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V 40 SE integrated amplifier<br />

with optional KT 88 tubes<br />

Modern Classic: V40 SE<br />

For the discerning music aficionado.<br />

The V40 SE is a push-pull pentode integrated amplifier delivering 2 x 40W output<br />

power. OCTAVE has combined the sonic purity of the classic tube design for all soundrelevant<br />

circuit parts with modern semiconductors for tube circuit periphery, including<br />

innovative power management and electronic monitoring protection systems such as<br />

the energy-saving Ecomode.<br />

The ease of operation via its exacting yet simple fixed bias control and comprehensive<br />

electronic safeguards, along with its state-of-the-art performance affords absolute<br />

refinement, enduring value and unmatched reliability. Further audible improvement and<br />

an upgrade path are offered via the optional OCTAVE Black Box power supply<br />

capacitance module.<br />

Exhibited in a range of models that redefine the expectations of tube amplifier performance,<br />

OCTAVE’s timeless contemporary design and harmonious sound quality<br />

epitomizes the understated elegance of a true modern classic.<br />

Octave Audio, Industriestrasse 13, 76307 Karlsbad, Germany, Phone: +49 72 48 32 78<br />

hofmann@octave.de, www.octave.de<br />

2 x 40W RMS Output <strong>Power</strong><br />

Ecomode<br />

Regulated Preamp-Out<br />

Home Theater Bypass<br />

Precision BIAS Control<br />

Display<br />

<strong>Power</strong> Management<br />

Protection<br />

Soft-Start System<br />

Black Box Connector<br />

Multiple Tube Compatibility<br />

Stable to 2 ohms<br />

Loudspeaker Load<br />

Developed & Manufactured<br />

in Germany<br />

OCTAVE is distributed in the<br />

United States & Canada by<br />

Dynaudio North America.<br />

Phone: 630.238.4200<br />

E-mail: info@dynaudiousa.com<br />

©Photo by Sandy Carson<br />

MUSIC<br />

He sounds refreshed and<br />

ready to rock, charging out of<br />

the gate on the title track, a raw<br />

and primitive piece of rock n’ roll.<br />

Hancock, a singer and rhythm<br />

guitarist, wrote all the tunes here<br />

but one. His crew is considerable,<br />

with long-time co-producer and<br />

Texas legend Lloyd Maines (also<br />

the father of Dixie Chick Natalie<br />

Maines) joining ace backing players<br />

Bob Stafford on electric guitar<br />

and trombone, Zack Sapunor<br />

on upright bass, Eddie Rivers on<br />

steel guitar, and Eddie Biebel and<br />

Tjarko Jeen on electric guitars. He<br />

is generous with his shout-outs on<br />

record, name-checking his players<br />

ala Bob Wills.<br />

Over the years, he’s learned a<br />

lot in the club scene about what<br />

makes an audience dance. From<br />

the walking bass line on “Low<br />

Down Blues” to the chugging beat<br />

of the cheating epic “Deal Gone<br />

Down,” his songs are built to get<br />

everybody in the joint up on their<br />

feet. Even when the sentiments<br />

are sorrowful (“Tear Drops On the<br />

Table”) and his voice is drenched<br />

in the blue tones of a crying steel<br />

guitar (“Best To Be Alone”), toetapping<br />

beats remain a constant.<br />

Hancock also demonstrates a<br />

keen touch for country-jazz on<br />

“Gal From Kitchen’s Field,” his<br />

weather-beaten voice tucked inside<br />

the warm interplay of guitar<br />

and trombone.<br />

Hancock’s music has always<br />

been a love letter to the past. In<br />

his world, there’s a honky-tonk on<br />

the edge of town where Hank Sr.<br />

is forever the headliner.<br />

—Chrissie Dickinson<br />

March 2013 39

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