Power!Power!Power!
Power!Power!Power!
Power!Power!Power!
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Distributed in North America by Bluebird Music – www.bluebirdmusic.com – Tel: 416-638-8207<br />
TONE AUDIO NO.53<br />
134<br />
Because you…<br />
The new Spendor S3/5R2 – $1,595<br />
For more than 40 years<br />
the world’s finest loudspeakers.<br />
Hear Them at:<br />
Affordable Audio<br />
Los Angeles, CA<br />
310-827-0359<br />
affordableaudio.net<br />
Stereotypes Audio<br />
Portland, OR<br />
503-280-0910<br />
stereotypesaudio.com<br />
give a damn.<br />
You don’t buy them to please your wife and you don’t<br />
buy them because they’re a great “deal”. You buy<br />
them because they’re the best, because you’ve<br />
earned them and because you give a damn.<br />
“The new S3/5R2 was a revelation. The improvements were many and<br />
obvious. More balanced presentation. improved clarity. compact but packing<br />
a bass punch.” – HiFi World, June 2012, Five Globe Award<br />
“The S3/5R2 is still an astonishingly communicative speaker that has very<br />
few equals. The S3/5R2 accompanies that addictive midrange with a tight,<br />
fast and tuneful bass.” – Hi-Fi Choice, January 2012, Recommended Award<br />
Audio Perfection<br />
Minneapolis, MN<br />
612-866-0083<br />
audioperfection.com<br />
Pat’s Audio Art<br />
Vancouver, BC<br />
604-569-2883<br />
patsaudioart.com<br />
EARSNOVA<br />
New York, NY<br />
212-288-2855<br />
earsnova.com<br />
As such, neither the Bomber,<br />
Iron Fist, nor Motorizer (named after<br />
Motorhead albums) over-ear model<br />
seeks to appeal to hip-hop or classical<br />
tastes; the black, heavy-duty<br />
construction and silver-embossed<br />
logos scream leather-and-studs<br />
cool and whiskey-drinking raucousness.<br />
Amazingly, audiophile<br />
manufacturers still haven’t caught<br />
up to the fact that most listeners<br />
don’t simply want good sound and<br />
portability. They demand fashionable<br />
looks that reflect and project<br />
their interests; ‘phones are all about<br />
making a statement. From this<br />
angle, Motorheadphones already<br />
have a leg up on the competition.<br />
And they’re tied to a band unafraid<br />
to literally piss on anybody that gets<br />
in its way. Look out below.<br />
Motorheadphones’ lifestyle<br />
imaging is reinforced in the clever<br />
packaging, intended to mimic a<br />
road case. With Motorheadphones,<br />
you’re not only buying a product—<br />
you’re buying into a free-spirited<br />
belief system, aggressive symbolism,<br />
and the group’s hallmark “Everything<br />
Louder Than Everything<br />
Else” motto. For the privilege, prepare<br />
to spend $120-$130, which, in<br />
the case of the top-of-the-line Motorizer,<br />
gets you a pair of ‘phones,<br />
two cables (a 2.5m version for<br />
home listening, and a 1m edition<br />
complete with a microphone/<br />
controller dubbed “Controlizer” for<br />
smartphones), a gold-plated stereo<br />
mini-jack adapter, and carrying bag.<br />
Cigarettes and Jack Daniels aren’t<br />
included.<br />
FEATURE<br />
To their credit, Motorizers<br />
tolerate high-decibel volumes<br />
without caving into distortion or<br />
smearing. If, like Lemmy and his<br />
crew, loudness is your primary<br />
criteria, they won’t likely disappoint.<br />
As promised, bass is full<br />
and smooth, and the percussion<br />
healthy and upfront. Midrange<br />
suffers not an iota. However,<br />
Motorizers sound rather trebly,<br />
with vocals and guitars receiving<br />
more attention than they should.<br />
It’s an intentional bias, but<br />
one that on discs such as Iron<br />
Maiden’s metal-breathing Live<br />
Over Hammersmith and Jamey<br />
Johnson’s country-appointed<br />
The Lonesome Song results in<br />
annoying brightness and occasional<br />
tizziness. The imbalance<br />
is to be expected: Beats ‘phones<br />
amplify the low end; Motorheadphones<br />
aim for the opposite by<br />
way of restoring the midrange<br />
and highs.<br />
Motorizers, which utilize<br />
40mm neodymium speakers,<br />
perform fairly well in the areas<br />
of instrumental separation and<br />
noise-canceling immersion—particularly<br />
given the price. However,<br />
critical listeners and music<br />
lovers preferring a more detailed,<br />
warm presentation—as well as a<br />
wider, deeper soundstage and<br />
realistic acoustic equilibrium—<br />
will be better served by other<br />
models. Then again, they won’t<br />
know the fist-in-the-air pleasures<br />
of pumping Motorhead tunes<br />
like “Killed By Death” through<br />
‘phones tailored for such tension-releasing<br />
escapes.<br />
$129 www.amazon.com<br />
March 2013 135