3 June - the Auckland Philharmonia
3 June - the Auckland Philharmonia
3 June - the Auckland Philharmonia
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2013 Season<br />
<strong>Auckland</strong><br />
<strong>Philharmonia</strong><br />
Orchestra<br />
apo.co.nz
Eckehard Stier<br />
Music Director<br />
Dame Rosanne Meo, DNZM, OBE<br />
Chairman<br />
Barbara Glaser<br />
Chief Executive<br />
Welcome<br />
to <strong>the</strong> <strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra’s<br />
2013 Season<br />
I am delighted to welcome you to our<br />
2013 season. Returning to <strong>Auckland</strong> is<br />
always exciting, and I am looking forward<br />
immensely to 2013. The orchestra is playing<br />
better than ever, and <strong>the</strong>re is a real energy<br />
and excitement ahead of each performance.<br />
I am sure we have selected programmes<br />
and artists that you will find exciting this<br />
year, too. As always <strong>the</strong>re are familiar works<br />
– <strong>the</strong> great pieces and orchestral favourites<br />
we all know and love. There are surprises<br />
as well, and works you may not know but<br />
I am sure you will enjoy. I continue to be<br />
proud that your trust in our programme<br />
selection allows <strong>the</strong> APO to perform works<br />
that have rarely or never been played in<br />
New Zealand before.<br />
Again, many international stars will perform<br />
with us, including returning friends like<br />
James Ehnes, Nikolai Demidenko and<br />
Michal Dworzynski. They are complemented<br />
by musicians performing with us for <strong>the</strong><br />
first time: Linus Roth, Nicola Jürgensen and<br />
Cameron Carpenter, for example. It is a<br />
testimony to <strong>the</strong> calibre of <strong>the</strong> orchestra that<br />
we have so many wonderful international<br />
artists eager to perform with us.<br />
And of course we have New Zealand<br />
artists and composers featured in <strong>the</strong><br />
programme as well. I am delighted that<br />
our Principal Trumpet, Brent Grapes, will<br />
perform a concerto in The New Zealand<br />
Herald Premier Series, and I look forward<br />
to conducting <strong>the</strong> world premiere of Ross<br />
Harris’s Fifth Symphony.<br />
I invite you to read our season brochure and<br />
to select as many of our concerts for 2013<br />
as you are able. I look forward to enjoying<br />
<strong>the</strong>m with you.<br />
It’s an exciting time for <strong>the</strong> APO. Audience<br />
numbers are on <strong>the</strong> rise and, with Eckehard<br />
Stier providing a clear artistic vision, we<br />
have much to look forward to.<br />
So it is with a great sense of optimism that<br />
we present our 2013 season.<br />
As ever, <strong>the</strong> repertoire is selected to provide<br />
<strong>the</strong> very best in music and artists – <strong>the</strong>re’s<br />
someone and something for everyone.<br />
Extending our tradition of innovation we<br />
have world, New Zealand and <strong>Auckland</strong><br />
premieres, and our commitment to<br />
<strong>the</strong> musicians of <strong>the</strong> future continues<br />
through our support of <strong>the</strong> Michael Hill<br />
International Violin Competition, among<br />
numerous o<strong>the</strong>r initiatives.<br />
All this and more is made possible by our<br />
funders and sponsors, and this year, two<br />
of our major series have name changes.<br />
Our flagship concert series is renamed The<br />
New Zealand Herald Premier Series, and<br />
we are excited to announce a new sponsor<br />
for what will now be known as <strong>the</strong> Bayleys<br />
Great Classics Series.<br />
We thank <strong>the</strong>m, and we thank you, our<br />
audience members who pour through<br />
<strong>the</strong> doors week after week to hear your<br />
orchestra. It is to you that we dedicate <strong>the</strong><br />
2013 season.<br />
1
Len Brown<br />
Mayor of <strong>Auckland</strong><br />
It’s no secret that <strong>Auckland</strong> Council’s vision<br />
is for this to be <strong>the</strong> world’s most liveable city.<br />
For that to happen we must ensure <strong>the</strong> future<br />
prospects of our young people, build an<br />
innovative, high-value economy, and create<br />
attractive, sustainable living environments<br />
linked by effective transport options.<br />
We also need dynamic, vibrant arts<br />
organisations such as <strong>the</strong> APO.<br />
<strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra helps to<br />
form <strong>the</strong> cultural heart of <strong>the</strong> city, performing<br />
in our town hall and offering internationalclass<br />
concerts featuring some of <strong>the</strong> world’s<br />
leading artists.<br />
And while <strong>the</strong> APO is at <strong>the</strong> heart of <strong>the</strong><br />
arts scene in <strong>Auckland</strong>, its tendrils are felt<br />
far and wide, thanks to <strong>the</strong> orchestra’s<br />
broad and deep involvement with <strong>the</strong> many<br />
communities that make up our city. From<br />
nurturing hip-hop artists in South <strong>Auckland</strong><br />
to visiting schools in <strong>the</strong> west, holding free<br />
concerts on <strong>the</strong> North Shore and dance<br />
classes for intermediate school children in<br />
<strong>the</strong> east of <strong>the</strong> city, <strong>the</strong> APO engages with<br />
all <strong>Auckland</strong>ers, wherever <strong>the</strong>y may be.<br />
The APO and organisations like it are<br />
essential to <strong>the</strong> fabric of <strong>the</strong> new <strong>Auckland</strong>,<br />
and I applaud <strong>the</strong> orchestra for its ongoing<br />
commitment to enriching <strong>the</strong> lives of all<br />
those who live here.<br />
2 apo.co.nz<br />
Hon Chris Finlayson<br />
Minister for Arts, Culture<br />
and Heritage<br />
The <strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra can<br />
look forward to an exciting season in 2013.<br />
Under <strong>the</strong> musical leadership of Eckehard<br />
Stier it will present some of <strong>the</strong> greatest<br />
symphonic repertoire, with prominent<br />
international artists as well as a strong lineup<br />
of Kiwi musicians.<br />
Alongside its concert series <strong>the</strong> APO will<br />
continue to deliver its programme of broad<br />
community engagement. At <strong>the</strong> forefront of<br />
this is Sistema Aotearoa, a programme of<br />
social transformation through music which<br />
<strong>the</strong> APO is delivering in partnership with<br />
<strong>the</strong> Ministry for Culture and Heritage. I am<br />
excited to see Sistema Aotearoa going from<br />
strength to strength, with more than 450<br />
children in Otara already having experienced<br />
<strong>the</strong> thrill and discipline of learning music.<br />
I congratulate <strong>the</strong> Orchestra on its many<br />
achievements and <strong>the</strong> contribution it makes<br />
to <strong>the</strong> cultural life of <strong>the</strong> <strong>Auckland</strong> region. I<br />
look forward to watching it continue to grow<br />
and develop through 2013.
Contents<br />
New & Exciting 2013 4<br />
2013 Artists 6<br />
The New Zealand Herald Premier Series 8<br />
Premier concerts, with some of <strong>the</strong> world’s finest conductors and soloists, that present<br />
<strong>the</strong> power, depth and passion of classical and contemporary orchestral music.<br />
Bayleys Great Classics Series 14<br />
Orchestral masterworks – three <strong>the</strong>med concerts of favourite classics.<br />
Splendour Series 16<br />
Three <strong>the</strong>med concerts, each focusing on <strong>the</strong> music of a single decade and how it<br />
reflects <strong>the</strong> world at that time: 1940s, 1900s, 1920s.<br />
Unwrap <strong>the</strong> Music 18<br />
Concerts for <strong>the</strong> classically curious – entertaining introductions to orchestral music.<br />
Sanctuary Series 19<br />
Ensemble concerts with APO principal players. A haven from <strong>the</strong> busy world in venues<br />
close to home.<br />
Chapman Tripp Summer Matinee: A Summer Romance 20<br />
<strong>Auckland</strong>’s most elegant outdoor concert.<br />
Songs and Dances of Desire – In Memoriam Carmen Rupe 21<br />
Britten War Requiem 22<br />
Michael Hill International Violin Competition 23<br />
Qantas Presents: The Last Night of <strong>the</strong> Proms<br />
The Trusts Charitable Foundation Opera in Concert:<br />
25<br />
Stravinsky’s The Rake’s Progress 26<br />
Choral Masterpieces: Mozart Requiem 28<br />
Qantas Presents: Music of <strong>the</strong> Night 30<br />
Celebrate Christmas 31<br />
Meet <strong>the</strong> Orchestra 32<br />
APO Connecting 38<br />
APO 4 Kids/Open Days 39<br />
You can help your orchestra 40<br />
Subscriptions and booking 43<br />
Acknowledgements 52<br />
2013 concert calendar 53<br />
Design & branD<br />
PhotograPhy<br />
Adrian Malloch<br />
Layout & Print<br />
management<br />
We’d like to thank <strong>the</strong> APO<br />
musicians who took part in <strong>the</strong><br />
photo shoots for this brochure:<br />
Miranda Adams<br />
Assistant Concertmaster<br />
Robert Ashworth<br />
Section Principal Viola<br />
Jonathan Baker<br />
Principal Tuba<br />
Nicola Baker<br />
Section Principal Horn<br />
Ca<strong>the</strong>rine Bowie<br />
Section Principal Flute<br />
Dianna Cochrane<br />
Section Principal Second Violins<br />
Doug Cross<br />
Section Principal Trombone<br />
David Garner<br />
Associate Principal Cello<br />
Brent Grapes<br />
Section Principal Trumpet<br />
James Fry<br />
Sub-Principal Clarinet<br />
Ingrid Hagan<br />
Section Principal Bassoon<br />
Gordon Hill<br />
Section Principal Double Bass<br />
You Lee<br />
Cello<br />
Annabella Leslie<br />
Associate Principal Double Bass<br />
Jennifer Raven<br />
Sub-principal Percussion<br />
Eric Renick<br />
Section Principal Percussion<br />
Eliah Sakakushev-von Bismarck<br />
Section Principal Cello<br />
3
New & Exciting 2013<br />
Connecting in Action<br />
From 20–26 May, <strong>the</strong> APO is proud to join<br />
UNESCO’s International Arts Education<br />
Week with a concentrated week of<br />
events showcasing <strong>the</strong> APO’s extensive<br />
education and outreach programme.<br />
From new works for <strong>the</strong> organ at <strong>the</strong> Town<br />
Hall, to our schools Discovery concert,<br />
APOPS schools partnership programme<br />
activities, and APO Young Achievers and<br />
Sistema Aotearoa performances, <strong>the</strong><br />
week celebrates <strong>the</strong> reach and influence<br />
4 apo.co.nz<br />
of music education and <strong>the</strong> potential it has<br />
for life-long impact.<br />
A detailed programme of events for <strong>the</strong><br />
APO’s Connecting in Action Week is on<br />
our website and in our APO Connecting<br />
brochure, available from our education<br />
office from mid-November.<br />
The Deloitte Summer<br />
Concert – Annual<br />
Fundraising Gala for <strong>the</strong> APO<br />
The Deloitte Summer Concert is held in a<br />
grand silk-lined marquee in <strong>the</strong> grounds of<br />
Old Government House at The University<br />
of <strong>Auckland</strong>. This is an opportunity to<br />
dress in your finest, be hosted by <strong>the</strong><br />
sparkling Helen Medlyn and enjoy an<br />
evening of entertainment featuring <strong>the</strong><br />
APO and guest artists. Enjoy champagne<br />
and canapes as well as a superb dinner<br />
by Dawsons matched with fine wines<br />
by Villa Maria Estate. Every dollar raised<br />
during this exclusive evening enables <strong>the</strong><br />
APO to run its outstanding education and<br />
community programmes.<br />
Save <strong>the</strong> Date – Tuesday 5 March 2013<br />
at 6.30pm. Or book now through <strong>the</strong> APO<br />
Ticketing office (apo.co.nz or 6231052) to<br />
take advantage of early bird prices for tables<br />
of 10 or singles.
Dance Project 2013<br />
Following <strong>the</strong> success of Sacre: The<br />
<strong>Auckland</strong> Dance Project in 2011 and<br />
Fire Works in 2012, APO musicians and<br />
professional choreographers work with<br />
students from schools around <strong>Auckland</strong><br />
to create original choreography set to<br />
live percussion music performed by<br />
APO musicians. The final performance<br />
at TelstraClear Pacific Events Centre<br />
is <strong>the</strong> culmination of weeks of creation<br />
and rehearsal which are <strong>the</strong>mselves<br />
an integral part of this exciting APO<br />
Connecting project.<br />
More details on our website in 2013, and in<br />
our APO Connecting Brochure.<br />
Organ Spectacular<br />
Six composers team up with six of <strong>the</strong><br />
country’s finest organists in a culmination<br />
of an 18 month collaboration allowing<br />
composers to explore <strong>the</strong> challenges<br />
of writing for organ and orchestra. This<br />
concert offers a feast of orchestral music<br />
with <strong>the</strong> power of <strong>the</strong> organ at its heart.<br />
These six short works for organ, presented<br />
as part of New Zealand Music Month,<br />
explore <strong>the</strong> boundaries of what is possible<br />
when orchestra, organ and talented New<br />
Zealand composers are asked to stretch<br />
<strong>the</strong>ir imaginations.<br />
8pm, Thursday 23 May. Book as part of your<br />
subscription. More details on our website,<br />
and in our APO Connecting Brochure.<br />
New Concerts<br />
As ever, in 2013, <strong>the</strong> APO introduces<br />
new concert ideas. In addition to <strong>the</strong><br />
Organ Spectacular, and <strong>the</strong> dance project<br />
performance, we are proud to present two<br />
special mainstage concerts.<br />
APO Composer-in-Residence Jack Body<br />
has long held a dream of bringing to life<br />
music originally commissioned as a ballet<br />
in 1990, but which was never presented.<br />
Jack redesigned <strong>the</strong> work as music<strong>the</strong>atre<br />
within <strong>the</strong> context of an orchestral<br />
concert. With <strong>the</strong> added resources of<br />
a guitar soloist, a dancer, and three<br />
singers, <strong>the</strong> work has now become a<br />
‘total entertainment’ involving orchestral<br />
music, song settings and dance.<br />
Presented in March within <strong>Auckland</strong> Arts<br />
Festival, this ground-breaking work is<br />
now also Jack’s tribute to <strong>the</strong> much-loved<br />
transgender activist and cultural identity<br />
Carmen Rupe, who died in December<br />
2011. (Details on p21.)<br />
In October, we present a concert on <strong>the</strong><br />
night of Halloween, called Music of <strong>the</strong><br />
Night. We’ve avoided Halloween clichés,<br />
but assembled an exciting programme of<br />
nocturnal music, with popular orchestral<br />
works mixed with music from Andrew Lloyd<br />
Webber’s Phantom of <strong>the</strong> Opera, for a<br />
night of musical drama. (Details on p30.)<br />
5
2013 Artists<br />
The APO is delighted to<br />
introduce just a few of<br />
our 2013 soloists and<br />
conductors. From<br />
international stars to<br />
local talent, we’re in for a<br />
year of wonderful music.<br />
Christoph Altstaedt<br />
Conductor<br />
My Country, page 14<br />
“The 31 year-old Heidelberg native, who<br />
already attracted attention in his first concert<br />
with this orchestra, was able to capture <strong>the</strong><br />
musicians’ full energy from <strong>the</strong> first to <strong>the</strong><br />
last note and brea<strong>the</strong>d such life into <strong>the</strong><br />
many recitatives in <strong>the</strong> complete score ...<br />
Altstaedt’s debut as an opera conductor in<br />
Innsbruck was outright brilliant.”<br />
— Neue Merker, November 2011<br />
6 apo.co.nz<br />
IMAGE: BEN EALOVEGA<br />
IMAGE: SUSSIE AHLBURG<br />
Ingrid Fliter<br />
Piano<br />
My Country, page 14<br />
Lionel Bringuier<br />
Conductor<br />
German Romantics, page 12<br />
James Ehnes<br />
Violin<br />
Ehnes Plays Elgar, page 10<br />
Sergio Tiempo<br />
Piano<br />
Dance!, page 14<br />
Amy Dickson<br />
Saxophone<br />
Joie de Vivre, page 11<br />
IMAGE: S WALNIER
IMAGE: TOMASZ TRZEBIATOWSK<br />
Ilya Gringolts<br />
Violin<br />
Heroic Classics, page 14<br />
Johannes Moser<br />
Cello<br />
Music of Wartime, page 16<br />
“[Johannes Moser]<br />
was a delight. He<br />
enthusiastically<br />
anticipated each turn of<br />
phrase. His tone sang<br />
and carried easily. He<br />
engaged <strong>the</strong> orchestra<br />
musicians, and <strong>the</strong>y<br />
seemed to grow better<br />
by <strong>the</strong> measure when<br />
playing with him.”<br />
— Mark Swed, LA Times<br />
“Gringolts’s fluency, virtuosity and lyrical intensity<br />
have been much and rightly admired...”<br />
— BBC Music Magazine<br />
“Cameron Carpenter... is an exorbitant<br />
virtuoso, <strong>the</strong> Vladimir Horowitz of <strong>the</strong> organ.<br />
In his playing <strong>the</strong>re is <strong>the</strong> wild passion<br />
of virtuosos of <strong>the</strong> past, who destroyed<br />
borders of genres and broadened repertoire<br />
for <strong>the</strong>ir instruments.”<br />
— Kommersant (Saint Petersburg, Russia)<br />
Cameron Carpenter<br />
Organ<br />
Not Your Grandma’s Organist, page 10<br />
Paul Whelan<br />
Bass-baritone<br />
The Rake’s Progress, page 26<br />
IMAGE: KIRILL BACHKIROV<br />
Nikolai Demidenko<br />
Piano<br />
Demidenko plays Rachmaninov, page 11<br />
IMAGE: KAI FOSSGARD<br />
Gunilla Süssman<br />
Piano<br />
Zarathustra, page 8<br />
7
The New Zealand Herald<br />
Premier Series<br />
Zarathustra<br />
8pm, Thu 21 Feb<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Eckehard Stier<br />
Piano Gunilla Süssmann<br />
mark-anthony turnage Scherzoid<br />
mozart Piano Concerto in D minor K466<br />
r. strauss Also Sprach Zarathustra<br />
In this concert, we transport you to three<br />
extraordinary sound worlds.<br />
Contemporary British composer Mark-<br />
Anthony Turnage wrote his bustling,<br />
bluesy Scherzoid for <strong>the</strong> New York<br />
Philharmonic. It provides <strong>the</strong> perfect foil<br />
to <strong>the</strong> performance of Mozart’s dramatic<br />
piano concerto by Norwegian pianist<br />
Gunilla Süssmann, winner of <strong>the</strong> Robert<br />
Levin Festival prize.<br />
There are few <strong>the</strong>mes as memorable<br />
as Strauss’s fanfare from Also Sprach<br />
Zarathustra, in which trumpets and timpani<br />
proclaim a vision of eternal truth. Made<br />
famous by <strong>the</strong> movie 2001: A Space<br />
Odyssey, this powerful statement of triumph<br />
heralds <strong>the</strong> second half of what promises<br />
to be a memorable season opening.<br />
“Süssmann gave a performance of abundant<br />
lyricism and charm, showing off an impressive<br />
command of musical coloration. Her expert<br />
phrasing gave <strong>the</strong> sense that she was confiding a<br />
delicious secret. Her interplay with <strong>the</strong> woodwind<br />
section was especially charming...”<br />
— The Salt Lake Tribune, October 2009<br />
8 apo.co.nz<br />
The Trumpet Sounds<br />
8pm, Thu 28 Feb<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Eckehard Stier<br />
trumpet Brent Grapes<br />
Wagner Parsifal: Prelude and Good<br />
Friday Spell<br />
arutiunian Trumpet Concerto<br />
Franck Symphony in D minor<br />
Experience a night of drama and<br />
bravado as APO Principal Trumpet Brent<br />
Grapes takes centre stage in Alexander<br />
Arutiunian’s trumpet concerto. Influenced<br />
by <strong>the</strong> gypsy folk melodies of Armenia and<br />
Russia, this concerto is by turns soulful,<br />
seductive, melodic and flashy.<br />
Many call Wagner <strong>the</strong> fa<strong>the</strong>r of modern<br />
brass writing, and in <strong>the</strong> ‘Prelude and<br />
Good Friday Spell’ from his opera Parsifal,<br />
he composed a musical vision of <strong>the</strong><br />
sacred and sublime. Frenchman César<br />
Franck was denounced for his love of<br />
Wagner’s music. He got <strong>the</strong> last laugh,<br />
however, as his epic romantic symphony is<br />
now a classic.<br />
Last Songs<br />
8pm, Thu 2 May<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Jun Märkl<br />
soprano Jeanne-Michèle Charbonnet<br />
Zemlinsky Sinfonietta<br />
strauss Four Last Songs<br />
schubert Symphony No.9, ‘The Great’<br />
Strauss was 84 when he wrote Four<br />
Last Songs in 1948. At a time when<br />
<strong>the</strong> world around him had fallen apart,<br />
and <strong>the</strong> musical world had seemingly<br />
passed him by, he produced one final<br />
masterpiece of romanticism and emotion.<br />
This performance of his extraordinary<br />
swansong will delight all Strauss fans.<br />
Closing <strong>the</strong> programme is Schubert’s final<br />
symphony, ‘The Great’, in which he creates<br />
a stunning bridge between <strong>the</strong> classical<br />
and romantic eras, inspired by musical<br />
material from his idol Beethoven’s own<br />
final symphony.
Ehnes plays Elgar<br />
8pm, Thu 30 May<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Garry Walker<br />
Violin James Ehnes<br />
thomas adès Three Studies from Couperin<br />
beethoven Symphony No.1<br />
elgar Violin Concerto<br />
James Ehnes returns to play Elgar’s<br />
magnificent Violin Concerto – ano<strong>the</strong>r<br />
Elgarian enigma, with Elgar’s inscription<br />
on its title page cryptically noting “Herein<br />
is enshrined <strong>the</strong> soul of...” There is much<br />
speculation over who <strong>the</strong> dots might<br />
represent, but it is most likely <strong>the</strong> name of<br />
one of <strong>the</strong> women who had shaped Elgar’s<br />
romantic life, adding ano<strong>the</strong>r emotional<br />
layer to this piece.<br />
In two very different works inspired<br />
by composers of <strong>the</strong> past, we hear<br />
Beethoven’s Haydn-esque First Symphony,<br />
and British composer Thomas Adès’s<br />
Three Studies from Couperin, written in<br />
2006. Adès borrows <strong>the</strong>mes and styles<br />
from <strong>the</strong> French baroque composer, and<br />
re-invents <strong>the</strong>m for modern ears.<br />
“Not since Nigel Kennedy’s 1997 EMI<br />
remake with Sir Simon Rattle and <strong>the</strong><br />
CBSO has <strong>the</strong> Elgar received a recording<br />
as thrillingly combustible, imaginative and<br />
involving as this. James Ehnes brings to<br />
this great concerto a rapt identification,<br />
tingling temperament and glowing ardour.<br />
Not only is Ehnes’s technical address<br />
impeccable and intonation miraculously<br />
true, his contribution is remarkable for its<br />
intrepid emotional scope, athletic agility and<br />
(perhaps above all) jaw-dropping delicacy.”<br />
— The Gramophone Classical Music Guide 2010<br />
10 apo.co.nz<br />
Bach to <strong>the</strong> Future<br />
8pm, Thu 4 July<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Rory Macdonald<br />
Violin Kristian Win<strong>the</strong>r<br />
bartók Music for Strings, Percussion<br />
and Celesta<br />
bach Violin Concerto in E major<br />
mendelssohn Symphony No. 3, ‘Scottish’<br />
Young Scottish conductor Rory Macdonald<br />
boasts an impressive series of debuts<br />
in <strong>the</strong> UK and Europe. In his first New<br />
Zealand performance, he leads <strong>the</strong><br />
orchestra in a programme inspired by<br />
and including <strong>the</strong> music of Bach. In<br />
addition to Bach’s concerto, <strong>the</strong> concert<br />
features Bartók’s masterpiece Music for<br />
Strings, Percussion and Celesta. With its<br />
unusual orchestration and incorporation<br />
of Hungarian folk melodies and complex<br />
fugues, this work creates a beautiful and<br />
exotic landscape of sound.<br />
One of Felix Mendelssohn’s most<br />
important artistic contributions came<br />
not as a composer but as a conductor,<br />
leading a revival of J.S. Bach’s works in<br />
Europe, when in 1829, at <strong>the</strong> age of 20,<br />
he conducted <strong>the</strong> first performance of <strong>the</strong><br />
St. Mat<strong>the</strong>w Passion since 1750. During<br />
this same year, he made an extended visit<br />
to Scotland, where <strong>the</strong> paintings and folk<br />
dances he encountered helped to later<br />
inspire his majestic Symphony No.3.<br />
“Not Your<br />
Grandma’s Organist”!<br />
8pm, Thu 18 July<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Giancarlo Guerrero<br />
organ Cameron Carpenter<br />
buxtehude/Chávez Chaconne in E minor<br />
Jongen Symphonie Concertante<br />
tchaikovsky Symphony No.6, ‘Pathétique’<br />
Cameron Carpenter is that rare entity: a<br />
superstar organist. From engineering and<br />
building virtual pipe organs to designing<br />
his own clothing, he approaches <strong>the</strong> world<br />
and music with dynamic flair and energy.<br />
Jongen’s Symphonie Concertante is a<br />
massive work for organ and orchestra, and<br />
this is a unique chance to hear it on <strong>the</strong><br />
largest pipe organ in New Zealand.<br />
Paired with this ebullient work is<br />
Tchaikovsky’s nostalgic Symphony No.6,<br />
‘Pathétique’, in which <strong>the</strong> composer says<br />
farewell to this world. Giancarlo Guerrero,<br />
long time friend of <strong>the</strong> APO and <strong>the</strong><br />
internationally renowned music director of<br />
<strong>the</strong> Nashville Symphony, returns to lead<br />
<strong>the</strong> orchestra in this moving programme.
Demidenko Plays<br />
Rachmaninov<br />
8pm, Thu 1 August<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Eckehard Stier<br />
Piano Nikolai Demidenko<br />
m a r t i n u˚ Suite from <strong>the</strong> opera Julietta<br />
rachmaninov Piano Concerto No.2<br />
Korngold Symphony in F#<br />
Nicolai Demidenko is an audience favourite<br />
for his passionate performances of Russian<br />
piano music. He makes his return with<br />
ano<strong>the</strong>r of Rachmaninov’s piano concerti,<br />
<strong>the</strong> Second, in a performance that is sure<br />
to sweep you away.<br />
As will Korngold’s Symphony in F#.<br />
When Korngold displayed a prodigious<br />
compositional ability at a young age,<br />
composers such as Mahler and Strauss<br />
proclaimed him a musical genius.<br />
However, ra<strong>the</strong>r than embracing <strong>the</strong><br />
classical world, Korngold used his talents<br />
to define movie music in its dawn. This<br />
symphony is both a demonstration of<br />
<strong>the</strong> cinematic scope of his vision, and a<br />
tantalising glimpse into his command of<br />
<strong>the</strong> traditional symphonic form.<br />
“Rachmaninov’s Third Piano Concerto<br />
demands high-voltage virtuosity, which it got<br />
from <strong>the</strong> Russian-born Nikolai Demidenko<br />
... [He] put <strong>the</strong> Concerto’s range of tone<br />
ahead of any superficial pianistic fireworks.<br />
Yet, though he was elusive and elegiac in<br />
<strong>the</strong> slow movement, he hurtled into <strong>the</strong> finale<br />
with bravura and a fearless pace ... It was<br />
electrifying but also poetic.”<br />
— The Independent, April 2009<br />
Voices of Youth<br />
8pm, Thu 15 August<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Eckehard Stier<br />
mezzo-soprano Sally-Anne Russell<br />
soprano Madeleine Pierard<br />
ross harris Symphony No.5<br />
mahler Symphony No.4<br />
The two symphonies on tonight’s<br />
programme are inspired by a childhood<br />
perspective, and each incorporates vocal<br />
parts that reflect <strong>the</strong> inspiration from<br />
which <strong>the</strong> work developed.<br />
APO Music Director Eckehard Stier leads<br />
<strong>the</strong> orchestra through <strong>the</strong>se emotional and<br />
uplifting works of <strong>the</strong> present and past. The<br />
world premiere of New Zealand composer<br />
Ross Harris’s latest Symphony, No.5,<br />
features Australian Sally-Anne Russell.<br />
It uses text from a 10-year-old living in<br />
Budapest in 1944.<br />
Paired with Harris’s work is Mahler’s<br />
buoyant and immensely joyful Fourth<br />
Symphony, built around his song, ‘Das<br />
himmlische Leben’, which imagines a<br />
child’s vision of Heaven and which features<br />
talented soprano Madeleine Pierard.<br />
Joie de Vivre<br />
8pm, Thu 19 September<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Fabrice Bollon<br />
saxophone Amy Dickson<br />
ravel Ma Mère l’Oye (Mo<strong>the</strong>r Goose)<br />
‘5 pièces enfantines’<br />
Dubois Saxophone Concerto<br />
Dukas Symphony in C<br />
Let conductor Fabrice Bollon guide you<br />
through a programme of music from<br />
his native France. This is French music<br />
at its best, full of sparkling melodies,<br />
both enchanting and impressionistic.<br />
Ravel’s whimsical suite of fairytale pieces<br />
perfectly captures <strong>the</strong> French mood, with<br />
typical Gallic (and Ravelian) elegance<br />
and beauty. Amy Dickson returns as<br />
soloist for Pierre Dubois’s saxophone<br />
concerto, a dazzling showpiece of<br />
instrumental virtuosity. The concert<br />
comes to a roaring finale with Dukas’<br />
Symphony in C, written shortly before <strong>the</strong><br />
turn of <strong>the</strong> century.<br />
11
APO – 2013 SEASON<br />
“Bringuier brought a special freshness and sense<br />
of excitement ... The conductor ... is a sunny<br />
Frenchman from Nice who always looks to be<br />
having contagious fun with <strong>the</strong> baton.”<br />
— Los Angeles Times, August 2011<br />
German Romantics<br />
8pm, Thu 17 October<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Lionel Bringuier<br />
Violin Natalia Lomeiko<br />
brahms Variations on a <strong>the</strong>me by Haydn<br />
bruch Violin Concerto No.1<br />
brahms Symphony No.2<br />
French-born Lionel Bringuier, who<br />
at <strong>the</strong> age of 25 has already been<br />
Resident Conductor of <strong>the</strong> Los Angeles<br />
Philharmonic for six years, is acclaimed<br />
for his infectiously incandescent<br />
performances. And what better programme<br />
to demonstrate his ability than this.<br />
The German Romantics are renowned<br />
for <strong>the</strong>ir ability to musically capture<br />
feelings of passion and nostalgia.<br />
Bruch’s Violin Concerto, performed<br />
by Natalia Lomeiko, 2003 winner of<br />
<strong>the</strong> Michael Hill International Violin<br />
Competition, overflows with melody<br />
and emotion. And in Brahms’s Second<br />
Symphony, <strong>the</strong> composer trades his<br />
usual solemnity for effortless joy.<br />
12 apo.co.nz<br />
Scandinavian Adventure<br />
8pm, Thu 7 November<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Eckehard Stier<br />
Clarinet Nicola Jürgensen<br />
grieg Peer Gynt Suites: selection<br />
nielsen Clarinet Concerto<br />
rautavaara Cantus Arcticus<br />
sibelius Symphony No.7<br />
Scandinavia is a region of stunning<br />
landscapes and beauty, as well as<br />
isolation. In this programme of works<br />
inspired by <strong>the</strong> far north, we travel from<br />
<strong>the</strong> traditional folk tales of Peer Gynt,<br />
which imagine impetuous mountain<br />
kings, to Rautavaara’s evocative Cantus<br />
Arcticus, which uses recordings of<br />
native bird songs as musical inspiration.<br />
German soloist Nicola Jürgensen,<br />
who has appeared with orchestras<br />
throughout Europe, joins <strong>the</strong> orchestra<br />
in Nielsen’s devilish Clarinet Concerto.<br />
Sibelius’s Seventh Symphony is a fitting<br />
end to this Scandinavian programme.<br />
It was written 33 years before his death,<br />
but was one of his final compositions. In<br />
this magisterial statement, he evokes <strong>the</strong><br />
austere beauty of his home, Finland.<br />
Season Finale<br />
8pm, Thu 14 November<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Eckehard Stier<br />
Piano Steven Osborne<br />
schoenberg Verklärte Nacht<br />
Falla Nights in <strong>the</strong> Gardens of Spain<br />
stravinsky The Rite of Spring<br />
A concert of “night music” and ritual.<br />
Schoenberg wrote “Transfigured Night”<br />
after a poem based on lovers walking<br />
in <strong>the</strong> moonlight, and, in one of his<br />
last fully romantic pieces, uses lush<br />
strings to convey unspeakable passion.<br />
In similar vein, expect Gramophone<br />
Award-winning pianist Steven Osborne<br />
to create a shimmering vision of Spanish<br />
gardens in Falla’s evocative homage.<br />
And for a stunning close to <strong>the</strong><br />
season, a century after its riotous<br />
first performance, don’t miss <strong>the</strong><br />
breathtaking and electrifying force of<br />
Stravinsky’s The Rite of Spring.
For nearly 150 years New Zealanders<br />
have turned to us for knowledge<br />
on <strong>the</strong> issues affecting our country.<br />
We’ve celebrated <strong>the</strong> best and<br />
confronted <strong>the</strong> worst. We’ve seen<br />
this country change and now we’ve<br />
also changed, for <strong>the</strong> better.<br />
nzherald.co.nz<br />
13
Bayleys<br />
Great Classics Series<br />
Heroic Classics<br />
8pm, Thu 4 April<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Nicholas Kraemer<br />
Violin Ilya Gringolts<br />
haydn Symphony No.85, ‘La Reine’<br />
mozart Violin Concerto No. 4 in D major<br />
beethoven Symphony No. 3, ‘Eroica’<br />
British Classical specialist Nicholas<br />
Kraemer leads <strong>the</strong> orchestra in a<br />
programme of true cornerstones of <strong>the</strong><br />
Classical era. Haydn’s Symphony No.85<br />
was nicknamed ‘La Reine’ (The Queen) as<br />
it was a favourite of Marie Antoinette. Ilya<br />
Gringolts, winner of <strong>the</strong> 1998 International<br />
Violin Competition Premio Paganini,<br />
performs Mozart’s delightful D major Violin<br />
Concerto. And finally, we hear <strong>the</strong> great<br />
‘Eroica’, ano<strong>the</strong>r work with a link to French<br />
politics. Beethoven originally dedicated<br />
<strong>the</strong> symphony to Napoleon Bonaparte,<br />
and <strong>the</strong> music took its inspiration from <strong>the</strong><br />
seeds of revolution. But after Napoleon<br />
crowned himself Emperor, Beethoven<br />
became disillusioned and scratched out <strong>the</strong><br />
dedication. His symphony, however, remains<br />
a ground-breaking and heroic work that<br />
helped define <strong>the</strong> romantic era.<br />
“It is no exaggeration to say that [Tiempo] may well be <strong>the</strong> most dazzling and<br />
spontaneous pianist of his generation. At every point he turns up <strong>the</strong> heat to near boiling<br />
point, joyfully and unapologetically flaunting his virtuoso bird-of-paradise fea<strong>the</strong>rs. His<br />
octave technique is superhuman… [Tiempo] makes it impossible to resist such coltish<br />
brio, colour and imagination. Every bar sparks with a fearless, vivid and audacious life...”<br />
— Editor’s Choice, Gramophone, April 2012<br />
14 apo.co.nz<br />
Dance!<br />
8pm, Thu 20 <strong>June</strong><br />
<strong>Auckland</strong> Town Hall<br />
Conductor Nicholas Collon<br />
Piano Sergio Tiempo<br />
Kodaly Dances of Galánta<br />
Liszt Totentanz<br />
ravel Valses Nobles et Sentimentales<br />
r. strauss Der Rosenkavalier Waltz<br />
Sequence No.1<br />
balakirev (arr. Liapounow) Islamey<br />
As long as <strong>the</strong>re has been music, <strong>the</strong>re has<br />
been dance. Pianist Sergio Tiempo returns<br />
to perform Liszt’s Totentanz, a dance of <strong>the</strong><br />
dead, while Kodaly’s Dances of Galánta<br />
celebrates Hungarian folk traditions. Ravel<br />
and Richard Strauss create very different<br />
visions of <strong>the</strong> traditional waltz, expressing<br />
melancholy, palatial grandeur and<br />
exoticism, while <strong>the</strong> colourful orchestration<br />
of Balakirev’s Islamey brings <strong>the</strong> concert to<br />
a thrilling close.<br />
Dynamic British conductor Nicholas Collon<br />
was awarded one of three 2012 Critics’<br />
Circle Awards for Exceptional Young<br />
Talent, and conducted three concerts in<br />
<strong>the</strong> 2012 BBC Proms season. Expect all<br />
<strong>the</strong> energy and passion <strong>the</strong>se wonderful<br />
dances deserve.<br />
My Country<br />
8pm, Thu 5 September<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Christoph Altstaedt<br />
Piano Ingrid Fliter<br />
Lilburn Drysdale Overture<br />
Chopin Piano Concerto No.2<br />
D v o r˘ á k Symphony No.8<br />
In this final Great Classics concert, we<br />
celebrate composers who reflect and<br />
helped define <strong>the</strong> musical character<br />
of <strong>the</strong>ir country. Lilburn’s Drysdale<br />
Overture is an early work, written while<br />
<strong>the</strong> composer was studying in London; it<br />
depicts memories of his homeland and of<br />
“childhood happiness”.<br />
Brilliant Argentinian pianist Ingrid Fliter<br />
joins <strong>the</strong> orchestra for Chopin’s Piano<br />
Concerto No.2, with its echoes of <strong>the</strong><br />
mazurkas of Poland. And Dvor˘ák’s<br />
Eighth Symphony is unmistakably Czech,<br />
embodying <strong>the</strong> spirit and melodies of<br />
his people. Led by Christoph Altstaedt,<br />
winner of <strong>the</strong> Eugen Jochum conducting<br />
prize, this concert promises a vibrant<br />
musical voyage through some of <strong>the</strong><br />
liveliest folk idioms of Europe.
Splendour Series<br />
Three concerts that celebrate, commemorate and<br />
explore <strong>the</strong> decade in which <strong>the</strong>y were written.<br />
Music of Wartime (1940s)<br />
8pm, Thu 16 May<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Michal Dworzynski<br />
Cello Johannes Moser<br />
r. strauss Metamorphosen<br />
hindemith Cello Concerto<br />
Prokofiev Symphony No.5<br />
In times of crisis, music provides powerful<br />
resonance as a symbol of humanity and<br />
faith, as <strong>the</strong>se three works, all composed<br />
in <strong>the</strong> 1940s, testify. Prokofiev said that his<br />
Fifth Symphony, written in a Soviet bunker<br />
in 1944, was “a hymn to free and happy<br />
Man, to his mighty powers, his pure and<br />
noble spirit”. Hindemith’s Cello Concerto<br />
was written soon after <strong>the</strong> composer had<br />
fled Germany in 1937, eventually to settle<br />
in <strong>the</strong> US. Strauss was bitterly tested by<br />
war-time, as he struggled to protect his<br />
Jewish daughter-in-law and grandchildren,<br />
while simultaneously agreeing to<br />
work with German authorities. In his<br />
Metamorphosen, he writes an enigmatic<br />
memoriam, perhaps to his hometown of<br />
Munich, <strong>the</strong> wider world, or his honour.<br />
Polish conductor Michal Dworzinsky<br />
conducts <strong>the</strong> orchestra in this programme<br />
of struggle and redemption.<br />
“The virtuosity, exuberant temperament, burning<br />
passion, and perfection that [Linus] Roth<br />
demonstrated here brought <strong>the</strong> audience to <strong>the</strong>ir feet.”<br />
— Süddeutsche Zeitung<br />
16 apo.co.nz<br />
A New Era (1900s)<br />
8pm, Thu 25 July<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Eckehard Stier<br />
Violin Linus Roth<br />
Debussy La Mer<br />
glazunov Violin Concerto<br />
schoenberg Pelleas und Melisande, Op.5<br />
With <strong>the</strong> dawn of a new century came<br />
brave new artistic directions, and in <strong>the</strong><br />
music of Debussy and Schoenberg,<br />
<strong>the</strong> birth of new musical languages.<br />
In Debussy’s impressionistic portrait of<br />
<strong>the</strong> sea, La Mer, he uses <strong>the</strong> orchestra<br />
to create different images of water, from<br />
waves to clouds to ferocious storms.<br />
Meanwhile, Schoenberg looked forward<br />
but also referred back to his Romantic<br />
roots to compose his orchestral tone poem<br />
telling <strong>the</strong> story of Pelleas and Melisande.<br />
Expanding <strong>the</strong> leitmotif style of Richard<br />
Wagner to an intense degree, his music<br />
is expressionistic and romantic in equal<br />
measure. Young German violinist Linus<br />
Roth presents Glazunov’s Violin Concerto,<br />
which shows a Russian tendency towards<br />
melodic brilliance in <strong>the</strong> new century.<br />
The Roaring ’20s<br />
8pm, Thu 24 October<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Eckehard Stier<br />
Piano John Chen<br />
Weill Suite from The Threepenny Opera<br />
gershwin Rhapsody in Blue<br />
Poulenc Les Biches Suite<br />
Weill Rise and Fall of <strong>the</strong> City of<br />
Mahagonny Suite<br />
The music of <strong>the</strong> 1920s reflected <strong>the</strong><br />
ebullience of <strong>the</strong> decade, as <strong>the</strong> horrors<br />
of World War I receded. This concert<br />
reflects <strong>the</strong> party mood of <strong>the</strong> time, with<br />
its overtones of ragtime, jazz, cabaret and<br />
underground clubs.<br />
John Chen returns to perform Gershwin’s<br />
popular jazz-influenced masterpiece<br />
Rhapsody in Blue, written in haste to be<br />
performed (reportedly with improvisation<br />
by <strong>the</strong> composer himself at <strong>the</strong> keyboard)<br />
for <strong>the</strong> 1924 “Experiment In Modern<br />
Music” concert in New York.<br />
Kurt Weill famously collaborated with<br />
playwright Bertolt Brecht to create two<br />
of his most memorable music dramas,<br />
The Threepenny Opera and The Rise and<br />
Fall of <strong>the</strong> City of Mahagonny. Influenced<br />
heavily by jazz and popular styles, he<br />
created a captivating art form, both<br />
entertaining and powerfully satiric. It’s<br />
no surprise that <strong>the</strong> <strong>the</strong>mes he created<br />
have lived on and been re-interpreted by<br />
modern artists.
Splendour of <strong>the</strong> Organ<br />
The <strong>Auckland</strong> Town Hall<br />
Organ Trust, in association<br />
with <strong>the</strong> APO, presents<br />
a 30 minute pre-concert<br />
recital at 6.30pm prior to<br />
each of <strong>the</strong>se concerts.<br />
In keeping with <strong>the</strong><br />
Splendour <strong>the</strong>me for 2013,<br />
each recital features organ<br />
music of <strong>the</strong> decade.<br />
Free admission – only to<br />
concert ticket holders.<br />
17
Unwrap <strong>the</strong> Music<br />
Three entertaining concerts in which presenter/conductor Graham<br />
Abbott and <strong>the</strong> APO examine what makes <strong>the</strong>se great works great. These<br />
concerts “unwrap” and provide insights for anyone new to music, or<br />
anyone who wants to know more about music <strong>the</strong>y love and enjoy.<br />
Beethoven: Symphony No.5<br />
6.30pm, Thu 11 April<br />
<strong>Auckland</strong> Town Hall<br />
Did you know that Beethoven’s Fifth<br />
symphony was premiered as part of a<br />
marathon 4-hour event, featuring only<br />
compositions by Beethoven (including<br />
<strong>the</strong> entire Sixth symphony)? That it was<br />
conducted by Beethoven? Or that <strong>the</strong><br />
orchestra, lacking proper rehearsal time for<br />
<strong>the</strong> epic endeavour, made <strong>the</strong> premiere a<br />
bit of a flop? Join Graham Abbott and <strong>the</strong><br />
orchestra as <strong>the</strong>y explore <strong>the</strong> strange and<br />
persuasive allure of this favourite work.<br />
18 apo.co.nz<br />
Tchaikovsky: Piano Concerto 1<br />
6.30pm, Wed 26 <strong>June</strong><br />
<strong>Auckland</strong> Town Hall<br />
Piano Jason Bae<br />
We peel <strong>the</strong> cover off ano<strong>the</strong>r much-loved<br />
classic. Tchaikovsky’s piano concerto<br />
was first intended to be played by <strong>the</strong><br />
famous pianist Nikolai Rubinstein. Why,<br />
when Tchaikovsky showed <strong>the</strong> finished<br />
composition to Rubinstein, did <strong>the</strong> pianist<br />
unleash a barrage of wi<strong>the</strong>ring critiques<br />
upon <strong>the</strong> composer? And how did<br />
Tchaikovsky manage to ignore <strong>the</strong> scorn<br />
and find ano<strong>the</strong>r pianist, thus saving one of<br />
music’s great piano concertos?<br />
Low Cost Concerts.<br />
Tickets $25 & $15.<br />
Haydn: ‘Surprise’ Symphony<br />
(No.94)<br />
6.30pm, Wed 25 September<br />
<strong>Auckland</strong> Town Hall<br />
Why does this ‘Surprise’ Symphony evoke<br />
laughter, joy, and <strong>the</strong> occasional shock,<br />
222 years after Haydn wrote it? Was<br />
Haydn attempting to wake <strong>the</strong> audience<br />
from a slumber with his sudden fortissimo<br />
chords, or was he looking for some way<br />
to stand out to <strong>the</strong> London audience that<br />
heard its premiere? We take you behind<br />
<strong>the</strong> score to understand Haydn’s motivation<br />
and <strong>the</strong> compositional tools that helped<br />
form this most unusual work.
Sanctuary<br />
Series<br />
APO Cellos<br />
6.30pm, Mon 15 April<br />
St Michael’s Church, Remuera<br />
6.30pm, Wed 17 April<br />
All Saints Church, Howick<br />
Principal Cello Eliah Sakakushev-von<br />
Bismarck brings toge<strong>the</strong>r a programme that<br />
demonstrates <strong>the</strong> beauty of <strong>the</strong> cello. Join<br />
<strong>the</strong> APO cellos in a colourful programme of<br />
original music and arrangements specially<br />
written for cello ensemble, including music<br />
by Bach, Villa-Lobos, Falla and Klengel.<br />
Schubert Octet<br />
6.30pm, Mon 8 July<br />
All Saints Church, Howick<br />
6.30pm, Tue 9 July<br />
St George’s Church, Takapuna<br />
The Octet in F major is one of Schubert’s<br />
most popular and enduring works, and<br />
brings toge<strong>the</strong>r a wonderfully harmonious<br />
group of instruments. Schubert was asked<br />
to write <strong>the</strong> piece by Count Ferdinand<br />
Troyer, a clarinettist and deputy to <strong>the</strong> son<br />
of <strong>the</strong> Austrian emperor, whose only request<br />
was that it be modeled after Beethoven’s<br />
famous septet. Violinist Dianna Cochrane<br />
is joined by APO colleagues to present this<br />
lyrical masterpiece.<br />
Low Cost Concerts.<br />
Tickets $25 & $15.<br />
A series of concerts by ensembles of APO principal<br />
players and <strong>the</strong>ir colleagues, performed in <strong>the</strong> wonderful<br />
acoustics of churches around <strong>the</strong> <strong>Auckland</strong> region.<br />
Percussion & Friends<br />
6.30pm, Mon 7 October<br />
St. Peter’s Church, Takapuna<br />
6.30pm, Wed 9 October<br />
St Michael’s Church, Remuera<br />
Revel in <strong>the</strong> resonance of drums. Principal<br />
Percussion Eric Renick has selected a<br />
range of pieces that display <strong>the</strong> dynamic<br />
and melodic possibilities of percussion<br />
instruments, performed alongside and in<br />
harmony with some of his APO colleagues.<br />
This is <strong>the</strong> debut Sanctuary concert for our<br />
percussion section, and is sure to be unlike<br />
anything you’ve heard before.<br />
19
Chapman Tripp<br />
Summer Matinee<br />
A Summer Romance<br />
2pm, Sat 9 February<br />
Government House grounds,<br />
Mt Eden<br />
Conductor Hamish McKeich<br />
soloist Penelope Mills<br />
The APO kicks off 2013 with an<br />
afternoon of musical romance in splendid<br />
surroundings. Get your blanket ready, your<br />
picnic packed, ga<strong>the</strong>r your friends, and<br />
savour this unique musical treat with us at<br />
<strong>Auckland</strong>’s most elegant outdoor concert.<br />
If you prefer your outdoor picnic stressfree,<br />
you can order picnic hampers with<br />
your concert tickets – ask our ticketing<br />
office for details.<br />
20 apo.co.nz
Conductor Ken Young<br />
guitar Norio Sato<br />
Counter tenor Xiao Ma<br />
mezzo soprano Anna Pierard<br />
Vocalist TBC<br />
Dancer TBC<br />
APO Composer-in-Residence Jack Body’s<br />
tribute to Carmen Rupe celebrates <strong>the</strong><br />
colourful life and fearless personality of<br />
one of this country’s most original icons.<br />
Part concert, part performance work, this<br />
will be a stunning evocation of lives lived<br />
<strong>the</strong>atrically and defiantly, a performance<br />
as flamboyant as Carmen herself.<br />
Join us as we transform <strong>the</strong> Town Hall to<br />
a “tea room” and share <strong>the</strong> music as this<br />
extraordinary world unfolds.<br />
In Memoriam<br />
Carmen Rupe<br />
Composer: Jack Body<br />
8pm, Fri 8 March<br />
<strong>Auckland</strong> Town Hall<br />
IMAGE: JACK BODY<br />
21
enjamin britten’s<br />
WAR R EQ U I E M<br />
AUCKLAND PHILHARMONIA ORCHESTRA CONDUCTOR ECKEHARD STIER<br />
VOICES NEW ZEALAND CHAMBER CHOIR<br />
SOPRANO ORLA BOYLAN<br />
NEW ZEALAND YOUTH CHOIR<br />
TENOR TIMOTHY ROBINSON<br />
BARITONE IVAN LUDLOW<br />
Passivity at any price!...<br />
Be bullied, be outraged, be killed,<br />
but do not kill<br />
A PASSAGE uNDERlINED BY BENjAMIN<br />
BRITTEN IN A lETTER WIlFRED OWEN WROTE<br />
TO HIS MOTHER, 1917.<br />
Benjamin Britten’s magnum opus<br />
War Requiem is one of <strong>the</strong> finest choral and<br />
orchestral works of <strong>the</strong> 20th century.<br />
Monumental in scope, <strong>the</strong> bold and inspired<br />
work is composed for two orchestras,<br />
a massed choir, a children’s choir, three<br />
soloists and organ. Interwoven with powerful<br />
recitations from Missa pro defunctis (Mass<br />
for <strong>the</strong> Dead) and nine magnificent poems by<br />
<strong>the</strong> great war poet, Wilfred Owen, it responds<br />
sensitively yet determinedly to <strong>the</strong> horrors<br />
and devastation of war and to <strong>the</strong> futility of<br />
man’s inhumanity to man – a message which<br />
still resonates now as strongly as it did when<br />
Britten wrote it.<br />
War Requiem was commissioned to mark<br />
<strong>the</strong> re-consecration of Coventry Ca<strong>the</strong>dral,<br />
rebuilt after a 1940 German air raid almost<br />
completely destroyed <strong>the</strong> original 14th<br />
century ca<strong>the</strong>dral, St Michael’s. After <strong>the</strong><br />
first performance of War Requiem in 1962,<br />
a moment of reverential silence fell upon <strong>the</strong><br />
audience; not a single clap was heard.<br />
Fifty years after that momentous occasion<br />
and 100 years since <strong>the</strong> birth of its composer,<br />
War Requiem is heard in <strong>Auckland</strong>.<br />
Conducted by Eckehard Stier, <strong>the</strong> <strong>Auckland</strong><br />
<strong>Philharmonia</strong> Orchestra is joined by fêted Irish<br />
soprano Orla Boylan, tenor Timothy Robinson<br />
plus Voices New Zealand Chamber Choir, New<br />
Zealand Youth Choir and a combined children’s<br />
choir to bring <strong>the</strong> spirit, genius and force of<br />
Britten’s masterpiece to <strong>the</strong> <strong>Auckland</strong> Town<br />
Hall for one tremendous evening.<br />
The opportunity for such a special<br />
experience is rare. Prepare to be moved.<br />
WHEN<br />
Sat 23 Mar at 8pm<br />
WHERE<br />
Great Hall, <strong>Auckland</strong> Town Hall<br />
TICKETS<br />
Public<br />
Deluxe $139 $124<br />
Premium $118 $108<br />
A Reserve $98 $89<br />
B Reserve $75 $69<br />
C Reserve $45<br />
Presented by<br />
Subscribers &<br />
Festival Friends<br />
Robert Lussier, LussierPhoto.com<br />
In association with<br />
Find out more about <strong>Auckland</strong> Arts Festival at<br />
aucklandfestival.co.nz
1 - 3 <strong>June</strong><br />
Rounds I and II - Queenstown Memorial Hall<br />
Solo and accompanied works with Sarah Watkins<br />
and Diedre Irons<br />
5 - 6 <strong>June</strong><br />
Round III - <strong>Auckland</strong> Town Hall<br />
Concert Chamber<br />
Chamber music with Ashley Brown<br />
and Michael Houstoun<br />
8 <strong>June</strong><br />
7.30pm<br />
7.30pm<br />
Final Round - <strong>Auckland</strong> Town Hall<br />
Concertos with <strong>the</strong> <strong>Auckland</strong> <strong>Philharmonia</strong><br />
Orchestra (can be purchased with your<br />
APO subscription)<br />
InsIders GuIde, HosTed<br />
by JusTIne CorMACk
Qantas presents<br />
The Last Night of<br />
<strong>the</strong> Proms<br />
8pm, Thu 11 July<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Benjamin Nor<strong>the</strong>y<br />
soprano Helen Medlyn<br />
Ben Nor<strong>the</strong>y, Musical Director for <strong>the</strong><br />
re-opening concerts of Melbourne’s<br />
Hamer Hall in 2012, takes <strong>the</strong> baton for<br />
<strong>the</strong> always-exciting Qantas Last Night<br />
of <strong>the</strong> Proms. With music that includes<br />
Elgar’s ‘Nimrod’, <strong>the</strong> Sailors’ Hornpipe<br />
from Fantasia on British Sea Songs<br />
and ‘Rule Britannia’, this is a night to<br />
cut loose and celebrate <strong>the</strong> best of<br />
British orchestral tradition. Dress up<br />
and bring your streamers, as <strong>the</strong> hall<br />
will be decked with banners, ready for<br />
you to celebrate in true Proms fashion.<br />
You’ll enjoy all <strong>the</strong> orchestral favourites<br />
and Proms classics that make up this<br />
firecracker of a programme.<br />
25
The Trusts Community Foundation Opera in Concert<br />
Stravinsky:<br />
The Rake’s Progress<br />
7.30pm, Fri 9 August<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Eckehard Stier<br />
Cast includes<br />
tom rakewell Andrew Goodwin<br />
anna trulove Madeleine Pierard<br />
nick shadow Paul Whelan<br />
baba <strong>the</strong> turk Liane Keegan<br />
mo<strong>the</strong>r goose Helen Medlyn<br />
Chorus The Chapman Tripp Opera Chorus<br />
Director John Rosser<br />
Stravinsky’s only full-length opera, with a<br />
“dazzlingly barbed” English language libretto<br />
written by poets W.H. Auden and Chester<br />
Kallman, is a modern fable that traces <strong>the</strong><br />
moral and mental downfall of Tom Rakewell.<br />
Tom is courting Anne Trulove, but after<br />
declining a conventional job offer from her<br />
fa<strong>the</strong>r, he unknowingly meets <strong>the</strong> devil in<br />
<strong>the</strong> form of <strong>the</strong> mysterious Nick Shadow.<br />
Rakewell follows Shadow to London and<br />
supposed freedom, only to be steered<br />
through a cascade of escalating foibles,<br />
including a visit to a bro<strong>the</strong>l, a marriage to<br />
a bearded lady named Baba <strong>the</strong> Turk, and<br />
eventual madness. New Zealand’s own Paul<br />
Whelan makes a triumphant return in <strong>the</strong><br />
tour-de-force vocal part of Nick Shadow,<br />
26 apo.co.nz<br />
with Australian Andrew Goodwin in <strong>the</strong><br />
title role and Helen Medlyn and Madeleine<br />
Pierard among a strong supporting cast.<br />
A masterpiece of 20 th century opera, The<br />
Rake’s Progress is a tale of adventure, love<br />
and madness propelled by Stravinsky’s<br />
rhythmic verve and dazzling harmonies.<br />
Prepare for a witty, emotional and thoroughly<br />
entertaining night of concert opera.
28 apo.co.nz
Choral Masterpieces<br />
Mozart Requiem<br />
8pm, Thu 12 September<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Bernard Labadie<br />
Cello Alban Gerhardt<br />
soprano Nicole Car<br />
mezzo-soprano Sarah Castle<br />
tenor Paul McMahon<br />
baritone TBC<br />
Choir Voices New Zealand<br />
Director Dr Karen Grylls<br />
haydn Symphony No.26, ‘Lamentatione’<br />
haydn Cello Concerto No.1 in C major<br />
mozart Requiem<br />
Canadian conductor Bernard Labadie<br />
leads <strong>the</strong> orchestra and Voices New<br />
Zealand in a performance of Mozart’s<br />
Requiem, written and left unfinished<br />
while <strong>the</strong> composer lay on his death-bed.<br />
Labadie, heralded as a Classical and<br />
Baroque specialist, is <strong>the</strong> music director<br />
of acclaimed early-music group Les<br />
Violons du Roy.<br />
Sensational German cellist Alban<br />
Gerhardt, who recently made his debut<br />
with <strong>the</strong> Berlin Philharmonic Orchestra,<br />
performs Haydn’s lively Concerto in C<br />
Major in an entrée to <strong>the</strong> choral feast.<br />
29
30<br />
apo.co.nz<br />
Qantas presents<br />
Music of <strong>the</strong> Night<br />
8pm, Thu 31 October<br />
<strong>Auckland</strong> Town Hall<br />
Conductor Marc Taddei<br />
singer Tim Beveridge<br />
Presenter Raymond Hawthorne<br />
Programme includes:<br />
bach/stokowski Toccata and Fugue<br />
in D Minor<br />
saint-saëns Danse Macabre<br />
Dukas The Sorcerer’s Apprentice<br />
mussorgsky ‘Baba Yaga’ from Pictures<br />
at an Exhibition<br />
Lloyd Webber ‘The Music of <strong>the</strong> Night’<br />
from Phantom of <strong>the</strong> Opera<br />
A night of <strong>the</strong> o<strong>the</strong>rworldly. Composers<br />
have always been drawn to <strong>the</strong><br />
supernatural, and in this special concert,<br />
coinciding with Halloween, <strong>the</strong> orchestra<br />
presents a staged performance of<br />
several macabre and dramatic classics.<br />
Renowned actor/director Raymond<br />
Hawthorne joins us for what is sure to be<br />
a night of <strong>the</strong>atrical and musical thrills.
Celebrate Christmas<br />
7.30pm, Fri 13 December<br />
Holy Trinity Ca<strong>the</strong>dral<br />
3pm, Sat 14 December<br />
Holy Trinity Ca<strong>the</strong>dral<br />
Conductor Brett Kelly<br />
tenor Ben Makisi<br />
Choir The Graduate Choir NZ<br />
Director Terence Maskill<br />
Share <strong>the</strong> Christmas spirit with friends<br />
and family, <strong>the</strong> APO and The Graduate<br />
Choir NZ in a concert of carols and<br />
festive melodies. This annual concert<br />
at Holy Trinity Ca<strong>the</strong>dral in Parnell is a<br />
perfect way to welcome Christmas to<br />
<strong>Auckland</strong>. Vocalist Ben Makisi, known as<br />
New Zealand’s finest Pacific tenor, has<br />
starred with NBR NZ Opera and in 2012<br />
featured in <strong>the</strong> concert performance of<br />
Nabucco with <strong>the</strong> APO. Brett Kelly, one<br />
of Australia’s top conductors, leads this<br />
celebratory programme.<br />
31
32 apo.co.nz
Meet <strong>the</strong> Orchestra<br />
<strong>Auckland</strong> <strong>Philharmonia</strong><br />
Orchestra is <strong>Auckland</strong>’s<br />
leading performing arts<br />
organisation, and <strong>the</strong><br />
city’s resident full-time<br />
professional symphony<br />
orchestra.<br />
In more than 80 performances annually, <strong>the</strong><br />
APO presents a full season of symphonic<br />
work showcasing many of <strong>the</strong> world’s<br />
finest classical musicians. Recent soloists<br />
include Michael Collins, Tasmin Little,<br />
Midori, Christine Brewer and Dame Evelyn<br />
Glennie. Returning this year are James<br />
Ehnes, Nikolai Demidenko, Giancarlo<br />
Guerrero and Kristian Win<strong>the</strong>r among<br />
several o<strong>the</strong>rs, and we are delighted<br />
to welcome for <strong>the</strong> first time acclaimed<br />
artists including pianist Steven Osborne,<br />
organist Cameron Carpenter and esteemed<br />
German conductor Jun Märkl. The APO is<br />
also proud to support both <strong>the</strong> NBR New<br />
Zealand Opera and <strong>the</strong> Royal New Zealand<br />
Ballet in <strong>the</strong>ir <strong>Auckland</strong> performances.<br />
Renowned for its innovation, passion and<br />
versatility, <strong>the</strong> APO collaborates with some<br />
of New Zealand’s most inventive artists,<br />
including recent performances with leading<br />
<strong>Auckland</strong> hip hop artists in its Remix <strong>the</strong><br />
Orchestra performance, Warren Maxwell,<br />
Nathan Haines and <strong>the</strong> Topp Twins.<br />
Additionally, <strong>the</strong> APO is orchestra of choice<br />
for visiting international acts such as Kenny<br />
Rogers, Diana Krall, and Serj Tankian.<br />
The APO promotes a vibrant arts culture<br />
by providing leadership and support<br />
across <strong>the</strong> arts sector. Through its<br />
numerous APO Connecting (education,<br />
outreach and community) initiatives<br />
<strong>the</strong> APO offers opportunities to more<br />
than 23,000 young people and adults<br />
nationwide to participate in music, ranging<br />
from hip hop and rock to contemporary and<br />
classical. In 2011 <strong>the</strong> orchestra launched<br />
Sistema Aotearoa in partnership with <strong>the</strong><br />
Ministry for Culture and Heritage. This is<br />
<strong>the</strong> first music education programme in<br />
New Zealand to be based on El Sistema,<br />
one of <strong>the</strong> world’s most successful<br />
music and social development projects.<br />
The programme now teaches music to<br />
almost 200 children, with instruments and<br />
teaching provided free of charge.<br />
More than 100,000 people hear <strong>the</strong><br />
orchestra live each year, and many<br />
thousands more are reached through<br />
special events, o<strong>the</strong>r media and recordings<br />
on <strong>the</strong> APO Live and Naxos music labels.<br />
Most APO concerts are broadcast live<br />
nationally and streamed online on Radio<br />
New Zealand Concert, allowing everyone<br />
<strong>the</strong> chance to share <strong>the</strong> excitement of a<br />
world-class performance.<br />
Patrons<br />
Dame Kiri Te Kanawa, ONZ, DBE<br />
Dame Ca<strong>the</strong>rine Tizard, ONZ<br />
Sir James Wallace, KNZM<br />
ViCe Patron<br />
Dame Jenny Gibbs, DNZM<br />
auCKLanD PhiLharmonia<br />
orChestra boarD<br />
Dame Rosanne Meo, DNZM, OBE (Chairman)<br />
Jonathan Baker<br />
Richard Ebbett<br />
Prof Jonathan Mane-Wheoki<br />
Geraint Martin<br />
Michael Moyes<br />
Kieran Raftery<br />
Ceo<br />
Barbara Glaser<br />
musiC DireCtor<br />
Eckehard Stier<br />
ComPoser-in-resiDenCe<br />
Jack Body<br />
33
musiC DireCtor<br />
Eckehard Stier<br />
ConCertmaster<br />
Dimitri Atanassov<br />
assistant ConCertmaster<br />
Miranda Adams<br />
34 apo.co.nz<br />
First VioLins<br />
Artur Grabczewski #<br />
Mark Bennett<br />
Elizabeth<br />
Grabczewska<br />
Ainsley Murray<br />
Tomislav Nikolich<br />
Alexander Shapkin<br />
Lucy Qi Zhang<br />
Satomi Suzuki<br />
seConD<br />
VioLins<br />
Dianna Cochrane ß<br />
William Hanfling #<br />
Rae Crossley-Croft =<br />
Sarah Hart<br />
Jocelyn Healy<br />
David Maunsell<br />
Ewa Sadag<br />
Ka<strong>the</strong>rine Walshe<br />
Caroline von<br />
Bismarck<br />
VioLas<br />
Robert Ashworth ß<br />
Anne Draffin #<br />
Christine Bowie<br />
Ping Tong Chan<br />
Gregory McGarity<br />
Owen Gordon<br />
Susan Wedde<br />
Wen Chuan Lin<br />
CeLLos<br />
Eliah Sakakushev-<br />
von Bismarck ß<br />
David Garner +<br />
Liliya Arefyeva #<br />
Virginia Hopkins =<br />
Ka<strong>the</strong>rine Hebley<br />
You Lee<br />
Claudia Price
asses<br />
Gordon Hill ß<br />
Annabella Leslie +<br />
Matthias Erdrich<br />
Evgueny<br />
Lanchtchikov<br />
Michael Steer<br />
FLutes<br />
Ca<strong>the</strong>rine Bowie ß<br />
Kathryn Moorhead +<br />
Jennifer<br />
Seddon-Mori #<br />
PiCCoLo<br />
Jennifer<br />
Seddon-Mori*<br />
oboes<br />
Camille Wells +<br />
Martin Lee<br />
Cor angLais<br />
Martin Lee*<br />
CLarinets<br />
Gordon Richards ß<br />
Bridget Miles +<br />
James Fry #<br />
bass<br />
CLarinet<br />
Bridget Miles*<br />
bassoons<br />
Ingrid Hagan ß<br />
Yang Rachel<br />
Guan Ebbett +<br />
Ruth Brinkman #<br />
Contra-<br />
bassoon<br />
Ruth Brinkman*<br />
horns<br />
Nicola Baker ß<br />
Emma Richards*<br />
Carl Wells #<br />
Simon Williams #<br />
David Kay<br />
trumPets<br />
Brent Grapes ß<br />
Huw Dann +<br />
Norman McFarlane +<br />
trombones<br />
Douglas Cross ß<br />
Mark Close #<br />
bass<br />
trombone<br />
Timothy Sutton*<br />
tuba<br />
Jonathan Baker*<br />
timPani<br />
Vadim Simongauz ß<br />
PerCussion<br />
Eric Renick ß<br />
Jennifer Raven #<br />
Shane Currey<br />
harP<br />
Rebecca Harris*<br />
ComPoser-<br />
in-resiDenCe<br />
Jack Body<br />
ß Section Principal<br />
= Section Leader<br />
Emeritus<br />
* Principal<br />
+ Associate Principal<br />
# Sub-Principal<br />
35
The players say...<br />
Jenny Raven<br />
Sub-principal Percussion<br />
“I love <strong>the</strong> really strong <strong>the</strong>mes that<br />
Prokofiev writes and that he uses<br />
percussion to add <strong>the</strong> final “punch” to his<br />
Symphony No.5 (May 16). In October ‘The<br />
Roaring ’20s’ is a cool, jazzy concert to<br />
really look forward to. And percussion has<br />
its very own Sanctuary concert.”<br />
David Garner<br />
Associate Principal Cello<br />
“Along with some popular favourites I<br />
am particularly excited about performing<br />
<strong>the</strong> rarely programmed Hindemith Cello<br />
Concerto with soloist Johannes Moser.<br />
Hindemith’s only mature cello concerto<br />
scored for full orchestra, this work presents<br />
technical and musical challenges with<br />
virtuoso solo and orchestral writing. I am<br />
sure this concert will be eagerly anticipated<br />
by both <strong>the</strong> audience and orchestra.”<br />
36 apo.co.nz<br />
You Lee<br />
Cello<br />
“The 2013 season is filled with incredible<br />
music and artists – I can’t wait!<br />
“It’s great to see a mix of classic and<br />
new works, and Britten’s War Requiem<br />
will be amazing.”<br />
Nicola Baker<br />
Section Principal Horn<br />
“I’m looking forward to Prokofiev’s 5th Symphony, which speaks of <strong>the</strong> glory and<br />
nobility of <strong>the</strong> human spirit, even though<br />
it was created during one of <strong>the</strong> world’s<br />
darkest hours. Let it lift your soul.<br />
“There is a beautiful innocence and<br />
simplicity about Mahler’s 4th Symphony<br />
that draws you into a magical world.”<br />
Dianna Cochrane<br />
Section Principal Second Violin<br />
“What a fantastic line up of concerts!<br />
Where do I begin? I’m so excited to open<br />
<strong>the</strong> season with Eckehard conducting<br />
Zarathustra, following on with one of my<br />
all time favourites, Britten’s amazing War<br />
Requiem – a concert not to be missed! And<br />
I can’t wait to have <strong>the</strong> sublime musicianship<br />
and wonderful personality of James Ehnes<br />
back with us, playing <strong>the</strong> elegant and<br />
expressive Elgar violin concerto.”<br />
Miranda Adams<br />
Assistant Concertmaster<br />
“I’m really looking forward to playing<br />
Bartók’s Music for Strings, Percussion<br />
and Celesta. It’s haunting, evocative<br />
music, and still sends a shiver down my<br />
spine, especially after how it was used<br />
in The Shining. The mesmerising string<br />
passages underlying beautiful celeste<br />
trills and percussion rumbles blow my<br />
imagination away. I love Bartók!”
The audience says...<br />
“I did <strong>the</strong> most exciting thing last night! Grandad took<br />
me to a concert! It was at 6 o’clock in <strong>the</strong> <strong>Auckland</strong><br />
Town Hall, and it was Symphony No.9 by Dvor˘ák. The<br />
orchestra played <strong>the</strong> first movement, some of <strong>the</strong> third<br />
and second, and all of <strong>the</strong> fourth. It was wonderful!<br />
The music was sweet and high, dark and low, big and<br />
small, soft and light, rich and deep – but whatever it<br />
was, it was beautiful!”<br />
— Juliette, aged 11<br />
“I have completely fallen in love with<br />
<strong>the</strong> APO. It transports me: it is my<br />
escape from <strong>the</strong> human to <strong>the</strong> divine.<br />
I enjoy every concert.”<br />
— Jane, audience member<br />
“What a wonderful experience <strong>the</strong><br />
APO’s concert in Takapuna was last<br />
night [Sanctuary Strings] – delightful<br />
choice of music, marvellous, intimate<br />
chamber music environment and a<br />
privilege to share music with such<br />
superb musicians. Thank you. May we<br />
have more of <strong>the</strong> same next year!”<br />
— Audience members Harry and Anne<br />
37
APO Connecting<br />
APO Connecting is all about <strong>the</strong><br />
APO’s links to <strong>the</strong> community.<br />
Through education and outreach<br />
and activities and concerts, our<br />
aim is to excite and engage<br />
you and share our passion for<br />
orchestral music.<br />
In public venues, schools and<br />
classrooms, APO Connecting connects<br />
our professional players with schools,<br />
individuals and communities. In a flagship<br />
programme that is <strong>the</strong> envy of many<br />
o<strong>the</strong>r orchestras, and widely applauded<br />
by educators and community leaders,<br />
we inspire young musicians, connect<br />
music makers and music lovers of <strong>the</strong><br />
present and <strong>the</strong> future, and offer concerts,<br />
workshops and tutorials.<br />
From introductions for pre-schoolers to<br />
professional development and mentoring<br />
for aspiring musicians, composers<br />
and conductors, APO Connecting<br />
38 apo.co.nz<br />
engages people through orchestral<br />
music experiences suited to <strong>the</strong>ir needs<br />
and interests.<br />
Alongside a structured education<br />
programme for schools, we offer concerts<br />
and activities for all ages. Concerts<br />
such as APO 4 Kids, Unwrap <strong>the</strong> Music,<br />
Sanctuary Series and Discovery, and<br />
activities such as Open Days open <strong>the</strong><br />
door to <strong>the</strong> excitement of orchestral<br />
performance and a deeper understanding<br />
of music and how it is created.<br />
Highlights in <strong>the</strong> 2013 APO Connecting<br />
programme include <strong>the</strong> Organ Spectacular<br />
concert in <strong>the</strong> Town Hall, which is <strong>the</strong><br />
culmination of 18 months’ collaboration<br />
between composers and organists in<br />
creating new works for <strong>the</strong> Town Hall<br />
organ; our 2013 dance project, which<br />
comes toge<strong>the</strong>r in <strong>the</strong> second half of <strong>the</strong><br />
year; two Big Play In concerts that let nonprofessional<br />
musicians perform alongside<br />
<strong>the</strong>ir APO counterparts; and Connecting<br />
in Action, <strong>the</strong> APO’s contribution to<br />
UNESCO’s International Arts Education<br />
Week in May. This showcases some<br />
of <strong>the</strong> APO’s education activities in a<br />
concentrated week of events to increase<br />
awareness of <strong>the</strong> importance of arts<br />
education and of promoting cultural<br />
diversity and intercultural dialogue.<br />
And, of course, we continue to expand<br />
our world-class Sistema Aotearoa<br />
programme, inspired by <strong>the</strong> engagement<br />
and enthusiasm of <strong>the</strong> students and <strong>the</strong><br />
people of Otara.<br />
Details about all APO Connecting<br />
activities for 2013 will be on <strong>the</strong> APO<br />
website www.apo.co.nz and in a separate<br />
brochure, released at <strong>the</strong> end of 2012.<br />
Please call our education office on<br />
(09) 6235625 after <strong>the</strong> end of November<br />
to receive your copy.
APO 4 Kids<br />
A Day with Teddy<br />
Mon 22 April, TelstraClear<br />
Pacific Events Centre, Manukau<br />
Tue 23 April, Bruce Mason<br />
Centre, Takapuna<br />
Sat 27 April, <strong>Auckland</strong><br />
Town Hall<br />
10am and 11.30am at all venues.<br />
APO 4 Kids concerts are perfect for two-<br />
to five-year-olds. Fast paced, with familiar<br />
and catchy tunes that preschoolers know,<br />
and Kevin Keys as a zany narrator, <strong>the</strong>se<br />
concerts offer toe-tapping, clapping, singalong<br />
fun.<br />
This year, two of our APO 4 Kids<br />
performances are held on week days during<br />
<strong>the</strong> school holidays, offering a special<br />
activity for young family members.<br />
APO 4 Kids Christmas<br />
Sun 24 November, Massey High<br />
School Performing Arts Centre,<br />
Waitakere<br />
Sat 30 November, <strong>Auckland</strong><br />
Town Hall<br />
10am and 11.30am at both venues.<br />
It’s APO 4 Kids – with a Christmas <strong>the</strong>me.<br />
Favourite carols and sing-along songs<br />
for two- to five-year-olds, with Kevin Keys<br />
transformed as <strong>the</strong> Christmas elf – or<br />
perhaps Fa<strong>the</strong>r Christmas.<br />
Share <strong>the</strong> joy of Christmas with your<br />
young family members at a concert geared<br />
specially to <strong>the</strong>ir tastes.<br />
O<strong>the</strong>r key 2013 Connecting activities:<br />
APO Lion Foundation Orchestral Summer School,<br />
13-17 January 2013 – final performances 17 January,<br />
St Cuthbert’s College, 5.30pm and 8pm.<br />
Big Play in, 6.30pm, Thu 27 <strong>June</strong> and Fri 25 October,<br />
<strong>Auckland</strong> Town Hall<br />
Open Days<br />
The APO’s free Open Days offer an<br />
afternoon of entertainment and musical<br />
exploration for all ages. Interact with APO<br />
musicians, hear <strong>the</strong> instruments up close,<br />
watch rehearsal and performances and<br />
take part in workshops, mentoring and a<br />
range of o<strong>the</strong>r family activities. Detailed<br />
programmes published closer to <strong>the</strong> dates.<br />
Open Day South<br />
1-4pm, Sun 9 <strong>June</strong>, TelstraClear<br />
Pacific Events Centre, Manukau<br />
Includes performances by students of<br />
Sistema Aotearoa, plus a special Remix<br />
performance.<br />
Open Day West<br />
1-4pm, Sun 13 October<br />
The Trusts Stadium, Waitakere<br />
Includes Sing with <strong>the</strong> APO, a chance for<br />
any singer to perform live with <strong>the</strong> APO.<br />
39
How you can help your orchestra<br />
You can help us make <strong>the</strong> finest music available to <strong>the</strong> greatest number of people, now and in <strong>the</strong> future.<br />
Did you know that ticket sales only cover a small portion of <strong>the</strong> APO’s work? We also rely on support from<br />
individuals, trusts and companies to help us deliver our exciting concert series and our innovative APO<br />
Connecting (education and outreach) programmes. Help us to engage, innovate and inspire.<br />
GIVE<br />
Make a Donation<br />
The APO gratefully receives many private<br />
donations. You can make a gift through:<br />
– <strong>the</strong> subscription donation scheme (adding a<br />
donation to your subscription purchase)<br />
– <strong>the</strong> APO annual appeal<br />
– <strong>the</strong> APO website apo.co.nz<br />
– payroll giving<br />
All donations over $5 are tax deductable<br />
Chair Donor Programme<br />
You can help support <strong>the</strong> orchestra by<br />
becoming a Chair Donor and “adopting”<br />
a musician.<br />
By making an annual gift of $4,000 or more<br />
you can enjoy a unique relationship with <strong>the</strong><br />
orchestra and your adopted musician.<br />
We will keep you closely engaged in <strong>the</strong> life of<br />
<strong>the</strong> orchestra through regular updates on<br />
concerts, recordings and o<strong>the</strong>r activities<br />
such as:<br />
– invitations to exclusive Chair Donor functions<br />
– opportunities to meet and get to know<br />
your player<br />
– invitations to behind <strong>the</strong> scenes events<br />
For fur<strong>the</strong>r information on becoming a Chair<br />
Donor, contact APO Fundraising manager<br />
Christopher Johnstone christopherj@apo.co.nz,<br />
or (09) 623 5628.<br />
40 apo.co.nz<br />
PROMISE<br />
Make a gift in your will<br />
<strong>Auckland</strong> <strong>Philharmonia</strong> Foundation<br />
Consider leaving <strong>the</strong> <strong>Auckland</strong> <strong>Philharmonia</strong><br />
Foundation a gift in your will and ensure that<br />
future generations will be touched and inspired<br />
by great orchestral music in <strong>the</strong> way you have<br />
been. The Foundation is dedicated to securing<br />
an inspirational future for <strong>the</strong> APO through its<br />
legacy endowment fund.<br />
By making a gift in your will you can help <strong>the</strong><br />
orchestra go from strength to strength, and play<br />
a part in shaping <strong>the</strong> cultural future of <strong>Auckland</strong>.<br />
For fur<strong>the</strong>r information on gifts in wills, contact<br />
APO Fundraising manager Christopher<br />
Johnstone christopherj@apo.co.nz, or<br />
(09) 623 5628.<br />
JOIN<br />
APO Membership<br />
In 2013 <strong>the</strong> APO introduces an exciting new<br />
membership programme. You will have <strong>the</strong><br />
chance to get behind <strong>the</strong> scenes, meet <strong>the</strong><br />
musicians and soloists and receive advance<br />
information about <strong>the</strong> orchestra and its<br />
concert series.<br />
So why not get closer to <strong>the</strong> orchestra by<br />
becoming a member?<br />
We look forward to telling you more about this<br />
great new development in early 2013.<br />
For fur<strong>the</strong>r information call <strong>the</strong> Development<br />
Office on (09) 623 5620 or email <strong>the</strong> APO on<br />
development@apo.co.nz.<br />
APO Friends<br />
An integral part of <strong>the</strong> orchestra’s family, <strong>the</strong> APO<br />
Friends provide vital help for many areas of our<br />
work, including selling programmes and looking<br />
after <strong>the</strong> Friends table.<br />
For an annual membership of just $30 you have<br />
<strong>the</strong> opportunity to:<br />
– be a core part of <strong>the</strong> support for <strong>the</strong> APO<br />
– contribute to an essential element of<br />
<strong>Auckland</strong>’s cultural life<br />
– meet o<strong>the</strong>r music lovers who feel inspired to<br />
get involved with <strong>the</strong> orchestra<br />
– receive invitations to Meet <strong>the</strong> Artist functions<br />
For information, contact <strong>the</strong><br />
Membership Secretary Anne Stewart:<br />
anne.stewart@xtra.co.nz or (09) 444 5310.
Villa Maria Estate Founder & Owner, Sir George Fistonich, <strong>Auckland</strong>, New Zealand circa 1960<br />
New Zealand’s most<br />
awarded winery<br />
Villa Maria Estate was founded 50 years ago<br />
by Sir George Fistonich. Still proudly family<br />
owned, Villa Maria is recognised as an icon<br />
in <strong>the</strong> New Zealand wine industry, producing<br />
wines of exceptional quality.<br />
www.villamaria.co.nz/50years<br />
41
Aotearoa<br />
Away with <strong>the</strong> birds<br />
Wherever you’re heading, we want you to<br />
go somewhere nice along <strong>the</strong> way. We now<br />
have a fleet of eight new next generation<br />
Boeing 737-800 aircraft operating on flights<br />
from <strong>Auckland</strong> and Wellington with <strong>the</strong> very<br />
latest in-flight entertainment. You can look<br />
forward to full service, with complimentary<br />
meals and drinks in Business and Economy<br />
when you fly with Qantas across <strong>the</strong> Tasman.<br />
Make your next destination qantas.com<br />
Business seat shown.<br />
Information correct as at 31 July 2012.<br />
All flights are subject to last minute aircraft changes.
Select<br />
your<br />
season<br />
Make an appointment for<br />
yourself and friends to attend<br />
concerts in 2013. Subscribe<br />
to your selected programme<br />
of concerts in advance<br />
and reap <strong>the</strong> rewards in so<br />
many ways: <strong>the</strong> pleasure<br />
of planning your 2013<br />
orchestral entertainment,<br />
meeting with friends at <strong>the</strong><br />
concerts, <strong>the</strong> anticipation of<br />
musical delights in store –<br />
and <strong>the</strong> bonus of additional<br />
benefits as a subscriber.<br />
Make your booking or ask <strong>the</strong> APO<br />
ticketing team for advice by calling:<br />
(09) 623 1052<br />
Or go to our secure site at<br />
www.bookings.apo.co.nz and fill in <strong>the</strong><br />
online booking form.<br />
You can mail your completed<br />
booking form to:<br />
<strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra<br />
Freepost No. 212030 (no stamp required*)<br />
PO Box 56024, Dominion Road<br />
<strong>Auckland</strong> 1446<br />
* But feel free to help <strong>the</strong> APO save every little bit by<br />
adding a stamp if you wish.<br />
43
Subscribe<br />
It’s easy. Become a subscriber by selecting a Full Series subscription or starting a Choose Your Own<br />
subscription by booking just four tickets or gift vouchers to one or more concerts in our 2013 season. You can<br />
<strong>the</strong>n add gift vouchers and single tickets at subscriber prices during <strong>the</strong> year whenever you wish.<br />
For subscription options and prices, please see <strong>the</strong> Booking Form. If you have any questions, contact <strong>the</strong> APO<br />
Ticketing team on (09) 623 1052 or email ticketing@apo.co.nz.<br />
Full series subscription<br />
Book all 12 concerts in The New Zealand<br />
Herald Premier Series and receive up to<br />
25% discount off public ticket prices.<br />
Book all three concerts in <strong>the</strong> Bayleys<br />
Great Classics Series or Splendour<br />
Series and receive up to 15% discount<br />
off public ticket prices.<br />
All full series subscribers receive a<br />
complimentary programme book and<br />
priority booking, and you are guaranteed<br />
your seats in <strong>the</strong> following year. If you<br />
were a full series subscriber in 2012 you<br />
retain your chosen seats in 2013.<br />
Choose Your Own subscription<br />
Choose <strong>the</strong> concerts you want to go to and<br />
make up your own subscription by booking<br />
a minimum of four tickets. You’ll save at<br />
least 10% off public ticket prices.<br />
Gift vouchers<br />
A perfect gift for someone who loves music<br />
or to introduce friends to <strong>the</strong> orchestra –<br />
or use <strong>the</strong>m yourself. Save 10% off full<br />
ticket prices. Ideal if you can’t commit to<br />
dates, as <strong>the</strong>y are redeemable right up to<br />
concert day. Book at least four vouchers<br />
and you and <strong>the</strong> lucky recipients receive<br />
fur<strong>the</strong>r benefits as APO subscribers.<br />
Group discounts<br />
Receive a 19% discount for your group of<br />
8 or more. Book for 10 and <strong>the</strong> 11 th ticket<br />
is free. Only available through <strong>the</strong> APO<br />
Ticketing office on (09) 623 1052.<br />
series or ConCert PAGE DELUXE<br />
2013 Public Ticket Prices<br />
ADULT<br />
44 apo.co.nz<br />
$20 for 20s & $30 for 30s<br />
If you’re in your 20s or 30s, pay no more<br />
than your decade for any APO concert.<br />
Subject to availability, tickets can be<br />
purchased from <strong>the</strong> Monday before each<br />
concert from <strong>the</strong> APO Ticketing team.<br />
Public tickets<br />
Non-subscribers can buy tickets to<br />
any concert from The Edge box office,<br />
by visiting buytickets.co.nz or calling<br />
0800 BUYTICKETS. Prices are listed<br />
below. Public ticket sales open 21<br />
January 2013.<br />
How to book<br />
online at www.bookings.apo.co.nz<br />
mail booking form to:<br />
<strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra<br />
Freepost No.212030 (no stamp required*)<br />
PO Box 56024 Dominion Road<br />
<strong>Auckland</strong> 1446<br />
Phone:<br />
Call APO Ticketing<br />
on (09) 623 1052<br />
3 Ways to Pay<br />
(in full or by instalments)<br />
*BUT FEEL<br />
FREE TO HELP<br />
THE APO SAVE<br />
EVERY LITTLE<br />
BIT BY ADDING<br />
A STAMP IF<br />
YOU WISH.<br />
– Major credit card (Visa, MasterCard,<br />
Amex, Diners)<br />
– Cheque payable to <strong>Auckland</strong><br />
<strong>Philharmonia</strong> Orchestra<br />
– Cash payments (please visit our<br />
ticketing office at 427 Dominion Rd,<br />
Mt Eden, <strong>Auckland</strong>)<br />
Correct at time of printing. See booking form opposite for subscription prices.<br />
DELUXE<br />
SENIOR PREMIER<br />
ADULT PREMIER<br />
SENIOR PREMIER A RES A RES<br />
STUDENT ADULT SENIOR<br />
Key dates to look out for<br />
monday 1 october 2012:<br />
Subscription priority period begins.<br />
Seats will be allocated in <strong>the</strong> following<br />
order for bookings received by Friday 2<br />
November 2012:<br />
1. Renewing full (12-concert) New<br />
Zealand Herald Premier Series<br />
subscribers<br />
2. New full New Zealand Herald Premier<br />
Series subscribers<br />
3. Renewing full (3 concert) Bayleys<br />
Great Classics and/or Splendour<br />
Series subscribers<br />
4. New full Bayleys Great Classics and/<br />
or Splendour Series subscribers<br />
5. Remaining subscriptions in date order<br />
Friday 2 november 2012:<br />
Priority period ends. All bookings received<br />
from 3 November onwards will have seats<br />
allocated in <strong>the</strong> order that <strong>the</strong>y are received.<br />
N.B. All subscription bookings will be<br />
in your mail box before <strong>the</strong> APO office<br />
closes for 2012 on Friday 21 December.<br />
For enquiries, please phone <strong>the</strong> APO<br />
Ticketing team on (09) 623 1052.<br />
Fri 21 December 2012:<br />
APO Ticketing office closes.<br />
mon 7 January 2013:<br />
APO Ticketing office reopens.<br />
Fri 18 January 2013:<br />
Subscriber competition closes.<br />
mon 21 January 2013:<br />
2013 Season open for public ticket sales.<br />
A RES<br />
STUDENT<br />
B RES<br />
ADULT<br />
B RES<br />
SENIOR<br />
B RES<br />
STUDENT<br />
Herald Premier Series 8 $122 $111 $102 $93 $57 $85 $76 $43 $68 $62 $36 $51 $46 $26<br />
Bayleys Great Classics Series 14 $122 $111 $102 $93 $57 $85 $76 $43 $68 $62 $36 $51 $46 $26<br />
Splendour Series 16 $122 $111 $102 $93 $57 $85 $76 $43 $68 $62 $36 $51 $46 $26<br />
Chapman Tripp Summer Matinee 20 n/a n/a $63 $63 $30 n/a n/a n/a n/a n/a n/a n/a n/a n/a<br />
Songs and Dances of Desire 1 Table of six in stalls. 21 $360 1 n/a $65 $65 n/a $50 $50 n/a $35 $35 n/a n/a n/a n/a<br />
Britten War Requiem (Akl Arts Festival) 22 $139 $139 $118 $118 n/a $98 $98 n/a $75 $75 n/a $45 $45 n/a<br />
MHIVC 23 $122 $111 $102 $93 $57 $85 $76 $43 $68 $62 $36 $51 $46 $26<br />
Qantas Presents: The Last Night of <strong>the</strong> Proms 25 $92 $81 $77 $67 $40 $61 $50 $31 $50 $45 $26 $41 $36 $21<br />
Opera in Concert: The Rake’s Progress 26 $139 $124 $118 $108 $60 $102 $91 $54 $89 $79 $47 $69 $64 $38<br />
Choral Masterpieces: Mozart Requiem 28 $122 $111 $102 $93 $57 $85 $76 $43 $68 $62 $36 $51 $46 $26<br />
Qantas Presents: Music of <strong>the</strong> Night 30 $92 $81 $77 $67 $40 $61 $50 $31 $50 $45 $26 $41 $36 $21<br />
Celebrate Christmas 31 n/a n/a n/a n/a n/a $59 $46 $31 $48 $41 $26 n/a n/a n/a<br />
C RES<br />
ADULT<br />
C RES<br />
SENIOR<br />
C RES<br />
STUDENT
2013 Booking Form<br />
Concert Attendance History<br />
I am a renewing APO subscriber<br />
I am a new APO subscriber<br />
Concert Seat Selection<br />
Please select your price reserve<br />
2.1 CONCERT SEAT SELECTION<br />
DELUXE A RESERVE C RESERVE<br />
PLEASE MARK PREMIER YOUR SE B ATING RESERVE PREFE RENCE THRIFTY<br />
DELU XE<br />
TOWN HALL<br />
STAGE STAGE<br />
STALLS CIRCLE<br />
A RESERVE<br />
PREMIER<br />
B RESERVE<br />
Please describe your top 3 seating preferences:<br />
Seating Selection<br />
1.<br />
Circle Stalls No preference<br />
My preferred seats are Row ______ Number ______<br />
C RESERVE<br />
THRIFTY<br />
We will try to accommodate <strong>the</strong>se preferences to <strong>the</strong> best of our ability<br />
2.<br />
and availability across all concerts selected.<br />
3.<br />
We will try to accommodate <strong>the</strong>se preferences to <strong>the</strong> best of our<br />
ability and availability across all concerts.<br />
FULL Series Subscriptions<br />
Please select your desired full series subscriptions from <strong>the</strong> tables<br />
below and calculate subscription total.<br />
TOTAL = Number of seats in your desired category multiplied by <strong>the</strong><br />
reserve price.<br />
New Zealand Herald Premier Series<br />
CATEGORY<br />
Example Adult Senior Student/Child<br />
Price Qty Price Qty Price Qty Price Qty<br />
DELUXE $1,098 $1,098 $999 na<br />
PREMIER $918 2 $918 $837 $513<br />
A RES $765 $765 $684 $387<br />
B RES $612 $612 $558 $324<br />
C RES $459 $459 $414 $234<br />
THRIFTY $261 $261 $234 $156<br />
SUBTOTAL $1,836 2<br />
NEW ZEALAND HERALD PREMIER SERIES TOTAL $<br />
Transfer this total to <strong>the</strong> New Zealand Herald Premier Series box<br />
on <strong>the</strong> third page of this booking form.<br />
Bayleys Great Classics Series<br />
CATEGORY<br />
Example Adult Senior Student/Child<br />
Price Qty Price Qty Price Qty Price Qty<br />
DELUXE $312 $312 $282 na<br />
PREMIER $261 2 $261 $237 $144<br />
A RES $216 $216 $192 $108<br />
B RES $171 $171 $159 $90<br />
C RES $129 $129 $117 $66<br />
THRIFTY $108 $108 $102 $57<br />
SUBTOTAL $522 2<br />
BAYLEYS GREAT CLASSICS SERIES TOTAL $<br />
Transfer this total to <strong>the</strong> Bayleys Great Classics Series box on <strong>the</strong><br />
third page of this booking form.<br />
Splendour Series<br />
CATEGORY<br />
SUBSCRIBE<br />
TO ALL 12<br />
CONCERTS<br />
AND RECEIVE<br />
AT LEAST 25%<br />
DISCOUNT<br />
SUBSCRIBE TO<br />
ALL 3 CONCERTS<br />
AND RECEIVE<br />
AT LEAST 15%<br />
DISCOUNT<br />
SUBSCRIBE TO<br />
ALL 3 CONCERTS<br />
AND RECEIVE<br />
AT LEAST 15%<br />
DISCOUNT<br />
Example Adult Senior Student/Child<br />
Price Qty Price Qty Price Qty Price Qty<br />
DELUXE $312 $312 $282 na<br />
PREMIER $261 2 $261 $237 $144<br />
A RES $216 $216 $192 $108<br />
B RES $171 $171 $159 $90<br />
C RES $129 $129 $117 $66<br />
THRIFTY $108 $108 $102 $57<br />
SUBTOTAL $522 2<br />
SPLENDOUR SERIES TOTAL $<br />
Transfer this total to <strong>the</strong> Splendour Series box on <strong>the</strong> third page<br />
of this booking form.
“Choose Your Own” Subscription – Receive at least 10% off public prices for APO main series tickets<br />
Start a Choose Your Own subscription with just FOUR tickets to any of <strong>the</strong> concerts below. Full series subscribers can add additional concerts to<br />
<strong>the</strong>ir subscription at Choose Your Own prices.<br />
Listed prices are at least 10% cheaper than public tickets (see page 44 for public ticket prices) – but more importantly, you receive all <strong>the</strong> o<strong>the</strong>r<br />
benefits of subscribing (see <strong>the</strong> back of <strong>the</strong> subscription booking form).<br />
SERIES OR CONCERT<br />
PAGE<br />
DELUXE<br />
ADULT<br />
DELUXE<br />
SENIOR<br />
PREMIER<br />
ADULT<br />
PREMIER<br />
SENIOR<br />
PREMIER<br />
STUDENT/<br />
CHILD<br />
A RES<br />
ADULT<br />
A RES<br />
SENIOR<br />
A RES<br />
STUDENT/<br />
CHILD<br />
B RES<br />
ADULT<br />
B RES<br />
SENIOR<br />
B RES<br />
STUDENT/<br />
CHILD<br />
C RES<br />
ADULT<br />
C RES<br />
SENIOR<br />
C RES<br />
STUDENT/<br />
CHILD<br />
THRIFTY*<br />
ADULT<br />
THRIFTY*<br />
SENIOR SUBTOTAL<br />
EXAMPLE (number of seats) 2 2 $420<br />
NEW ZEALAND HERALD<br />
PREMIER SERIES<br />
$110 $100 $92 $84 $51 $77 $68 $39 $61 $56 $32 $46 $41 $23 $32 $28<br />
Zarathustra 8<br />
The Trumpet Sounds 8<br />
Last Songs 8<br />
Ehnes plays Elgar 10<br />
Bach to <strong>the</strong> Future 10<br />
“Not Your Grandma’s Organist” 10<br />
Demidenko plays Rachmaninov 11<br />
Voices of Youth 11<br />
Joie de Vivre 11<br />
German Romantics 12<br />
Scandinavian Adventure 12<br />
Season Finale 12<br />
BAYLEYS GREAT CLASSICS SERIES $110 $100 $92 $84 $51 $77 $68 $39 $61 $56 $32 $46 $41 $23 na na<br />
Heroic Classics 14<br />
Dance! 14<br />
My Country 14<br />
SPLENDOUR SERIES $110 $100 $92 $84 $51 $77 $68 $39 $61 $56 $32 $46 $41 $23 na na<br />
Music of Wartime (1940s) 16<br />
A New Era (1900s) 16<br />
The Roaring ’20s 16<br />
CHAPMAN TRIPP SUMMER MATINEE 20<br />
na na $63 $63 $30<br />
SONGS AND DANCES Of DESIRE* 21 $3601 $65 2 $65 na $50 3 $50 na $35 4 $35 na na na na na na<br />
BRITTEN WAR REqUIEM*<br />
(AUCkLAND ARTS fESTIvAL)<br />
22<br />
MICHAEL HILL INTERNATIONAL<br />
vIOLIN COMPETITION # 23<br />
qANTAS PRESENTS:<br />
THE LAST NIGHT Of THE PROMS<br />
25<br />
OPERA IN CONCERT: STRAvINSkY<br />
THE RAkE’S PROGRESS<br />
26<br />
CHORAL MASTERPIECES:<br />
MOZART REqUIEM<br />
28<br />
qANTAS PRESENTS:<br />
MUSIC Of THE NIGHT<br />
30<br />
CELEBRATE CHRISTMAS<br />
FRI 7.30PM<br />
31<br />
SAT 3PM<br />
GIfT vOUCHERS<br />
* APO subscriber prices for Songs & Dances of Desire are available to Friends of <strong>the</strong> <strong>Auckland</strong> Arts Festival<br />
(ID or confirmation of membership required); APO subscribers can purchase tickets to Britten’s War<br />
Requiem at <strong>Auckland</strong> Arts Festival Friends prices (listed above), only with your APO subscription booking.<br />
1 2 3 4 Table of 6 (stalls). Centre circle. Circle. Rear stalls.<br />
APO Connecting Concerts<br />
SERIES OR CONCERT PAGE CONCERT DETAILS<br />
$124 $124 $108 $108 na $89 $89 na $69 $69 na $45 $45 na na na<br />
$110 $100 $92 $84 $51 $77 $68 $39 $61 $56 $32 $46 $41 $23 na na<br />
$83 $73 $69 $60 $36 $55 $45 $27 $45 $40 $23 $37 $32 $19 na na<br />
$125 $111 $106 $97 $54 $92 $82 $49 $80 $71 $42 $62 $57 $34 $53 $49<br />
$110 $100 $92 $84 $51 $77 $68 $39 $61 $56 $32 $46 $41 $23 na na<br />
$83 $73 $69 $60 $36 $55 $45 $27 $45 $40 $23 $37 $32 $19 na na<br />
na na na na na $53 $41 $28 $43 $37 $22 na na na na na<br />
na na $92 na na $77 na na $61 na na na na na na na<br />
Transfer this total to Choose Your Own subscription box on <strong>the</strong> third page of this booking form TOTAL $<br />
# You can also book through <strong>the</strong> APO for Round III (Chamber music round) of <strong>the</strong><br />
Michael Hill International Violin Competition when you book your subscription. Go to<br />
www.violincompetition.co.nz for more information.<br />
ADULT/<br />
SENIOR<br />
QTY<br />
STUDENT/<br />
CHILD<br />
QTY SUBTOTAL<br />
EXAMPLE $25 2 $15 2 $80<br />
ORGAN SPECTACULAR 5 <strong>Auckland</strong> Town Hall; 8pm, Thu 23 May $25 $15<br />
UNWRAP THE MUSIC<br />
Beethoven: Symphony No.5; Thu 11 April $25 $15<br />
6.30pm<br />
<strong>Auckland</strong> Town Hall<br />
SANCTUARY SERIES<br />
18<br />
Tchaikovsky: Piano Concerto No.1; Wed 26 <strong>June</strong> $25 $15<br />
Haydn: ‘Surprise’ Symphony; Wed 25 September $25 $15<br />
Cello, St Michael’s Church, Remuera; Mon 15 April $25 $15<br />
6.30pm Cello, All Saints Church, Howick; Wed 17 April $25 $15<br />
19<br />
Schubert Octet, All Saints Church, Howick; Mon 8 July<br />
Schubert Octet, St George’s Church, Takapuna; Tue 9 July<br />
$25<br />
$25<br />
$15<br />
$15<br />
Percussion & Friends, St Peter’s Church, Takapuna; Mon 7 October $25 $15<br />
Percussion & Friends, St Michael’s Church, Remuera; Wed 9 October $25 $15<br />
10am 11.30am<br />
APO 4 kIDS<br />
TelstraClear Pacific, Manukau; Mon 22 April $15 $15<br />
10am; 11.30am<br />
Bruce Mason Centre, Takapuna; Tue 23 April $15 $15<br />
* Family pass – limited number available at<br />
each venue; 2 adults, 2 children.<br />
39 <strong>Auckland</strong> Town Hall, <strong>Auckland</strong> Central; Sat 27 April $15 $15<br />
Family Pass* – Please select venue:<br />
TelstraClear Pacific Bruce Mason Centre <strong>Auckland</strong> Town Hall<br />
$50<br />
APO 4 kIDS CHRISTMAS<br />
Massey High School Performing Arts Centre; Sun 24 November $15 $15<br />
10am; 11.30am<br />
* Family pass – limited number available at<br />
each venue; 2 adults, 2 children.<br />
39<br />
<strong>Auckland</strong> Town Hall, <strong>Auckland</strong> Central; Sat 30 November<br />
Family Pass* – Please select venue:<br />
Massey High School <strong>Auckland</strong> Town Hall<br />
$15 $15<br />
$50<br />
Transfer this total to <strong>the</strong> APO Connecting Concerts box on <strong>the</strong> third page of this booking form TOTAL $
Payment Details<br />
APO 2013 Season Total<br />
Once you have selected your concerts, fill in your totals<br />
from previous pages in <strong>the</strong> table below.<br />
fULL SERIES SUBSCRIPTIONS<br />
NEW ZEALAND HERALD PREMIER SERIES $<br />
BAYLEYS GREAT CLASSICS SERIES $<br />
SPLENDOUR SERIES $<br />
CHOOSE YOUR OWN SUBSCRIPTION $<br />
APO CONNECTING CONCERTS $<br />
DONATIONS<br />
(DONATIONS OvER $5 ARE TAx DEDUCTIBLE)<br />
POSTAGE $ 1.00<br />
TOTAL PAYMENT $<br />
Fill in your Subscriber Details<br />
Title: Mr Mrs Ms Miss O<strong>the</strong>r<br />
First Name:<br />
Surname:<br />
Postal Address<br />
Suburb<br />
City Postcode<br />
Please include valid ID if you are a new senior or student subscriber.<br />
Office Use Only<br />
Date<br />
NZH # (V. #)<br />
Gr. C # (V. #)<br />
Spl. # (V. #)<br />
CYO # CON #<br />
DON # Renewing New<br />
PBS ML<br />
Email<br />
Print<br />
$<br />
I WOULD LIkE TO PAY:<br />
The full amount now<br />
In instalments<br />
2 instalments – min. spend $200<br />
50% now and 50% on 28 Feb 2013<br />
4 instalments – min. spend $400<br />
25% now and 25% on: 14 Feb, 7 Mar, 4 Apr 2013<br />
PLEASE SELECT YOUR METHOD Of PAYMENT:<br />
Cheque (made payable to <strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra)<br />
Credit Card – we accept Visa, MasterCard, Amex and Diners<br />
Cardholder’s Name:<br />
Card No.<br />
Expiry Date /<br />
Phone (home)<br />
Phone (work)<br />
Phone (mobile)<br />
*Email<br />
Supporter No. (if known)<br />
I would like to keep up to date on APO news and information by:<br />
# Email # Mail<br />
* Acknowledgement of your booking will be sent to you via email.<br />
# As mail costs are increasing, you will receive more regular communications from us via email,<br />
through our monthly e-news, and with concert reminders and updates linked to <strong>the</strong> concerts<br />
you have selected. If you select only mail, we will aim to communicate with you at least three<br />
times a year.<br />
Stalls Circle Reserve PBS Date<br />
H1 H10 Ch<br />
H2 H11 Op<br />
H3 H12 Ca<br />
H4 G1 Br<br />
H5 G2 Mh<br />
H6 G3 Pr<br />
H7 S1 Mu<br />
H8 S2 Xm F S<br />
H9 S3 Or<br />
Payment Full Date 2 4 Inst $<br />
Date Sent
“<strong>Auckland</strong> <strong>Philharmonia</strong><br />
Orchestra stands, more<br />
than ever, as an energy<br />
core for <strong>the</strong> city’s musical<br />
activities.”<br />
— William Dart, The New Zealand Herald
12 Great Reasons to Subscribe<br />
Book just four tickets or gift vouchers in our 2013 season and you save money<br />
on public ticket prices. You also receive a range of additional benefits:<br />
1. Save up to 25% on individual<br />
concert prices<br />
2. No booking fees – even for additional<br />
concerts, when you phone our<br />
ticketing office<br />
3. Your entertainment booked for <strong>the</strong> year<br />
– but <strong>the</strong> flexibility to exchange tickets<br />
to ano<strong>the</strong>r concert if your plans change<br />
4. An APO subscriber card offering<br />
discounts on o<strong>the</strong>r products, services<br />
and arts events.<br />
5. Free subscription to <strong>the</strong> Naxos online<br />
music library<br />
6. Free programme book and seat<br />
retention if you subscribe to any<br />
full series<br />
7. Bring a friend for free. Full New Zealand<br />
Herald Premier series subscribers<br />
receive two free tickets to any concert<br />
of your choice<br />
Subscribe, Save, Win & Enjoy<br />
Make your subscription booking before Friday 18 January, and thanks<br />
to our partnership with Qantas, you not only go into <strong>the</strong> draw to win a<br />
wonderful prize but you automatically receive a $50 voucher from<br />
Qantas towards your next Qantas flight.*<br />
PLUS you go into <strong>the</strong> draw for a chance<br />
to win # :<br />
A return trip to London courtesy<br />
of Qantas, official airline of <strong>the</strong><br />
<strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra:<br />
You and a companion fly to London<br />
with Qantas.<br />
Fly Qantas and experience friendly service<br />
throughout your flight.<br />
You can also enjoy full service, including<br />
food, wine and entertainment across a<br />
broad network of 168 destinations in 43<br />
countries, including those served by code<br />
share partner airlines.<br />
For <strong>the</strong> latest fares visit qantas.com.<br />
8. Priority seat selection<br />
9. Buy now, pay later in up to four<br />
easy instalments<br />
10. Add on discounted tickets to concerts<br />
throughout <strong>the</strong> year<br />
11. Option to buy very low-priced<br />
seats (Thrifty) not on sale to <strong>the</strong><br />
general public<br />
12. Free lost ticket replacement.<br />
* Your travel voucher will be sent to you with your season<br />
tickets. One voucher will be offered per subscription booking,<br />
regardless of <strong>the</strong> number of tickets or concerts purchased. The<br />
voucher may be used when making a booking through Qantas<br />
Industry Sales by emailing directsalesnz@qantas.com.au.<br />
Bookings must include at least one Qantas-operated flight.<br />
Vouchers must be redeemed by 30 <strong>June</strong> 2013 for bookings<br />
for travel competed by 31 October 2013. The voucher must<br />
be redeemed in one transaction. Any unused portion of <strong>the</strong><br />
voucher will be forfeited. O<strong>the</strong>r terms and conditions apply.<br />
# Important information about Prize Draw:<br />
The promoter is <strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra. Prize<br />
winners will be drawn on Thursday 21 February at <strong>the</strong> first<br />
concert of <strong>the</strong> New Zealand Herald Premier Series at <strong>the</strong><br />
<strong>Auckland</strong> Town Hall, <strong>Auckland</strong>, New Zealand. Winners will<br />
be contacted by phone and consent to <strong>the</strong>ir details being<br />
published in APO communications. Only subscribers aged<br />
18 and over are eligible for <strong>the</strong> draw. The draw is final and no<br />
correspondence will be entered into.<br />
There is one prize. The maximum total prize value is<br />
$7,300, based on <strong>the</strong> recommended retail value (and <strong>the</strong><br />
exchange rate) at <strong>the</strong> time of printing. The Promoter and<br />
Qantas accept no responsibility for any variation in <strong>the</strong> value<br />
of <strong>the</strong> prizes. The prize includes two return economy class<br />
flights on Qantas to London from <strong>Auckland</strong>. Travel must be<br />
booked by 15 <strong>June</strong> 2013 and completed by 30 November<br />
2013. Travel is subject to availability at <strong>the</strong> time of booking.<br />
The prize does not include travel insurance, passports, visas,<br />
meals, transfers, taxes not included in <strong>the</strong> price of <strong>the</strong> ticket,<br />
ground transportation and any o<strong>the</strong>r costs of a personal<br />
nature not stated. Compliance with any health or o<strong>the</strong>r<br />
government requirements is <strong>the</strong> responsibility of <strong>the</strong> prizewinner<br />
and companion. Qantas makes no representation<br />
as to <strong>the</strong> safety, conditions or o<strong>the</strong>r issues that may exist at<br />
<strong>the</strong> destination. All prize travel is subject to Qantas’ General<br />
Terms and Conditions of Carriage. Winners will not accrue<br />
Qantas Frequent Flyer Points on prize travel. An upgrade<br />
cannot be purchased on airfares with cash or Qantas<br />
Frequent Flyer points.<br />
Prize must be taken as stated and no compensation will be<br />
payable if a winner is unable to use <strong>the</strong> prize as stated. Prizes<br />
are not transferable to ano<strong>the</strong>r person (unless agreed to by<br />
<strong>the</strong> Promoter and Qantas) or exchangeable for o<strong>the</strong>r goods<br />
and services and cannot be redeemed as cash. No changes<br />
to travel arrangements are allowed once tickets are issued.
2013 Booking conditions<br />
Please see <strong>the</strong> APO website for full Terms &<br />
Conditions:<br />
www.apo.co.nz<br />
– We will only use personal information that you<br />
provide to us to send you your tickets, information<br />
regarding concerts, o<strong>the</strong>r news and information<br />
about <strong>the</strong> APO, and occasional offers from our<br />
sponsors and funding partners. We will not<br />
share your personal information with any o<strong>the</strong>r<br />
organisations without your express permission.<br />
– We are happy to provide you with access to any<br />
personal information that we hold about you. If it is<br />
wrong, please ask us to correct it. To ask for access<br />
and correction, see our contact details on p44.<br />
– APO Choose Your Own Subscriber discounts<br />
apply to APO main concert performances, but<br />
are not available on <strong>the</strong> Chapman Tripp Summer<br />
Matinée or Songs and Dances of Desire<br />
– Only full series subscribers are able to retain <strong>the</strong>ir<br />
seating from season to season.<br />
– The APO cannot guarantee <strong>the</strong> same seat at<br />
<strong>the</strong> same venue for Choose Your Own (CYO)<br />
subscribers.<br />
– Where available, one programme voucher will be<br />
issued for every 2 seats purchased in a full series<br />
subscription. Please note on <strong>the</strong> booking form if you<br />
require more vouchers.<br />
– Senior citizen prices are available to persons aged<br />
65 years and over. Please provide suitable ID with<br />
your booking form if you are a new Senior/Student<br />
or Community Services card holder subscriber.<br />
– Children’s tickets are for 6–16 year-olds and must<br />
be accompanied by an adult ticket holder. Please<br />
note, children under 6 are not allowed entry into <strong>the</strong><br />
Town Hall for <strong>the</strong> APO 7.30pm or 8pm concerts.<br />
– The orchestra reserves <strong>the</strong> right to change artists or<br />
programmes without notice.<br />
– No refunds are possible after tickets are purchased<br />
except as required by law.<br />
– We are happy to exchange subscriber tickets if you<br />
cannot attend a concert. Ticket exchanges will incur a<br />
$5 exchange fee. Subscribers may exchange tickets<br />
into any concert. All ticket exchanges are subject to<br />
seat availability and must be requested through <strong>the</strong><br />
APO ticketing office at least 48 hours prior to <strong>the</strong><br />
ticketed performance. Should a ticket be exchanged<br />
from a Full Series concert to a different series, an<br />
individual concert, or a price reserve of higher value,<br />
<strong>the</strong> patron will pay <strong>the</strong> price difference. No refund will<br />
be given for tickets downgraded to a performance or<br />
price reserve of lesser value.<br />
– The <strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra may from<br />
time to time take audience and orchestra photos or<br />
videos for promotional purposes.<br />
– Gift vouchers are redeemable only through <strong>the</strong> APO<br />
Ticketing Office before 12pm on concert day. You<br />
may redeem multiple vouchers at one concert. Gift<br />
vouchers may be redeemed for any APO concert and<br />
<strong>the</strong> patron may pay <strong>the</strong> price difference into a higher<br />
reserve or concert of greater value. Gift vouchers<br />
are not refundable or exchangeable for cash and will<br />
expire on 14 December 2013.<br />
– Entertainment Book vouchers must be booked<br />
through THE EDGE and may not be used as part of<br />
a subscription package (service fees apply).
Plan your visit<br />
We hope you enjoy attending <strong>the</strong> concerts you have selected.<br />
Here are some suggestions to help make your experience even<br />
more enjoyable:<br />
Pre-concert talk<br />
An hour before <strong>the</strong> start of each major<br />
concert (New Zealand Herald Premier<br />
Series, Bayleys Great Classics Series,<br />
Splendour Series, Opera in Concert,<br />
Choral Masterpieces) in <strong>the</strong> Town Hall our<br />
knowledgeable guest speakers offer you<br />
fascinating insights into <strong>the</strong> programme<br />
you are about to hear. This is your chance<br />
to discover more about <strong>the</strong> composers,<br />
music and musicians, and enrich your<br />
concert-going experience. Join us in <strong>the</strong><br />
Supper Room and let us set <strong>the</strong> scene for<br />
<strong>the</strong> concert to come.<br />
$10 buses to concerts<br />
Avoid parking hassles and driving into<br />
<strong>the</strong> city. The APO Friends organise buses<br />
to most APO concerts, depending on<br />
demand, for just $10 per round trip. Bus<br />
services run from <strong>the</strong> following areas:<br />
Bus 1: Papakura – Manurewa – Manukau<br />
City – Papatoetoe<br />
For more information call convenor<br />
Peggy Foley: (09) 298 9499<br />
Bus 2: Howick/Pakuranga – Sunnyhills –<br />
Remuera – Market Rd<br />
For more information call convenor<br />
John Pybus (09) 534 7415<br />
Bus 3: Devonport – Hauraki Corner –<br />
Takapuna – Milford – Northcote<br />
For more information call convenor<br />
Anne Norris: (09) 446 1228<br />
Bus 4: Waitakere Gardens – Onsdorp<br />
– Titirangi – Crestwood – Pinesong –<br />
Powley House<br />
For more information call convenor<br />
Julie Holdaway (09) 817 0604<br />
Alternatively, use public transport or arrive<br />
early and enjoy a pre-concert snack, or<br />
attend our pre-concert talks. Public transport<br />
details can be found at www.maxx.co.nz.<br />
Meet <strong>the</strong> musicians<br />
Relive <strong>the</strong> music at our casual ga<strong>the</strong>rings<br />
after <strong>the</strong> concert. Everyone is welcome to<br />
join <strong>the</strong> musicians, soloists, conductors<br />
and fellow concertgoers after most APO<br />
concerts, in <strong>the</strong> Town Hall D Bar on<br />
Stalls level.<br />
Car parking<br />
Pre-book your parking in <strong>the</strong> Civic Car<br />
Park at $12 per concert by phoning 0800<br />
BUYTICKETS. (Transaction fee may apply.<br />
Parking spaces available from 6pm.) If <strong>the</strong><br />
Civic Car Park is full, <strong>the</strong>re is alternative<br />
parking as indicated on <strong>the</strong> map.<br />
Accessibility – Great Hall, <strong>Auckland</strong><br />
Town Hall<br />
Access: There is lift or ramp access to all<br />
foyers in <strong>the</strong> <strong>Auckland</strong> Town Hall.<br />
Wheelchairs: Can be accommodated in<br />
<strong>the</strong> Stalls level of <strong>the</strong> Great Hall. Please<br />
advise ticketing staff when booking if you<br />
require a wheelchair position.<br />
Hearing impaired: An induction loop<br />
system is available with full coverage in<br />
most seats. Just adjust your hearing aid to<br />
<strong>the</strong> T position.<br />
For any questions regarding The Edge<br />
venues (including <strong>Auckland</strong> Town Hall,<br />
Aotea Centre, Civic Theatre) or patron<br />
services, please go to www.<strong>the</strong>-edge.<br />
co.nz/Your-Visit or phone (09) 307 5060.<br />
www.apo.co.nz<br />
Our website lists all concerts, with links for<br />
booking tickets, including for booking to<br />
general admission concerts such as Summer<br />
Matinee and APO 4 Kids. You can also link<br />
to The Edge website to book single tickets to<br />
concerts if you are not a subscriber.<br />
The website also features information on<br />
our education and community programme<br />
(APO Connecting); players, conductors<br />
and soloists; ways you can support <strong>the</strong><br />
orchestra, and much more.<br />
Or stay in touch with <strong>the</strong> APO through<br />
Facebook (www.facebook.com/aporchestra)<br />
or Twitter (@UpperCircle) .<br />
HOWE ST<br />
UNION ST<br />
APO E-newsletter<br />
We send out a monthly e-newsletter<br />
featuring future concerts and events,<br />
news, special offers and competitions. If<br />
you would like to receive this, fill in your<br />
email address on <strong>the</strong> booking form.<br />
Listen at home<br />
Concerts in <strong>the</strong> The New Zealand Herald<br />
Premier Series, Bayleys Great Classics<br />
Series and Splendour Series, plus our<br />
Opera In Concert, Choral Masterpieces and<br />
selected o<strong>the</strong>r concerts are broadcast live<br />
on Radio New Zealand Concert (96.2MHz).<br />
You can also replay some of your favourite<br />
pieces from recent concerts by going to <strong>the</strong><br />
Play It Again section on our website, where<br />
you can hear selected works, presented in<br />
partnership with Radio New Zealand Concert.<br />
map Legend<br />
<strong>Auckland</strong> Town Hall<br />
P1 Skycity Car Park – Victoria Street/Federal Street.<br />
Approx. 15 min walk.<br />
P2 Wilson Parking – Elliott Street.<br />
Approx. 10 min walk.<br />
P3 Atrium Car Park – Albert Street.<br />
Approx. 10 1. min SKY CITY walk<br />
2. ELLIOT STREET<br />
P4 Tournament 3. ATRIUM Parking – Wellesley Street West.<br />
4. BEHIND THE BLEDISLOE<br />
Approx. 8 5. min CIVIC walk CAR PARK<br />
6. GREY AVE/VINCENT CAR PARK<br />
P5 Civic Car Park 7. UNION – CAR Greys PARK Avenue/Mayoral (WILSON) Drive<br />
Approx. 2 8. min CITY walk. ROAD<br />
P6 Rendevous Hotel Car Park – Mayoral Drive/Vincent Avenue<br />
Approx. 5 min walk.<br />
P7 Tournament Parking – Greys Avenue.<br />
Approx. 5 min walk.<br />
P8 Tournament Parking – City Road/ Queen Street car park.<br />
Approx. 10 min walk.<br />
COOK ST<br />
NELSON ST<br />
HOPETOUN ST<br />
GAHAPE RD<br />
PITT ST<br />
HOBSON ST<br />
WELLESLEY ST WEST<br />
VINCENT ST<br />
NELSON ST<br />
P1<br />
P6<br />
GREYS AVE<br />
VICTORIA ST WEST<br />
P5<br />
P8<br />
ST<br />
MAYORAL<br />
HOBSON ST<br />
P7<br />
ALBERT ST<br />
P4<br />
QUEEN ST<br />
DRIVE<br />
WHITE<br />
CITY RD<br />
LIVERPOOL ST<br />
P3<br />
P2<br />
ELLIOT ST<br />
WAKEFIELD ST<br />
AIREDALE ST<br />
QUEEN ST<br />
HIGH ST<br />
KITCHENER ST<br />
WELLESLEY ST EAST<br />
PAUL ST<br />
51<br />
BOWEN AV<br />
P<br />
SYMOND
Thank you<br />
The <strong>Auckland</strong> <strong>Philharmonia</strong> Orchestra gratefully acknowledges <strong>the</strong> contributions<br />
made by <strong>the</strong> following companies, Trusts and organisations. These funds support <strong>the</strong><br />
orchestra’s current operations and education programme and supplement income<br />
from box office sales.<br />
PLatinum<br />
goLD<br />
siLVer<br />
bronZe<br />
Adrian Malloch photography<br />
APRA<br />
Cogita<br />
Impressions International<br />
Infinity Foundation<br />
52<br />
apo.co.nz<br />
NZ COMMUNITY TRUST<br />
Deane endowment trust<br />
Karajoz Coffee<br />
Marshall Day Acoustics<br />
North & South Trust<br />
Orongo Bay Homestead<br />
William & Lois<br />
manchester trust<br />
Phantom Billstickers<br />
Phonak Hearing<br />
R & C Stevens Charitable Trust<br />
Whitestone Cheese
Concerts by date<br />
Date series ConCert time LoCation<br />
Thu 17 Jan aPo ConneCting Lion Foundation Orchestral Summer School Performances 5.30pm; 8pm St Cuthbert’s College<br />
Sat 9 Feb matinee Chapman Tripp Summer Matinee 2pm Government House Grounds,<br />
Mt Eden<br />
Thu 21 Feb heraLD Herald Premier Series 1: Zarathustra 8pm <strong>Auckland</strong> Town Hall<br />
Thu 28 Feb heraLD Herald Premier Series 2: The Trumpet Sounds 8pm <strong>Auckland</strong> Town Hall<br />
Tue 5 Mar DeLoitte Deloitte Summer Concert 6.30pm Old Government House Grounds<br />
Fri 8 Mar auCKLanD arts<br />
FestiVaL<br />
Songs and Dances of Desire – In Memoriam Carmen Rupe 8pm <strong>Auckland</strong> Town Hall<br />
Sat 23 Mar auCKLanD arts<br />
FestiVaL<br />
Britten War Requiem 8pm <strong>Auckland</strong> Town Hall<br />
Thu 4 Apr great CLassiCs 1 Heroic Classics 8pm <strong>Auckland</strong> Town Hall<br />
Thu 11 Apr unWraP 1 Beethoven Symphony No.5 6.30pm <strong>Auckland</strong> Town Hall<br />
Mon 15 Apr sanCtuary 1 Cellos 6.30pm St Michael’s Church, Remuera<br />
Wed 17 Apr sanCtuary 1 Cellos 6.30pm All Saints Church, Howick<br />
Mon 22 Apr aPo ConneCting APO 4 Kids 10am; 11.30am TelstraClear Pacific Events Centre<br />
Tue 23 Apr aPo ConneCting APO 4 Kids 10am; 11.30am Bruce Mason Centre<br />
Sat 27 Apr aPo ConneCting APO 4 Kids 10am; 11.30am <strong>Auckland</strong> Town Hall<br />
Thu 2 May heraLD Herald Premier Series 3: Last Songs 8pm <strong>Auckland</strong> Town Hall<br />
Thu 16 May sPLenDour 1 Music of Wartime (Pre-concert Organ recital 6.30pm) 8pm <strong>Auckland</strong> Town Hall<br />
Thu 23 May aPo ConneCting Organ Spectacular 8pm <strong>Auckland</strong> Town Hall<br />
Thu 30 May heraLD Herald Premier Series 4: Ehnes Plays Elgar 8pm <strong>Auckland</strong> Town Hall<br />
5-6 Jun mhiVC Michael Hill International Violin Competition Round III 7.30pm <strong>Auckland</strong> Town Hall<br />
Concert Chamber<br />
Sat 8 Jun mhiVC Michael Hill International Violin Competition Final 7.30pm <strong>Auckland</strong> Town Hall<br />
Sun 9 Jun aPo ConneCting Open Day South 1-4pm TelstraClear Pacific Events Centre<br />
Thu 20 Jun great CLassiCs 2 Great Classics 2 8pm <strong>Auckland</strong> Town Hall<br />
Thu 27 Jun aPo ConneCting The Big Play In (1) 6.30pm <strong>Auckland</strong> Town Hall<br />
Wed 26 Jun unWraP 2 Tchaikovsky Piano Concerto No.1 6.30pm <strong>Auckland</strong> Town Hall<br />
Thu 4 Jul heraLD Herald Premier Series 5: Bach to <strong>the</strong> Future 8pm <strong>Auckland</strong> Town Hall<br />
Mon 8 Jul sanCtuary 2 Schubert Octet 6.30pm All Saints Church, Howick<br />
Tue 9 Jul sanCtuary 2 Schubert Octet 6.30pm St George’s Church, Takapuna<br />
Thu 11 Jul qantas Qantas presents: The Last Night of <strong>the</strong> Proms 8pm <strong>Auckland</strong> Town Hall<br />
Thu 18 Jul heraLD Herald Premier Series 6: “Not Your Grandma’s Organist” 8pm <strong>Auckland</strong> Town Hall<br />
Thu 25 Jul sPLenDour 2 A New Era (Pre-concert Organ recital 6.30pm) 8pm <strong>Auckland</strong> Town Hall<br />
Thu 1 Aug heraLD Herald Premier Series 7: Demidenko Plays Rachmaninov 8pm <strong>Auckland</strong> Town Hall<br />
Fri 9 Aug oPera Opera In Concert: Stravinsky The Rake’s Progress 7.30pm <strong>Auckland</strong> Town Hall<br />
Thu 15 Aug heraLD Herald Premier Series 8: Voices of Youth 8pm <strong>Auckland</strong> Town Hall<br />
Thu 5 Sep great CLassiCs 3 My Country 8pm <strong>Auckland</strong> Town Hall<br />
Thu 12 Sep ChoraL Choral Masterpieces: Mozart Requiem 8pm <strong>Auckland</strong> Town Hall<br />
Thu 19 Sep heraLD Herald Premier Series 9: Joie de Vivre 8pm <strong>Auckland</strong> Town Hall<br />
Wed 25 Sep unWraP 3 Haydn, ‘Surprise’ Symphony 6.30pm <strong>Auckland</strong> Town Hall<br />
Mon 7 Oct sanCtuary 3 Percussion & Friends 6.30pm St Peter’s Church, Takapuna<br />
Wed 9 Oct sanCtuary 3 Percussion & Friends 6.30pm St Michael’s Church, Remuera<br />
Sun 13 Oct aPo ConneCting Open Day West 1-4pm The Trusts Stadium, Waitakere<br />
Thu 17 Oct heraLD Herald Premier Series 10: German Romantics 8pm <strong>Auckland</strong> Town Hall<br />
Thu 24 Oct sPLenDour 3 The Roaring ‘20s (Pre-concert Organ recital 6.30pm) 8pm <strong>Auckland</strong> Town Hall<br />
Thu 31 Oct qantas Qantas presents: Music of <strong>the</strong> Night 8pm <strong>Auckland</strong> Town Hall<br />
Thu 7 Nov heraLD Herald Premier Series 11: Scandinavian Adventure 8pm <strong>Auckland</strong> Town Hall<br />
Thu 14Nov heraLD Herald Premier Series 12: Season Finale 8pm <strong>Auckland</strong> Town Hall<br />
Sun 24 Nov aPo ConneCting APO 4 Kids Christmas 10am; 11.30am Massey High School PAC<br />
Sat 30 Nov aPo ConneCting APO 4 Kids Christmas 10am; 11.30am <strong>Auckland</strong> Town Hall<br />
Fri 13 Dec Christmas Celebrate Christmas 7.30pm Holy Trinity Ca<strong>the</strong>dral<br />
Sat 14 Dec Christmas Celebrate Christmas 3pm Holy Trinity Ca<strong>the</strong>dral<br />
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