festival Darren Jorgensen<br />
62 Vibrant and Varied: The Melbourne International<br />
Animation Festival Elizabeth Markham<br />
Focus on Asia and the Middle East<br />
66 The Curse of the Golden Flower and the<br />
Two Trends in Chinese Cinema Mike Walsh<br />
72 Palestine Uncut: The Inaugural Melbourne–<br />
Palestine Film Festival Dmetri Kakmi<br />
The Atlab/Kodak Cinema Collection<br />
76 Introduction Brian McFarlane<br />
78 Newsfront Rose Lucas<br />
Special Feature:<br />
Awakening the Past<br />
86 Taking the 'Nation' Out of Gallipoli: Tolga<br />
Örnek's Gallipoli: The Frontline Catherine Simpson<br />
92 Bonds of War: Tolga Örnek on Gallipoli: The<br />
Frontline and Australian–Turkish Relations<br />
Catherine Simpson<br />
96 The Shape of Light – Australian<br />
Cinematographers: Part One: Setting the<br />
Scene; Russell Boyd Dave Hare<br />
102 The Picture That Might Have Been:<br />
The Story of the Kelly Gang Mike Walsh<br />
Industry Perspectives<br />
106 Filmonomics: An Introduction to the<br />
Economics of the Box Office Jordi McKenzie<br />
112 The Big Picture: Australian Box Office Wrap<br />
Matthew Hancock<br />
118 From the Big Screen to the Computer<br />
Screen: australianscreen Goes Online<br />
Tina Kaufman<br />
126 Get Your Shorts Out Angela Zivkovic<br />
129 Vale Richard Franklin Kevin Adams<br />
130 A Pathway for Low Budget Filmmakers:<br />
IndiVision Monique Hohnberg
Contributors for this issue (L-r): 1. bruCe andrews. 2. Lior aLbeCk-ripka. 3. Monique hohnberg. 4. rjurik davidson. 5. jordi MCkenzie 6. Mike waLsh.<br />
eDITOR<br />
Peter Tapp<br />
ASSISTANT eDITORS<br />
Natalie Book and Rjurik Davidson<br />
SUB-eDITORS<br />
Dmetri Kakmi and Aiden O’Hehir<br />
COMMISSIONING eDITORS<br />
Tina Kaufman and Geoff Lealand<br />
ART DIReCTOR<br />
PROOFReADeRS<br />
Zak Hamer, Dmetri Kakmi<br />
and Aiden O’Hehir<br />
SUBSCRIPTIONS MANAGeR<br />
Zak Hamer<br />
PRINTING<br />
Adams Printers<br />
ADVeRTISING<br />
ph 61 3 9525 3907<br />
MeMBeRSHIP/DISTRIBUTION<br />
ATOM, PO Box 2040<br />
St Kilda West Post Office,<br />
St Kilda, VIC, 3182, Australia<br />
eMAIL<br />
editor@atom.org.au<br />
AssociAte editors FOR REFEREED ARTICLES<br />
CHRIS BeRRY Associate Professor, Film Studies<br />
Programme, University of California, Berkeley • Ina<br />
BeRTRAND Principal Fellow, School of Fine Arts,<br />
Classical Studies and Archaeology, University of<br />
Melbourne • Kate Bowles Lecturer, Department<br />
of Communication and Cultural Studies, University<br />
of Wollongong • FelIcIty collIns Lecturer,<br />
Department of Cinema Studies, La Trobe University<br />
• JacKIe cooK Senior Lecturer, School of<br />
Communication and Information Studies, University<br />
of South Australia • Jeanette DelaMoIR Senior<br />
Lecturer, School of Contemporary Communication,<br />
Central Queensland University • anna DzenIs<br />
Lecturer, Department of Cinema Studies, La Trobe<br />
University • FReDa FReIBeRg Independent Film<br />
Scholar • ROGeR HORROCKS Professor Emeritus,<br />
University of Auckland • John langeR Associate<br />
Professor, Department of Communication, Language<br />
ISSN 0312 2654 Published June 2007<br />
<strong>Metro</strong> is produced by the Australian Teachers<br />
of Media Inc. (ATOM) with assistance from the<br />
Australian Film Commission, ACMI and the NSW<br />
Film and Television Office. <strong>Metro</strong> is a partlyrefereed<br />
journal, for those authors who request<br />
that their pieces be refereed. Manuscripts, of a<br />
maximum of 3,000 words, should be submitted<br />
for blind re<strong>view</strong> with identification of author(s) on a<br />
separate page, including author details. Manuscripts<br />
should be typed, double-spaced, on A4 paper<br />
(one side only), and three copies supplied. If the<br />
manuscript is accepted for publication you will be<br />
asked to email the article as an attachment in Word.<br />
ACCOMPANyINg PHOTOgRAPHS or graphics are<br />
prefered. ELECTRONIC IMAgES: preferably 300dpi<br />
EPS, TIFF, JPEg or Photoshop (for Macintosh),<br />
not too small, and please do not embed in Word<br />
document. A <strong>Metro</strong> style sheet is available from our<br />
web site (below).<br />
www.metromagazine.com.au<br />
and Cultural Studies, Victoria University of Technology<br />
• BRIan McFaRlane Honorary Associate<br />
Professor, English Department, Monash University<br />
• DR geoFF MayeR Reader and Associate<br />
Professor, Head, School of Communication, Arts &<br />
Critical Enquiry, La Trobe University • Jane MIlls<br />
Associate Senior Research Fellow, Australian Film,<br />
Television & Radio School • Meaghan MoRRIs<br />
Professor, Department of Cultural Studies, Lingnan<br />
University, Hong Kong • loRRaIne MoRtIMeR<br />
Senior Lecturer, Department of Sociology and<br />
Anthropology, La Trobe University • GABRIeLLe<br />
MURRAY Lecturer in Cinema Studies, La Trobe<br />
University • LeONIe NAUGHTON Cinema<br />
Studies Fellow, University of Melbourne • haRRy<br />
OLDMeADOW Senior Lecturer, Department of<br />
Arts, La Trobe University (Bendigo) • lelanD<br />
POAGUe Professor, Department of English, Iowa<br />
COVER IMAGE: Joan Chen in Tony Ayres' feature<br />
film The Home Song Stories. (See full article in<br />
the Australian and New Zealand Cinema section.)<br />
State University • Dana Polan Professor, Critical<br />
Studies, School of Cinema-TV, University of Southern<br />
California • DavID Rowe Director, Centre for<br />
Cultural Research, University of Western Sydney •<br />
RICK THOMPSON Senior Lecturer, Department<br />
of Cinema Studies, La Trobe University • sue<br />
TURNBULL Senior Lecturer, Department of Media<br />
Studies, La Trobe University • con veRevIs<br />
Lecturer, Department of Visual Culture, Monash<br />
University • MIchael walsh Lecturer, Department<br />
of Screen Studies, Flinders University • Deane<br />
WILLIAMS Lecturer, Department of Visual Culture,<br />
Monash University • BRIan yecIes Lecturer in<br />
Communication and Cultural Studies, Faculty of Arts,<br />
University of Wollongong • auDRey yue Lecturer,<br />
Department of English and Cultural Studies, University<br />
of Melbourne.<br />
The <strong>view</strong>s expressed in signed articles and re<strong>view</strong>s do not necessarily represent the <strong>view</strong>s of the editors or ATOM. © Copyright 2007 Australian Teachers of Media<br />
(ATOM). <strong>Metro</strong> <strong>Magazine</strong> is indexed by the following organizations: FIAF in the International Index to Film/TV Periodicals • BFI in their CD-ROM Film Index International<br />
• International Education (ERIC) • Film & TV Documentation Centre's Film Literature Index • Australian Council of Educational Research (ACER) in Australian<br />
Education Index available on the 'Austrom CD-ROM' • Informit online • APAIS fully indexes <strong>Metro</strong> • Bibliographic Services in Guidelines
AustralianTV<br />
136 Your Typical Mini-Series: Bastard Boys<br />
Rjurik Davidson<br />
142 Our Digital Aunty – The ABC's New<br />
Media Future: Part One: Now We Are Two:<br />
ABC2 Marissa Cooke<br />
Media<br />
148 Performing History: The Circa Theatre at the<br />
National Museum of Australia Kylie Message<br />
152 Invasion of the iPod People: Music and<br />
Radio Kate Matthews<br />
158 Done by Law: Australia's New Media<br />
Ownership Laws Cynthia Karena<br />
162 Reading the Signs: An Inter<strong>view</strong> with Andy<br />
Carmichael Nicholas Searle<br />
Critical Views<br />
166 Two Westerns That Weren't?: The Tracker<br />
and The Proposition D. Bruno Starrs<br />
173 Translating Identities: The Italian as<br />
'Other' in Two early American Films<br />
Dennis Barone<br />
178 Showing Some Fight: Kemira's Challenge to<br />
Industrial Relations Rebecca Coyle and Lisa Milner<br />
Regular Features<br />
184 tv eye<br />
190 idiot's box<br />
198 wires up<br />
202 book re<strong>view</strong>s<br />
our business is<br />
helping you achieve<br />
your vision<br />
Film Victoria has a range of programs to<br />
support emerging and professional writers:<br />
New Feature Writers<br />
Television Drama Script Development<br />
Feature Film Script Development<br />
Documentary Development<br />
Find out more about these programs:<br />
Visit www.film.vic.gov.au<br />
Email contact@film.vic.gov.au<br />
Call 03 96603200