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3 June - the Auckland Philharmonia

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2013 Season<br />

<strong>Auckland</strong><br />

<strong>Philharmonia</strong><br />

Orchestra<br />

apo.co.nz


Eckehard Stier<br />

Music Director<br />

Dame Rosanne Meo, DNZM, OBE<br />

Chairman<br />

Barbara Glaser<br />

Chief Executive<br />

Welcome<br />

to <strong>the</strong> <strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra’s<br />

2013 Season<br />

I am delighted to welcome you to our<br />

2013 season. Returning to <strong>Auckland</strong> is<br />

always exciting, and I am looking forward<br />

immensely to 2013. The orchestra is playing<br />

better than ever, and <strong>the</strong>re is a real energy<br />

and excitement ahead of each performance.<br />

I am sure we have selected programmes<br />

and artists that you will find exciting this<br />

year, too. As always <strong>the</strong>re are familiar works<br />

– <strong>the</strong> great pieces and orchestral favourites<br />

we all know and love. There are surprises<br />

as well, and works you may not know but<br />

I am sure you will enjoy. I continue to be<br />

proud that your trust in our programme<br />

selection allows <strong>the</strong> APO to perform works<br />

that have rarely or never been played in<br />

New Zealand before.<br />

Again, many international stars will perform<br />

with us, including returning friends like<br />

James Ehnes, Nikolai Demidenko and<br />

Michal Dworzynski. They are complemented<br />

by musicians performing with us for <strong>the</strong><br />

first time: Linus Roth, Nicola Jürgensen and<br />

Cameron Carpenter, for example. It is a<br />

testimony to <strong>the</strong> calibre of <strong>the</strong> orchestra that<br />

we have so many wonderful international<br />

artists eager to perform with us.<br />

And of course we have New Zealand<br />

artists and composers featured in <strong>the</strong><br />

programme as well. I am delighted that<br />

our Principal Trumpet, Brent Grapes, will<br />

perform a concerto in The New Zealand<br />

Herald Premier Series, and I look forward<br />

to conducting <strong>the</strong> world premiere of Ross<br />

Harris’s Fifth Symphony.<br />

I invite you to read our season brochure and<br />

to select as many of our concerts for 2013<br />

as you are able. I look forward to enjoying<br />

<strong>the</strong>m with you.<br />

It’s an exciting time for <strong>the</strong> APO. Audience<br />

numbers are on <strong>the</strong> rise and, with Eckehard<br />

Stier providing a clear artistic vision, we<br />

have much to look forward to.<br />

So it is with a great sense of optimism that<br />

we present our 2013 season.<br />

As ever, <strong>the</strong> repertoire is selected to provide<br />

<strong>the</strong> very best in music and artists – <strong>the</strong>re’s<br />

someone and something for everyone.<br />

Extending our tradition of innovation we<br />

have world, New Zealand and <strong>Auckland</strong><br />

premieres, and our commitment to<br />

<strong>the</strong> musicians of <strong>the</strong> future continues<br />

through our support of <strong>the</strong> Michael Hill<br />

International Violin Competition, among<br />

numerous o<strong>the</strong>r initiatives.<br />

All this and more is made possible by our<br />

funders and sponsors, and this year, two<br />

of our major series have name changes.<br />

Our flagship concert series is renamed The<br />

New Zealand Herald Premier Series, and<br />

we are excited to announce a new sponsor<br />

for what will now be known as <strong>the</strong> Bayleys<br />

Great Classics Series.<br />

We thank <strong>the</strong>m, and we thank you, our<br />

audience members who pour through<br />

<strong>the</strong> doors week after week to hear your<br />

orchestra. It is to you that we dedicate <strong>the</strong><br />

2013 season.<br />

1


Len Brown<br />

Mayor of <strong>Auckland</strong><br />

It’s no secret that <strong>Auckland</strong> Council’s vision<br />

is for this to be <strong>the</strong> world’s most liveable city.<br />

For that to happen we must ensure <strong>the</strong> future<br />

prospects of our young people, build an<br />

innovative, high-value economy, and create<br />

attractive, sustainable living environments<br />

linked by effective transport options.<br />

We also need dynamic, vibrant arts<br />

organisations such as <strong>the</strong> APO.<br />

<strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra helps to<br />

form <strong>the</strong> cultural heart of <strong>the</strong> city, performing<br />

in our town hall and offering internationalclass<br />

concerts featuring some of <strong>the</strong> world’s<br />

leading artists.<br />

And while <strong>the</strong> APO is at <strong>the</strong> heart of <strong>the</strong><br />

arts scene in <strong>Auckland</strong>, its tendrils are felt<br />

far and wide, thanks to <strong>the</strong> orchestra’s<br />

broad and deep involvement with <strong>the</strong> many<br />

communities that make up our city. From<br />

nurturing hip-hop artists in South <strong>Auckland</strong><br />

to visiting schools in <strong>the</strong> west, holding free<br />

concerts on <strong>the</strong> North Shore and dance<br />

classes for intermediate school children in<br />

<strong>the</strong> east of <strong>the</strong> city, <strong>the</strong> APO engages with<br />

all <strong>Auckland</strong>ers, wherever <strong>the</strong>y may be.<br />

The APO and organisations like it are<br />

essential to <strong>the</strong> fabric of <strong>the</strong> new <strong>Auckland</strong>,<br />

and I applaud <strong>the</strong> orchestra for its ongoing<br />

commitment to enriching <strong>the</strong> lives of all<br />

those who live here.<br />

2 apo.co.nz<br />

Hon Chris Finlayson<br />

Minister for Arts, Culture<br />

and Heritage<br />

The <strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra can<br />

look forward to an exciting season in 2013.<br />

Under <strong>the</strong> musical leadership of Eckehard<br />

Stier it will present some of <strong>the</strong> greatest<br />

symphonic repertoire, with prominent<br />

international artists as well as a strong lineup<br />

of Kiwi musicians.<br />

Alongside its concert series <strong>the</strong> APO will<br />

continue to deliver its programme of broad<br />

community engagement. At <strong>the</strong> forefront of<br />

this is Sistema Aotearoa, a programme of<br />

social transformation through music which<br />

<strong>the</strong> APO is delivering in partnership with<br />

<strong>the</strong> Ministry for Culture and Heritage. I am<br />

excited to see Sistema Aotearoa going from<br />

strength to strength, with more than 450<br />

children in Otara already having experienced<br />

<strong>the</strong> thrill and discipline of learning music.<br />

I congratulate <strong>the</strong> Orchestra on its many<br />

achievements and <strong>the</strong> contribution it makes<br />

to <strong>the</strong> cultural life of <strong>the</strong> <strong>Auckland</strong> region. I<br />

look forward to watching it continue to grow<br />

and develop through 2013.


Contents<br />

New & Exciting 2013 4<br />

2013 Artists 6<br />

The New Zealand Herald Premier Series 8<br />

Premier concerts, with some of <strong>the</strong> world’s finest conductors and soloists, that present<br />

<strong>the</strong> power, depth and passion of classical and contemporary orchestral music.<br />

Bayleys Great Classics Series 14<br />

Orchestral masterworks – three <strong>the</strong>med concerts of favourite classics.<br />

Splendour Series 16<br />

Three <strong>the</strong>med concerts, each focusing on <strong>the</strong> music of a single decade and how it<br />

reflects <strong>the</strong> world at that time: 1940s, 1900s, 1920s.<br />

Unwrap <strong>the</strong> Music 18<br />

Concerts for <strong>the</strong> classically curious – entertaining introductions to orchestral music.<br />

Sanctuary Series 19<br />

Ensemble concerts with APO principal players. A haven from <strong>the</strong> busy world in venues<br />

close to home.<br />

Chapman Tripp Summer Matinee: A Summer Romance 20<br />

<strong>Auckland</strong>’s most elegant outdoor concert.<br />

Songs and Dances of Desire – In Memoriam Carmen Rupe 21<br />

Britten War Requiem 22<br />

Michael Hill International Violin Competition 23<br />

Qantas Presents: The Last Night of <strong>the</strong> Proms<br />

The Trusts Charitable Foundation Opera in Concert:<br />

25<br />

Stravinsky’s The Rake’s Progress 26<br />

Choral Masterpieces: Mozart Requiem 28<br />

Qantas Presents: Music of <strong>the</strong> Night 30<br />

Celebrate Christmas 31<br />

Meet <strong>the</strong> Orchestra 32<br />

APO Connecting 38<br />

APO 4 Kids/Open Days 39<br />

You can help your orchestra 40<br />

Subscriptions and booking 43<br />

Acknowledgements 52<br />

2013 concert calendar 53<br />

Design & branD<br />

PhotograPhy<br />

Adrian Malloch<br />

Layout & Print<br />

management<br />

We’d like to thank <strong>the</strong> APO<br />

musicians who took part in <strong>the</strong><br />

photo shoots for this brochure:<br />

Miranda Adams<br />

Assistant Concertmaster<br />

Robert Ashworth<br />

Section Principal Viola<br />

Jonathan Baker<br />

Principal Tuba<br />

Nicola Baker<br />

Section Principal Horn<br />

Ca<strong>the</strong>rine Bowie<br />

Section Principal Flute<br />

Dianna Cochrane<br />

Section Principal Second Violins<br />

Doug Cross<br />

Section Principal Trombone<br />

David Garner<br />

Associate Principal Cello<br />

Brent Grapes<br />

Section Principal Trumpet<br />

James Fry<br />

Sub-Principal Clarinet<br />

Ingrid Hagan<br />

Section Principal Bassoon<br />

Gordon Hill<br />

Section Principal Double Bass<br />

You Lee<br />

Cello<br />

Annabella Leslie<br />

Associate Principal Double Bass<br />

Jennifer Raven<br />

Sub-principal Percussion<br />

Eric Renick<br />

Section Principal Percussion<br />

Eliah Sakakushev-von Bismarck<br />

Section Principal Cello<br />

3


New & Exciting 2013<br />

Connecting in Action<br />

From 20–26 May, <strong>the</strong> APO is proud to join<br />

UNESCO’s International Arts Education<br />

Week with a concentrated week of<br />

events showcasing <strong>the</strong> APO’s extensive<br />

education and outreach programme.<br />

From new works for <strong>the</strong> organ at <strong>the</strong> Town<br />

Hall, to our schools Discovery concert,<br />

APOPS schools partnership programme<br />

activities, and APO Young Achievers and<br />

Sistema Aotearoa performances, <strong>the</strong><br />

week celebrates <strong>the</strong> reach and influence<br />

4 apo.co.nz<br />

of music education and <strong>the</strong> potential it has<br />

for life-long impact.<br />

A detailed programme of events for <strong>the</strong><br />

APO’s Connecting in Action Week is on<br />

our website and in our APO Connecting<br />

brochure, available from our education<br />

office from mid-November.<br />

The Deloitte Summer<br />

Concert – Annual<br />

Fundraising Gala for <strong>the</strong> APO<br />

The Deloitte Summer Concert is held in a<br />

grand silk-lined marquee in <strong>the</strong> grounds of<br />

Old Government House at The University<br />

of <strong>Auckland</strong>. This is an opportunity to<br />

dress in your finest, be hosted by <strong>the</strong><br />

sparkling Helen Medlyn and enjoy an<br />

evening of entertainment featuring <strong>the</strong><br />

APO and guest artists. Enjoy champagne<br />

and canapes as well as a superb dinner<br />

by Dawsons matched with fine wines<br />

by Villa Maria Estate. Every dollar raised<br />

during this exclusive evening enables <strong>the</strong><br />

APO to run its outstanding education and<br />

community programmes.<br />

Save <strong>the</strong> Date – Tuesday 5 March 2013<br />

at 6.30pm. Or book now through <strong>the</strong> APO<br />

Ticketing office (apo.co.nz or 6231052) to<br />

take advantage of early bird prices for tables<br />

of 10 or singles.


Dance Project 2013<br />

Following <strong>the</strong> success of Sacre: The<br />

<strong>Auckland</strong> Dance Project in 2011 and<br />

Fire Works in 2012, APO musicians and<br />

professional choreographers work with<br />

students from schools around <strong>Auckland</strong><br />

to create original choreography set to<br />

live percussion music performed by<br />

APO musicians. The final performance<br />

at TelstraClear Pacific Events Centre<br />

is <strong>the</strong> culmination of weeks of creation<br />

and rehearsal which are <strong>the</strong>mselves<br />

an integral part of this exciting APO<br />

Connecting project.<br />

More details on our website in 2013, and in<br />

our APO Connecting Brochure.<br />

Organ Spectacular<br />

Six composers team up with six of <strong>the</strong><br />

country’s finest organists in a culmination<br />

of an 18 month collaboration allowing<br />

composers to explore <strong>the</strong> challenges<br />

of writing for organ and orchestra. This<br />

concert offers a feast of orchestral music<br />

with <strong>the</strong> power of <strong>the</strong> organ at its heart.<br />

These six short works for organ, presented<br />

as part of New Zealand Music Month,<br />

explore <strong>the</strong> boundaries of what is possible<br />

when orchestra, organ and talented New<br />

Zealand composers are asked to stretch<br />

<strong>the</strong>ir imaginations.<br />

8pm, Thursday 23 May. Book as part of your<br />

subscription. More details on our website,<br />

and in our APO Connecting Brochure.<br />

New Concerts<br />

As ever, in 2013, <strong>the</strong> APO introduces<br />

new concert ideas. In addition to <strong>the</strong><br />

Organ Spectacular, and <strong>the</strong> dance project<br />

performance, we are proud to present two<br />

special mainstage concerts.<br />

APO Composer-in-Residence Jack Body<br />

has long held a dream of bringing to life<br />

music originally commissioned as a ballet<br />

in 1990, but which was never presented.<br />

Jack redesigned <strong>the</strong> work as music<strong>the</strong>atre<br />

within <strong>the</strong> context of an orchestral<br />

concert. With <strong>the</strong> added resources of<br />

a guitar soloist, a dancer, and three<br />

singers, <strong>the</strong> work has now become a<br />

‘total entertainment’ involving orchestral<br />

music, song settings and dance.<br />

Presented in March within <strong>Auckland</strong> Arts<br />

Festival, this ground-breaking work is<br />

now also Jack’s tribute to <strong>the</strong> much-loved<br />

transgender activist and cultural identity<br />

Carmen Rupe, who died in December<br />

2011. (Details on p21.)<br />

In October, we present a concert on <strong>the</strong><br />

night of Halloween, called Music of <strong>the</strong><br />

Night. We’ve avoided Halloween clichés,<br />

but assembled an exciting programme of<br />

nocturnal music, with popular orchestral<br />

works mixed with music from Andrew Lloyd<br />

Webber’s Phantom of <strong>the</strong> Opera, for a<br />

night of musical drama. (Details on p30.)<br />

5


2013 Artists<br />

The APO is delighted to<br />

introduce just a few of<br />

our 2013 soloists and<br />

conductors. From<br />

international stars to<br />

local talent, we’re in for a<br />

year of wonderful music.<br />

Christoph Altstaedt<br />

Conductor<br />

My Country, page 14<br />

“The 31 year-old Heidelberg native, who<br />

already attracted attention in his first concert<br />

with this orchestra, was able to capture <strong>the</strong><br />

musicians’ full energy from <strong>the</strong> first to <strong>the</strong><br />

last note and brea<strong>the</strong>d such life into <strong>the</strong><br />

many recitatives in <strong>the</strong> complete score ...<br />

Altstaedt’s debut as an opera conductor in<br />

Innsbruck was outright brilliant.”<br />

— Neue Merker, November 2011<br />

6 apo.co.nz<br />

IMAGE: BEN EALOVEGA<br />

IMAGE: SUSSIE AHLBURG<br />

Ingrid Fliter<br />

Piano<br />

My Country, page 14<br />

Lionel Bringuier<br />

Conductor<br />

German Romantics, page 12<br />

James Ehnes<br />

Violin<br />

Ehnes Plays Elgar, page 10<br />

Sergio Tiempo<br />

Piano<br />

Dance!, page 14<br />

Amy Dickson<br />

Saxophone<br />

Joie de Vivre, page 11<br />

IMAGE: S WALNIER


IMAGE: TOMASZ TRZEBIATOWSK<br />

Ilya Gringolts<br />

Violin<br />

Heroic Classics, page 14<br />

Johannes Moser<br />

Cello<br />

Music of Wartime, page 16<br />

“[Johannes Moser]<br />

was a delight. He<br />

enthusiastically<br />

anticipated each turn of<br />

phrase. His tone sang<br />

and carried easily. He<br />

engaged <strong>the</strong> orchestra<br />

musicians, and <strong>the</strong>y<br />

seemed to grow better<br />

by <strong>the</strong> measure when<br />

playing with him.”<br />

— Mark Swed, LA Times<br />

“Gringolts’s fluency, virtuosity and lyrical intensity<br />

have been much and rightly admired...”<br />

— BBC Music Magazine<br />

“Cameron Carpenter... is an exorbitant<br />

virtuoso, <strong>the</strong> Vladimir Horowitz of <strong>the</strong> organ.<br />

In his playing <strong>the</strong>re is <strong>the</strong> wild passion<br />

of virtuosos of <strong>the</strong> past, who destroyed<br />

borders of genres and broadened repertoire<br />

for <strong>the</strong>ir instruments.”<br />

— Kommersant (Saint Petersburg, Russia)<br />

Cameron Carpenter<br />

Organ<br />

Not Your Grandma’s Organist, page 10<br />

Paul Whelan<br />

Bass-baritone<br />

The Rake’s Progress, page 26<br />

IMAGE: KIRILL BACHKIROV<br />

Nikolai Demidenko<br />

Piano<br />

Demidenko plays Rachmaninov, page 11<br />

IMAGE: KAI FOSSGARD<br />

Gunilla Süssman<br />

Piano<br />

Zarathustra, page 8<br />

7


The New Zealand Herald<br />

Premier Series<br />

Zarathustra<br />

8pm, Thu 21 Feb<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Eckehard Stier<br />

Piano Gunilla Süssmann<br />

mark-anthony turnage Scherzoid<br />

mozart Piano Concerto in D minor K466<br />

r. strauss Also Sprach Zarathustra<br />

In this concert, we transport you to three<br />

extraordinary sound worlds.<br />

Contemporary British composer Mark-<br />

Anthony Turnage wrote his bustling,<br />

bluesy Scherzoid for <strong>the</strong> New York<br />

Philharmonic. It provides <strong>the</strong> perfect foil<br />

to <strong>the</strong> performance of Mozart’s dramatic<br />

piano concerto by Norwegian pianist<br />

Gunilla Süssmann, winner of <strong>the</strong> Robert<br />

Levin Festival prize.<br />

There are few <strong>the</strong>mes as memorable<br />

as Strauss’s fanfare from Also Sprach<br />

Zarathustra, in which trumpets and timpani<br />

proclaim a vision of eternal truth. Made<br />

famous by <strong>the</strong> movie 2001: A Space<br />

Odyssey, this powerful statement of triumph<br />

heralds <strong>the</strong> second half of what promises<br />

to be a memorable season opening.<br />

“Süssmann gave a performance of abundant<br />

lyricism and charm, showing off an impressive<br />

command of musical coloration. Her expert<br />

phrasing gave <strong>the</strong> sense that she was confiding a<br />

delicious secret. Her interplay with <strong>the</strong> woodwind<br />

section was especially charming...”<br />

— The Salt Lake Tribune, October 2009<br />

8 apo.co.nz<br />

The Trumpet Sounds<br />

8pm, Thu 28 Feb<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Eckehard Stier<br />

trumpet Brent Grapes<br />

Wagner Parsifal: Prelude and Good<br />

Friday Spell<br />

arutiunian Trumpet Concerto<br />

Franck Symphony in D minor<br />

Experience a night of drama and<br />

bravado as APO Principal Trumpet Brent<br />

Grapes takes centre stage in Alexander<br />

Arutiunian’s trumpet concerto. Influenced<br />

by <strong>the</strong> gypsy folk melodies of Armenia and<br />

Russia, this concerto is by turns soulful,<br />

seductive, melodic and flashy.<br />

Many call Wagner <strong>the</strong> fa<strong>the</strong>r of modern<br />

brass writing, and in <strong>the</strong> ‘Prelude and<br />

Good Friday Spell’ from his opera Parsifal,<br />

he composed a musical vision of <strong>the</strong><br />

sacred and sublime. Frenchman César<br />

Franck was denounced for his love of<br />

Wagner’s music. He got <strong>the</strong> last laugh,<br />

however, as his epic romantic symphony is<br />

now a classic.<br />

Last Songs<br />

8pm, Thu 2 May<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Jun Märkl<br />

soprano Jeanne-Michèle Charbonnet<br />

Zemlinsky Sinfonietta<br />

strauss Four Last Songs<br />

schubert Symphony No.9, ‘The Great’<br />

Strauss was 84 when he wrote Four<br />

Last Songs in 1948. At a time when<br />

<strong>the</strong> world around him had fallen apart,<br />

and <strong>the</strong> musical world had seemingly<br />

passed him by, he produced one final<br />

masterpiece of romanticism and emotion.<br />

This performance of his extraordinary<br />

swansong will delight all Strauss fans.<br />

Closing <strong>the</strong> programme is Schubert’s final<br />

symphony, ‘The Great’, in which he creates<br />

a stunning bridge between <strong>the</strong> classical<br />

and romantic eras, inspired by musical<br />

material from his idol Beethoven’s own<br />

final symphony.


Ehnes plays Elgar<br />

8pm, Thu 30 May<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Garry Walker<br />

Violin James Ehnes<br />

thomas adès Three Studies from Couperin<br />

beethoven Symphony No.1<br />

elgar Violin Concerto<br />

James Ehnes returns to play Elgar’s<br />

magnificent Violin Concerto – ano<strong>the</strong>r<br />

Elgarian enigma, with Elgar’s inscription<br />

on its title page cryptically noting “Herein<br />

is enshrined <strong>the</strong> soul of...” There is much<br />

speculation over who <strong>the</strong> dots might<br />

represent, but it is most likely <strong>the</strong> name of<br />

one of <strong>the</strong> women who had shaped Elgar’s<br />

romantic life, adding ano<strong>the</strong>r emotional<br />

layer to this piece.<br />

In two very different works inspired<br />

by composers of <strong>the</strong> past, we hear<br />

Beethoven’s Haydn-esque First Symphony,<br />

and British composer Thomas Adès’s<br />

Three Studies from Couperin, written in<br />

2006. Adès borrows <strong>the</strong>mes and styles<br />

from <strong>the</strong> French baroque composer, and<br />

re-invents <strong>the</strong>m for modern ears.<br />

“Not since Nigel Kennedy’s 1997 EMI<br />

remake with Sir Simon Rattle and <strong>the</strong><br />

CBSO has <strong>the</strong> Elgar received a recording<br />

as thrillingly combustible, imaginative and<br />

involving as this. James Ehnes brings to<br />

this great concerto a rapt identification,<br />

tingling temperament and glowing ardour.<br />

Not only is Ehnes’s technical address<br />

impeccable and intonation miraculously<br />

true, his contribution is remarkable for its<br />

intrepid emotional scope, athletic agility and<br />

(perhaps above all) jaw-dropping delicacy.”<br />

— The Gramophone Classical Music Guide 2010<br />

10 apo.co.nz<br />

Bach to <strong>the</strong> Future<br />

8pm, Thu 4 July<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Rory Macdonald<br />

Violin Kristian Win<strong>the</strong>r<br />

bartók Music for Strings, Percussion<br />

and Celesta<br />

bach Violin Concerto in E major<br />

mendelssohn Symphony No. 3, ‘Scottish’<br />

Young Scottish conductor Rory Macdonald<br />

boasts an impressive series of debuts<br />

in <strong>the</strong> UK and Europe. In his first New<br />

Zealand performance, he leads <strong>the</strong><br />

orchestra in a programme inspired by<br />

and including <strong>the</strong> music of Bach. In<br />

addition to Bach’s concerto, <strong>the</strong> concert<br />

features Bartók’s masterpiece Music for<br />

Strings, Percussion and Celesta. With its<br />

unusual orchestration and incorporation<br />

of Hungarian folk melodies and complex<br />

fugues, this work creates a beautiful and<br />

exotic landscape of sound.<br />

One of Felix Mendelssohn’s most<br />

important artistic contributions came<br />

not as a composer but as a conductor,<br />

leading a revival of J.S. Bach’s works in<br />

Europe, when in 1829, at <strong>the</strong> age of 20,<br />

he conducted <strong>the</strong> first performance of <strong>the</strong><br />

St. Mat<strong>the</strong>w Passion since 1750. During<br />

this same year, he made an extended visit<br />

to Scotland, where <strong>the</strong> paintings and folk<br />

dances he encountered helped to later<br />

inspire his majestic Symphony No.3.<br />

“Not Your<br />

Grandma’s Organist”!<br />

8pm, Thu 18 July<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Giancarlo Guerrero<br />

organ Cameron Carpenter<br />

buxtehude/Chávez Chaconne in E minor<br />

Jongen Symphonie Concertante<br />

tchaikovsky Symphony No.6, ‘Pathétique’<br />

Cameron Carpenter is that rare entity: a<br />

superstar organist. From engineering and<br />

building virtual pipe organs to designing<br />

his own clothing, he approaches <strong>the</strong> world<br />

and music with dynamic flair and energy.<br />

Jongen’s Symphonie Concertante is a<br />

massive work for organ and orchestra, and<br />

this is a unique chance to hear it on <strong>the</strong><br />

largest pipe organ in New Zealand.<br />

Paired with this ebullient work is<br />

Tchaikovsky’s nostalgic Symphony No.6,<br />

‘Pathétique’, in which <strong>the</strong> composer says<br />

farewell to this world. Giancarlo Guerrero,<br />

long time friend of <strong>the</strong> APO and <strong>the</strong><br />

internationally renowned music director of<br />

<strong>the</strong> Nashville Symphony, returns to lead<br />

<strong>the</strong> orchestra in this moving programme.


Demidenko Plays<br />

Rachmaninov<br />

8pm, Thu 1 August<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Eckehard Stier<br />

Piano Nikolai Demidenko<br />

m a r t i n u˚ Suite from <strong>the</strong> opera Julietta<br />

rachmaninov Piano Concerto No.2<br />

Korngold Symphony in F#<br />

Nicolai Demidenko is an audience favourite<br />

for his passionate performances of Russian<br />

piano music. He makes his return with<br />

ano<strong>the</strong>r of Rachmaninov’s piano concerti,<br />

<strong>the</strong> Second, in a performance that is sure<br />

to sweep you away.<br />

As will Korngold’s Symphony in F#.<br />

When Korngold displayed a prodigious<br />

compositional ability at a young age,<br />

composers such as Mahler and Strauss<br />

proclaimed him a musical genius.<br />

However, ra<strong>the</strong>r than embracing <strong>the</strong><br />

classical world, Korngold used his talents<br />

to define movie music in its dawn. This<br />

symphony is both a demonstration of<br />

<strong>the</strong> cinematic scope of his vision, and a<br />

tantalising glimpse into his command of<br />

<strong>the</strong> traditional symphonic form.<br />

“Rachmaninov’s Third Piano Concerto<br />

demands high-voltage virtuosity, which it got<br />

from <strong>the</strong> Russian-born Nikolai Demidenko<br />

... [He] put <strong>the</strong> Concerto’s range of tone<br />

ahead of any superficial pianistic fireworks.<br />

Yet, though he was elusive and elegiac in<br />

<strong>the</strong> slow movement, he hurtled into <strong>the</strong> finale<br />

with bravura and a fearless pace ... It was<br />

electrifying but also poetic.”<br />

— The Independent, April 2009<br />

Voices of Youth<br />

8pm, Thu 15 August<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Eckehard Stier<br />

mezzo-soprano Sally-Anne Russell<br />

soprano Madeleine Pierard<br />

ross harris Symphony No.5<br />

mahler Symphony No.4<br />

The two symphonies on tonight’s<br />

programme are inspired by a childhood<br />

perspective, and each incorporates vocal<br />

parts that reflect <strong>the</strong> inspiration from<br />

which <strong>the</strong> work developed.<br />

APO Music Director Eckehard Stier leads<br />

<strong>the</strong> orchestra through <strong>the</strong>se emotional and<br />

uplifting works of <strong>the</strong> present and past. The<br />

world premiere of New Zealand composer<br />

Ross Harris’s latest Symphony, No.5,<br />

features Australian Sally-Anne Russell.<br />

It uses text from a 10-year-old living in<br />

Budapest in 1944.<br />

Paired with Harris’s work is Mahler’s<br />

buoyant and immensely joyful Fourth<br />

Symphony, built around his song, ‘Das<br />

himmlische Leben’, which imagines a<br />

child’s vision of Heaven and which features<br />

talented soprano Madeleine Pierard.<br />

Joie de Vivre<br />

8pm, Thu 19 September<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Fabrice Bollon<br />

saxophone Amy Dickson<br />

ravel Ma Mère l’Oye (Mo<strong>the</strong>r Goose)<br />

‘5 pièces enfantines’<br />

Dubois Saxophone Concerto<br />

Dukas Symphony in C<br />

Let conductor Fabrice Bollon guide you<br />

through a programme of music from<br />

his native France. This is French music<br />

at its best, full of sparkling melodies,<br />

both enchanting and impressionistic.<br />

Ravel’s whimsical suite of fairytale pieces<br />

perfectly captures <strong>the</strong> French mood, with<br />

typical Gallic (and Ravelian) elegance<br />

and beauty. Amy Dickson returns as<br />

soloist for Pierre Dubois’s saxophone<br />

concerto, a dazzling showpiece of<br />

instrumental virtuosity. The concert<br />

comes to a roaring finale with Dukas’<br />

Symphony in C, written shortly before <strong>the</strong><br />

turn of <strong>the</strong> century.<br />

11


APO – 2013 SEASON<br />

“Bringuier brought a special freshness and sense<br />

of excitement ... The conductor ... is a sunny<br />

Frenchman from Nice who always looks to be<br />

having contagious fun with <strong>the</strong> baton.”<br />

— Los Angeles Times, August 2011<br />

German Romantics<br />

8pm, Thu 17 October<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Lionel Bringuier<br />

Violin Natalia Lomeiko<br />

brahms Variations on a <strong>the</strong>me by Haydn<br />

bruch Violin Concerto No.1<br />

brahms Symphony No.2<br />

French-born Lionel Bringuier, who<br />

at <strong>the</strong> age of 25 has already been<br />

Resident Conductor of <strong>the</strong> Los Angeles<br />

Philharmonic for six years, is acclaimed<br />

for his infectiously incandescent<br />

performances. And what better programme<br />

to demonstrate his ability than this.<br />

The German Romantics are renowned<br />

for <strong>the</strong>ir ability to musically capture<br />

feelings of passion and nostalgia.<br />

Bruch’s Violin Concerto, performed<br />

by Natalia Lomeiko, 2003 winner of<br />

<strong>the</strong> Michael Hill International Violin<br />

Competition, overflows with melody<br />

and emotion. And in Brahms’s Second<br />

Symphony, <strong>the</strong> composer trades his<br />

usual solemnity for effortless joy.<br />

12 apo.co.nz<br />

Scandinavian Adventure<br />

8pm, Thu 7 November<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Eckehard Stier<br />

Clarinet Nicola Jürgensen<br />

grieg Peer Gynt Suites: selection<br />

nielsen Clarinet Concerto<br />

rautavaara Cantus Arcticus<br />

sibelius Symphony No.7<br />

Scandinavia is a region of stunning<br />

landscapes and beauty, as well as<br />

isolation. In this programme of works<br />

inspired by <strong>the</strong> far north, we travel from<br />

<strong>the</strong> traditional folk tales of Peer Gynt,<br />

which imagine impetuous mountain<br />

kings, to Rautavaara’s evocative Cantus<br />

Arcticus, which uses recordings of<br />

native bird songs as musical inspiration.<br />

German soloist Nicola Jürgensen,<br />

who has appeared with orchestras<br />

throughout Europe, joins <strong>the</strong> orchestra<br />

in Nielsen’s devilish Clarinet Concerto.<br />

Sibelius’s Seventh Symphony is a fitting<br />

end to this Scandinavian programme.<br />

It was written 33 years before his death,<br />

but was one of his final compositions. In<br />

this magisterial statement, he evokes <strong>the</strong><br />

austere beauty of his home, Finland.<br />

Season Finale<br />

8pm, Thu 14 November<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Eckehard Stier<br />

Piano Steven Osborne<br />

schoenberg Verklärte Nacht<br />

Falla Nights in <strong>the</strong> Gardens of Spain<br />

stravinsky The Rite of Spring<br />

A concert of “night music” and ritual.<br />

Schoenberg wrote “Transfigured Night”<br />

after a poem based on lovers walking<br />

in <strong>the</strong> moonlight, and, in one of his<br />

last fully romantic pieces, uses lush<br />

strings to convey unspeakable passion.<br />

In similar vein, expect Gramophone<br />

Award-winning pianist Steven Osborne<br />

to create a shimmering vision of Spanish<br />

gardens in Falla’s evocative homage.<br />

And for a stunning close to <strong>the</strong><br />

season, a century after its riotous<br />

first performance, don’t miss <strong>the</strong><br />

breathtaking and electrifying force of<br />

Stravinsky’s The Rite of Spring.


For nearly 150 years New Zealanders<br />

have turned to us for knowledge<br />

on <strong>the</strong> issues affecting our country.<br />

We’ve celebrated <strong>the</strong> best and<br />

confronted <strong>the</strong> worst. We’ve seen<br />

this country change and now we’ve<br />

also changed, for <strong>the</strong> better.<br />

nzherald.co.nz<br />

13


Bayleys<br />

Great Classics Series<br />

Heroic Classics<br />

8pm, Thu 4 April<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Nicholas Kraemer<br />

Violin Ilya Gringolts<br />

haydn Symphony No.85, ‘La Reine’<br />

mozart Violin Concerto No. 4 in D major<br />

beethoven Symphony No. 3, ‘Eroica’<br />

British Classical specialist Nicholas<br />

Kraemer leads <strong>the</strong> orchestra in a<br />

programme of true cornerstones of <strong>the</strong><br />

Classical era. Haydn’s Symphony No.85<br />

was nicknamed ‘La Reine’ (The Queen) as<br />

it was a favourite of Marie Antoinette. Ilya<br />

Gringolts, winner of <strong>the</strong> 1998 International<br />

Violin Competition Premio Paganini,<br />

performs Mozart’s delightful D major Violin<br />

Concerto. And finally, we hear <strong>the</strong> great<br />

‘Eroica’, ano<strong>the</strong>r work with a link to French<br />

politics. Beethoven originally dedicated<br />

<strong>the</strong> symphony to Napoleon Bonaparte,<br />

and <strong>the</strong> music took its inspiration from <strong>the</strong><br />

seeds of revolution. But after Napoleon<br />

crowned himself Emperor, Beethoven<br />

became disillusioned and scratched out <strong>the</strong><br />

dedication. His symphony, however, remains<br />

a ground-breaking and heroic work that<br />

helped define <strong>the</strong> romantic era.<br />

“It is no exaggeration to say that [Tiempo] may well be <strong>the</strong> most dazzling and<br />

spontaneous pianist of his generation. At every point he turns up <strong>the</strong> heat to near boiling<br />

point, joyfully and unapologetically flaunting his virtuoso bird-of-paradise fea<strong>the</strong>rs. His<br />

octave technique is superhuman… [Tiempo] makes it impossible to resist such coltish<br />

brio, colour and imagination. Every bar sparks with a fearless, vivid and audacious life...”<br />

— Editor’s Choice, Gramophone, April 2012<br />

14 apo.co.nz<br />

Dance!<br />

8pm, Thu 20 <strong>June</strong><br />

<strong>Auckland</strong> Town Hall<br />

Conductor Nicholas Collon<br />

Piano Sergio Tiempo<br />

Kodaly Dances of Galánta<br />

Liszt Totentanz<br />

ravel Valses Nobles et Sentimentales<br />

r. strauss Der Rosenkavalier Waltz<br />

Sequence No.1<br />

balakirev (arr. Liapounow) Islamey<br />

As long as <strong>the</strong>re has been music, <strong>the</strong>re has<br />

been dance. Pianist Sergio Tiempo returns<br />

to perform Liszt’s Totentanz, a dance of <strong>the</strong><br />

dead, while Kodaly’s Dances of Galánta<br />

celebrates Hungarian folk traditions. Ravel<br />

and Richard Strauss create very different<br />

visions of <strong>the</strong> traditional waltz, expressing<br />

melancholy, palatial grandeur and<br />

exoticism, while <strong>the</strong> colourful orchestration<br />

of Balakirev’s Islamey brings <strong>the</strong> concert to<br />

a thrilling close.<br />

Dynamic British conductor Nicholas Collon<br />

was awarded one of three 2012 Critics’<br />

Circle Awards for Exceptional Young<br />

Talent, and conducted three concerts in<br />

<strong>the</strong> 2012 BBC Proms season. Expect all<br />

<strong>the</strong> energy and passion <strong>the</strong>se wonderful<br />

dances deserve.<br />

My Country<br />

8pm, Thu 5 September<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Christoph Altstaedt<br />

Piano Ingrid Fliter<br />

Lilburn Drysdale Overture<br />

Chopin Piano Concerto No.2<br />

D v o r˘ á k Symphony No.8<br />

In this final Great Classics concert, we<br />

celebrate composers who reflect and<br />

helped define <strong>the</strong> musical character<br />

of <strong>the</strong>ir country. Lilburn’s Drysdale<br />

Overture is an early work, written while<br />

<strong>the</strong> composer was studying in London; it<br />

depicts memories of his homeland and of<br />

“childhood happiness”.<br />

Brilliant Argentinian pianist Ingrid Fliter<br />

joins <strong>the</strong> orchestra for Chopin’s Piano<br />

Concerto No.2, with its echoes of <strong>the</strong><br />

mazurkas of Poland. And Dvor˘ák’s<br />

Eighth Symphony is unmistakably Czech,<br />

embodying <strong>the</strong> spirit and melodies of<br />

his people. Led by Christoph Altstaedt,<br />

winner of <strong>the</strong> Eugen Jochum conducting<br />

prize, this concert promises a vibrant<br />

musical voyage through some of <strong>the</strong><br />

liveliest folk idioms of Europe.


Splendour Series<br />

Three concerts that celebrate, commemorate and<br />

explore <strong>the</strong> decade in which <strong>the</strong>y were written.<br />

Music of Wartime (1940s)<br />

8pm, Thu 16 May<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Michal Dworzynski<br />

Cello Johannes Moser<br />

r. strauss Metamorphosen<br />

hindemith Cello Concerto<br />

Prokofiev Symphony No.5<br />

In times of crisis, music provides powerful<br />

resonance as a symbol of humanity and<br />

faith, as <strong>the</strong>se three works, all composed<br />

in <strong>the</strong> 1940s, testify. Prokofiev said that his<br />

Fifth Symphony, written in a Soviet bunker<br />

in 1944, was “a hymn to free and happy<br />

Man, to his mighty powers, his pure and<br />

noble spirit”. Hindemith’s Cello Concerto<br />

was written soon after <strong>the</strong> composer had<br />

fled Germany in 1937, eventually to settle<br />

in <strong>the</strong> US. Strauss was bitterly tested by<br />

war-time, as he struggled to protect his<br />

Jewish daughter-in-law and grandchildren,<br />

while simultaneously agreeing to<br />

work with German authorities. In his<br />

Metamorphosen, he writes an enigmatic<br />

memoriam, perhaps to his hometown of<br />

Munich, <strong>the</strong> wider world, or his honour.<br />

Polish conductor Michal Dworzinsky<br />

conducts <strong>the</strong> orchestra in this programme<br />

of struggle and redemption.<br />

“The virtuosity, exuberant temperament, burning<br />

passion, and perfection that [Linus] Roth<br />

demonstrated here brought <strong>the</strong> audience to <strong>the</strong>ir feet.”<br />

— Süddeutsche Zeitung<br />

16 apo.co.nz<br />

A New Era (1900s)<br />

8pm, Thu 25 July<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Eckehard Stier<br />

Violin Linus Roth<br />

Debussy La Mer<br />

glazunov Violin Concerto<br />

schoenberg Pelleas und Melisande, Op.5<br />

With <strong>the</strong> dawn of a new century came<br />

brave new artistic directions, and in <strong>the</strong><br />

music of Debussy and Schoenberg,<br />

<strong>the</strong> birth of new musical languages.<br />

In Debussy’s impressionistic portrait of<br />

<strong>the</strong> sea, La Mer, he uses <strong>the</strong> orchestra<br />

to create different images of water, from<br />

waves to clouds to ferocious storms.<br />

Meanwhile, Schoenberg looked forward<br />

but also referred back to his Romantic<br />

roots to compose his orchestral tone poem<br />

telling <strong>the</strong> story of Pelleas and Melisande.<br />

Expanding <strong>the</strong> leitmotif style of Richard<br />

Wagner to an intense degree, his music<br />

is expressionistic and romantic in equal<br />

measure. Young German violinist Linus<br />

Roth presents Glazunov’s Violin Concerto,<br />

which shows a Russian tendency towards<br />

melodic brilliance in <strong>the</strong> new century.<br />

The Roaring ’20s<br />

8pm, Thu 24 October<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Eckehard Stier<br />

Piano John Chen<br />

Weill Suite from The Threepenny Opera<br />

gershwin Rhapsody in Blue<br />

Poulenc Les Biches Suite<br />

Weill Rise and Fall of <strong>the</strong> City of<br />

Mahagonny Suite<br />

The music of <strong>the</strong> 1920s reflected <strong>the</strong><br />

ebullience of <strong>the</strong> decade, as <strong>the</strong> horrors<br />

of World War I receded. This concert<br />

reflects <strong>the</strong> party mood of <strong>the</strong> time, with<br />

its overtones of ragtime, jazz, cabaret and<br />

underground clubs.<br />

John Chen returns to perform Gershwin’s<br />

popular jazz-influenced masterpiece<br />

Rhapsody in Blue, written in haste to be<br />

performed (reportedly with improvisation<br />

by <strong>the</strong> composer himself at <strong>the</strong> keyboard)<br />

for <strong>the</strong> 1924 “Experiment In Modern<br />

Music” concert in New York.<br />

Kurt Weill famously collaborated with<br />

playwright Bertolt Brecht to create two<br />

of his most memorable music dramas,<br />

The Threepenny Opera and The Rise and<br />

Fall of <strong>the</strong> City of Mahagonny. Influenced<br />

heavily by jazz and popular styles, he<br />

created a captivating art form, both<br />

entertaining and powerfully satiric. It’s<br />

no surprise that <strong>the</strong> <strong>the</strong>mes he created<br />

have lived on and been re-interpreted by<br />

modern artists.


Splendour of <strong>the</strong> Organ<br />

The <strong>Auckland</strong> Town Hall<br />

Organ Trust, in association<br />

with <strong>the</strong> APO, presents<br />

a 30 minute pre-concert<br />

recital at 6.30pm prior to<br />

each of <strong>the</strong>se concerts.<br />

In keeping with <strong>the</strong><br />

Splendour <strong>the</strong>me for 2013,<br />

each recital features organ<br />

music of <strong>the</strong> decade.<br />

Free admission – only to<br />

concert ticket holders.<br />

17


Unwrap <strong>the</strong> Music<br />

Three entertaining concerts in which presenter/conductor Graham<br />

Abbott and <strong>the</strong> APO examine what makes <strong>the</strong>se great works great. These<br />

concerts “unwrap” and provide insights for anyone new to music, or<br />

anyone who wants to know more about music <strong>the</strong>y love and enjoy.<br />

Beethoven: Symphony No.5<br />

6.30pm, Thu 11 April<br />

<strong>Auckland</strong> Town Hall<br />

Did you know that Beethoven’s Fifth<br />

symphony was premiered as part of a<br />

marathon 4-hour event, featuring only<br />

compositions by Beethoven (including<br />

<strong>the</strong> entire Sixth symphony)? That it was<br />

conducted by Beethoven? Or that <strong>the</strong><br />

orchestra, lacking proper rehearsal time for<br />

<strong>the</strong> epic endeavour, made <strong>the</strong> premiere a<br />

bit of a flop? Join Graham Abbott and <strong>the</strong><br />

orchestra as <strong>the</strong>y explore <strong>the</strong> strange and<br />

persuasive allure of this favourite work.<br />

18 apo.co.nz<br />

Tchaikovsky: Piano Concerto 1<br />

6.30pm, Wed 26 <strong>June</strong><br />

<strong>Auckland</strong> Town Hall<br />

Piano Jason Bae<br />

We peel <strong>the</strong> cover off ano<strong>the</strong>r much-loved<br />

classic. Tchaikovsky’s piano concerto<br />

was first intended to be played by <strong>the</strong><br />

famous pianist Nikolai Rubinstein. Why,<br />

when Tchaikovsky showed <strong>the</strong> finished<br />

composition to Rubinstein, did <strong>the</strong> pianist<br />

unleash a barrage of wi<strong>the</strong>ring critiques<br />

upon <strong>the</strong> composer? And how did<br />

Tchaikovsky manage to ignore <strong>the</strong> scorn<br />

and find ano<strong>the</strong>r pianist, thus saving one of<br />

music’s great piano concertos?<br />

Low Cost Concerts.<br />

Tickets $25 & $15.<br />

Haydn: ‘Surprise’ Symphony<br />

(No.94)<br />

6.30pm, Wed 25 September<br />

<strong>Auckland</strong> Town Hall<br />

Why does this ‘Surprise’ Symphony evoke<br />

laughter, joy, and <strong>the</strong> occasional shock,<br />

222 years after Haydn wrote it? Was<br />

Haydn attempting to wake <strong>the</strong> audience<br />

from a slumber with his sudden fortissimo<br />

chords, or was he looking for some way<br />

to stand out to <strong>the</strong> London audience that<br />

heard its premiere? We take you behind<br />

<strong>the</strong> score to understand Haydn’s motivation<br />

and <strong>the</strong> compositional tools that helped<br />

form this most unusual work.


Sanctuary<br />

Series<br />

APO Cellos<br />

6.30pm, Mon 15 April<br />

St Michael’s Church, Remuera<br />

6.30pm, Wed 17 April<br />

All Saints Church, Howick<br />

Principal Cello Eliah Sakakushev-von<br />

Bismarck brings toge<strong>the</strong>r a programme that<br />

demonstrates <strong>the</strong> beauty of <strong>the</strong> cello. Join<br />

<strong>the</strong> APO cellos in a colourful programme of<br />

original music and arrangements specially<br />

written for cello ensemble, including music<br />

by Bach, Villa-Lobos, Falla and Klengel.<br />

Schubert Octet<br />

6.30pm, Mon 8 July<br />

All Saints Church, Howick<br />

6.30pm, Tue 9 July<br />

St George’s Church, Takapuna<br />

The Octet in F major is one of Schubert’s<br />

most popular and enduring works, and<br />

brings toge<strong>the</strong>r a wonderfully harmonious<br />

group of instruments. Schubert was asked<br />

to write <strong>the</strong> piece by Count Ferdinand<br />

Troyer, a clarinettist and deputy to <strong>the</strong> son<br />

of <strong>the</strong> Austrian emperor, whose only request<br />

was that it be modeled after Beethoven’s<br />

famous septet. Violinist Dianna Cochrane<br />

is joined by APO colleagues to present this<br />

lyrical masterpiece.<br />

Low Cost Concerts.<br />

Tickets $25 & $15.<br />

A series of concerts by ensembles of APO principal<br />

players and <strong>the</strong>ir colleagues, performed in <strong>the</strong> wonderful<br />

acoustics of churches around <strong>the</strong> <strong>Auckland</strong> region.<br />

Percussion & Friends<br />

6.30pm, Mon 7 October<br />

St. Peter’s Church, Takapuna<br />

6.30pm, Wed 9 October<br />

St Michael’s Church, Remuera<br />

Revel in <strong>the</strong> resonance of drums. Principal<br />

Percussion Eric Renick has selected a<br />

range of pieces that display <strong>the</strong> dynamic<br />

and melodic possibilities of percussion<br />

instruments, performed alongside and in<br />

harmony with some of his APO colleagues.<br />

This is <strong>the</strong> debut Sanctuary concert for our<br />

percussion section, and is sure to be unlike<br />

anything you’ve heard before.<br />

19


Chapman Tripp<br />

Summer Matinee<br />

A Summer Romance<br />

2pm, Sat 9 February<br />

Government House grounds,<br />

Mt Eden<br />

Conductor Hamish McKeich<br />

soloist Penelope Mills<br />

The APO kicks off 2013 with an<br />

afternoon of musical romance in splendid<br />

surroundings. Get your blanket ready, your<br />

picnic packed, ga<strong>the</strong>r your friends, and<br />

savour this unique musical treat with us at<br />

<strong>Auckland</strong>’s most elegant outdoor concert.<br />

If you prefer your outdoor picnic stressfree,<br />

you can order picnic hampers with<br />

your concert tickets – ask our ticketing<br />

office for details.<br />

20 apo.co.nz


Conductor Ken Young<br />

guitar Norio Sato<br />

Counter tenor Xiao Ma<br />

mezzo soprano Anna Pierard<br />

Vocalist TBC<br />

Dancer TBC<br />

APO Composer-in-Residence Jack Body’s<br />

tribute to Carmen Rupe celebrates <strong>the</strong><br />

colourful life and fearless personality of<br />

one of this country’s most original icons.<br />

Part concert, part performance work, this<br />

will be a stunning evocation of lives lived<br />

<strong>the</strong>atrically and defiantly, a performance<br />

as flamboyant as Carmen herself.<br />

Join us as we transform <strong>the</strong> Town Hall to<br />

a “tea room” and share <strong>the</strong> music as this<br />

extraordinary world unfolds.<br />

In Memoriam<br />

Carmen Rupe<br />

Composer: Jack Body<br />

8pm, Fri 8 March<br />

<strong>Auckland</strong> Town Hall<br />

IMAGE: JACK BODY<br />

21


enjamin britten’s<br />

WAR R EQ U I E M<br />

AUCKLAND PHILHARMONIA ORCHESTRA CONDUCTOR ECKEHARD STIER<br />

VOICES NEW ZEALAND CHAMBER CHOIR<br />

SOPRANO ORLA BOYLAN<br />

NEW ZEALAND YOUTH CHOIR<br />

TENOR TIMOTHY ROBINSON<br />

BARITONE IVAN LUDLOW<br />

Passivity at any price!...<br />

Be bullied, be outraged, be killed,<br />

but do not kill<br />

A PASSAGE uNDERlINED BY BENjAMIN<br />

BRITTEN IN A lETTER WIlFRED OWEN WROTE<br />

TO HIS MOTHER, 1917.<br />

Benjamin Britten’s magnum opus<br />

War Requiem is one of <strong>the</strong> finest choral and<br />

orchestral works of <strong>the</strong> 20th century.<br />

Monumental in scope, <strong>the</strong> bold and inspired<br />

work is composed for two orchestras,<br />

a massed choir, a children’s choir, three<br />

soloists and organ. Interwoven with powerful<br />

recitations from Missa pro defunctis (Mass<br />

for <strong>the</strong> Dead) and nine magnificent poems by<br />

<strong>the</strong> great war poet, Wilfred Owen, it responds<br />

sensitively yet determinedly to <strong>the</strong> horrors<br />

and devastation of war and to <strong>the</strong> futility of<br />

man’s inhumanity to man – a message which<br />

still resonates now as strongly as it did when<br />

Britten wrote it.<br />

War Requiem was commissioned to mark<br />

<strong>the</strong> re-consecration of Coventry Ca<strong>the</strong>dral,<br />

rebuilt after a 1940 German air raid almost<br />

completely destroyed <strong>the</strong> original 14th<br />

century ca<strong>the</strong>dral, St Michael’s. After <strong>the</strong><br />

first performance of War Requiem in 1962,<br />

a moment of reverential silence fell upon <strong>the</strong><br />

audience; not a single clap was heard.<br />

Fifty years after that momentous occasion<br />

and 100 years since <strong>the</strong> birth of its composer,<br />

War Requiem is heard in <strong>Auckland</strong>.<br />

Conducted by Eckehard Stier, <strong>the</strong> <strong>Auckland</strong><br />

<strong>Philharmonia</strong> Orchestra is joined by fêted Irish<br />

soprano Orla Boylan, tenor Timothy Robinson<br />

plus Voices New Zealand Chamber Choir, New<br />

Zealand Youth Choir and a combined children’s<br />

choir to bring <strong>the</strong> spirit, genius and force of<br />

Britten’s masterpiece to <strong>the</strong> <strong>Auckland</strong> Town<br />

Hall for one tremendous evening.<br />

The opportunity for such a special<br />

experience is rare. Prepare to be moved.<br />

WHEN<br />

Sat 23 Mar at 8pm<br />

WHERE<br />

Great Hall, <strong>Auckland</strong> Town Hall<br />

TICKETS<br />

Public<br />

Deluxe $139 $124<br />

Premium $118 $108<br />

A Reserve $98 $89<br />

B Reserve $75 $69<br />

C Reserve $45<br />

Presented by<br />

Subscribers &<br />

Festival Friends<br />

Robert Lussier, LussierPhoto.com<br />

In association with<br />

Find out more about <strong>Auckland</strong> Arts Festival at<br />

aucklandfestival.co.nz


1 - 3 <strong>June</strong><br />

Rounds I and II - Queenstown Memorial Hall<br />

Solo and accompanied works with Sarah Watkins<br />

and Diedre Irons<br />

5 - 6 <strong>June</strong><br />

Round III - <strong>Auckland</strong> Town Hall<br />

Concert Chamber<br />

Chamber music with Ashley Brown<br />

and Michael Houstoun<br />

8 <strong>June</strong><br />

7.30pm<br />

7.30pm<br />

Final Round - <strong>Auckland</strong> Town Hall<br />

Concertos with <strong>the</strong> <strong>Auckland</strong> <strong>Philharmonia</strong><br />

Orchestra (can be purchased with your<br />

APO subscription)<br />

InsIders GuIde, HosTed<br />

by JusTIne CorMACk


Qantas presents<br />

The Last Night of<br />

<strong>the</strong> Proms<br />

8pm, Thu 11 July<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Benjamin Nor<strong>the</strong>y<br />

soprano Helen Medlyn<br />

Ben Nor<strong>the</strong>y, Musical Director for <strong>the</strong><br />

re-opening concerts of Melbourne’s<br />

Hamer Hall in 2012, takes <strong>the</strong> baton for<br />

<strong>the</strong> always-exciting Qantas Last Night<br />

of <strong>the</strong> Proms. With music that includes<br />

Elgar’s ‘Nimrod’, <strong>the</strong> Sailors’ Hornpipe<br />

from Fantasia on British Sea Songs<br />

and ‘Rule Britannia’, this is a night to<br />

cut loose and celebrate <strong>the</strong> best of<br />

British orchestral tradition. Dress up<br />

and bring your streamers, as <strong>the</strong> hall<br />

will be decked with banners, ready for<br />

you to celebrate in true Proms fashion.<br />

You’ll enjoy all <strong>the</strong> orchestral favourites<br />

and Proms classics that make up this<br />

firecracker of a programme.<br />

25


The Trusts Community Foundation Opera in Concert<br />

Stravinsky:<br />

The Rake’s Progress<br />

7.30pm, Fri 9 August<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Eckehard Stier<br />

Cast includes<br />

tom rakewell Andrew Goodwin<br />

anna trulove Madeleine Pierard<br />

nick shadow Paul Whelan<br />

baba <strong>the</strong> turk Liane Keegan<br />

mo<strong>the</strong>r goose Helen Medlyn<br />

Chorus The Chapman Tripp Opera Chorus<br />

Director John Rosser<br />

Stravinsky’s only full-length opera, with a<br />

“dazzlingly barbed” English language libretto<br />

written by poets W.H. Auden and Chester<br />

Kallman, is a modern fable that traces <strong>the</strong><br />

moral and mental downfall of Tom Rakewell.<br />

Tom is courting Anne Trulove, but after<br />

declining a conventional job offer from her<br />

fa<strong>the</strong>r, he unknowingly meets <strong>the</strong> devil in<br />

<strong>the</strong> form of <strong>the</strong> mysterious Nick Shadow.<br />

Rakewell follows Shadow to London and<br />

supposed freedom, only to be steered<br />

through a cascade of escalating foibles,<br />

including a visit to a bro<strong>the</strong>l, a marriage to<br />

a bearded lady named Baba <strong>the</strong> Turk, and<br />

eventual madness. New Zealand’s own Paul<br />

Whelan makes a triumphant return in <strong>the</strong><br />

tour-de-force vocal part of Nick Shadow,<br />

26 apo.co.nz<br />

with Australian Andrew Goodwin in <strong>the</strong><br />

title role and Helen Medlyn and Madeleine<br />

Pierard among a strong supporting cast.<br />

A masterpiece of 20 th century opera, The<br />

Rake’s Progress is a tale of adventure, love<br />

and madness propelled by Stravinsky’s<br />

rhythmic verve and dazzling harmonies.<br />

Prepare for a witty, emotional and thoroughly<br />

entertaining night of concert opera.


28 apo.co.nz


Choral Masterpieces<br />

Mozart Requiem<br />

8pm, Thu 12 September<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Bernard Labadie<br />

Cello Alban Gerhardt<br />

soprano Nicole Car<br />

mezzo-soprano Sarah Castle<br />

tenor Paul McMahon<br />

baritone TBC<br />

Choir Voices New Zealand<br />

Director Dr Karen Grylls<br />

haydn Symphony No.26, ‘Lamentatione’<br />

haydn Cello Concerto No.1 in C major<br />

mozart Requiem<br />

Canadian conductor Bernard Labadie<br />

leads <strong>the</strong> orchestra and Voices New<br />

Zealand in a performance of Mozart’s<br />

Requiem, written and left unfinished<br />

while <strong>the</strong> composer lay on his death-bed.<br />

Labadie, heralded as a Classical and<br />

Baroque specialist, is <strong>the</strong> music director<br />

of acclaimed early-music group Les<br />

Violons du Roy.<br />

Sensational German cellist Alban<br />

Gerhardt, who recently made his debut<br />

with <strong>the</strong> Berlin Philharmonic Orchestra,<br />

performs Haydn’s lively Concerto in C<br />

Major in an entrée to <strong>the</strong> choral feast.<br />

29


30<br />

apo.co.nz<br />

Qantas presents<br />

Music of <strong>the</strong> Night<br />

8pm, Thu 31 October<br />

<strong>Auckland</strong> Town Hall<br />

Conductor Marc Taddei<br />

singer Tim Beveridge<br />

Presenter Raymond Hawthorne<br />

Programme includes:<br />

bach/stokowski Toccata and Fugue<br />

in D Minor<br />

saint-saëns Danse Macabre<br />

Dukas The Sorcerer’s Apprentice<br />

mussorgsky ‘Baba Yaga’ from Pictures<br />

at an Exhibition<br />

Lloyd Webber ‘The Music of <strong>the</strong> Night’<br />

from Phantom of <strong>the</strong> Opera<br />

A night of <strong>the</strong> o<strong>the</strong>rworldly. Composers<br />

have always been drawn to <strong>the</strong><br />

supernatural, and in this special concert,<br />

coinciding with Halloween, <strong>the</strong> orchestra<br />

presents a staged performance of<br />

several macabre and dramatic classics.<br />

Renowned actor/director Raymond<br />

Hawthorne joins us for what is sure to be<br />

a night of <strong>the</strong>atrical and musical thrills.


Celebrate Christmas<br />

7.30pm, Fri 13 December<br />

Holy Trinity Ca<strong>the</strong>dral<br />

3pm, Sat 14 December<br />

Holy Trinity Ca<strong>the</strong>dral<br />

Conductor Brett Kelly<br />

tenor Ben Makisi<br />

Choir The Graduate Choir NZ<br />

Director Terence Maskill<br />

Share <strong>the</strong> Christmas spirit with friends<br />

and family, <strong>the</strong> APO and The Graduate<br />

Choir NZ in a concert of carols and<br />

festive melodies. This annual concert<br />

at Holy Trinity Ca<strong>the</strong>dral in Parnell is a<br />

perfect way to welcome Christmas to<br />

<strong>Auckland</strong>. Vocalist Ben Makisi, known as<br />

New Zealand’s finest Pacific tenor, has<br />

starred with NBR NZ Opera and in 2012<br />

featured in <strong>the</strong> concert performance of<br />

Nabucco with <strong>the</strong> APO. Brett Kelly, one<br />

of Australia’s top conductors, leads this<br />

celebratory programme.<br />

31


32 apo.co.nz


Meet <strong>the</strong> Orchestra<br />

<strong>Auckland</strong> <strong>Philharmonia</strong><br />

Orchestra is <strong>Auckland</strong>’s<br />

leading performing arts<br />

organisation, and <strong>the</strong><br />

city’s resident full-time<br />

professional symphony<br />

orchestra.<br />

In more than 80 performances annually, <strong>the</strong><br />

APO presents a full season of symphonic<br />

work showcasing many of <strong>the</strong> world’s<br />

finest classical musicians. Recent soloists<br />

include Michael Collins, Tasmin Little,<br />

Midori, Christine Brewer and Dame Evelyn<br />

Glennie. Returning this year are James<br />

Ehnes, Nikolai Demidenko, Giancarlo<br />

Guerrero and Kristian Win<strong>the</strong>r among<br />

several o<strong>the</strong>rs, and we are delighted<br />

to welcome for <strong>the</strong> first time acclaimed<br />

artists including pianist Steven Osborne,<br />

organist Cameron Carpenter and esteemed<br />

German conductor Jun Märkl. The APO is<br />

also proud to support both <strong>the</strong> NBR New<br />

Zealand Opera and <strong>the</strong> Royal New Zealand<br />

Ballet in <strong>the</strong>ir <strong>Auckland</strong> performances.<br />

Renowned for its innovation, passion and<br />

versatility, <strong>the</strong> APO collaborates with some<br />

of New Zealand’s most inventive artists,<br />

including recent performances with leading<br />

<strong>Auckland</strong> hip hop artists in its Remix <strong>the</strong><br />

Orchestra performance, Warren Maxwell,<br />

Nathan Haines and <strong>the</strong> Topp Twins.<br />

Additionally, <strong>the</strong> APO is orchestra of choice<br />

for visiting international acts such as Kenny<br />

Rogers, Diana Krall, and Serj Tankian.<br />

The APO promotes a vibrant arts culture<br />

by providing leadership and support<br />

across <strong>the</strong> arts sector. Through its<br />

numerous APO Connecting (education,<br />

outreach and community) initiatives<br />

<strong>the</strong> APO offers opportunities to more<br />

than 23,000 young people and adults<br />

nationwide to participate in music, ranging<br />

from hip hop and rock to contemporary and<br />

classical. In 2011 <strong>the</strong> orchestra launched<br />

Sistema Aotearoa in partnership with <strong>the</strong><br />

Ministry for Culture and Heritage. This is<br />

<strong>the</strong> first music education programme in<br />

New Zealand to be based on El Sistema,<br />

one of <strong>the</strong> world’s most successful<br />

music and social development projects.<br />

The programme now teaches music to<br />

almost 200 children, with instruments and<br />

teaching provided free of charge.<br />

More than 100,000 people hear <strong>the</strong><br />

orchestra live each year, and many<br />

thousands more are reached through<br />

special events, o<strong>the</strong>r media and recordings<br />

on <strong>the</strong> APO Live and Naxos music labels.<br />

Most APO concerts are broadcast live<br />

nationally and streamed online on Radio<br />

New Zealand Concert, allowing everyone<br />

<strong>the</strong> chance to share <strong>the</strong> excitement of a<br />

world-class performance.<br />

Patrons<br />

Dame Kiri Te Kanawa, ONZ, DBE<br />

Dame Ca<strong>the</strong>rine Tizard, ONZ<br />

Sir James Wallace, KNZM<br />

ViCe Patron<br />

Dame Jenny Gibbs, DNZM<br />

auCKLanD PhiLharmonia<br />

orChestra boarD<br />

Dame Rosanne Meo, DNZM, OBE (Chairman)<br />

Jonathan Baker<br />

Richard Ebbett<br />

Prof Jonathan Mane-Wheoki<br />

Geraint Martin<br />

Michael Moyes<br />

Kieran Raftery<br />

Ceo<br />

Barbara Glaser<br />

musiC DireCtor<br />

Eckehard Stier<br />

ComPoser-in-resiDenCe<br />

Jack Body<br />

33


musiC DireCtor<br />

Eckehard Stier<br />

ConCertmaster<br />

Dimitri Atanassov<br />

assistant ConCertmaster<br />

Miranda Adams<br />

34 apo.co.nz<br />

First VioLins<br />

Artur Grabczewski #<br />

Mark Bennett<br />

Elizabeth<br />

Grabczewska<br />

Ainsley Murray<br />

Tomislav Nikolich<br />

Alexander Shapkin<br />

Lucy Qi Zhang<br />

Satomi Suzuki<br />

seConD<br />

VioLins<br />

Dianna Cochrane ß<br />

William Hanfling #<br />

Rae Crossley-Croft =<br />

Sarah Hart<br />

Jocelyn Healy<br />

David Maunsell<br />

Ewa Sadag<br />

Ka<strong>the</strong>rine Walshe<br />

Caroline von<br />

Bismarck<br />

VioLas<br />

Robert Ashworth ß<br />

Anne Draffin #<br />

Christine Bowie<br />

Ping Tong Chan<br />

Gregory McGarity<br />

Owen Gordon<br />

Susan Wedde<br />

Wen Chuan Lin<br />

CeLLos<br />

Eliah Sakakushev-<br />

von Bismarck ß<br />

David Garner +<br />

Liliya Arefyeva #<br />

Virginia Hopkins =<br />

Ka<strong>the</strong>rine Hebley<br />

You Lee<br />

Claudia Price


asses<br />

Gordon Hill ß<br />

Annabella Leslie +<br />

Matthias Erdrich<br />

Evgueny<br />

Lanchtchikov<br />

Michael Steer<br />

FLutes<br />

Ca<strong>the</strong>rine Bowie ß<br />

Kathryn Moorhead +<br />

Jennifer<br />

Seddon-Mori #<br />

PiCCoLo<br />

Jennifer<br />

Seddon-Mori*<br />

oboes<br />

Camille Wells +<br />

Martin Lee<br />

Cor angLais<br />

Martin Lee*<br />

CLarinets<br />

Gordon Richards ß<br />

Bridget Miles +<br />

James Fry #<br />

bass<br />

CLarinet<br />

Bridget Miles*<br />

bassoons<br />

Ingrid Hagan ß<br />

Yang Rachel<br />

Guan Ebbett +<br />

Ruth Brinkman #<br />

Contra-<br />

bassoon<br />

Ruth Brinkman*<br />

horns<br />

Nicola Baker ß<br />

Emma Richards*<br />

Carl Wells #<br />

Simon Williams #<br />

David Kay<br />

trumPets<br />

Brent Grapes ß<br />

Huw Dann +<br />

Norman McFarlane +<br />

trombones<br />

Douglas Cross ß<br />

Mark Close #<br />

bass<br />

trombone<br />

Timothy Sutton*<br />

tuba<br />

Jonathan Baker*<br />

timPani<br />

Vadim Simongauz ß<br />

PerCussion<br />

Eric Renick ß<br />

Jennifer Raven #<br />

Shane Currey<br />

harP<br />

Rebecca Harris*<br />

ComPoser-<br />

in-resiDenCe<br />

Jack Body<br />

ß Section Principal<br />

= Section Leader<br />

Emeritus<br />

* Principal<br />

+ Associate Principal<br />

# Sub-Principal<br />

35


The players say...<br />

Jenny Raven<br />

Sub-principal Percussion<br />

“I love <strong>the</strong> really strong <strong>the</strong>mes that<br />

Prokofiev writes and that he uses<br />

percussion to add <strong>the</strong> final “punch” to his<br />

Symphony No.5 (May 16). In October ‘The<br />

Roaring ’20s’ is a cool, jazzy concert to<br />

really look forward to. And percussion has<br />

its very own Sanctuary concert.”<br />

David Garner<br />

Associate Principal Cello<br />

“Along with some popular favourites I<br />

am particularly excited about performing<br />

<strong>the</strong> rarely programmed Hindemith Cello<br />

Concerto with soloist Johannes Moser.<br />

Hindemith’s only mature cello concerto<br />

scored for full orchestra, this work presents<br />

technical and musical challenges with<br />

virtuoso solo and orchestral writing. I am<br />

sure this concert will be eagerly anticipated<br />

by both <strong>the</strong> audience and orchestra.”<br />

36 apo.co.nz<br />

You Lee<br />

Cello<br />

“The 2013 season is filled with incredible<br />

music and artists – I can’t wait!<br />

“It’s great to see a mix of classic and<br />

new works, and Britten’s War Requiem<br />

will be amazing.”<br />

Nicola Baker<br />

Section Principal Horn<br />

“I’m looking forward to Prokofiev’s 5th Symphony, which speaks of <strong>the</strong> glory and<br />

nobility of <strong>the</strong> human spirit, even though<br />

it was created during one of <strong>the</strong> world’s<br />

darkest hours. Let it lift your soul.<br />

“There is a beautiful innocence and<br />

simplicity about Mahler’s 4th Symphony<br />

that draws you into a magical world.”<br />

Dianna Cochrane<br />

Section Principal Second Violin<br />

“What a fantastic line up of concerts!<br />

Where do I begin? I’m so excited to open<br />

<strong>the</strong> season with Eckehard conducting<br />

Zarathustra, following on with one of my<br />

all time favourites, Britten’s amazing War<br />

Requiem – a concert not to be missed! And<br />

I can’t wait to have <strong>the</strong> sublime musicianship<br />

and wonderful personality of James Ehnes<br />

back with us, playing <strong>the</strong> elegant and<br />

expressive Elgar violin concerto.”<br />

Miranda Adams<br />

Assistant Concertmaster<br />

“I’m really looking forward to playing<br />

Bartók’s Music for Strings, Percussion<br />

and Celesta. It’s haunting, evocative<br />

music, and still sends a shiver down my<br />

spine, especially after how it was used<br />

in The Shining. The mesmerising string<br />

passages underlying beautiful celeste<br />

trills and percussion rumbles blow my<br />

imagination away. I love Bartók!”


The audience says...<br />

“I did <strong>the</strong> most exciting thing last night! Grandad took<br />

me to a concert! It was at 6 o’clock in <strong>the</strong> <strong>Auckland</strong><br />

Town Hall, and it was Symphony No.9 by Dvor˘ák. The<br />

orchestra played <strong>the</strong> first movement, some of <strong>the</strong> third<br />

and second, and all of <strong>the</strong> fourth. It was wonderful!<br />

The music was sweet and high, dark and low, big and<br />

small, soft and light, rich and deep – but whatever it<br />

was, it was beautiful!”<br />

— Juliette, aged 11<br />

“I have completely fallen in love with<br />

<strong>the</strong> APO. It transports me: it is my<br />

escape from <strong>the</strong> human to <strong>the</strong> divine.<br />

I enjoy every concert.”<br />

— Jane, audience member<br />

“What a wonderful experience <strong>the</strong><br />

APO’s concert in Takapuna was last<br />

night [Sanctuary Strings] – delightful<br />

choice of music, marvellous, intimate<br />

chamber music environment and a<br />

privilege to share music with such<br />

superb musicians. Thank you. May we<br />

have more of <strong>the</strong> same next year!”<br />

— Audience members Harry and Anne<br />

37


APO Connecting<br />

APO Connecting is all about <strong>the</strong><br />

APO’s links to <strong>the</strong> community.<br />

Through education and outreach<br />

and activities and concerts, our<br />

aim is to excite and engage<br />

you and share our passion for<br />

orchestral music.<br />

In public venues, schools and<br />

classrooms, APO Connecting connects<br />

our professional players with schools,<br />

individuals and communities. In a flagship<br />

programme that is <strong>the</strong> envy of many<br />

o<strong>the</strong>r orchestras, and widely applauded<br />

by educators and community leaders,<br />

we inspire young musicians, connect<br />

music makers and music lovers of <strong>the</strong><br />

present and <strong>the</strong> future, and offer concerts,<br />

workshops and tutorials.<br />

From introductions for pre-schoolers to<br />

professional development and mentoring<br />

for aspiring musicians, composers<br />

and conductors, APO Connecting<br />

38 apo.co.nz<br />

engages people through orchestral<br />

music experiences suited to <strong>the</strong>ir needs<br />

and interests.<br />

Alongside a structured education<br />

programme for schools, we offer concerts<br />

and activities for all ages. Concerts<br />

such as APO 4 Kids, Unwrap <strong>the</strong> Music,<br />

Sanctuary Series and Discovery, and<br />

activities such as Open Days open <strong>the</strong><br />

door to <strong>the</strong> excitement of orchestral<br />

performance and a deeper understanding<br />

of music and how it is created.<br />

Highlights in <strong>the</strong> 2013 APO Connecting<br />

programme include <strong>the</strong> Organ Spectacular<br />

concert in <strong>the</strong> Town Hall, which is <strong>the</strong><br />

culmination of 18 months’ collaboration<br />

between composers and organists in<br />

creating new works for <strong>the</strong> Town Hall<br />

organ; our 2013 dance project, which<br />

comes toge<strong>the</strong>r in <strong>the</strong> second half of <strong>the</strong><br />

year; two Big Play In concerts that let nonprofessional<br />

musicians perform alongside<br />

<strong>the</strong>ir APO counterparts; and Connecting<br />

in Action, <strong>the</strong> APO’s contribution to<br />

UNESCO’s International Arts Education<br />

Week in May. This showcases some<br />

of <strong>the</strong> APO’s education activities in a<br />

concentrated week of events to increase<br />

awareness of <strong>the</strong> importance of arts<br />

education and of promoting cultural<br />

diversity and intercultural dialogue.<br />

And, of course, we continue to expand<br />

our world-class Sistema Aotearoa<br />

programme, inspired by <strong>the</strong> engagement<br />

and enthusiasm of <strong>the</strong> students and <strong>the</strong><br />

people of Otara.<br />

Details about all APO Connecting<br />

activities for 2013 will be on <strong>the</strong> APO<br />

website www.apo.co.nz and in a separate<br />

brochure, released at <strong>the</strong> end of 2012.<br />

Please call our education office on<br />

(09) 6235625 after <strong>the</strong> end of November<br />

to receive your copy.


APO 4 Kids<br />

A Day with Teddy<br />

Mon 22 April, TelstraClear<br />

Pacific Events Centre, Manukau<br />

Tue 23 April, Bruce Mason<br />

Centre, Takapuna<br />

Sat 27 April, <strong>Auckland</strong><br />

Town Hall<br />

10am and 11.30am at all venues.<br />

APO 4 Kids concerts are perfect for two-<br />

to five-year-olds. Fast paced, with familiar<br />

and catchy tunes that preschoolers know,<br />

and Kevin Keys as a zany narrator, <strong>the</strong>se<br />

concerts offer toe-tapping, clapping, singalong<br />

fun.<br />

This year, two of our APO 4 Kids<br />

performances are held on week days during<br />

<strong>the</strong> school holidays, offering a special<br />

activity for young family members.<br />

APO 4 Kids Christmas<br />

Sun 24 November, Massey High<br />

School Performing Arts Centre,<br />

Waitakere<br />

Sat 30 November, <strong>Auckland</strong><br />

Town Hall<br />

10am and 11.30am at both venues.<br />

It’s APO 4 Kids – with a Christmas <strong>the</strong>me.<br />

Favourite carols and sing-along songs<br />

for two- to five-year-olds, with Kevin Keys<br />

transformed as <strong>the</strong> Christmas elf – or<br />

perhaps Fa<strong>the</strong>r Christmas.<br />

Share <strong>the</strong> joy of Christmas with your<br />

young family members at a concert geared<br />

specially to <strong>the</strong>ir tastes.<br />

O<strong>the</strong>r key 2013 Connecting activities:<br />

APO Lion Foundation Orchestral Summer School,<br />

13-17 January 2013 – final performances 17 January,<br />

St Cuthbert’s College, 5.30pm and 8pm.<br />

Big Play in, 6.30pm, Thu 27 <strong>June</strong> and Fri 25 October,<br />

<strong>Auckland</strong> Town Hall<br />

Open Days<br />

The APO’s free Open Days offer an<br />

afternoon of entertainment and musical<br />

exploration for all ages. Interact with APO<br />

musicians, hear <strong>the</strong> instruments up close,<br />

watch rehearsal and performances and<br />

take part in workshops, mentoring and a<br />

range of o<strong>the</strong>r family activities. Detailed<br />

programmes published closer to <strong>the</strong> dates.<br />

Open Day South<br />

1-4pm, Sun 9 <strong>June</strong>, TelstraClear<br />

Pacific Events Centre, Manukau<br />

Includes performances by students of<br />

Sistema Aotearoa, plus a special Remix<br />

performance.<br />

Open Day West<br />

1-4pm, Sun 13 October<br />

The Trusts Stadium, Waitakere<br />

Includes Sing with <strong>the</strong> APO, a chance for<br />

any singer to perform live with <strong>the</strong> APO.<br />

39


How you can help your orchestra<br />

You can help us make <strong>the</strong> finest music available to <strong>the</strong> greatest number of people, now and in <strong>the</strong> future.<br />

Did you know that ticket sales only cover a small portion of <strong>the</strong> APO’s work? We also rely on support from<br />

individuals, trusts and companies to help us deliver our exciting concert series and our innovative APO<br />

Connecting (education and outreach) programmes. Help us to engage, innovate and inspire.<br />

GIVE<br />

Make a Donation<br />

The APO gratefully receives many private<br />

donations. You can make a gift through:<br />

– <strong>the</strong> subscription donation scheme (adding a<br />

donation to your subscription purchase)<br />

– <strong>the</strong> APO annual appeal<br />

– <strong>the</strong> APO website apo.co.nz<br />

– payroll giving<br />

All donations over $5 are tax deductable<br />

Chair Donor Programme<br />

You can help support <strong>the</strong> orchestra by<br />

becoming a Chair Donor and “adopting”<br />

a musician.<br />

By making an annual gift of $4,000 or more<br />

you can enjoy a unique relationship with <strong>the</strong><br />

orchestra and your adopted musician.<br />

We will keep you closely engaged in <strong>the</strong> life of<br />

<strong>the</strong> orchestra through regular updates on<br />

concerts, recordings and o<strong>the</strong>r activities<br />

such as:<br />

– invitations to exclusive Chair Donor functions<br />

– opportunities to meet and get to know<br />

your player<br />

– invitations to behind <strong>the</strong> scenes events<br />

For fur<strong>the</strong>r information on becoming a Chair<br />

Donor, contact APO Fundraising manager<br />

Christopher Johnstone christopherj@apo.co.nz,<br />

or (09) 623 5628.<br />

40 apo.co.nz<br />

PROMISE<br />

Make a gift in your will<br />

<strong>Auckland</strong> <strong>Philharmonia</strong> Foundation<br />

Consider leaving <strong>the</strong> <strong>Auckland</strong> <strong>Philharmonia</strong><br />

Foundation a gift in your will and ensure that<br />

future generations will be touched and inspired<br />

by great orchestral music in <strong>the</strong> way you have<br />

been. The Foundation is dedicated to securing<br />

an inspirational future for <strong>the</strong> APO through its<br />

legacy endowment fund.<br />

By making a gift in your will you can help <strong>the</strong><br />

orchestra go from strength to strength, and play<br />

a part in shaping <strong>the</strong> cultural future of <strong>Auckland</strong>.<br />

For fur<strong>the</strong>r information on gifts in wills, contact<br />

APO Fundraising manager Christopher<br />

Johnstone christopherj@apo.co.nz, or<br />

(09) 623 5628.<br />

JOIN<br />

APO Membership<br />

In 2013 <strong>the</strong> APO introduces an exciting new<br />

membership programme. You will have <strong>the</strong><br />

chance to get behind <strong>the</strong> scenes, meet <strong>the</strong><br />

musicians and soloists and receive advance<br />

information about <strong>the</strong> orchestra and its<br />

concert series.<br />

So why not get closer to <strong>the</strong> orchestra by<br />

becoming a member?<br />

We look forward to telling you more about this<br />

great new development in early 2013.<br />

For fur<strong>the</strong>r information call <strong>the</strong> Development<br />

Office on (09) 623 5620 or email <strong>the</strong> APO on<br />

development@apo.co.nz.<br />

APO Friends<br />

An integral part of <strong>the</strong> orchestra’s family, <strong>the</strong> APO<br />

Friends provide vital help for many areas of our<br />

work, including selling programmes and looking<br />

after <strong>the</strong> Friends table.<br />

For an annual membership of just $30 you have<br />

<strong>the</strong> opportunity to:<br />

– be a core part of <strong>the</strong> support for <strong>the</strong> APO<br />

– contribute to an essential element of<br />

<strong>Auckland</strong>’s cultural life<br />

– meet o<strong>the</strong>r music lovers who feel inspired to<br />

get involved with <strong>the</strong> orchestra<br />

– receive invitations to Meet <strong>the</strong> Artist functions<br />

For information, contact <strong>the</strong><br />

Membership Secretary Anne Stewart:<br />

anne.stewart@xtra.co.nz or (09) 444 5310.


Villa Maria Estate Founder & Owner, Sir George Fistonich, <strong>Auckland</strong>, New Zealand circa 1960<br />

New Zealand’s most<br />

awarded winery<br />

Villa Maria Estate was founded 50 years ago<br />

by Sir George Fistonich. Still proudly family<br />

owned, Villa Maria is recognised as an icon<br />

in <strong>the</strong> New Zealand wine industry, producing<br />

wines of exceptional quality.<br />

www.villamaria.co.nz/50years<br />

41


Aotearoa<br />

Away with <strong>the</strong> birds<br />

Wherever you’re heading, we want you to<br />

go somewhere nice along <strong>the</strong> way. We now<br />

have a fleet of eight new next generation<br />

Boeing 737-800 aircraft operating on flights<br />

from <strong>Auckland</strong> and Wellington with <strong>the</strong> very<br />

latest in-flight entertainment. You can look<br />

forward to full service, with complimentary<br />

meals and drinks in Business and Economy<br />

when you fly with Qantas across <strong>the</strong> Tasman.<br />

Make your next destination qantas.com<br />

Business seat shown.<br />

Information correct as at 31 July 2012.<br />

All flights are subject to last minute aircraft changes.


Select<br />

your<br />

season<br />

Make an appointment for<br />

yourself and friends to attend<br />

concerts in 2013. Subscribe<br />

to your selected programme<br />

of concerts in advance<br />

and reap <strong>the</strong> rewards in so<br />

many ways: <strong>the</strong> pleasure<br />

of planning your 2013<br />

orchestral entertainment,<br />

meeting with friends at <strong>the</strong><br />

concerts, <strong>the</strong> anticipation of<br />

musical delights in store –<br />

and <strong>the</strong> bonus of additional<br />

benefits as a subscriber.<br />

Make your booking or ask <strong>the</strong> APO<br />

ticketing team for advice by calling:<br />

(09) 623 1052<br />

Or go to our secure site at<br />

www.bookings.apo.co.nz and fill in <strong>the</strong><br />

online booking form.<br />

You can mail your completed<br />

booking form to:<br />

<strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra<br />

Freepost No. 212030 (no stamp required*)<br />

PO Box 56024, Dominion Road<br />

<strong>Auckland</strong> 1446<br />

* But feel free to help <strong>the</strong> APO save every little bit by<br />

adding a stamp if you wish.<br />

43


Subscribe<br />

It’s easy. Become a subscriber by selecting a Full Series subscription or starting a Choose Your Own<br />

subscription by booking just four tickets or gift vouchers to one or more concerts in our 2013 season. You can<br />

<strong>the</strong>n add gift vouchers and single tickets at subscriber prices during <strong>the</strong> year whenever you wish.<br />

For subscription options and prices, please see <strong>the</strong> Booking Form. If you have any questions, contact <strong>the</strong> APO<br />

Ticketing team on (09) 623 1052 or email ticketing@apo.co.nz.<br />

Full series subscription<br />

Book all 12 concerts in The New Zealand<br />

Herald Premier Series and receive up to<br />

25% discount off public ticket prices.<br />

Book all three concerts in <strong>the</strong> Bayleys<br />

Great Classics Series or Splendour<br />

Series and receive up to 15% discount<br />

off public ticket prices.<br />

All full series subscribers receive a<br />

complimentary programme book and<br />

priority booking, and you are guaranteed<br />

your seats in <strong>the</strong> following year. If you<br />

were a full series subscriber in 2012 you<br />

retain your chosen seats in 2013.<br />

Choose Your Own subscription<br />

Choose <strong>the</strong> concerts you want to go to and<br />

make up your own subscription by booking<br />

a minimum of four tickets. You’ll save at<br />

least 10% off public ticket prices.<br />

Gift vouchers<br />

A perfect gift for someone who loves music<br />

or to introduce friends to <strong>the</strong> orchestra –<br />

or use <strong>the</strong>m yourself. Save 10% off full<br />

ticket prices. Ideal if you can’t commit to<br />

dates, as <strong>the</strong>y are redeemable right up to<br />

concert day. Book at least four vouchers<br />

and you and <strong>the</strong> lucky recipients receive<br />

fur<strong>the</strong>r benefits as APO subscribers.<br />

Group discounts<br />

Receive a 19% discount for your group of<br />

8 or more. Book for 10 and <strong>the</strong> 11 th ticket<br />

is free. Only available through <strong>the</strong> APO<br />

Ticketing office on (09) 623 1052.<br />

series or ConCert PAGE DELUXE<br />

2013 Public Ticket Prices<br />

ADULT<br />

44 apo.co.nz<br />

$20 for 20s & $30 for 30s<br />

If you’re in your 20s or 30s, pay no more<br />

than your decade for any APO concert.<br />

Subject to availability, tickets can be<br />

purchased from <strong>the</strong> Monday before each<br />

concert from <strong>the</strong> APO Ticketing team.<br />

Public tickets<br />

Non-subscribers can buy tickets to<br />

any concert from The Edge box office,<br />

by visiting buytickets.co.nz or calling<br />

0800 BUYTICKETS. Prices are listed<br />

below. Public ticket sales open 21<br />

January 2013.<br />

How to book<br />

online at www.bookings.apo.co.nz<br />

mail booking form to:<br />

<strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra<br />

Freepost No.212030 (no stamp required*)<br />

PO Box 56024 Dominion Road<br />

<strong>Auckland</strong> 1446<br />

Phone:<br />

Call APO Ticketing<br />

on (09) 623 1052<br />

3 Ways to Pay<br />

(in full or by instalments)<br />

*BUT FEEL<br />

FREE TO HELP<br />

THE APO SAVE<br />

EVERY LITTLE<br />

BIT BY ADDING<br />

A STAMP IF<br />

YOU WISH.<br />

– Major credit card (Visa, MasterCard,<br />

Amex, Diners)<br />

– Cheque payable to <strong>Auckland</strong><br />

<strong>Philharmonia</strong> Orchestra<br />

– Cash payments (please visit our<br />

ticketing office at 427 Dominion Rd,<br />

Mt Eden, <strong>Auckland</strong>)<br />

Correct at time of printing. See booking form opposite for subscription prices.<br />

DELUXE<br />

SENIOR PREMIER<br />

ADULT PREMIER<br />

SENIOR PREMIER A RES A RES<br />

STUDENT ADULT SENIOR<br />

Key dates to look out for<br />

monday 1 october 2012:<br />

Subscription priority period begins.<br />

Seats will be allocated in <strong>the</strong> following<br />

order for bookings received by Friday 2<br />

November 2012:<br />

1. Renewing full (12-concert) New<br />

Zealand Herald Premier Series<br />

subscribers<br />

2. New full New Zealand Herald Premier<br />

Series subscribers<br />

3. Renewing full (3 concert) Bayleys<br />

Great Classics and/or Splendour<br />

Series subscribers<br />

4. New full Bayleys Great Classics and/<br />

or Splendour Series subscribers<br />

5. Remaining subscriptions in date order<br />

Friday 2 november 2012:<br />

Priority period ends. All bookings received<br />

from 3 November onwards will have seats<br />

allocated in <strong>the</strong> order that <strong>the</strong>y are received.<br />

N.B. All subscription bookings will be<br />

in your mail box before <strong>the</strong> APO office<br />

closes for 2012 on Friday 21 December.<br />

For enquiries, please phone <strong>the</strong> APO<br />

Ticketing team on (09) 623 1052.<br />

Fri 21 December 2012:<br />

APO Ticketing office closes.<br />

mon 7 January 2013:<br />

APO Ticketing office reopens.<br />

Fri 18 January 2013:<br />

Subscriber competition closes.<br />

mon 21 January 2013:<br />

2013 Season open for public ticket sales.<br />

A RES<br />

STUDENT<br />

B RES<br />

ADULT<br />

B RES<br />

SENIOR<br />

B RES<br />

STUDENT<br />

Herald Premier Series 8 $122 $111 $102 $93 $57 $85 $76 $43 $68 $62 $36 $51 $46 $26<br />

Bayleys Great Classics Series 14 $122 $111 $102 $93 $57 $85 $76 $43 $68 $62 $36 $51 $46 $26<br />

Splendour Series 16 $122 $111 $102 $93 $57 $85 $76 $43 $68 $62 $36 $51 $46 $26<br />

Chapman Tripp Summer Matinee 20 n/a n/a $63 $63 $30 n/a n/a n/a n/a n/a n/a n/a n/a n/a<br />

Songs and Dances of Desire 1 Table of six in stalls. 21 $360 1 n/a $65 $65 n/a $50 $50 n/a $35 $35 n/a n/a n/a n/a<br />

Britten War Requiem (Akl Arts Festival) 22 $139 $139 $118 $118 n/a $98 $98 n/a $75 $75 n/a $45 $45 n/a<br />

MHIVC 23 $122 $111 $102 $93 $57 $85 $76 $43 $68 $62 $36 $51 $46 $26<br />

Qantas Presents: The Last Night of <strong>the</strong> Proms 25 $92 $81 $77 $67 $40 $61 $50 $31 $50 $45 $26 $41 $36 $21<br />

Opera in Concert: The Rake’s Progress 26 $139 $124 $118 $108 $60 $102 $91 $54 $89 $79 $47 $69 $64 $38<br />

Choral Masterpieces: Mozart Requiem 28 $122 $111 $102 $93 $57 $85 $76 $43 $68 $62 $36 $51 $46 $26<br />

Qantas Presents: Music of <strong>the</strong> Night 30 $92 $81 $77 $67 $40 $61 $50 $31 $50 $45 $26 $41 $36 $21<br />

Celebrate Christmas 31 n/a n/a n/a n/a n/a $59 $46 $31 $48 $41 $26 n/a n/a n/a<br />

C RES<br />

ADULT<br />

C RES<br />

SENIOR<br />

C RES<br />

STUDENT


2013 Booking Form<br />

Concert Attendance History<br />

I am a renewing APO subscriber<br />

I am a new APO subscriber<br />

Concert Seat Selection<br />

Please select your price reserve<br />

2.1 CONCERT SEAT SELECTION<br />

DELUXE A RESERVE C RESERVE<br />

PLEASE MARK PREMIER YOUR SE B ATING RESERVE PREFE RENCE THRIFTY<br />

DELU XE<br />

TOWN HALL<br />

STAGE STAGE<br />

STALLS CIRCLE<br />

A RESERVE<br />

PREMIER<br />

B RESERVE<br />

Please describe your top 3 seating preferences:<br />

Seating Selection<br />

1.<br />

Circle Stalls No preference<br />

My preferred seats are Row ______ Number ______<br />

C RESERVE<br />

THRIFTY<br />

We will try to accommodate <strong>the</strong>se preferences to <strong>the</strong> best of our ability<br />

2.<br />

and availability across all concerts selected.<br />

3.<br />

We will try to accommodate <strong>the</strong>se preferences to <strong>the</strong> best of our<br />

ability and availability across all concerts.<br />

FULL Series Subscriptions<br />

Please select your desired full series subscriptions from <strong>the</strong> tables<br />

below and calculate subscription total.<br />

TOTAL = Number of seats in your desired category multiplied by <strong>the</strong><br />

reserve price.<br />

New Zealand Herald Premier Series<br />

CATEGORY<br />

Example Adult Senior Student/Child<br />

Price Qty Price Qty Price Qty Price Qty<br />

DELUXE $1,098 $1,098 $999 na<br />

PREMIER $918 2 $918 $837 $513<br />

A RES $765 $765 $684 $387<br />

B RES $612 $612 $558 $324<br />

C RES $459 $459 $414 $234<br />

THRIFTY $261 $261 $234 $156<br />

SUBTOTAL $1,836 2<br />

NEW ZEALAND HERALD PREMIER SERIES TOTAL $<br />

Transfer this total to <strong>the</strong> New Zealand Herald Premier Series box<br />

on <strong>the</strong> third page of this booking form.<br />

Bayleys Great Classics Series<br />

CATEGORY<br />

Example Adult Senior Student/Child<br />

Price Qty Price Qty Price Qty Price Qty<br />

DELUXE $312 $312 $282 na<br />

PREMIER $261 2 $261 $237 $144<br />

A RES $216 $216 $192 $108<br />

B RES $171 $171 $159 $90<br />

C RES $129 $129 $117 $66<br />

THRIFTY $108 $108 $102 $57<br />

SUBTOTAL $522 2<br />

BAYLEYS GREAT CLASSICS SERIES TOTAL $<br />

Transfer this total to <strong>the</strong> Bayleys Great Classics Series box on <strong>the</strong><br />

third page of this booking form.<br />

Splendour Series<br />

CATEGORY<br />

SUBSCRIBE<br />

TO ALL 12<br />

CONCERTS<br />

AND RECEIVE<br />

AT LEAST 25%<br />

DISCOUNT<br />

SUBSCRIBE TO<br />

ALL 3 CONCERTS<br />

AND RECEIVE<br />

AT LEAST 15%<br />

DISCOUNT<br />

SUBSCRIBE TO<br />

ALL 3 CONCERTS<br />

AND RECEIVE<br />

AT LEAST 15%<br />

DISCOUNT<br />

Example Adult Senior Student/Child<br />

Price Qty Price Qty Price Qty Price Qty<br />

DELUXE $312 $312 $282 na<br />

PREMIER $261 2 $261 $237 $144<br />

A RES $216 $216 $192 $108<br />

B RES $171 $171 $159 $90<br />

C RES $129 $129 $117 $66<br />

THRIFTY $108 $108 $102 $57<br />

SUBTOTAL $522 2<br />

SPLENDOUR SERIES TOTAL $<br />

Transfer this total to <strong>the</strong> Splendour Series box on <strong>the</strong> third page<br />

of this booking form.


“Choose Your Own” Subscription – Receive at least 10% off public prices for APO main series tickets<br />

Start a Choose Your Own subscription with just FOUR tickets to any of <strong>the</strong> concerts below. Full series subscribers can add additional concerts to<br />

<strong>the</strong>ir subscription at Choose Your Own prices.<br />

Listed prices are at least 10% cheaper than public tickets (see page 44 for public ticket prices) – but more importantly, you receive all <strong>the</strong> o<strong>the</strong>r<br />

benefits of subscribing (see <strong>the</strong> back of <strong>the</strong> subscription booking form).<br />

SERIES OR CONCERT<br />

PAGE<br />

DELUXE<br />

ADULT<br />

DELUXE<br />

SENIOR<br />

PREMIER<br />

ADULT<br />

PREMIER<br />

SENIOR<br />

PREMIER<br />

STUDENT/<br />

CHILD<br />

A RES<br />

ADULT<br />

A RES<br />

SENIOR<br />

A RES<br />

STUDENT/<br />

CHILD<br />

B RES<br />

ADULT<br />

B RES<br />

SENIOR<br />

B RES<br />

STUDENT/<br />

CHILD<br />

C RES<br />

ADULT<br />

C RES<br />

SENIOR<br />

C RES<br />

STUDENT/<br />

CHILD<br />

THRIFTY*<br />

ADULT<br />

THRIFTY*<br />

SENIOR SUBTOTAL<br />

EXAMPLE (number of seats) 2 2 $420<br />

NEW ZEALAND HERALD<br />

PREMIER SERIES<br />

$110 $100 $92 $84 $51 $77 $68 $39 $61 $56 $32 $46 $41 $23 $32 $28<br />

Zarathustra 8<br />

The Trumpet Sounds 8<br />

Last Songs 8<br />

Ehnes plays Elgar 10<br />

Bach to <strong>the</strong> Future 10<br />

“Not Your Grandma’s Organist” 10<br />

Demidenko plays Rachmaninov 11<br />

Voices of Youth 11<br />

Joie de Vivre 11<br />

German Romantics 12<br />

Scandinavian Adventure 12<br />

Season Finale 12<br />

BAYLEYS GREAT CLASSICS SERIES $110 $100 $92 $84 $51 $77 $68 $39 $61 $56 $32 $46 $41 $23 na na<br />

Heroic Classics 14<br />

Dance! 14<br />

My Country 14<br />

SPLENDOUR SERIES $110 $100 $92 $84 $51 $77 $68 $39 $61 $56 $32 $46 $41 $23 na na<br />

Music of Wartime (1940s) 16<br />

A New Era (1900s) 16<br />

The Roaring ’20s 16<br />

CHAPMAN TRIPP SUMMER MATINEE 20<br />

na na $63 $63 $30<br />

SONGS AND DANCES Of DESIRE* 21 $3601 $65 2 $65 na $50 3 $50 na $35 4 $35 na na na na na na<br />

BRITTEN WAR REqUIEM*<br />

(AUCkLAND ARTS fESTIvAL)<br />

22<br />

MICHAEL HILL INTERNATIONAL<br />

vIOLIN COMPETITION # 23<br />

qANTAS PRESENTS:<br />

THE LAST NIGHT Of THE PROMS<br />

25<br />

OPERA IN CONCERT: STRAvINSkY<br />

THE RAkE’S PROGRESS<br />

26<br />

CHORAL MASTERPIECES:<br />

MOZART REqUIEM<br />

28<br />

qANTAS PRESENTS:<br />

MUSIC Of THE NIGHT<br />

30<br />

CELEBRATE CHRISTMAS<br />

FRI 7.30PM<br />

31<br />

SAT 3PM<br />

GIfT vOUCHERS<br />

* APO subscriber prices for Songs & Dances of Desire are available to Friends of <strong>the</strong> <strong>Auckland</strong> Arts Festival<br />

(ID or confirmation of membership required); APO subscribers can purchase tickets to Britten’s War<br />

Requiem at <strong>Auckland</strong> Arts Festival Friends prices (listed above), only with your APO subscription booking.<br />

1 2 3 4 Table of 6 (stalls). Centre circle. Circle. Rear stalls.<br />

APO Connecting Concerts<br />

SERIES OR CONCERT PAGE CONCERT DETAILS<br />

$124 $124 $108 $108 na $89 $89 na $69 $69 na $45 $45 na na na<br />

$110 $100 $92 $84 $51 $77 $68 $39 $61 $56 $32 $46 $41 $23 na na<br />

$83 $73 $69 $60 $36 $55 $45 $27 $45 $40 $23 $37 $32 $19 na na<br />

$125 $111 $106 $97 $54 $92 $82 $49 $80 $71 $42 $62 $57 $34 $53 $49<br />

$110 $100 $92 $84 $51 $77 $68 $39 $61 $56 $32 $46 $41 $23 na na<br />

$83 $73 $69 $60 $36 $55 $45 $27 $45 $40 $23 $37 $32 $19 na na<br />

na na na na na $53 $41 $28 $43 $37 $22 na na na na na<br />

na na $92 na na $77 na na $61 na na na na na na na<br />

Transfer this total to Choose Your Own subscription box on <strong>the</strong> third page of this booking form TOTAL $<br />

# You can also book through <strong>the</strong> APO for Round III (Chamber music round) of <strong>the</strong><br />

Michael Hill International Violin Competition when you book your subscription. Go to<br />

www.violincompetition.co.nz for more information.<br />

ADULT/<br />

SENIOR<br />

QTY<br />

STUDENT/<br />

CHILD<br />

QTY SUBTOTAL<br />

EXAMPLE $25 2 $15 2 $80<br />

ORGAN SPECTACULAR 5 <strong>Auckland</strong> Town Hall; 8pm, Thu 23 May $25 $15<br />

UNWRAP THE MUSIC<br />

Beethoven: Symphony No.5; Thu 11 April $25 $15<br />

6.30pm<br />

<strong>Auckland</strong> Town Hall<br />

SANCTUARY SERIES<br />

18<br />

Tchaikovsky: Piano Concerto No.1; Wed 26 <strong>June</strong> $25 $15<br />

Haydn: ‘Surprise’ Symphony; Wed 25 September $25 $15<br />

Cello, St Michael’s Church, Remuera; Mon 15 April $25 $15<br />

6.30pm Cello, All Saints Church, Howick; Wed 17 April $25 $15<br />

19<br />

Schubert Octet, All Saints Church, Howick; Mon 8 July<br />

Schubert Octet, St George’s Church, Takapuna; Tue 9 July<br />

$25<br />

$25<br />

$15<br />

$15<br />

Percussion & Friends, St Peter’s Church, Takapuna; Mon 7 October $25 $15<br />

Percussion & Friends, St Michael’s Church, Remuera; Wed 9 October $25 $15<br />

10am 11.30am<br />

APO 4 kIDS<br />

TelstraClear Pacific, Manukau; Mon 22 April $15 $15<br />

10am; 11.30am<br />

Bruce Mason Centre, Takapuna; Tue 23 April $15 $15<br />

* Family pass – limited number available at<br />

each venue; 2 adults, 2 children.<br />

39 <strong>Auckland</strong> Town Hall, <strong>Auckland</strong> Central; Sat 27 April $15 $15<br />

Family Pass* – Please select venue:<br />

TelstraClear Pacific Bruce Mason Centre <strong>Auckland</strong> Town Hall<br />

$50<br />

APO 4 kIDS CHRISTMAS<br />

Massey High School Performing Arts Centre; Sun 24 November $15 $15<br />

10am; 11.30am<br />

* Family pass – limited number available at<br />

each venue; 2 adults, 2 children.<br />

39<br />

<strong>Auckland</strong> Town Hall, <strong>Auckland</strong> Central; Sat 30 November<br />

Family Pass* – Please select venue:<br />

Massey High School <strong>Auckland</strong> Town Hall<br />

$15 $15<br />

$50<br />

Transfer this total to <strong>the</strong> APO Connecting Concerts box on <strong>the</strong> third page of this booking form TOTAL $


Payment Details<br />

APO 2013 Season Total<br />

Once you have selected your concerts, fill in your totals<br />

from previous pages in <strong>the</strong> table below.<br />

fULL SERIES SUBSCRIPTIONS<br />

NEW ZEALAND HERALD PREMIER SERIES $<br />

BAYLEYS GREAT CLASSICS SERIES $<br />

SPLENDOUR SERIES $<br />

CHOOSE YOUR OWN SUBSCRIPTION $<br />

APO CONNECTING CONCERTS $<br />

DONATIONS<br />

(DONATIONS OvER $5 ARE TAx DEDUCTIBLE)<br />

POSTAGE $ 1.00<br />

TOTAL PAYMENT $<br />

Fill in your Subscriber Details<br />

Title: Mr Mrs Ms Miss O<strong>the</strong>r<br />

First Name:<br />

Surname:<br />

Postal Address<br />

Suburb<br />

City Postcode<br />

Please include valid ID if you are a new senior or student subscriber.<br />

Office Use Only<br />

Date<br />

NZH # (V. #)<br />

Gr. C # (V. #)<br />

Spl. # (V. #)<br />

CYO # CON #<br />

DON # Renewing New<br />

PBS ML<br />

Email<br />

Print<br />

$<br />

I WOULD LIkE TO PAY:<br />

The full amount now<br />

In instalments<br />

2 instalments – min. spend $200<br />

50% now and 50% on 28 Feb 2013<br />

4 instalments – min. spend $400<br />

25% now and 25% on: 14 Feb, 7 Mar, 4 Apr 2013<br />

PLEASE SELECT YOUR METHOD Of PAYMENT:<br />

Cheque (made payable to <strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra)<br />

Credit Card – we accept Visa, MasterCard, Amex and Diners<br />

Cardholder’s Name:<br />

Card No.<br />

Expiry Date /<br />

Phone (home)<br />

Phone (work)<br />

Phone (mobile)<br />

*Email<br />

Supporter No. (if known)<br />

I would like to keep up to date on APO news and information by:<br />

# Email # Mail<br />

* Acknowledgement of your booking will be sent to you via email.<br />

# As mail costs are increasing, you will receive more regular communications from us via email,<br />

through our monthly e-news, and with concert reminders and updates linked to <strong>the</strong> concerts<br />

you have selected. If you select only mail, we will aim to communicate with you at least three<br />

times a year.<br />

Stalls Circle Reserve PBS Date<br />

H1 H10 Ch<br />

H2 H11 Op<br />

H3 H12 Ca<br />

H4 G1 Br<br />

H5 G2 Mh<br />

H6 G3 Pr<br />

H7 S1 Mu<br />

H8 S2 Xm F S<br />

H9 S3 Or<br />

Payment Full Date 2 4 Inst $<br />

Date Sent


“<strong>Auckland</strong> <strong>Philharmonia</strong><br />

Orchestra stands, more<br />

than ever, as an energy<br />

core for <strong>the</strong> city’s musical<br />

activities.”<br />

— William Dart, The New Zealand Herald


12 Great Reasons to Subscribe<br />

Book just four tickets or gift vouchers in our 2013 season and you save money<br />

on public ticket prices. You also receive a range of additional benefits:<br />

1. Save up to 25% on individual<br />

concert prices<br />

2. No booking fees – even for additional<br />

concerts, when you phone our<br />

ticketing office<br />

3. Your entertainment booked for <strong>the</strong> year<br />

– but <strong>the</strong> flexibility to exchange tickets<br />

to ano<strong>the</strong>r concert if your plans change<br />

4. An APO subscriber card offering<br />

discounts on o<strong>the</strong>r products, services<br />

and arts events.<br />

5. Free subscription to <strong>the</strong> Naxos online<br />

music library<br />

6. Free programme book and seat<br />

retention if you subscribe to any<br />

full series<br />

7. Bring a friend for free. Full New Zealand<br />

Herald Premier series subscribers<br />

receive two free tickets to any concert<br />

of your choice<br />

Subscribe, Save, Win & Enjoy<br />

Make your subscription booking before Friday 18 January, and thanks<br />

to our partnership with Qantas, you not only go into <strong>the</strong> draw to win a<br />

wonderful prize but you automatically receive a $50 voucher from<br />

Qantas towards your next Qantas flight.*<br />

PLUS you go into <strong>the</strong> draw for a chance<br />

to win # :<br />

A return trip to London courtesy<br />

of Qantas, official airline of <strong>the</strong><br />

<strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra:<br />

You and a companion fly to London<br />

with Qantas.<br />

Fly Qantas and experience friendly service<br />

throughout your flight.<br />

You can also enjoy full service, including<br />

food, wine and entertainment across a<br />

broad network of 168 destinations in 43<br />

countries, including those served by code<br />

share partner airlines.<br />

For <strong>the</strong> latest fares visit qantas.com.<br />

8. Priority seat selection<br />

9. Buy now, pay later in up to four<br />

easy instalments<br />

10. Add on discounted tickets to concerts<br />

throughout <strong>the</strong> year<br />

11. Option to buy very low-priced<br />

seats (Thrifty) not on sale to <strong>the</strong><br />

general public<br />

12. Free lost ticket replacement.<br />

* Your travel voucher will be sent to you with your season<br />

tickets. One voucher will be offered per subscription booking,<br />

regardless of <strong>the</strong> number of tickets or concerts purchased. The<br />

voucher may be used when making a booking through Qantas<br />

Industry Sales by emailing directsalesnz@qantas.com.au.<br />

Bookings must include at least one Qantas-operated flight.<br />

Vouchers must be redeemed by 30 <strong>June</strong> 2013 for bookings<br />

for travel competed by 31 October 2013. The voucher must<br />

be redeemed in one transaction. Any unused portion of <strong>the</strong><br />

voucher will be forfeited. O<strong>the</strong>r terms and conditions apply.<br />

# Important information about Prize Draw:<br />

The promoter is <strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra. Prize<br />

winners will be drawn on Thursday 21 February at <strong>the</strong> first<br />

concert of <strong>the</strong> New Zealand Herald Premier Series at <strong>the</strong><br />

<strong>Auckland</strong> Town Hall, <strong>Auckland</strong>, New Zealand. Winners will<br />

be contacted by phone and consent to <strong>the</strong>ir details being<br />

published in APO communications. Only subscribers aged<br />

18 and over are eligible for <strong>the</strong> draw. The draw is final and no<br />

correspondence will be entered into.<br />

There is one prize. The maximum total prize value is<br />

$7,300, based on <strong>the</strong> recommended retail value (and <strong>the</strong><br />

exchange rate) at <strong>the</strong> time of printing. The Promoter and<br />

Qantas accept no responsibility for any variation in <strong>the</strong> value<br />

of <strong>the</strong> prizes. The prize includes two return economy class<br />

flights on Qantas to London from <strong>Auckland</strong>. Travel must be<br />

booked by 15 <strong>June</strong> 2013 and completed by 30 November<br />

2013. Travel is subject to availability at <strong>the</strong> time of booking.<br />

The prize does not include travel insurance, passports, visas,<br />

meals, transfers, taxes not included in <strong>the</strong> price of <strong>the</strong> ticket,<br />

ground transportation and any o<strong>the</strong>r costs of a personal<br />

nature not stated. Compliance with any health or o<strong>the</strong>r<br />

government requirements is <strong>the</strong> responsibility of <strong>the</strong> prizewinner<br />

and companion. Qantas makes no representation<br />

as to <strong>the</strong> safety, conditions or o<strong>the</strong>r issues that may exist at<br />

<strong>the</strong> destination. All prize travel is subject to Qantas’ General<br />

Terms and Conditions of Carriage. Winners will not accrue<br />

Qantas Frequent Flyer Points on prize travel. An upgrade<br />

cannot be purchased on airfares with cash or Qantas<br />

Frequent Flyer points.<br />

Prize must be taken as stated and no compensation will be<br />

payable if a winner is unable to use <strong>the</strong> prize as stated. Prizes<br />

are not transferable to ano<strong>the</strong>r person (unless agreed to by<br />

<strong>the</strong> Promoter and Qantas) or exchangeable for o<strong>the</strong>r goods<br />

and services and cannot be redeemed as cash. No changes<br />

to travel arrangements are allowed once tickets are issued.


2013 Booking conditions<br />

Please see <strong>the</strong> APO website for full Terms &<br />

Conditions:<br />

www.apo.co.nz<br />

– We will only use personal information that you<br />

provide to us to send you your tickets, information<br />

regarding concerts, o<strong>the</strong>r news and information<br />

about <strong>the</strong> APO, and occasional offers from our<br />

sponsors and funding partners. We will not<br />

share your personal information with any o<strong>the</strong>r<br />

organisations without your express permission.<br />

– We are happy to provide you with access to any<br />

personal information that we hold about you. If it is<br />

wrong, please ask us to correct it. To ask for access<br />

and correction, see our contact details on p44.<br />

– APO Choose Your Own Subscriber discounts<br />

apply to APO main concert performances, but<br />

are not available on <strong>the</strong> Chapman Tripp Summer<br />

Matinée or Songs and Dances of Desire<br />

– Only full series subscribers are able to retain <strong>the</strong>ir<br />

seating from season to season.<br />

– The APO cannot guarantee <strong>the</strong> same seat at<br />

<strong>the</strong> same venue for Choose Your Own (CYO)<br />

subscribers.<br />

– Where available, one programme voucher will be<br />

issued for every 2 seats purchased in a full series<br />

subscription. Please note on <strong>the</strong> booking form if you<br />

require more vouchers.<br />

– Senior citizen prices are available to persons aged<br />

65 years and over. Please provide suitable ID with<br />

your booking form if you are a new Senior/Student<br />

or Community Services card holder subscriber.<br />

– Children’s tickets are for 6–16 year-olds and must<br />

be accompanied by an adult ticket holder. Please<br />

note, children under 6 are not allowed entry into <strong>the</strong><br />

Town Hall for <strong>the</strong> APO 7.30pm or 8pm concerts.<br />

– The orchestra reserves <strong>the</strong> right to change artists or<br />

programmes without notice.<br />

– No refunds are possible after tickets are purchased<br />

except as required by law.<br />

– We are happy to exchange subscriber tickets if you<br />

cannot attend a concert. Ticket exchanges will incur a<br />

$5 exchange fee. Subscribers may exchange tickets<br />

into any concert. All ticket exchanges are subject to<br />

seat availability and must be requested through <strong>the</strong><br />

APO ticketing office at least 48 hours prior to <strong>the</strong><br />

ticketed performance. Should a ticket be exchanged<br />

from a Full Series concert to a different series, an<br />

individual concert, or a price reserve of higher value,<br />

<strong>the</strong> patron will pay <strong>the</strong> price difference. No refund will<br />

be given for tickets downgraded to a performance or<br />

price reserve of lesser value.<br />

– The <strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra may from<br />

time to time take audience and orchestra photos or<br />

videos for promotional purposes.<br />

– Gift vouchers are redeemable only through <strong>the</strong> APO<br />

Ticketing Office before 12pm on concert day. You<br />

may redeem multiple vouchers at one concert. Gift<br />

vouchers may be redeemed for any APO concert and<br />

<strong>the</strong> patron may pay <strong>the</strong> price difference into a higher<br />

reserve or concert of greater value. Gift vouchers<br />

are not refundable or exchangeable for cash and will<br />

expire on 14 December 2013.<br />

– Entertainment Book vouchers must be booked<br />

through THE EDGE and may not be used as part of<br />

a subscription package (service fees apply).


Plan your visit<br />

We hope you enjoy attending <strong>the</strong> concerts you have selected.<br />

Here are some suggestions to help make your experience even<br />

more enjoyable:<br />

Pre-concert talk<br />

An hour before <strong>the</strong> start of each major<br />

concert (New Zealand Herald Premier<br />

Series, Bayleys Great Classics Series,<br />

Splendour Series, Opera in Concert,<br />

Choral Masterpieces) in <strong>the</strong> Town Hall our<br />

knowledgeable guest speakers offer you<br />

fascinating insights into <strong>the</strong> programme<br />

you are about to hear. This is your chance<br />

to discover more about <strong>the</strong> composers,<br />

music and musicians, and enrich your<br />

concert-going experience. Join us in <strong>the</strong><br />

Supper Room and let us set <strong>the</strong> scene for<br />

<strong>the</strong> concert to come.<br />

$10 buses to concerts<br />

Avoid parking hassles and driving into<br />

<strong>the</strong> city. The APO Friends organise buses<br />

to most APO concerts, depending on<br />

demand, for just $10 per round trip. Bus<br />

services run from <strong>the</strong> following areas:<br />

Bus 1: Papakura – Manurewa – Manukau<br />

City – Papatoetoe<br />

For more information call convenor<br />

Peggy Foley: (09) 298 9499<br />

Bus 2: Howick/Pakuranga – Sunnyhills –<br />

Remuera – Market Rd<br />

For more information call convenor<br />

John Pybus (09) 534 7415<br />

Bus 3: Devonport – Hauraki Corner –<br />

Takapuna – Milford – Northcote<br />

For more information call convenor<br />

Anne Norris: (09) 446 1228<br />

Bus 4: Waitakere Gardens – Onsdorp<br />

– Titirangi – Crestwood – Pinesong –<br />

Powley House<br />

For more information call convenor<br />

Julie Holdaway (09) 817 0604<br />

Alternatively, use public transport or arrive<br />

early and enjoy a pre-concert snack, or<br />

attend our pre-concert talks. Public transport<br />

details can be found at www.maxx.co.nz.<br />

Meet <strong>the</strong> musicians<br />

Relive <strong>the</strong> music at our casual ga<strong>the</strong>rings<br />

after <strong>the</strong> concert. Everyone is welcome to<br />

join <strong>the</strong> musicians, soloists, conductors<br />

and fellow concertgoers after most APO<br />

concerts, in <strong>the</strong> Town Hall D Bar on<br />

Stalls level.<br />

Car parking<br />

Pre-book your parking in <strong>the</strong> Civic Car<br />

Park at $12 per concert by phoning 0800<br />

BUYTICKETS. (Transaction fee may apply.<br />

Parking spaces available from 6pm.) If <strong>the</strong><br />

Civic Car Park is full, <strong>the</strong>re is alternative<br />

parking as indicated on <strong>the</strong> map.<br />

Accessibility – Great Hall, <strong>Auckland</strong><br />

Town Hall<br />

Access: There is lift or ramp access to all<br />

foyers in <strong>the</strong> <strong>Auckland</strong> Town Hall.<br />

Wheelchairs: Can be accommodated in<br />

<strong>the</strong> Stalls level of <strong>the</strong> Great Hall. Please<br />

advise ticketing staff when booking if you<br />

require a wheelchair position.<br />

Hearing impaired: An induction loop<br />

system is available with full coverage in<br />

most seats. Just adjust your hearing aid to<br />

<strong>the</strong> T position.<br />

For any questions regarding The Edge<br />

venues (including <strong>Auckland</strong> Town Hall,<br />

Aotea Centre, Civic Theatre) or patron<br />

services, please go to www.<strong>the</strong>-edge.<br />

co.nz/Your-Visit or phone (09) 307 5060.<br />

www.apo.co.nz<br />

Our website lists all concerts, with links for<br />

booking tickets, including for booking to<br />

general admission concerts such as Summer<br />

Matinee and APO 4 Kids. You can also link<br />

to The Edge website to book single tickets to<br />

concerts if you are not a subscriber.<br />

The website also features information on<br />

our education and community programme<br />

(APO Connecting); players, conductors<br />

and soloists; ways you can support <strong>the</strong><br />

orchestra, and much more.<br />

Or stay in touch with <strong>the</strong> APO through<br />

Facebook (www.facebook.com/aporchestra)<br />

or Twitter (@UpperCircle) .<br />

HOWE ST<br />

UNION ST<br />

APO E-newsletter<br />

We send out a monthly e-newsletter<br />

featuring future concerts and events,<br />

news, special offers and competitions. If<br />

you would like to receive this, fill in your<br />

email address on <strong>the</strong> booking form.<br />

Listen at home<br />

Concerts in <strong>the</strong> The New Zealand Herald<br />

Premier Series, Bayleys Great Classics<br />

Series and Splendour Series, plus our<br />

Opera In Concert, Choral Masterpieces and<br />

selected o<strong>the</strong>r concerts are broadcast live<br />

on Radio New Zealand Concert (96.2MHz).<br />

You can also replay some of your favourite<br />

pieces from recent concerts by going to <strong>the</strong><br />

Play It Again section on our website, where<br />

you can hear selected works, presented in<br />

partnership with Radio New Zealand Concert.<br />

map Legend<br />

<strong>Auckland</strong> Town Hall<br />

P1 Skycity Car Park – Victoria Street/Federal Street.<br />

Approx. 15 min walk.<br />

P2 Wilson Parking – Elliott Street.<br />

Approx. 10 min walk.<br />

P3 Atrium Car Park – Albert Street.<br />

Approx. 10 1. min SKY CITY walk<br />

2. ELLIOT STREET<br />

P4 Tournament 3. ATRIUM Parking – Wellesley Street West.<br />

4. BEHIND THE BLEDISLOE<br />

Approx. 8 5. min CIVIC walk CAR PARK<br />

6. GREY AVE/VINCENT CAR PARK<br />

P5 Civic Car Park 7. UNION – CAR Greys PARK Avenue/Mayoral (WILSON) Drive<br />

Approx. 2 8. min CITY walk. ROAD<br />

P6 Rendevous Hotel Car Park – Mayoral Drive/Vincent Avenue<br />

Approx. 5 min walk.<br />

P7 Tournament Parking – Greys Avenue.<br />

Approx. 5 min walk.<br />

P8 Tournament Parking – City Road/ Queen Street car park.<br />

Approx. 10 min walk.<br />

COOK ST<br />

NELSON ST<br />

HOPETOUN ST<br />

GAHAPE RD<br />

PITT ST<br />

HOBSON ST<br />

WELLESLEY ST WEST<br />

VINCENT ST<br />

NELSON ST<br />

P1<br />

P6<br />

GREYS AVE<br />

VICTORIA ST WEST<br />

P5<br />

P8<br />

ST<br />

MAYORAL<br />

HOBSON ST<br />

P7<br />

ALBERT ST<br />

P4<br />

QUEEN ST<br />

DRIVE<br />

WHITE<br />

CITY RD<br />

LIVERPOOL ST<br />

P3<br />

P2<br />

ELLIOT ST<br />

WAKEFIELD ST<br />

AIREDALE ST<br />

QUEEN ST<br />

HIGH ST<br />

KITCHENER ST<br />

WELLESLEY ST EAST<br />

PAUL ST<br />

51<br />

BOWEN AV<br />

P<br />

SYMOND


Thank you<br />

The <strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra gratefully acknowledges <strong>the</strong> contributions<br />

made by <strong>the</strong> following companies, Trusts and organisations. These funds support <strong>the</strong><br />

orchestra’s current operations and education programme and supplement income<br />

from box office sales.<br />

PLatinum<br />

goLD<br />

siLVer<br />

bronZe<br />

Adrian Malloch photography<br />

APRA<br />

Cogita<br />

Impressions International<br />

Infinity Foundation<br />

52<br />

apo.co.nz<br />

NZ COMMUNITY TRUST<br />

Deane endowment trust<br />

Karajoz Coffee<br />

Marshall Day Acoustics<br />

North & South Trust<br />

Orongo Bay Homestead<br />

William & Lois<br />

manchester trust<br />

Phantom Billstickers<br />

Phonak Hearing<br />

R & C Stevens Charitable Trust<br />

Whitestone Cheese


Concerts by date<br />

Date series ConCert time LoCation<br />

Thu 17 Jan aPo ConneCting Lion Foundation Orchestral Summer School Performances 5.30pm; 8pm St Cuthbert’s College<br />

Sat 9 Feb matinee Chapman Tripp Summer Matinee 2pm Government House Grounds,<br />

Mt Eden<br />

Thu 21 Feb heraLD Herald Premier Series 1: Zarathustra 8pm <strong>Auckland</strong> Town Hall<br />

Thu 28 Feb heraLD Herald Premier Series 2: The Trumpet Sounds 8pm <strong>Auckland</strong> Town Hall<br />

Tue 5 Mar DeLoitte Deloitte Summer Concert 6.30pm Old Government House Grounds<br />

Fri 8 Mar auCKLanD arts<br />

FestiVaL<br />

Songs and Dances of Desire – In Memoriam Carmen Rupe 8pm <strong>Auckland</strong> Town Hall<br />

Sat 23 Mar auCKLanD arts<br />

FestiVaL<br />

Britten War Requiem 8pm <strong>Auckland</strong> Town Hall<br />

Thu 4 Apr great CLassiCs 1 Heroic Classics 8pm <strong>Auckland</strong> Town Hall<br />

Thu 11 Apr unWraP 1 Beethoven Symphony No.5 6.30pm <strong>Auckland</strong> Town Hall<br />

Mon 15 Apr sanCtuary 1 Cellos 6.30pm St Michael’s Church, Remuera<br />

Wed 17 Apr sanCtuary 1 Cellos 6.30pm All Saints Church, Howick<br />

Mon 22 Apr aPo ConneCting APO 4 Kids 10am; 11.30am TelstraClear Pacific Events Centre<br />

Tue 23 Apr aPo ConneCting APO 4 Kids 10am; 11.30am Bruce Mason Centre<br />

Sat 27 Apr aPo ConneCting APO 4 Kids 10am; 11.30am <strong>Auckland</strong> Town Hall<br />

Thu 2 May heraLD Herald Premier Series 3: Last Songs 8pm <strong>Auckland</strong> Town Hall<br />

Thu 16 May sPLenDour 1 Music of Wartime (Pre-concert Organ recital 6.30pm) 8pm <strong>Auckland</strong> Town Hall<br />

Thu 23 May aPo ConneCting Organ Spectacular 8pm <strong>Auckland</strong> Town Hall<br />

Thu 30 May heraLD Herald Premier Series 4: Ehnes Plays Elgar 8pm <strong>Auckland</strong> Town Hall<br />

5-6 Jun mhiVC Michael Hill International Violin Competition Round III 7.30pm <strong>Auckland</strong> Town Hall<br />

Concert Chamber<br />

Sat 8 Jun mhiVC Michael Hill International Violin Competition Final 7.30pm <strong>Auckland</strong> Town Hall<br />

Sun 9 Jun aPo ConneCting Open Day South 1-4pm TelstraClear Pacific Events Centre<br />

Thu 20 Jun great CLassiCs 2 Great Classics 2 8pm <strong>Auckland</strong> Town Hall<br />

Thu 27 Jun aPo ConneCting The Big Play In (1) 6.30pm <strong>Auckland</strong> Town Hall<br />

Wed 26 Jun unWraP 2 Tchaikovsky Piano Concerto No.1 6.30pm <strong>Auckland</strong> Town Hall<br />

Thu 4 Jul heraLD Herald Premier Series 5: Bach to <strong>the</strong> Future 8pm <strong>Auckland</strong> Town Hall<br />

Mon 8 Jul sanCtuary 2 Schubert Octet 6.30pm All Saints Church, Howick<br />

Tue 9 Jul sanCtuary 2 Schubert Octet 6.30pm St George’s Church, Takapuna<br />

Thu 11 Jul qantas Qantas presents: The Last Night of <strong>the</strong> Proms 8pm <strong>Auckland</strong> Town Hall<br />

Thu 18 Jul heraLD Herald Premier Series 6: “Not Your Grandma’s Organist” 8pm <strong>Auckland</strong> Town Hall<br />

Thu 25 Jul sPLenDour 2 A New Era (Pre-concert Organ recital 6.30pm) 8pm <strong>Auckland</strong> Town Hall<br />

Thu 1 Aug heraLD Herald Premier Series 7: Demidenko Plays Rachmaninov 8pm <strong>Auckland</strong> Town Hall<br />

Fri 9 Aug oPera Opera In Concert: Stravinsky The Rake’s Progress 7.30pm <strong>Auckland</strong> Town Hall<br />

Thu 15 Aug heraLD Herald Premier Series 8: Voices of Youth 8pm <strong>Auckland</strong> Town Hall<br />

Thu 5 Sep great CLassiCs 3 My Country 8pm <strong>Auckland</strong> Town Hall<br />

Thu 12 Sep ChoraL Choral Masterpieces: Mozart Requiem 8pm <strong>Auckland</strong> Town Hall<br />

Thu 19 Sep heraLD Herald Premier Series 9: Joie de Vivre 8pm <strong>Auckland</strong> Town Hall<br />

Wed 25 Sep unWraP 3 Haydn, ‘Surprise’ Symphony 6.30pm <strong>Auckland</strong> Town Hall<br />

Mon 7 Oct sanCtuary 3 Percussion & Friends 6.30pm St Peter’s Church, Takapuna<br />

Wed 9 Oct sanCtuary 3 Percussion & Friends 6.30pm St Michael’s Church, Remuera<br />

Sun 13 Oct aPo ConneCting Open Day West 1-4pm The Trusts Stadium, Waitakere<br />

Thu 17 Oct heraLD Herald Premier Series 10: German Romantics 8pm <strong>Auckland</strong> Town Hall<br />

Thu 24 Oct sPLenDour 3 The Roaring ‘20s (Pre-concert Organ recital 6.30pm) 8pm <strong>Auckland</strong> Town Hall<br />

Thu 31 Oct qantas Qantas presents: Music of <strong>the</strong> Night 8pm <strong>Auckland</strong> Town Hall<br />

Thu 7 Nov heraLD Herald Premier Series 11: Scandinavian Adventure 8pm <strong>Auckland</strong> Town Hall<br />

Thu 14Nov heraLD Herald Premier Series 12: Season Finale 8pm <strong>Auckland</strong> Town Hall<br />

Sun 24 Nov aPo ConneCting APO 4 Kids Christmas 10am; 11.30am Massey High School PAC<br />

Sat 30 Nov aPo ConneCting APO 4 Kids Christmas 10am; 11.30am <strong>Auckland</strong> Town Hall<br />

Fri 13 Dec Christmas Celebrate Christmas 7.30pm Holy Trinity Ca<strong>the</strong>dral<br />

Sat 14 Dec Christmas Celebrate Christmas 3pm Holy Trinity Ca<strong>the</strong>dral<br />

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