Autumn 07 Cover - Property World Interactive

LAWRENCES 

AUCTIONEERS 

Silver, Jewellery and Ceramics, 

Pictures, Clocks, Furniture and Rugs 

17th, 19th & 20th April 2012 

www.lawrences.co.uk

LAWRENCES 

AUCTIONEERS 

Baltic Gold 

in Somerset 

Made in 17th century Gdask or Königsberg at the 

very height of the amber working trade in Europe, 

this delicate cup with silver-gilt mounts was the 

star of Lawrences sale on October 11 2011. 

Similar examples (including those forming part 

of the Waddesdon bequest in the British Museum 

and another in the Grunes Gewolbe, Dresden) 

have been ascribed to the maker Jacob Heise, a 

member of the amber workers guild formally 

established in 1641, who worked for the court in 

Konigsberg from 1654 to 1663. Artefacts made of 

Baltic gold were fashionable among the highest 

classes of society. 

This cup had been in the possession of the Bailward 

family at Horsington Manor, near Templecombe, 

Somerset, since the 19th century. Over a dozen 

telephone lines booked by British and Continental 

dealers and collectors were reserved for it. After a 

lengthy tussle the cup was bought by a UK dealer 

for £210,000.

LAWRENCES 

AUCTIONEERS 

Tuesday 17 April 2012 

Silver and Vertu 

Wednesday 18 April 2012 

Decorative Antiques & General Sale 

Thursday 19 April 2012 

Jewellery & Ceramics 

Friday 20 April 2012 

Pictures, Furniture, Clocks & Rugs 

Viewing Times 

Friday 13 April 9.00am - 4.30pm 

Fine Art Sale 

Saturday 14 April 9.30am - 1.00pm 

Fine Art Sale and Decorative Antiques 

Monday16 April 9.00am - 4.30pm 


Tuesday 17 April 9.00am - 7.00pm 


Wednesday 18 April 9.00am - 4.30pm 

Fine Art Sale 

Thursday 19 April 9.00am - 4.30pm 

Fine Art Sale 

Friday 20 April 9.00am - 10.30am 

Fine Art Sale 

Buyers Premium: Please note that a premium of 19.5% plus VAT will be 

charged on all lots in the sale. Catalogue £12 (£15 by post). 

Front Cover: Lot 2067 Head Office and Salerooms 

South Street, Crewkerne, Somerset TA18 8AB 

Telephone: 01460 73041. Fax: 01460 270799 

Email: enquiries@lawrences.co.uk

BARFORD PARK 

Spaxton near Bridgwater 

The Property of the late Mr and 

Mrs Michael Stancomb 

The Stancomb family (formerly 

of Blount's Court, Potterne near 

Devizes) moved to Barford Park 

in the 1950's. Following the 

death of Michael Stancomb last 

year the property has been sold 

and a selection of the contents 

is included in this sale. They are 

marked with a 'B' in blue 

LAWRENCES 

AUCTIONEERS

www.lawrences.co.uk

Auctions in the General Saleroom 

Every Wednesday at 9.30am Viewing on Tuesdays 9.00am - 7.00pm 

Richard Hobbs, Keith Bendell, Max Laurie, Pete Harrington and James Flower 

Forthcoming General Sales 

in April and May 

11 April No Sale 

18 April 9.30am 

25 April 9.30am 

2 May 9.30am 

LAWRENCES 

AUCTIONEERS 

9 May 9.30am 

16 May 9.30am 

23 May 9.30am 

30 May 9.30am

Lawrences Study Day 

with Richard Kay 

William Hogarth: 

The Shakespeare of Painting 

Thursday April 12th 2012 

Coffee: 10.30am Talk: 11.00am Lunch: 12.30pm Ends: 2.30pm 

Enquiries to: catharina.bircher@lawrences.co.uk 

(01460) 73041 

Tickets: £15 (including lunch) - Tickets strictly limited 

William Hogarth 

“O The Roast Beef 

of Old England”, 

engraving 1749 

William Hogarth’s perceptive portrayal 

of character and his bitingly satirical 

commentary on life in 18th Century 

England earned him comparison 

with William Shakespeare, a similarly 

astute observer of human comedy 

and tragedy. 

This talk will look at Hogarth’s 

most famous subjects, his popular 

engravings and his uncanny ability to 

capture the foibles of men and women 

in his ‘modern moral subjects’. 

Come and learn a little about Moll 

Hackabout, Tom Rakewell, Lord 

Squanderfield’s son and the perils of 

Beer Street and Gin Lane (“calculated 

to reform some vices peculiar to the 

lower Class of People”, suggested 

Hogarth himself). 

www.lawrences.co.uk

Specialist Departments 

Richard Gold FRICS, ASFAV 

Jennie Rennie (assistant) 

Furniture, Works of Art & Rugs. 

Ceramics and Glass 

richard.gold@lawrences.co.uk 

Jennie.rennie@lawrences.co.uk 

Alexis Butcher 

Catharina Bircher (assistant) 

Silver 

alexis.butcher@lawrences.co.uk 

catharina.bircher@lawrences.co.uk 

Rose Sanguinetti 

Books, Maps & Manuscripts 

rose.sanguinetti@lawrences.co.uk 

Anthony Kilroy FRICS, FRSA 

Vertu 

anthony.kilroy@lawrences.co.uk 

Miranda Bingham 

Jewellery 

miranda.bingham@lawrences.co.uk 

Jeffrey Day 

Militaria, Coins & Stamps 

jeff.day@lawrences.co.uk 

LAWRENCES 

AUCTIONEERS 

Chris Flower, ASFAV 

Catharina Bircher (assistant) 

Valuations 

chris.flower@lawrences.co.uk 

catharina.bircher@lawrences.co.uk 

Bimmy Amor 

Jewellery 

(Taunton & West Somerset) 

Bill Pratt, BSc, MAAT 

Financial Director 

bill.pratt@lawrences.co.uk 

Richard Kay MA, FRSA 

Pictures 

richard.kay@lawrences.co.uk 

Simon Jones 

19th/20th Century Design, 

Collectors and Sporting 

simon.jones@lawrences.co.uk 

Richard De Pelet 

Consultant 

Helen Carless BA, ASFAV 

Managing Director 

helen.carless@lawrences.co.uk

Silver and Vertu 

Tuesday 17th April at 11am 

Enquiries: Alexis Butcher 

alex.butcher@lawrences.co.uk 

Anthony Kilroy 

anthony.kilroy@lawrences.co.uk 

www.lawrences.co.uk 

Lot 260 

Silver and Vertu

SPOONS, FLATWARE AND CUTLERY 

1. A SCOTTISH PROVINCIAL FIDDLE TABLE 

SPOON 

by Alexander Davidson, Arbroath (AD, vase, 

vase, portcullis) 1835-40; 2 oz 

£100-150 

4. A SET OF SIX GEORGE III IRISH FIDDLE 

DESSERT FORKS 

crested, maker’s mark “RW”, retailer’s mark for 

“M.WEST”, Dublin 1814/15; 6” (15.2 cms) long; 

6 oz (6) 

£150-180 

7. A SCOTTISH PROVINCIAL STUBBY, FIDDLE 

TEA SPOON 

initialled, by Alexander Stewart, Tain (AS, 

device) 1820-30; 0.3 oz 

£80-100 

10. A PAIR OF LATE 19TH CENTURY 

AMERICAN GRAPE SHEARS 

with fruiting vine handles, by Tiffany & Co., 

c.1870; 7.25” (18.3 cms) long; 4 oz 

£100-150 

8 

2. A SET OF THREE VICTORIAN TODDY 

LADLES 

with twisted whalebone handles & plain 

circular bowls, by George Adams, London 1879; 

approx. 7.25” (18.5 cms) long (3) 

£80-100 

5. A GEORGE III / IV IRISH FIDDLE 

CONDIMENT SPOON 

monogrammed, by John Egan (of Cork) with 

Dublin hallmarks for 1820 & retailer’s mark of 

“M.WEST”; 4” (10 cms) long; 0.2 oz 

£30-50 

8. A SET OF THREE VICTORIAN FIDDLE 

THREAD & SHELL PATTERN SALT SPOONS 

and a matching condiment ladle, crested, by 

Messrs. Lias, London 1844; the ladle 4” 

(10.2 cms) long; 3.5 oz (4) 

£40-60 

11. A SCOTTISH PROVINCIAL FIDDLE TEA 

SPOON 

initialled “JB”, by David Gray, Dumfries 

(unicorn’s head, C, anchor, DG) 1820-30; 0.5 oz 

£60-80 


SPOON 

initialled “B” & numbered “14”, by Alexander 

Cameron, Dundee (“CAM” over “ERON”, C, 

thistle, vase, “DUN” over “DEE”) 1820-40; 0.5 oz 

£50-60 

6. A SCOTTISH PROVINCIAL, SCOTS FIDDLE 

TEA SPOON 

maker’s mark only, possibly for William Craw of 

Canongate c.1770; 0.25 oz 

£50-70 

9. A GEORGE IV SCOTTISH PROVINCIAL 

FIDDLE BASTING SPOON 

by Alexander Cameron of Dundee (“CAM” over 

“ERON”, twice), with Edinburgh Hallmarks for 

1824; 12.3” (31.4 cms) long; 3.75 oz 

£150-200 

12. A SCOTTISH PROVINCIAL FIDDLE TODDY 

LADLE 

initialled, Greenock (anchor, green oak (twice)) 

c.1820 and a tea spoon by James Orr, Greenock 

with Edinburgh marks for c.1800; 2 oz (2) 

£100-140 

All lots are viewable on our website – w w w . l awrences.co.uk

13. A WILLIAM IV PROVINCIAL FIDDLE 

RATTAIL TABLE SPOON 

crested by an unascribed maker, “LS”, Liverpool 

(with London marks for 1833); 2.4 oz 

£70-100 

16. A GEORGE III MEAT SKEWER 

initialled, by S. Godbehere & E. Wigan, London 

1790; 12” (30.5 cms) long; 1.6 oz 

£80-100 

19. A GEORGE III PROVINCIAL FIDDLE 

PATTERN SUGAR SCOOP 

initialled, by Robert Calthe & James Barber, York 

1807 and a pair of York Fiddle table forks, 

initialled, also by Calthe & Barber, same date; 

5.75 oz (3) 

£150-180 

22. A CHARLES II EAST ANGLIAN 

PROVINCIAL TREFID SPOON 

of serving size with a moulded rattail & pricked 

initials “HS” on the back of the terminal, by 

Thomas Havers, Norwich c.1675; 11.3” 

(28.7 cms) long; 2.7 oz 

£700-800 

14. MALTESE: 

A pair of early 19th century Maltese Fiddle 

table spoons by Francesco Fenech, 1826/27, 

and a Maltese tea spoon, initialled “FR”, maker’s 

mark “IS”, c.1800; 5 oz (3) 

£100-150 

17. A SCOTTISH PROVINCIAL PUNCH LADLE 

with an engraved stem, whalebone handle & a 

carved ivory, “backscratcher”, hand terminal, 

initialled, by William Scott, Dundee (WS, pot of 

lilies) c.1785; 15.5” (39.4 cms) long 

£170-200 

20. A MIXED LOT: 

A pair of George III sugar tongs by the 

Batemans, a French serving slice, a plated 

French serving set cased and five other items 

(some plated) (lot) 

£80-120 

23. A GEORGE II/III SCOTTISH TEA SPOON 

Scottish Fiddle pattern, initialled “AS”, maker’s 

mark only, by Daniel Ker, Edinburgh c.1760; 5” 

(12.5 cms) long; 0.25 oz 

£50-80 

15. A GEORGE III IRISH HOOK-END BASTING 

SPOON 

crested, by David Peter, Dublin 1765; 11.25” 

(28.7 cms) long; 3 oz 

£250-280 

18. EDINBURGH MADE ITEMS: 

A serving spoon with a pointed end, initialled 

“D”, maker’s mark “RH”, 1794, a dessert spoon 

with crest & motto “STRIKESURE” by Matthew 

Craw 1809 and a Hanoverian table spoon 

initialled “B” by William Dempster 1759; the 

serving spoon 13.4” (34 cms) long; 6.5 oz (3) 

£150-200 

21. A RARE GEORGE II SCOTTISH 

PROVINCIAL TEA SPOON 

Scottish Fiddle pattern, initialled “ES”, maker’s 

mark only, by Hugh Ross (I), Tain c.1740; 4.75” 

(12 cms) long; 0.3 oz 

£400-600 

24. A WILLIAM IV IRISH FIDDLE RATTAIL 

DESSERT SPOON 

inscribed “Co Cavan Grand Jury” by Edward 

Power, Dublin 1833 (retailer’s mark of 

Twycross); 7.3” (18.5 cms) long; 1.35 oz 

£40-60 

All lots are viewable on our website – w w w . l awrences.co.uk 

9


by Peter & William Bateman, London 1809; 12” 


£120-150 

28. A SET OF FOUR SCOTTISH PROVINCIAL 

FIDDLE TEA SPOONS 

initialled, by James Begg, Aberdeen (J’B, thistle) 

c.1840 and a dessert spoon initialled, by James 

Erskine, Aberdeen c.1800; 2.25 oz (5) 

£45-65 


A crumb scoop, initialled, three antique table 

spoons, crested, two Chinese condiments & a 

Chinese, heart-shaped small tray; the latter 

4.25” (11 cms) long; 20 oz (7) 

£100-200 

34. THREE VARIOIUS SMALL PAPER KNIVES 

with ivory blades & an Eastern spoon & fork 

with horn handles; the latter 5.5” (14 cms) long 

(5) 

£90-100 

10 

26. A SET OF TEN GEORGE III DESSERT/FRUIT 

KNIVES 

with Thread pattern, handles (loaded), by Moses 

Brent, London 1808 and a set of eight modern 

tea knives (plated blades); the former 8.4” 

(22 cms) long (18) 

£100-150 

29. A RARE WILLIAM IV SCOTTISH 

PROVINCIAL FIDDLE TEA SPOON 

initialled “P”, by Richard Wilkie, Tain (RW, TAIN, 

Thistle) c.1835; 5.5” (14 cms) long; 0.5 oz 

£600-700 

32. A CASED PAIR OF LATE VICTORIAN FRUIT 

SERVING SPOONS 

with engraved bowls, by A & J. Zimmerman, 

Birmingham 1899; 8.5” (21.5 cms) long; 4 oz 

£70-80 

35. A PAIR OF SCOTTISH PROVINCIAL OAR 

PATTERN TODDY LADLES 

initialled “JEH” by Robert Keay, Perth (RK, eagle, 

RK) 1840-1850; 5.8” (14.7 cms) long; 1.25 oz (2) 

£50-80 


engraved crest & motto “THROUGH”, by George 

Smith & William Fearn, London 1796; 12” 

(30.5 cms) long; 2.75 oz 

£120-150 

30. A MODERN MOUNTED WOODEN 

TOASTING FORK 

with a ‘twisted’ stem and a swivel terminal, by 

T. Bradbury & Sons, Sheffield 1928; 15” 

(38 cms) long 

£120-150 


Six varioius antique Fiddle table forks, two pairs 

of George III table spoons, and a George III 

marrow scoop, mixed makers & dates; the 

latter 8.55” (22 cms) long; 22.5 oz (11) 

£280-320 

36. FOUR VARIOIUS ANTIQUE CADDY 

SPOONS & A CONTINENTAL SPOON 

with English import marks; 4.5” (11.2 cms) long 

(5) 

£300-400 


37. A PAIR OF SCOTTISH PROVINCIAL FIDDLE 

BASTING SPOONS 

each engraved with an Earl’s coronet & 

inscribed “Nursery”, by Rettie & Sons, Aberdeen 

(with Edinburgh hallmarks for 1843); 12” 

(30.5 cms) long; 6.9 oz (2) 

£500-600 

40. A GEORGE III OLD ENGLISH PATTERN 

BASTING OR SERVING SPOON 

crested, by George Wintle, London 1808 and 

another plated example; the former 12” 

(30.5 cms) long; 4 oz weighable silver (2) 

£80-100 

43. A PAIR OF EARLY 19TH CENTURY 

AMERICAN TEA SPOONS 

Fiddle pattern, initialled “RBC”, by Joseph 

Shoemaker, Philadelphia c.1800 and a 19th 

century American table spoon, shaped Fiddle 

pattern, initialled “MS” by an unascribed maker 

“T. CHASE”; the latter 8.6” (22 cms) long; 2.5 oz 

(3) 

£70-90 

46. A SET OF SIX MODERN TABLE SPOONS 

Old English pattern, maker’s mark “DF”, London 

1930; 8” (20.2 cms) long; 12 oz (6) 

£150-200 


with a square ring terminal, by Solomon 

Hougham, London 1805; 13.8” (35 cms) long; 

3.3 oz 

£150-180 

41. A MODERN CASED SET OF SIX COFFEE 

SPOONS 

with green & cream enamelled decoration on 

the back of the bowls & stems, maker’s mark 

“T&S” Birmingham 1933; the case 5.7” 

(14.4 cms) wide; 2 oz 

£50-60 


A pair of William IV grape shears with ornate 

handles, decorated with shells, leaves & lion 

masks, by Jonathan Hayne, London 1833, 

together with four various spoons & a fork; the 

shears 6.25” (15.7 cms) long; 7.5 oz 

£80-120 

47. A GEORGE IV SCOTTISH PROVINCIAL 

TABLE SPOON 

Old English pattern, initialled “JM”, by Thomas 

Davie, Greenock (TD, anchor, C, Greenock) 

c.1825; 9.3” (23.6 cms) long; 1.75 oz 

£100-120 

39. AN 18TH CENTURY DUTCH SERVING 

SPOON 

Hanoverian pattern with a double drop, maker’s 

mark, by Hendrik Kramer, Amsterdam 1760; 

12.75” (32.2 cms) long; 4.5 oz 

£250-300 

42. AN EARLY VICTORIAN SCOTTISH TODDY 

LADLE 

King’s pattern with shoulders, initialled “C”, 

maker’s mark “AW”, Edinburgh 1837; 5.6” 


£50-70 

45. A MODERN LACE-BACK TREFID SERVING 

SPOON 

monogrammed, by Mappin & Webb, Sheffield 

1918; 11.6” (29.5 cms) long; 5.75 oz 

£150-200 

48. A GEORGE III SMALL, IVORY HANDLED 

STILTON SCOOP 

with pusher, by Samuel Pemberton, 

Birmingham 1814; 7.1” (18 cms) long 

£100-150 


11

49. A GEORGE III IRSH STRAINER SPOON 

of serving size with bright-cut & star 

decoration, by John Shields, Dublin 1785; 11.9” 

(30.2 cms) long; 3.5 oz 

£200-250 

52. A RARE VICTORIAN STILTON SCOOP 

New Gothic pattern, crested, by George Adams, 

London 1868; 9.3” (23.7 cms) long; 4 oz 

£100-150 

55. A GEORGE III SCOTTISH, LARGE TODDY 

LADLE 

Fiddle pattern, with engraved crest & motto 

“AUGEOR DUM PROGREDIOR” & numbered “1” 

by Alex Wotherspoon (of Glasgow) with 

Edinburgh marks for 1817; 7.25” (18.5 cms) 

long; 2 oz 

£80-100 

58. A PAIR OF GEORGE III SUGAR NIPS 

with a circular ‘box’ pivot & shell bowls, 

initialled “SF”, possibly by Henry Billingshurst, 

London c.1765 (maker’s mark & lion passant, 

twice); 4.9” (12.5 cms) long; 1 oz 

£50-80 

12 

50. A SET OF TWELVE PAIRS OF LATE 

VICTORIAN DESSERT/FRUIT KNIVES & FORKS 

with mother of pearl pistol handles, crested, by 

Harrison Brothers & Howson, Sheffield 1894; 

the knives 8.25 (21 cms) long (24) 

£200-250 

53. A SCOTTISH PROVINCIAL TABLE SPOON 

with later-decoration, by Robert Keay, Perth 

(RK, eagle, RK, eagle, RK) 1840-50; 1.6 oz 

£50-60 

56. A SCOTTISH PROVINCIAL SERVING 

SPOON 

with a Celtic point terminal, by J. Douglas, 

Dundee (DOUGLAS, ID, & three other marks) 

1795-1800; 12.7” (32.2 cms) long; 3.1 oz 

£250-300 

59. A VICTORIAN SIX PIECE MOUNTED STEEL 

CARVING SET 

with Queen’s pattern handles, monogrammed, 

by Messrs. Lias, London 1865 (loaded) (6) 

£100-120 

51. A PAIR OF VICTORIAN IRISH SAUCE 

LADLES 

King’s pattern (with diamond shell heel) by 

Peter Walsh, Dublin 1842 and a George III 

punch ladle with a whale bone handle and a 

coin-inset bowl, unmarked; the latter 12.4” 

(31.4 cms) long; 5.5 oz weighable silver (3) 

£90-120 

54. A HANDMADE SPOON 

with applied “melted” work up the stem, by 

R. E. Stone, London 1937; 6.3” (16 cms) long; 

0.9 oz 

£80-100 

57. A VICTORIAN SOUP LADLE 

Old English Feather-edge pattern, crested by 

George Adams, London 1880; 13.25” (33.5 cms) 

long; 9 oz 

£180-200 

60. A PAIR OF UNASCRIBED SUGAR TONGS 

maker’s mark only, “EG”? c.1790; 1 oz 

£50-70 


61. A MATCHED CANTEEN OF OLD ENGLISH PATTERN FLATWARE 

COMPRISING: 

Six table spoons, twelve soup spoons, twelve table forks, twelve dessert 

forks, & eleven dessert spoons, mixed makers & dates, late Victorianmodern, 

all crested to match; 108 oz (53) 

£1200-1500 

63. MIXED ANTIQUE FIDDLE PATTERN: 

Thirteen table forks, three table spoons, seven dessert forks, thirteen 

dessert spoons, & nine tea spoons, mixed makers & dates (some Exetermade, 

some Irish & some Scottish); 68 oz (45) 

£700-900 

65. A 20TH CENTURY SWEDISH PART CANTEEN OF FLATWARE & 

CUTLERY 

with pointed terminals: six table spoons, four table forks, eighteen smaller 

forks and twenty four table knives (with stainless steel blades), all 

initialled “D”, various makers & dates 1923-1936; 51 oz weighable silver 

(52) 

£300-400 

62. MISCELLANEOUS ANTIQUE FIDDLE PATTERN FLATWARE: 

Eight table spoons, ten table forks, nine dessert spoons, ten dessert forks 

& nine tea spoons, all crested, together with six George III Old English 

pattern table forks, crested, and eleven table knives & ten side knives with 

stainless steel blades & ivory handles, crested; 93 oz weighable silver (73) 

£1200-1500 

64. MIXED FLATWARE: 

A George III punch ladle, whalebone handle, a serving spoon, three table 

spoons, two sugar sifter ladles and seven other miscellaneous spoons; 

14 oz weighable silver (lot) 

£200-250 

66. A VICTORIAN CANTEEN OF OLD ENGLISH PATTERN FLATWARE 

with bright-cut bordered stems comprising: six table spoons, twelve table 

forks, twelve dessert spoons, twelve dessert forks, twelve tea spoons, a 

pair of sauce ladles and eleven egg spoons by Elizabeth Eaton, London 

1849 (and another non-matching egg spoon); 108 oz (68) 

£1200-1500 


13

67. KNIVES: 

A set of six modern King’s pattern dessert 

knives (stainless steel blades) by Garrard & Co., 

Ltd., London 1979, and six other various 

modern table knives (12) 

£100-150 

70. MIXED ANTIQUE FLATWARE: 

A Russian table spoon, an Irish table spoon & 

tea spoon, a sauce ladle, two condiment 

spoons, a “berry” spoon, a sugar spoon, a 

dessert spoon, a pickle fork & a small knife & 

fork (loaded); 13 oz weighable silver (12) 

£170-200 

73. GOLF: 

Twelve various modern golf-themed tea spoons 

and a golf tee; the latter 2.6” (6.5 cms) long; 

5.75 oz (13) 

£90-120 

14 


A case containing six various tea spoons, a set 

of six modern Rattail coffee spoons, a pair of 

Irish Fiddle Rattail sauce ladles, a set of six 

George III tea spoons, initialled, two pairs of 

sugar tongs, a salt spoon, two tea spoons, a 

butter knife (loaded) and a Canadian fruit 

spoon; 16 oz weighable silver (lot) 

£150-200 

71. A SET OF NINE GEORGE III TABLE KNIVES 

& NINE TABLE FORKS 

(with steel blades & tines), the handles 

decorated with beading and stamped 

decoration to simulate knurling & brightcutting, 

maker’s mark “IS”, Sheffield 1783 

(loaded); the knives 11.4” (29 cms) long (18) 

£200-250 

74. A GEORGE III MOUNTED BUCK HORN 

TOASTING FORK 

the curly horn with an end-cup & suspensory 

ring, tapering shaft & three tines, by Elizabeth 

Morley, London 1805; 24” (61 cms) long 

£150-200 

69. CASTING PATTERNS: 

Three “paired” steel, knife handle patterns and 

eight steel forcers (three paired) for stamping 

sheet silver knife handles into lead moulds (lot) 

£60-80 

72. A SET OF SIX GEORGE III OLD ENGLISH 

TEA SPOONS 

by Thomas Wallis, London 1797, a set of four 

George III egg spoons, crested, and a pair of 

condiment or cream ladles, initialled, by W. Eley 

& W. Fearn, London 1800; 6 oz (12) 

£80-120 


DESSERT FORKS 

initialled, by S. Hougham, London 1804 and a 

set of six dessert spoons, same pattern, 

initialled, by Peter & William Bateman, London 

1808; 11.5 oz (12) 

£170-200 


76. A SET OF THREE VICTORIAN 

WHIP-END SPOONS 

with part-chased and part-twisted 

stems and fluted shell bowls, by 

David Pettifer, Birmingham 1851; 4.5” 

(11.5 cms) long; 1.25 oz (3) 

£40-60 

*Birmingham makers produced very 

little flatware in general and given 

their unusual design it is possible 

that these spoons were made with 

the Great Exhibition in mind. 

79. A VICTORIAN PART CANTEEN OF KING’S 

PATTERN FLATWARE COMPRISING: 

Four table spoons, eight table forks, six dessert 

spoons, eight dessert forks, six tea spoons & a 

sauce ladle, all initialled “IK” to match, various 

makers, London 1837-1878 (mainly 1838 and 

1841); 78 oz (33) 

£600-800 

82. A MIXED LOT OF ANTIQUE FIDDLE 

PATTERN: 

Three table spoons, an Irish sauce ladle, a set of 

six tea spoons & two salt spoons, all either 

crested or initialled; 14 oz (12) 

£200-250 

77. A MODERN PART CANTEEN OF KING’S PATTERN FLATWARE 

& CUTLERY COMPRISING: four table spoons, six table forks, six 

soup spoons, six dessert spoons, six dessert forks, six gratefruit 

spoons and the following (with loaded handles & stainless steel 

blades/tines) to match: six fish knives, six fish forks, six fruit knives, 

six fruit forks, six side knives & six table knives, all by E. Viners of 

Sheffield 1965/66; 66 oz weighable silver (70) 

£800-1000 

80. MIXED MODERN DANISH FLATWARE: 

Four Christening spoons with enamelled 

decoration, a set of twelve silvergilt coffee 

spoons, a serving spoon, a spoon & fork and a 

spoon with a beaded loop terminal; the latter 

6” (15.2 cms) long; 16 oz (20) 

£250-300 

83. A COLLECTED PART SERVICE OF GEORGE 

III OLD ENGLISH PATTERN FLATWARE 

COMPRISING: 

Twelve table spoons, twelve table forks, twelve 

dessert spoons, six dessert forks, & two sauce 

ladles, all by Richard Crossley, London 1786- 

1802, all either crested or initialled; 72 oz (46) 

£900-1200 

78. A WILLIAM & MARY SMALL 

SILVERGILT TREFID SPOON 

with engraved decoration, a plain 

moulded rattail and a vacant oval 

cartouche on each side of the 

terminal, maker’s mark only, by 

Thomas Tysoe, London 1690-95; 

4.25” (10.6 cms) long 

£120-160 

81. MISCELLANEOUS AMERICAN SPOONS: 

A set of four bright-cut tea spoons, crested, by 

Daniel van Voordhis, New York c.1780, a set of 

six Fiddle tea spoons, initialled, by J.W. Faulkner, 

NY c.1835, five other tea spoons, two dessert 

spoons, a Fiddle table spoon by Mitchell & Tyler, 

VA, another by J. Staniford, Windham, CT, and 

two other table spoons; 20 oz (21) 

£300-350 

84. MIXED FLATWARE: 

A pair of Exeter-made table spoons, another 

table spoon, four various dessert spoons, and 

four tea spoons (11.8 oz) 

£150-200 


15

85. A VICTORIAN CAST SUGAR SIFTER LADLE 

with a small shell bowl and a leafy stem, vacant 

cartouche, by George Adams, London 1863; 6” 

(15.5 cms) long; 1.2 oz 

£100-120 

88. A GEORGE III IRISH SOUP LADLE 

Fiddle pattern, crested, by Thomas Tudor, Dublin 

1810 (retailer’s mark of “ROOKE”); 14” 

(35.8 cms) long; 7.25 oz 

£200-250 

91. TWELVE FIDDLE PATTERN TABLE FORKS 

& SIX DESSERT FORKS 

all initialled, all by William Eaton, mixed dates, 

London 1832-36; 39 oz (18) 

£500-600 

94. A SET OF SIX GEORGE III IRISH DESSERT 

SPOONS 

bright-cut & star pattern, crested, by John 

Pittar, Dublin 1792; 6.75” (17 cms) long; 5 oz (6) 

£200-250 

16 

86. A PAIR OF MODERN CAST GRAPE 

SHEARS 

with fox & vine handles, four plated forks & a 

Swedish table spoon; the shears 6.25” (16 cms) 

long; 5 oz weighable silver (6) 

£80-120 

89. FIVE VARIOUS ANTIQUE TABLE SPOONS 

10.5 oz (5) 

£120-150 

92. A SET OF FOUR VICTORIAN SILVERGILT 

SALT SPOONS 

with twisted stems & figure terminals by John 

Figg, London 1866; 3.6” (9 cms) long; 1.25 oz (4) 

£50-60 

95. A GEORGE III SCOTTISH PROVINCIAL 

MASKING SPOON 

with a part-twisted stem and a shaped finial, 

maker’s mark only, by John Keith, Banff, 

1800-1820; 6.75” (17 cms) long; 0.5 oz 

£300-400 

87. TONGS & NIPS: 

An Irish shaped Fiddle pair, initialled by 

J. Smyth, Dublin 1852, a plain pair, initialled “C”, 

Dublin 1824, a chased Fiddle pair, crested, by 

S. Green (of Cork) Dublin 1834 and a pair of 

naturalistic nips with Walker & Hall, Sheffield 

1898; the latter 4.5” (11.5 cms) long; 6 oz (4) 

£150-200 

90. A GEORGE IV IRISH BASTING SPOON 

Fiddle Rattail pattern, crested, maker’s mark 

“JS”, Dublin 1823; 12.5” (31.8 cms) long; 4.75 oz 

£150-200 

93. A LATE 19TH / EARLY 20TH CENTURY 

AMERICAN SOUP LADLE 

gilt bowl, initialled, c.1900; 12.4” (31.7 cms) 

long; 10.75 oz 

£160-190 

96. A GEORGE IV KING’S PATTERN FISH 

SLICE 

with a pierced blade, possibly by William 

Barber, London 1828 and a Victorian King’s 

pattern fish serving fork with pierced & 

engraved tines by George Adams, London 1854; 

the former 12.6” (32 cms) long; 12 oz (2) 

£200-300 


97. A CHARLES II SMALL TREFID SPOON 

pricked “EB” with scrolls, on the terminal, 

unmarked c.1680; 5.8” (14.7 cms) long; 0.5 oz 

£100-120 

100. A CHARLES II / JAMES II LACEBACK 

TREFID SPOON 

scratched “EH to RF” on the back of the 

terminal, by Lawrence Coles, London 1680-85 

(no date letter); 7.5" (19 cms) long; 1.3 oz 

£200-300 

103. HANOVERIAN PATTERN TABLE SPOONS 

a pair of Irish examples by John Pittar, Dublin 

1753, another by Christopher Skinner, Dublin 

1758, two more George III Irish examples and 

an unascribed example initialled “E” over “IA”, 

maker’s mark only “SE”; 13 oz (6) 

£200-300 

98. A JAMES II FOUR PRONG TREFID FORK 

with later decoration, probably by John Clifton, 

London 1686; 7.25” (18.5 cms) long; 1.7 oz 

£400-500 

101. A RARE PAIR OF WILLIAM III SCOTTISH 

TREFID SPOONS 

with ribbed rattails & the scratched initials “M” 

over “IT” over “KY” on the back of the terminals, 

by James Penman, Edinburgh 1697; approx. 

lengths 7.25” (18.5 cms) long; 7.1 oz (2) 

£1200-1500 

104. A PAIR OF WILLIAM & MARY TREFID 

SPOONS 

with plain, thread bordered, rattails & the 

scratched initials “P.P” on the backs of the 

terminals, by Lawrence Jones, London 1690; 

7.75” (19.7 cms) long; 4 oz (2) 

£500-700 

99. A JAMES II UNASCRIBED TREFID SPOON 

pricked “AS” over “1685” on the front of the 

terminal, maker’s mark only “AF” (monogram)? 

c.1685; 8” (20.5 cms) long; 1.4 oz 

£150-250 

102. A LATE GEORGE II MARROW SPOON 

with a single drop, crested & initialled “G”, by 

John Kentenber & Thomas Grove, London 1757; 

8.75” (22.2 cms) long; 1.75 oz 

£120-160 

105. A SET OF SIX GEORGE III IRISH TABLE 

SPOONS 

Fiddle & thread pattern, crested by Richard 

Whitford, Dublin 1810 (retailer’s mark of “M. 

WEST”); 14 oz (6) 

£180-220 


17


FIDDLE TABLE SPOON 

initialled “D” by James Erskine, Aberdeen (E, 

hand & dagger, turrets) c.1815; 1.75 oz 

£50-60 

109. INDIAN COLONIAL: 

An early 19th century table spoon, Old English 

pattern, by John Mair, Calcutta c.1800; 1.5 oz 

£40-60 


MASKING SPOON 

Old English pattern, initialled, by James Erskine, 

Aberdeen (E, hand & dagger) c.1810; 0.4 oz 

£40-50 


FIDDLE TEA SPOON 

initialled, by James Erskine, Aberdeen (hand & 

dagger, IE, E, turrets) c.1815; 0.3 oz 

£40-50 

18 

107. A GEORGE III SCOTTISH PROVINCIAL 

TABLE SPOON 

Old English pattern, initialled “C”, by James 

Erskine, Aberdeen (JE, ABD) 1795-1800; 1.5 oz 

£60-80 


TABLE SPOON 

Old English, initialled, by James Erskine, 

Aberdeen (E, turrets, hand & dagger) c.1815; 

1.6 oz 

£50-60 

113. A GEORGE III PROVINCIAL TABLE 

SPOON 

Old English pattern, initialled, by Robert 

Bowers, Chester 1804; 2.25 oz 

£130-150 


DESSERT SPOON 

Old English pattern, initialled “JB”, maker’s mark 

only, by James Erskine, Aberdeen c.1800; 

0.75 oz 

£40-50 


TABLE SPOON 

Old English pattern, initialled “G”, by James 

Erskine, Aberdeen (JE, ABD, gothic letter) 

1795-1800; 1.5 oz 

£60-80 


TABLE SPOON 

with a double drop, initialled “M”, by James 

Erskine, Aberdeen (IE, ABD) c.1795; 1.75 oz 

£60-80 


TABLE SPOON 

Old English pattern, initialled “WCG”, by James 

Erskine, Aberdeen (IE, ABD) 1795-1800; 2.2 oz 

£60-80 


TEA SPOON 

Old English pattern, by James Erskine, Aberdeen 

(IE, cockerel) c.1795; 0.25 oz 

£60-80 


118. A GEORGE III OLD ENGLISH MILITARY THREAD PATTERN 

STRAINER SPOON 

of serving size, with a part-covered bowl, crested, by Richard Crossley, 

London 1788; 11.75” (30 cms) long; 4.5 oz 

£140-180 

120. A LATE 18TH CENTURY FRENCH PROVINCIAL LARGE SERVING 

SPOON 

Fiddle pattern with a large, shaped drop, the back of the terminal 

engraved with a dual coat of arms, by Gabrielle Bidard, Rennes 1768; 

14.25” (36.2 cms) long; 5.75 oz 

£300-400 

122. A GEORGE III OLD ENGLISH PATTERN SERVING SPOON 

initialled “AN”, with a removable strainer covering half of the bowl, by 

Walter Tweedie, London 1776; 11.4” (29 cms) long; 3.5 oz 

£120-160 

124. A GEORGE II LARGE BASTING SPOON 

Hanoverian pattern with a double drop & engraved crest above the 

initials “M-AW”, by Elias Cachart, London 1752; 14.3” (36.5 cms) long; 6 oz 

£400-500 

119. A GEORGE III SCOTTISH STRAINER SPOON 

serving size, Old English pattern with a part-covered bowl & a bright-cut 

shield cartouche, crested below the motto “All my hope is in God”, by 

Patrick Robertson, Edinburgh 1780; 12.4” (31.5 cms) long; 3.5 oz 

£140-180 

121. A LATE 18TH CENTURY FRENCH PROVINCIAL LARGE SERVING 

SPOON 

Fiddle & Thread pattern with an engraved coat of arms on the back of the 

terminal, maker’s mark “IIP”, Grenoble 1768; 12.95” (32.8 cms) long; 6 oz 

£400-500 

123. A GEORGE I LARGE BRITANNIA STANDARD SERVING SPOON 

Hanoverian pattern with a plain rattail, crested, the bowl later pierced 

with crosslets & drilled holes, maker’s mark worn, London 1721; 14.5” 

(37 cms) long; 6.25 oz 

£300-400 

125. A WILLIAM & MARY SUCKET SPOON & FORK 

with a plain rattail, maker’s mark only struck once in the bowl “BB” above 

a crescent*, London c.1690; 6.25” (16 cms) long; 0.5 oz 

£200-300 

*See Jackson’s Revised pp.141. 


19

126. A GEORGE III SCOTTISH TABLE SPOON 

Hanoverian pattern, initialled “JM” over “AT”, 

by John Clark, Edinburgh 1763; 2 oz 

£180-220 

*Clark was apprenticed to Patrick Murray of 

Edinburgh and worked as a journeyman for 

James Gillieland before becoming “free” in 

1751. After a turbulent career he was elected 

joint Assay master with George Auld in 1781. 

129. A GEORGE I HANOVERIAN TEA SPOON 

with a plain rattail, crested, maker’s mark only 

“AS”, unascribed c.1725; 0.25 oz 

£80-100 

132. A SET OF THREE GEORGE IV / WILLIAM 

IV SCOTTISH PROVINCIAL FIDDLE TABLE 

SPOONS & THREE DESSERT SPOONS 

all initialled “P” by William Jamieson, Aberdeen 

(WJ, A, B, D, WJ) 1825-35; 9.5 oz (6) 

£150-200 

135. A GEORGE IV PROVINCIAL FIDDLE SALT 

SPOON 

initialled, by John Coakley (of Liverpool) with 

Chester marks for 1827; 3.75” (9.7 cms) long; 

0.25 oz 

£30-40 

20 


SPOON 

initialled, by John Macrae, Inverness (JMCR, 

INS, Thistle) c.1850 and another by the same 

maker, also initialled (maker’s mark only); 

0.75 oz (2) 

£80-100 

130. AN UNUSUAL SET OF SIX GEORGE III 

TEA SPOONS 

with Feather-edge, also ‘stamped’ on the 

terminal with a floral scroll cartouche, maker’s 

mark & lion passant only, possibly by Charles 

Hougham, London c.1770; 2.3 oz (6) 

£150-200 

133. A SET OF THREE VICTORIAN SCOTTISH 

PROVINCIAL TABLE FORKS 

initialled “P” by Thomas Whitaker, London 1847, 

struck also with George Jamieson’s mark (GJ, 

ABDN), and another Fiddle table fork also 

intialled “P”, by Rettie & Sons, Aberdeen (R&S, 

A, B, D); 9.25 oz (4) 

£100-120 

136. A GEORGE II SCOTTISH PROVINCIAL 

TEA SPOON 

Hanoverian pattern tea spoon, initialled “GKI”, 

maker’s mark only, by Coline Allan, Aberdeen 

c.1750; 0.2 oz 

£40-50 


PATTERN TABLE FORKS 

crested, by Messrs. W. Eley & W. Fearn, London 

1800; 13 oz (6) 

£200-250 

131. AN EARLY GEORGE II SCOTTISH 

PROVINCIAL TEA SPOON 

Hanoverian, initialled “C”, maker’s mark only, by 

James Brown, Perth c.1730; 0.25 oz 

£40-60 

134. A SET OF THREE VICTORIAN SCOTTISH 

PROVINCIAL FIDDLE TABLE SPOONS & TWO 

DESSERT SPOONS 

all initialled “P”, by George Jamieson, Aberdeen 

(GJ, ABDN.) and London hallmarks for 1852; 

10 oz (5) 

£150-200 

137. A GEORGE IV PROVINCIAL SMALL 

FIDDLE FORK 

by John Coakley (of Liverpool) with Chester 

marks for 1827; 4.5” (11.5 cms) long; 0.25 oz 

£80-100 


138. A VICTORIAN CADDY SPOON 

with an Egyptian-mask terminal, by 

Hilliard & Thomason, Birmingham 

1870-80 (no date letter); 3.5” (9 cms) 

long; 0.3 oz 

£50-80 

141. A MODERN SCOTTISH CADDY SPOON 

with a pierced handle, by Philip D.A. Campbell 

of the Isle of Mull (with Edinburgh marks for 

1993), boxed; 2.8” (7.1 cms) long; 0.25 oz 

£40-50 

144. CHANNEL ISLES: 

A mid 19th century bright-cut table spoon, 

Old English pattern, initialled, maker’s mark of 

John Le Gallais of Jersey (overstriking another) 

with London marks for 1856; 8.5” (21.5 cms) 

long; 1.75 oz 

£60-80 

147. A GEORGE III DOUBLE LIPPED PUNCH 

LADLE 

with a turned wooden handle, initialled, by 

Hester Bateman, London 1780; 12.5” (31.8 cms) 

long 

£100-150 

139. A RARE EARLY VICTORIAN CAST CADDY SPOON 

with a fluted oval bowl resembling a small shell, with textured 

matting, the volute stem with two bands of beading curling back on 

itself & terminating in a swan’s mask, maker’s mark “IW”, probably 

by John Williams, London 1848; 3.85” (9.7 cms) long; 1.5 oz 

£2000-2500 

142. BOOK / BOOKLETS ON CADDY SPOONS: 

Norie, John: Caddy Spoons an illustrated 

Supplement, 1998, a Goldsmiths’ Hall Loan 

Exhibition catalogue of Tea Caddy Spoons, 

1965 and The Caddy spoon in the 20th century 

(3) 

£30-40 

145. MIXED PLATED FLATWARE CUTLERY: 

A set of three tea spoons stamped with a 

portcullis of “H of C” (for House of Commons), 

an Albert pattern sauce ladle & a meat skewer; 

the latter 14” (35.5 cms) long (5) 

£20-40 

148. A PAIR OF LATE VICTORIAN BRITANNIA 

STANDARD TABLE SPOONS 

laceback trefid pattern by Thomas Bradbury, 

London 1900 and a similar smaller spoon by 

Thomas Bradbury & Sons, Sheffield 1924; the 

latter 5.5” (14 cms) long; 4.75 oz (3) 

£90-120 

140. A VICTORIAN CADDY SPOON 

Fiddle & Thread pattern, by Messrs. 

Lias, London 1866; 4” (10 cms) long; 

0.75 oz 

£60-80 

143. TWO CADDY SPOONS: 

A Vicorian example with a pierced & engraved 

stem & a fluted bowl initialled “T”, by Hilliard & 

Thomason, Birmingham 1854 and a George III 

bright-cut example, initialled, by John Bourne, 

London 1789; the latter 3.9” (9.8 cms) long; 

1 oz 

£80-120 

146. A PAIR OF GEORGE III “CAST ARM” 

SUGAR TONGS 

with chased & pierced decoration initialled 

“HEK”, maker’s mark partially struck, London 

c.1770 and a George III table spoon, initialled, 

by Richard Ferris, Exeter 1794; the tongs 5.3” 

(13.5 cms) long; 3 oz (2) 

£50-80 

149. A GEORGE II PUNCH LADLE 

with a turned wooden handle & a navetteshaped 

bowl, by Benjamin Saunders, London 

1738; 12.8” (32.5 cms) long 

£70-100 


21

150. A PAIR OF GEORGE III BRIGHT-CUT 

TABLE SPOONS 

Old English pattern, initialled, by Peter & Ann 

Bateman, London 1791; 3.8 oz (2) 

£60-80 

153. A GEORGE III IRISH TABLE SPOON 

initialled “DG” on the drop, by Michael Keating, 

Dublin 1780 and an Edwardian mounted horn 

spoon by C. Saunders & F. Shepherd, Chester 

1902; the latter 7” (17.5 cms) long; 1.75 oz 

weighable silver (2) 

£60-80 

156. BY LIBERTY & CO: 

A late Victorian Art Nouveau spoon with an 

openwork tendril stem, a hooked terminal & a 

heart-shaped bowl, Birmingham 1899; 7.7” 

(19.5 cms) long; 2.5 oz 

£300-400 

159. A QUEEN ANNE WEST COUNTRY ‘TRANSITIONAL’ SPOON 

with a rounded terminal, bead & reeded rattail, by John Elston, Exeter 

1703; 7.15” (18 cms) long; 1.2 oz 

£400-500 

22 

151. AN EDWARDIAN CASED SET OF SIX 

ENGRAVED TEA SPOONS 

by John Round, Sheffield 1908 and a cased set 

of six modern tea knives (steel blades); 3.8 oz 


£50-60 

154. A GEORGE IV SCOTTISH SOUP LADLE 

Fiddle pattern, initialled “R”, by an unascribed 

maker “WP”, Edinburgh 1824; 14” (35.5 cms) 

long; 6.5 oz 

£100-150 


A Regimental table fork, Hanoverian Military 

Thread pattern, engraved with the badge of the 

Queen’s Own Hussars, & crested by Paul Storr, 

London 1812 together with a table spoon, a 

pair of sugar nips, a pickle fork & a 

Scandinavian commemorative spoon; 9 oz (lot) 

£120-150 

152. A GEORGE II PUNCH LADLE 

with a turned wooden handle & a circular bowl, 

inscribed “Ex Don T.S” by George Greenhill 

Jones, London 1731 and a George IV ebonyhandled 

Stilton scoop with pusher by Joseph 

Taylor, Birmingham 1820; the ladle 14.25” 

(36.2 cms) long (2) 

£160-200 

155. A GEORGE III OLD ENGLISH PATTERN 

SERVING SPOON 

initialled, maker’s mark rubbed, London 1809; 

11.5” (29.2 cms) long; 3.5 oz 

£100-120 


PATTERN TABLE SPOONS 

initialled “W”, by George Wintle, London 1805; 

10.75 oz (6) 

£120-160 

160. A JAMES I / CHARLES I PROVINCIAL SLIP TOP SPOON 

initialled “MW2 on the slip, struck once in the bowl & twice on the stem 

with an “I” mark, also struck on the stem with an incuse annular mark 

(twice) and an incuse cruciform mark (twice), unascribed, 1620-40; 6.75” 

(17.2 cms) long; 1.5 oz 

£800-1200 


161. A CHARLES II UNASCRIBED PROVINCIAL TREFID SPOON 

with a ribbed rattail, incuse initials “IC” on the back of the terminal, struck 

with two marks: a lion passant & pellets (twice) & a fleur-de-lys (twice), 

unascribed 1670-1680; 7.75” (19.6 cms) long; 1.25 oz 

£500-600 

163. A WILLIAM III SILVERGILT TREFID SPOON 

with a bead & reeded rattail & later pricked & pounced decoration, by 

Charles Williams, London 1697; 7.75” (19.8 cms) long; 1.7 oz 

£400-500 

165. A WILLLAM III TREFID SPOON 

with a bead & reeded rattail & the scratched initials “E.R” over “W.W”, 

by John Cory, London c.1700 (date letter rubbed); 7.75” (19.7 cms) long; 

1.9 oz 

£400-500 

162. AN ELIZABETH I / JAMES I UNASCRIBED PROVINCIAL SILVERGILT 

MAIDENHEAD SPOON, scratched on the back of the bowl with the initials 

“H” over “WE” & struck in the bowl with a mask mark, 1590-1610; 6.3” 

(16 cms) long; 1 oz 

£1000-1200 

164. A RARE CHARLES I STUMP TOP SPOON 

engraved on the back of the bowl with two crests, maker’s mark unclear, 

London c.1628; 7.1” (18 cms) long; 1.5 oz 

£500-800 

166. AN INTERESTING, CHARLES I SLIP TOP SPOON 

with a minute crest engraved on the back of the rudimentary “V” rattail, 

struck once in the bowl & once on the back of the stem with an incuse 

“crown” mark, also struck on the stem with a “W” mark & a polyfoil mark, 

unascribed 1630-40; 7.3” (18.5 cms) long; 1.75 oz 

£900-1200 


23

167. A LATE 19TH CENTURY AUSTRO- 

HUNGARIAN SILVERGILT FISH SLICE 

with a pierced blade, joined to the handle by a 

cast swan mask, by J.C. Klincosch, Vienna; 11.2” 

(28.3 cms) long; 4.6 oz 

£200-250 

170. A SET OF SIX SCOTTISH PROVINCIAL 


initialled, by David Greig, Perth (DG, eagle, DG, 

5) 1810-30; 3 oz (6) 

£200-250 

173. A SET OF SIX GEORGE III SCOTTISH EGG 

SPOONS 

with gilt, drop-shaped bowls, engraved crest & 

motto “JUVAT DEUS IMPI GROS” by W & P. 

Cunningham, Edinburgh, c.1800 (no date 

letters); 2.25 oz (6) 

£120-130 

176. A GEORGE III IRISH MINIATURE 

MARROW SPOON 

by J. Pittar, Dublin c.1790 (no date letter); 4” 

(10 cms) long; 0.25 oz 

£250-300 

24 

168. AN EDWARDIAN CASED SET OF ELEVEN 

PAIRS OF FRUIT/DESSERT KNIVES & FORKS 

with baluster, mother of pearl handles, by 

Messrs. Hutton & Sons Ltd., London / Sheffield 

1902/05; the case 12.5” (32 cms) wide 

£150-200 

171. A SET OF SIX VICTORIAN TABLE 

SPOONS & SIX TABLE FORKS 

crested, mainly by George Adams (two forks by 

Elizabeth Eaton), London 1854/55 and six later, 

non matching, electroplated table knives; 

39.5 oz weighable silver (18) 

£500-600 

174. A VICTORIAN SILVERGILT CASED SET OF 

SIX TEA SPOONS 

a pair of sugar tongs & matching caddy spoon, 

by Henry Holland, London 1867/72/73; the 

caddy spoon 3.5” (9 cms) long; 3.8 oz 

£80-120 

177. A VICTORIAN FISH SERVING KNIFE & 

FORK 

with beaded handles & pierced blade & tines, 

by R. Martin & E. Hall, Sheffield 1864 (loaded 

handles); the slice 13” (33 cms) long 

£120-160 

169. SIX VAROUS PAIRS OF SUGAR TONGS: 

A patent “sprung” pair by S. Mordan & Co., a 

pair of “VILCAR” patent tongs, a Chinese pair, 

two Victorian pairs and a pair of “plunger” 

release; 5.5 oz (6) 

£300-400 

172. TWO SUGAR SIFTER SPOONS: 

A Russian example, initialled, by P. Sasikov, 

Moscow 1874 and a Victorian cast, parcelgilt 

example with a circular bowl, by George Fox, 

London 1869; the latter 6.75” (17 cms) long; 

3.8 oz 

£120-130 

175. A SET OF SIX SCOTTISH PROVINCIAL 


initialled, by David Gray, Dumfries (unicorn’s 

head, G, anchor, DG) 1810-1820; 4.2 oz (6) 

£150-200 

178. A GEORGE III UNASCRIBED MARROW 

SCOOP 

initialled maker’s mark only, “RB” (struck once 

clearly & three times “pinched”), possibly by 

Robert Bowers of Chester c.1800; 8.3” 

(21.2 cms) long; 1.3 oz 

£100-150 


179. A SET OF SIX VICTORIAN SCOTTISH 

DESSERT FORKS 

Fiddle & Thread pattern, crested & initialled, 

probably by A. Coghill, Glasgow 1844; 9.75 oz 

(6) 

£100-150 

182. A PAIR OF SCOTTISH PROVINCIAL 


initialled “JM”, by James Stobie, Perth (JS, Eagle, 

JS) 1830-50; 1 oz (2) 

£80-100 

185. SCOTTISH & NEWCASTLE: 

A Fiddle tea spoon by Alexander Cameron of 

Dundee (with Edinburgh hallmarks for 1822), a 

pair of Old English tea spoons, initialled, by 

John Walton, Newcastle 1850, and a pair of Old 

English tea spoons by Peter Lambert of 

Montrose (PL, thistle) c.1835; 2 oz (5) 

£80-100 

188. A SET OF FOUR GEORGE III OLD 

ENGLISH PATTERN TABLE SPOONS 

crested, by Peter, Ann & William Bateman, 

London 1802 together with four Old English 

table forks by W. Chawner, London 1824 and 

another by T & G Hayter, London 1816 (all five 

crested to match); 18.5 oz (9) 

£200-300 

180. A RARE SCOTTISH PROVINCIAL TABLE 

SPOON 

with a Celtic point, initialled, by Thomas 

Stewart, Elgin (TS, ELN.) c.1820; 9.25” (23.4 cms) 

long 

£250-300 

183. GLASGOW EMPIRE EXHIBITION: 

A commemorative spoon & a butter knife, 

maker’s mark “E&S”, Sheffield 1938; the knife 

5.5” (14 cms) long; 1.75 oz (2) 

£40-60 

186. A SCOTTISH PROVINCIAL FIDDLE 

PATTERN TEA SPOON 

initialled, by Alexander Stewart, Tain (AS, ear of 

wheat), c.1810; 0.5 oz 

£80-100 

189. A PAIR OF GEORGE III IRISH 

PROVINCIAL TABLE SPOONS 

Celtic point, crested, by William Teulon, Cork 

(WT (incuse), STERLING) c.1795; 9.7” (24.5 cms) 

long; 4.25 oz (2) 

£300-400 

181. SIX GEORGE III OLD ENGLISH THREAD 

PATTERN TABLE FORKS 

(single struck), some crested, by either George 

Smith or George Smith & William Fearn, 

London 1796-98 and a Victorian Fiddle & 

Thread pattern table fork; 16 oz (7) 

£170-200 

184. A PAIR OF SCOTTISH PROVINCIAL 


by William Jamieson of Aberdeen (WJ, A, B, D, 

WJ, WJ) 1820-40, and a table spoon with a 

pointed end, by John Findlay, Aberdeen (JF, AB, 

DN) 1830-40, all initialled; 3 oz (3) 

£80-100 


A pair of Victorian Fiddle dessert spoons, a pair 

of Scottish Fiddle butter knives by Mackay & 

Chisholm, Edinburgh 1852, a Scottish table 

spoon & Scottish toddy ladle by an unascribed 

maker, “AE”, Edinburgh c.1800, all either 

initialled/monogrammed; 9 oz (6) 

£120-150 

190. A SET OF EIGHT MODERN TABLE 

KNIVES & EIGHT SIDE KNIVES 

with polished stainless steel blades & plain 

pistol handles, by C.J. Vander Ltd., Sheffield 

1967/71 (16) 

£500-600 


25

191. AN EARLY 19TH CENTURY FRENCH 

SUGAR SIFTER LADLE 

with a pointed terminal & a scallop shell bowl, 

maker’s mark of “KOHLER JEUNE”, Strasbourg 

1819-38; 8.6” (22 cms) long; 1.75 oz 

£60-80 

194. TWO 19TH CENTURY FRENCH SUGAR 

SIFTER LADLES 

one with a Thread pattern stem, scallop shell 

bowl & stamped decoration on the terminal, 

Paris 1819-38, the other with scallop shell bowl 

& applied cartouche with engraved armorial, 

Paris post 1838; both approx. 8.2” (21 cms) 

long; 4.5 oz (2) 

£80-120 

197. A PAIR OF GEORGE III SCOTTISH 

PROVINCIAL FIDDLE SUGAR TONGS 

initialled, by James Erskine, Aberdeen (hand & 

dagger, IE) c.1815; 1.2 oz 

£50-60 

26 


A Fiddle Thread & Shell pattern butter knife by 

Pittar & Co., Calcutta (P&Co, lion, A) 

1828-1848, a Fiddle & Shell dessert spoon by 

the same maker (P&Co incuse, lion, A, tally 

mark) c.1830, a Fiddle Thread & Shell table fork, 

by Arthur Pittar, Lattey & Co (APL&Co, lion, B, 

tallymark) c.1840 and another similar fork by 

Lattey Bros (LB&Co., lion, B) c.1850; 10 oz (4) 

£160-190 

*These four items demonstrate a chronology of 

the firms & their marks. 

195. A MODERN SPOON 

with an enamelled terminal & large bowl 

inscribed "Copenhagen Depot 1881-1931" & 

initialled "C.W.S.", Birmingham 1930 and a 

small Edwardian seal top spoon with numerous 

chronological inscriptions relating to a family 

dating back to 1789, by Charles Boyton & Sons, 

London 1906; the latter 5.6" (14.2 cms) long; 

3.5 oz (2) 

£80-120 

198. A SET OF SIX GEORGE III SCOTTISH 

TABLE SPOONS 

Old English pattern, initialled, by William 

Dempster, Edinburgh 1767; 10.25 oz (6) 

£200-250 

193. A LATE 18TH CENTURY TABLE SPOON 

Hanoverian pattern crested, unascribed, 

possibly Dutch/Belgian; 1.7 oz 

£140-160 

196. A PAIR OF MODERN SIFTER SCOOPS 

with pierced tubular bowls & stem handles by 

Charles Boyton & Sons, Sheffield 1920; 3.8” 

(9.8 cms) long; 1 oz (2) 

£100-150 

*For sprinkling either a fine condiment such as 

salt or perhaps powdered ginger or fine sugar. 


TEA SPOON 

Scottish Fiddle pattern, initialled “EK”, maker’s 

mark only, by James Erskine, Aberdeen c.1795; 

0.25 oz 

£50-60 


200. A CHARLES I WEST COUNTRY SILVERGILT SEAL TOP SPOON 

pricked “NNF” & “1636” on the back of the bowl, by Edward Anthony, 

Exeter c.1636; 7” (18 cms) long; 1.5 oz 

£500-700 

202. A GEORGE II / III SCOTTISH STRAINER LADLE 

Hanoverian pattern with a double drop & a deep circular bowl, engraved 

with a cypher below a Baron’s coronet, maker’s mark only (4 times), by 

Ker & Dempster, Edinburgh 1755-60; 7.7” (19.4 cms) long; 1.8 oz 

£150-200 

204. A 17TH CENTURY SEAL TOP SPOON 

with later piercing & decoration to the bowl, maker’s mark only “HP” 

(conjoined), possibly by Henry Powning, Exeter c.1650; 6.25 “ (16 cms) 

long; 0.7 oz 

£60-80 

201. A CHARLES I SEAL TOP SPOON 

inscribed “Borne July 20 1630” on the back of the stem & initialled “IW” on 

the front, by Daniel Cary, London 1630; 6.8” (17.3 cms) long; 1.7 oz 

£500-700 

203. A JAMES II LACEBACK TREFID SPOON 

with later decoration, scratched initials “A” over “EB”, by Thomas Allen, 

London 1688; 8” (20.5 cms) long; 1.7 oz 

£200-250 

205. A 19TH CENTURY CONTINENTAL FOLDING SPOON CUM FORK 

with removable bowl, three tines and a cast caryatid finial, pseudo marks 

& a Dutch duty mark; 5” (13 cms) long; 1.25 oz 

£150-200 


27

206. AN EARLY 20TH CENTURY AUSTRO- 

HUNGARIAN THREE PIECE TEA SET 

comprising tea pot, milk jug, sugar bowl & 

cover with tapering, twelve sided bodies, reed 

borders, angular handles & ball finials, maker’s 

mark “F.A”, Vienna 1900-1910 and a slightly 

later Austrian coffee pot to match, maker’s 

mark “FM”, Vienna post 1922; the coffee pot 

9.25” (23.5 cms) high; 73.5 oz (4) 

£1000-1300 

209. A MODERN CAST MODEL OF A FALCON 

IN FLIGHT 

on a quartz & turned wooden base, maker’s 

mark partially struck, London 1991; the 

wingspan 9.25” (23.5 cms) long; 11 oz 

weighable silver 

£250-300 

212. A PAIR OF VICTORIAN SQUAT 

CANDLESTICKS 

on canted square bases with gadrooned 

borders & wrythen baluster columns, by Hunt & 

Roskell, London 1888; 5” (12.5 cms) high; 

10.7 oz (2) 

£700-800 

28 

207. A MODERN THREE PIECE TEA SET 

of bellied oblong form on ball feet, with 

gadrooned rims and a kettle on stand with 

burner of a similar design, by Barraclough & 

Sons, Sheffield 1909/16; the kettle 11.7” 

(29.8 cms) high; 88.75 oz (4) 

£1000-2000 

210. A RARE MIDDLE PERIOD OLD 

SHEFFIELD PLATED CRUET 

on a boat-shaped base with four feet & a 

reeded rim, fitted with two mounted cut glass 

oil & vinegar bottles, a lift-out mustard pot & a 

pepper caster, pierced borders c.1800; 12” 

(30.5 cms) long 

£200-250 

213. AN EARLY 20TH CENTURY PLATED 

NOVELTY COCKTAIL SHAKER 

in the form of a hand bell, wooden handle, 

unscrewing for filling, screw cap by J.B. 

Chatterly & Sons Ltd. 1920-30; 11” (28 cms) 

high 

£200-250 

208. AN EDWARDIAN FOUR PIECE TEA & 

COFFEE SERVICE 

the rounded oblong bodies with ribbed girdles, 

gadroon & shell borders & button feet, by 

G. Nathan & R. Hayes, Chester 1903; the coffee 

pot 9” (22.8 cms) high; 58.5 oz (4) 

£700-900 

211. A GEORGE III VASE-SHAPED COFFEE 

POT 

on an oval pedestal foot, bright engraved with 

a frieze below the rim & a coat of arms on one 

side, domed cover & ball finial, by Thomas 

Watson & Co., Sheffield 1799 (struck with two 

versions of the maker’s mark); 10.7” (27.2 cms) 

high; 23.5 oz 

£700-800 

214. A 20TH CENTURY NORWEGIAN FLUTED 

CIRCULAR BOWL & COVER 

on three scroll feet with a realistically 

modelled, meerkat finial, by Magnus Aase of 

Bergen; 4.5” (11.5 cms) diameter; 8 oz 

£200-250 


215. THREE VARIOUS PEPPERETTES: 

A Chinese example on three legs, a cylindrical 

example with a domed cover and one shaped 

like a chess piece (for salt) by A & J. 

Zimmerman, Birmingham 1907; 2.5” (6.5 cms) 

high 

£70-100 

218. A GEORGE II SALVER (A/F) 

11” (28 cms) diameter; 23.8 oz 

£250-300 

221. A GEORGE IV MUSTARD POT 

of rounded oblong form with a gadrooned rim, 

part-fluting and a foliate scroll handle, gilt 

interior by Messrs. William, Charles & Henry 

Eley, London 1824, with a later, Scottish salt 

spoon; the pot 3.8” (9.6 cms) long; 6 oz (2) 

£120-150 

224. A PAIR OF GEORGE III SMALL OBLONG 

BUCKLES 

with bead borders & steel clasps, by John Faux, 

London c.1775; 1.25” (3.2 cms) long (2) 

£60-80 

216. A GEORGE SMALL PROVINCIAL SAUCE 

BOAT 

on three feet with a wavy rim by John 

Langlands, Newcastle c.1775 (no date letter); 

5.5” (14 cms) long; 3 oz 

£200-250 

219. A LATE 19TH CENTURY FRENCH 

KOVSCH OR DIPPING CUP 

with suspensory ring on the end of the handle, 

retailer’s mark of “TALLOIS & MAYENCE” and a 

late 19th century French wine tastes, both post 

1838; the latter 3” (7.5 cms) diameter; 4.5 oz (2) 

£170-200 

222. A LATE VICTORIAN SCOTTISH 

MOUNTED OAK BEAKER 

made from the wood of The Old Bridge at Ayr 

& inscribed “AYR AULDBRIG 1252”, probably 

mounted by John Lyall, Ayr c.1900; 2.4” (6 cms) 

high 

£80-100 


CHINESE MOUNTED DESK BLOTTER 

rectangular, each corner embossed with a 

dragon chasing a pearl amongst clouds, 

unmarked, c.1900; 18.8” (48 cms) long 

£200-300 

217. A GEORGE III BOAT-SHAPED SNUFFER 

TRAY 

with a flat base, reed border & volute handles, 

by Wilkes Booth, London 1795 together with a 

pair of scissor snuffers with reeded decoration 

& a shaped “box”, by Abstainando King, London 

1796, both initialled to match; the tray 

10.5” (26.8 cms) long; 8.5 oz (2) 

£600-800 

220. A VICTORIAN ELECTROPLATED MIRROR 

PLATEAU 

of circular outline with engraved & concave 

sides, bead borders & ornate feet, inscribed 

“E WHITE, WHITES PANTRY TAUNTON”; 20.5” 

(52 cms) diameter 

£80-120 

223. A GEORGE III PIERCED MUSTARD POT 

with an engraved, navette-shaped body, bead 

borders & a pierced thumbpiece, liner A/F, 

maker’s mark of George Gray (overstriking 

another), London 1788 and a later spoon; the 

pot 3.15” (8 cms) high; 3 oz weighable silver 

£120-160 

226. BY OMAR RAMSDEN: 

A modern square cigarette box with a 

hammered finish & a wood-lined body, London 

1929; the base incised “OMAR RAMSDEN ME 

FECIT”; 4” (10 cms) overall 

£200-300 


29

227. A GEORGE IV SMALL SALVER 

of shaped circular outline with a border of 

scrolls, flowers & fruit, on ornate shell feet, by 

Benjamin Preston, London 1828; 9.7” (24.5 cms) 

diameter; 18 oz 

£300-400 

230. BY HESTER BATEMAN: 

A pair of George III sauceboats on three fluted 

legs with hoof feet, flying scroll handles & 

punch-beaded rims, London 1788; 7.25” 

(18.5 cms) long; 16 oz (2) 

£1000-1200 

233. A PAIR OF CLOSE PLATED SCISSOR 

SNUFFERS 

& an Old Sheffield plated stand with foliate 

borders; the stand 9.7” (24.5 cms) long (2) 

£40-60 

236. A GEORGE III CREAM PAIL 

with a twisted wire, swing handle, initialled, by 

Samuel Meriton, London 1765; 2.8” (7.1 cms) 

high; 3.5 oz 

£250-300 

30 

228. A VICTORIAN MOUNTED EBONY 

PRESENTATION INKSTAND 

with a brass mounted cut glass ink bottle & a 

large, kidney-shaped pen depression, inscribed 

“JOHN ORRELL Esq. from C.T. LINDOW Esq. as a 

mark of Esteem & Gratitude for 10 years kind & 

skilful attendance Cheltenham 1863”, by 

George Brace, London 1863 (retailed by Martin 

& Co., Cheltenham); 14.75” (37.5 cms) long 

£300-350 

231. AN OLD SHEFFIELD PLATED DISH 

CROSS 

& an electroplated dish cover 

£70-100 

234. A LARGE PLATED BOWL OR BASIN 

squat circular with an everling floral scroll rim; 

15.3” (39 cms) diameter 

£80-100 

237. AN EARLY 20TH CENTURY CHINESE 

TWO-PIECE BUCKLE 

embossed with figures, maker’s mark “WA” 

1900-1920 and an Edwardian engraved buckle 

with piercing and eighteen matching panels 

for attaching/threading onto a belt, by H. 

Wilkinson Ltd., Birmingham 1908; the former 

buckle 3.2” (8 cms) wide; 3.75 oz (20) 

£70-100 

229. A GEORGE II WAITER 

of shaped circular outline with a moulded 

border, the centre initialled, by Robert 

Abercrombie, London 1739; 6” (15.2 cms) 

diameter; 7 oz 

£200-300 

232. A GEORGE II BRANDY SAUCEPAN 

with a drop below the spout & a turned 

wooden handle, by Jonathan Cann, London 

1740; 4.55” (11.4 cms) diameter; 10.5 oz 

£400-450 

235. A GEORGE III SMALL GALLERY 

INKSTAND 

with pierced sides, & an oblong base on four 

pierced feet, fitted with two mounted glass 

bottles, by J. Langford & J. Sebille, London 

1767; 6” (15 cms) wide; 5.2 oz weighable silver 

£300-400 

238. A MODERN CAST PIPE REST/HOLDER 

with a scroll end and a shaped oblong base, by 

G.W. Lewis & Co., Birmingham 1935 (with 

Coronation commemorative hallmarks); 3.2” 


£150-200 


239. A GEORGE III BALUSTER CREAM JUG 

embossed with pastoral scenes below a punchbeaded 

rim, pedestal foot, by Thomas Shepherd, 

London 1773; 4.2” (10.6 cms) high; 2.4 oz 

£100-150 

242. A LATE VICTORIAN MOUNTED 

ROSEWOOD PAGE TURNER 

in the form of a short sword with an embossed 

hilt, by Samuel Jacob, London 1893 (loaded); 

17.3” (44 cms) long 

£80-120 

245. A VICTORIAN ELECTROPLATED 

STUDENT’S LAMP 

with a telescopic foot, & fold-out shade, 

engraved crest & motto “FIDE ET VIRTUTE”; 

5.75” (14.8 cms) high (closed) 

£150-200 

248. BY A.E. JONES: 

A modern navette-shaped napkin ring with one 

reeded side, signed “Des. Geoffrey S. Ballamy” 

and retailed by “Arden Jewellers Solihull”, 

hallmarked Birmingham 1960; 2.55” (6.5 cm) 

long; 0.9 oz 

£60-80 

240. A MODERN MATCHED REPRODUCTION 

HESTER BATEMAN STYLE COFFEE SET 

comprising coffee pot, swing handled sugar 

basket & cream jug with engraving & bead 

borders by two different makers, London 

1969/72/80; the pot 11.25” (28.5 cms) high; 

41 oz (3) 

£1000-1200 

243. A GEORGE III SCOTTISH SWING 

HANDLED SUGAR BASKET 

boat shaped with a batswing rim & brightengraving, 

initialled, by William Davie, 

Edinburgh 1789; 6.5” (16.6 cms) long; 6.75 oz 

£400-450 

246. A VICTORIAN SWEETMEAT BASKET 

in the form of two conjoined oval dishes with 

shaped rims & a cane-bound handle, crested, 

gilt interior, by J.W. Hukin & J.T. Heath, London 

1880 (retailed by Goldsmiths & Silversmiths 

Co.); 7.7” (19.5 cms) wide; 11.3 oz 

£400-500 

249. AN EARLY 20TH CENTURY PENCIL & 

MATCHING “FOUNTAIN” PEN 

with ball finials (the pen with a plunger action) 

both intialled “MH”, the pencil with incuse 

maker’s mark of “S. Mordan & Co”; 7.5” 

(19 cms) and 6.75” (17 cms) long respectively (2) 

£70-100 

241. BY HESTER BATEMAN: 

A George III engraved, boat-shaped sugar 

basket with pierced sides, bead borders & a 

swing handle (pale pink glass liner), London 

1784; 6.75” (17.2 cms) wide; 6 oz weighable 

silver 

£400-500 

244. A MODERN ISRAELI CHILD’S 

RATTLE/TOY 

with a tubular handle and a pierced, rotating 

‘flag’ section, with applied Hebrew inscription & 

puppet; 4.4” (11.4 cms) long; 1.5 oz 

£70-90 

247. A LARGE ELECTROPLATED JUG OR 

EWER 

with a scroll handle & a floral scroll rim; 12” 

(30.5 cms) high 

£100-120 

250. AN UNUSUAL VICTORIAN MOUNTED 

FROSTED GLASS MUSTARD POT 

with an engraved cover & scroll handle, starcut 

base, by Charles Thomas & George Fox, 

London 1847; 3.15” (8 cms) high 

£60-80 


31

251. A GEORGE II SALVER 

with a shell & scroll border & engraved coat of 

arms, the reverse with the initials “S” over “TE”, 

by John Robinson (II), London 1749; 11.9” 

(30.1 cms) diameter; 24 oz 

£200-300 

254. AN EARLY 19TH CENTURY SOUTH 

AMERICAN MUG 

of tapering form with a harp-shaped, scroll 

handle and chased trailing leaves around the 

sides, the base initialled “ME”, unmarked; 4.25” 

(11 cms) high; 15 oz 

£400-500 

257. A MODERN THREE PIECE TEA SET 

with shaped oval, baluster bodies and wavy 

rims, resting on four paw feet with curved 

legs, the tea pot inscribed, by Walker & Hall, 

Sheffield 1910/11; the pot 7.2” (18.3 cms) 

high; 44 oz (3) 

£300-500 

32 

252. A LATE VICTORIAN SALVER 

with a reeded, shaped circular border & pad 

feet, crested, maker’s mark “JEB,FEB”, Sheffield 

1899; 12.4” (31.5 cms) diameter; 24 oz 

£330-400 

255. A 19TH CENTURY SOUTH AMERICAN 

MATE TEA CUP 

on a tray base with three feet, chased 

decoration & two small animal handles, 

unmarked, early 19th century; 6.4” (16 cms) 

high; 7.5 oz 

£200-250 


SPANISH INKSTAND 

on a boat-shaped base with four feet & 

upswept ends, fitted with three cylindrical, 

lift-off pots with bead borders, (two with 

detachable covers), initialled, maker’s mark of 

Antonio Ruiz, Cordoba, assay master’s mark 

“VEGA 18”; 10.25” (26 cms) long; 23 oz 

£600-800 

253. A MODERN SALVER 


border, engraved crest & motto “AUDACITER”, 

by Asprey & Co., Ltd., Sheffield 1916; 10.4” 


£200-250 

256. AN EARLY 19TH CENTURY SOUTH 

AMERICAN FILIGREE BASKET 

with a swing handle, conical body set with 

flowerhead motifs and large ribbon & ball feet, 

one side with a small applied plaque, inscribed 

“La Paz Golf Club, won by Mr James MacVicar 

1917”, unmarked, probably Peruvian/Bolivian; 

6.6” (17 cms) diameter; 24 oz 

£400-600 

259. A MODERN FOUR PIECE TEA & 


of canted & panelled oblong form with paw 

feet, by Viners of Sheffield 1939; the hot 

water jug 8” (20.5 cms) high; 50.75 oz (4) 

£500-700 


260. A CONTINENTAL DECORATIVE NEF 

in the form of a single masted vessel in full sail with covered wheelhouse, 

fully armed with cannon & resting on four, scroll-spoked wheels, with 

English import marks for B. Mueller, Chester 1905; 12.2” (31 cms) high; 

28 oz 

£700-900 

262. A GEORGE II CAST ROCOCO CANDLESTICK 

on a shaped circular base with a knopped baluster column, a waisted 

capital & a detachable nozzle, the whole decorated with husks, scrolls & 

flowers, the base & nozzle crested to match, by John Case, London 1753; 

10.75” (27.2 cms) high; 22.25 oz 

£300-400 

261. A VICTORIAN DESSERT SUITE COMPRISING: 

A pair of fruit tazza and a pair of oval dishes with embossed & chased 

decoration & scalloped rims by Frederick Elkington, Birmingham 1884 

together with a larger silvergilt fruit tazza of similar design, inscribed, by 

R. Martin & E. Hall, London 1884; the latter 9” (23 cms) diameter; 74 oz (5) 

£1200-1500 

263. A LATE 19TH CENTURY CONTINENTAL WAGER CUP 

in the form of a lady in a crinoline dress holding a vessel aloft, gilt 

interiors, with English import marks for B. Mueller, London 1897; 8.4” 

(21 cms) high; 7.75 oz 

£500-600 


33

264. A MODERN THREE PIECE TEA SET 

with shaped oval bodies, scroll handles & 

button feet, the pot with an ivory finial, by J. 

Gloster Ltd., Birmingham 1918; the tea pot 6.1” 

(15.5 cms) high; 37 oz (3) 

£400-500 

267. A MODERN CREAM JUG & MATCHING 

SUGAR BOWL 

with wavy rims & three feet, by Asprey & Co., 

London 1959/60; the jug 3.5” (9.5 cms) high; 

7 oz (2) 

£80-100 

270. THREE RUSSIAN ITEMS: 

A lemon tea glass holder with engraved 

decoration by Sergei Fudol 1908-1917, a salt 

spoon with a figural terminal and a pair of 

sugar tongs; the latter 5” (12.5 cms) long; 5.8 oz 

(3) 

£150-200 


CIRCULAR DRESSING TABLE BOX & COVER 

decorated with engraved finches & prunus on 

an engine-turned ground, gilt interior, maker’s 

mark “CW”, c.1920; 3.3” (8.5 cms) diameter; 

4.8 oz 

£200-250 

34 

265. A PAIR OF EDWARDIAN IRISH BONBON 

DISHES 

of shaped circular outline pierced & embossed 

with a bird & animals amongst flowers, fruit & 

scrolls, with cast vine borders, by West & Sons, 

Dublin 1908; 7.3” (18.5 cms) diameter; 11.5 oz 

(2) 

£220-250 

268. A GRADUATED PAIR OF OLD SHEFFIELD 

PLATED DISH COVERS 

oval with shaped, gadrooned borders & George 

IV hallmarked silver handles, c.1825 and a pair 

of smaller fused plated oval dish covers, circa 

1800; the latter pair 12.5” (32 cms) long; 15 oz 


£100-200 

271. AN EDWARDIAN PARCELGILT 

MINIATURE HUNTING HORN/CANDLE DOUTER 

by William James Hornby, London 1904; 12.2” 

(31 cms) long 

£200-250 

274. A 20TH CENTURY INDIAN PLATED RICE 

BOWL 

embossed with a frieze of deity figures around 

the sides, inscribed; 8.2” (20.8 cms) diameter; 

12.5 oz 

£150-200 

266. A GEORGE III SWING HANDLED SUGAR 

BASKET 

oval on a pedestal foot with part-fluting & 

later chasing, by S. Godbehere & E. Wigan, 

London 1796 and a George III cream jug; the 

former 5.75” (14.6 cms) long; 9 oz (2) 

£150-200 

269. A SMALL MODERN TWO-HANDLED 

SUGAR BOWL 

monogrammed, by Wakely & Wheeler, London 

1937 and a baluster milk jug by another maker, 

London 1929; the latter 4.5” (11.3 cms) high; 

13.5 oz (2) 

£120-160 

272. A GEORGE III PIERCED CIRCULAR SOY 

FRAME 

on ball & claw feet with an inset wooden base 

by Edward Leapidge, London 1769 together 

with four cut-glass sauce bottles with 

Edwardian mounts & only three stoppers; 7.5” 

(19 cms) high 

£140-180 


CIRCULAR BOX & COVER 

embossed in relief with dragons on a matt 

ground, vacant circular cartouche & gilt 

interior, by Wing On Co, Shanghai 1900-1920; 

3.75” (9.5 cms) diameter; 7 oz 

£120-150 


276. AN EARLY GEORGE III WINE 

FUNNEL 

with a plain, shallow circular bowl & a plain 

tang, by James Phipps (I); London 1768; 

4.5” (11.5 cms) long; 2.3 oz 

£150-200 

279. SPORTING INTEREST: 

A Victorian electroplated picnic beaker and 

double-ended goblet (which neatly fits inside 

the beaker), inscribed “Presented to Lt.Col. 

Mackinlay by the Wimbledon Team of 1875”, 

unmarked c. 1875; 6.25” (16.8 cms) high 

£80-100 

*The inscription probably relates to Canadian 

Riflemen of the 18th Battalion of Infantry, 

competing in the Rifle shooting at Wimbledon 

during 1875. 

277. A GEORGE III SWING HANDLED BASKET 

of rounded oblong form with a border of gadrooning 

and a foliate shell motif at each end, raised on a 

gadrooned oblong foot, by Thomas Blagdon & Co., 

Sheffield 1817; 13.2” (33.5 cms) long; 32 oz 

£400-500 

280. AUSTRALIAN INTEREST: 

An Australian small souvenir paper knife in the 

form of a boomerang with a kangaroo figure at 

one end and a plated cast napkin ring with 

kangaroo supporter, initialled, by Stewart 

Dawson; 2.7” (6.8 cms) high; 0.25 oz weighable 

silver (2) 

£150-200 

278. REGIMENTAL INTEREST: 

A George III wine funnel with a part-fluted 

spout & a detachable strainer with a 

gadrooned border, complete with muslin 

ring, engraved with the badge of the 2nd 

Royal Surrey Regiment, by William Allen, 

London 1805; 6.7” (17 cms) long; 6.25 oz 

£400-500 

281. A GEORGE III SPIRIT FLASK 

of rounded oblong form with shoulders, & 

curved to fit the pocket, with screw cap, plug 

stopper & pull-off drinking cup, by Peter, Ann & 

William Bateman, London 1802; 6.75” 

(17.2 cms) long; 8.5 oz 

£200-250 

282. A RARE GEORGE IV PROVINCIAL CIRCULAR SEAL BOX & COVER 

engraved with the arms of the Earl of Exeter, the base inscribed “Brownlow Cecil, 12th Earl of Exeter ANNO DOMINI 1825” 

and engraved with another coat of arms, gilt interior, by James Dunsford, Exeter 1824; 5” (12.5 cms) diameter; 8 oz 

£2500-3000 


35

283. A GEORGE III BALUSTER PEPPER 

CASTER 

with reeded borders & an acorn finial, by 

Stephen Adams, London 1811; 5.5” (14 cms) 

high; 2.4 oz 

£120-160 

286. A PAIR OF GEORGE III WINE COASTERS 

with gadroon & shell borders & part-fluted sides, centres with an 

engraved coat of arms, the sides of the base engraved with a number & 

scratchweight “6-75-16”, by William Burwash & Richard Sibley, London 

1809, (inset wooden bases); 6.25” (16 cms) diameter 

£1200-1500 

288. AN EARLY 19TH CENTURY ITALIAN 

SINGLE WINE COASTER 

pierced around the sides with stiff leaves below 

a beaded rim, maker’s mark rubbed, Venice 

1800-1830; 5.1” (13 cms) diameter; 4.25 oz 

£140-160 

36 

284. A SET OF FOUIR GEORGE IV EMBOSSED 

CIRCULAR SALTS 

on polyfoil bases with stiff leaf borders, gilt 

interiors ( & only three blue glass liners) by 

Joseph Angell, London 1827; 3.3” (8.2 cms) 

diameter; 15 oz weighable silver (4) 

£200-250 

289. A MODERN “LIGHTHOUSE” SUGAR 

CASTER 

with an onion-domed cover & a hammered 

finish, by Sandheim Brothers, London 1915; 

6.3” (16 cms) high; 6 oz 

£200-250 

285. A GEORGE II SUGAR CASTER 

of vase form with a high-domed cover & a 

knop finial, crested, by Thomas Bamford, 


£250-300 

287. A RARE GEORGE III IRISH PROVINCIAL SAUCE BOAT 

on three fluted legs with a wavy rim & flying scroll handle, initialled 

“F.N.M.” on one side, & crested on the other, the base also initialled “C.D”, 

maker’s mark mis-struck (twice), probably by John Hilley or Humphreys, 

Cork 1760-80; 6.3” (16 cms) long; 5.8 oz 

£300-400 

290. A LATE VICTORIAN PLATED ROSE BOWL 

with embossed decoration & small inscription, 

by Mappin & Webb c.1890; 10.4” (26.5 cms) 

diameter 

£30-50 


291. A WILLIAM & MARY LARGE TANKARD 

tapering with a reeded base and a flattened-domed broad brimmed cover with a large volute thumbpiece & a beaded rattail, the large 

handle also with a beaded rattail, the front of the body intialled “LN to GN to GILN”, the base inscribed “The Gift of ye Lady Edith Phelpps 

to her Goddaughter Hester Santell Born ye 10 of May 1690” by Francis Garthorne, London 1691; 7.75” (19.8 cms) high; 35 oz 

£3000-4000 

292. AN EARLY GEORGE III SCOTTISH 

LEMON STRAINER 

with a shallow circular bowl, an openwork 

handle & plain tang, maker’s mark only, struck 

twice, by Adam Graham, Glasgow c.1770; 3.3” 

(8.3 cms) diameter; 2.1 oz 

£250-300 

293. A MODERN NOVELTY THREAD/STRING 

HOLDER 

in the form of a bell with steel cutting blade, by 

Deakin & Francis, Birmingham 1911; 4” (10 cms) 

high; 4 oz 

£120-140 

294. A VICTORIAN SMALL GLOBULAR 

CREAM JUG & MATCHING SUGAR BOWL 

on ball feet, with engraved fern-like decoration 

& gilt interiors, by Messrs. W & J. Barnard, 

London 1880; the jug 2.9” (7.3 cms) high; 

5.25 oz (2) 

£200-250 


37

295. A GEORGE III WINE FUNNEL 

with a gadrooned border & a shaped tang, 

maker’s mark erased, London 1787; 4.75” 

(12.2 cms) long; 2.2 oz 

£180-200 

298. A LATE VICTORIAN MOUNTED GLASS 

PRESERVE JAR & COVER 

in the form of a bell, maker’s mark “J&W”?, 

Birmingham 1899 and a later preserve spoon; 

4.75” (12 cms) high; 2.5 oz weighable silver (2) 

£100-120 

301. A GEORGE I BRITANNIA STANDARD 

SMALL MUG 

with a scroll handle & an incised border below 

the rim, by Thomas Tearle, London 1722; 2.5” 

(6.5 cms) high; 2 oz 

£300-400 

304. A GEORGE IV TOAST RACK 

with seven wire bars, scroll bracket feet & an 

ornate handle, by Matthew Boulton, 

Birmingham 1828; 6” (15.2 cms) long; 10.5 oz 

£400-500 

38 


A Victorian tapering coffee pot, domed cover, 

button finial, base inscribed, by James Garrard, 

London 1882 together with a late Victorian tea 

caddy & an Edwardian sugar bowl; the pot 8” 

(20.2 cms) high; 25 oz (3) 

£200-300 

299. AN ART DECO, MOUNTED CUT GLASS 


with a rounded square body & ivory finial, 

together with a matching spoon, maker’s mark 

“FC”, Sheffield 1934; 4” (10 cms) high; 3 oz 


£60-80 

302. AN EARLY 19TH CENTURY FRENCH 

PROVINCIAL BEAKER 

with an everting rim, the base initialled “PLT”, 

maker’s mark “ASP”, Chaumont (Haute Marne) 

1798-1809 and another similar beaker, maker’s 

mark “CMG”, Paris 1819-1838; both approx. 

2.75” (7 cms) high; 5 oz (2) 

£150-200 

305. A LATE VICTORIAN ELECTROPLATED 

ASPARAGUS DISH 

with twin handles, scroll borders & wirework 

grille; 13.3” (34 cms) long 

£80-120 

297. AN EARLY GEORGE II SMALL BRANDY 

SAUCEPAN 

with a bellied body & a turned wooden handle, 

the base with scratchweight “2=18=2”, by 

George Greenhill Jones, London 1727; 3” 

(7.6 cms) diameter; 3.25 oz gross 

300. A MODERN MOUNTED GLASS 


the body with cut foliate decoration, by 

C. Saunders & F. Shepherd, Birmingham 1919 

together with a mother of pearl handled 

preserve spoon; 4.5” (11.5 cms) high (2) 

£80-100 

303. A GEORGE III SMALL TAPERING MUG 

with reeded borders & an angular handle, by 

Crispin Fuller, London 1800; 3.25” (8.2 cms) 

high; 5.5 oz 

£200-250 

306. A GEORGE III IRISH SAUCEBOAT 

plain oval on three legs with a scroll handle, by 

William Townsend, Dublin c.1770 (no date 

letter); 7.5” (19 cms) long; 9 oz 

£300-400 


307. A LATE GEORGE II SCOTTISH QUAICH 

with a shallow circular bowl, collet foot and plain handles, the base 

initialled “GG”, gilt interior, by Lothian & Robertson, Edinburgh 1759; 

5.75” (14.5 cms) wide; 4.5 oz 

£1200-1500 

309. A GEORGE III OVAL MUSTARD POT 

with an angular handle, reed borders, a domed 

cover & a blue glass liner, no maker’s mark, 

London 1800; 3.1” (8 cms) high; 4.5 oz 


£150-200 

312. A LATE VICTORIAN TONGUE 

DEPRESSOR 

plain oblong with rounded ends, by Sampson 

Mordan & Co., London 1896; 3.7” (9.4 cms) 

long; 0.2 oz 

£80-120 

310. A LATE VICTORIAN ENGRAVED SHOE 

HORN / BUTTON HOOK COMBINED 

by L.A. Leins, London 1897; 10” (25 cms) long; 

3 oz 

£120-150 

313. A MODERN POT-POURRI DISH 

on three legs with a pierced, domed cover & 

bud finial, by Walker & Hall, Sheffield 1911; 5.5” 


£100-120 

308. A GEORGE IV SCOTTISH HEMISPHERICAL BOWL 

on a low circular foot decorated below the rim with deeply chased floral 

scrolls, thistles, and vines on a matt ground, the central cartouche 

initialled, crested & engraved with the motto “ALIS NUTRIOR”, gilt interior, 

by J. McKay, Edinburgh 1825; 6.35” (16 cms) diameter; 16.25 oz 

£1200-1500 

311. A PAIR OF EDWARDIAN OCTAGONAL 

TRENCHER SALTS 

with waisted sides, crested, by Charles Stuart 

Harris, London 1904; 3.25” (8.2 cms) long; 

5 oz (2) 

£150-200 

314. AN EARLY VICTORIAN LARGE APPLE 

CORER 

with a tubular handle & a scoop which screws 

in for travelling purposes, by Yapp & 

Woodward, Birmingham 1847; 6” (15.3 cms) 

long, extended; 1.25 oz 

£250-300 


39

315. A VICTORIAN SWING HANDLED SUGAR 

BASKET 

with a fluted & engraved, boat-shaped body, 

by Walter & John Barnard, London 1878; 5.75” 


£150-200 

318. A PAIR OF MODERN TRUMPET VASES 

with detachable circular bases, by C. Saunders 

& F. Shepherd, Birmingham 1920; 5.5” (14 cms) 

high; 4 oz (2) 

£120-130 

321. A 19TH CENTURY FRENCH WINE 

TASTER 

with lobed & fluted decoration, Paris post 

1838; 2.75” (7 cms) diameter; 1.5 oz 

£80-120 

324. A MOUNTED LEATHER DESK BLOTTER 

with pierced & embossed work around a vacant 

cartouche, by Deakin & Francis, Birmingham 

1899; 13” (33 cms) long 

£70-80 

40 

316. AN EDWARDIAN INKSTAND 

with a shaped oblong base and a central, 

mounted glass ink bottle, button feet, by Stokes 

& Ireland, Chester 1907; 9” (22.8 cms) long; 

6.75 oz weighable silver 

£150-200 


MOROCCO LEATHER HAND MIRROR 

with a shaped oblong glass, embossed 

decoration & a vacant cartouche, by 

H. Matthews, Birmingham 1898; 12.4” 


£75-100 

322. A MODERN MOUNTED WOODEN 

INKSTAND 

with two modern detachable capstan inkwells, 

(glass liners & loaded bases) and two wooden 

dip pens, the inkwells by Sanders & Mackenzie, 

Birmingham 1932; 7.75” (19.5 cms) long 

£100-120 

325. A LATE VICTORIAN PORRINGER 

with embossed decoration, a coin-inset base & 

a small inscription, also intialled, by D & J. 

Welby, london 1895; 4” (10 cms) high; 8 oz 

£100-150 

317. A VICTORIAN SWING HANDLED SUGAR 

BASKET 

with an engraved circular body, a wavy rim and 

a pedestal foot, vacant cartouche, gilt interior, 

by Edward Pairpoint, London 1849; 5.25” 

(13.2 cms) high; 9.75 oz 

£170-200 

320. THREE BUCKLES: 

A pierced & waisted example by Murrle, 

Bennett & Co., import marked 1901, a George 

III large mounted steel example and a smaller 

modern example; the latter 2.5” (6.5 cms) long 

(3) 

£75-100 

323. A PAIR OF CONTEMPORARY IRISH 

NAPKIN RINGS 

decorated with curious etched symbols, maker’s 

mark “DMH”, Dublin 1979; 1.55” (4 cms) 

diameter; 1.9 oz (2) 

£100-120 

326. A LATE 19TH CENTURY BURMESE TWO 

PIECE BUCKLE 

pierced and embossed on each piece with a 

peacock “displayed”, unmarked c.1900; 3.75” 

(9.6 cms) long; 1.8 oz 

£80-100 


327. A MODERN FOUR PIECE CIRCULAR TEA 

SET 

with c-scroll handles & bobbin borders, by 

Walker & Hall, Sheffield 1939; the hot water 

jug 7.75” (19.8 cms) high; 50 oz (4) 

£600-800 


Two modern photograph frames, a cased mug 

& bowl, a cigarette box, a mounted glass spirit 

flask, a cased napkin ring, & another napkin 

ring; the flask 6.5” (16.5 cms) high; 12 oz 

weighable silver (lot) 

£160-200 

333. A GEORGE III PROVINCIAL GOBLET 

plain with a reeded pedestal foot, crested, gilt 

interior, maker’s mark of Thomas Ollivant of 

Manchester (overstriking that of Peter & Anne 

Bateman) with London marks for 1796; 6.3” 

(16 cms) high; 5.2 oz 

£300-350 

336. A GEORGE III SCOTTISH BEAKER 

rounded with an everting rim, and a domed 

base, by William Dempster, Edinburgh 1767; 

3.6” (9.2 cms) diameter; 4 oz 

£400-500 

328. AN EDWARDIAN TUBULAR CANDLE 

DOUTER 

with a plain circular mouthpiece, maker’s mark 

worn, “HL”?, London 1904; 11.8” (30 cms) long; 

1.2 oz 

£130-140 


CHINESE SMALL PLANTER OR JARDINIERE 

in the form of a Lotus flower on three prunus 

supports, gilt interior, maker’s mark “CW” & 

character mark also, c.1900; 4.75” (12.2 cms) 

high; 10 oz 

£130-160 

334. A VICTORIAN SWING HANDLED BASKET 

of shaped circular outline with a bead & scroll 

border embossed fruit & flowers around the 

bowl & a pedestal foot, by Walter & John 

Barnard, London 1879; 12.5” (31.5 cms) 

diameter; 35.75 oz 

£800-900 

337. AN ART DECO CASED, SIX PIECE 

MOUNTED TORTOISESHELL DRESSING TABLE 

SET 

with inlay decoration, by Walker & Hall, 

Birmingham 1934; the case 18.4” (47 cms) long 

£150-200 


A modern three piece condiment set with 

openwork supports, drop-in vessels, blue glass 

liners & two spoons, a pair of modern dressing 

table candlesticks & a pair of modern lily 

pattern grape shears, mixed makers & dates; 

the latter 6.25” (16 cms) long; 9.5 oz weighable 

silver (lot) 

£200-250 

332. AN EDWARDIAN TEA KETTLE ON STAND 

of shaped oval outline with a domed cover, 

knop finial & lift-out burner, by Atkin Bros. 

Sheffield, 1905; 12.55” (31.8 cms) high; 36.5 oz 

£500-700 

335. AN 18TH CENTURY UNASCRIBED 

CREAM JUG 

on three legs with pad feet, in fluted oviform 

body with flat-chased & engraved decoration, 

waisted neck & shaped rim, struck with five 

marks, c.1740; 4” (10 cms) high; 4.75 oz 

£300-400 

338. A LATE VICTORIAN COMMEMORATIVE 

PHOTOGRAPH FRAME 

heart-shaped with a Royal Crown & tied ribbon 

surmount, the monogram “VR” & the dates 

1837-1897*, by H. Matthews, Birmingham 

1897; 6.6” (17 cms) high 

£150-200 

*To commemorate the Diamond Jubilee of 

Queen Victoria. 


41


with a shaped circular outline & a moulded 

border, scroll feet, maker’s mark “SGJ”, Sheffield 

1936; 10” (25.2 cms) diameter 

£300-400 

342. A GEORGE III PROVINCIAL MUSTARD 

POT 

of canted oblong form with an upper & lower 

pierced frieze, a pierced thumbpiece & an 

engraved cover by Luke, Proctor & Co., Sheffield 

1788 (blue glass liner) & later spoon; 2.9” 

(7.4 cms) high; 3.5 oz weighable silver (2) 

£170-200 

345. A PAIR OF MODERN SAUCE BOATS 

with shaped rims, flying scroll handles & three 

legs by Asprey & Co., Ltd., London 1926; 6.7” 


£80-120 


A Victorian enamelled scent bottle, a 

purse/book mount with mother of pearl & 

blind-fret work, two mounted steel button 

hooks, a shoe horn, a mounted glass dressing 

table box, a scent bottle, a gilt metal chain with 

jade mounts & a brass spoon; 1 oz weighable 

silver (lot) 

£200-250 

42 

340. A VICTORIAN ELECTROPLATED CAST 

SMALL DISH 

in the form of a putto & two attendants riding 

a scallop shell vessel being pulled by dolphins 

through the waves, rounded oblong base, by 

Elkington, Mason & Co., 1852; 5.55” (14 cms) 

long 

£200-250 


A pair of George II squat circular salts with 

chased decoration by David Hennell, London 

1746, a late Victorian oval mustard pot with 

part fluting, a modern salt, a late Victorian 

candlestick (loaded) and a modern square 

cigarette box, wood lined; the candlestick 7.4” 


£150-200 

346. A PAIR OF MODERN CANDLESTICKS 

on shaped square bases with knopped & 

shouldered columns, waisted capitals & shell 

decoration at the corners, detachable nozzles, 

by Hawksworth, Eyre & Co., Sheffield 1910 

(loaded); 11.3” (28.7 cms) high (2) 

£300-400 

349. A LATE VICTORIAN MOUNTED LEATHER 

STATIONERY BOX 

with a hinged, curved front, the pierced & 

embossed mount with central cartouche, 

initialled, lined interior, by William Comyns, 

London 1899; 11.5” (29.25 cms) long 

£200-250 



border & scroll feet, by S. Blackensee & Sons 

Ltd., Birmingham 1935; 10” (25.2 cms) 


£300-400 

344. A 19TH CENTURY DUTCH TEA CADDY 

of rounded oblong form with a domed cover & 

knop finial, maker’s mark “HV”, town mark 

rubbed 1833; 4.9” (12.5 cms) high; 7.25 oz 

£80-100 

347. AN EDWARDIAN THREE PIECE TEA SET 

rounded oblong with fluted corners, gadrooned 

borders & ball feet, by John Round, Sheffield 

1903/04; the tea pot 5.75” (14.5 cms) high; 

40 oz (3) 

£250-350 

350. AN EDWARDIAN ART NOUVEAU 

DRESSING TABLE SET 

stamped in relief with a maiden with long 

flowing tresses of hair, holding a gothic tablet 

or instrument, comprising hand mirror, hair 

brush & clothes brush by Charles Horner, 

Birmingham 1904 and another clothes brush to 

match by W. Aitken, Birmingham 1905 (loaded); 

the mirror 11” (28 cms) long (4) 

£100-120 


351. A VICTORIAN SWING HANDLED BASKET 

of shaped circular outline with pierced & 

embossed floral borders, a lobed foot & an 

openwork handle, by Messrs. E.J. & W. Barnard, 

London 1850; 12.2” (31 cms) diameter; 30.25 oz 

£500-600 

354. TWO MODERN, OBLONG CIGARETTE 

BOXES 

(woodlined) and a set of six modern Apostle tea 

knives, plated blades (loaded); the longer box 7” 

(18 cms) long (8) 

£100-150 

357. A CONTINENTAL MOUNTED 

WOODEN CROSS 

on a bevelled hexagonal base set with 

polished blue cabochon hardstones, 

import marked for London 1924; 8.55” 


£140-160 

352. A LATE VICTORIAN / EDWARDIAN ART 

NOUVEAU SMALL JARDINIERE 

on four scroll feet with a circular body, 

embossed around the sides with apples, apple 

blossom & apple leaves on a hammered 

ground, by Messrs. Slater, Slater & Holland, 


£300-400 

355. A GEORGE IV / WILLIAM IV THREE 

PIECE TEA SET 

with fluted circular bodies of baluster form 

with embossed stiff leaves & applied 

flowerheads, ornate scroll handles, the pot with 

a flower finial, by Charles Fox (II), London 1830; 

the pot 6.9” (17.7 cms) high; 48.5 oz (3) 

£700-800 


A modern Irish bowl with a shaped rim, crested, by the Royal 

Irish Silver Co. Ltd. with commemorative hallmarks for 

Dublin 1966*, a modern sauce boat and a four piece 

embossed dressing table set; the bowl 6” (15.2 cms) 

diameter; 19.25 oz weighable silver 

£300-500 

*The Sword of Light is a special mark, to commemorate the 

50th Anniversary of the 1916 Rebellion. 

353. AN EARLY VICTORIAN COFFEE POT 

of baluster form with ornate feet, embossed 

around the lower body with flowers, scroll 

handle & flower finial by William Hunter, 

London 1840; 9.4” (24 cms) high; 28 oz 

£400-500 

356. A GEORGE II SALT 

on lion mask, ball & claw feet, with a squat 

circular bowl & a shaped, gadrooned rim, gilt 

interior by Edward Wood, London 1744 and 

another very similar example to match, by R & 

D. Hennell, London 1768 together with a pair of 

Victorian Fiddle salt spoons, crested; the salts 

3” (7.6 cms) diameter; 9.5 oz (4) 

£200-250 

359. A VICTORIAN ELECTROTYPED 

PLATED COPPER & BRASS TANKARD 

with a frieze of classical figures & putti 

around the sides & a figure finial, the 

base inscribed “FROM THE ORIGINAL IN 

IVORY - IN THE POSSESSION OF HENRY 

C.G. BEDFORD ESQ”, c.1850; 11.6” (29.5 

cms) high 

£100-200 


43

360. A MODERN SCOTTISH MOUNTED 

SKEAN DHU 

with a carved hilt, stone-set terminal & 

engraved “Celtic” strapwork, maker’s mark “T.E”, 

Edinburgh 1965; 8.1” (20.5 cms) long 

£150-200 

363. A VICTORIAN SEVEN BOTTLE CRUET FRAME 

on an oval base with a central handle & border-engraving fitted with 

three mounted & four stoppered, cut glass bottles, (later mustard spoon), 

by Messrs. W & J. Barnard, London 1880; 10.5” (26.8 cms) high; 23.9 oz 


£500-700 

365. A GEORGE III SWING HANDLED SUGAR 

BASKET 

with bead borders, pierced & engraved 

decoration & a vacant shield cartouche, blue 

glass liner, by Henry Hobdell, London 1780; 

4.75” (12 cms) high to rim; 4.8 oz weighable 

silver 

£400-500 

368. A LATE 19TH CENTURY 

DUTCH EMBOSSED BRANDY BOWL 

with two cast, openwork handles & 

a lobed circular bowl decorated with 

Dutch rural scenes, with pseudo 

marks & English import marks for 

Sheffield 1895; 9.4” (23.8 cms) long; 

8 oz 

£250-300 

44 

361. A MODERN SCOTTISH PLATED 

MOUNTED SPORRAN 

with a green leather pouch, fur trimming & 

three tassles, the reverse stamped “The Scotch 

House”, probably c.1965; 8” (20 cms) wide 

£100-150 

366. A MODERN SUGAR CASTER 

with a flaring body, rising domed cover & a 

button finial, by James Dixon & Sons, Sheffield 

1945; 6.25” (15.7 cms) high; 6.75 oz 

£200-250 

369. A MODERN DANISH PART CANTEEN OF FLATWARE & 

CUTLERY 

with ridged terminals comprising: eight table spoons, six table forks, 

eight dessert spoons, eight small forks, eight fish knives, eight coffee 

spoons, a soup ladle, a sauce ladle, two serving spoons & eight table 

knives (with stainless steel blades), maker’s mark “JS” (monogram), 

retailer’s mark of “Heimburger”, Copenhagen 1942-49; 77.25 oz 


£1000-1200 

362. A MODERN SCOTTISH MOUNTED 

SKEAN DHU 

with a carved hilt, set with a hardstone boss, 

stainless steel blade, the mount inscribed 

“105 AD Regt RA(V), 10.0.88”, maker’s mark “T.E”, 

Edinburgh 1988; 7.75” (19.6 cms) long 

£80-120 

364. A PAIR OF CONTEMPORARY CAST TABLE DECORATIONS 

in the form of a hen & a cock pheasant in courtship display, by C.J. Vander 

Ltd., with Millenium hallmarks for London 2000; the cock 11.5” (29.4 cms) 

long; 63.25 oz (2) 

£800-1000 

367. A MODERN PIERCED DRUM MUSTARD 

POT 

with bead borders & a blue glass liner, probably 

by H.V. Plante Co., Chester 1911; 3” (7.5 cms) 

high; 3.5 oz weighable silver 

£150-200 


370. A MODERN SCOTTISH 

QUAICH 

with engraved handles & engraved 

linear decoration to simulate 

“coopered” construction, by Mackay 

& Chisholm, Edinburgh 1910; 4.75” 


£150-200

371. A MODERN SQUAT MILK JUG 

with a scroll handle & a reeded rim, maker’s 

mark “EB” with commemorative “Jubilee” marks 

for London 1977; 4.25” (10.8 cms) high; 11.5 oz 

£140-160 

374. A VICTORIAN BEAKER 

of plain tapering form, by W.W. Williams, 

London 1869 and another smaller 19th century 

beaker, probably Colonial; the latter 3.5” (9 cms) 

high; 8.5 oz (2) 

£120-150 

377. A MODERN FRUIT DISH 

on a pedestal foot, of shaped circular outline 

with an applied border, maker’s mark “HEB” 

over “FEB”, Chester 1918; 10” (25.5 cms) 


£150-200 

380. A MODERN WAITER 

with a shaped & moulded border, inscribed, a 

nut dish in the form of a feeding bowl & two 

other dishes, mixed makers & dated; the waiter 

5.5” (14 cms) diameter; 22.75 oz (4) 

£250-300 

372. A PAIR OF EDWARDIAN ARTS & 

CRAFTS TWO HANDLED CUPS OR SWEETMEAT 

DISHES with lobed decoration fluted rims & a 

finely hammered finish, gilt interiors, by G. 

Nathan & R. Hayes, Chester 1908; 5.2” (13 cms) 

high; 14.2 oz (2) 

£600-800 

375. A GEORGE III SILVERGILT CHALICE 

on a circular pedestal base with a baluster bowl 

engraved with the sunburst & the initials “IHS” 

above a frieze of standing corn, the stem with 

an engraved knop, the foot with a latin 

inscription & cross, by William Burwash, 


£250-300 

378. A PAIR OF MODERN BUN-TOP PEPPERS 

a small toast rack & four napkin rings; the 

peppers 3.5” (9 cms) high; 7.5 oz (7) 

£80-100 

381. A GEORGE III BARGE-SHAPED TEA POT 

on ball feet with gadrooned borders & an 

angular handle by Peter & William Bateman, 

London 1810; 6.5” (16.5 cms) high; 21 oz 

£300-400 

373. A VICTORIAN SILVERGILT CHRISTENING 

MUG 

with a beaded pedestal foot, an ornate handle 

& engraved decoration with an upper & lower 

frieze of Greek-key work by Joseph Angell, 


£200-250 

376. A GEORGE IV CREAM JUG 

on ball feet, initialled, by John Baddeley, 

London 1822 and a modern tapering hot milk 

jug; the latter 6.3” (16 cms) high; 16 oz (2) 

£150-200 

379. A PAIR OF MODERN “REPRODUCTION” 

DINNER PLATES 

plain circular with an engraved coat of arms*, 

by Messrs. Crichton, London 1934; 9.75” 

(24.8 cms) diameter; 27 oz (2) 

£400-500) 

*Arms of Carrington impaling MacDonnell 

quartered by Kerr. 

382. AN EDWARDIAN REPRODUCTION OF A 

HENRY VIII FONT CUP* 

gilt interior, by G. Nathan & R. Hayes, Chester 

1906; 4.25” (10.7 cms) high; 11.25 oz 

£150-200 

*A copy of Holms cup hallmarked 1521, the 

original formerly in the Dunn-Gardner 

collection. 


45


of shaped circular outline with a gadrooned 

border & scroll feet, the centre with crest & 

motto “ST DEUS QUIS CONTRA”, by D & J. Welby, 

London 1937; 12.3” (31.2 cms) diamater; 32 oz 

£400-500 

386. A LATE VICTORIAN BEAKER 

in the Charles II style with embossed stiff 

leaves & a border below the rim, by George 

Lambert, London 1898; 3.5” (9 cms) high; 4.5 oz 

£150-160 

389. AN EDWARDIAN SAUCEBOAT 

on three feet with a leaf-capped, flying scroll 

handle, & a shaped rim by Messrs. Barnard, 

London 1907; 7.2” (18 cms) long; 8.25 oz 

£150-200 

392. A CASED MODERN TOILET SET 

comprising hand mirror & two brushes (no 

comb) and a cased gentleman’s hair brush & 

comb, all decorated with engine turning (2) 

£40-60 

46 

384. A MODERN INKSTAND 

of shaped oblong outline with a moulded 

border & central, mounted glass cuboid ink 

bottle, by Walker & Hall, Sheffield 1912; 7.25” 

(18.5 cms) long; 9.5 oz weighable silver 

£150-200 

387. A SET OF FOUR MODERN PEPPERETTES 

with ball finials, by W. Neale Ltd., Chester 

1935/36; 2.5” (6.5 cms) high; 7 oz (4) 

£100-140 

390. A PAIR OF MODERN CAST BRITANNIA 

STANDARD TRENCHER SALTS 

of squat circular form with fluting, by Frazer & 

Haws, London & two non-matching spoons, the 

salts 1934; 3.25” (8.2 cms) diameter; 16.25 oz 

(4) 

£400-500 

393. AN EDWARDIAN VASE SHAPED SUGAR 

CASTER 

with wirework sides & a blue glass liner, by E.J 

& N. Haseler, London 1905; 6.75” (17.2 cms) 


£80-100 



border & pad feet, the centre with an 

inscription relating to the Cheshire Yeomanry, 

maker’s mark “EB”, London 1936; 12.5” 


£400-500 

388. AN EARLY GEORGE III BALUSTER MUG 

with a spreading circular foot & a leaf-capped, 

scroll handle, initialled & dated “1891”, by Fuller 

White, London 1761; 4.75” (12 cms) high; 

10.5 oz 

£300-400 

391. A GEORGE IV DECORATIVE MUSTARD 

POT 

on four scroll feet with part fluted decoration; 

an oval body, domed cover & bud finial, gilt 

interior & glass liner, maker’s mark mis-struck, 

London 1827; 4.25” (10.8 cms) wide; 8 oz 


£250-300 

394. A LATE VICTORIAN “LIGHTHOUSE” 

SUGAR CASTER 

with embossed decoration by H Woodward & 

Co., London, 1895 (fitted case); 6.8” (17.6 cms) 

high; 7.2 oz 

£120-150 


395. TWO VERY SIMILAR PAIRS OF GEORGE III CAST CANDLESTICKS 

on stepped square bases with gadrooned borders, knopped columns with a wrythen fluted lower section 

& detachable nozzles, crested, one pair by Thomas Hannam & John Crouch, London 1765; the other pair 

by John Carter, London 1767, the bases drilled for electricity; 10.6” (27 cms) high; 91 oz (4) 

£3000-4000 


47

396. A MODERN SPIRIT FLASK 

of plain rounded oblong form with a hinged, 

twist-open cover, probably by W. Neale Ltd., 

Birmingham 1933; 6” (15.2 cms) high; 4.75 oz 

£70-90 

399. A GEORGE IV CREAM JUG & 

MATCHING SUGAR BOWL 

of squat circular form with scroll handles, 

reeded girdles and collet bases, gilt interiors, by 

Richard Pearce and George Burrows, London 

1829; the jug 4.3” (11 cms); 16.5 oz (2) 

£250-300 

402. A GEORGE II CREAM JUG 

on three feet with a baluster body & chased 

decoration, by Walter Brind, London c.1752 

(date letter distorted); 3.6” (9.2 cms) high; 2 oz 

£60-80 

405. A MODERN SPIRIT FLASK 

of plain, rounded oblong form with a pull-off 

cup & a hinged, twist-open cover, by W. Neale 

Ltd., Birmingham 1924; 5.25” (13.5 cms) high; 

7.75 oz 

£100-150 

48 

397. A 20TH CENTURY INDIAN THREE PIECE 

TEA SET 

on paw feet, embossed & chased with panels of 

native figures & deities; the tea pot 5.8” 

(14.8 cms) high; 28.5 oz (3) 

£150-200 

400. A MODERN NOVELTY TABLE LIGHTER 

in the form of a lighthouse on a square plinth 

(with battery operated ignition), by Sanders & 

Mackenzie, Birmingham 1930 (loaded); 8.25" 

(21 cms) high 

£250-300 

403. A PAIR OF MODERN MOUNTED GLASS 

WHISKY TOTS 

with conical bodies & star-cut bases, each 

engraved with a monogram below the Royal 

Crown*, by the Goldsmiths & Silversmiths Co. 

Ltd., London 1922/23; 4.25” (10.8 cms) high (2) 

£80-120 

*Possibly for either a 5th Dragoon Guards 

Regiment or the Volunteer Defence Corps. 

406. A SMALL, LATE VICTORIAN TEA POT 

of squat circular form with part-fluting, by 

Messrs. Barnard, London 1891 and a pair of 

modern sauce boats by Walker & Hall, Sheffield 

1936/38; the latter 6.2” (15.5 cms) long; 20 oz 

(3) 

£150-200 

398. AN EDWARDIAN SPIRIT FLASK 

of plain rounded oblong form with a pull-off 

cup & a hinged, twist-open cover, by Charles 

Dumenil, London 1907; 5.6” (14.4 cms) high; 

7 oz 

£100-130 

401. AN EDWARDIAN SMALL SAUCE BOAT 

on shell feet with a gadrooned border by the 

Goldsmiths & Silversmiths Company Ltd., 

London 1905, and a small late Victorian 

baluster cream jug on three feet, maker’s mark 

worn, Birmingham 1893; the latter 4.4” 

(11 cms) high; 9 oz (2) 

£120-150 

404. AN EDWARDIAN SMALL OBLONG 

CIGARETTE BOX 

on bracket feet, wood lines & monogrammed & 

inscribed “16th July 1910” by Mappin & Webb, 


£100-150 

407. A VICTORIAN SPIRIT FLASK 

of plain, rounded oblong form with a hinged, 

twist-open cap, by C.H. Cheshire, Birmingham 

1890 and a similar, larger example by Walker & 

Hall, Sheffield 1915; the latter 6.3” (16 cms) 

high; 11 oz (2) 

£150-200 



An oviform sugar caster on a pedestal foot, by 

the Goldsmiths & Silversmiths Co., Ltd. 1903, a 

toast rack, four napkin rings, two pairs of sugar 

tongs, and a swing handled sugar bowl (blue 

glass liner), handle A/F, mixed makers & dates; 

the caster 7” (18 cms) high; 17 oz weighable 

silver (9) 

£250-300 

411. AN EDWARDIAN SALVER 

of shaped circular outline with a shaped, 

gadrooned border and scroll bracket feet, by 

H. Wilkinson & Co. Ltd., London 1907; 14.5” 

(37 cms) diameter; 40 oz 

£600-700 

414. A MODERN TAPERING COFFEE POT 

with a straight spout, domed cover & knop 

finial, by Naylor Brothers, London 1972; 8.5” 

(21.6 cms) high; 20.5 oz 

£250-300 

417. A GEORGE III HELMET SHAPED CREAM 

JUG 

with a reeded border, loop handle and pricked 

decoration, vacant wreath cartouche, maker’s 

mark lost in decoration, London 1799; 4.7” 

(11.8 cms) high; 4.5 oz 

£120-160 

409. A SET OF FOUR MODERN BONBON 

DISHES 

of polyfoil outline with incised “scale” 

decoration, by Mappin & Webb, Sheffield 1931; 

5” (12.5 cms) diameter; 10 oz (4) 

£130-150 

412. TWO MODERN CASED SETS OF SIX 

COFFEE SPOONS 

& a cased pair of baluster pepperettes, mixed 

makers & dates; the peppers 3.5” (9 cms) high; 

5 oz (3) 

£100-150 

415. AN EDWARDIAN OBLONG INKSTAND 

with gadrooned borders, scroll feet and two 

oval, mounted, cut glass ink bottles, maker’s 

mark of “F.Bros Ltd”, Sheffield 1904; 10.55” 

(27 cms) long; 16 oz weighable silver 

£300-400 

418. A PAIR OF EDWARDIAN CANDLESTICKS 

on shaped square bases with knopped columns, 

spool shaped capitals and shell decoration, 

detachable nozzles, by Hawkesworth, Eyre & 

Co., Sheffield 1904 (loaded); 10” (25 cms) high 

(2) 

£250-300 


A pair of Victorian embossed circular salts, an 

Edwardian mustard pot (blue glass liner), a pair 

of George III navette shaped salts, (A/F), a small 

mustard pot (A/F), five coffee spoons, three 

condiment spoons & an Old Sheffield plated 

mustard pot; the latter 2.8” (7.2 cms) high; 

13 oz weighable silver (lot) 

£200-250 

413. A GEORGE IV TEA POT 

of bellied oblong form on shell & scroll feet 

with a gadrooned border & cushion knop finial, 

initialled, by Rebecca Emes & Edward Barnard, 

London 1824; 7” (17.8 cms) high; 23 oz 

£300-400 

416. A MODERN TAPERING HOT WATER JUG 

with a tucked-in circular, spreading base, a 

domed cover & an acorn finial, by Collingwood 

& Co., London 1932; 8.4” (21.3 cms) high; 18 oz 

£200-250 

419. A LARGE MODERN SAUCE BOAT 

on three legs with a gadrooned rim and a leafcapped 

flying scroll handle, by C. J. Vander Ltd., 

London 1969; 8.25” (21 cms) long; 13 oz 

£170-200 


49

Property from Barford Park 

B420. AN ART DECO CIGARETTE BOX 

with a curved base, part-engine turned cover 

and an ivory baton thumb press by Deakin & 

Francis, Birmingham 1935, wood lined; 7” 


£80-120 

B423. A PAIR OF GEORGE IV EMBOSSED 

CIRCULAR SALTS 

on four feet with floral shell rims, gilt interiors, 

by R. Emes & E. Barnard, London 1822 and a 

pair to match by Messrs. Barnard, London 

1829; 3.5” (9 cms) diameter; 16.5 oz (4) 

£250-300 

B426. AN ART DECO SMALL SALVER 

on three stepped feet, with a small inscription 

in the centre by Mappin & Webb, Sheffield 

1936; 8” (20 cms) diameter; 12 oz 

£100-150 

B429. A 19TH CENTURY FRENCH MOUNTED 

PORCELAIN CLARET JUG 

with a decorative mount, the body decorated 

with gilt bees on the Royal blue ground, 

maker’s mark “VB” Paris post 1838; 8” 


£100-150 

50 

B421. AN OLD SHEFFIELD PLATED VASE- 

SHAPED HOT WATER JUG 

c.1775, and an electroplated three light 

candelabrum; the latter 17” (43 cms) high (2) 

£80-100 

B424. A LARGE TWO-HANDLED PLATED TRAY 

of rounded oblong form with gadroon & shell 

borders & a vacant scroll cartouche in the 

centre, by Walker & Hall c.1895; 28” (71.5 cms) 

long 

£80-100 

B427. A PAIR OF OLD SHEFFIELD PLATED 

SAUCE TUREENS & COVERS 

of shaped oval outline with ornate handles & 

feet, engraved coat of arms & three crests, 

c.1835; 9” (23 cms) long (2) 

£150-200 

B430. AN EDWARDIAN THREE PIECE TEA SET 

of part-fluted oval form with angular handles, 

by Walker & Hall, Sheffield 1908, together with 

two plated hot water jugs of a similar design, 

same maker; the tea pot 7” (18 cms) high; 28 oz 


£250-300 

B422. AN EDWARDIAN SALVER 

of shaped circular outline with a shell & scroll 

border, bracket feet, the reverse inscribed by 

H. Woodward & Co., Ltd., London 1905; 15.25” 

(39 cms) diameter; 40.5 oz 

£600-700 

B425. A PAIR OF VICTORIAN KING’S 

PATTERN FISH SERVERS 

maker’s mark mis-struck “J.PG”?, London 1886 

and a pair of George III sugar tongs; the slice 

12” (39.2 cms) long; 10.75 oz 

£100-150 

B428. AN OLD SHEFFIELD PLATED BASKET 

with a swing handle, a rounded oblong body & 

gadrooned border with floral shell & scroll 

corners, the centre engraved with a Regimental 

badge*, c.1825; 12.7” (32 cms) long 

£60-80 

*Badge of the 31st Regiment of Foot. 

B431. A VICTORIAN CASED SET OF FOUR 

EMBOSSED SALTS 

with pierced bases & pierced rims, and four 

matching spoons by C. Edwards, London 

1893/94; 2.3” (6 cms) diameter; 9 oz 

£100-150 


B432. A PAIR OF OLD SHEFFIELD PLATED THREE-LIGHT CANDELABRA 

on round bases with part-fluted baluster columns and reeded branches, 

with four detachable nozzles & two torch finials, c.1800; approx. 18” 

(46.5 cms) high (2) 

£80-120 

B434. AN EDWARDIAN CASED SET OF SIX 

SMALL TOT CUPS 

in the form of squat circular bowls with pierced 

scroll, single handles, by the Goldsmiths & 

Silversmiths Co., Ltd., London 1908; 2” (5 cms) 

diameter, 6.75 oz 

£60-80 

B435. A PAIR OF EARLY VICTORIAN 

EMBOSSED CANDLESTICKS 

on shaped circular bases with floral scroll 

decoration, detachable nozzles, by Henry 

Wilkinson & Co., Sheffield 1841 (loaded); 9” 

(23 cms) high (2) 

£250-300 

B433. A PAIR OF OLD SHEFFIELD PLATED THREE-LIGHT CANDELABRA 

with knopped & reeded columns and lobed circular bases, detachable 

nozzles & two torch finials, c.1825; 19.75” (50.5 cms) high (2) 

£80-120 

B436. AN EDWARDIAN CASED SET OF SIX 

MOUNTED “COPELAND’S CHINA” DEMI TASSE 

COFFEE CUPS & SAUCERS 

with gilt decoration & a yellow ground, the 

mounts by Mappin & Webb, Sheffield 1901 (one 

cup & one saucer a larger replacement); the 

case 15.2” (38.5 cms) long; 6 oz weighable silver 

£70-100 

B437. A PAIR OF 18TH CENTURY DUTCH TEA CADDIES 

of inverted baluster form decorated with chased shells, floral scrolls, trellis work & stiff leaves, ribbed bases, by Jan Vardoes, Haarlem 1736 together with 

a covered sugar bowl, decorated to match by Edward Cornock, London 1727, all contained in a lined & fitted box; the caddies 5.5” (14 cms) high; 16.25 oz 

£2000-2500 


51

438. A GEORGE III SMALL CIRCULAR STAND 

on ball & claw feet with a reeded border, 

initialled, by Daniel Smith & Robert Sharp, 


£100-150 

441. A SET OF FOUR MODERN PIERCED 

OVAL SALTS 

with shaped, gadrooned borders, ball & claw 

feet & blue glass liners, the sides with birds 

amongst foliage and a vacant shield cartouche, 

by the Goldsmiths & Silversmiths Co., Ltd, 

London 1913; 3.1” (8 cms) long; 10 oz weighable 

silver (4) 

£300-400 

444. AN EDWARDIAN PIERCED OVAL 

BONBON DISH 

on cast openwork feet with a shaped & beaded 

rim & tied ribbon handles, by William Comyns, 

London 1902; 7.3” (18.7 cms) long; 6.75 oz 

£120-160 


Two modern tea strainers, a mounted 

tortoiseshell hand mirror with inlay, a plated 

funnel, a Japanese pepperette, a “Jersey can” 

pepperette, and a miniature, engraved hand 

mirror by Crisford & Norris, Birmingham 1916; 

the latter 3.75” (9.5 cms) long; 2.5 oz weighable 

silver (7) 

£80-120 

52 

439. A GEORGE III PLAIN OVAL MUSTARD 

POT 

with reeded borders, crested, clear glass liner, 

by Henry Chawner, London 1792; 3” (7.5 cms) 


£120-150 

442. A PAIR OF VICTORIAN KNIFE RESTS 

with pierced, triform ends by John Evans, 

London 1853; 2.55” (6.5 cms) long; 1.5 oz (2) 

£60-80 

445. A SMALL DECORATIVE CONTINENTAL 

COFFEE POT & MATCHING MILK JUG 

on four feet, with pseudo marks and the 

following plated ware: a sugar scuttle & scoop 

& twelve pairs of Thread & Shell pattern fish 

knives & forks; 12.75 oz weighable silver (28) 

£150-180 


Two miniature ‘chick’ pin cushions, Birmingham 

1910 & 1911, a late Victorian Britannia 

standard, sparrow beak cream jug by J.H. 

Rawlings, London 1897, three miniature trophy 

cups, a pin tray, and a small Victorian mug, 

initialled, by Charles Stuart Harris, London 

1892; the latter 2.3” (6 cms) high; 10.25 oz 


£150-200 

440. A GEORGE III WAITER 

of shaped circular outline with a bead & leaf 

border & ball & claw feet, initialled, by Robert 

Jones & John Scofield, London 1776; 6” 


£200-250 

443. A 20TH CENTURY GREEK EMBOSSED 

FRUIT DISH 

on three pierced feet, and an embossed sugar 

vase hung with six spoons & six forks; the dish 


£200-300 

446. TWO SIMILAR SMALL MODERN GREEK 

SILVERGILT MUGS 

after the antique with bulls & bullfighting 

scenes in relief around the sides, by Lalaounis; 

2” (5 cms) high; 3.5 oz (2) 

£70-90 

449. A LATE VICTORIAN CASED SET OF FOUR 

SQUAT CIRCULAR SALTS 

on ball feet with embossed sides, clear glass 

liners & four spoons by Elkington & Co., Ltd., 

Birmingham 1897; 2.25” (5.8 cms) diameter; 

4 oz weighable silver 

£80-100 


450. A PAIR OF MODERN CANDLESTICKS 

with tapering octagonal columns and bevelled 

square bases decorated with beading & floral 

decoration, by an unascribed maker “MS”, 

London 1936; 9.7” (24.6 cms) high; 13.5 oz (2) 

£200-250 

453. A PAIR OF OLD SHEFFIELD PLATED 

SAUCE TUREENS & COVERS 

with squat circular bodies, floral handles & 

borders of fruit & foliage c.1820; 7” (18 cms) 

wide (2) 

£200-250 

456. A PAIR OF GEORGE III BOAT-SHAPED SAUCE TUREENS 

with oval pedestal bases & loop handles, the bodies with part-fluting 

below an engraved coat of arms on each side, each inscribed with a 

scratchweight & numbered “No1” & “No3”, by Robert Sharp, London 1794 

together with a pair of sauce ladles, crested by George Smith & William 

Fearn, London 1794; the tureens 9.5” (24.2 cms) long; 38.5 oz (4) 

£800-1000 

451. A PAIR OF PLATED CANDLESTICKS 

on round bases with baluster columns, 

detachable nozzles; 19.25” (26 cms) high (2) 

£30-50 

454. A PAIR OF SMALL MODERN 

CANDLESTICKS 

on navette-shaped bases with tapering 

columns & urn-shaped capitals, detachable 

nozzles, by James Dixon & Sons, Sheffield 1911 


£100-120 

452. A PAIR OF EDWARDIAN CANDLESTICKS 

with Corinthian columns and beaded, stepped 

square bases, detachable nozzles, by 

Hawkesworth, Eyre & Co., Sheffield 1901 


£250-300 

455. A MATCHED SET OF FOUR VICTORIAN 

SALTS 

with bright engraved circular pedestal bodies, 

bead borders & gilt interiors, crested, three by 

William Mann, London; one by W.W. Williams, 

London 1860; 3” (7.5 cms) diameter; 11.5 oz (4) 

£350-400 

457. A SET OF THREE GEORGE I CASTERS 

one large & two smaller of octagonal, baluster form with later embossing, 

each one inscribed underneath “C” over “IM” over “1727” & crested, by 

Charles Adam, London 1717; the larger one 7.25” (18.3 cms) high; 19 oz (3) 

£600-800 


53

458. AN EDWARDIAN THREE HANDLED 

SUGAR BOWL & MATCHING CREAM JUG 

on three feet with a hammered finish, by 

Charles Edwards, London 1907/08; the bowl 

4.5” (11.3 cms) diameter; 10.5 oz (2) 

£100-150 

461. FOUR VARIOUS CASED SETS OF 

FLATWARE & CUTLERY 

a set of six fruit spoons initialled “B”, by Walker 

& Hall, Sheffield 1914, a set of six mother of 

pearl handled tea knives, a set of six tea spoons 

showing all the British Hallmarks, and a small 

dish inset with nickel coin; 9 oz weighable silver 

(4) 

£120-160 

464. A GEORGE III / IV SQUAT CIRCULAR 

MUSTARD POT 

with a ribbed border, part-fluted cover & flower 

finial, gilt interior, by Robert Hennell, London 

1820; 2.5” (6.5 cms) high; 4.4 oz 

£100-150 

467. A GEORGE III PART-FLUTED CREAM 

JUG 

on bun feet with a reeded scroll handle, 

gadrooned border & gilt interior, by Rebecca 

Emes & Edward Barnard, London 1812; 4.25” 

(10.5 cms) high; 6.25 oz 

£100-150 

54 

459. A MIXED LOT OF PLATED WARE: 

An Old Sheffield swing handled basket, plain 

oblong with a gadrooned border, c.1815, a two 

handled oblong dish, a tea caddy, a sugar bowl, 

a small pierced dish & a “silent butler” with a 

wooden handle; the basket 12.25” (31 cms) long 

£100-150 

462. A VICTORIAN PIERCED CRUET FRAME 

on pierced foliate feet, Sheffield 1859 (with a 

London-made, non-matching handle), together 

with a plated wine bottle holder, and a plated 

hot water jug; the latter 11.5” (29 cms) high (3) 

£150-200 

465. A GEORGE III SMALL SAUCE BOAT 

with a punch-beaded rim & a flying scroll, 

handle, by Jacob Marsh or John Moore, London 

1770; 5.75” (14.5 cms) long; 3.8 oz 

£150-200 

468. AN EARLY GEORGE III BALUSTER MUG 

on a spreading foot, with a scroll handle, by 

William Cripps, London 1763; 4.7” (10.8 cms) 

high; 9.4 oz 

£250-300 


SOUP TUREEN & COVER 

with an oval body & foot, twin handles & 

moulded borders, c.1900; 15” (38.5 cms) long 

£40-60 

463. A SET OF BRASS JEWELLERS’ SCALES 

with weights on a wooden base with drawer, by 

Charles Cooper of Hatton Garden; 15.5” 

(39 cms) high 

£60-90 

466. A GEORGE IV PART-FLUTED CIRCULAR 

MUSTARD POT 

with a button finial, leafy scroll handle & gilt 

interior, crested, by Rebecca Emes & Edward 

Barnard, London 1821; 3” (7.5 cms) high; 4.8 oz 

£120-150 

469. A GEORGE III PROVINCIAL CREAM JUG 

with pricked decoration, reeded border & 

handle & an engraved wreath cartouche, 

initialled, by Thomas Lamborn, Sheffield 1802; 

4” (10 cms) high; 3.5 oz 

£100-150 


470. TWO VICTORIAN ELECTROPLATED TOAST RACKS 

each approx. 7” (18 cms) long (2) 

£20-30 

472. A PAIR OF OLD SHEFFIELD PLATED TWO HANDLED WINE 

COOLERS 

of vase form on circular pedestal bases with fluted, decorative lower 

bodies, foliate scroll rims and festoons of fruiting vines around the upper 

body interspersed with satyrs’ masks, (one with collar & liner, the other 

with collar only), c.1825; 9.75” (24.6 cms) high (2) 

£800-1000 

474. A PAIR OF EARLY GEORGE III CAST CANDLESTICKS 

on polyfoil bases with wrythen fluting & knopped, baluster columns with 

beading, detachable, polyfoil nozzles, crested, by Francis Butty & Nicholas 

Dumee, London 1767; 11.8” (30 cms) high; 45 oz (2) 

£1200-1800 

471. A LATE VICTORIAN PLATED MOUNTED OAK TEA CADDY 

with a swing handle, two internal compartments, lock & key c.1900; 8.8” 


£140-180 

473. A LATE GEORGE II CASED SET OF THREE TEA CADDIES: 

One large & two smaller of oblong bombe-form with scroll feet embossed 

with floral garlands & chased around the cover & lower body with scrolls, 

husks & flowers, bird finials, each with a scratchweight & the initials “M” 

over “WS” underneath, by Daniel Smith, London 1759; the larger caddy 5” 

(12.8 cms) high; the case 10.9” (27.8 cms) long; 20.25 oz weighable silver 

£2000-2500 

475. A GEORGE III ASSEMBLED OR HARLEQUIN TEA & COFFEE 

SERVICE 

with part-fluted oval bodies & gadrooned borders comprising: coffee pot, 

tea pot, tea pot stand (inset wooden base), milk jug & sugar bowl, all 

crested to match, mixed makers & dates, London 1798-1800; the coffee 

pot 12” (30.5 cms) high; 59.8 oz weighable silver (5) 

£1400-1500 


55

476. A SMALL EARLY 18TH CENTURY NORWEGIAN BEAKER 

plain tapering with a reeded rim, the body engraved with a circular 

wreath cartouche, pricked “ICS” & “COD” & “1791” on the bowl , maker’s 

mark only, by Jorgen Jorgensen Egelsdorf, Bergen 1721-1737 

£500-700 

56 

477. BY BUCCELLATI: 

A pair of 20th century Italian trencher salts in a mid 18th century style 

with repousse work, shell & scroll bases & gilt bowls, signed “GIANMARIA 

BUCCELLATI”; 5” (13 cms) long; 8 oz (2) 

£200-300 

478. A PAIR OF GEORGE II IRISH CAST 

CANDLESTICKS 

with rococo decoration all over in relief, 

shaped circular bases & baluster columns, 

engraved crest & motto “ESSAYEZ” by John 

Letablere, Dublin c.1750 (no date letters); 

the nozzles later English replacements; 

10.5” (26.6 cms) high; 60 oz (2) 

£4000-5000 


480. A MID 18TH CENTURY DUTCH SILVER 

GILT MINIATURE OR TOY URN 

(lacking cover) by Frederick Van Strant (junior), 

Amsterdam 1740-50 (date letter worn) and a 

miniature copper & brass coffee pot; the 

former 1.3” (3.5 cms) high; 1 oz (2) 

£100-120 

483. THREE GEORGE III WINE LABELS 

A “PORT” crescent, a beaded oblong “MADEIRA” 

and a kidney-shaped “PORT”, maker’s mark only 

(or maker’s mark & lion passant), all by Thomas 

Hyde; 0.75 oz (3) 

£220-250 

479. A CONTEMPORARY CAST RACE HORSE MASK STIRRUP CUP 

realistically modelled, by Wakely & Wheeler, London 2011; 6.9” (17.8 cms) long; 42.4 oz 

£1600-1800 

481. MINIATURES/TOYS: 

A small group with a putto at an easel, import 

marked 1897, a reclining dog, Chester 1914, a 

chair 1902, a chair made of brass watch cocks, 

& a plated windmill; the dog 2.5” (6.5 cms) 

long; 2 oz weighable silver (5) 

£120-160 

484. A RARE GEORGE III MINIATURE OR TOY 

SOUP TUREEN & COVER & STAND 

with bright-cut decoration, scroll handles & a 

knop finial, by Charles Aldridge, London 1793; 

3.9” (10 cms) long; 2.5 oz (3) 

£600-800 

482. A DECORATIVE 18TH CENTURY DUTCH 

MINIATURE OR TOY URN 

with mask & scroll legs, three spigots, scroll 

handles & a pull-off cover with knop finial 

by Frederik van Strant (junior), Amsterdam 

1730-40; 2.55” (6.4 cms) high; 1.25 oz 

£300-400 

485. SIX VARIOUS ENAMELLED COPPER 

“WINE” LABELS 

(including ORANGE BITTERS) (6) 

£10-20 


57

486. A GEORGE III SMALL PROVINCIAL 

WINE LABEL 

of canted oblong form with reeded border, 

incised & filled “HOLLANDS” by an unascribed 

maker “T.N.”, Sheffield 1805; 1.3” (3.2 cms) 

wide; 0.1 oz 

£60-80 

489. A GEORGE IV SCOTTISH WINE LABEL 

oblong with ‘eye’ surmounts, inscribed 

“CLARET” by an unascribed maker “G.P.”, 

Edinburgh c.1825-30; 2.15” (5.4 cms) wide; 

0.5 oz 

£70-100 

492. A PAIR OF MODERN PORTUGUESE 

SCALLOP SHELL WINE LABELS 

“SHERRY” & “WHISKY”, stamped “W.A. 

Sarmento, Lisboa”; 2.1” (5.3 cms) long; 2.6 oz (2) 

£80-100 

495. A GEORGE III CRESCENT WINE LABEL 

with feather-edging, pierced “BROWN.PORT” by 

Hester Bateman, London c.1775 (maker’s mark 

& lion passant only); 1.55” (4 cms) wide; 0.25 oz 

£300-350 

58 

487. A 19TH CENTURY, POTTERY BIN LABEL 

part-glazed & titled “SHERRY”, unmarked; 5.6” 


£50-60 

490. A GEORGE III GADROONED OVAL 

“MADEIRA” WINE LABEL 

another George IV example, a George IV 

stamped “CLARET” label with gadroon & shell 

borders and a George III curved “PORT” label 

with bright-engraved border, by Josiah Snatt, 

London 1815; 1.5 oz (4) 

£140-160 

493. SEVEN WINE LABELS: 

A small George III “GIN” label with surmount & 

reeded border, crested, by Thomas Wallis, 

London 1808, a Scottish “GIN” label, three 

other antique labels & two modern examples; 

2 oz (7) 

£150-200 

496. AN EARLY GEORGE III ESCUTCHEON 

WINE LABEL 

with central incised title “WHITE”, flanked by 

chased scrolls on a matted reserve, unmarked, 

probably Newcastle made 1760-65; 2.2” 

(5.5 cms) wide; 0.5 oz 

£150-200 

488. A GEORGE III IRISH OBLONG WINE 

LABEL 

with an arched surmount, crested & incised 

“MADEIRA”, by James England, Dublin c.1800, 

no date letter, (retailer’s mark of “LAW”); 1.95” 

(4.9 cms) long; 0.2 oz 

£80-100 

491. A WILLIAM IV SCOTTISH WINE LABEL 

curved, with a leaf at each end, incised 

“SHERRY”, maker’s mark only, by D.C. Rait, 

Glasgow c.1835; 2.15” (5.4 cms) long; 0.3 oz 

£80-120 

494. A LATE 18TH CENTURY WINE LABEL 

in the form of a scroll with Feather-edging, 

incised “LISBON”, maker’s mark only “IA” struck 

twice, unascribed, probably Colonial 1780- 

1800; 2” (5 cms) wide; 0.2 oz 

£150-160 

497. A GEORGE III CRESCENT WINE LABEL 

with bead borders, incised “PORT”, by Susanna 

Barker, London c.1790 (no date letter); 1.75” 

(4.5 cms) wide; 0.25 oz 

£250-300 


498. A GEORGE III WINE LABEL 

of canted oblong form with a moulded border, 

incised & filled “HOCK”, maker’s mark only 

struck twice “T.I”, unascribed, probably 

Provincial 1800-1810; 2” (5 cms) long; 0.25 oz 

£100-150 

502. A GEORGE III OBLONG WINE LABEL 

with a reeded border, incised “BURGUNDY”, 

possibly by Thomas Hobbs, London c.1790 (no 

date letter); 1.7” (4.2 cms) long; 0.25 oz 

£90-120 

505. AN EARLY 19TH CENTURY 

UNASCRIBED, NAVETTE-SHAPED WINE LABEL 

with a reeded border, incised “PORT”, maker’s 

mark only “IO” (struck thrice), probably Colonial 

1800-1810; 1.7” (4.2 cms) long; 0.25 oz 

£80-120 

499. A RARE MODERN 9 CT. GOLD WINE 

LABEL 

curved & rounded oblong form, incised “PORT” 

by J & J. Lowe, Chester 1962*; 2” (5.2 cms) long; 

0.3 oz 

£250-300 

*This was the last date letter (M), struck of the 

Chester Assay Office as it closed 24th August 

1962. 

501. A RARE GEORGE III SCOTTISH CAST BACCHANALIAN “PRIZE” WINE LABEL 

with an openwork border of fruiting vines, scrolls & flowers with a satyr’s mask at the bottom & a reclining Bacchus at the top with attendant 

putto, the title area inscribed “To Mrs Rhind for excellent Gooseberry Wine from the Cal:Hort:Soc: 1814”; 3.1” ( 8 cms) wide; 1.5 oz 

£1000-1200 

*Sold with a contemporary addressed to “Mrs Rhind, Livilands, Near Stirling, North Britain” (postmarked 1808) and detailing a recipe for 

“Green Gooseberry Wine”. 

Literature See Salter, J: Wine labels 1730-2003, pp. 76, 106, 188 for details of these particular labels which were awarded by the Caledonian 

Hortocultural Society as prizes for various wines. 

503. A PAIR OF INTERESTING LATE 18TH 

CENTURY WINE LABELS 

in the form of a curved scroll with an oval 

cartouche surmount & feather-edging; one 

incised & filled “MADEIRA”, the other 

“MOUNTAIN”, both with script monogram & 

each struck twice with an indistinct mark, 

unascribed possibly Colonial/Provincial c.1780; 

2” (5 cms) wide; 0.6 oz (2) 

£300-350 

506. A GEORGE III IRISH WINE LABEL 

of canted oblong form with a moulded border, 

incised “TENERIFFE”, maker’s mark only, “JT”, 

(struck three times), probably by John 

Townsend, Dublin 1800-1820; 2” (5 cms) long; 

0.2 oz 

£150-170 

500. A GEORGE II / III ESCUTCHEON WINE 

LABEL 

plain, incised “MOUNTAIN”, struck twice with a 

maker’s mark only “WL”?, unascribed, probably 

Provincial 1755-65; 2” (5 cms) wide; 0.4 oz 

£250-300 

504. A GEORGE III IRISH WINE LABEL 

navette-shaped with a bright-cut border, 

incised “PORT”, maker’s mark “JT”, Dublin c.1795 

(no date letter); 2” (5 cms) wide; 0.2 oz 

£100-120 

507. A GEORGE IV / WILLIAM IV PROVINCIAL 

WINE LABEL 

oblong with incurved corners incised 

“MADEIRA” by George Lowe (II), Chester c.1830; 

2.25” (5.6 cms) long; 0.4 oz 

£180-220 


59

508. A GEORGE II SMALL SALVER 


border & gadrooned pad feet, initialled by 

Ebenezer Coker, London 1770; 8.2” (20.8 cms) 


£250-300 

511. A CONTINENTAL HOLY WATER STOOP 

with suspensory ring & pseudo marks, c.1900; 

7” (18 cms) long; 3.75 oz 

£200-250 

514. A SET OF SIX SMALL SOVIET TOT 

GOBLETS 

with pedestal bases, tapering bodies & gilt 

interiors; 2.9” (7.4 cms) high; 5.75 oz (6) 

£100-120 


A mid 19th century pepperette with a chased 

cylindrical body inscribed “PEPPER”, maker’s 

mark partially obscured, probably by Pittar & 

Co., Calcutta 1840-1850; 3.25” (8 cms) high; 

2.5 oz 

£70-90 

60 

509. A MODERN FRUIT TAZZA 

with a shallow circular bowl and an applied 

border of gadrooning & shell & scroll motifs, by 

G. Jackson & D. Fullerton, London 1913; 8.25” 


£150-200 

512. A RARE GEORGE III SCOTTISH 

PROVINCIAL CREAM JUG 

on a conical foot, with engraved foliate & floral 

festoons, initialled “M”, by William Scott (I), 

Dundee (WS, pot of lilies) c.1780; 4.5” 


£300-400 

515. A GEORGE III LARGE CREAM JUG 

of baluster form with a domed foot, a 

gadrooned rim and a scroll handle, the body 

partly decorated with embossed swirl fluting 

and a chased scroll cartouche, engraved with 

the crest & coronet of a Viscount by George 

Smith (II), London 1768; 7.5” (19 cms) high; 

8.5 oz 

£400-500 


A pair of condiments on shaped circular bases 

with stiff leaf decoration, one inscribed 

“PEPPER”, the other “SALT”, gilt interiors, by 

Alan &n Hayes, Calcutta 1855-64; 3.25” 

(8.1 cms) high; 7 oz (2) 

£250-300 

510. A GEORGE II SALVER 

of shaped circular outline with a shell & scroll 

border and an engraved cartouche in the 

centre, crested, by William Peaston, London 


£500-600 


A pair of modern tea spoons with enamelled 

“canary” terminals, a Victorian sugar sifter 

ladle, a Victorian Scottish spoon with lion 

sejant terminal by Mitchell & Son, Edinburgh 

1873, a napkin ring & a cigarette case with a 

horse racing-related inscription; 8.75 oz (6) 

£120-140 

516. AN OLD SHEFFIELD PLATED INKSTAND 

with a central, mounted cut-glass bottle, by 

Padley Parkins & Co., c.1800; 8.5” (21.5 cms) 

long 

£40-60 


A vase-shaped condiment with a bun-top, 

crested & inscribed “SALT”, by W.H. Twentyman, 

Calcutta c.1815; 3.75” (9.5 cms) high; 3.7 oz 

£150-180 


520. A PAIR OF GEORGE II CAST CANDLESTICKS 

on stepped hexagonal bases and knopped hexagonal columns, crested, by Thomas Tearle, London 1732; 7” (17.8 cms) high; 25.5 oz (2) 

£3500-4500 

521. A MODERN SCOTTISH PAPER KNIFE 

the openwork tendril hilt set with a faceted 

circular citrine, maker’s mark “WJF”, Edinburgh 

1935; 9.3” (23.8 cms) long; 1.5 oz 

£150-160 

522. A QUANTITY OF SILVER HANDLED 

STEEL BUTTONHOOKS & SHOE HORNS ETC. 

(approx. 50) 

£200-250 

523. A SET OF SIX GEORGE III SCOTTISH 

PROVINCIAL FIDDLE TEA SPOONS 

initialled, by James Erskine, Aberdeeen (E, 

turrets) c.1815; 3.5 oz (6) 

£200-250 


61

524. A MODERN CONTINENTAL CIGARETTE 

BOX 

oblong with a corded border, engraved & 

inscribed cover & bracket feet, the interior 

wood lined, c.1960; 9.25” (33.4 cms) long 

£80-120 

527. AN EARLY 20TH CENTURY INDIAN 

BOWL 

with a wavy rim, a domed foot with a chased 

border of stiff leaves and repousse work 

around the sides depicting native scenes with 

architecture, flowers & a vacant shield 

cartouche, 1900-1920; 10” (25.2 cms) diameter; 

25 oz 

£100-150 

530. A SET OF FOUR GEORGE III IRISH EGG 

CUPS 

with gadrooned rims, crested, no maker’s mark, 

Dublin 1807; 2.9” (7.2 cms) high; 6.3 oz (4) 

£100-150 

533. A GEORGE II / III IRISH SUGAR BOWL 

on three lion mask & paw feet with a fluted 

circular body & a scalloped rim, crested, by 

William Townsend, Dublin 1750-60 (not date 

letter); 5.25” (13.2 cms) diameter; 6.5 oz 

£150-200 

62 

525. SWEDISH 20TH CENTURY SILVER: 

A small circular plate with engraved decoration 

& inscriptions, by C.G. Hallberg, Stockholm 

1913, two small tot beakers, mixed makers & 

dates, and a travelling gaming compendium in 

the form of a short cylindrical box with a 

domed cover, containing four trays of coloured 

counters, by Gustaf A. Hultgren, Eskiltuna 1927 

(retailed by David Anderson); the box 3” (8 cms) 

high; 18 oz 

£200-250 

528. A PAIR OF 20TH CENTURY SWEDISH 

DWARF CANDLESTICKS 

on domed circular bases with short wrythen 

columns, decorated with chased & embossed 

flowers; 4.2” (10.5 cms) high; 9.6 oz (2) 

£80-120 

531. A LATE VICTORIAN SMALL 

REPRODUCTION OF A COMMONWEALTH / 

CHARLES II PORRINGER 

with chased panels of stylised flowers around 

the sides and acorns on the interior base, gilt 

interior by J. Aldwinckle & J. Slater, London 

1882; 4” (10 cms) diameter; 5 oz 

£120-150 

534. A GEORGE III IRISH MUSTARD POT 

in the form of an oval tub with a scroll handle 

& domed cover with an urn finial, crested, gilt 

interior, by James Scott, Dublin 1796 together 

with an Irish condiment spoon & four various 

Irish egg spoons; the pot 3.25” (8.2 cms) wide; 

6 oz (6) 

£100-150 

526. A MODERN GERMAN FRUIT DISH 

with swirl fluting & a turned-over rim, 

initialled, the base inscribed, c.1930; 14.5” 


£200-250 

529. AN EDWARDIAN / MODERN SALVER & 

MATCHING WAITER 

of shaped circular outline with shell & scroll 

borders & scroll feet, both engraved with a 

crest & the motto “serviendo guberno”, by 

Messrs. Barnard, London 1909/10; the salver 

10.75” (27 cms) diameter; 34 oz 

£500-700 

532. AN EDWARDIAN IRISH HELMET CREAM 

JUG 

on three lion mask & paw feet, by West & Son, 

Dublin c.1905 (date letter rubbed) and a small 

modern sauce boat, both crested to match; the 

jug 4.6” (11.5 cms) high; 10 oz (2) 

£130-150 


TURNOVER DISH 

on four legs with liner & trivet; the cover 

embossed with swags & tied ribbons, crested, 

ivory knob 1890-1900; 12.5” (31 cms) wide 

£30-50 


536. AN EDWARDIAN HOT WATER JUG 

oviform with part-fluting and a gadroon & 

shell rim, by Messrs.Barnard, London 1908; 

7.25” (18.5 cms) high; 15.75 oz 

£240-280 

539. A GEORGE III TEA POT 

with a shaped oblong outline with a ‘pricked’ upper & lower frieze & 

vacant cartouches & an oval tea pot stand to match, both by George 

Smith & Thomas Hayter, London 1798 

£400-500 

541. AN EDWARDIAN EMBOSSED ROSE BOWL 

on a domed circular, ring foot with four sinuous “briar rose” supports 

terminating in rose flower bosses on the sides of the bowl, each with a 

frieze of rose leaves in between, the whole with a hammered finish, 

hallmarked by A.E. Jones*, Birmingham 1908; 7.5” (19 cms) high; 9” 


£2000-3000 

*Made after a design by Bernard Cuzner. 

537. A GEORGE III BRIGHT-CUT OVAL TEA 

CADDY 

with an engraved upper & lower frieze around 

the body and a similar border around the cover, 

concealed hinge & a cast foliate & flower finial, 

crested, the body with an oval cartouche, 

surmounted by a tied ribbon & centred by a 

coat of arms, (lacking lock), by William Vincent, 

London 1776; 4.4” (11 cms) high; 12.25 oz 

£900-1200 

538. A GEORGE I SCOTTISH TEA POT STAND 

of fluted circular form with a scalloped rim and 

a plain collet foot, the centre engraved with a 

coat of arms within an oval scroll cartouche, 

the base with scratchweight “10-4”, by Harry 

Beathune, (assay master Edward Penman), 

Edinburgh 1718; 7.5” (19 cms) diameter; 8.75 oz 

£1000-1200 

540. A PAIR OF WILLIAM IV WINE COASTERS 

with everted, fluting rims decorated with fruiting vines, the interiors with 

concentric, circular reeding, initialled “B” in the centre, by Waterhouse, 

Hodson & Co., Sheffield 1831, (inset wooden bases); 8“ (20 cms) diameter 

(2) 

£600-900 

542. A GEORGE IV SILVERGILT PLINTH (for a cup) 

square with a matt, fielded panel on each face, a stepped top section and 

incurved corners set with cast dolphin supports on scallop shell feet, two 

opposing sides with an applied coat of arms*, and crested (twice), the 

base also incised “F&C” & “5”**, by John Bridge, London 1824, incised 

“Rundell Bridge et Rundell Aurifices Regis Londini”; 9.55” (24.4 cms) 

square; 80 oz 

£1500-2000 

*For the 6th Duke of Leeds 

** An inventory no. for the Fauconberg & Conyers Baronetcy. 


63

543. A LATE VICTORIAN SHAVING BRUSH 

tubular with a rounded button end, initialled 

“WAF”, probably by William Comyns, London 

1897 (loaded); 5.7” (14.2 cms) long 

£60-80 

546. A PAIR OF EARLY 19TH CENTURY 

AUSTRO-HUNGARIAN SCISSOR SNUFFERS 

with applied scroll decoration, engraved initials 

& coronet, maker’s mark distorted, town mark 

rubbed, probably Vienna 1837; 5.2” (13 cms) 

long; 2.5 oz 

£150-180 

549. A CASED PAIR OF MODERN GOBLETS 

with “picture” hallmarks, gilt interiors, by the 

Barker Ellis Silver Co., Birmingham 1973; 5.2” 

(13 cms) high; 14.25 oz 

£170-200 

552. AN EDWARDIAN INKSTAND 

of canted oblong form with a scroll-decorated 

border & button feet, fitted with a single 

mounted glass bottle, by Lee & Wigfull, 

Sheffield 1909; 9.5” (24 cms) long; 5 oz 


£150-200 

64 

544. A GEORGE III SNUFFER TRAY 

with a shaped, gadrooned rim and a pair of 

scissor snuffers of similar design, both 

engraved with crest & initial “J” to match, both 

London 1804, the stand by Robert & Samuel 

Hennell; the snuffers by Charles Goodwin; the 

stand 9.5” (24 cms) long; 8 oz (2) 

£400-500 

547. A TURKISH OVAL TRAY 

with an embossed floral rim, probably early 

20th century; 16” (41 cms) long; 19.5 oz 

£350-400 


TORTOISESHELL & LEATHER STATIONERY BOX 

with a curved, hinged front, & internal 

divisions, monogrammed, by William Comyns, 


£300-400 

553. A CONTINENTAL EMBOSSED OBLONG 

PLAQUE 

with figures & mythical beasts in a landscape, 

unmarked, probably late 17th / early 18th 

century; 13” (33 cms) long; 5 oz 

£200-220 

545. TWO TAPER STICKS: 

a late Victorian example on a square base with 

incurved corners by Hawkesworth, Eyre & Co., 

London 1895 and another by Grey & Co., 

Birmingham 1903, (both loaded); the latter 5.1” 

(13 cms) high (2) 

£140-160 

548. AN EARLY 19TH CENTURY TWO 

HANDLED BOWL 

circular with part-fluting, & a reeded rim, 

maker’s mark only, unascribed, Continental 

c.1800; 5.25” (13 cms) diameter; 8.5 oz 

£220-250 

551. A MODERN THREE PIECE CIRCULAR 

TEA SET 

with circular pedestal bases & bifurcated loop 

handles, each terminating in trefoil motifs 

where they meet the body, by Pearce & Sons 

Ltd., London 1915; the pot 5.7” (14.5 cms) high; 

35 oz (3) 

£450-550 

554. AN EARLY 19TH CENTURY DUTCH 

CREAM JUG 

on a square pedestal foot with bead borders, a 

loop handle & a part-fluted body, gilt interior, 

probably by Rudolf Sondag, Rotterdam 1801; 

6.9” (17.5 cms) high; 7 oz 

£300-350 


555. A LATE VICTORIAN INKWELL 

of campana form embossed & chased with 

floral designs & arched panels, by J Grinsell & 

Sons, London 1894 (inset glass liner); 4.2” 

(10.5 cms) diameter 

£100-150 

558. A VICTORIAN CIRCULAR SALVER 

with an engraved centre and a pierced border 

with a braided rim, pierced bracket feet, 

initialled, by Joseph & Edward Bradbury, 


£500-600 

561. A CASED MODERN SALVER 

etched with an architectural scene by J. Gloster, 

Birmingham 1973, a small circular waiter or 

stand with a gadrooned border by Pearce & 

Sons, Sheffield 1915, and a small salver with a 

moulded border, engraved armorial by Mappin 

& Webb, Sheffield 1959, cased; the latter 8” 

(20 cms) diameter; 25.75 oz (3) 

£350-400 

564. A WILLIAM IV PLAIN CIRCULAR TEA 

POT 

with ornate feet, a c-scroll handle & a flower 

finial, initialled, by Richard Pearce & George 

Burrows, London 1836; 5.5” (14. cms) high; 

17.5 oz 

£240-280 

556. A GEORGE IV SMALL OBLONG PLAQUE 

decorated in relief with lovers in a garden 

setting, possibly Joseph Widdowson, London 

1828; 4.25” (11 cms) long; 2.5 oz 

£250-300 

559. AN EARLY 20TH CENTURY GERMAN 

MOUNTED CUT GLASS CLARET JUG 

with an angular handle & ball finial, inscribed, 

c.1910; 10.25” (26 cms) high 

£220-250 

562. AN ELECTROPLATED WARMING STAND 

on four feet fitted with two small oblong 

entree dishes & covers, with decorative borders 

by the Alexander Clark Manufacturing Co.; 

15.25” (39 cms) long 

£150-200 

565. A 19TH CENTURY SALVER 

on three feet with an embossed border and 

engraving around the centre, unmarked, 

possibly Portuguese 1830-50; 9.7” (24.5 cms) 


£250-300 

557. A LATE VICTORIAN CAPSTAN INKWELL 

with a brim foot & hinged cover, crested, by J. 

Grinsell & Sons, London 1895 (inset glass liner); 

6.2” (15.5 cms) diameter; 8 oz weighable silver 

£150-200 

560. A PAIR OF LATE VICTORIAN DWARF 

CANDLESTICKS 

with gadrooned & stepped square bases & 

Corinthian columns, detachable nozzles, by W. 

Gibson & J. Langman, Sheffield 1896 (loaded); 

5.6” (14.2 cms) high (2) 

£200-300 

563. THREE MODERN “LIMITED EDITION” 

MUGS 

commemorating the 1900th anniversary of the 

founding of Cirencester (AD75-1975), each 

inscribed “CORINIUM 75-1975”, gilt interiors, 

numbered “9”, “60” & “61”, each in a fitted case 

with certificate and a related booklet, by the 

Barker Ellis Silver Co., Birmingham 1975; each 

3” (7.5 cms) high; 17.5 oz (3) 

£240-280 

566. A MODERN CREAM PAIL 

with wirework sides, decorated with applied 

festoons & medallions, swing handle & blue 

glass liner, by Hunt & Roskell Ltd., London 

1915; 2.75” (7 cms) high; 3.5 oz weighable silver 

£200-300 


65

567. AN EDWARDIAN SALVER 

shaped circular with a shell & scroll border & 

ball & claw feet, and a matching waiter, both 

by R. Martin & E. Hall, Sheffield 1904 and 1901 

respectively; the salver 9.5” (24 cms) diameter; 

20.6 oz (2) 

£200-300 

570. TWO SIMILAR PAIRS OF LATE 

VICTORIAN CANDLESTICKS 

on navette-shaped bases with fluting, tapering 

columns & detachable nozzles; one pair by E. 

Hutton, London 1891, the other pair of 

Hawkesworth, Eyre & Co., Sheffield 1898, 


£300-400 


CONTINENTAL TEA CADDY 

of rounded oblong form with gadrooned 

borders, embossed all over in relief with putti 

hunting boar with dogs in wooded landscapes, 

English import marks for London 1900; 3.5” 

(9 cms) high; 5.5 oz 

£140-180 

576. BY GEORG JENSEN: 

A Danish post war sugar caster, oviform on a 

stepped circular base & a bayonet fitting cover 

with a reeded bud finial, with English import 

marks for London 1949; 6” (15.3 cms) high; 

6.75 oz 

£300-400 

66 

568. A MODERN SMALL “MONTEITH” STYLE 

ROSE BOWL 

inscribed “The Weston Hunt Cup....” by J & W 

Deakin, Sheffield 1919 (wooden plynth); 7.5” 


£300-400 


A mother of pearl & polished steel sewing set 

in a fitted case, an ivory & polished steel 

sewing set in a leather roll, a pair of plated 

buckles, a 19th century Dutch peppermint box 

with chain (and later interior with thimble) and 

six pairs of steel sewing scissors; the Dutch box 

1.4” (3.5 cms) high (lot) 

£70-100 

574. A VICTORIAN SCOTTISH THREE PIECE 

TEA SERVICE 

with baluster, octagonal bodies, engraved 

decoration and applied scroll borders around 

the rims, angular handles & ornate feet, by 

Mackay & Chisholm, Edinburgh 1848; the pot 

8” (20.2 cms) high; 47 oz (4) 

£800-1000 


A late Victorian bonbon basket, a bonbon dish 

by Mappin & Webb, two cigarette cases, an 

Indian mug, inscribed, a Victorian vinaigrette by 

R. Thornton, Birmingham 1872, and a modern 

tea caddy with a matching caddy spoon clipped 

inside the cover, by George Unite, Birmingham 

1922; the caddy 3.25” (8.4 cms) high; 25.75 oz 

£300-350 

569. A SET OF WILLIAM IV EMBOSSED 

SALTS 

with shaped circular rims and lobed hexagonal 

bases, maker’s mark “CE” (script), London 1834 

and four Victorian King’s pattern salt spoons, 

crested, by G. Adams, London 1878; the salts 


£100-200 

572. AN EARLY PERIOD OLD SHEFFIELD 

PLATED TEA CADDY 

of shaped oval outline with a low-domed cover 

& a swing finial, the body decorated to 

simulate bright-cutting between an upper & 

lower bead border, initialled c.1775; 5.5” 

(14 cms) wide 

£150-200 

575. A LATE VICTORIAN TEA CADDY 

of square section with embossed decoration & 

a pull-off cover with a wrythen finial, vacant 

cartouches, by William Comyns, London 1899; 

4.75” (12 cms) high; 2.75 oz 

£80-120 

578. BY A.E. JONES: 

A small modern coffee pot with a domed cover 

and a circular foot, Birmingham 1918; 6.7” 


£180-220 


579. A RARE, HISTORICAL,* IRAQI NIELLOWORK & ENAMELLED MOSQUE 

CANDLESTICK 

in the form of a shallow circular cup with a scroll handle, the interior with a 

minaret-shaped “pricket” flanked by engraving & polychrome enamelled floral 

sprays, a signature, two crossed Iraqi flags & a Royal crown, the sides nielloed with a 

frieze of oval reserves separated by a floral ground & depicting scenes of 

architecture & the river Tigris, an equestrian figure, an inscription and a portrait of 

King Faisal I, the base engraved with a six-petalled flowerhead & inscribed “WINNER 

GOLD MEDAL IRAQ - BAGHDAD EXHIBITION 1922”; 5.5” (14 cms) diameter; 12.25 oz 

£1200-1600 

*Historical as this area of the Middle East was known as Mesopotamia up until 1922, 

when the modern state of Iraq became established. 

Note the rather Western style portrait of King Faisal I. 


67

580. A GEORGE III SCOTTISH GOBLET 

on a reeded, pedestal foot, gilt interior, crested, 

by Mitchell & Russell (of Glasgow), hallmarked 

Edinburgh 1817; 6” (15.1 cms) high; 7 oz 

£200-300 

583. A PAIR OF SMALL MODERN 

CANDLESTICKS 

with reeded tapering columns and shaped oval 

bases, the capitals with detachable nozzles, by 

Hawkesworth, Eyre & Co., Sheffield 1911 


£100-150 

586. A VICTORIAN ELECTROPLATED TEA & 


with baluster bodies, decorated with vertical 

fluting and chased strapwork, by T. Bradbury & 

Sons c.1850 (contained in a fitted oak case); 

the case 16” (41 cms) long 

£100-150 

589. A VICTORIAN TAPERING BEAKER 

engraved with foliage & finches, initialled, by 

J. Wakely & F.C. Wheeler, London 1890; 3.75” 

(9.5 cms) high; 3.5 oz 

£100-120 

68 


A George II sugar caster of vase form with a 

knop finial, by Charles Alchorne, London 1736, 

a cased pair of vase-shaped pepperettes by J. 

Wakely & F.C. Wheeler, London 1908 (loaded), 

an American cylindrical tea caddy with 

embossed decoration, by the Whiting 

Manufacturing Co. c.1900, a plated cruet base 

& a plated sugar vase (green glass liner); the 

caster 6.7” (17 cms) high; 10.7 oz weighable 

silver (lot) 

£150-200 

584. AN OLD SHEFFIELD PLATED INKSTAND 

of rounded oblong form with a gadrooned 

border & ball feet, c.1815; 9” (23 cms) long 

£80-100 


A cigarette case with gold inlay, a smaller 

cigarette case inscribed “Judy”, a mounted 

comb, a George III “SHERRY” wine label, a chain 

mesh purse, two Naval pin dishes, an antique 

caddy spoon & a plated “GIN” wine label; 16 oz 

weighable silver (lot) 

£50-80 

590. A 20TH CENTURY CONTINENTAL THREE 

PIECE COFFEE SET 

of baluster form with wrythen fluting & pad 

feet, the pot with a bird finial; 6.7” (17 cms) 

high; 22.5 oz (3) 

£250-300 

582. A GEORGE III TWO HANDLED CUP 

with embossed decoration & a pedestal foot by 

Peter & William Bateman, London 1805; 6” 

(15.2 cms) high; 11.25 oz 

£150-200 

585. A VICTORIAN MOUNTED STEEL BOOT 

HOOK 

with a large handle in the form of a claw 

grasping a ball, initialled, by Charles Boyton, 

London 1889 and a pair of Edwardian glove 

stretchers, by William Comyns, London 1905; 

the hook 12.75” (32.2 cms) long; 2.8 oz 


£120-150 

588. A 20TH CENTURY CONTINENTAL 

COFFEE SET COMPRISING: 

coffee pot, milk jug, sugar bowl & sugar caster 

with fluted baluster bodies decorated with 

chased vignettes, resting on four feet each 

inscribed “Maggi” on the base, probably 

Scandinavian; the pot 8.4” (21.2 cms) high; 

29.5 oz (4) 

£250-300 

591. A MODERN CYLINDRICAL, MOUNTED 

CIGARETTE DISPENSER 

with engine-turning, by J. Gloster Ltd., 

Birmingham 1938 and a small engine-turned 

cigarette case by H.C. Davis, Birmingham 1954; 

the former 4.75” (12 cms) high; 1.3 oz 


£80-120 


592. A LATER-DECORATED IRISH JUG 

with an ivory-insulated scroll handle, maker’s mark worn, Dublin 1805; 

9.5” (24.3 cms) high; 25 oz 

£300-500 

594. TWO LARGE INKWELLS WITH TIMEPIECES 

one in the form of a domed circular capstan by A & J Zimmerman, 

Birmingham 1907; the other of mounted glass, cuboid & with a calendar 

frame on the front, monogrammed, by A. Barrett & Sons, Chester 1911; 

the latter 4.5” (11.4 cms) high (2) 

£1000-1200 

596. AN EARLY 18TH CENTURY SMALL NORWEGIAN BEAKER 

on three ball feet with a tapering body & everting rim, the sides engraved 

with two floral roundels & a wreath cartouche, maker’s mark only, by 

Jorgen Jorgensen Egelsdorf, Bergen 1721-1737; 2.9” (7.2 cms) high; 2.5 oz 

£800-900 

593. A 20TH CENTURY CHINESE OBLONG CIGARETTE BOX 

decorated on the cover & around the sides with dragons in high relief, on 

a lightly hammered ground, vacant oval cartouche, wood linied, maker’s 

mark “PAOSING” & character mark also, 1st half of 20th century; 6.7” 

(17 cms) long 

£600-800 

595. BY KARL FABERGE: 

A late 19th / early 20th century Russian, lemon tea glass holder with a 

loop handle, and an engraved cartouche flanked by floral sprays, the 

centre, later applied with a gem set, Imperial Eagle emblem (over existing 

initials), Moscow 1896-1908; 2.8” (7.2 cms) high (to top of handle); 

2.35 oz 

£500-600 

597. AN 18TH CENTURY GOLD MOUNTED CLEAR GLASS SCENT BOTTLE 

with a faceted, pear-shaped body and chased mounts, the stopper 

secured by a chain, unmarked, probably Indian/Persian mid 18th century; 

4.6” (11.6 cms) high 

£1200-1500 


69

598. A GEORGE II WAITER 

shaped circular with a husk & foliate scroll 

border, crested & initialled “Q” over “TD” on the 

reverse, by Gabriel Sleath, London 1745; 6.6” 


£180-220 

601. A MODERN SCANDINAVIAN DWARF 

CANDELABRUM 

triform with blue enamelled decoration around 

each capital, maker’s mark of “KELTUM”; 8.2” 


£250-300 

604. TWO EARLY 19TH CENTURY 

CONTINENTAL SMALL CANDLESTICKS 

on chased oval bases with fluted tapering 

columns & vase-shaped capitals, maker’s mark 

& a town mark only, indistinct, possibly Italian 

(loaded); the shorter one 7.25” (18.5 cms) high 

(2) 

£400-500 

607. A GEORGE III SMALL OVAL TEA POT 

STAND 

with ‘pricked’ engraving, initialled, by D. 

Urquhart & N. Hart, London 1800; 6” (15 cms) 

long; 4 oz 

£100-150 

70 


A pair of modern candlesticks, a pair of small 

late Victorian planters by William Comyns, 

London 1894, a pair of Edwardian dwarf 

candlesticks, and a four piece engine-turned 

dressing table set; 4.5 oz weighable silver (10) 

£200-300 


A George II mug with later-engraved 

decoration, three various photograph frames, 

two cream jugs, three bonbon dishes, a menu 

card holder & a dressing table box; the mug 

3.9” (10 cms) high; 14.2 oz weighable silver (11) 

£250-300 

605. A VICTORIAN AESTHETIC JUG 

of tapering oval form with a simulated bamboo 

handle, the body engraved with cranes in a 

marsh flanked by bamboo, gilt interior, by 

Frederick Elkington, Birmingham 1883; 8.4” 

(21.4 cms) high; 16.25 oz 

£600-700 

608. A GEORGE III BRIGHT-ENGRAVED 

SUGAR BASKET 

with a swing handle, shaped, reeded borders & 

a gilt interior, by Henry Chawner, London 1787; 

5.2” (13 cms) long; 5.25 oz 

£300-350 

600. A GEORGE III BRIGHT-ENGRAVED TEA 

POT STAND 

navette-shaped with a reeded border, initialled, 

by Cornelius Bland, London 1788; 7” (18 cms) 

long; 4.75 oz 

£200-250 

603. A GEORGE IV FLUTED CIRCULAR 

CHAMBERSTICK 

engraved with an Earl’s crest & coronet, lacking 

nozzle & snuffer, by Robert Garrard, London 


£400-500 


A small Indian octagonal box & cover with 

chased decoration, maker’s mark “DAC”, a 

Middle Eastern vase with chased decoration 

and a pair of 19th century Dutch mounted 

wooden wine coasters of shallow circular form; 

the latter 4.25” (11 cms) diameter; 10.25 oz 


£120-150 

609. A GEORGE III SMALL OVAL TEA POT 

STAND 

with ‘pricked’ engraving, crested, by D. 

Urquhart & N. Hart, London 1800; 5.6” (14 cms) 

long; 3.7 oz 

£150-200 



JAPANESE TEA KETTLE 

with a dragon-mask spout, embossed all over 

with a dragon amongst clouds in high relief, 

pull-off cover & flower finial, struck only with a 

French duty mark, c.1900; 7.2” (18.2 cms) long 

overall; 15 oz 

£250-300 

613. A MODERN OBLONG GALLERY 

INKSTAND 

fitted with two mounted square glass ink 

bottles, a central timepiece in a swivel mount, 

and a central, dual compartment stamp box, 

bracket feet, by Mappin & Webb, Birmingham 

1928; 11.3” (28.8 cms) long; 21.25 oz weighable 

silver 

£300-400 

616. A GEORGE III LARGE CIRCULAR SALVER 

with a bead border, fluted bracket feet and an 

engraved, shield coat of arms in the centre, by 

Daniel Smith & Robert Sharp, London 1780; 14” 


£700-900 


UNASCRIBED MUG 

of tapering cylindrical form with an s-scroll 

handle, initialled, maker’s mark “LS” in a 

pelleted lozenge (thrice) and another indistinct 

mark, probably colonial c.1800; 3.4” (8.5 cms) 

high; 5 oz 

£300-400 

614. AN EARLY 20TH CENTURY GERMAN 

FOUR PIECE TEA & COFFEE SERVICE 

the lobed & fluted bodies with a hammered 

finish below friezes of stylised, trailing flowers, 

maker’s mark of “F J Schroder”; the coffee pot 

9.75” (24.8 cms) high; 59 oz (4) 

£400-600 

617. A PAIR OF LATE VICTORIAN 

CANDLESTICKS 

in the Neo-classical style on canted square 

bases with tapering columns, urn-shaped 

capitals & bead borders, the whole decorated 

with urns, ram’s masks, tied ribbons & festoons 

in relief, detachable nozzles, by R. Martin & E. 

Hall, Sheffield 1896/97 (loaded); 11.75” (30 cms) 

high (2) 

£400-600 

612. A LARGE EDWARDIAN, MOUNTED 

MAGNIFYING GLASS 

with an open scrollwork handle and a circular 

lens, by the Goldsmiths & Silversmiths Co. Ltd., 

London 1903; 10.65” (27 cms) long 

£200-250 

615. A PAIR OF VICTORIAN LARGE WINE 

COASTERS 

with shaped, scroll pierced sides and applied 

shell & scroll rims, the centres with engraved 

decoration, inset wooden bases, initialled “IM”, 

by Joseph Angell, London 1849; 5.75” 

(14.5 cms) diameter (2) 

£700-900 

618. A PAIR OF GEORGE III SMALL 

CIRCULAR SALVERS 

with reeded rims, pricked & engraved borders & 

a central coat of arms, by T. Hannam & John 

Crouch, London 1797; 8.2” (20.5 cms) diameter; 

27.5 oz (2) 

£600-800 


71

619. PLATED WARE 

A square salver with a gadrooned border & 

shell corners, two ornate circular salvers, a 

circular salver with a pierced border, and an Old 

Sheffield swing handled circular basket, c.1825; 

the latter 11” (28 cms) diameter (5) 

£60-80 

622. A VICTORIAN CHAMBERSTICK 

with a shaped, gadrooned border, a detachable 

nozzle & conical snuffer, by J & N. Creswick, 

Sheffield 1857; 6” (15 cms) diameter; 8.4 oz 

£300-400 

625. A VICTORIAN TAPERING HOT WATER 

JUG 

with an engraved body, c-shaped handle & 

low-domed cover, maker’s mark “CB” over “EP”, 

Sheffield 1881; 8.5” (21.5 cms) high; 17 oz 

£150-200 

628. A PAIR OF LATE PERIOD OLD SHEFFIELD 

PLATED WINE COASTERS 

with everting rims & a border of trailing leaves 

& flowers, wooden bases, initialled, c.1845; 

7.45” (18.5 cms) diameter (2) 

£70-90 

72 

620. AN ELECTROPLATED CIRCULAR SOUP 

TUREEN & COVER 

on a gadrooned, pedestal foot with twin 

handles & gadroon & shell borders, 20th 

century; 9.25” (23.5 cms) diameter 

£70-90 

623. A VICTORIAN MELON FLUTED 

MUSTARD POT 

with scroll engraving, a scroll handle & a fruit 

finial (blue glass liner), by Yapp & Woodward, 

Birmingham 1847; 3.3” (8.4 cms) high; 3.75 oz 


£200-250 

626. A VICTORIAN EMBOSSED “CASTLE TOP” 

BONBON DISH 

of shaped circular outline with a swing handle, 

on everting rim with fruit & flowers and a view 

of St. Paul’s Cathedral in the centre in high 

relief, by Yapp & Woodward, Birmingham 1847; 

6.75” (17 cms) diameter; 4.7 oz 

£600-800 

629. A GEORGE IV MELON FLUTED TEA POT 

of squat circular form with embossed 

decoration, engraved coat of arms by Joseph 

Angell, London 1828 together with a cream jug 

& sugar bowl of a very similar design, (one 

crested, one with coat of arms) by John & 

Joseph Angell, London 1831/34; the tea pot 

5.75” (14.5 cms) high; 46.8 oz (3) 

£1000-1200 

621. A LARGE OLD SHEFFIELD PLATED MEAT 

DISH 

of shaped oval outline with a gadrooned border 

together with a plated three piece carving set 

and an Old Sheffield plated fish slice; the dish 

20” (50.5 cms) long (5) 

£60-80 

624. AN EDWARDIAN SMALL PETAL-SHAPED 

DISH 

on four feet, by Barraclough & Sons, Sheffield 

1904; 7.25” (18.5 cms) diameter; 10.25 oz 

£80-100 

627. A GEORGE III BALUSTER SUGAR 

CASTER 

with a wrythen finial, crested, maker’s mark 

mis-struck, “R.R”?, London 1765; 6.75” 


£200-250 

630. A GEORGE III SINGLE WINE COASTER 

with a gadrooned rim & part-fluted sides, inset 

wooden base with boss, initialled, maker’s mark 

“RG”, Sheffield 1817 and a George III provincial, 

two handled cup, inscribed, by Thomas Watson, 

Newcastle c.1800 (no date letter); 6.8” 


£200-250 


631. A GEORGE II KETTLE ON STAND 

with burner & swing handle, the bullet shaped body flat-chased with a mantle of rocaille ornamentation, husks, skells, floral motifs & scrolls on a partmatted 

ground, engraved on one side with a coat of arms, the stand with leaf capped, scroll legs and shell feet, with tied ribbons & floral garlands in 

between, the kettle & stand with scratchweights “42-12”, “19-15” & “67-13”, by George Wickes, London 1737; 13.4” (34 cms) high; 66.9 oz 

£3000-4000 


73

OBJECTS OF VERTU 

632. A 19TH CENTURY RUSSIAN SNUFF BOX 

of rounded oblong form with engraving & a 

gold thumbpiece, date mark rubbed, Moscow 

1830-50; 2.8” (7 cms) long; 2.7 oz 

£90-100 

635. TWO 19TH CENTURY TORTOISESHELL 

CARD CASES 

a paper knife with a lens terminal and an ivory 

paperknife/bookmark with mixed metal 

terminal; the latter 7.2” (18 cms) long (4) 

£70-100 

638. A GEORGE III SCOTTISH ICE-SKATING 

MEDAL 

engraved with a putto on one side holding a 

ribbon inscribed “OCIOR EURO”, the reverse 

inscribed “Edinburgh Skating Club, Patrick S. Keir 

Esq., 26th Jan 1814”, maker’s mark “JM”, 

Edinburgh 1814 with ribbon loop; 1.55” (4 cms) 


£300-350 

641. A LATE 18TH CENTURY MOUNTED & 

HIDE-COVERED SNUFF BOX 

cylindrical with engraved mounts, initialled, 

c.1790 and a plated mounted timepiece with 

enamelled decoration; the former 3.6” (9 cms) 

long (2) 

£120-150 

74 

633. AN UNUSUAL, EARLY 20TH CENTURY 

AMERICAN STAMP BOX 

of bevelled oblong form with bead borders, & 

four internal compartments, the hinged cover 

inset with four printed, glazed pottery tablets 

each imitating a British stamp of the period, by 

Hamilton & Diesinger, Philadelphia, PA. c.1905; 

4.75” (12 cms) long; 5.8 oz gross 

£400-500 

636. AN INGOT 

1.7” (4.2 cms) long; 2.25 oz 

£150-200 

639. A 19TH CENTURY SWEDISH PLAIN 

CIRCULAR BOX & COVER 

engraved with a crest & the initials “HTL”, gilt 

interior, by William Lyon, Goteborg 1841; 3” 


£150-200 

642. A LATE VICTORIAN DUAL 

COMPARTMENT STAMP BOX 

on ball feet by Levi & Salaman, Birmingham 

1900 and a Britannia Standard circular box & 

cover, commemorating the Coronation of King 

George VI & Queen Elizabeth, by Dod & Son, 

London 1936; 3” (8 cms) diameter; 4.5 oz 


£100-120 

634. A GEORGE III SNUFF BOX 

of rounded oblong form engraved on the cover 

& base with character symbols around a vacant 

oblong cartouche, the sides with pricked Greek 

key borders, gilt interior, by Samuel Pemberton, 

Birmingham 1805; 3.5” (9 cms) long; 3 oz 

£300-350 


A decorative Continental harp-shaped box, gilt 

interior & import marks for 1904, a folding 

fruit knife & a cheroot holder case; the box 5.1” 

(13 cms) long; 4.4 oz weighable silver (3) 

£80-120 

640. AN EARLY VICTORIAN “QUOITS” MEDAL 

with a chased border & suspensory ring, 

engraved on one side with a gentleman 

throwing a quoit and inscribed on the other 

“Dalton Quoiting Club Rink medal” unmarked 

1840-50; 1.8” (4.5 cms) diameter; 0.5 oz 

£180-200 

643. A MODERN ENGRAVED STAMP 

“ENVELOPE” WITH SUSPENSORY RING 

maker’s mark “A.EJ”?, Chester 1910 and another 

modern continental example, each one approx. 

1.1” (2.8 cms) long; 0.2 oz (2) 

£40-60 


644. A VICTORIAN VESTA CASE 

of rounded oblong form engraved on the front 

with two small girls sitting on a fence wearing 

bonnets (after Kate Greenaway) by Sampson 

Mordan, London 1882; 2” (5 cms) high; 0.5 oz 

£80-120 

647. A VICTORIAN MOUNTED RUBY GLASS 

SCENT BOTTLE & VINAIGRETTE COMBINED 

oblong with engraved decoration, by F. 

Marsden, Birmingham 1872; 3.8” (9.6 cms) long 

£200-250 

650. A SMALL GEORGE II SNUFF BOX 

cartouche-shaped, the cover set with a panel of 

brown hardstone, the base initialled, gilt 

interior, unmarked c.1750; 2.1” (5.2 cms) long; 

1.2 oz gross 

£100-150 

653. AUSTRALIAN INTEREST: 

An early 20th century novelty paperknife in the 

form of a small boomerang, inscribed “Many 

Happy Returns, 10th June 1920 from Bert & Ve” 

by Drummonds of Melbourne c.1920; 5.2” 

(13 cms) long; 0.75 oz 

£80-120 

645. A VICTORIAN PARCELGILT SCENT 

BOTTLE 

of hexagonal form with bright engraved 

finches, butterflies & flowers, glass liner & 

stopper, by Sampson Mordan, London 1884; 

2.25” (5.7 cms) high 

£150-200 

648. A PAIR OF LATE VICTORIAN CAST 

SILVERGILT NOVELTY PEPPERETTES 

realistically modelled as poppy seed heads with 

short stalks, pull-out tops, by William Hutton & 

Sons Ltd., Sheffield 1897; 3.45” (8.5 cms) long; 

4 oz (2) 

£600-800 

651. A SET OF FOUR EARLY 20TH CENTURY 

NORWEGIAN SILVERGILT & COLOURED 

ENAMEL SALTS 

of squat circular form with four spoons (and 

two glass liners) by Marius Hammer and 

another small enamelled salt dish; all approx. 

1.5” (4 cms) diameter; 5.75 oz weighable silver 

(11) 

£80-100 

654. AN EDWARDIAN VESTA CASE 

of rounded square outline, stamped on the 

cover with a golfer taking a swing at a ball, by 

H. Matthews, Birmingham 1907; 1.75” (4.4 cms) 

high; 1 oz 

£70-90 

646. AN EDWARDIAN PLAIN OBLONG VESTA 

BOX 

with a ribbed strip on the base, gilt interior, 

maker’s mark “T&S”, Chester 1906; 2.3” (6 cms) 

long; 1.8 oz 

£100-120 

649. A VICTORIAN MOUNTED CLEAR GLASS 

SCENT BOTTLE & VINAIGRETTE COMBINED 

oblong with engraved decoration, inscribed 

“Mary”, by S. Mordan & Co., London 1873; 3.75” 


£300-350 

652. A 19TH CENTURY INDIAN OBLONG BOX 

set with verre eglomise panels over a green foil 

ground, unmarked; 2.75” (7 cms) long 

£80-100 

655. A 19TH CENTURY GOLD-MOUNTED 

IVORY TOOTHPICK 

telescopic with a slide button, unmarked; 2.4” 

(6 cms) long closed 

£50-70 


75

76 

656. A RARE EARLY 18TH CENTURY YELLOW SILK PIN CUSHION 

embroidered in silver bullion with flowers, an amatory motif on one side & a cypher below a crown on the other, each corner with a tassel, 

with stand & glass dome; the cushion 4” (10 cms) long 

£400-600 

*Sold with a trade card of Cummins & Co, Drapers of 72 Cheapside, inscribed in ink “a pincushion of Queen Ann’s - The gift of Mrs Sowerby” 

657. A VICTORIAN SILVERGILT “CASTLETOP” 

CARD CASE 

of shaped oblong outline with a view of 

Osborne House in relief flanked by embossed 

floral scrolls, maker’s mark “CWSD”, 

Birmingham 1854; 4” (10 cms) high; 2 oz 

£1000-1200 

660. AN EARLY 19TH CENTURY LARGE 

OBLONG NUTMEG GRATER 

with a hinged cover & base and borders of 

bright-cutting & pricked work, tinned steel 

grater, unmarked, probably Colonial/Provincial 

1800-1810; 2.5” (6.5 cms) long; 3.6 oz 

£500-600 

663. A MODERN ENGINE-TURNED 

CIGARETTE CASE 

set with a multicoloured paste clip, (in a case); 

3.1” (8 cms) long; 4 oz 

£200-250 

658. A MID 19TH CENTURY GOLD MOUNTED 

CHALCEDONY WRITING SET 

in a fitted case comprising seal with bloodstone 

matrix, a penknife with a steel blade, a dip pen 

(A/F), and a paperknife with a silvergilt blade, 

unmarked, 1840-60; the case 9.3” (23.8 cms) 

long 

£2000-2500 

661. A LATE 19TH CENTURY GILT-METAL 

MOUNTED MOSS-AGATE CASKET 

on ball feet; 6.1” (15.5 cms) long 

£100-150 

664. AN EDWARDIAN CASED PAIR OF MENU 

CARD HOLDERS 

in the form of Royal Naval Crowns, on canted 

oblong bases, maker’s mark “JWB”, Birmingham 

1909; 0.8” (2.2 cms) high; 1.3 oz 

£200-250 

659. A LATE 19TH CENTURY GILT METAL 

MOUNTED JEWEL CASKET 

with domed, coloured glass parcels decorated 

with enamel beading, lined interior; 6” (15 cms) 

long 

£80-100 

662. A LATE 19TH CENTURY FRENCH VESTA 

CASE AND TAPER-HOLDER COMBINED 

in the form of a horseshoe with part-engineturned 

decoration, crested, maker’s mark “GC”, 

c.1870; 2.2” (5.5 cms) long; 1.9 oz 

£300-400 

665. A LATE 19TH CENTURY AMERICAN 

DECORATIVE BUTTER KNIFE 

with a bright-engraved blade, initialled “A”, by 

Gorham & Co., c.1900 and an American calling 

card case in original fitted box; the knife 7.75” 

(19.6 cms) long; 3.3 oz (2) 

£140-160 


666. A LATE VICTORIAN BRASS VESTA CASE 

in the form of an eagle’s head, with coloured 

glass eyes, c.1900; 2.55” (6.6 cms) long 

£150-170 


PEPPERMINT BOX 

in the form of a pail, the hinged cover 

embossed with fruit, maker’s mark “SK”?, 

Schoonhoven 1840; 1.8” (4.6 cms) high; 0.75 oz 

£40-60 

672. ANCIENT DRUIDS: 

An early Victorian parcelgilt medallion with an 

acorn & oak leaf border, suspensory loop and a 

druid in relief playing a small harp, the reverse 

inscribed “Royal Victoria Lodge of Ancient 

Druids, held at the King’s Head Inn, Cambridge, 

presented to James Hunt P.A. of Lodge 16th Jan 

1843”, unmarked c.1843; 4” (10 cms) high; 3 oz 

gross 

£200-250 

675. A VICTORIAN ENGRAVED CARD CASE 

of shaped oblong outline, vacant cartouche, in 

original fitted case, by Nathaniel Mills, 

Birmingham 1847; 4” (10 cms) high; 2 oz 

£100-120 

667. A LATE VICTORIAN PLATED VESTA CASE 

in the form of a tortoise, suspensory ring 

c.1900; 2” (5 cms) long 

£70-90 

670. A RARE, EARLY VICTORIAN MINIATURE 

TEA POT 

Chinese style with a cuboid body, each panel 

with prunus & other floral decoration in relief, 

hinged cover & a spout plug, secured by a 

chain, by Joseph Wilmore, Birmingham 1838; 

1.5” (4 cms) high; 1 oz 

£600-800 

673. TWO VICTORIAN PLATED SKIRT LIFTERS 

the larger one 3.5” (9 cms) long (2) 

£60-70 

676. A GEORGE III SMALL ENGRAVED 

VINAIGRETTE 

resembling a pocket watch with swivel ring, gilt 

interior, partly marked, probably by John Linnit, 

London c.1800; 1” (2.5 cms) diameter; 0.2 oz 

£80-120 

668. A LATE VICTORIAN VESTA CASE 

in the form of a mounted copper cartwheel 2d 

piece, by Horton & Allday, Birmingham 1900; 

1.85” (4.7 cms) diameter 

£240-260 


JAPANESE COPPER VESTA CASE 

in the form of a mythical beast cradling a baby 

bird, c.1900; 2.5” (6.2 cms) long 

£100-150 

674. A MODERN AMERICAN 

“REPRODUCTION” SNUFFBOX 

by Francis Richardson Phila. 1718-1729 - 

original in Pennsylvania Art Museum”, oval 

with a lift-off cover, engraved with a Tudor 

rose, by J.E. Caldwell & Co., Philidelphia; 2.8” 

(7.2 cms) long; 2.5 oz 

£90-120 

677. A GEORGE IV ENGRAVED SNUFF BOX 

of rounded oblong form, gilt interior, by Clark & 

Smith, Birmingham 1825 and a small Victorian 

silvergilt vinaigrette with suspensory ring, by 

Francis Clarke, Birmingham 1838; the latter 1” 

(2.5 cms) long; 1.5 oz (2) 

£100-150 


77

678. SEWING: 

Three thimbles, including a Norwegian 

enamelled example with moose at sunrise in a 

snowy landscape, a child’s thimble and a 

modern thimble stamped in relief with Big Ben 

& the House of Parliament, hallmarked London 

1992; the latter 1” (2.5 cms) high (3) 

£80-120 

681. SEWING INTEREST: 

A Chinese, ivory-mounted pin cushion with 

carved sides, an ivory shuttle, a thimble, a 

mother of pearl mounted piercer, a child’s 

thimble, a pair of mounted steel scissors, etc. 

(lot) 

£80-120 

684. A LATE VICTORIAN MOUNTED CUT 

GLASS SMELLING SALTS BOTTLE 

with an embossed cover, by George Welch, 

Chester 1900, another larger example with a 

pull-off domed cover, inset with a porcelain 

boss, maker’s mark “DL”, Birmingham 1905 and 

a Victorian gilt-metal mounted cut glass hornshaped 

scent bottle with chain; the latter 4” 

(10 cms) long (3) 

£120-150 

687. AN EARLY VICTORIAN SNUFF BOX 

of rounded oblong form with slightly concaved 

sides, the whole profusely engraved with floral 

scrolls, vacant cartouche, gilt interior, by 

Edward Edwards, London 1838; 3.75” (9.5 cms) 

long; 5.4 oz 

£150-200 

78 


A novelty brass tape measure in late form of a 

mill house, three various card cases, an Edward 

VII resin vesta case, a card/stamp case, a plated 

“Jersey” souvenir box, a trowel bookmark and 

six other various items; the tape measure 1.55” 

(4 cms) long (lot) 

£200-250 

682. SEWING INTEREST: 

Two Worcester porcelain thimbles; one painted 

with fruit & signed “M.IGOE”, the other painted 

with a blue tit (both boxed); each one 1.1” 


£100-120 


A modern heart-shaped bookmark with 

stamped floral decoration, a Continental “owl” 

bookmark, a vesta case, a pill box, a pair of 

wishbone sugar tongs, four thimbles, two 

propelling pencils, and an “Irish market” napkin 

ring set with pieces of Connemara marble; 

4.75 oz (lot) 

£80-100 


Three various brass pipe tampers, a small brass 

figure, a gilt brass medallion, a Dutch brass 

snuff box with two compartments, and a giltmetal 

clasp in the form of a serpent’s head & 

tail; the latter 5” (12.5 cms) long (lot) 

£60-80 

680. A MODERN 9 CT. GOLD THIMBLE 

commemorating the Coronation of Queen 

Elizabeth II, inscribed “1904 Nellie 1954”, 

Birmingham 1952; 0.95” (2.3 cms) high; 0.2 oz 

£60-80 

B683. A VICTORIAN NECESSAIRE 

the tortoiseshell case with mother of pearl 

inlay and various fittings; 14 cms 

£80-120 

686. AN EDWARDIAN MOUNTED GLASS 

SMELLING SALTS BOTTLE 

set with three opals around the sides by Levi & 

Salaman, Birmingham 1906 (lacking stopper), 

a late Victorian engraved scent bottle (lacking 

stopper) and a miniature box of ivory 

dominoes; the latter 2.1” (5.3 cms) long 

£80-100 

689. A GEORGE III SNUFF BOX 

of rounded oblong form with reeded 

decoration & an applied oblong cartouche, 

initialled, gilt interior, by Thomas Wilmore, 

Birmingham 1801; 2.45” (6.2 cms) long; 1.75 oz 

£120-150 


690. A GEORGE III NUTMEG GRATER 

of plain oval tubular form, hinged cover & side 

& a steel grater, crested, by T. Phipps & E. 

Robinson, London 1791; 2.75” (7 cms) long; 

1.5 oz 

£300-500 

693. A SMALL CONTINENTAL OVAL FRAME 

with a suspensory ring inset one side with a 

porcelain plaque and inset the other side with a 

Russian, enamelled copper icon, the frame 

stamped only with a 19th century Dutch duty 

mark; 3.8” (9.6 cms) long 

£300-400 

696. A MODERN TUBULAR PILL DISPENSER 

with a screw cap & a collar with an aperture, 

suspensory ring, by J.C. Vickery, London 1916; 

2.25” (5.6 cms) long; 0.4 oz 

£180-220 

699. A MODERN SET OF EIGHT FOREIGN 

BUTTONS 

each decorated in relief with a fox mask; 0.85” 

(2.2 cms) diameter; 1.25 oz (8) 

£40-60 

691. A PAIR OF CONTINENTAL NOVELTY 

PEPPERETTES 

modelled as a Dutch peasant boy & girl, with 

English import marks for Chester 1909; the boy 

3.55” (9 cms) high; 5.7 oz (2) 

£300-400 


A carved bone mounted propelling pencil with 

a Stanhope viewer in the terminal (depicting 

Paris), c.1890, a late Victorian thimble, a late 

Victorian small powder box & cover, a brass 

letter clip, a small carved nut box with screw 

cover and a small locket set with a porcelain 

plaque; the pencil 6” (15 cms) long (lot) 

£100-150 

697. A 19TH CENTURY GILT METAL 

TAPERSTICK 

detachable nozzle; 4.25” (11 cms) high 

£60-80 

700. A MODERN SPANISH TOOTHPICK 

HOLDER 

cast in the form of a fighting bull with six 

detachable sword-like picks together with a 

20th century Portuguese silvergilt box in the 

form of a casket with engraving; the latter 

2.25” (5.8 cms) long; 6.75 oz (2) 

£120-160 

692. AN UNUSUAL, EARLY 19TH CENTURY 

SNUFF BOX 

in the form of a clog with a hinged cover, 

engraved with a crest, gilt interior, unmarked 

1800-1830; 2.4” (6 cms) long; 0.8 oz 

£250-300 

695. A GEORGE III SMALL PLAIN OBLONG 

VINAIGRETTE 

with rounded corners, the cover initalled “EE”, 

the gilt interior with a rare grille, stamped & 

pierced with the Royal Crown, an anchor & two 

hearts within a wreath, by Charles Hancock, 

Birmingham 1811; 1” (2.5 cms) long; 0.25 oz 

£300-500 

*Perhaps made in commemoration of a Royal 

Naval battle or event. 

698. A GEORGE IV CHILD’S RATTLE 

engraved & stamped with repeating floral 

motifs, with a whistle terminal, coral teether 

and six bells dependant, by John Bettridge, 

Birmingham 1826; 5.7” (14.2 cms) long 

£100-150 

701. A RARE GEORGE III GOLD & 

ENAMELLED MEDALLION 

inscribed “VIVAT GIIIR, Mart:x MDCCLXXXIX”, 

decorated in red, blue & white enamel with the 

motto “REGI.AMATO.REDVCI” c.1789 (with a 

turned wooden case); 34 mm diameter 

£1500-1800 

*Probably made to celebrate King George III’s 

return to good health after a bout of insanity 

probably caused by an attack of the hereditary 

disease porphyria. His physicians issued a 

bulletin announcing his restored good health 

on 26th February 1789. 


79

702. A MODERN FRENCH NOVELTY BELL 

PUSH 

in the form of a small square frame with a 

bead border, painted in the centre with a 

coaching scene, with English import marks for 

London 1930; 2” (5 cms) 

£80-100 

705. REGIMENTAL INTEREST: 

An early Victorian “kitchen” nutmeg grater with a reeded border & handle, 

curved steel grater & a hinged cover, engraved with the badge of the 67th 

South Hampshire Regiment, by C. Rawlings & W. Summers, London 1839; 

3.75” (9.5 cms) long; 2.2 oz 

£600-800 

707. A MODERN PLAIN OVAL TOBACCO 

“PEBBLE” 

and an engraved cigar case of rounded & 

curved oblong form with a vacant cartouche, 

by different makers, 1921 and 1912 

respectively; the latter 5.2” (13 cms) long; 8 oz 

(2) 

£180-200 

710. A GEORGE III SCOTTISH, BRIGHT- 

ENGRAVED SNUFF BOX 

of canted oblong form with a vacant shield 

cartouche on the cover, the base with a rayed 

design centred by a rectangular cartouche, 

inscribed “Mrs Rutherford to Mr Sangster 1802”, 

by William Robertson, Edinburgh c.1790 (partly 

marked); 3” (7.7 cms) long; 2.5 oz 

£300-400 

80 


A late Victorian novelty pen wipe in the form of 

a rotary knife grinder, by W.R. Corke, London 

1897, a pair of knife rests by C.T. & G. Fox, 

London 1848 and a Victorian double-ended 

medicine spoon by Thomas Johnson, London 

1878; the latter 5” (12.5 cms) long; 4.5 oz (4) 

£100-150 

708. AN 18TH CENTURY CONTINENTAL 

OBLONG SNUFF BOX 

with shaped sides, the cover inset with an 

embossed plaque depicting figures in a garden 

setting, unmarked c.1760; 3.25” (8.2 cms) long; 

3.4 oz 

£200-300 

711. A LATE VICTORIAN NOVELTY PEN WIPE / 

NIB CLEANER 

in the form of a miniature boot scraper with 

two handles, by Levi & Sulaman, Birmingham 

1898; 2” (5 cms) long 

£100-130 

704. A 20TH CENTURY PERSIAN 

ELECTROPLATED & ENAMELLED CIGARETTE 

CASE 

with native scene on one side & a pattern on 

the other; 4.5” (11.5 cms) long 

£120-130 

706. A GEORGE III GOLD SNUFF BOX 

oval decorated with alternating stripes of engine turning within borders 

of reeding & incised mullets & pellets, inscribed inside the cover “Mrs Ann 

Lind to John Gray 1793”, maker’s mark & devices only, by John Faux & 

George Love c.1775; 3.3” (8.4 cms) long; 2.8 oz approx. 

£2000-2500 

*See Grimwade no. 1312 for this maker’s marks. 

709. A 19TH CENTURY DUTCH CIRCULAR 

PEPPERMINT BOX 

with reeding & a vacant shield cartouche, 

maker’s mark “TK” Schoonhoven 1843 and a 

small, George IV ‘purse’ vinaigrette by William 

Edwards, London 1823; the latter 0.9” (2.4 cms) 

long; 1 oz (2) 

£100-120 

712. A GEORGE III OVAL NUTMEG GRATER 

with pricked & engraved borders, initialled, 

hinged cover & hinged grater, by Thomas 

Wilmore, Birmingham 1802; 1.5” (4 cms) long; 

0.75 oz 

£350-400 


713. A RARE 19TH CENTURY FRENCH PARCELGILT METAL CASKET 

Neo-Gothic in style, with openwork feet & corners, each set with a carved ivory figure, the domed cover & body decorated with vertical panels of foliate 

scroll engraving separated by applied pierced straps, with a swing handle, hasp lock (with key) & applied shield cartouche, initialled “AS”, lined interior, 

signed “Alpe-Giroux et Compie a Paris”, c.1840; 9.25” (23.5 cms) long 

£800-1200 

*Giroux & Co (1799-1885), was founded by Francois Simon Alphonse Giroux and in 1838 his two sons Alphonse-Gustave and Andre took over the 

running of the company. Under their leadership the firm specialised in making objects of luxury & fantasy of such quality that Maison Alphonse-Giroux 

became official supplier to both King Louis XVIII & King Charles X of France. They also made small exquisite furniture and a bonheur-du-jour which they 

exhibited at the Paris World Exposition of 1855 was purchased by the Empress Eugenie for the Chateau de Compiegne - the Imperial Court’s residence. 


A chain link evening purse with decorative 

mount, import-marked 1902, a Continental 

cane handle with an eagle mask, a vesta 

sovereign case, three pencils, a folding glove 

hook, a fruit knife, a nickel hat pin, a plated egg 

topper, two steel button hooks, a steel picnic 

knife & fork, etc.; 9.25 oz weighable silver (lot) 

£250-300 


A George III fob seal, a Victorian silvergilt 

locket, a miniature whistle in the form of a 

boot, a cut glass fob seal, etc.; the locket 1.1” 

(2.6 cms) long (lot) 

£80-100 


A late Victorian mother of pearl mounted 

folding fruit knife, another George III example 

in a red morocco case, a zinc Coronation medal, 

a 1935 Crown piece, a copper Coronation 

medal 1911, cased, a cased photographic 

image, and an engraved copper coin (lot) 

£100-130 


81

82 

717. A LATE 19TH CENTURY NOVELTY SEWING COMPENDIUM 

in the form of a parcelgilt metal honeyskep on a square marble base with applied bees, hinging open to reveal a lift-out tray 

with polished steel & mother of pearl mounted fittings and a thimble, the interior lined, unmarked; 7.4” (18.8 cms) high 

£300-400 

718. A 9 CT. GOLD PENCIL 

5.75 cms closed and a miniature English 

Dictionary in silver case 1893, both by Mordan 

£120-180 

721. A BLACK HARDSTONE BOX 

the cover set with a diamond; 7 cms diameter 

£700-800 

724. A CHINESE MANDARIN HAT TOP OR 

FINIAL 

in the form of a brass-mounted crystal ball, 

early 20th century; 2.5” (6.2 cms) high 

£50-80 

719. A CARVED IVORY SKULL 

19th century, 4.25 cms, a Masonic ivory pipe 

tamper in the form of a leg, a bodkin holder 

and a specimen magnifier (4) 

£120-200 

722. A PAIR OF MENU HOLDERS 

silvergilt and enamel, each in the form of a 

butterfly by Cohen and Soloman, 1911; 4 cms 

(cased) 

£100-150 

725. A GEORGE III TREEN SPICE BOX 

a silvered metal dish, a treen figure of a 

dancing girl (probably Napoleonic Prisoners’ 

work) and a group of small bric-a-brac (a lot) 

£100-200 

720. A VICTORIAN SILVER NOVELTY CASTER 

in the form of a mailed helmet with adjustable 

visor by George Unite 1900; 7 cms 

£150-200 

723. A GEORGE IV VINAIGRETTE 

rectangular, engine turned with floral border by 

Nathaniel Mills, Birmingham 1828; 3.5 cms 

£80-120 

726. A POCKET 

with North American Indian embroidered birch 

bark panels; 10 cms 

£80-120 


727. A SILVER MESH EVENING BAG 

1916; 15 cms; 7.5 oz 

£100-150 

730. A GOLD CRUCIFORM PENCIL 

engraved ‘M’ with hardstone end, 4.75 cms and 

later chain 

£150-200 

733. AN INDIAN BUCKLE PANEL 

gilt metal enamelled with peacocks, 4.25 cms; a 

horn & silver patch box, the lid with a portrait, 

possibly of Queen Anne, 4 cms and a strawwork 

case decorated with flowers, 8.5 cms (3) 

£150-250 

736. A CHILD’S SILVER TEETHER 

in the form of Peter Rabbit, Birmingham 1936; 

7.5 cms 

£200-250 

728. A PAIR OF GOLD LORGNETTES 

(stamped 18ct) 

£100-150 


A modern capstan inkwell (A/F), a coin-inset 

dish, a pin dish, a small trophy cup, an antique 

wine label, a plated wine label, etc.; 7.5 oz 

weighable silver (a lot) 

£80-100 

734. A SCOTTISH HARDSTONE AND GOLD 

MOUNTED VINAIGRETTE 

the grille engraved with a thistle, mid 19th 

century; 4.5 cms 

£1500-2000 

737. A SNUFF BOX 

of elephant’s molar with silver mounts and 

silvergilt lining, unmarked, c.1840; 6 cms 

£100-200 

729. A DUTCH SILVER BOX 

rounded rectangular with repousse decoration, 

import marks, Sheffield 1897; 11.25 cms 

£80-120 

732. A MINIATURE TELESCOPIC 

MONOCULAR 

gilt metal and mother of pearl set with green 

pastes; 4 cms extended 

£80-120 

735. A FLUORSPAR JAR & COVER 

a tape measure and bodkin holder in silver 

filigree case, two small medallions and other 

items 

£100-200 

738. A LATE VICTORIAN “COMEDY” WHISTLE 

with a waisted mouthpiece & suspensory ring, 

marks rubbed, maker’s mark “JWB”, 

Birmingham c.1890; 1.3” (3.4 cms) long; 0.3 oz 

£100-150 

*This makes a whirring sound, increasing in 

pitch the harder it is blown. 


83

740. ENGLISH SCHOOL, EARLY 

19TH CENTURY 

Miniature portrait of a lady 

wearing white dress & pearls in 

her hair, half length, on ivory 

c.1810, 7.25 x 5.75 cms and 

another of a gentleman wearing 

grey jacket 

£60-100 

84 

739. A RARE 17TH CENTURY GILT-METAL MOUNTED BLOODSTONE PENDANT WATCH CASE 

of faceted octagonal form with a suspensory ring & turned finial, the hinged cover revealing a later-added 

vinaigrette grille with a spring catch closure, unmarked, probably 1650-1700; 1.9” (4.8 cms) long 

£800-1200 

*The style of the grille probably indicates that is was added during the 1850’s or 60’s. 

744. A MINIATURE PORTRAIT OF A LADY 

c.1830, a Victorian miniature portrait, a 

Mauchlineware Clanronald tartan pin cushion 

& two Chinese embroidered pockets (5) 

£70-100 

741. A GOLD CLASP 

The pearl and hairwork border 

enclosing a pencil portrait, 

converted to a brooch, c.1800 and 

later; 4.75 cms 

£100-150 

742. A CARVED IVORY FIGURE 

of the Virgin & Child, she standing 

holding him to her, late 18th 

century, on ebony & ivory socle; 

17.5 cms (28.5 cms overall) 

£300-500 

745. A MINIATURE OR TOY CHANDELIER 

of baluster form with six scrollwork arms & a 

suspensory chain, unmarked, probably Dutch 

early 19th century; 3” (7.5 cms) wide; 1.5 oz 

£250-300 

746. A POCKET BAROMETER 

in silver case, 1903, a Vernis Martin snuff box, 

three papier mache snuff boxes, part of a 

Chinese ivory pendant and a brass snuff box (7) 

£100-150 


743. A BRASS & ENAMELLED 

SEWING NECESSAIRE 

a Victorian ivory box, the cover 

carved with birds and a red 

morocco card case with plated 

mounts 

£80-120

747. A RARE VICTORIAN SCOTTISH PHYSICIAN’S BOX 

of shallow oblong form with rounded corners and “neo-gothic” engraving, crested & inscribed “JESUS ONLY”, the gilt interior divided into nine 

compartments (eight small & one large) to take a pill form or powdered drug, each with a hinged cover, inscribed with the abreviated name of the drug 

& its weight, the inside cover inscribed “Alexander R. Simpson MD from Mrs Barbour”, maker’s mark “RJ”, Edinburgh 1861; 3.25 (8.2 cms) long; 5 oz 

£800-1200 

*Alexander Russell Simpson was Professor of Medicine & Midwifery and the Diseases of Women & Children in the University of Edinburgh and nephew of 

the famous Sir James Young Simpson (1811-1870), who became Professor of Midwifery at Edinburgh University in 1840, Physician to Queen Victoria in 

1847, President of the Royal College of Physicians in 1850 and Baronet in 1866. A man of enormous energy and great personal charm, Simpson was a 

keen controversialist and much loved physician. His contributions to obstetrics are overshadowed by his discovery of the anaesthetic effects of 

chloroform in November 1847. After ether was discovered in 1846, Simpson was quick to use it to relieve the pains of labour, earning the gratitude of 

countless women & the condemnation of some members of the church and the medical profession. Simpson was a doughty advocate of the cause of 

general anaesthesia and his final vindication came when Queen Victoria had chloroform at the birth of Prince Leopold in 1853. 

748. A BOOKMARK 

with fox’s head by Mordan, Chester 1908, 

12.5 cms; a vinaigrette, Birmingham 1856, 

2.75 cms and four other items (6) 

£80-120 

749. A MODERN 9 CT. GOLD COCKTAIL 

SWIZZLE STICK 

and a modern mounted nickel cigar 

piercer/pipe tool; the latter 6” (15 cms) long (2) 

£130-170 

B750. TWO INDIAN IVORY PAPER KNIVES 

with carved elephant terminals, a copper box 

engraved with a man of war containing small 

ivory and other items, a tooth with silvergilt 

mounts and three other items, including a pair 

of lorgnettes 

£100-150 


85

751. AN ENAMEL AND SILVERGILT COMFIT 

BOX 

in the form of a cello painted with putti, 

c.1900; 9 cms 

£100-150 

754. A MAUCHLINEWARE TOOTHPICK BOX 

with penwork decoration of thistles and a man 

on horseback, 7.5 cms, and a burr wood box (2) 

£150-200 

86 

B752. THREE MALTESE SILVER MENU 

HOLDERS 

each in the form of a martial trophy centred on 

a coin of 1796; 9.5 cms 

£100-150 

755. A VICTORIAN EBONY DRESSING BOX 

the fittings including glass bottles with silver 

gilt tops by John Harris, 1855 (incomplete); 

36 cms 

£350-550 

753. A PARASOL 

the ivory handle carved with flowers, late 19th 

century; handle 29 cms 

£60-90 

B756. A POCKET BAROMETER 

in silver case by William Comyns 1902, 8 cms 

and a Victorian ruby glass scent bottle with 

plated mounts, 13 cms 

£80-120 

757. AN INLAID TORTOISESHELL TRAY 

shaped oval with mother of pearl and gold pique chinoiserie figures, 18th century, probably German; 31.25 cms 

£200-300 


758. ATTRIBUTED TO WILLIAM BURGES: 

A Victorian champleve enamelled circular wafer box or pyx with the Agnus Dei on the cover, delineated in blood red against a turquoise ground, the base 

similarly enamelled with the “IHS” sacred monogram bordered by gothic motifs, the box with four corded wire borders, hinged cover, gilt interior, “CH”, 

maker’s mark for Charles Hart (of Hart, Son, Peard & Co.), London 1869; 1.9” (4.8 cms) diameter; 1.4 oz. 

£1200-1800 

*In 1866/7 Hart & Son amalgamated with Peard & Jackson, manufacturers of medieval art metal works. Hart, Son, Peard & Co. were regularly represented 

at the international exhibitions including London, Dublin, Paris and Philadelphia where they exhibited artistic metalwork, chiefly for ecclesiastical 

purposes. They are thought to have been the manufacturers of a gilt dish with silver and niello decoration of 1875 designed by the architect William 

Burges (1827-1881). 

Literature: Victorian and Edwardian Decorative Art, a catalogue of the Handley-Read Collection, Royal Academy of Arts, London , 1972, p.34, no.B102. 

The Strange Genius of William Burges ‘Art Architect’, a catalogue of a Centenary Exhibition, National Museum of Wales, Cardiff, 1981, p.117, no.C62 

For further information on silversmiths Hart, Son, Peard & Co., see The Directory of Gold & Silversmiths, John Culme, Vol.1, p.217-8 

759. A FAN 

with carved ivory sticks, paper leaves painted 

with Chinese scenes, 27.5 cms and a fan with 

carved mother of pearl sticks with gold 

ornament, paper leaves painted with figures, 

28.5 cms (2) 

£70-100 

762. A FAN 

with Vernis Martin decoration of fetes 

champetres and vignettes on a gold ground, on 

ivory, French 18th century; 21 cms 

£80-120 

760. SIX VARIOUS FANS 

with bone or ivory sticks, 18th / 19th century 

£30-60 

763. AN IVORY AND SHIBAYAMA PARASOL 

HANDLE 

30 cms, a Chinese fan with carved ivory sticks 

and three other fans (5) 

£100-150 

761. A FAN 

with carved ivory sticks, the guards with gold 

pique decoration, vellum leaves painted with 

mythological scenes, 28.5 cms and a Chinese 

fan with lacquered sticks and painted paper 

leaves, 27.5 cms (2) 

£70-100 

764. A FAN 

with mother of pearl sticks, the vellum leaves 

painted with flowers & signed A Poutret, 

21.5 cms, another fan and a goliath timepiece 

in brass case (3) 

£100-150 


87

766. A GEORGE III TORTOISESHELL BOWL 

with Sheffield plate lining & pedestal foot, 

14.5 cms (maker’s mark, probably John or 

Joseph Law) 

£50-100 

769. A 9 CT. GOLD CIGARETTE CASE 

curved engine turned; 9.25 cms; 3.25 oz 

£1000-1200 

772. A VICTORIAN POSY HOLDER 

of silver filigree with floral & tasselled 

decoration; 12.5 cms 

£80-100 

88 

765. A TORTOISESHELL SNUFF BOX 

commemorating the death of Frederick Prince of Wales 

(obt.1751), interior miniature portrait missing; 6.5 cms, 

together with three various fans including a painted 

tortoiseshell example, early 19th century (4) 

£100-150 

767. AN INDIAN IVORY BOX 

rectangular with fretwork panels; 13.25 cms 

£100-150 

B770. TWO PINCHBECK ETUIS AND A 

CHATELAINE 

with rococo scroll and figure decoration 

£80-120 

B773. A VICTORIAN BRONZE PAPERWEIGHT 

in the form of a bird, stamped “Copyright by 

Susse Fres.”, 12.5 cms and another in the form 

of a dog stamped “Maison Alph Giroux Paris”, 

12 cms (2) 

£100-150 

B768. A SILVER & TORTOISESHELL 

INKSTAND 

the circular base with pen rests, scroll borders 

by Goldsmiths & Silversmiths Co. 1906/08; 

15 cms diameter 

£150-250 

771. FOUR SILVER CIGARETTE CASES 

each rectangular engine turned; 17 oz 

£200-250 

774. A SILVER PIN CUSHION 

in the form of an elephant, probably by Sydney 

& Co., Birmingham 1907; 6 cms 

£300-350 


775. NATHANIEL PLIMER (1757-1822) 

Miniature portrait of a young gentleman 

wearing dark blue jacket, half length on ivory, 

gilt frame; approx. 6.5 x 4.75 cms 

£1000-1500 

776. ENGLISH SCHOOL, LATE 18TH CENTURY 

Miniature portrait of a gentleman wearing 

brown coat & blue striped waistcoat, on ivory; 

5.5 x 4.25 cms, gilt frame 

£150-250 

778. ENGLISH SCHOOL, EARLY 19TH CENTURY 

Miniature portrait of a young gentleman wearing blue jacket & white stock, on ivory, 

in gilt frame with eglomise, pearl & hairwork reverse; approx. 7.5 x 6 cms 

£500-700 

779. A GILT-BRONZE COMMEMORATIVE 

CHESS PIECE 

by Carlo and Arthur Giuliano, modelled as a 

rook, the top inset with a section of Trans- 

Atlantic telegraph wire, engraved “CHESS 

MATCH BY CABLE / BETWEEN / HOUSE OF 

COMMONS, LONDON / AND / HOUSE OF 

REPRESENTATIVES, WASHINGTON / PLAYED 

OVER THE LINES OF THE / ANGLO AMERICAN 

TELEGRAPH CO., LONDON / AND / WESTERN 

UNION TELEGRAPH CO, NEW YORK / 1897” and 

”CONTRACTORS / THE TELEGRAPH 

CONSTRUCTION AND / MAINTENANCE CO., 

LONDON”, stamped “C&AG”; 3” (7.5 cms) high 

£1800-2500 

* This souvenir piece was designed to 

commemorate the first chess match played 

between the House of Commons in London and 

the House of Representatives in Washington in 

1897. Carlo Guiliano (1832-1895), was a 

celebrated Italian jeweller of the Victorian era 

and this piece was made when Giuliano’s sons, 

Carlo Joseph (b.1860) and Arthur Alphonse 

(b.1864) had taken control of the business. It 

continued to trade until 1914. A similar piece 

was included in the sale of the Malcolm S. 

Forbes collection (“The Gentleman Collector”) 

by Heritage Auctions in Dallas, June 2011. 

**Provenance: In the family of the vendor pre 

1939. 

777. JOHN SMART (1742/3-1811) 

Miniature portrait of a young gentleman 

wearing grey coat and blue waistcoat, half 

length, on ivory, signed with initials “JS” and 

dated 1766, gilt frame; approx. 3.2 x 3 cms, 

£2000-3000 

(detail) 


89

90 

780. ENGLISH SCHOOL, 19TH CENTURY 

Miniature portrait of a gentleman standing wearing blue jacket beside a pillar, three quarter length, on ivory 

and the companion portrait of a gentleman wearing black jacket, each signed Jagger; 11.5 x 9 cms (pair) 

£300-400 

781. Circle of GUSTAVIUS HAMILTON 

(c.1739-1755) 

Miniature portrait of an officer wearing red 

jacket, head & shoulders, on ivory, gilt frame; 

approx. 4 x 3.2 cms 

£200-300 

782. A PINCHBECK ETUI 

a tortoiseshell paperknife, a miniature parasol, 

a letter clip and two fans (def) 

£60-100 

784. FRENCH SCHOOL: 

Miniature portrait of a young lady with pearl earring and decollete dress, head & shoulders, on ivory, 

signed Guerin*, approx. 6.75 x 5.75 cms in gilt frame in brass inlaid folding papier mache case 

£400-600 

*A Jean Urbain Guerin (1760-1836) is recorded. 

783. A WAX PORTRAIT OF A YOUNG LADY 

wearing lace cap, half length, in oval wood 

frame, 18th century; 9 x 3.5 cms 

£120-180 


Jewellery and Watches 

Thursday 19th April at 11am 

Enquiries: Miranda Bingham 

miranda.bingham@lawrences.co.uk 


Lot 1210 

Jewellery Notices 

Weights and measurements are approximate guidelines only. 

The photographs in the catalogue are not always a true representation of the 

colour or size of gemstones and prospective buyers are advised to satisfy 

themselves in this respect. 

Coloured Gem Stones 

Prospective buyers of coloured gemstones, including Jade, should be aware 

that some stones might have been treated to enhance their colour or clarity. 

Sapphires and rubies are commonly heat-treated and emeralds are commonly 

oiled. In the case of heat treatments, these are permanent but can affect the 

durability of the stones. In the case of oiling, this may need to be redone 

after a period of years. The international jewellery trade has generally 

accepted these methods. It is not possible for Lawrences to obtain 

gemmological reports on stones offered for sale and so prospective 

buyers should assume all gemstones may have been enhanced by some 

method. 

Jewellery and Watches

JEWELLERY 

801. A QUANTITY OF JEWELLERY 

including a 9ct. gold cruciform pendant, a 9ct. gold horseshoe tie pin, a 

9ct. gold heart-shaped ring, and various other items. 

£80-100 


including a Victorian diamond and gold hinged bangle, a 22ct. gold 

wedding band, a garnet and pearl cluster ring, a two row cultured pearl 

necklace, a 9ct. gold watch chain and various other items. 

£80-120 

805. A QUANTITY OF PASTE AND OTHER ASSORTED BUCKLES 

£60-80 

92 


including a pair of paste set drop earrings, a pair of pink paste circular 

earrings, a paste set brooch and various other items. 

£60-80 


including a banded agate brooch and a pair of earrings, three paste set 

brooches, an oval miniature of a gentleman and various other items. 

£60-80 

806. A QUANTITY OF JET JEWELLERY 

and various other items. 

£100-150 


807. A QUANTITY OF JEWELLERY 

including four silver hat pins by Charles Horner, a malachite and silver 

bracelet and brooch, and various other items. 

£100-150 


including two jet necklaces and various other items of silver and costume 

jewellery. 

£80-100 

811. FOUR ASSORTED AMBER BEAD NECKLACES 

together with two pairs of drop earrings and three amber roundels. 

£150-200 


including a 9ct. gold bangle, various buckles and items of paste jewellery 

etc. 

£80-100 


including a Victorian seed pearl pendant, a gold wristwatch with gold 

expanding bracelet, a 22ct. gold wedding band, a 9ct. gold signet ring, a 

rose-cut diamond insect ring and various other items. 

£100-150 

812. AN AMBER GRADUATED BEAD NECKLACE 

with two pairs of similar drop earrings, together with another graduated 

amber bead necklace, and three assorted cornelian bead necklaces and a 

pair of drop earrings. 

£100-150 


93


including an emerald and diamond ring, set in 18ct. gold, a paste set 

buckle and various other items. 

£100-150 


including a 9ct. gold tie pin and various other items of jewellery. 

£100-120 


including an enamel, diamond and pearl insect brooch, a gem set and 

gold ring, a pair of moonstone drop earrings, and various other items of 

paste set and other jewellery. 

£150-200 

94 

B814. A VICTORIAN SEED PEARL NECKLACE 

together with two pairs of seed pearl earrings and a brooch, two amber 

bead necklaces and a set of six steel buttons. 

£80-120 


including a 9ct. gold bangle, a citrine single stone ring, a Victorian 

turquoise and pearl set locket pendant, a turquoise and diamond brooch, 

a sapphire and pearl pendant and various other items of jewellery. 

£100-150 


including a diamond, ruby and gold fox head tie pin, an enamel, pearl and 

gold horseshoe brooch, two coral necklaces and various other items. 

£100-150 



including a silver and royal blue guilloche enamel compact embossed 

with a naval crown, a banded agate and gold ring, a 22ct. gold wedding 

band, a gold pocket watch, a silver, black enamel and pearl hinged bangle 


£100-150 


including a banded agate scent bottle, a 22ct. gold wedding band, a 

sapphire and diamond cluster ring, set in 18ct. gold, a shell cameo brooch 


£100-150 

823. A SINGLE ROW GRADUATED AMBER BEAD NECKLACE 

together with a single row graduated ivory bead necklace. 

£80-100 


including a garnet cruciform pendant, an amethyst bar brooch, a 

medallion brooch, set in marcasite and silver frame, and various other 

items. 

£40-60 


including a 9ct. white gold wristwatch, a 9ct. gold fox mask pin, a tiger’s 

claw brooch, a 9ct. gold cruciform pendant and various other items. 

£100-150 

824. A WIDE AMBER BANGLE 

together with six other assorted bangles. 

£60-80 


95

VINTAGE COSTUME JEWELLERY 

825. VINTAGE COSTUME JEWELLERY 

a paste set brooch in the form of a crown by 

Butler & Wilson, stamped B & W. 7 x 6cm. 

£40-60 


two paste set bracelets, one signed Sorrell. 

£60-80 


three assorted paste set brooches in the form of trees, all signed 

Cristobal, London, 9.5 x 9cm., 10.5 x 8cm., 11 x 9cm. 

£60-80 


a large paste set cuff bracelet, stamped The Show must go on! 

£40-60 

96 


a pair of paste set drop earrings, 9cm. long. 

£40-60 


two paste set tree brooches, both signed 

Lawrence VRBA. 12 x 9cm. and 10 x 9cm. 

£60-80 


three assorted paste set rings, two signed 

Lawrence VRBA. 

£60-80 


two paste set bracelets, both signed Sorrell. 

£60-80 


three assorted paste set brooches, one signed Sorrell, one signed Cristobal 

London, and one signed Bauer. 

£60-80 

834. VINTAGE COSTUME JEWELLEY 

two paste set brooches, in the form of a witch’s hat and a witch’s 

broomstick, both stamped The Show must go on!, the hat 11cm. high, the 

broomstick 19.5cm. long. 

£60-80 


835. SOTHEBY’S: 

A hardback catalogue of The Jewels of the 

Duchess of Windsor, 2nd and 3rd April 1987 in 

Geneva. With dust cover. 

£80-100 

838. AN OVAL SHELL CAMEO BROOCH 

depicting the Three Graces, in a gold frame, 

together with four other cameo brooches etc. 

£60-80 


including a 9ct. gold ring, a 9ct. gold knot ring, 

a 9ct. gold chain, a pair of 18ct. gold stud 

earrings and various other items. 

£200-300 


including a diamond and gold bracelet, a 9ct. 

gold pencil by Mordan & Co., a sapphire and 

diamond ring, set in 18ct. gold, an enamel, 

pearl and gold oval brooch, a cameo and gold 

ring, a diamond five stone ring, an 18ct. gold 

wedding band and various other items. 

£100-150 

836. A GEORGIAN PASTE AND SILVER HAT 

ORNAMENT 

together with a marcasite and silver brooch 

depicting a woman wearing a turban, an 

enamel and silver brooch, a portrait miniature 

brooch in silver frame and another brooch. 

£80-120 


including malachite brooch, a carved ivory 

brooch depicting The Doves of Pliny, a 

Blackamoor stick pin, and various other items. 

£60-80 


including a diamond and 15ct. gold stick pin, a 

diamond foliate brooch, a 9ct. gold foliate 

heart-shaped locket pendant, a zircon and gold 

brooch, an oval shell cameo brooch, a pair of 

shell cameo stud earrings, a hardstone cameo 

ring and various other items. 

£100-150 


including a lady’s 18ct. gold wristwatch by 

Rotary, an 18ct. gold and coral leaf brooch, a 

shell cameo brooch, an 18ct. gold St. 

Christopher pendant, and an 18ct. gold chain. 

£150-200 

837. A HARDSTONE PENDANT 

on a fine link silver chain, together with eight 

various silver and white metal brooches. 

£80-120 


including an oval-shaped agate brooch, a 9ct. 

gold leaf brooch, a sapphire and pearl brooch, a 

Victorian 15ct. gold brooch set with a small 

diamond, and various other items. 

£100-150 


including an enamel and paste Royal Air Force 

badge and various items of silver and paste 

jewellery. 

£80-100 


including a turquoise and diamond ring, set in 

18ct. gold, a carved shell cameo brooch, a fob 

seal and various other items. 

£60-80 


97

847. AN OVAL CARVED SHELL CAMEO 

BROOCH 

depicting two women, in a gold frame, 

together with a banded agate and onyx brooch 

and three other brooches. 

£150-200 


BROOCH 

with locket compartment to the reverse, a 

turquoise and pink enamel pendant, with locket 

compartment containing hair, and a painted 

oval brooch depicting The Great Exhibition of 

1851. 

£100-150 


including a citrine single stone ring, a lady’s 

9ct. gold wristwatch, a pair of opal stud 

earrings, an opal pendant (damaged), a gold 

and cameo ring, a 22ct. gold wedding band and 

various other items of jewellery. 

£100-150 

856. A VICTORIAN GOLD BROOCH 

set with a ruby and two diamonds, a gold and 

pearl double heart brooch, a peridot and gold 

brooch and two other brooches. 

£80-100 

98 

848. A CHALCEDONY AND TURQUOISE 

FOLIATE BROOCH 

an amethyst and gold oval-shaped brooch, two 

other brooches and a necklace. 

£100-150 

851. AN 18CT. GOLD FIVE STRAND BRACELET 

5 grams, together with a tiger’s claw brooch, 

four gold rings and another brooch. 

£100-150 

854. A PORTRAIT MINIATURE BROOCH 

PENDANT 

depicting the head and shoulders of a woman, 

in a gold frame, with locket compartment to 

the reverse containing plaited hair, together 

with two other brooches. 

£200-300 

857. A DIAMOND THREE STONE RING 

Size S, together with an emerald, diamond and 

gold bracelet and a river pearl bracelet. 

£150-200 

849. A DIAMOND AND GOLD HINGED 

BANGLE 

set with three cushion-shaped diamonds, a 

graduated amethyst bead necklace, a Victorian 

black enamel and gold mourning brooch and a 

gold oval-shaped brooch set with a small 

diamond. 

£150-200 


including a 9ct. gold charm bracelet, a diamond 

five stone ring, a 9ct. gold signet ring, and 

various other items. 

£200-250 

855. A GOLD CHAIN 

set with sections of coral, 16 grams, together 

with a gold brooch, and two other brooches. 

£100-120 

858. A GARNET AND ENAMEL TIE PIN 

a garnet and gold tie pin, a gold and pearl 

horseshoe tie pin, a gold and pearl foliate 

brooch, a 9ct. gold hunting horn brooch and 

two other items. 

£150-200 


859. A DOUBLE ROW GRADUATED 

CULTURED PEARL NECKLACE 

the pearls graduate from 2.9 to 7.5mm., 

together with another double row graduated 

pearl necklace, the pearls graduate from 3.7 to 

7.1mm., and a pair of cultured pearl drop 

earrings. 

£100-150 

862. A QUANTITY OF GOLD JEWELLERY 

including a 9ct. gold signet ring, a 9ct. gold 

bracelet, various gold chains, three gem set and 

gold rings and a gold locket pendant. 

£400-600 

865. AN EMERALD AND DIAMOND RING 

set with three oval-shaped emeralds and with 

rose-cut diamonds in gold, size O, a ruby and 

gold eternity ring, size M, an amethyst and gold 

ring, size S, a citrine and gold ring, size R, a pair 

of sapphire and diamond earrings, a pair of 

paste earrings and a gold ring. 

£300-350 

868. A DIAMOND THREE STONE RING 

set with graduated circular-cut diamonds in 

18ct. gold, and three other rings. 

£100-150 

860. A RUBY AND DIAMOND STICK PIN 

an 18ct. gold ring, a 9ct. gold signet ring, a 9ct. 

gold bracelet and a silver and gilt anchor 

brooch. 

£130-180 


including a 9ct. gold curb link bracelet, 10 

grams, a 15ct. gold, sapphire and pearl foliate 

brooch, and various other items of jewellery. 

£150-200 

866. AN OPAL AND SAPPHIRE CLUSTER 

RING 

set in gold, together with an 18ct. gold ring, 

and a 9ct. gold ring set with a citrine. 

£150-200 

869. A DIAMOND FIVE STONE RING 

set with five graduated cushion-shaped 

diamonds in 18ct. gold, together with five 

other assorted gold rings. 

£150-200 


including a Victorian amethyst and gold 

bangle, a Georgian gold and foiled backed 

paste cruciform pendant, a diamond five stone 

ring set in 18ct. gold and platinum, a pair of 

9ct. gold cufflinks and a two colour gold band. 

£300-350 


BROOCH 

depicting the profile of a woman, in gold 

frame, together with a pair of stud earrings 

and another carved shell cameo brooch 

depicting the profile of a classical woman. 

£80-100 

867. A RUBY AND DIAMOND SEVEN STONE 

RING 

set in gold, size M, a garnet five stone ring, set 

in gold, size N, an emerald and diamond three 

stone ring, set in gold, size L, an amethyst 

single stone ring, set in gold, size L, and a 9ct. 

gold wedding band. 

£200-250 

870. AN OPAL CLUSTER RING 

set with cabochon opals in gold, together with 

an 18ct. gold signet ring and an 18ct. gold 

band. 

£80-100 


99

871. A 9CT. GOLD GYPSY RING 

set with a diamond, size T, together with two 

other 9ct. gold rings. 

£100-120 

874. A 9CT. GOLD SIGNET RING 

together with another 9ct. gold signet ring and 

a 9ct. gold signet ring set with a cornelian, 

total weight 13 grams. 

£120-180 

877. A GOLD HALF SOVEREIGN 

1900, in 9ct. gold pendant mount. 

£70-90 

880. A GOLD SOVEREIGN 

1912, in gold pendant mount. 

£200-250 

100 

872. A 22CT. GOLD WEDDING BAND 

an 18ct. gold wedding band, together with a 

gold signet ring, total weight 17.5 grams. 

£150-200 

875. AN 18CT. GOLD SIGNET RING 

size P 1/2, together with another 18ct. gold 

signet ring, size L, both engraved with initials, 


£250-350 

878. TWO GOLD HALF SOVEREIGNS 

1902, 1908, mounted in 9ct. gold earring 

mounts. 

£200-250 


2004, mounted as a pendant in a 9ct. gold 

mount set with circular-cut diamonds. With 

box. 

£300-350 

873. AN 18CT. GOLD BUCKLE RING 

Size R, together with an 18ct. gold wedding 

band, size Y, total weight 25 grams. 

£400-500 

876. A GOLD SOUTH AFRICAN MINING 

BROOCH 

set with a small diamond, 6cm. long. In fitted 

box. 

£40-60 


1912, in a 9ct. gold pendant mount. 

£100-150 

882. AN 18CT. GOLD TWISTED WIRE KNOT 

AND HOOP MONEY CLIP 

15 grams, with Cartier box, together with a 

gold horseshoe stick pin. 

£250-300 


883. A 9CT. GOLD IDENTITY BRACELET 

together with a gold signet ring and a gold 

cruciform pendant and chain, total weight 41 

grams. 

£300-350 

886. A PAIR OF 18CT. GOLD HOOP 

EARRINGS 

a gold fish pendant, an 18ct. gold religious 

pendant, a gold necklet and a gold watch strap, 

total weight approximately 70 grams. 

£1200-1500 

889. A 9CT. GOLD CURB LINK CHARM 

BRACELET 

set with assorted gold charms, 32 grams. 

£300-400 

892. AN 18CT. GOLD WATCH CHAIN 

28 grams, 26cm. long. 

£550-650 

884. A 9CT. GOLD DOUBLE CURB LINK 

BRACELET 

19.5cm. long, a gold flat curb link bracelet, a 

gold ring and various other gold items, total 

weight approximately 43 grams. 

£350-400 

887. A 9CT. GOLD CURB LINK BRACELET 

with padlock clasp, 15 grams, together with a 

9ct. gold flat link necklet, 12 grams, 39.5cm. 

long. 

£200-300 

890. A 9CT. ROSE GOLD CURB LINK 

BRACELET 

with padlock clasp, 34 grams. 

£300-350 



£180-250 

885. A RUBY AND DIAMOND BRACELET 

set with two oval-shaped rubies and with 

circular-cut diamonds in 18ct. gold, 17cm. long, 

together with an 18ct. gold rectangular link 

bracelet, 18 grams, 22.5cm. long, and a 

graduated single row cultured pearl necklace. 

£300-400 


with padlock clasp, together with a 9ct. gold 

hinged bangle. Total weight 25 grams. 

£200-300 

891. A 9CT. GOLD FANCY LINK NECKLET 

12 grams, 44.5cm. long. 

£100-150 

894. A 9CT. GOLD BELCHER LINK 

NECKCHAIN 


£350-450 


101

895. A 9CT. GOLD NECKLACE 


£100-150 

898. A 9CT. GOLD HEAVY CURB LINK 

BRACELET 


£700-900 

901. A GOLD HINGED BANGLE 

with ribbed decoration, 16 grams. 

£150-200 

904. A 15CT. GOLD ALBERT WATCH CHAIN 

suspending a Masonic fob and a gold ‘t’ bar, 38 

grams, 35.5cm. long. 

£500-600 

102 


BRACELET 

set with assorted gold charms, including a gold 

sovereign, 1914, in gold pendant mount, a gold 

drum set with a bloodstone and agate and a 

gold fob set with cornelian, total weight 81 

grams. 

£1500-1800 

899. A 9CT. GOLD WATCH CHAIN 

with gold ‘t’ bar and suspending a gold 

medallion, 66 grams. 

£550-650 

902. A GOLD ROPE LINK BRACELET 


£300-400 

905. A 9CT. GOLD CHARM BRACELET 

set with assorted charms, 33 grams. 

£250-350 

897. A GOLD SNAKE LINK NECKLACE 


£600-700 

900. AN 18CT. GOLD FANCY LINK NECKLET 


£250-300 

903. A GOLD CHARM BRACELET 

suspending various gold charms and a gold 

half sovereign in pendant mount, total weight 

40 grams. 

£350-400 

906. A 9CT. GOLD TWISTED ROPE LINK 

NECKLACE 


£1400-1800 


907. A GOLD SOVEREIGN 

1879, in gold pendant mount, another gold 

sovereign, 1928, in gold pendant mount, 

together with various other gold charms. Total 

weight approximately 50 grams. 

£200-250 

910. A 9CT. GOLD BRACELET 


£200-300 

913. A 9CT. ROSE GOLD CURB LINK 

BRACELET 


£200-250 

916. A 9CT. GOLD TEXTURED FANCY LINK 

BRACELET 

with concealed clasp, 20 grams, 17.5cm. long. 

£100-150 

908. A 9CT. GOLD OVAL LINK NECKLACE 

9 grams, 60cm. long, together with a similar 

9ct. gold oval link necklace, 8 grams, 63cm. 

long. 

£150-200 


suspending various gold charms, including a 

gold sovereign, 1918, in gold pendant mount, 


£450-500 

914. A 15CT. GOLD OVAL LINK BRACELET 

together with a 15ct. gold watch chain 

(broken), a 9ct. gold necklet and various other 

9ct. gold chains, total weight 48 grams. 

£300-400 

917. A 14CT. GOLD OVAL AND BALL LINK 

CHAIN NECKLACE 


£800-1000 


suspending a gold ‘t’ bar, 29 grams, 37cm. long. 

£350-400 

912. A 9CT. GOLD CURB LINK NECKLACE 


£200-250 


suspending a hardstone swivel fob and a 

compass, total weight 33 grams, 34.5cm. 

£250-350 


BRACELET 

set with assorted gold charms, total weight 47 

grams. 

£400-500 


103

919. AN 18CT. GOLD FLAT CURB LINK 

NECKLACE 

49cm. long, with extra links, total weight 26 

grams. 

£500-600 

922. A GOLD OBLONG LINK BRACELET 


£80-120 


BRACELET 

set with assorted charms, 33 grams. 

£350-400 

928. A GOLD FLAT LINK NECKLACE 


£150-200 

104 


suspending a gold ‘t’ bar and a compass, 35 

grams. 

£270-350 

923. A 9CT. GOLD FANCY LINK BRACELET 

with padlock clasp and suspending two gold 

charms, 18 grams. 

£200-300 


with gold ‘t’ bar, 8 grams, 38cm. long. 

£80-100 



£200-250 

921. A 9CT. GOLD CURB LINK HINGED 

BANGLE 

9 grams. 

£100-150 

924. A GOLD BRACELET 

with concealed clasp, 13 grams, 18cm. long. 

£200-250 


suspending a gold locket and a gold ‘t’ bar, 15 

grams, 24.5cm. long. 

£120-180 

930. A 9CT. GOLD GRADUATED BEAD 

NECKLACE 


£220-280 


931. AN 18CT. TWO COLOUR GOLD BANGLE 

with applied leopard decoration, 43 grams. 

£700-900 

934. A DIAMOND AND 15CT. GOLD HINGED 

BANGLE 

set with three graduated circular-cut diamonds 

and inscribed to the inside F. C. B. 16th August 

1911. 

£250-300 

937. A GOLD NECKLACE 

of tubular-shape with gold ring clasp, 

approximately 84 grams, 43.5cm. long. 

£400-500 

940. AN 18CT. GOLD WIDE FLAT LINK 

FLEXIBLE BRACELET 

with foliate decoration, 83 grams, 20cm. long, 

4.5cm. wide. 

£1000-1200 

932. A THREE COLOUR GOLD BRACELET 


£300-400 

935. A VICTORIAN AMETHYST AND PEARL 

HINGED BANGLE 

of foliate form, set with a circular-cut 

amethyst and graduated pearls, in gold, 

together with another Victorian pearl set 

bangle. 

£80-100 

938. A GOLD AND DIAMOND COLLAR 

NECKLACE 

the removable triangular-shaped pendant set 

with circular-cut diamonds, approximately 30 

grams, 40cm. long. 

£600-700 

941. A GOLD MESH EVENING BAG 

with engraved foliate decoration and with 

cabochon sapphires set to the clasp, 185 grams. 

£500-700 

933. A GOLD FANCY LINK BRACELET 


£900-1000 


suspending a gold ‘t’ bar, a cross medallion and 

a coronation medallion for Edward VII and 

Queen Alexandra, total weight 42 grams. 

£300-400 

939. A 9CT. GOLD NECKLACE 

of plait design, 110 grams, 42cm. long. 

£1100-1300 

942. A 9CT. GOLD CIGARETTE CASE 

of rectangular-shape, with engine turned 

decoration, engraved with inscription to the 

inside, 165 grams, 8.5 x 12.5cm. 

£800-1000 


105

943. A DIAMOND AND GOLD HUNTING 

STICK PIN 

in fitted box, together with a gold plated 

hunting stick pin and a hunting brooch. 

£80-120 

946. AN OPAL STICK PIN 

set with a pear-shaped opal in gold, another 

gold stick pin set with a heart-shaped ruby and 

an opal and diamond ring. 

£100-150 

949. A GOLD FOX MASK STOCK PIN 

realistically formed, with cabochon ruby eyes, 

5.75cm. long. In fitted box by Heming & Co. 28 

Conduit Street, London W. 

£100-150 

952. A GOLD FOLIATE ENGRAVED SEAL 

set with a citrine matrix, together with a gold 

seal with a foiled backed amethyst intaglio, a 

gold seal set with a bloodstone intaglio and 

another gold seal set with a chalcedony 

intaglio. 

£350-450 

106 

944. AN AMETHYST AND GOLD STICK PIN 

a hardstone stick pin and another stick pin. 

£80-100 

947. AN OPAL AND DIAMOND STICK PIN 

the cabochon opal is set within a surround of 

rose-cut diamonds in gold. 

£150-200 

950. A GOLD DOG BAR BROOCH 

5.5cm. long. In fitted box by Mappin & Webb 

Ltd. 

£100-150 

953. A GEORGIAN GOLD FOB SEAL 

set with a plain cornelian matrix, 3.5cm. high. 

£300-400 

945. A ROSE-CUT DIAMOND, ENAMEL AND 

GOLD STICK PIN 

together with a blue enamel stick pin. 

£100-150 

948. A DIAMOND STICK PIN 

set with an old-cut diamond, in gold. 

£80-100 

951. A VICTORIAN PINCHBECK SEAL 

with foliate decoration and agate matrix, 

together with an amethyst oval-shaped brooch. 

£150-200 

954. FIVE ASSORTED SEAL FOBS 

each with intaglio matrix. 

£40-60 


955. A PAIR OF LABRADORITE AND SILVER 

CUFFLINKS 

each set with an oval-shaped labradorite 

cabochon. 

£130-160 

958. A PAIR OF 9CT. GOLD CUFFLINKS 

oval, engraved with foliate decoration, together 

with two other pairs of 9ct. gold cufflinks, total 

weight 16 grams. 

£150-200 

961. A PAIR OF BLACK ONYX AND DIAMOND 

CUFFLINKS 

each set with a section of black onyx centred 

with a small diamond in 18ct. gold and 

platinum, together with three matching dress 

buttons. 

£600-800 

964. A PAIR OF REVERSE CARVED CRYSTAL 

CUFFLINKS 

each depicting a bird, set in gold. 

£500-600 

956. A PAIR OF BLACK ONYX AND PEARL 

CUFFLINKS 

set in silver, together with a pair of gold stud 

earrings. 

£150-200 

959. A PAIR OF 9CT. GOLD CUFFLINKS 

oval, engraved with a crest, together with a 

pair of 18ct. gold cufflinks, total weight 29 

grams. 

£200-300 

962. A PAIR OF LAPIS LAZULI AND GOLD 

CUFFLINKS 

each set with an oval lapis lazuli cabochon. 

£200-250 

965. A PAIR OF JADE AND GOLD CUFFLINKS 

each set with a circular carved jade disc. 

£700-800 

957. AN 18CT. GOLD SIGNET RING 

engraved with initials, size P 1/2, together with 

a pair of 18ct. gold ball cufflinks and a pair of 

9ct. gold oval-shaped cufflinks, engraved with 

initials. Total weight 21 grams. 

£200-250 

960. A SET OF THREE GARNET DRESS STUDS 

each set with a circular cabochon garnet. With 

box. 

£80-100 

963. A PAIR OF GOLD CUFFLINKS 

circular with foliate engraving, each set with 

four rose-cut diamonds and a circular-cut 

garnet. 

£200-300 

966. A PAIR OF ENAMEL AND GOLD 

CUFFLINKS 

each set with an engine turned decorated gold 

disc within a surround of white enamel. 

£200-250 


107

967. A HEAVY SILVER WATCH CHAIN 

suspending various fobs and coins, total weight 

approximately 570 grams. 

£300-400 

970. A SILVER OPEN FACED POCKET WATCH 

the engine turned foliate dial with Roman 

numerals, with cartouche decoration to the 

back case, with watch key, together with 

another silver open faced pocket watch. 

£80-100 

973. AN 18CT. GOLD OPEN FACED POCKET 

WATCH 

the gold foliate dial with Roman numerals and 

signed Mathey Geneve, with foliate engraved 

and cartouche decoration to the back case, on 

a 9ct. gold watch chain. 

£350-450 

976. A GOLD OPEN FACED POCKET WATCH 

the white enamel dial with Roman numerals, 

engraved with initials to the back case. 

£250-300 

108 


the foliate dial with Roman numerals, together 

with five assorted pocket watches and two 

watch faces. 

£60-80 


the gold coloured foliate dial with Roman 

numerals, with foliate and cartouche carved 

decoration to the back case, 3.25cm. dia. 

together with a silver open faced pocket watch. 

£200-300 


the gold coloured dial with Arabic numerals 

and subsidiary seconds dial, engraved with 

inscription to the back case. 

£100-150 

977. A GOLD FULL HUNTING CASED POCKET 

WATCH BY WALTHAM 

the white enamel dial with Roman numerals 

and subsidiary seconds dial, signed American 

Waltham, with engraved foliate decoration to 

both cases, 3.5cm. dia. 

£300-400 



and subsidiary seconds dial, with a silver watch 

chain, together with another open faced pocket 

watch, with a silver watch chain. 

£60-80 


WATCH 


numerals and subsidiary seconds dial, with 

engine turned and cartouche decoration to the 

back case, key wind. 

£350-450 

975. AN ENAMEL AND GOLD FOB WATCH 

the open faced watch with white enamel dial 

set with arabic numerals, with red guilloche 

enamel and gold fleur-de-lys decoration within 

a surround of small pearls to the back case. 

3cm. dia. 

£100-150 


WATCH 


numerals, suspended from a 9ct. gold bow 

brooch fitting. 

£200-300 




and subsidiary seconds hand, signed A.W.W. Co. 

Waltham Mass, the inner case numbered 3646, 

engraved with initials to the back case. 

£150-200 



and subsidiary seconds dial, with foliate 

engraved and cartouche decoration to the back 

case, together with a watch chain. 

£100-150 

985. A LADY’S 9CT. GOLD WRISTWATCH BY 

ACCURIST 

the oval dial with baton numerals. 

£100-120 

988. AN 18CT. GOLD WRISTWATCH 


numerals, on a gold expanding bracelet. 

£300-400 

980. A 9CT. GOLD HALF HUNTING CASED 

POCKET WATCH 


and subsidiary seconds dial, the inner case 

numbered 87017. 

£150-200 

983. A GOLD OPEN FACED POCKET BY 

VERTEX 

the cream dial with Roman numerals and 

subsidiary seconds dial, on an 18ct. gold and 

platinum watch chain suspending a cigar 

cutter, two 9ct. gold collar stiffeners by Asprey, 

in red leather case, two 9ct. gold tie clips, an 

18ct. gold watch chain and a leather wallet by 

Asprey. 

£200-300 

986. A GOLD WRISTWATCH 

on a gold expanding bracelet, together with 

two other wristwatches. 

£80-100 


BUECHE GIROD 

the oval gold coloured dial with baton 

numerals, on a gold integrated bracelet. 

£150-200 

981. AN 18CT. GOLD HALF HUNTING CASED 

POCKET WATCH 


and subsidiary seconds dial, signed Sheffield 

Goldsmiths Co. Ltd. 11 Fargate, on a 9ct. gold 

watch chain. 

£500-700 

984. A LADY’S STAINLESS STEEL OYSTER 

PERPETUAL WRISTWATCH BY ROLEX 

the circular grey dial with baton numerals and 

sweep seconds hand, on an Oyster bracelet. 

With green leather case and box. 

£500-700 

987. A GOLD WRISTWATCH 

the white enamel dial with Roman numerals, 

on an expanding bracelet, together with a 9ct. 

gold wristwatch on a three colour gold mesh 

bracelet, and a 9ct. gold wristwatch by Zenith. 

£150-250 


AVIA 

the circular cream dial with baton numerals, on 

an integrated 18ct. gold bracelet strap. 

£300-500 


109

991. AN ART DECO LADY’S DIAMOND 

COCKTAIL WATCH 

the rectangular dial with Arabic numerals and 

with circular-cut diamonds set to the bezel, on 

a bracelet strap. 

£250-350 

994. A LADY’S DIAMOND COCKTAIL 

WRISTWATCH 

the cream rectangular dial with Arabic 

numerals, with graduated circular-cut 

diamonds set to the bezel and bracelet, with 

sapphire winder. 

£450-550 

997. A GENTLEMAN’S GOLD PLATED 

WRISTWATCH BY ROTARY 

the circular cream dial with baton numerals 

and sweep seconds hand, with stainless steel 

back, on a brown leather strap. 

£50-80 

1000. A SILVER MECHANICAL WRISTWATCH 

BY ROLEX 

the cushion-shaped dial with Arabic numerals 

and subsidiary seconds dial, signed Brufords 

Exeter Rolex, the back case numbered 7118 

1394, on a brown leather strap. 

£150-200 

110 

992. A LADY’S SAPPHIRE AND DIAMOND 

COCKTAIL WRISTWATCH 

the cream circular dial with Arabic numerals 

with calibre-cut sapphires and single-cut 

diamonds set to the bezel. 

£200-300 

995. A GENTLEMAN’S STAINLESS STEEL 

AUTOMATIC CONSTELLATION WRISTWATCH 

BY OMEGA 

the circular cream dial with baton numerals, 

sweep seconds hand and date aperture, on an 

Omega bracelet with deployant clasp. 

£100-150 

998. A GENTLEMAN’S 18CT. GOLD 

MECHANICAL WRISTWATCH BY JAEGER- 

LECOULTRE 

the signed circular cream dial with baton 

numerals, on a 9ct. gold bracelet strap. The 

back case numbered 925919 A. 

£600-700 

1001. A GENTLEMAN’S 9CT. GOLD 

MECHANICAL WRISTWATCH BY ROLEX 

the rectangular dial with baton numerals and 

with subsidiary seconds dial, hallmarked for 

Glasgow 1929, the back case numbered 556 

65563, on a brown leather strap. 

£300-400 

993. A LADY’S DIAMOND COCKTAIL 

WRISTWATCH 

the rectangular dial with Arabic numerals and 

signed Benson London, with circular-cut 

diamonds set to the bezel, on a white gold 

bracelet. 

£150-200 

996. A STAINLESS STEEL AUTOMATIC 

CHRONOMETER CONSTELLATION 

WRISTWATCH BY OMEGA 

the cream dial with applied triangular indexes, 

sweep seconds hand and date aperture, on a 

black leather strap. 

£200-300 

999. A GENTLEMAN’S GOLD PLATED 

WRISTWATCH BY GARRARD 

the white circular dial with Roman numerals, 

with stainless steel back. 

£200-300 

1002. AN 18CT. GOLD WRISTWATCH BY 

VACHERON & CONSTANTIN 

the circular silvered dial with baton numerals, 

signed Vacheron & Constantin, Geneve, sweep 

seconds hand, mechanical seventeen jewelled 

movement, case no. 302820, movement no. 

430335, on brown leather strap, 3.5cm. dia. 

£600-800 


1003. A DIAMOND RING 

millegrain set with six graduated 

circular-cut diamonds in 18ct. 

gold, size O 1/2, together with a 

diamond three stone ring, set with 

graduated cushion-shaped 

diamonds in 18ct. gold, size J 1/2. 

£200-300 

1007. A DIAMOND FIVE STONE 

RING 

set with five graduated circularcut 

diamonds in 18ct. gold, size N, 

together with another diamond 

five stone ring, set in 18ct. gold, 

size N. 

£150-200 

1011. A PEARL AND DIAMOND 

CLUSTER RING 

the untested half pearl is set 

within a surround of rose-cut 

diamonds in gold. Size K. 

£100-150 

1015. A DIAMOND CLUSTER 

RING 

set with circular-cut diamonds in 

gold. Size P 1/2. 

£300-400 

1004. A LAPIS LAZULI RING 

the oval lapis lazuli set with a 

diamond and pearl set gold bee, in 

22ct. gold. Size P. 

£200-250 

1008. A GOLD GYPSY RING 

set with a cushion-shaped 

diamond. Size N. 

£250-300 

1012. A WILLIAM IV AMETHYST 

AND GOLD RING 

set with a foiled backed amethyst 

in gold foliate engraved mount 

and shank, engraved to the 

reverse JD to EG 28 July 1835. Size 

I 1/2. 

£300-400 

1016. A TANZANITE AND 

DIAMOND CLUSTER RING 

the rectangular-shaped tanzanite 

is set within a surround of 


white gold. Size N. 

£2000-2500 

1005. A SAPPHIRE AND 


the oval-shaped sapphire is set 

within a surround of eight 

brilliant-cut diamonds. Size P. 

£300-400 

1009. AN 18CT. GOLD RING 

set with six graduated single-cut 

diamonds. Size M. 

£150-200 


DIAMOND THREE STONE RING 

the oval-shaped tanzanite is set 

with two circular-cut diamonds in 

18ct. white gold. Size O. 

£900-1000 

1017. A FIRE OPAL AND 

DIAMOND RING 

the circular-cut opal is set with 

three circular-cut diamonds to 

each shoulder, inscribed to the 

inner shank New Year’s Eve 1935. 

Size N 1/2. 

£200-300 

1006. A YELLOW SAPPHIRE 

AND DIAMOND RING 

the cut cornered rectangularshaped 

sapphire is set with three 

circular-cut diamonds to each 

shoulder, in 18ct. gold. Size L. 

£400-500 

1010. AN EMERALD AND 

DIAMOND FIVE STONE RING 

set with three marquise-shaped 

emeralds and two marquiseshaped 

diamonds in 18ct. gold. 

Size O. 

£150-200 


1014. A DIAMOND SOLITAIRE 

RING 

set with a brilliant-cut diamond in 

18ct. gold. Size M. 

With a diamond grading report 

from GIA dated 07/09/90 and 

numbered 3251262 stating that 

the brilliant-cut diamond weighs 

0.72 carats and has SI2 clarity 

with F colour. 

£700-800 

1018. A RUBY AND DIAMOND 

CLUSTER RING 

the oval-shaped ruby is set within 

a surround of single-cut 

diamonds in 18ct. gold. Size H 1/2, 

together with a 22ct. gold 

wedding band. 

£200-250 

111

1019. A PINK SAPPHIRE THREE 

ROW RING 

set with circular-cut pink 

sapphires in 18ct. white gold. Size 

M. 

£200-250 




within a surround of circular-cut 

diamonds in 18ct. gold. Size P. 

£300-400 


set with a circular-cut diamond 

with three rows of small circularcut 

diamonds to each shoulder, in 

18ct. gold. Size J. 

£400-600 

1031. A GEORGIAN DIAMOND, 

PEARL AND EMERALD CLUSTER 

RING 

set in gold, some stones missing. 

Size G. Together with an 18ct. 

gold foliate engraved ring, set 

with a row of six half pearls. Size 

H. 

£100-150 

112 

1020. A VICTORIAN DIAMOND 

RING 

set with three rose-cut diamonds, 

within a surround millegrain set 

with small rose-cut diamonds. 

Size H. 

£200-300 


RING 

of flowerhead form, set with 

circular-cut diamonds weighing 

approximately 1.50 carats in total, 

in 18ct. white gold. Size M. 

£1000-1500 



the central emerald is set within a 

surround of circular-cut diamonds 

in 18ct. gold. Size N. 

£400-600 


1900, in 9ct. gold ring mount. Size 

S. 

£100-150 

1021. A VICTORIAN RUBY AND 

DIAMOND RING 

set with a cushion-shaped 

diamond within a surround of six 

circular-cut rubies in gold. Size E 

1/2. 

£200-300 


DIAMOND RING 

set with an oval-shaped sapphire 

with two circular-cut sapphires 

and circular-cut diamonds set to 

the scrolling gold shank. Size L 

1/2. 

£500-700 


DIAMOND THREE STONE RING 


with two brilliant-cut diamonds in 

platinum. Size P. 

£1000-1500 

1033. A GOLD SIGNET RING 

set with a bloodstone intaglio 

engraved with a crest. Size P. 

£100-150 

1022. A PERIDOT SINGLE 

STONE RING 

set with an oval-shaped peridot in 

18ct. gold. Size O 1/2. 

£400-600 

1026. A 22CT. GOLD RING 

with ridged decoration. Size N. 

Together with another gold ring. 

Size N. 

£100-150 



set with circular-cut sapphires 

and diamonds in gold. Size M. 

£250-300 


1034. AN 18CT. GOLD SIGNET 

RING 

engraved with a crest, 16 grams. 

Size R. 

£300-400

1035. A DIAMOND AND GOLD 

RING BY GAY FRÈRES 

the stylised horse’s head is set 

with circular-cut diamonds and 

with ruby eyes in 18ct. gold. Size 

L. 

£600-800 

1039. A DIAMOND FOUR 

STONE RING 

set with four circular-cut 

diamonds in 18ct. gold. Size M. 

£300-500 


DIAMOND RING 



diamonds in 18ct. gold. Size M 

1/2. 

£350-450 

1047. A GOLD AND GEM SET 

RING 

the abstract and textured design 

is set with circular-cut rubies and 

sapphires. Size M. 

£200-300 

1036. AN 18CT. GOLD RING BY 

THEO FENNELL 

of ridged bombe design, signed 

Fennell, 20 grams. Size R. With 

box. 

£400-600 

1040. A DIAMOND HALF HOOP 

V-SHAPED RING 

set with seven brilliant-cut 

diamonds in 18ct. gold. Size Q 1/2. 

£400-500 


RING 

set with a brilliant-cut diamond in 

gold. Size O 1/2. 

£150-200 


centred with a princess-cut 

diamond weighing approximately 

1.17 carats, within a surround of 

graduated baguette-cut diamonds 

in 18ct. gold. Size V. 

£1000-1200 


RING 

of flowerhead form, centred with 

a brilliant-cut diamond within a 

surround of six single-cut 

diamonds in 18ct. white gold. Size 

M. 

£400-600 


RING 

set with an emerald-cut diamond 

in platinum. Size J 1/2. 

£150-200 


RING 

set with seven circular-cut 

diamonds in gold. Size J 1/2. 

£200-300 

1049. A CITRINE SINGLE STONE 

RING 

set with an oval-shaped citrine in 

18ct. gold. Size M 1/2. 

£300-400 

1038. AN 18CT. GOLD AND 

PLATINUM RING 

set full circle with small 

diamonds. Size M. 

£200-250 



DIAMOND RING 


with three circular-cut diamonds 

to each shoulder, in platinum. Size 

N. 

£400-600 





diamonds in 18ct. gold. Size F. 

£300-400 



set with an oval-shaped tanzanite 

weighing approximately 10.00 

carats within a surround of 

sixteen circular-cut diamonds in 

18ct. white gold. Size P 1/2. 

£3500-4000 

113


RING 

set with a brilliant-cut diamond 


carats in 18ct. gold. Size N. 

£300-400 



set with a circular-cut sapphire 


diamonds in gold. Size M. 

£60-80 

1059. A GEORGE III ENAMEL 

AND PASTE RING 

set with a cushion-shaped paste 

stone with white enamel and gold 

decoration to the shank, with 

worn inscription. Size T. 

£100-150 

1063. A DIAMOND FIVE STONE 

RING 

set with five brilliant-cut 


N. 

£800-1200 

114 


POSY RING 

set with five graduated circularcut 

diamonds in 18ct. gold. The 

hinged panel opens to reveal 

‘EVER TRUE’ . Size M 1/2. 

£150-200 

1056. AN ENAMEL AND 

DIAMOND RING 

the blue enamel panel set with 

rose-cut diamonds, in gold foliate 

mount and shank. Size L 1/2. 

£500-700 

1060. AN AQUAMARINE AND 

DIAMOND RING 

the marquise-shaped aquamarine 

is set with four circular-cut 

diamonds to each shoulder. Size P 

1/2. 

£100-150 


RING 

set with graduated circular-cut 

diamonds in 18ct. gold. Size O. 

£450-550 






O. 

£300-400 

1057. AN OPAL AND DIAMOND 

MARQUISE-SHAPED RING 

set with a cabochon white opal 

within a surround of small 

diamonds. Size L. 

£750-850 

1061. A DIAMOND FULL CIRCLE 

ETERNITY RING 

set with single-cut diamonds. Size 

K. 

£150-200 

1065. A SAPPHIRE FULL CIRCLE 

ETERNITY RING 

set with calibre-cut sapphires in 

platinum. Size O. 

£400-500 

1054. AN 18CT. GOLD RING 

with elephant decoration, 4 

grams. Size O. 

£100-150 



RING 

of foliate form, set with circularcut 

diamonds weighing 1.45 

carats in total in 18ct. gold. Size 

N. 

£700-800 


RING 

the 18ct. three colour gold band 

with diamond set terminals. Size 

N. 

£120-180 


SERPENT RING 

set with six graduated cushionshaped 


Size T. 

£200-250

1067. A PAIR OF SILVER EARRINGS BY 

TIFFANY & CO. 

stamped T & Co., with blue Tiffany pouch. 

£80-100 

1070. AN AQUAMARINE AND PEARL 

BROOCH 

5cm. long, together with a two stone diamond 

ring set in silver and gold (shoulder stones not 

diamonds), and a silver thistle brooch. 

£80-100 

1073. A LARGE OVAL CARVED SHELL CAMEO 

BROOCH 

depicting three girls, one holding a basket of 

flowers, mounted in an 18ct. gold frame, 8 x 

6cm. 

£400-500 

1076. A CARVED PURPLE GLASS CAMEO 

BROOCH 

oval, depicting the profile of a classical woman, 

in 18ct. gold mount, 4.5 x 3.5cm. 

£80-120 

1068. A SILVER HEART PENDANT BY 

TIFFANY & CO. 

together with a silver ring by Tiffany & Co. Size 

V 1/2. 

£100-150 

1071. A 9CT. GOLD BOOK MARKER BY 

ASPREY 

stamped A & Co. Ltd., patent no. 257529, 7 

grams, 7cm. long. 

£200-250 

1074. A 15CT. GOLD BROOCH 

set with six woodcock feathers, 5cm. long, in 

fitted box. 

£200-300 

1077. AN AMETHYST AND DIAMOND 

PENDANT 

set with an oval-shaped amethyst within a 

foliate surround of rose-cut diamonds and 

small pearls, 4 x 3cm. 

£600-700 

1069. A DIAMOND CRUCIFORM PENDANT 

BY TIFFANY & CO. 

set with five circular-cut diamonds in platinum, 

stamped T & Co., 0.75cm. high., on an 18ct. gold 

neckchain, with blue Tiffany pouch. 

£150-200 

1072. A GEM SET FLOWER SPRAY BROOCH 

together with two other brooches. 

£100-150 

1075. AN OVAL CARVED SHELL CAMEO 

BROOCH 

depicting a classical scene, in a 15ct. gold 

mount, 6 x 5cm. 

£300-400 

1078. A CARVED CORAL CAMEO PENDANT 

depicting a classical woman, in cannetille 

mount, 4 x 3.5cm. 

£450-550 


115

1079. A GOLD AND GEM SET SPECTACLE 

LINK NECKLACE 

set with oval-shaped rubies, sapphires and 

emeralds, together with a similar necklace 

suspending a pendant and a foliate gem set 

brooch. 

£300-400 

1082. A VICTORIAN DOUBLE HEART 

BROOCH 

set with rose-cut diamonds in gold, 4cm. long, 

together with an opal and pearl brooch, set 

with a heart-shaped opal in 15ct. gold, 5cm. 

long. 

£100-150 

1085. A DIAMOND PENDANT 


18ct. white gold, 3.25cm. long. 

£550-650 

1088. A JADE BRACELET 

set with barrel-shaped jade beads, together 

with another similar bracelet and a cornelian 

single stone ring. 

£100-150 

116 

1080. A GEORGIAN EMERALD AND 

DIAMOND BROOCH 

set with three square-cut emeralds and overall 

with graduated rose-cut diamonds and 

suspending an untested pearl drop, in silver, 

6.5cm. wide, together with a Georgian oval 

foliate brooch, set with graduated rose-cut 

diamonds, in silver, 4.75cm. wide. 

£200-300 

1083. A DIAMOND LINE BRACELET 

set with forty circular-cut diamonds in gold, 

18cm. long. 

£400-500 

1086. A RUBY AND DIAMOND OPEN 

CRESCENT BROOCH 

set with graduated oval-shaped rubies and 

circular-cut diamonds, in gold, 5.5cm. long. 

£250-350 

1089. A VICTORIAN GOLD AND GEM SET 

BROOCH 

set with an amethyst and rose-cut diamond 

cluster within a border of kite-shaped 

amethysts and seed pearls and an outer border 

of green enamel, the foliate engraved gold 

frame set with pearls, 4.5cm. dia 

£450-650 

1081. A SILVER BANGLE 

set with three graduated circular-cut 

aquamarines, together with a similar silver 

bangle set with amethysts. 

£60-80 

1084. A SAPPHIRE AND PEARL INSECT AND 

SPIDER BROOCH 

set in gold, 5.5cm. long, together with a pair of 

diamond set insect stud earrings. 

£120-180 

1087. AN ART NOUVEAU TURQUOISE AND 

GOLD NECKLACE 

set with three turquoise cabochons in gold, on 

a fine link neckchain, 4.75cm. high. 

£150-200 

1090. A MEXICAN ARTS AND CRAFTS SILVER 

AND AMETHYST BROOCH BY W. SPRATLING 

5.5cm. wide, together with a similar bracelet 

and ring. 

£200-300 


1091. AN OVAL GOLD LOCKET PENDANT 

embossed with a half pearl set cross with blue 

enamel decoration, 3 x 2.5cm. 

£100-150 

1094. A SAPPHIRE AND DIAMOND RING 

the oval-shaped sapphire is set with two 

circular-cut diamonds in 18ct. gold, size M, 

together with a matching pendant and a pair 

of stud earrings. 

£200-300 


set with calibre-cut rubies and circular-cut 

diamonds in 18ct. gold, 17.5cm. long. 

£300-400 

1100. A VICTORIAN GOLD BROOCH 

circular, with white and black enamel 

decoration, and locket compartment to the 

reverse, 4cm. dia. 

£100-150 

1092. A GOLD CHAIN NECKLACE 

set with eight oval-shaped citrines, in gold 

collet mounts, 61cm. long. 

£100-150 

1095. AN 18CT. WHITE GOLD HALF HINGED 

BANGLE 

set with five circular-cut diamonds. 

£800-1000 

1098. AN ENAMEL AND DIAMOND BOW 

BROOCH 

set with blue guilloche enamel within a border 

of white enamel with five rose-cut diamonds 

to the centre, suspending an enamel figure 

drop, 3cm. wide. 

£120-180 

1101. A 19TH CENTURY AUSTRO- 

HUNGARIAN ENAMEL AND GEM SET 

PENDANT 

in Renaissance style, depicting The Flight into 

Egypt, set with a small diamond, pearls and 

various gem stones, with polychrome enamel 

decoration to both sides, 5.5 x 4cm. With fitted 

box. 

£300-500 

1093. A VICTORIAN GOLD HORSESHOE 

BROOCH 

set with cushion-shaped sapphires and 

diamonds, 2.75cm. wide. 

£60-80 

1096. AN AMETHYST AND PEARL BROOCH 

of oval shape, set in gold, 2.5cm. wide, together 

with a pair of similar cluster stud earrings. 

£100-150 

1099. A SAPPHIRE, DIAMOND AND PEARL 

BRACELET 

set with circular-cut sapphires, single-cut 

diamonds and with six untested pearls, on a 

gold expanding bracelet, 17cm. long. 

£250-350 

1102. A GEM SET AND GOLD HINGED 

BANGLE 

set with circular-cut emeralds and diamonds 

and with lapis lazuli and chrysoprase 

cabochons in 18ct. white gold. 

£300-400 


117

1103. A PAIR OF VICTORIAN GOLD AND GEM 

SET DROP EARRINGS 

circular, each set with four oval-shaped pink 

stones, 2.5cm. long. 

£120-180 

1106. A PAIR OF AQUAMARINE DROP 

EARRINGS 

each set with an oval-shaped aquamarine in 

gold mount, together with a pair of amethyst 

and gold drop earrings. 

£100-120 

1109. AN AMETHYST AND DIAMOND 

PENDANT 

of foliate form, set with three graduated 

circular-cut amethysts and an amethyst drop 

and overall with circular-cut diamonds in gold, 

3.5cm. high. 

£200-300 

1112. A SAPPHIRE AND DIAMOND BAR 

BROOCH 

set with a square-shaped sapphire with two 

circular-cut diamonds, in gold, 5.75cm. long. 

£80-120 

118 

1104. A BLUE GUILLOCHE ENAMEL AND 

DIAMOND CLOCK PENDANT 

the white circular dial with blue and one red at 

12 o’clock Arabic numerals, the sides with 

foliate decoration set with rose-cut diamonds. 

£80-120 

1107. AN ARTS AND CRAFTS OPAL 

NECKLACE 

set with an oval cabochon opal and four 

circular cabochon opals in silver, 40cm. long. 

£500-600 

1110. AN AMETHYST AND 15CT. GOLD 

PENDANT 

the oval-shaped amethyst is set within a gold 

mount set with small pearls, 4cm. long. 

£150-200 

1113. A PINK SAPPHIRE AND DIAMOND 

CLUSTER PENDANT 

the oval-shaped pink sapphire is set within a 

surround of circular-cut diamonds, with 

further diamonds set to the pendant loop, in 

gold, 2cm. high. 

£200-300 

1105. A DIAMOND DOVE BROOCH 

set with graduated circular-cut diamonds, and 

with ruby eye in gold, 3cm. wide. 

£250-300 

1108. AN EMERALD AND DIAMOND LIZARD 

BROOCH 

set with graduated circular-cut emeralds and 

diamonds in gold, 4.5cm. long. 

£250-300 

1111. A RUBY, DIAMOND AND CULTURED 

PEARL PENDANT 

of foliate and ribbon design, set with a cultured 

pearl, four circular-cut rubies and with 

graduated circular-cut diamonds in gold, 4cm. 

long. 

£200-300 

1114. A DIAMOND BAR BROOCH 

of foliate form, set with graduated circular-cut 

diamonds in 18ct. white gold and platinum, 

6cm. long. 

£300-500 


1115. A DIAMOND TWO STONE PENDANT 

set with two circular-cut diamonds, 3cm. long. 

£150-200 

1118. A CULTURED PEARL FOLIATE SPRAY 

BROOCH 

set in silver, together with another cultured 

pearl and silver foliate brooch, a single row 

uniform cultured pearl necklace and a cultured 

pearl ring. 

£100-150 

1121. A THREE ROW GRADUATED CULTURED 

PEARL CHOKER 

the pearls graduate from 4.00 to 5.8mm. and 

are set to an emerald, cultured pearl and gold 

flowerhead clasp, 34.5cm. long. 

£300-400 

1124. A SHELL AND DOLPHIN RUBY 

BROOCH 

the dolphin set with calibre-cut rubies, with 

diamond eye, 3cm. long. 

£600-700 

1116. A DIAMOND SINGLE STONE PENDANT 

set with a brilliant-cut diamond weighing 

approximately 0.70 carats. 

£400-500 

1119. A SINGLE ROW GRADUATED 

CULTURED PEARL NECKLACE 

the pearls graduate from 6.8mm. to 9.3mm. 

and are set to a sapphire and diamond cluster 

clasp, 49.5cm. long. 

£400-600 

1122. A SINGLE ROW GRADUATED PEARL 

NECKLACE 

the pearls graduate from 2.0mm. to 5.5mm. 

and are set to a diamond set clasp. 

With a pearl report from The Gem & Pearl 

Laboratory no. 04958 stating that the pearls are 

natural (saltwater). There is a white glass bead 

in the drill-hole of the 78th pearl from the 

tongue end. 

£250-300 

1125. A SAPPHIRE AND DIAMOND 

NECKLACE 

set with three pear-shaped sapphires and with 

circular-cut diamonds in gold, 44cm. long. 

£120-180 

1117. A DIAMOND BRACELET 

set with graduated circular-cut diamonds on 

an 18ct. white gold expanding bracelet, 14.5cm. 

long., with two extra links. 

£400-500 

1120. A THREE ROW UNIFORM CULTURED 

PEARL CHOKER 

the pearls measure 6.3mm. and are set to a 

pearl and gold flowerhead clasp, 39cm. long. 

£200-250 

1123. A SINGLE ROW UNIFORM CULTURED 

PEARL NECKLACE 

the pearls measure approximately 5.0mm. and 

are set to a gold clasp, 42cm. long. 

£80-100 

1126. A GEM SET AND GOLD BROOCH 

formed as a basket of flowers, set with circularcut 

emeralds, sapphires, rubies and diamonds 

in 18ct. gold, 2.5cm. wide. 

£200-300 


119

1127. A PAIR OF 9CT. GOLD EARRINGS 

3cm. long. 

£80-100 

1130. A PAIR OF 18CT. GOLD CRUCIFORM 

DROP EARRINGS BY BREON O’CASEY 

stamped BOC to the reverse, 2.5cm. long. 

£150-200 

120 

1128. A RUBY AND DIAMOND CRUCIFORM 

PENDANT 

set with circular-cut diamonds and with rubies 

in 18ct. white gold, 3cm. high. 

£400-600 

1131. A PAIR OF 18CT. GOLD DROP 

EARRINGS BY BREON O’CASEY 

stamped BOC to the reverse, 3.5cm. long. 

£150-200 

Breon O’Casey (1928-2011) was the son of the Irish playwright Sean O’Casey. He lived in St. Ives, 

Cornwall where he worked as an assistant to the sculptor Denis Mitchell and then Dame Barbara 

Hepworth. His main occupation was painting and sculpture, but he also made jewellery as a sideline. 

1133. A PAIR OF MOONSTONE AND 

DIAMOND DROP EARRINGS 

set with graduated pear-shaped, circular and 

oval-shaped faceted moonstones, with small 

diamonds set to the surmount, 6cm. long. 

£600-800 

1136. A JET LOCKET PENDANT 

centred with an oval cabochon opal, with rosecut 

diamonds set to the pendant loop, and with 

locket compartment to the reverse, 4.5 x 3.5cm. 

£150-250 

1134. A BLACK ENAMEL AND DIAMOND 

LOCKET PENDANT 

rectangular, the front set with rose-cut 

diamonds, 4 x 2.75cm. 

£250-350 

1137. A JADE, RUBY AND DIAMOND 

PENDANT 

the carved and pierced jade drop is set with a 

spinel and small diamonds, 5cm. long. 

£600-800 

1129. A PAIR OF DIAMOND EARRINGS 

of flowerhead form, set with circular-cut 

diamonds in 18ct. two colour gold. With clip 

fittings. 

£100-150 

1132. A PAIR OF JADE AND DIAMOND DROP 

EARRINGS 

each set with a shield-shaped section of jade 

and a small diamond, 2.5cm. long. 

£300-400 

1135. A SET OF THREE MOONSTONE 

BANGLES 

each set with uniform faceted moonstones. 

£400-600 

1138. A GOLD PORTRAIT BROOCH 

the circular gold cannetille frame set with small 

pearls, with locket compartment to the reverse 

containing hair, 3.25cm. dia. 

£200-300 


1139. AN AMETHYST BRACELET 

set with nine oval-shaped amethysts in 9ct. 

rose gold, 17cm. long. 

£120-180 

1142. A PAIR OF PERIDOT DROP EARRINGS 

each set with a rectangular-shaped peridot in 

gold. 

£80-100 

1145. A DIAMOND HEART-SHAPED LOCKET 

PENDANT 

set with circular-cut diamonds in gold, 2.25cm. 

wide. 

£400-500 

1148. AN ENAMEL HARLEQUIN BROOCH 

set with white, green, turquoise, orange and 

black enamel in gold, 4cm. high. 

£350-450 

1140. A DIAMOND HALF HINGED BANGLE 

set with circular-cut diamonds in 18ct. gold. 

£800-1000 

1143. A DIAMOND LINE BRACELET 

set with circular-cut diamonds, in gold, 19cm. 

long. 

£250-350 


formed with pairs of circular-cut diamonds in 

white gold, 156cm. long. 

£800-1000 

1149. A PAIR OF RUBY, DIAMOND AND 

CULTURED PEARL DROP EARRINGS 

each set with a cultured pearl with three 

square-shaped rubies and overall with circularcut 

diamonds in 18ct. white gold, 3.25cm. long. 

£750-850 


formed with twelve oval sections each set with 

circular-cut rubies and diamonds, in gold, 

19cm. long. 

£1000-1200 

1144. A PAIR OF DIAMOND DROP EARRINGS 

of foliate form, set with circular-cut diamonds 

in 18ct. white gold, 2.25cm. long. 

£400-600 

1147. A RUBY AND DIAMOND BROOCH 

set with rose-cut diamonds, calibre-cut rubies 

and centred with an untested pearl, in gold, 

4.25cm. long. 

£200-300 

1150. A GARNET AND GOLD BROOCH 

set with a cluster of six circular-cut garnets in 

gold, 5.5cm. long. 

£200-300 


121

1151. A PAIR OF RUBY STUD 

EARRINGS 

each set with a circular-cut ruby 

in gold, together with another 

pair of ruby stud earrings, each 

set with an oval-shaped ruby in 

gold. 

£200-300 

1155. A PAIR OF SAPPHIRE AND 

DIAMOND CLUSTER EARRINGS 

each set with an oval-shaped 

sapphire within a surround of 

circular-cut diamonds, with clip 

fittings. 

£250-350 

1159. A PAIR OF DIAMOND 

CLUSTER EARRINGS 

of triangular-shape, each centred 

with a triangular-shaped diamond 

within a surround of small 


white gold. 

£100-150 


STUD EARRINGS 

each collet set with a brilliant-cut 

diamond. 

£400-600 

122 

1152. A PAIR OF TOURMALINE 

DROP EARRINGS 

each set with an oval-shaped pink 

tourmaline in gold. 

£80-100 


CLUSTER STUD EARRINGS 

of flowerhead form, set with 

circular-cut diamonds weighing 

2.30 carats in total, in 18ct. white 

gold. 

£1400-1800 

1160. A PAIR OF AQUAMARINE 

AND DIAMOND STUD EARRINGS 

of flowerhead form, each set with 

a circular-cut aquamarine within 

a surround of circular-cut 

diamonds. 

£500-600 


STUD EARRINGS 

each set with a cushion-shaped 

diamond, in gold. 

£700-800 

1153. TWO PAIRS OF RUBY 

STUD EARRINGS 

all set with oval-shaped rubies in 

gold. 

£200-300 

1157. A PAIR OF RUBY AND 

DIAMOND STUD EARRINGS 

of flowerhead form, each set with 

a circular-cut ruby and small 

diamonds. 

£500-600 

1161. A PAIR OF SAPPHIRE AND 

DIAMOND CLUSTER STUD 

EARRINGS 

each set with a circular-cut 

sapphire within a surround of 

circular-cut diamonds in gold. 

£250-300 


STUD EARRINGS 

set with brilliant-cut diamonds 


carats in total, in 18ct. white gold. 

£1400-1800 

1154. A PAIR OF SAPPHIRE 

STUD EARRINGS 


sapphire in gold. 

£150-200 


CLUSTER STUD EARRINGS 

each set with three circular-cut 

diamonds. 

£150-200 


STUD EARRINGS 


diamond in 18ct. white gold. 

£250-300 


1166. A PAIR OF RUBY AND 

DIAMOND CLUSTER STUD 

EARRINGS 

each set with an oval-shaped ruby 



£1000-1500


STUD EARRINGS 

set with brilliant-cut diamonds 


carats in total. 

£1800-2500 

1171. A JADE AND DIAMOND 

CLUSTER RING 

set with an oval jade cabochon 

with a surround of tapered 

baguette-cut and circular-cut 

diamonds in 18ct. gold. Size M. 

£600-800 


OTTOMAN RUBY AND DIAMOND 

RING 

of marquise-shape, centred with a 

square-shaped ruby within a 

surround of graduated irreqularshaped 

diamonds, in gold. Size O. 

£600-800 

1179. A DIAMOND FULL CIRCLE 

ETERNITY RING 

millegrain set with circular-cut 

diamonds in platinum. Size L. 

£2000-3000 


STUD EARRINGS 

the brilliant-cut diamonds weigh 

2.01 carats in total and are set in 

18ct. white gold. 

£5000-6000 

1172. AN AQUAMARINE AND 

DIAMOND RING 

the step-cut aquamarine is set 

with circular-cut diamonds to 

each shoulder. Size L. 

£2400-2800 


OTTOMAN DIAMOND RING 

of marquise-shape, set with 

graduated irregular-shaped 

diamonds in gold. Size N. 

£600-800 

1180. A DIAMOND RING BY 

GUCCI 

in the form of a horse’s bit, set 

with circular-cut diamonds in 

18ct. white gold. Size R. 

£800-900 


DIAMOND FIVE STONE RING 

set with three circular-cut 

sapphires and two brilliant-cut 


1/2. 

£1500-2500 

1173. A SAPPHIRE FULL CIRCLE 

ETERNITY RING 

set with calibre-cut sapphires. 

Size O. 

£150-200 



set with three oval-shaped 

sapphires within a surround of 

circular-cut diamonds. Size P. 

£500-700 


centred with an emerald-cut 

diamond with two trapezoid-cut 

diamonds, and four baguette-cut 

diamonds set to each shoulder, in 

platinum. Size M. 

£3000-5000 

1170. A DIAMOND THREE 

STONE RING 

centred with a princess-cut 

diamond, with two smaller 

princess-cut diamonds. Size L. 

£3000-3500 


STONE RING 

set with an old mine-cut diamond 

and two pear-shaped diamonds in 

18ct. gold. Size N. 

£2000-2500 


RING 

set with graduated circular-cut 


£1500-1800 

1182. A DIAMOND COCKTAIL 

RING 

millegrain set with graduated 

circular-cut diamonds. Size L. 

£650-750 


123

1183. A SOUTH SEA PEARL AND 

DIAMOND RING 

the pearl measures 10.2mm. and 

is set with two circular-cut 

diamonds to each shoulder in 

18ct. gold. Size M. 

£600-800 


RING 

set with five old-brilliant cut 

diamonds in 18ct. gold carved 

mount. Size L. 

£1500-2000 

1191. A CULTURED PEARL AND 

DIAMOND RING 

the cultured pearl is set with six 

tapered baguette-cut diamonds to 

each shoulder, in 18ct. gold. Size 

G 1/2. 

£500-600 

1195. A RUBY AND DIAMOND 

CLUSTER RING 

the cushion-shaped ruby is set 

within a surround of graduated 

cushion-shaped diamonds in 18ct. 

gold and platinum. Size K 1/2. 

£800-1000 

124 


STONE RING 

set with three brilliant-cut 


£1000-1500 


RING 

set with a radiant-cut diamond 

weighing 1.01 carats with six 

small diamonds set to each 

shoulder, in 18ct. white gold. Size 

L. 

£1500-2000 



the cushion-shaped sapphire is 

set within a surround of circularcut 

diamonds in platinum. Size N. 

£400-600 

1196. AN ART DECO SAPPHIRE 


the square-shaped sapphire is set 

with a baguette-cut and two 

circular-cut diamonds, with 

further diamonds set to the 

shoulders. Size L. 

£2400-2800 

1185. A PINK TOPAZ AND 


the cushion-shaped topaz is set 


diamonds, with further diamonds 

set to each shoulder. Size N. 

£3400-3800 




carats, with two circular-cut 

diamonds set to each shoulder. 

Size K 1/2. 

£2000-2500 






£4500-5500 


RING 


weighing 1.54 carats, with a 

tapered baguette-cut diamond set 

to each shoulder in platinum. Size 

J. 

£6000-7000 



set with an emerald-cut diamond, 

with three small diamonds set to 

each shoulder. Size Q. 

£1200-1800 


STONE RING 

set with three graduated oldbrilliant 

cut diamonds. Size K 1/2. 

£1200-1800 


DIAMOND RING 

set with calibre-cut emeralds and 

graduated circular-cut diamonds 

in gold. Size N. 

£850-950 

1198. AN ART DECO SAPPHIRE 


set with an oval-shaped sapphire 

within a surround of calibre-cut 

sapphires and circular-cut 

diamonds in platinum. Size J 1/2. 

£800-1200

1199. A VICTORIAN DIAMOND STAR 

BROOCH PENDANT 


silver and gold, 3.5cm. dia. 

£300-400 

1202. A RUBY AND DIAMOND HINGED 

BANGLE 

the central cluster set with an oval-shaped 

ruby within a surround of circular-cut 

diamonds, flanked with two foliate motifs set 

with small rubies and diamonds, in gold. 

£600-800 

1205. A VICTORIAN DIAMOND STAR 

BROOCH PENDANT 

set with graduated cushion-shaped and rosecut 

diamonds in silver and backed in gold, 4cm. 

dia. 

£600-700 

1208. A SET OF VICTORIAN DIAMOND AND PEARL JEWELLERY 

comprising a brooch pendant and a pair of earrings, each of foliate form 

and set with graduated pearls and rose-cut diamonds, in gold, the 

brooch 3.5cm. dia, the earrings 2cm. dia. In fitted box by Hunt & Roskell. 

£500-700 

1200. A PAIR OF SAPPHIRE AND DIAMOND 

EARRINGS 

each set with circular-cut sapphires and singlecut 

diamonds, 3cm. long, with clip fittings. 

£300-400 


of foliate design, set with graduated circularcut 

diamonds in 18ct. white gold, 18cm. long. 

£1000-1500 

1206. A VICTORIAN DIAMOND AND PEARL 

BROOCH 

of foliate form, set with rose-cut diamonds in 

silver and gold, suspending a pearl drop, later 

brooch fitting, 6cm. wide. 

With a pearl report from The Gem & Pearl 

Laboratory no. 05075 stating that the drop 

shaped pearl measures 9.9-10.5 x 13.5mm. and 

is natural (saltwalter). 

£400-600 

1201. A SAPPHIRE AND DIAMOND BROOCH 

of foliate form, set with graduated circular-cut 

sapphires and with single-cut diamonds, 4.5cm. 

wide. 

£500-700 

1204. AN EMERALD AND DIAMOND BANGLE 

set with an oval cabochon emerald with a row 

of graduated circular-cut diamonds to each 

side, in 18ct. gold. 

£2500-3000 

1207. A DIAMOND AND SYNTHETIC 

SAPPHIRE BROOCH 

the central synthetic sapphire is set within a 

line of calibre-cut sapphires and overall with 

graduated circular-cut diamonds, 5.5cm. long. 

£600-800 

1209. A VICTORIAN CORAL AND IVORY BRACELET 

formed with three oval panels of carved ivory surrounded by small coral 

beads. 

£400-600 


125

1211. A DIAMOND DROP PENDANT 

set with a trilliant-cut diamond weighing 

approximately 2.00 carats and with two 

graduated brilliant-cut diamonds, on an 18ct. 

gold fine link neckchain. The pendant 2.25cm. 

high. 

£5000-7000 

1214. A PEARL AND GEM SET INSECT 

BROOCH 

the body formed as a single bronze pearl, the 

wings set with graduated rose-cut diamonds, 

and with ruby eyes, in gold, 3cm. wide. 

With pearl report stating that the pearl is 

natural and measures approximately 14.5 x 10 x 

6mm. 

£1400-1800 

1217. A FIRE OPAL AND DIAMOND CLUSTER RING 

the oval-shaped opal is set within a surround of circular-cut diamonds 

in 18ct. white gold. Size Q. 

£1500-2000 

126 

1210. A VICTORIAN CARVED SHELL CAMEO AND ENAMEL NECKLACE 

formed with six rectangular-shaped panels, each depicting a classical man or 

woman within a blue and white enamel foliate and scrolling frame, 44cm. long. 

£800-1000 

1212. A CULTURED PEARL AND DIAMOND 

NECKLACE 

formed with baroque shaped pearls and with 

small diamonds, 96cm. long. 

£2400-2800 

1215. A SAPPHIRE AND DIAMOND 

BRACELET 

formed with six oval-shaped sapphires each set 

with four circular-cut diamonds, separated by a 

section of baguette-cut diamonds centred with 

a circular-cut sapphire, 18cm. long. 

£5000-7000 

1213. A VICTORIAN CARVED SHELL CAMEO 

AND GOLD BRACELET 

the cameo depicting the Goddess of Night, 

within an ornate gold frame and on a six 

stranded circular link bracelet. The cameo 3.25 x 

2.75cm. 

£300-500 

1216. AN OPAL AND GOLD BROOCH 

the oval-shaped cabochon white opal set in 

18ct. gold mount, 3.5cm. wide. 

£1500-2000 

1218. A DIAMOND SOLITAIRE RING 

set with a brilliant-cut diamond weighing approximately 3.50 carats, 

with five graduated circular-cut diamonds set to each shoulder. Size M. 

£8000-12000 


1219. A DIAMOND NECKLACE 

set with a pear-shaped diamond weighing 1.27 carats and overall with graduated circular-cut diamonds and two small emeralds, 39cm. long. 

£4000-5000 

1220. AN ART DECO SAPPHIRE AND DIAMOND BROOCH 

set with calibre-cut sapphires and with graduated circular-cut diamonds, 

9cm. long. With box. 

£4000-6000 

1221. AN ART DECO SAPPHIRE AND DIAMOND BRACELET 

of geometric design, set with calibre-cut sapphires and with circular-cut 

diamonds, 18.5cm. long. With box. 

£6000-8000 

1222. A VICTORIAN DIAMOND BROOCH PENDANT 

of circular foliate form, set with graduated cushion-cut and rose-cut diamonds in silver and backed in gold, 3.5cm. dia. 

£1500-2000 


127

128 


19th/20th Century Design; 

Ceramics and Glass 

Thursday 19th April 

Enquiries: Richard Gold FRICS 


Enquiries: Simon Jones 

simon.jones@lawrences.co.uk 

19th/20th Century Design 

Condition Reports for Ceramics 


Lot 1587 

Under no circumstances will we confirm that a 

lot is in perfect condition. 

Condition reports will not be given on items 

estimated at less than £500 and will only be 

given on items above £500 at our discretion. 

The onus rests with the buyer to satisfy 

themselves as to the condition of lots on which 

they wish to bid. 

Condition reports will be in writing only and will 

be generated only by the ceramics department. 

Condition reports will not be given after the 

close of business of the day before the sale. 

Ceramics and Glass

1251. ROYAL WORCESTER VASE - ERNEST 

BARKER 

painted with sheep in a highland landscape, 

with a pierced gilded lid and base. Lid damaged. 

Signed, E Barker, and marked Royal Worcester 

2670. 7 3 ⁄4ins. (19cms.) high 

*Barker trained under Harry Davis and 

specialised in sheep subjects in his style, 

generally working on small pieces and plaques. 

The model number dates the piece to 1917. 

£100-200 

1254. PAIR OF SIGNED ROYAL WORCESTER 

PLATES - ASPREY 

each painted by R Sebright, with a central panel 

painted with fruit and with a blue ground and 

elaborate gilded border. Made in 1897. Marked, 

Royal Worcester, Specially made for Asprey’s, 

1771. Each 8 1 ⁄2ins. (21cms.) diameter 

£100-200 

1257. BRONZE & IVORY FIGURE 

a gilt bronze figure of a boy, with an ivory face 

and hands and holding a toy boat. Mounted on 

a rough textured base, unsigned. 10ins. 

(25cms.) high 

£100-200 

1258. EMILE MONIER - BRONZE & MARBLE 

ART DECO STAND 

an unusual stand with a bronze plaque of a 

lady, mounted on marble with a glass bowl at 

the centre and a folding brass easel on the 

back. Plaque signed, Emile Monier. 9ins. 

(23cms.) high 

£150-200 

130 

1252. PAIR OF ROYAL WORCESTER 

CANDLESTICKS 

an unusual pair of candlesticks, modelled as 

waterlilies. Each designed with a small frog, 

and painted in gold and green colours, made in 

1905. Some damages. Marked, Royal Worcester, 

1088. 4 1 ⁄2ins. (11cms.) high 

£60-100 

1255. ROYAL WORCESTER SIGNED VASE - 

REGINALD AUSTIN 

hand painted with Peacocks within a landscape 

scene, signed R Austin. Marked, Royal 

Worcester, H, 285/50.49. 6 1 ⁄4ins. (16cms.) high 

£200-300 

1253. ROYAL WORCESTER VASE - HADLEY 

with four panels painted with Roses, and with 

a pierced gilded lid and borders. Made in 1910. 

Marked, Royal Worcester, H171, 15.54. 

£150-250 

1256. SIGNED ROYAL WORCESTER BOWL - 

SEBRIGHT 

signed by Richard Sebright, the interior painted 

with fruit and foliage, the exterior in a blue 

glaze. Also with a miniature lidded vase, signed 

by Edward Townsend, of hexagonal shape 

painted with fruit and leaves. The bowl marked, 

Royal Worcester, 2769. 6 1 ⁄4ins. (16cms.) diameter, 

Vase 4ins. (10cms.) high. (2) 

£100-150 

1259. IVORY & ONYX ART DECO DISH 

attributed to Ferdinand Preiss, with a figure of a lady carved in ivory and an ivory mouse at her feet. 

Mounted on an onyx dish. 3 1 ⁄4ins. (8cms.) high 

*For similar example see Bonhams New Bond St, 16th June 2010, lot 306. 

£400-600 


1260. CANTAGALLI BOWL 

the large red lustre bowl painted with Fish on a 

grey crackleware ground. Cockerel mark 

underneath. 14 1 ⁄2ins. (37cms.) diameter 

£200-300 

1263. MINTON PARIAN FIGURE - MIRANDA 

a parian figure of a lady in the classical style, 

marked on it’s side Bells, Miranda. Impressed 

marks, Early Minton Crows Foot mark, and date 

code letter for 1860. 15 1 ⁄2ins. (39cms.) high 

£80-120 

1266. RARE DOULTON & CO FIGURE - A 

SPOOK 

HN51, designed by H Tittensor, the figure in a 

green robe and red cap. Small chip to the cap. 

Marked, Potted by Doulton & Co, A Spook, H 

Tittensor, Titaniam, 10.18. 6 3 ⁄4ins. (17cms.) high 

£600-800 

1267. RARE DOULTON & CO FIGURE - GUY 

FAWKES 

HN 98, designed by C J Noke, the figure in a red 

cloak and black hat. Also with Darling HN 1319 

(damaged). Marked, Potted by Doulton & Co, 

Guy Fawkes, C J Noke Sc, HN98. 10 1 ⁄2ins. (27cms.) 

high (2) 

£500-700 

1261. RARE ROYAL DOULTON FIGURE - THE 

MIRROR 

HN 1852, designed by L Harradine and issued 

between 1938-1949. A little damage. Marked, 

Royal Doulton, The Mirror. 7 1 ⁄2ins. (19cms.) high 

£100-200 

1264. ART DECO GLASS VASE - MALACHITE 

an interesting vase, probably made by 

Schlevogt in Czechoslovakia. Simulating 

malachite, and designed with figures of ladies 

and vertical lines. Unmarked. 9 1 ⁄4ins. (23cms.) 

high 

£100-200 

1262. CLARICE CLIFF TEA SET - GAYDAY 

a three piece tea set, comprising a teapot 

(wrong lid), milk jug and sugar bowl. Each 

marked, Gayday, Bizarre by Clarice Cliff. (3) 

£80-120 

1265. MEISSEN VASE 

from a design by Von Ludwig Zepner, the white 

glazed vase with a dimpled effect design. Circa 

1960’s/70’s. Marked, Cross Swords mark in blue. 

10ins. (25cms.) high 

£100-150 

1268. RARE DOULTON & CO FIGURE - PUSSY 

HN 18, designed by F C Stone, the figure in a light blue dress and holding a cat in her arms. Marked, 

Potted by Doulton & Co, Pussy, F C Stone Sc. 7 1 ⁄4ins. (18cms.) high 

*According to the Royal Doulton Figurines Price Guide this figure is one of only five known to exist. 

£2000-3000 


131

COLLECTION OF STEUBEN GLASS 

1269. STEUBEN GLASS SCULPTURE - 

BALLOON RALLY 

a wonderful triangular sculpture, depicting 

balloons floating over a New England 

landscape. Designed by Bernard Wolff in 1985, 

model number 0361, and with it’s original bag 

and presentation box. 10 1 ⁄4ins. (26cms.) high 

£600-800 

1272. STEUBEN GLASS SCULPTURE - CASTLE 

OF DREAMS 

a frosted and clear glass sculpture, designed by 

David Dowler in 1986. With original 

presentation box. 6ins. (15cms.) high 

£400-600 

1275. STEUBEN GLASS BOWL 

a low footed bowl, designed by John Dreves, 

model no 7909, in it’s presentation box. Also 

with another Steuben bowl, drape bowl model 

no 8797 and designed by Paul Haigh (unboxed). 

11ins. (28cms.) diameter. (2) 

£120-150 

1278. STEUBEN GLASS ANIMAL - DRAGON 

designed by Bernard Wolff, model no 8429. 

Also with a Fox, designed by Lloyd Atkins, 

model no 8582. Both boxed. (2) 

£80-120 

132 


PEACOCK 

a sculpture of a peacock, designed by Bernard 

Wolff, model no 8532. With it’s original bag 

and presentation box. 10ins. (26cms.) high 

£150-200 

1273. STEUBEN GLASS VASE 

a handkerchief vase with a curved rim, model 

no 8618, with bag and presentation box. Also 

with a spiral vase and spiral bowl, model no 

8058 and 8060, both designed by Donald 

Pollard. Both unboxed. (3) 

£120-150 

1276. STEUBEN GLASS SCULPTURE 

Concentricity, designed by Eric Hilton in 1999, 

and mounted on a black maple base. With it’s 

original bag and presentation box. 

£60-100 

1279. STEUBEN GLASS BOWL 

The Trillium Bowl, designed by Donald Pollard in 

1958. Also with a prism paperweight, both with 

bags and presentation boxes. (2) 

£80-120 


CATHEDRAL 

the obelisk shaped sculpture depicting 

ecclesiastical figures, designed by George 

Thompson in 1955. With original bag and 

presentation box. 16ins. (41cms.) high 

£500-700 

1274. STEUBEN GLASS SCULPTURE - STAR 

STREAM 

designed by Neil Cohen in 1988, model no 

8567. With it’s original bag and presentation 

box. 

£100-150 

1277. STEUBEN GLASS PRISM 

PAPERWEIGHT 

Marathon, designed by Bernard Wolff, model 

number 8485, with original bag and 

presentation box. Also with a pair of candle 

holders and a glass bell, both boxed. (3) 

£80-120 

1280. STEUBEN GLASS VASE 

a slender vase with two loop handles, also with 

a large bowl with curved rim. Both in 

presentation boxes. Vase 9 1 ⁄2ins. (24cms.) high. 

(2) 

£120-150 


1281. STEUBEN SCULPTURE - HORSE HEAD 

model no 7779, designed by Sidney Waugh. 

Also with another identical piece, both with 

bags and presentation boxes. 4 3 ⁄4ins. (12cms.) 

high. (2) 

£80-120 

1284. STEUBEN GLASS ANIMALS 

including a Goose and Gander, model no 8358 

and 8344, both designed by Lloyd Atkins. Also 

with a Penguin, model no 8295. All with bags 

and presentation boxes. (3) 

£80-120 


including a Blue Whale, designed by Joel Smith, 

a Dolphin designed by Lloyd Atkins, and a Seal. 

With with original bags and presenation boxes. 

(3) 

£80-120 

1290. LORENZL BRONZE ART DECO FIGURE 

of a dancer with arms outstretched and 

balancing on one foot, with a silvered finish 

and mounted on a stepped onyx base. Signed, 

Lorenzl. 10ins. (25cms.) high 

£400-600 


including a Wren, model 8603 and designed by 

Lloyd Atkins, a Penguin model 8295 designed 

by George Thompson, and a rabbit. All in 

presentation boxes. (3) 

£80-120 


including a Brook Trout, model no 8467, 

designed by James Houston. Also with a 

Porpoise, model no 8127, designed by Lloyd 

Atkins. Porpoise 9 1 ⁄2ins. (24cms.) long. (2) 

£80-120 

1288. STEUBEN REFERENCE BOOK 

including “Steuben Glass an American Tradition 

in Crystal” 1982, also with a number of 

catalogues, brochures, empty boxes etc. 

£40-60 

1291. A PAIR OF DOULTON FAIENCE VASES - 

1877 

the large vases painted with Magnolia on a 

dark blue ground. One vase with damage to the 

rim (pieces present). Impressed marks, Doulton 

Lambeth, 1877, 198, and potters initials. 14ins. 

(36cms.) high. (2) 

£150-200 

1283. STEUBEN OLIVE BOWL 

model no 7857 and designed by John Dreves, 

also with a Lotus vase. Both with bags and 

presentation boxes. Vase 9 3 ⁄4ins. (25cms.) high. 

(2) 

£100-150 

1286. STEUBEN NIMBUS VASE 

designed by Paul Schulze, also with a Steuben 

paperweight, a Baccarat boxed vase and a 

Marcolin Elephant. Vase 5 3 ⁄4ins. (14cms.) high. 

(4) 

£80-120 

1289. A PAIR OF PORCELAIN CONTINENTAL 

ELEPHANTS 

the pair of elephants in a white glaze, also with 

an associated figure stamped Vivien 1934. 

Elephants with impressed marks, Factory Mark 

& 2376. (3) 

£100-150 

1292. DULWICH POTTERY FIGURE 

an interesting figure depicting a lady in 

Medieval dress, seated and holding a posy of 

flowers in her hand. Marked with initials in a 

triangle, J.S.B & VW for Jessamine S Bray & Sybil 

V Williams. 9ins. (23cms.) high 

£100-200 


133

1293. WHITEFRIARS GLASS VASE - 

GEOFFREY BAXTER 

a shouldered vase in the Cinnamon colourway, 

Pat No 9678, designed by Geoffrey Baxter. 

9 1 ⁄2ins. (24cms.) high 

£150-200 

1296. RAVILIOUS PART WEDGWOOD COFFEE 

SET 

in the Travel design, comprising a milk jug and 

sugar bowl, four coffee cans, and six saucers. 

Marked, Travel Designed by Ravilious, 

Wedgwood. (12) 

£100-150 

1299. ROSENTHAL LIDDED VASE - ROSARI 

an interesting piece in the Rosari design, of 

hexagonal shape (Maria shape) and number 18 

of 25 initially produced in this design. Painted 

by Wesp, circa 1917 in date. Marked, Rosenthal, 

Wesp, No 18. 12 3 ⁄4ins. (32cms.) high 

£200-300 

1300. CLARICE CLIFF SIFTER 

the domed top sifter painted with flowers on a 

cream ground. Marked, Clarice Cliff, Wilkinson 

Ltd, England. 4 3 ⁄4ins. (12cms.) high 

£80-120 

134 

1294. MOORCROFT VASE 

a small vase in the Pansy design, painted with 

flowers on a dark blue ground. Marked, W 

Moorcroft, Potters to HM The Queen. 3 3 ⁄4ins. 

(9cms.) high 

£60-100 

1297. ART NOUVEAU FIGURAL VASE 

in the style of Amphora, with a pottery figure 

of a lady seated on a dish. 17ins. (43cms.) high 

£80-120 

1295. PILKINGTON LUSTRE BOWL - W S 

MYCOCK 

the interior painted with a galleon, the exterior 

with a floral border. Marked, monogram mark 

for W S Mycock. 6 3 ⁄4ins. (17cms.) diameter 

£100-150 

1298. ROYAL DOULTON ART DECO COFFEE 

SET - TANGO 

a rare coffee set in the Tango design, 

comprising a coffee pot, sugar bowl, milk jug, 

six saucers, and five cups (one missing). With 

an art deco design on a black ground. Marked, 

Royal Doulton Tango, 4271. (14) 

£100-150 

1301. JOHN PEARSON COPPER FIRESCREEN - 1906 

a wonderful Arts and Crafts firescreen, the beaten 

copper screen designed with Pomegranates, with splayed 

feet. Signed and dated on the reverse, J.P. 1906. 28ins. 

(71cms.) high 

£1000-1500 


1302. TWO 19THC ROYAL WORCESTER 

FIGURES 

including John Bull model 851, and Irishman 

model 835, both dating to 1881. Impressed 

marks. Irishman 7ins. (18cms.) high. (2) 

£120-150 


FIGURES 

including two coloured figures, John Bull 851, 

and Irishman 835. Both with impressed marks. 

Irishman 7ins. (18cms.) high. (2) 

£120-150 


FIGURES 

including two figures of Ye Brush Seller, both 

made in 1883 from the Cries of London Series. 

Impressed marks. Both 7 1 ⁄2ins. (19cms.) high. (2) 

£120-150 

1311. WHITEFRIARS LIBERTY BELL 

PAPERWEIGHT 

the multi cane faceted paperweight marked 

with the Liberty Bell at the centre. 3ins. (7cms.) 

diameter 

£50-100 

1303. THREE 19THC ROYAL WORCESTER 

FIGURES 

including Yankee 836, Ye Watchman 998, and 

Chinaman. All with impressed marks. Yankee 

7ins. (18cms.) high. (3) 

£120-150 


FIGURES 

including Ye Ratte Killer 999, and Ye Marking 

Stones Man 1003, both made in 1883 from the 

Cries of London Series. Both 7 1 ⁄4ins. (18cms.) 

high. (2) 

£120-150 

1309. EDGAR BRANDT ‘GUI’ PAPERWEIGHT 

a wrought iron paperweight with a dark brown 

patination, signed Edgar Brandt. 4ins. (10cms.) 

high 

£500-700 

1312. BACCARAT PAPERWEIGHT 

a scrambled cane paperweight in a variety of 

colours. 2 3 ⁄4ins. (7cms.) diameter 

£100-150 


FIGURES 

including Ye Prison Basket 1000, and Ye Water 

Man 1002, both dating from 1883 and from the 

Cries of London Series. Impressed marks. Prison 

Basket 7ins. (18cms.) high. (2) 

£120-150 

1307. TWO 19THC ROYAL WORCESTER 

FIGURES 

including two Negro figures, both with 

impressed marks. Both 7ins. (18cms.) high 

£120-150 

1310. DOULTON LAMBETH JUG - MARK 

MARSHALL 

with a swirling floral pattern on a light green 

ground, and floral rosettes. Spout chipped. 

Impressed marks, Doulton Lambeth, MVM, 283. 


£120-150 

1313. BACCARAT PAPERWEIGHT 

a small paperweight, designed with a flower. 

1 3 ⁄4ins. (4cms.) diameter 

£100-150 


135

1314. DOULTON LAMBETH POT - HANNAH 

BARLOW 

with a central band designed with Donkeys on 

a buff ground, and a green and blue leaf 

border. Impressed marks, Doulton Lambeth 

1879, monogram mark for Hannah Barlow and 

other potters marks. 3ins. (7cms.) high 

£150-200 

1317. WEDGWOOD DRAGON LUSTRE BOWL 

the small bowl of Octagonal shape, the interior 

painted with a dragon and character marks and 

the exterior with further dragons on a mottled 

blue glaze. Also with a Royal Doulton Flambe 

vase, of slender shape. Bowl marked, 

Wedgwood, Z4829. 3 1 ⁄2ins. (9cms.) diameter. (2) 

£80-120 

1320. CARLTONWARE GINGER JAR & COVER - 

TUTANKHAMUN 

an unusual Carltonware item, the ginger jar designed 

with Egyptian figures and hieroglyphics, in gold on a 

black background. With a Sphinx as a finial on the lid, and 

with an associated wooden stand. Ginger Jar 12 1 ⁄2ins. 

(32cms.) high. Marked, Carltonware, Made in England, and 

Hieroglyphic mark. 

*The series of pieces given the name Tutankhamen were 

produced in very limited numbers to celebrate the 

discovery by Howard Carter in 1922. There is no pattern 

number underneath, but it is probably 2708. 

£80-120 

1323. MOORCROFT VASE 

in the Spring Flowers design, the flowers 

painted on a blue and green ground. Some 

restoration. Marked, Moorcroft, Made in 

England, and painted signature. 8ins. (20cms.) 

high 

£80-120 

136 

1315. MACINTYRE MOORCROFT VASE 

the vase painted in the 18thc design, painted 

with flowers and leaves on a white ground. Rim 

damaged (pieces present). Marked, Macintyre, 

Burslem, and painted Moorcroft signature. 


£120-150 

1318. FRENCH ART NOUVEAU INKSTAND - ALEXANDRE BIGOT 

a wonderful Art Nouveau inkstand, made in stoneware and overlaid 

with elaborate silver plated mounts, designed with stylised flowers 

and a beaten finish. Impressed marks, Gres de Bigot and Castle mark. 

15cms diameter 

*Alexandre Bigot (1862-1927) was a Physics and Chemistry professor 

who became interested in Chinese and Japanese ceramics. He 

established a studio in Paris, making architectural ceramics along side 

designers such as Louis Majorelle. The mounts on this inkwell were 

probably made by E E Colonna. 

£500-700 

1321. W H KERR WORCESTER PARIAN CENTREPIECE 

an unusual group in parian titled Raphael’s Boy on 

Dolphin, depicting the figure of a cherub entwined with a 

dolphin. The group supported on a column and square 

base. Marked, W H Kerr & Co Worcester. 9 1 ⁄4ins. (23cms.) 

high 

*This figure was modelled after a life size statue by 

Bartolommeo Cavaceppi which is now in the Hermitage, 

Leningrad. This figure is Shape 2/43 in the Worcester 

Parian Book. For similar example see The Parian 

Phenomenon page 210. 

£200-400 

B1324. LARGE MAJOLICA LIDDED URN 

probably by Minton, of fluted design with floral 

motifs, ribbons and swags. In typical majolica 

colours and a turquoise interior. Unmarked. 


£400-600 

1316. ROYAL DOULTON FIGURE - OLD 

BALLOON SELLER 

HN 1315, designed by L Harradine and dated 

underneath for 1930, also with another figure 

The Rag Doll Seller HN 2944, designed by R 

Tabbenor. Both marked, Royal Doulton, England. 

(2) 

£80-120 


1319. POTTERY FIGURE 

an interesting pottery 

figure of a chreub in the 

manner of Ashstead or 

Doulton pottery, the 

figure seated on a rock. 

Unmarked, some 

damages. 13 3 ⁄4ins. 

(35cms.) high 

£80-120 

1322. JAMES STINTON 

WATERCOLOUR 

an oval watercolour, 

painted with Ducks flying 

over water. Signed, James 

Stinton. 28cms by 20cms. 

£150-200 

1325. PATE SUR PATE VASE 

an interesting vase probably continental, 

painted with flowers on a blue ground. With 

gilding to the rim and around the base. Marked, 

Pate sur Pate, and monogram mark. 9 3 ⁄4ins. 

(25cms.) high 

£80-120

1326. CLARICE CLIFF DISH 

in the Gayday design, the square bowl painted 

with flowers on a yellow ground. Marked, 

Gayday Fantasque by Clarice Cliff, Lawleys of 

Regent St. 8ins. (20cms.) across 

£100-150 

1329. LARGE POTTERY PLAQUE 

in the manner of Della Robbia, an ecclesiastical 

plaque depicting Mary and an Angel. Mounted 

in an oak frame with the remains. of some 

writing across it. Unmarked. 20ins. (50cms.) by 

19ins. (48cms.) 

£100-200 

1332. UNUSUAL WEDGWOOD BASALT & 

GILT VASE 

the large vase in basalt, overlaid with an 

elaborate gilded floral design and gilded 

handles. Marked, Wedgwood, 5544. 17ins. 

(43cms.) high 

£100-200 

1333. ROYAL DOULTON POTTERY 

a five piece service,the stoneware set 

comprising a coffee pot, sugar bowl, milk jug, 

and two jugs. Each painted in blue and green 

glazes and designed with borders of flowers. 

Impressed marks, Royal Doulton, various 

makers cyphers. (5) 

£100-150 

1327. RUSKIN GINGER JAR 

a small ginger jar painted in a purple glaze, 

dated 1912. Also with three other items of Art 

Pottery. 3 1 ⁄2ins. (9cms.) high (4) 

£60-100 

1330. LARGE LLADRO GROUP OF DEER 

depicting two Stags fighting, and on a 

naturalistic base. Marked, LLadro, Hand Made in 

Spain. 17ins. (43cms.) high 

£250-350 

1328. MINTON MAJOLICA DISH 

in the form of a Water Lily, with three large and 

small leaf shape dishes and a lotus flower in 

the centre. Impressed marks, Minton, 1010, date 

code for 1867. 13ins. (33cms.) across 

£200-300 

1331. GEORGE JONES PLATE - WINDSOR 

CASTLE 

hand painted with a view of Windsor Castle, 

with a rich blue and gilded border. Marked, 

Crescent George Jones & Sons, Windsor Castle. 

9ins. (23cms.) diameter 

£80-120 

1334. LARGE SPELTER ARABIAN FIGURE - SIGNED 

a wonderful large Spelter Arabian figure, the street 

seller with a Monkey at his feet. The figure holding a 

lantern which is fitted for electricity. Signed, L Hollol. 


£300-500 


137

1335. ROYAL WORCESTER SIGNED PLATE - 

STINTON 

the centre painted with Ducks, with a red 

ground and gilded border. Signed, Jas Stinton, 

and marked Royal Worcester, Made in England. 

8 1 ⁄4ins. (21cms.)across 

£100-150 

1338. FOUR PAPERWEIGHTS 

including three multi cane examples and a 

Victorian foil back paperweight. (4) 

£100-150 

1341. BRONZE & IVORY FIGURE - OMERTH 

a small bronze of a boy holding a lantern, with 

an ivory face and hands. Signed, Omerth. 5 1 ⁄4ins. 

(13cms.) high 

£150-200 

1344. CASED SEVRES FIGURE 

a biscuit figure of a lady, signed H Varenne. In a 

fitted leather case with velvet lining. Impressed 

marks, Sevres, H D. 6ins. (15cms.) high 

£80-120 

138 

1336. 19THC ROYAL WORCESTER RHINO 

an unusual animal figure, in a turquoise glaze. 

Some damages. 7 1 ⁄4ins. (18cms.) long 

£80-120 

1339. LARGE MOORE BROS CENTREPIECE 

a large centrepiece, depicting a lady in a 

bonnet standing under tree branches and 

flowers. With detachable candle holders 

modelled as flowers, and with a gilded base 

with Greek Key design. Marked, Moore 20ins. 

(51cms.) high 

£200-300 

1342. LARGE ROYAL DOULTON BOWL 

painted with a boat in the moonlight, and a 

green ground and yellow exterior. Marked, 

Royal Doulton, D1571, Rd No 374874. 14ins. 

(36cms.) diameter 

£80-120 

1345. THREE LALIQUE SCENT BOTTLES - 

NINA RICCI 

three scent bottles made by Lalique for Nina 

Ricci, including one boxed scent bottle with a 

Bird finial and a pair of unboxed scent bottles. 

Marked, Nina Ricci Paris, Made in France by 

Lalique. Pair 3 3 ⁄4ins. (9cms.) high. (3) 

£100-150 

1337. PAIR OF ROYAL WORCESTER PLATES - 

SIGNED 

both painted with birds in a naturalistic 

landscape, one painted with Quail and the 

other Capercailzie. Both signed, Maybury, and 

marked Royal Worcester, Made in England. 

9 1 ⁄2ins. (24cms.) diameter. (2) 

£80-120 

1340. LARGE WEMYSS BOWL 

the interior and exterior painted with Cockerels, 

and with a painted green rim. Marked, Wemyss 

Ware R H & S, and Thomas Goode retailers mark. 

16ins. (41cms.) diameter 

£300-400 

1343. LARGE CARLTONWARE VASE & COVER 

- CLOISONNE 

of unusually large size in the Cloisonne Ware 

design, the large vase painted with Chickens 

and flowers on a black ground. With a domed 

top lid and dog of fo finial, and on an 

associated wooden stand. Marked, Carlton 

Cloisonne Ware. 25ins. (63cms.) high 

£80-120 

1346. ALLAN EBELING ART POTTERY PLAQUE 

- SWEDEN 

a rectangular plaque painted with Musicians, 

signed on the front A Ebeling 58 and with 

impressed marks on the back. 

*Ebeling was originally from New York but came 

to Sweden in 1908 to study as a painter. Later in 

life he only worked in Ceramics. 

£60-100 


1347. ROWLEY GALLERY MIRROR 

titled Red Roofs, with a woodcut picture of a 

house in a landscape, and a mirror underneath. 

Marked, A J Rowley, The Rowley Gallery, 

Kensington. 31ins. (79cms.) high 

£120-150 

1350. RUSKIN VASE 1931 - HOWSON 

TAYLOR 

of squat form, with a crystalised and drip effect 

glaze in green, orange and blue. Impressed 

marks, Ruskin 1931, W Howson Taylor. 5 1 ⁄2ins. 

(14cms.) high 

£100-150 

1353. WMF ART NOUVEAU DISH 

the pewter dish of Art Nouveau design, with a 

lady with flowing hair and leaves, and a twisted 

pierced handle. Stamped, WMF, 290. 13ins. 

(33cms.) across 

£200-250 

1356. A PAIR OF ROYAL COPENHAGEN WALL 

PLAQUES 

an interesting pair of plaques, the biscuit 

plaques with classical figures in relief. Probably 

pre 1900. Just marked with Royal Copenhagen 

Blue Lines. 10 1 ⁄2ins. (27cms.) diameter. (2) 

£80-120 

1348. MAJOLICA JARDINIERE 

possibly by Minton, with ribbon handles and 

painted in blue and turquoise with yellow 

borders. 7 3 ⁄4ins. (20cms.) high 

£80-120 

1351. MINTON MAJOLICA GAME PIE DISH 

the lid designed with dead game, the dish with 

a basket weave design and with a pottery liner. 

Marked, 899. 12ins. (30cms.) across 

£400-600 

1354. JOHN PEARSON ARTS & CRAFTS 

WALL PLAQUE 

of rectangular shape, with a simple dot pattern 

and beaten finish, with pierced holes at either 

end. Marked, J.P. 11 1 ⁄2ins. (29cms.) by 9 1 ⁄2ins. 

(24cms.) 

£80-120 

1357. RUSKIN VASE 

with a crystalised and drip effect glaze. Marked, 

Ruskin England, 1930, and signed W Howson 

Taylor. 8 3 ⁄4ins. (22cms.) high 

£150-200 

1349. DOULTON LAMBETH WATER FILTER 

an unusual item, with various borders of 

embossed decoration including flowers, 

predominantly in brown and blue glazes. With 

a domed top lid, inner section and pottery tap 

with a cork. Impressed marks, Doulton 

Lambeth, MA, probably for Mary Aitken. 14 1 ⁄2ins. 

(37cms.) high 

£100-150 

1352. LOETZ STYLE GLASS VASE 

an interesting iridescent vase of gourd shape, 

with a polished pontil mark. Unmarked. 7ins. 

(18cms.) high 

£80-120 

1355. ROYAL WORCESTER LIZARD JUG 

a blush ivory jug with a basket weave design, 

with a large model of a lizard on one side. 

Marked, Royal Worcester 1714. 6ins. (15cms.) 

high 

£80-120 

1358. ROYAL WORCESTER POT - KITTY 

BLAKE 

a small pot painted with flowers and leaves on 

a white ground, signed K Blake. Marked, Royal 

Worcester, G161. 2 3 ⁄4ins. (7cms.) high. 

£80-120 


139

140 

1359. LARGE DAUM VASE - GROSEILLE 

of very large proportions, the cameo vase depicted with leaves and berries on a frosted ground. Signed, Daum Nancy and cross of 

Lorraine. 21ins. (53cms.) high 

£2000-3000 


GLASS 

B1371. TWENTY SIX VARIOUS ALE GLASSES 

engraved with hops and barley ears (a lot) 

£250-350 

B1374. A POSY VASE 

engraved with a pair of birds at a nest, a fern 

engraved vase, 8ins. (20.5cms.) high, an ale 

glass, a pair of cut glass salts, another almost 

matching but smaller and a pair of moulded 

salts 

£100-120 

B1377. A PAIR OF SALTS 

each with cut drapery swags, a pair of vases 

and covers, each with a turn-over rim, 12 3 ⁄4ins. 

(32.5cms.) high, and two other cut glass vases 

£100-130 

1380. A PAIR OF SHIPS DECANTERS AND 

STOPPERS 

each variously cut 

£100-150 

1372. FOUR CLOSELY MATCHED RUMMERS 

each with a lemon squeezer base, a decanter 

and a foliate engraved jug (a lot) 

£100-150 

B1375. A SET OF SIX RUMMERS 

each with a moulded lower portion, together 

with a blue glass and a green glass decanter 

£100-120 

B1378. TWELVE VARIOUS ALE GLASSES 

with wrythen moulded bowls, together with 

five other glasses (a lot) 

£100-120 

1381. AN OPAQUE TWIST WINE 

the bucket bowl engraved with shipping and 

Success To The British Navy, on a stem with a 

central gauze and gauze spiral, together with a 

rummer engraved with shipping off Gibraltar 

and inscribed Capture of Gibraltar by The British 

Fleet 1704 

£100-130 

B1373. A PAIR OF DECANTERS AND 

STOPPERS 

each with slice-cut shoulders and blaze-cut 

lower portion 

£100-120 

B1376. A SET OF SEVEN WINE GLASS 

COOLERS 

each with a blaze-cut lower part 

£100-120 

1379. A SET OF SIX HOBNAIL CUT WINE 

GLASS COOLERS 

£120-160 

1382. A TUMBLER 

engraved with a half length portrait oval of 

Frederick III, King of Prussia and also engraved 

on the reverse, together with a pair of cordials, 

engraved Liberty above a leaping horse, the 

reverse with a rose spray 

£100-120 


141

1383. A SET OF SIX FLUTED ALE GLASSES 

each engraved with a monogram and cypher 

for the 14th Regiment, West Yorkshire 

Regiment, on a square foot. A set of four 

sherry glasses of the same regiment, together 

with two wines for the First Regiment 

£130-160 

1386. A PAIR OF OPAQUE TWIST WINES 

each knopped stem with an opaque gauze 

£100-120 

MISCELLANEOUS 

1391. AN IVORY FIGURE OF THE SEATED 

BUDDHA 


£100-150 

142 

1384. A BOHEMIAN GREEN AND WHITE 

OVERLAY SET OF GRADUATED TAZZAE 

enriched in gilt, comprising: two 9 1 ⁄4ins. 

(23.5cms.) high, three 7ins. (18cms.) high and 

three 6 1 ⁄2ins. (16.5cms.) high 

£400-600 

1387. A LARGE GOBLET 

engraved with a fruiting tree within a ribbon 

tied foliate wreath, the reverse with a spray of 

fruiting vines, 8 1 ⁄4ins. (21cms.) high 

£100-150 

1392. AN INDIAN SILVER COLOURED METAL 

DISH 

worked with blue, emerald and yellow animals 

amongst foliage, on a gilt ground, 

6ins. (15cms.) dia. 

£100-150 

1385. A SET OF THREE GREEN METAL WINE 

BOTTLES 

each with a seal moulded I Square 1874, 

11 1 ⁄2ins. (29cms.) high 

£150-200 


ENGLISH POTTERY 

1396. A SALTGLAZE CHARGER 

of silver shape, with moulded border, painted 

with a horse and figure in a landscape, the rim 

with scattered insects, 14ins. (35.5cms.) dia. 

£200-300 

1399. TWO LEAPING CARP VASES 

each purple body with gilt scales, 6 3 ⁄4ins. 

(17cms.) high 

£100-150 

1402. A MASONS JARDINIERE 

printed and painted with chinoiserie panels, 


£100-120 

1405. A MINTON PARIAN FIGURE OF 

DOROTHEA 

12 1 ⁄2ins. (34cms.) high 

£150-200 

B1397. A PAIR OF SPODE EARTHENWARE 

WINE COOLERS 

each applied in low relief with fruiting vines, 

plated gadrooned mounts, 


£100-120 

1400. A WEDGWOOD BLUE JASPER 

ROUNDEL 

worked with Pegasus in low relief, impressed 

mark, 2 1 ⁄4ins. (5.5cms.) dia. 

£100-120 

1403. A CREAMWARE JUG 

inscribed Richd. & Alice Lancy, Comb-Martin 

1808, 7ins. (18cms.) high 

£100-120 

1406. A BUST OF WILLIAM CLOWES 

10 3 ⁄4ins. (27cms.) high 

£140-180 

B1398. A BLUE JASPER URN 

applied with bold masks and putti, 9 3 ⁄4ins. 

(24.5cms.) high 

£100-150 

1401. A SET OF SIX COPELAND SPODE NEW 

STONE CHINA TEACUPS, SAUCERS AND 

PLATES 

each piece printed Kings (for Kings College, 

Cambridge) iron red 3875 

£100-120 

1404. A WOOD AND CALDWELL TRITON 

CANDLESTICK 

impressed mark and paper label for Stoke on 

Trent, Museum Ceramics Department, 9 1 ⁄2ins. 

(24cms.) high 

£150-200 

1407. A COPELAND PARIAN GROUP 

of Burns and Highland Mary, impressed mark, 

19ins. (48.5cms.) high 

£100-150 


143

1408. A PRATT WARE JUG 

with wrythen moulded body, 5 1 ⁄4ins. (13.25cms.) 

high, together with a basket of lozenge shape, 

3 1 ⁄4ins. (8.5cms.) wide 

£140-180 

1411. A CREAMWARE SAUCE TUREEN, 

COVER AND LADLE 

the lobed body with moulded feather edges, 

8ins. (20.5cms.) wide 

£250-300 

1413. A DAVENPORT AND STONE CHINA 

SOUP TUREEN, COVER AND STAND 

printed and painted with birds amongst 

flowering plants, 10 1 ⁄2ins. (27cms.) high 

variously marked 

£200-300 

144 

1409. A PAIR OF SPODE CREAMWARE 

PLATES 

each painted with a stylised flower, impressed 

mark and no. 54, 8 1 ⁄4ins. (21cms.) dia. 

£130-160 

1412. A MOCHAWARE MUSTARD POT AND 

COVER 

and a Batavian ware vase, delicately moulded 

floral swags, vase 4 1 ⁄2ins. (11.5cms.) high 

£280-320 

1414. A SALAD BOWL 

from the previous service, 11 1 ⁄2ins. (28.5cms.) 

dia. 

£60-80 

1415. A SET OF THREE SQUARE VEGETABLE 

DISHES AND COVERS 

from the previous service 

£100-120 

1416. A VENISON DISH 

and three meat plates, 15ins. (38cms.) wide, 


£100-150 

1417. A SET OF FOUR OVAL DISHES 

from the previous service, 11 1 ⁄2ins. (29cms.) 

wide, together with a rectangular dish, two 

small leaf dishes and a footed bowl 

£150-200 

1418. FOUR SMALL MEAT PLATES 

from the previous service, 10 1 ⁄2ins. (26.5cms.) 

wide and 9 3 ⁄4ins. (25cms.) wide 

£100-120 

1419. FOUR SCALLOP SHELL DISHES 


£120-150 

1410. A COLLECTION OF FEATHER EDGED 

DISHES 

comprising: meat plate 14 1 ⁄2ins. (37cms.) wide, 

another with a strainer, 13 1 ⁄4ins. (34cms.) wide, 

another 10 1 ⁄4ins. (26cms.) wide and a pair of 

small plates, 6 1 ⁄4ins. (15.5cms.) dia. 

£100-120 


ENGLISH PORCELAIN 

1425. A FIRST PERIOD WORCESTER 

POLYCHROME BOWL 

painted with chinoiserie figures, 9 1 ⁄4ins. (23cms.) 

dia. 

£260-300 

1428. A CAUGHLEY TOY BLUE AND WHITE 

SOUP TUREEN AND COVER 

together with a set of eight plates and a sauce 

boat, each painted with a chinoiserie river 

scene, blue S mark, tureen 3ins. (7.5cms.) wide 

overall 

£200-300 

1431. A COALPORT INKSTAND 

the rim painted with iron red flowers enriched 

in gilt on a yellow ground, 5 1 ⁄2ins. (11.5cms.) dia. 

£100-120 

1434. THE RESIDUE OF A TEA SERVICE 

each piece painted with gilt enriched floral 

sprigs, comprising: teapot stand, milk jug, 

sugar bowl and cover, waste bowl, one bread 

and butter plate, six coffee cups and eight 

saucers, each piece with a wrythen fluted body, 

pattern no. iron red 202 

£100-150 

1426. A PAIR OF PLATES 

each painted in the Imari palette, no. 504, 

8 1 ⁄2ins. (21.5cms.) dia. 

£140-180 

1429. A GARNITURE 

each compressed urn painted with floral 

cartouches, reserved on a dark puce gilt 

enriched ground, moulded with bold stiff 

leaves, pattern no. 3/1075, 10 1 ⁄2ins. (26.5cms.) 

and 8 3 ⁄4ins. (22cms.) high 

£250-300 

1432. A PAIR OF GROUPS OF SEATED 

SPANIELS 

2 1 ⁄2ins. (6.5cms.) wide 

£140-180 

1435. THE RESIDUE OF A DINNER SERVICE 

each piece painted in the Kakiemon palette, the 

borders moulded with florettes, comprising: 

soup tureen and cover, eight meat plates - 2 x 

20ins. (51cms.) wide, 1 x 18 1 ⁄2ins. (47cms.) wide, 

2 x 16 1 ⁄4ins. (41.5cms.) wide, 1 x 15 3 ⁄4ins. (40cms.) 

wide, 2 x 14 1 ⁄2ins. (37cms.) wide and six soup 

plates 

£300-400 

B1427. A DESSERT SERVICE 

each piece painted with a rural landscape, 

within gilt enriched borders, comprising: one 

tazza, three footed dishes and nine plates, no. 

A6547 

£100-150 

1430. A PAIR OF BOUGH POTS 

each delicately moulded with rococo 

cartouches and painted with floral sprays, 


£1200-1500 

1433. A DERBY FIGURE OF A SEATED PUG 

with a gilt collar, 2ins. (5cms.) high 

£240-280 

B1436. A NEW HALL TEA SERVICE 

each piece painted with cartouches of rustic 

figures, comprising: teapot, cover and stand, 

sugar box and cover, milk jug, waste bowl, two 

bread and butter plates, eight teacups, ten 

coffee cups and eight saucers, pattern no. 95 

£150-200 


145

1437. A DERBY BASKET 

moulded with a florette set trellis, 5ins. 

(13cms.) dia. 

£240-280 

1440. A DERBY GROUP OF A EWE AND 

LAMB 


£600-650 

1443. A FIRST PERIOD WORCESTER BLUE 

AND WHITE SCALLOP SHELL PICKLE DISH 

painted with flowering plants, blue painters 

mark, 3ins. (8cms.) wide, together with a vine 

leaf pickle dish painted with a carnation, 

crescent mark, and a Japan pattern coffee pot 

£200-250 

1446. A CHELSEA RED ANCHOR SHAPED 

OVAL DISH 

delicately painted with floral sprigs, red anchor 

mark, 9 3 ⁄4ins. (24.5cms.) wide 

£200-260 

146 

1438. A DERBY SAUCE BOAT 

moulded with leaves and delicately painted, 

7 1 ⁄2ins. (19cms.) wide 

£180-220 

1441. A BOW SAUCER 

with moulded prunus in low relief, 4 1 ⁄2ins. 

(11.5cms.) dia. 

£220-260 

1444. A SET OF NINE TEA BOWLS AND 

SAUCERS 

together with a waste bowl 

£100-120 

1447. A NANTGARW SQUARE DISH 

painted with a large floral spray within a 

border delicately moulded with floral sprays to 

the corners, enriched in gilt, impressed 

Nantgarw C.W. 9 1 ⁄2ins. (24cms.) square 

£600-700 

1439. A CHAMBERLAINS WORCESTER 

TEAPOT AND COVER 

with wrythen moulded body, painted in the 

Kakiemon palette with exotic birds 

£300-350 


AND WHITE BUTTER BOAT 

moulded with geranium leaves, blue painters 

mark, 3 1 ⁄2ins. (9cms.) wide 

£160-200 

1445. A NEW HALL TEAPOT AND COVER 

pattern no. 172, together with two other New 

Hall cream jugs 

£100-120 


SCALE TEAPOT AND COVER 

painted with mirror shaped panels of exotic 

birds and insects, blue square fret mark and 

paper label for Roderic Jellicoe, 5ins. (12.5cms.) 

dia. 

£425-460 


1449. A SAMSON WORCESTER BLUE SCALE 

MUG 

and a bowl, each painted with cartouches of 

exotic birds, blue square fret mark, mug 5ins. 


£100-120 

1452. A PAIR OF COPELAND NAMED VIEW 

PLATES 

one painted with a view of Lake Como, the 

other of shipping off Hastings, no. 1625, 9ins. 

(22.5cms.) dia. 

£100-130 

1455. A ROYAL CROWN DERBY PART TEA 

SERVICE 

comprising: sugar bowl, ten tea cups, eleven 

saucers, two bread and butter plates, two side 

plates and eleven tea plates, various dates 

£350-400 

1458. A CROWN DERBY LAZY SUSAN 

with lobed border, printed with stylised 

flowering plants inhabited with butterflies, 

impressed and iron red mark, printed Wilmot, 


£100-200 


AND WHITE BUTTER BOAT 

with leaf moulded exterior, the interior painted 

with foliage 

£125-150 

1453. A PAIR OF GOLD ANCHOR STYLE 

VERTICALLY RIBBED VASES AND COVERS 

and a large mug, each painted with exotic 

birds, vases 9 3 ⁄4ins. (24.5cms.) high 

£100-150 

1456. TWO STAFFORDSHIRE COTTAGE 

LIGHTS 

each elaborate roof encrusted with flowers and 

lichens, widest 8 1 ⁄4ins. (21cms.) 

£200-250 

1459. A WORCESTER TRAY 

painted with a named view of Worcester, 

within gilt scroll border and blue marbled 

ground, the gallery moulded, inscribed N.W. 

View of Worcester, 10 3 ⁄4ins. (27cms.) wide 

£150-200 

1451. A DERBY SAUCE TUREEN AND COVER 

delicately painted with floral sprays, iron red 

crossed batons mark, together with a Charles 

Bourne spill vase and a matched Coalport cup 

and saucer painted by John Randall 

£130-160 

1454. A PAIR OF COALPORT CABINET PLATES 

each painted with fruit and blossom, probably 

by Joseph Birbeck, a Ridgway dessert plate and 

two others 

£100-150 

1457. AN ESTATE OF SEVEN VARIOUS 

SMALL COTTAGES 

each encrusted with flowers and lichens, 

largest 4 1 ⁄4ins. (10.5cms.) high 

£150-180 

1460. A PAIR OF CAUGHLEY BLUE AND 

WHITE SMALL LIFTERS 

with foliate handles, each painted with the 

Fisherman pattern, together with a pair of egg 

shaped spoons and two blue and white 

earthenware implement rests 

£100-150 


147

1461. A COLLECTION OF SEVEN ROYAL DINNER AND SIDE PLATES 

bearing a variety of royal cyphers, Victorian and later (a lot) 

£100-150 

148 

1463. A COLLECTION OF SIXTEEN VARIOUS PORCELAIN AND STONE 

CHINA REGIMENTAL PLATES AND DISHES 

with regimental badges, including 9th Norfolks, Light Dragoons, Welsh 

Regiment, East Surrey Regiment, Cumberland and Westmoreland, Gordon 

and Sutherland Highlanders, Royal Welsh Fusiliers, Royal Sussex 

Regiment, 17th Lancers, 2nd Dragoon Guards and Essex Regiment (a lot) 

£200-300 

1464. THE RESIDUE OF A ROCKINGHAM DINNER SERVICE 

comprising: one meat plate 20 3 ⁄4ins. wide, one meat plate 20ins. wide, one 

meat plate 16 1 ⁄2ins. wide, one meat plate 14 1 ⁄4ins. wide, three meat plates 

12 3 ⁄4ins. wide, one meat plate 10 1 ⁄4ins. wide, one vegetable tureen and three 

covers, two tureen stands, one sauce tureen, cover and stand, seventeen soup 

plates, thirty dinner plates, fourteen dessert plates, eight side plates, pattern 

no. 2055 

Provenance: Eighth Lord Abinger, Inverlochy Castle and thence by descent. 

£500-600 

1462. A CHAMBERLAINS NAMED VIEW CUP AND SAUCER 

of Near Keswick, a Spode cup, saucer and plate, pattern no. 557, a Spode 

tureen painted with roses and a Coalport coffee cup, tea cup and saucer 

and a Derby vase possibly painted by Billingsley 

£130-150 


1465. A PAIR OF COFFEE CANS AND 

SAUCERS 

each painted in the Imari palette with the 

Finger and Thumb pattern 

£150-200 

1468. A BOW CANDLESTICK 

modelled as a bird perched amongst flowering 

branches, 7 1 ⁄2ins. (19cms.) high 

£150-200 

1466. A SET OF SIX TEACUPS AND SEVEN 

SAUCERS 

each painted in the Imari palette with the 

Finger and Thumb pattern 

£220-260 

1469. A “GOLD ANCHOR” FIGURE OF 

FALSTAFF 

16 3 ⁄4ins. (42.5cms.) high 

£250-300 

1467. A ROCKINGHAM SCENT BOTTLE AND 

STOPPER 

encrusted with flowers, puce dragon and script 

mark, 5ins. (12.5cms.) high 

£100-150 


149

CONTINENTAL POTTERY 

1475. A PAIR OF FAIENCE CACHE POTS 

of generous proportions, each with bold lion’s 

mask handles, one side painted with a courting 

couple, the reverse with a coat of arms, 10 1 ⁄4ins. 

(26cms.) high 

£400-450 

1478. A DELFT BLUE AND WHITE BUTTER 

TUB 

painted with chinoiserie plants, blue hatchet 

mark, 5ins. (13cms.) wide 

£100-150 

1483. A FAIENCE WALL CISTERN AND BASIN 

painted with figures in rural landscapes, in the 

manner of Veuve Perrin, puce VP monogram, 

cistern 14ins. (35.5cms.) high 

£150-200 

150 

1476. A PORTUGUESE PALLISY STYLE DISH 

encrusted with amphibia, impressed monogram 

mark, 18 3 ⁄4ins. (48cms.) dia. 

£200-300 

1479. SIX DELFT BLUE AND WHITE 

MANGANESE BORDERED TILES 

5ins. (12.5cms.) square 

£100-150 

1481. A FAIENCE BON BON STAND 

modelled as a seated monkey, 4 3 ⁄4ins. (12cms.) 

high 

£100-150 

1482. A POLYCHROME DELFT WARE DISH 

painted with two figures in a landscape, 

12 1 ⁄4ins. (31cms.) dia. 

£100-200 

1484. A FAIENCE CLOCK 

dial cream, movement drum striking on a gong, 

the bombe case painted with Venus and Cupid 

and signed Petit, the sides with gilt trophies 

and cartouches, on a dark blue ground, all with 

ormolu mounts, 18ins. (46cms.) high 

£200-300 

1477. A PAIR OF PORTUGUESE PALLISY 

STYLE PLATES 

each encrusted with insects, snakes and other 

wildlife, impressed mark for Jose. a. Cunha of 

Caldas Da Rainha, 9 1 ⁄2ins. (24cms.) dia. 

£100-200 

1480. A PAIR OF MANGANESE DELFT TILES 

each painted with a New Testament subject 

from Acts or Matthew, 5 1 ⁄4ins. (13cms.) square 

£100-150 

1485. A FAIENCE HOLY WATER STOOP 

12 1 ⁄2ins. (32cms.) high 

£100-150 


CONTINENTAL PORCELAIN 

1491. A PAIR OF NYMPHENBURG VASES 

AND COVERS 

in the white, each of extravagantly rococo 

form, impressed shield mark, one cover a 

replacement, 9 3 ⁄4ins. (24cms.) high 

£100-150 

1494. TWO DOCCIA PLATES 

each with a moulded silver shaped rim painted 

with floral sprays, 9ins. (23cms.) dia. 

£100-150 

B1497. A THURINGAN GROUP 

of a seated youth and standing figure and 

another Naples group of a shepherd and 

shepherdess, largest 8ins. (20cms.) high 

£130-160 

B1500. THREE MEISSEN STYLE 

TREUMBLEUSE CUPS COVERS AND SAUCERS 

three cups and saucers, a black ground cup, 

cover and saucer and three other pieces (a lot), 

together with a Samson compagnie des Indes 

style sugar box and cover 

£150-200 

1492. TWO MEISSEN MINIATURE BIRDS 

one of an owl, incised 18, 1 3 ⁄4ins. (4.5cms.) high, 

another of a stork, impressed 59 and incised 66, 

2 1 ⁄2ins. (6.5cms.) high 

£100-150 

1495. A VIENNA PLATE 

painted in green monochrome with riverside 

figures, blue beehive mark, together with a Paris 

milk jug painted with butterflies 

£100-120 

B1498. A NYMPHENBERG ARBOUR GROUP 

impressed mark and blue J C crown mark, 10ins. 

(25.5cms.) high, together with a Berlin figure of 

a youth, both in the white 

£130-150 

1501. A MEISSEN PART SERVICE 

each piece painted with a floral spray and 

sprigs within a wrythen fluted and basket 

weave border, comprising: vegetable tureen 

and cover, two meat plates 18ins. (46ms.) wide 

and 16ins. (41cms.) wide and fifteen soup 

plates, 9 3 ⁄4ins. (25cms.) dia. cancelled mark 

£300-500 

1493. TWO ALMOST IDENTICAL SEVRES 

STYLE TAZZAE 

each painted with cherubs within pink borders, 

gilt metal mounts, largest 6 3 ⁄4ins. (17.5cms.) 

high 

£250-350 

1496. A MEISSEN TEA CUP 

moulded in low relief with prunus sprays, 

enriched in gilt, the interior painted with a 

floral spray 

£100-120 

B1499. A MEISSEN TUREEN AND COVER 

the bombe body with wrythen moulding and 

basket weave borders, painted with floral 

sprays and another tureen and cover, quite 

plain, Meissen tureen, 13 1 ⁄2ins. (35cms.) wide 

overall 

£200-300 

1502. A PAIR OF MEISSEN STYLE TAZZAE 

each moulded and pierced with floral sprays 

and trellising, together with ten dessert plates, 

blue crowned D mark, plates 8 3 ⁄4ins. (22.5cms.) 

dia. 

£300-400 


151

B1503. A NYMPHENBERG GROUP 

of an amorous couple, impressed marks, 5 3 ⁄4ins. 


£100-130 

1508. A SEVRES STYLE EWER 

painted with portrait medallions of Henri IV, 

Gabrielle d’ Estrees and Jeanne d’ Albret, 

10 1 ⁄2ins. (26.5cms.) high 

£150-250 

152 

1506. A RUSSIAN SOUP PLATE 

from The Imperial Service of Paul I, the centre 

painted with a sepia landscape vignette, 9 1 ⁄2ins. 

(24.5cms.) dia. 

£100-150 

1504. A LARGE TOURNAI DEEP DISH 

with a barbed wrythen everted rim, blue 

crossed swords mark, 16 1 ⁄2ins. (42cms.) dia. 

£400-600 

1509. A MEISSEN FIGURE 

of a young girl, holding a spray of flowers, a 

lamb at her feet, blue crossed swords mark, 


£600-800 

1507. TWO SIMILAR PARIS TOPOGRAPHICAL 

PLATES 

each painted with an architectural vista, 9ins. 

(23cms.) dia. 

£100-200 

1505. A MEISSEN CABINET PLATE 

the centre painted with two cherubs within a 

gilt scrolled cartouche, the shaped rim 

delicately pierced with florette centred trellises 

and gilt scrolls, 10 1 ⁄4ins. (25.5cms.) dia. 

£400-500 

B1510. A PAIR OF URNS AND COVERS 

each with extravagant dolphin mask and 

serpent handles, paper label Wedding Present to 

Sybil, Duchess of St. Albans 1867, 

12 3 ⁄4ins. (32.5cms.) high 

£130-180 


JAPANESE WORKS OF ART 

1515. AN IVORY OKIMONO 

of a profusion of animals, delicately carved and 

incised, signed, 2 1 ⁄2ins. (6.5cms.) wide 

£300-400 

1518. TWO IVORY OKIMONO 

of skeletons, one signed 

£100-120 

1521. A BRONZE FIGURE OF A TIGER 

roaring, naturalistic markings, square seal mark, 

18 3 ⁄4ins. (47.5cms.) long overall 

£250-300 

1524. A BRONZE SHRINE 

with applied motifs, enclosed by a pair of 

doors, 7 1 ⁄4ins. (18.5cms.) high, together with a 

small bronze figure of a woman 

£130-160 

1516. A NETSUKE 

of a skeleton and skull, signed 

£100-150 

1519. A NETSUKE 

of two monkeys either side of a large nut, 

together with a group of monkeys and other 

figures in a bowl, signed 

1522. A CLOISONNE ENAMEL TRAY 

worked with a panel of flowering shrubs 

inhabited by birds, the border with a wide 

variety of motifs, 12 1 ⁄2ins. (32cms.) wide 

£300-400 

1525. AN IVORY TUSK SECTION VASE AND 

COVER 

carved in low relief with a profusion of monkey, 

lion, tiger and elephants head, delicately 

engraved, 5 3 ⁄4ins. (14.5cms.) high 

£130-180 

1517. AN OKIMONO 

of a group of figures 

£100-120 

1520. AN IVORY OKIMONO 

of two figures grappling with a fearsome 

octopus, finely detailed, signed, 2ins. (5cms.) 

high 

£200-300 

1523. A BRONZE FIGURE OF A MAN 

seated, signed, the stand as a rocky outcrop, 

7 1 ⁄2ins. (18.25cms.) high overall 

£150-200 

1526. A BRONZE FIGURE OF A CRANE 

standing on a lotus pod, naturalistically cast 

and chased, 40 1 ⁄2ins. (103cms.) high 

£200-250 


153

JAPANESE PORCELAIN 

1531. AN IMARI BASIN 

the interior painted with a screen, itself painted 

with a group of figures, on a variously diapered 

ground, 12 3 ⁄4ins. (32.5cms.) dia. 

£150-200 

1536. A PAIR OF CYLINDRICAL VASES 

each painted with flowering peonies above 

lappets, signed on a green tablet, 

porcelain 14 1 ⁄4ins. (36cms.) high 

£200-250 

1539. A SATSUMA STYLE VASE 

painted with panels of figures and variously 

diapered ground, gilt coloured metal mounts, 

15 1 ⁄2ins. (39.5cms.) high overall 

£100-120 

154 

1534. A POT AND COVER 

encrusted with barnacles, 5 1 ⁄4ins. (13.5cms.) 

wide 

£100-120 

B1532. AN IMARI BOWL 

with a moulded everted rim, painted with a 

vase of flowering prunus, the rim with a variety 

of floral sprays, early 18th century, blue double 

circle mark, 11 1 ⁄4ins. (28.5cms.) dia. 

£120-150 

1535. TWO IMARI JARDINIERES 

each with a faceted body, largest 8 1 ⁄2ins. 

(21.5cms.) dia. 

£200-300 

1537. AN IMARI VASE AND COVER 

painted with panels of fenced flowering plants, 

inhabited by birds, 

26 1 ⁄2ins. (67cms.) high 

£300-350 

1540. A LARGE IMARI VASE 

painted with panels of birds on a blue ground 

with flowering peonies, gilt foliage and 

subsidiary panels, 17th century, 23ins. (58cm.) 

high 

£1000-1500 

1533. AN ARITA SWEETMEAT SET 

each dish delicately painted in iron red, 

enriched in gilt, moulded chrysanthemum 

finial, all contained in a brown lacquer tray, 

15ins. (38cms.) dia. overall 

£200-300 

1538. AN ARITA BLUE AND WHITE BOTTLE 

VASE 

painted with flowering and fruiting branches 

inhabited by birds, the roundel 

initialled H S., 8 1 ⁄4ins. (20.5cms.) high 

£400-500 

1541. AN ARITA IMARI PALETTE ONION 

VASE 

painted with panels of flowering prunus vines 

and bamboo, late 17th/early 18th century, 


£200-300 


CHINESE WORKS OF ART 

1551. A MUTTON FAT JADE JU-I SCEPTRE 

TERMINAL PLAQUE 

carved in low relief with a traveller, 2 3 ⁄4ins. 

(7.5cms.) wide 

£200-300 

1554. AN IVORY BOX AND COVER 

delicately pierced with diapering and carved 

with flowering and fruiting branches, the 

interior of the sides carved with bats, 2 3 ⁄4ins. 

(7.5cms.) dia. 

£200-300 

1557. A HARDWOOD BOX AND COVER 

delicately inlaid with mother of pearl with 

flowering plants, 10 1 ⁄4ins. (26cms.) dia. 

£100-200 

1560. A COLLECTION OF VARIOUS STANDS 

(a lot) 

£100-120 

1552. A JADE PENDANT 

delicately carved with lotus foliage, together 

with attachments, pendant 2 1 ⁄2ins. (6.5cms.) 

high 

£200-300 

1555. A SKY BLUE GLASS SPITTOON 

quite plain, 8 3 ⁄4ins. (22cms.) dia. 

£100-120 

1558. A CELADON JADE PLAQUE 

carved in low relief with two bats, on a pierced 

trellis, 1 1 ⁄2ins. (4.5cms.) wide 

£200-250 

1561. A CANTONESE IVORY CARD CASE 

carved in low relief with a profusion of figures, 

3 1 ⁄4ins. (8.5cms.) high x 1 3 ⁄4ins. (4.5cms.) wide, 

together with a pierced ivory paper knife 

£100-150 

1553. TWO HARDWOOD BOXES 

each cover with a jade mount, largest 5ins. 


£100-120 

1556. A HARDWOOD SMALL TRAY 

with an integral stand, all delicately inlaid with 

mother of pearl bird inhabited flowering 

branches and key pattern scrolls, 12 1 ⁄4ins. 

(31cms.) wide 

£200-250 

1559. A YELLOW/CELADON JADE PLAQUE 

carved as a stylised chrysanthemum bloom, 

possibly 18th century, 2 1 ⁄4ins. (5.5cms.) dia. 

£300-400 

1562. A BRASS EWER AND COVER 

inlaid with copper lines and gilt coloured 

figures and foliage, four character mark to the 

base, 5 1 ⁄2ins. (14cms.) high 

£100-150 


155

1563. A CANTONESE ENAMEL ALTAR 

CANDLESTICK 

delicately painted with flowering peonies on a 

seeded pale blue ground, square seal mark, 

drilled and adapted for electricity, 12 1 ⁄2ins. 

(32cms.) high 

£200-300 

1566. A JADE TYPE SMALL VASE 

of striated grey colour, 2 3 ⁄4ins. (7cms.) high 

£200-300 

156 

1569. A SILK WORK PANEL 

delicately worked with dragons 

amongst clouds, 19th century, 

63 3 ⁄4ins. (162cms.) high x 20ins. 

(51cms.) wide 

£1200-1500 

1564. A RHINOCEROS HORN BEAD 

NECKLACE 

please note it will not be possible to export this 

lot 

£200-300 

1567. A PINK MARBLE INK STONE 

carved in low relief with dragons, possibly 

17th/18th century, 5ins. (13cms.) x 4ins. 

(10cms.) dia. 

£200-300 

1565. A CLOISONNE ENAMEL VASE 

delicately worked with stylised floral scrolls, 

5 1 ⁄4ins. (13.5cms.) high 

£200-250 

1568. A SNUFF BOTTLE 

of flattened ovoid shape, marbled black grey 

glass 

£100-150 

1570. A BRONZE VASE 

delicately cast and chased in low relief with 

scrolling peony, foliage and blooms, the 

shoulders with stiff leaf lappets, mask handles, 

cast six character mark for Xuande but probably 

17th century, 20 1 ⁄2ins. (52cms.) high 

£10000-12000 


CHINESE PORCELAIN 

1575. A FAMILLE ROSE MEAT PLATE 

delicately painted with two maidens in a 

garden, Qianlong, 16ins. (41cms.) wide 

£200-300 

1578. A BLUE AND WHITE MEAT DISH 

of shaped rectangular form, painted with a 

river landscape, Qianlong, 16 3 ⁄4ins. (42.5cms.) 

wide, together with another 12 1 ⁄4ins. (31cms.) 

wide 

£150-200 

1581. AN ARMORIAL PLATE FOR WILSON 

painted in sepai with waterfowl, the rim with 

blue foliage, enriched in gilt, Qianlong, 12 1 ⁄2ins. 

(31.5cms.) dia. 

Howard Chinese Armorial Porcelain, Vol. 1, page 

342 

£100-120 

1584. A SET OF SEVEN BLUE AND WHITE 

SOUP PLATES 

each painted with a fenced bamboo, Qianlong, 


£100-150 

1576. AN OCTAGONAL BASIN 

delicately painted with sepia cornucopia, the 

rim with floral pendants enriched in gilt and 

turquoise, Qianlong, 10 3 ⁄4ins. (27cms.) wide 

£100-150 

1579. TWO SIMILAR THINLY POTTED TEA 

BOWLS AND SAUCERS 

early 18th century, variously marked, largest 

saucer 4ins. (10cms.) dia. 

£100-120 

1582. A TURQUOISE GLAZED BOWL 

with fluted body and barbed rim, Kangxi, 7ins. 

(17.5cms.) dia. 

£400-500 

B1585. A FAMILLE ROSE PUNCH BOWL 

painted with groups of figures within floral and 

foliate cartouches, Qianlong, 12 3 ⁄4ins. (32.5cms.) 

dia., and another famille rose bowl, Qianlong, 


£150-200 

1577. A FAMILLE ROSE MUG 

painted with a cartouche of figures on a 

riverside terrace and subsidiary cartouches of 

birds and plants, Qianlong, 5 1 ⁄4ins. (13cms.) high 

£150-200 

1580. TWO PAIRS OF BLUE AND WHITE 

SAUCERS 

each moulded and a petal shaped dish, 

variously marked, 18th century, largest 5 1 ⁄4ins. 

(13.5cms.) dia. 

£100-150 

1583. TWO BLUE AND WHITE VASES 

each painted with stylised peony scrolls, blue 

double circle and six character mark for 

Chenghua, largest 8 1 ⁄2ins. (21.5cms.) high, 

together with a saucer dish, Kangxi 

£150-200 

1586. A BLUE AND WHITE DEEP DISH 

the well with slightly moulded lappet 

panels,the rim barbed, blue florette and double 

circle mark, Kangxi,11 1 ⁄2ins. (29cms.) dia. 

£150-200 


157

158 

1588. A FAMILLE VERT SAUCER DISH 

the well and rim painted with large peach 

shaped cartouches, each painted with 

flowering branches, blue fungus and double 

circle mark, Kangxi, 11 1 ⁄4ins. (28.5cms.) dia. 

£150-200 

1587. TWO CLOSELY MATCHING BLUE AND 

WHITE PLATES 

one painted with travellers on a bridge, the 

other with two maidens on a terrace, 

blue double circle and six character mark for 

Kangxi and of the period, 10 1 ⁄2ins. (26.5cms.) dia. 

£500-700 

1589. A FAMILLE VERT SAUCER DISH 

painted with a crane and court figures outside 

a pavilion, blue double circle and fungus mark, 

Kangxi, 13 1 ⁄4ins. (34cms.) dia. 

£300-400 


1590. A COLLECTION OF NINE VARIOUS 

CHINESE AND ENGLISH TEA BOWLS AND 

SAUCERS 

together with another tea bowl and saucer (a 

lot) 

£100-150 

1593. A PAIR OF FAMILLE ROSE PLATES 

painted with flowering plants, Qianlong, 9ins. 

(22.5cms.) dia. 

£100-150 

1596. A PEACH WATER POT 

the nose with a sang de boeuf hue, delicately 

moulded with a caterpillar and foliage, possibly 

18th century, 4ins. (10cms.) wide 

£200-300 

1599. A YELLOW GROUND SAUCER DISH 

painted with phoenix in flight, blue double 

circle and six character mark for Chenghua, 

6 1 ⁄4ins. (15.5cms.) dia. 

£150-200 

1591. THREE TEA CANISTERS 

one painted in the mandarin palette, a blue and 

white example with a ribbed body and a 

clobbered example, Qianlong 

£100-150 

1594. A FAMILLE ROSE DISH 

matching the previous lot, painted with 

flowering plants, Qianlong, 12 1 ⁄2ins. (31.5cms.) 

dia. 

£300-350 

1597. A ROBINS EGG BOX AND COVER 

of lobed oval form, the cover moulded in low 

relief with a hen amongst foliage, the sides 

with diapering, square seal mark, 3 1 ⁄4ins. 


£300-400 

1600. A FAMILLE ROSE PART DINNER 

SERVICE 

each piece painted with a ribbon tied floral 

spray, comprising: two meat plates 13 1 ⁄2ins. 

(34.5cms.), two meat plates 12ins. (30cms.), two 

sauce boats, four soup plates, four plates 9ins. 

(23cms.) dia., and twelve deep dessert plates, 

Qianlong 

£700-1000 

1592. A FAMILLE ROSE JUG 

with semi lobed body, Qianlong, 6 1 ⁄4ins. 

(15.5cms.) high, together with a famille rose 

saucer plate 

£100-150 

1595. A SANG DE BOEUF SMALL VASE 

with in-curved rim, possibly 18th century, 3ins. 

(7.5cms.) dia. 

£100-200 

1598. A SANG DE BOEUF BOWL 

square seal mark for Daoguang, 6ins. (15cms.) 

dia. 

£100-150 

1601. A SMALL WRIST REST 

painted in brown with bamboo with a qilin and 

a bird, 4ins. (10cms.) wide 

£100-150 


159

1603. A ROBINS EGG VASE 

of lozenge section, each side moulded with 

calligraphy, drilled, 9 1 ⁄4ins. (23.5cms.) high 

£200-300 

B1606. A FAMILLE ROSE VASE AND COVER 

painted with panels of court figures, reserved 

on a gilt ground painted with scattered blooms 

and butterflies, 25ins. (63.5cms.) high 

£300-400 

160 

1602. A BLUE AND WHITE KETTLE 

of bombe chamfered rectangular form, painted 

with panels of river landscapes and flowering 

plants, Qianlong, 7ins. (18cms.) wide 

£800-1200 

1604. A FAMILLE ROSE GUGLET 

painted with panels of figures on riverside 

terraces, reserved on a gilt feathery scroll 

ground, Qianlong, 9 1 ⁄4ins. (23.5cms.) high 

£150-250 

1607. A FAMILLE ROSE VASE AND COVER 

painted with panels of exotic birds in a fenced 

garden, the finial now carved wood, 

Qianlong, 26ins. (66cms.) high 

£3000-4000 

1605. A PAIR OF BLUE AND WHITE AND 

COPPER RED VASES 

each painted with a mountainous riverscape, 


£300-400 

1608. A FAMILLE ROSE BALUSTER VASE 

brightly and boldly painted with flowering 

peonies issuing from rockwork, Qianlong, 18ins. 

(46cms.) high 

£4000-5000 


1609. A BROWN STONEWARE TEAPOT 

the squat body woven with prunus and 

bamboo sprays, red blooms, impressed square 

seal mark, 4 1 ⁄2ins. (11.5cms.) dia. 

£150-250 

1614. A BLUE AND WHITE JUG AND COVER 

painted with gilt enriched fenced plants, 

pewter hinge and thumb piece, 

Qianlong, porcelain 8ins. (20cms.) high 

£400-500 

1617. A FLAMBE VASE 

the colour draining from the neck and 

shoulders, late 17th/early 18th century, 


£1200-1500 

1612. A SET OF THREE FAMILLE ROSE 

SHALLOW SOUP PLATES 

painted with flowering peonies, a pair of plates 

each painted with peonies issuing from brown 

gnarled branches, two other peony painted 

plates and another painted with a river 

landscape, Qianlong, 8 3 ⁄4ins. (22.5cms.) dia. 

average (a lot) 

£300-400 

1610. A PAIR OF FAMILLE ROSE BOWLS AND 

SAUCERS 

each moulded as lotus leaves and applied with 

lotus fronds, Qianlong, saucer 5 3 ⁄4ins. (14.5cms.) 

dia. 

£100-150 

1615. A FAMILLE ROSE MUG 

painted with phoenix and flowering peonies 

issuing from rockwork, Qianlong, 6 1 ⁄4ins. 

(16cms.) high 

£200-300 

1618. A VASE 

moulded in low relief with flowering plants and 

birds, all incised, on a blue ground, 24 1 ⁄2ins. 

(62cms.) high 

£400-600 

1613. A BLUE AND WHITE TEAPOT 

one side painted with flowering prunus, the 

reverse with utensils, now with feather chased 

handle and birds head spout and an even later 

silver cover by George Lambert 1904, Kangxi, 


£300-400 

1611. A BLUE AND WHITE COW 

partially diapered, an ivory cover to the back 

aperture, blue square seal mark for Qianlong, 

7ins. (18cms.) long 

£100-150 

1616. A BLUE AND WHITE ONION VASE 

painted with qilin, blue double circle mark, 

Kangxi, 7 1 ⁄4ins. (18.5cms.) high 

£400-500 

1619. A FAMILLE VERT VASE AND COVER 

painted with panels of flowering plants, 17ins. 

(43cms.) high 

£100-200 


161

1620. A BLUE AND WHITE VASE 

the body painted with travellers in a landscape, 

blue four character mark, 16 1 ⁄2ins. (41.2cms.) 

high 

£200-300 

1623. AN ORMOLU MOUNTED FAMILLE 

ROSE VASE 

each side painted with a panel of peacocks, 

adapted for electricity, 20 1 ⁄2ins. (52cms.) high 

overall 

£200-300 

162 

1621. A BLUE AND WHITE BARREL GARDEN 

SEAT 

painted with peony stylised foliage, 19ins. 

(48cms.) high 

£300-400 

1624. A FAMILLE ROSE VASE 

painted with groups of vases and tables with 

utensils and vases, blue double circle and six 

character mark for Yongzheng, 14ins. (35.5cms.) 

high 

£1000-1100 

1622. A FAMILLE VERT JAR AND COVER 

of generous proportions, painted with 

horsemen, Kangxi, 22ins. (56cms.) high 

£400-500 

1625. A FAMILLE ROSE VASE AND COVER 

delicately painted with a hawking party within 

a scroll cartouche, the reverse with court 

figures, reserved on a gilt scrolled ground, 

painted with flowering tendrils and subsidiary 

cartouches, Qianlong, 18 1 ⁄4ins. (46cms.) high 

£400-600 


Pictures 

Friday 20th April at 11am 

Enquiries: Richard Kay 

richard.kay@lawrences.co.uk 

Artist’s Resale Right (“Droit de Suite”) 

Pictures and original prints by European artists are subject to a resale royalty if the 

hammer price exceeds 1000 Euros. This has now been extended to include living 

artists and all European artists who have died since 1942. 

The buyers of such lots agree to pay Lawrences this royalty and we shall forward it 

to the artists' collecting agents. The rate is 4% of the hammer price between 1000 

Euros and 50,000 Euros and the rate then varies up to 500,000 Euros. The Euro rate 

of exchange will be based upon the European Central Bank rate on the day of sale 

as all invoices are issued in Pounds Sterling. Please speak to Richard Kay if you have 

any questions. A list of the artists in this auction to whom this applies is available 

in the saleroom or upon request. 

Lot 1864 

Pictures

PRINTS 

1651. WENCESLAUS HOLLAR (1607-1677) 

AFTER ALBRECHT DURER (1471-1528) 

A STAG LYING 

Etching, c.1649, on laid paper, unframed 

8.5 x 11.2cm. 

++ Foxing; needs a clean 

£200-300 

1654. ARTHUR BRISCOE (1873-1943) 

THE BUCKO MATE 

Etching, 1926, signed in ink and numbered 

11/75 

17 x 29.5cm. 

++ A little foxing 

£150-200 


THE SHADOW OF THE MAINSAIL 

Etching, 1932, signed in pencil 

16 x 29.5cm. 

++ A little time staining 

£150-250 

164 

1652. AFTER JEAN BAPTISTE RIGAUD 

(Fl. MID-18th CENTURY) 

VUE PARTICULIERE DE PARIS 

Engraving with hand colouring by J. F. Leitzelt 

25 x 39.5cm.; 

with three further coloured engravings 

showing Le Jardin des Marchands; Le Palais de 

Luxembourg; and View of the Canal in St. 

James’s Park, London. (4) 

++ Some wear and staining in margins; the 

images generally good; the first two with some 

foxing 

£120-160 


MANNING THE PUMPS 

Etching, 1931, signed in ink and numbered 

58/75 

31 x 23cm. 

++ A little foxing and pale staining 

£150-200 

1658. JOB NIXON, RWS (1891-1938) 

(WASHERWOMEN BY A RIVER IN A FRENCH 

TOWN) 

Etching with drypoint, signed in pencil 

23.5 x 41.5cm.; 

with two signed etchings by Algernon Talmage, 

The Old Favourite, 14.5 x 25cm.; and A Norfolk 

Pastoral, 16 x 16.5cm., these unframed (3) 

++ Nixon good; the latter Talmage with old 

creases 

£150-200 

1653. AFTER SAMUEL ATKINS 

(Fl.1787-1808) 

A 74 GUN SHIP IN A CALM OFF THE ROCK OF 

LISBON; A CUTTER AND A SHIP OF WAR IN A 

CALM OFF THE NORTH FORELAND; A SHIP IN A 

HARD GALE DRIVING UNDER BARE POLES; A 

CUTTER IN A HARD GALE NEAR THE 

EDDYSTONE LIGHTHOUSE 

Four, aquatints, engraved by H. Merke, 

published by R. Ackermann, 1801, unframed 

Each 25 x 32cm. to outer border (4) 

++ Good impressions; old handling marks 

£60-90 


(ROUGH WEATHER) 

Etching, signed in pencil 

24.5 x 34.5cm. 

++ A little time staining 

£150-250 

1659. SIR FRANCIS SEYMOUR HADEN 

(1818-1929) 

HARRY KELLY’S IN PUTNEY 

Etching with drypoint, 1865, signed in pencil 

10.5 x 17cm. 

++ Good impression; time staining in paper 

£200-300 


CLAUGHTON PELLEW (1890-1966) 

Pellew was born in Cornwall, the son of a mining engineer and an artist. He studied under Henry Tonks and P. W. Steer at the Slade (1907-1911) and 

rubbed shoulders there with fellow students Ben Nicholson, Paul Nash and Stanley Spencer. After turning wholeheartedly to Roman Catholicism, Pellew 

became a conscientious objector in the Great War and was incarcerated on Dartmoor. The desperate hardship of this experience invested all his art with 

a sense of isolation and detachment. He married Emma Tennent in 1919 and they built a house together in Norfolk. They led a primitively simple life and 

Pellew began wood engraving in 1923 although he rarely exhibited his works. Undoubtedly, his geographical remoteness and his self-deprecating 

manner were contributory factors. As a Neo-Romantic, Pellew’s works celebrate vanishing rural lifestyles that align him with Ravilious, Piper and 

Sutherland and Paul Nash admired his friend’s “devotional approach” when observing his beloved natural world. Only a scant handful of exhibitions since 

Pellew’s death in 1966 have attempted to demonstrate his remarkable talents as a fine engraver. 

1660. CLAUGHTON PELLEW (1890-1966) 

(THE PLOUGHMAN) 

Wood engraving, signed and dated 1925, 

inscribed Imp. 6/30, unframed 

Image 12.2 x 13.7cm. 

++ Slight handling creases and surface marks 

in margins 

£300-400 


MARSH MARIGOLDS 


inscribed with title, also inscribed Proof and 

Christmas 1930, unframed 

Image 27.5 x 25cm. 

++ Worn, creased and foxed in the margins 

£250-350 


THE RETURN 


inscribed with title and Imp. 4/25, unframed 

Image 26 x 25cm. 

++ Slight handling creases; large spot of 

foxing/brown stain in margin at extreme left 

£300-400 


(SUNRISE - THE PLOUGHMAN) 


inscribed Proof and Christmas 1930, unframed 


++ Worn, creased and foxed in the margins 

£250-350 


LAMENTATION 


inscribed with title and Imp. 7/30, unframed 

Image 11 x 13.5cm. 

++ Slight handling creases and surface marks 

in the margins 

£250-350 


THE SMITHY 


inscribed with title and Proof. 1/3, unframed 


++ Slight handling creases and surface marks; 

two spots of foxing in margin on left 

£300-400 


165

Lots 1666-1681 are from the deceased estate of a Somerset antiquarian 

1666. A COLLECTION OF OLD MASTER 

PRINTS 

comprising examples after Carracci, Cignani, 

Claude, Michelangelo, Poussin, Rembrandt, Van 

Bloemen, Van Dyck, Vouet and many others; 

principally engravings, unframed 

++ Generally fair condition 

£400-600 

1669. A COLLECTION OF MEZZOTINT 

PORTRAIT PRINTS 

comprising examples after Beechey, 

Gainsborough, Hoppner, Kneller, Lely, Reynolds, 

Rising, Romney, Titian, Vanderbank, Zoffany 

and many others; engravers to include Faber, 

Houston, McArdell, Simmons, Thompson, 

Turner, Watson and others; principally 18th 

Century British sitters, unframed 

++ Generally fair condition; many trimmed 

£300-400 

1672. A COLLECTION OF ANIMAL PRINTS 

comprising examples by or after Berchem, 

Dicksee, Dujardin, Roos, Troyon, Van de Velde 

and others; subjects to include cattle, deer, 

elephant, goats, horses, kangaroo, lions, sheep 

and many more; principally etchings, unframed 


£200-300 

166 

1667. A COLLECTION OF OLD MASTER 

PRINTS 

comprising examples after Berchem, Callot, 

Castiglione, Carracci, Durer, Goltzius, Guercino, 

Maratta and many others; principally 

engravings and etchings, unframed 


£400-600 

1670. A COLLECTION OF PORTRAIT PRINTS 

comprising examples after Hogarth, Holbein, 

Kneller, Le Sueur, Peters, Reynolds, Van Dyck 

and many others, the sitters to include 

Bartolozzi, Disraeli, Dryden, King Edward VI, 

King Louis XV, Rubens, Mrs Siddons, Queen 

Victoria and many others; principally 

engravings, unframed 


£300-400 

1673. A COLLECTION OF PORTRAIT AND 

FIGURATIVE PRINTS 

comprising examples by or after Brangwyn, 

Clausen, Herkomer, Icart, Israels, Legros, Strang 

and many others, principally etchings 1870- 

1920, unframed 

++ Generally good condition. 

£200-300 

1668. A COLLECTION OF ARCHITECTURAL 

PRINTS 

comprising examples after Cotman, Cuitt, 

Delamotte, Frood, Haig, Kasimir, Lalanne, Prout 

and many others; subjects to include 

Amsterdam, Bristol, Chester, Edinburgh, Lincoln, 

London, Oxford, Cambridge, Venice and 

elsewhere; principally engravings and etchings, 

unframed 

++ Generally fair to good condition 

£300-500 

1671. A COLLECTION OF DECORATIVE AND 

MISCELLANEOUS PRINTS 

comprising examples after Cooke, Cruikshank, 

Deveria, Gillray, Herkomer, Leighton, Morland, 

Peters, Pyne, Shelley, Westall and many others; 

subjects to include allegory, botany, cartoon, 

costume, figures, genre, portrait, war and other 

subjects, assorted media, unframed 

++ Generally fair to poor condition 

£200-300 

1674. A COLLECTION OF LANDSCAPE, 

MARINE & GENERAL TOPOGRAPHICAL PRINTS 

comprising examples after Constable, Cooke, 

Fullwood, Haden, Marlow, Morland, Nicholson, 

Turner, Whistler and many others; subjects to 

include Bristol, Bruges, Hong Kong, Lausanne, 

London, Nemi, Richmond, Tunis, Venice and 

elsewhere; principally engravings and etchings, 

unframed 


£250-350 


1675. JOHN HAMILTON MORTIMER, ARA 

(1741-1779) 

TO SR. JOSA. REYNOLDS, PRESIDENT OF THE 

ROYAL ACADEMY. 

Eleven etchings (including the frontispiece), 

published by the artist 1778, 4to; with sixteen 

assorted small etchings by the same hand, all 

unframed 

++ Generally good condition. 

£150-200 

1678. A COLLECTION OF ASSORTED 

SKETCHES 

comprising animal subjects, architecture, 

cartoons, copies after Old Masters, history, 

landscape, marine, portraits, still life etc; 

watercolour, ink and pencil, principally mid-late 

Victorian, all unframed 

++ Generally good to fair condition 

£200-300 

1681. FRANCESCO BARTOLOZZI, RA 

(1727-1815) and others 

IMITATIONS OF ORIGINAL DRAWINGS BY HANS 

HOLBEIN IN THE COLLECTION OF HIS MAJESTY, 

FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS 

OF THE COURT OF HENRY VIII 

A volume, now containing twenty four stipple 

engravings, partially printed in colour, by 

Bartolozzi, Metz and Knight, twenty one 

printed on pink paper, printed by W. Bulmer & 

Co, 1792-1793, with biographical tracts, folio, 

later half russia, rubbed 

++ Some spotting, tears, stains and wear 

generally confined to margins; each tipped in 

£600-800 

1676. A SMALL COLLECTION OF 19th/20th 

CENTURY PRINTS 

comprising woodcuts by Millais, Pettie, Watson 

and others; woodcuts by Jean Lebedeff (“Quand 

La Terre Trembla.”), Jacques Engelbach, Clement 

Servau, T. Steinlen (“Gil Blas”) and others; and 

some Oriental woodcuts, all unframed 


£100-200 

1679. A GROUP OF ART BOOKS 

comprising Eaux-Fortes sur Paris by C. Meryon, 

with many etchings, 1852;The Early Drawing- 

Book, lithographs by J. D. Harding, 3rd edition, 

c. 1854-1855; The School of Art of Most 

Compleat Drawing-Book Extant, numerous 

stipples after Watteau, Boucher etc, 1765; 

Prout’s Microcosm, with lithographs, 1841; The 

Durer Society, reproductions, 1902; and two 

further volumes (7 vols) 

*Not guaranteed complete; sold not subject to 

return 

++Some fair to poor condition only 

£120-180 

1677. A COLLECTION OF ASSORTED 

SKETCHES. 

comprising animal subjects, architecture, 

cartoons, copies after Old Masters, history, 

landscape, marine, portraits, still life etc; 

watercolour, ink and pencil, principally mid-late 

Victorian, all unframed 

++ Generally good to fair condition 

£200-300 

1680. A GROUP OF ART BOOKS 

to comprise Cathedral Cities York, Lincoln, 

Beverley with etchings by R Farren, 1896; 

L’Eau-Forte en 1875 with numerous etchings, 

1875; Four Masters of Etching by F. Wedmore, 

containing Whistler’s “Putney” and others, 

1883; Passages from the Poems of Thomas 

Hood, with many etchings by the Junior 

Etching Club, 1858; About Etching by F. 

Seymour Haden, part 2 only, 1879; Stirling 

Castle and Other Poems by M. A. Richardson, 

etchings by D. Y. Cameron, 1934; Etchings for 

The Art Union of London by the Etching Club, 

n.d.; and The Mezzotints and Aquatints of Sir 

Frank Short, catalogue raisonne by Martin 

Hardie, 1939 (8 vols) 

*Not guaranteed complete; sold not subject to 

return 

++ Generally good condition 

£300-400 


167

Various Properties 

1682. HENRY COTTERILL DEYKIN (1905-1989) 

THE QUEEN’S HEAD & ARTICHOKE; FROM OLD WATERLOO BRIDGE 

Two, lithographs, each signed and inscribed with title in green ink 

34.5 x 29cm. and 34 x 24cm. (2) 

++ Each in generally good condition 

£100-150 

1684. AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) 

ON THE SANDS 

Colour reproduction, printed by Chorley Pickersgill, signed in pencil and 

numbered 91/500 or 97/500 

38 x 56.5cm. 

++ Slightly faded 

£250-300 

1685. AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) 

MAN ON A WALL (1957) 

Colour reproduction, published by Grove Galleries, signed in pencil and 

numbered 456/500 

40.5 x 50cm. 

++ Slightly faded 

£300-400 

168 

1683. SIR EDUARDO PAOLOZZI, CBE, RA (1924-2005) 

B.A.S.H. 

Screenprint with collage on wove paper, 1971, printed by Advanced 

Graphics, published by Galerie Dorothea Leonhart, signed in pencil, 

inscribed P/P and dated 1971, numbered 25/25, with green background, 

aside from the edition of 3000 that had been available from The Observer 

newspaper for £17.50 

73.5 x 49cm. 

++ Damp stains in the margins 

£200-300 

1686. DAME ELISABETH FRINK, DBE, RA (1930-1993) 

BELLEROPHON (W.150) 

Etching, 1983, from “The Children of the Gods” series, published by the 

artist, printed by the Kelpra Studio (with their blindstamp), signed in 

pencil and numbered 7/70 

54 x 37cm. 

++ A little very pale foxing in margins 

£300-500 


1687. EDWARD WOLFE (1897-1981) 

SONG OF SONGS 

The set of twelve off set lithographs derived from drawings from 1930, 

printed by Adrian Lack at the Senecio Press, Chalbury, 1980, on aluminium 

paper, each within an Arches paper folder, the folders each signed in 

pencil and numbered 29/250, the cover of one also with a signed 

dedication to Darling Antoinette... from Teddy, within a clothbound box 

Each image 35.5 x 26cm. 

Provenance: A gift from the artist to Antoinette Pratt-Barlow 

(1917-1987), artist and poet. Thence by descent. 

++ The prints in very good condition; the box sound but with some stains 

to the cover 

£800-1200 

1688. CHRISTOPHER RICHARD WYNNE NEVINSON, 

ARFA (1889-1946) 

LE PORT (Leicester Galleries 62) 

Lithograph, 1919, on laid, signed and dated 1919 in 

pencil and inscribed To the Hackings from the 

Nevinsons Xmas 1925, from the edition of 25 

65.5 x 50cm. 

++ Not laid down; the paper slightly uneven but 

condition generally very good 

£5000-7000 

1689. No lot 


169

WATERCOLOURS AND DRAWINGS 

1690. SAMUEL HIERONYMUS GRIMM 

(1733-1794) 

COUNTRYFOLK ON A PATH BENEATH A WALLED 

HOUSE 

Signed S H Grimm fecit, watercolour with pen 

and ink 

29 x 45cm. 

++ Generally good condition; a few minor 

blemishes in the sky 

£800-1200 

1693. THOMAS ROWLANDSON (1756-1827) 

THE THAMES (RICHMOND BRIDGE) 

Bears signature, watercolour with pen and 

sepia ink over pencil, unframed 

20.5 x 39.5cm. 

++ Faded; made up areas in sky upper left; 

scattered pale stains 

£400-600 

1696. CHARLES BENTLEY (1806-1854) 

LAKE WITH MOUNTAINS, FIGURES AND CATTLE 

Signed and dated 1846, watercolour and pencil 

32.5 x 61cm. 

Provenance: London, Spink & Son Ltd (label 

verso) 

++ Needs a clean; creased lower left 

£150-250 

170 

1691. CIRCLE OF JOHN CHRISTIAN SCHETKY 

(1778-1874) 

VESSELS IN STORMY SEAS OFF A ROCKY COAST 

Pastels 

40 x 55cm. 

++ Good condition; small tear upper right 

corner 

£150-200 

1694. THOMAS WALMSLEY (1763-1806) 

TWO MEN SALMON FISHING BY A MILL 

Gouache 

13.5 x 23cm. 

++ Good colour and generally good condition 

£100-200 

1697. FOLLOWER OF JOHN RUSKIN 

(1819-1900) 

TOWNSCAPE 

Watercolour with pen and ink 

22 x 31.5cm. 

++ Old creases and abrasions; damp marks and 

discoloration 

£100-200 

1692. ROBERT CLEVELEY Jnr. (1747-1809) 

SHIPPING OFF THE DUTCH COAST 

Signed with initials and dated 1784 upon a 

spar, watercolour with pen and grey ink, 

unframed 

19 x 31.5cm. 

++ Retouched grazes in sky in centre 

£400-600 

1695. ENGLISH SCHOOL, LATE 18th 

CENTURY 

TWO HORSEMEN NEAR GIBRALTAR 

Gouache 

8.2 x 14cm. 

++ Good condition 

£200-300 

1698. ATTRIBUTED TO DAVID HALL 

McKEWAN (1817-1873) 

A SCENE IN THE LAKE DISTRICT (?) WITH 

FIGURES IN A BOAT 

Watercolour and pencil 

53 x 74cm. 

++ Needs a light clean; slightly faded in the 

sky; a few minor scuffs etc. 

£150-250 


1699. AFTER SANDRO BOTTICELLI 

(c.1445-1510) 

MADONNA OF THE MAGNIFICAT (detail) 

Watercolour 

49.5 x 38.5cm. 

* A detail, circa 1900-1920, from Botticelli’s 

original of c.1485 (Florence, Uffizi) 

++ Generally good condition; slightly faded 

£400-600 

1702. GEORGE RICHMOND, RA (1809-1896) 

PORTRAIT OF MISS SANDHAM, c.1839 

Half length seated, signed, watercolour and 

pencil sketch 

21 x 18cm.; 

with a pencil portrait of Gena Gore-Booth, 

inscribed and dated Sept 21.1872, 20.5 x 20cm. 

(2) 

Provenance: (Richmond) London, Thos. Agnew 

& Sons, Ltd, January 1972 

++ Richmond needs a light clean to remove 

slight light staining in paper; the latter with 

slight foxing 

£300-400 

1705. ATTRIBUTED TO JAMES SANT, RA 

(1820-1916) 

PORTRAIT OF CHARLES MURRAY PITMAN, 

AGED 3 

With monogram and date 1875, watercolour 

57 x 46cm. 


£200-300 

1700. AFTER RAPHAEL (1483-1520) 

ST. CATHERINE OF ALEXANDRIA 

Watercolour on paper backed onto cotton, on a 

stretcher, c.1900 

71 x 54.5cm. 

* After the 1507 original (National Gallery, 

London). 

++ Faded 

£250-350 

1703. FOLLOWER OF JOHN RUSSELL, RA 

(1745-1806) 

PORTRAIT OF A CHILD 

Bust length, wearing a white dress with blue 

sash and long blond hair, pastels 

34 x 26.5cm. 

++ A little rubbed and with some pale foxing; 

pale water stain lower left 

£180-250 

1701. AFTER GEORGE ROMNEY (1734-1802) 

PORTRAIT OF THOMAS DE GREY, 2nd BARON 

WALSINGHAM (1748-1818) 

Half length, wearing lawyer’s robes, 

watercolour on paper backed on canvas, on a 

stretcher, period gilt frame 

74.5 x 61.5cm. 

++ Faded 

£250-350 

1704. CIRCLE OF WILLIAM EDWARD FROST 

(1810-1877) 

PORTRAITS OF THREE MEN OF THE PEARSE 

FAMILY 

Three, a father and two sons, each depicted 

quarter length, wearing blue coats, pastels 

Each 57.5 x 47.5cm. (3) 

++ Two in good condition; one with some 

mould 

£800-1200 

1706. ADAM BUCK (1759-1833) 

PORTRAITS OF A LADY; AND A GENTLEMAN 

A pair, each standing full length in a landscape, she wearing a white dress and bonnet with green 

floral shawl, a dog playing at her side; he wearing a russet coat and cream breeches, holding a hat 

and cane, each signed and dated 1820, he with old label on backboard reading Portrait of Mr. W 

Charter (? surname indistinct), watercolour 

Each 36 x 27cm. approx. (2) 

Provenance: By descent in the Wigan family of Bradstone Brook, Shalford, nr. Guildford, Surrey 

++ She with narrow extension at right edge; each a little discoloured and in need of a clean; 

original gilt frames 

£1200-1500 


171

1707. JOSEPH GOUPY (1680-1768) 

MYTHOLOGICAL SCENES 

A pair, gouache on vellum, reniform 

Each 8 x 16.5cm. (2) 

++ A few old minor faults; partially oxidised 

£300-400 

1710. EDWARD TUCKER (c.1830-1909) 

MOUNTAIN LANDSCAPE WITH A MAN AND A 

HORSE 

Signed, watercolour heightened with 

scratching out, unframed 

37.5 x 64.5cm. 

++ Some fading 

£250-350 

1713. WILLIAM PAYNE (c.1760-1830) 

FIGURES IN A LANDSCAPE BENEATH RUINED 

TOWERS 

Watercolour 

20 x 29cm.; 

with a woodland study attributed to Thomas 

Barker of Bath, 21 x 24.5cm.; and a small 

watercolour sketch of Paris, c.1960, 13 x 16cm. 

(3) 

++ Payne has graze in sky and some fading; 

`Barker` faded; the other satisfactory 

£150-200 

172 

1708. JEAN BAPTISTE LOUIS MOULLIN 

(1817-1876) 

CLERMONT, EGLISE ET PLACE POTERNE 

Signed and inscribed with title, watercolour 

and pencil 

25 x 17.5cm. 

++ Faded; light stained 

£400-600 

1711. AGOSTINO AGLIO (1777-1857) 

WOODED LANDSCAPE WITH TWO BOYS 

FISHING IN A STREAM 

Signed and dated 1836, watercolour and pencil, 

unframed 

49 x 38.5cm. 

++ Good colour; some foxing; needs a clean 

£300-500 

1714. GIDEON YATES (1790-1840) 

STAINES BRIDGE 

Signed and dated 1832, watercolour with pen 

and grey ink over pencil, unframed 

24.5 x 48cm. 

++ Retouched damage in sky at right; needs a 

light clean 

£250-350 

1709. THOMAS ROWLANDSON (1756-1827) 

A WOODED RIVER (SKETCH) 

Pen and ink with pencil and blue and grey 

washes 

21 x 27.5cm. 

Provenance: London, Sothebys, November 20th, 

1986, lot 50 

++ Handling marks at sheet edges; needs a 

light clean; slightly pale 

£300-400 

1712. CIRCLE OF DAVID COX (1783-1859) 

TWO FIGURES NEAR A COUNTRY BRIDGE, 

HAYMAKING BEYOND 

Bears a signature and indistinct date, 

watercolour 

19 x 30cm. 

++ Needs a light clean 

£200-300 

1715. WILLIAM FREDERICK WELLS 

(1762-1836) 

DEER IN WINDSOR PARK 

Watercolour over pencil, unframed 

27 x 42cm. 

Provenance: London, The Fine Art Society Ltd, 

September 1958 

++ A little pale; generally good condition 

£300-500 


1716. J** HARE (Fl.c.1820) 

THE UPPER LAKE OF KILLARNEY 

Signed and dated 1820, watercolour with 

scratching out, unframed 

24 x 34cm. 

++ A few minor blemishes 

£80-120 

1719. FRANCOIS LOUIS THOMAS FRANCIA 

(1772-1839) 

A PRISON GALLEY OFFSHORE 

Signed with monogram, watercolour over 

pencil heightened with scratching out, 

unframed 

17.5 x 25.5cm. 

++ Retouched damages at right and left in the 

sky 

£300-400 

1721A. RICHARD HENRY NIBBS 

(1816-1893) 

HORSE AND CART NEAR THE SUSSEX COAST, 

PROBABLY AT CUCKMERE HAVEN 

Signed, watercolour and pencil 

50.5 x 76cm. 

++ Characteristic discoloration; needs a clean 

£400-600 

1717. WILLIAM BARRAUD (1810-1850) 

COUPLED FOX HOUNDS 

Signed Willm Barraud, watercolour 

11.5 x 16.5cm. 

++ A little scattered foxing 

£250-350 

1720. GEORGE CHAMBERS, RA (1803-1840) 

THE HAY BARGE 

Signed, watercolour heightened with 

scratching out 

26 x 41cm. 


£400-600 

1722. JOHN MIDDLETON (1827-1856) 

AN AVENUE OF TREES; TREES BY A RIVERSIDE 

Two, both signed, coloured chalks, on cream or 

pale grey paper, unframed 



£200-300 

1718. WILLIAM CALLOW, RWS (1812-1908) 

ISCHEL, AUSTRIA 

Signed with initials and dated /74 verso, 

watercolour over traces of pencil, unframed 

23.5 x 34.5cm. 

Provenance: Mrs. Callow’s collection (part of 

which was sold at Walker’s Galleries, London, 

April 1927; London, The Fine Art Society Ltd, 

April 1958 and October 1959) 


£500-700 

1721. JOSEPH MURRAY INCE (1806-1859) 

A YOUNG FISHERMAN ON A BEACH 

Signed and dated 1838, watercolour 

10.5 x 18.5cm. 

++ Good colour; needs a very light clean 

£200-300 

1723. AFTER DAVID ROBERTS, RA 

(1796-1864) 

APPROACH OF THE SIMOON: DESERT OF GIZEH 

Watercolour and pencil, presumably derived 

from Louis Haghe’s lithograph of Roberts’ 

drawing, unframed 

33 x 48cm. 

++ Some slight discoloration; in need of a light 

clean 

£200-300 


173

1724. HENRIETTA HUSSEY 

(nee WINDSOR-CLIVE) (1820-1899) 

COASTAL SCENE WITH BOATS 

Watercolour and pencil 

17 x 26.5cm.; 

with a landscape by William Henry Fisk, 12.5 x 

29cm.; and an estuary scene at Boston (Lincs), 

c.1830, 12 x 22cm. (3) 


£150-200 

1727. HERBERT MOXON COOK 

(Fl.1881-1926) 

ISLANDS OFF THE WEST COAST OF SCOTLAND 

Signed and dated 1879, inscribed No.5, 

watercolour and pencil 

27.5 x 46cm.; 

with a North Wales landscape by Albert Pollitt, 

28 x 37.5cm.; and a moorland scene with a rider 

by Edwin C. P. Holman, 22 x 28cm., both signed 

(3) 


£200-400 

1730. CIRCLE OF JOHN MOGFORD 

(1821-1885) 

FISHERFOLK ON THE SHORE AT TWILIGHT; A 

VESSEL IN ROUGH SEAS OFF A JETTY 

A near pair, watercolour with scratching out 

Each 42 x 61.5cm. approx (2) 

++ The former with some foxing and slight 

discoloration in the sea; the latter with more 

foxing 

£700-1000 

174 

1725. PHILIP NORMAN (c.1843-1931) 

PORTSMOUTH HARBOUR 

Signed and dated 81 and inscribed with title in 

pencil, watercolour and pencil 

22.5 x 41cm.; 

with a view of a boat off a Mediterranean town 

by M. E. Maginniss, 22 x 30cm.; and a scene of 

vessels off a jetty by A. Flowers, 1911, 18.5 x 

35cm. (3) 

++ The first with some foxing and a little pale; 

the others satisfactory 

£200-300 

1728. NEAPOLITAN SCHOOL, 19th CENTURY 

NAPOLI DA POSILIPO 

Titled in margin, gouache 

40.5 x 64.5cm. 

++ Two long vertical creases at left where 

formerly folded; small damage in sky at left 

£400-600 

1731. JOHN WHITACRE ALLEN 

(Fl.1859-1866) 

CASTLE AND BRIDGE OF ST ANGELO, ROME 

Signed, watercolour and pencil heightened 

with white and scratching out 

38.5 x 66.5cm. 


£400-600 

1726. HERBERT JOHN FINN (1861-1942) 

HARBOUR SCENE AT LOW TIDE 


31 x 43cm. 

++ Slight damage upper right corner 

£150-200 

1729. JOHN TERRIS (1865-1914) 

FISHERFOLK ON A BROAD BEACH 

Signed, watercolour 

46 x 71cm. 


£300-400 

1732. WALTER STUART LLOYD 

(Fl.1875-1929) 

NEWPORT, ISLE OF WIGHT 

Signed, inscribed with title verso, waterclolour 

and bodycolour 

16.5 x 24cm. 

* The church is the parish church of St. Thomas. 

++ Good condition; original gilt mount and 

frame 

£300-500 


1733. ALBERT MOULTON FOWERAKER 

(1873-1942) 

HARLYN BAY, CORNWALL; MOTHER IVEY’S BAY 

A pair, both signed, each inscribed with title 

verso, watercolour 

Each 53 x 35.5cm. (2) 

++ Each in good condition 

£600-800 

1736. ALBERTO PROSDOCIMI (1852-1925) 

A QUIET BACKWATER 


40.5 x 26cm. 

++ A couple of very minor scuffs in the sky 

£400-600 

1739. JAMES BURRELL SMITH (1822-1897) 

WINDSOR CASTLE FROM THE THAMES 

Indistinctly signed and dated, watercolour and 

pencil heightened with white, unframed 

20.5 x 45.5cm. 

Provenance: London, Sothebys November 29th 

2000, Michael Appleby Collection 


£300-500 

1734. P* HORTENBEKE (?) (19th CENTURY) 

CATTLE AND SHEEP IN A FIELD 

Signed and dated indistinctly, grey and brown 

washes 

19.5 x 30cm. 

++ A few pale spots of foxing 

£120-150 


THE BACINO, VENICE 


16 x 27.5cm. 


£500-700 

1740. GEORGE FALL (c.1848-1925) 

VIEWS OF YORK 

A pair, both signed and inscribed York, 

watercolour vignettes, laid down, unframed 

Sheet 24 x 33cm. (2) 

++ A little foxing 

£250-350 


A GONDOLIER NEAR THE S. MARIA DELLA 

SALUTE, VENICE 


29 x 17cm. 

++ A little faded 

£500-700 


A WATERFRONT GARDEN 


40.5 x 25cm. 


£400-600 

1741. MYLES BIRKET FOSTER, RWS 

(1825-1899) 

RICHMOND CASTLE, YORKSHIRE 

Signed with monogram, watercolour and pencil 

heightened with white 

18.5 x 34cm. 

++ A few small grazes in the sky 

£600-900 


175

1742. ATTRIBUTED TO PERCY FRENCH 

(1854-1920) 

FALLCARRAGH, CO. DONEGAL 

Bears signature, watercolour 

25.5 x 35.5cm. 

Provenance: Belfast, William Rodman and Co 

(their label on backboard) 

++ A little pale foxing 

£300-500 

1745. JOHN WHITE (1851-1933) 

BRANSCOMBE VALE 

Signed, inscribed with title and dated 1904, 

gouache 

42.5 x 62.5cm. 

++ Pale sky; a little foxing 

£300-500 

1748. JAMES THOMAS WATTS (1853-1930) 

BIRCH TREES BY A COUNTRY POOL 


31.5 x 38cm. 

++ A little pale foxing; needs a light clean 

£150-250 

176 

1743. HOWARD WALFORD (1864-1950) 

A GARDEN BY A LAKE 


36 x 27cm.; 

with another by the same hand of a country 

house and garden, signed, 26.5 x 36.5cm. (2) 

++ Good colour; each needs a light clean 

£200-300 

1746. JOHN M. MACINTOSH (1847-1913) 

AT BISHAM 

Signed with initials, watercolour heightened 

with gouache 

33 x 22.5cm. 

++ Needs a clean; light stained 

£80-120 

1749. JAMES AUMONIER (1832-1911) 

MAN WITH A DOG, BUCKLEBURY COMMON, 

BERKSHIRE 


17 x 25.5cm.; 

with a watercolour of figures in woodland by 

another hand, 18.5 x 24.5cm. (2) 

++ Aumonier good; the latter pale 

£100-150 

1744. HENRY JOHN KINNAIRD 

(Fl.c.1880-1920) 

A SUSSEX CORNFIELD 

Signed and inscribed wtih title, watercolour 

heightened with scratching out 

33.5 x 51cm. 

++ Needs a light clean; pale amber streaks in 

the sky 

£600-800 

1747. JOHN GUTTERIDGE SYKES 

(1866-1941) 

NEAR GLASTONBURY 

Signed, inscribed with title verso, watercolour 

26 x 36cm. 


£100-150 

1750. JAMES JACKSON CURNOCK 

(1839-c.1889) 

HIGHLAND LANDSCAPE WITH FIGURES AND 

CATTLE 


35 x 75cm. 

++ Good colour; a little foxing 

£300-400 


1751. CHARLES ROWBOTHAM 

(Fl.c.1881-1913) 

MEETING ON A LAKESIDE PATH 

Signed, watercolour and bodycolour 

44.5 x 27cm. 


£300-400 

1754. JOHN WHITE (1851-1933) 

AT THE GARDEN GATE, BRANSCOMBE, EAST 

DEVON 

Signed, inscribed with title on backboard, 

watercolour and bodycolour, unframed 

36.5 x 26cm. 

++ Slight rubbed mark in sky 

£300-400 

1757. PHILIPPE PAVY (b.1860, 

fl.1878-1890) 

UN COLPORTEUR, DINARD; 

SOUVENIR DE BRETAGNE 

A pair, both signed, inscribed with 

title and dated 1890, watercolour 

Each 27.5 x 18.5cm. (2) 

++ Each a little faded 

£150-250 

1752. KATE BISSCHOP-SWIFT (b.1834, 

fl.1861-1880) 

THE HOPE OF THE FAMILY 

Signed, watercolour and gouache with pen and 

ink 

59.5 x 46cm. 


£200-300 

1755. E** G** (Fl.c.1899) 

PORTRAIT OF KATHERINE AND DOROTHY 

SELIGMAN 

Signed with monogram and dated 99, pastels 

58.5cm. diam. 

++ Good condition; original gilt mount and 

frame 

£300-400 

1758. PHILIPPE PAVY (b.1860, 

fl.1878-1890) 

SCENES IN ALGERIA 

Four, each signed and inscribed 

ALGER or ALGERIA and dated 1889 

or 1890, watercolour, various sizes 

The largest 39 x 28.5cm. (4) 

++ Some fading/ light staining/ 

discoloration in three of the four 

£400-600 

1753. BASIL BRADLEY, RWS (1842-1904) 

LUNCHTIME, QUAI DE LA GARE, PARIS 

Signed, also signed and inscribed with title on 

exhibition label on backboard, watercolour, 

original gilt mount and frame 

31.5 x 23.5cm. 

++ Needs a light clean; slightly pale 

£400-600 

1756. WILLEM JACOBUS BOOGAARD 

(1842-1887) 

FIGURE STUDIES; WOMAN WITH A EWER 

Two, pencil, the former with crayon 

30 x 22.5cm. and 24 x 19.5cm.; 

with a watercolour of a sandpit near Oxford, by 

Dr. William Crotch, 13.5 x 19cm.; and an etching 

by F. Seymour Haden “On the Thames at 

Purfleet”, 1870, 13 x 20cm. (4) 


£200-300 


177

1759. STUDIO OF MYLES BIRKET FOSTER, 

RWS (1825-1899) 

OFF FOR A WALK 

With studio stamp, watercolour and 

bodycolour over pencil, unframed 

8.5 x 13cm. 

++ Good colour; a little staining in the sky 

£150-200 

1762. HENRY CHARLES FOX (1860-1929) 

LOADING THE HAYCART 

With studio stamp, watercolour and pencil, 

unframed 

38 x 50cm. 


£150-200 

1764. LIONEL EDWARDS (1878-1966) 

10th HUSSARS (FRENCH) 1818 

Signed and dated 1899, also inscribed with title 

and further inscribed 2 hours sketch/ London 

Sketch Club/ May.99, watercolour and pencil 

31.5 x 21.5cm. 

++ Some fading and light staining 

£150-200 

178 

1760. ROBERT HOLLANDS WALKER 

(Fl.1882-1922) 

SCENE ON A VILLAGE LANE; FISHING BY A 

COUNTRY BRIDGE 

A pair, both signed, watercolour over traces of 

pencil 

Each 19 x 30.5cm. (2) 

++ Each with slight fading in the sky 

£250-300 

1762A. EDWARD WESSON (1910-1983) 

LOCH SCENE 


31.5 x 49.5cm. 

++ Needs a very light clean only 

£200-300 

1765. ISOBEL MORTON SALE (1904-1992) 

APRIL SHOWERS 

Signed, watercolour and charcoal with pencil 

41 x 33cm. 


£250-300 

1761. CHARLES SIM MOTTRAM (1852-1919) 

REAL SENTIMENT 

Signed and inscribed with title, watercolour 

over traces of pencil 

45 x 66.5cm. 

++ Mould stain upper right corner; needs a 

light clean 

£300-400 

1763. SEAN O’CONNOR (1909-1992) 

ON THE RING OF KERRY 

Signed, watercolour and bodycolour over traces 

of pencil 

26 x 37cm. 


£100-150 

1765A. ISOBEL MORTON SALE (1904-1992) 

GOING TO CHURCH 


39.5 x 35cm.; 

with a watercolour of a lady at a door by John 

Morton Sale, 48 x 33cm. (2) 


£250-300 


1766. ARTHUR GERALD ACKERMANN 

(1876-1960) 

STORMY WEATHER, CLEY 


16.5 x 24cm. 


March 1936 (label verso) 


£300-400 

1769. ABRAHAM WENBAUM (1890-1943) 

BOULEVARD ST. MICHEL, PARIS 

Signed and inscribed Paris 1930/Bd St Michel, 

gouache 

41 x 54cm. 

++ Tears within image, in centre and at left; 

grazes 

£150-200 

1772. HARRY BECKER (1865-1928) 

HORSE AND CART WITH RIDER 

Signed, also inscribed To Mary Cohen from G + J 

Becker, pencil 

13.5 x 23.5cm. 

++ Paper time stained 

£150-200 


(1876-1960) 

LOW TIDE, MALDON 


16.5 x 24cm. 


March 1936 (label verso) 

++ A little pale 

£250-350 

1770. PHILIP RICKMAN (1891-1982) 

GROUSE ABOVE A LOCH 

Signed and dated 1959, gouache 

36.5 x 54cm. 


£600-800 

1773. SAMUEL JOHN LAMORNA BIRCH, RA, 

RWS (1869-1955) 

RIVER LANDSCAPE WITH ANGLER AND SHEEP 

Signed and dated 1936, watercolour and pencil 

25 x 37cm.; 

with another similar by the same hand, 24 x 

30cm. (2) 

++ The former in good condition; the latter 

with long retouched graze in the sky 

£300-400 


(1876-1960) 

BOSHAM; RICHMOND 

Two, each inscribed and dated June 23rd 1947 

or Aug.29th 1931, pencil with crayon, sketches 

21 x 36.5cm.; and 20 x 23.5cm. (2) 

++ The former good; the latter with some 

handling marks 

£120-180 

1771. CHARLES WALTER SIMPSON 

(1885-1971) 

THE GRAND NATIONAL, 1936: FULKE WALWYN 

RIDING TO VICTORY ON REYNOLDSTOWN 

Gouache 

52.5 x 73.5cm. 


£800-1200 

1774. THEO OLIVE (1914-1998) 

CHURCHYARD 

Signed and dated 49, watercolour and charcoal 

30 x 42cm. 


£150-200 


179

1775. MALCOLM RAINS (Canadian, b.1947) 

DAWN, NEAR THE SCARBOROUGH BLUFFS 


23.5 x 54.5cm. 


£200-300 

1778. SIR GEORGE CLAUSEN, RA, RWS 

(1852-1944) 

LANDSCAPE 

Signed and dated 1926, inscribed To Mrs 

Arnold-Forster, watercolour 

24.5 x 31cm.; 

with a pencil drawing of a cinema in Rome by 

Muirhead Bone, signed and dated 1912, 21.5 x 

30cm., both unframed (2) 

++ Slight pastel transfer marks on the Clausen; 

the Bone with slight time staining 

£150-200 

1781. LESLIE CHARLES WORTH, RWS 

(1923-2009) 

EARLY MORNING AT VELLENDREATH 

Signed, label verso, watercolour 

38.5 x 49.5cm. 

++ Small water mark in sky; good colour 

£200-300 

180 

1776. JURGEN GORG (b.1951) 

AUFWIND II 

Signed, inscribed with title and dated 87, pencil 

and crayon with wash and bodycolour 

65 x 50cm.; 

with a print (“Somewhere”), signed and 

numbered 80/190 by the same hand, 1988, 68 x 

50cm. (2) 


£200-300 


(1852-1944) 

TREES IN A LANDSCAPE 

Signed, also initialled in pencil, watercolour and 

pencil 

26.5 x 32cm. 

Provenance: London, Albany Gallery, 1969 

++ A little pale foxing; needs a clean 

£300-500 

1777. LODEWIJK RECKELBUS (1864-1958) 

FISHING BOATS NEAR ST. IVES 

Signed, gouache and pastel 

35.5 x 54cm. 



(1852-1944) 

EVENING SKY 


22.5 x 28cm. 


£600-800 

1782. DAVID GARLAND (b.1941) 

BLUE LADY, 1989 

Signed and dated 89, tempera 

53 x 75.5cm, 

Exhibited: London, The Redfern Gallery (from whom purchased for £3800, May 1990) 


£1000-1500 


1783. WILLIAM LIONEL WYLLIE, RA 

(1851-1931) 

THE MEDINA RIVER AT COWES WITH THE 

STEAM YACHT LIBERTY AND THE TALL SHIP 

FANTOME 


21.5 x 32.5cm. 

++ Long vertical tear approx 9.5cm in from 

right side 

£1000-1500 

1785. HENRY SCOTT TUKE, RA, RWS 

(1858-1929) 

VESSELS BECALMED 


16.5 x 25cm. 

++ Some foxing; needs a clean 

£1000-1500 

1786. No lot 

1787. No lot 

1784. HENRY SCOTT TUKE, RA, RWS 

(1858-1929) 

A THREE-MASTED BARQUE 

Signed with initials, indistinctly inscribed and 

dated, watercolour 

11 x 7.75cm. 

++ Needs a clean 

£600-800 


181

OIL PAINTINGS 

1788. AN ORNATE CARVED WOOD GILT 

PICTURE FRAME 

with flowers, ribbons, leafy scrolls and a 

coronet surmount 

To fit 30.5 x 25.5cm max. 

++ Some losses; retouched 

£100-150 

B1791. AFTER ANTONIO ALLEGRI, 

CORREGGIO (1494-1534) 

LA ZINGARELLA 

Oil on canvas 

47 x 37.5cm. 

* After the original of c.1516-1517, 

Capodimonte Museum, Naples 

++ A couple of small punctures; needs a clean 

£200-300 

B1794. FOLLOWER OF JOHANNES 

LINGELBACH (1622-1674) 

A FAMILY IN AN INTERIOR 

Oil on panel 

53 x 44cm. 

++ Some scattered retouching 

£500-700 

182 

1789. FOLLOWER OF SEBASTIANO CONCA 

(1680-1764) 

THE VISION OF ST. FRANCIS 

Oil on copper, oval 

13.5 x 11cm. 

++ Graze at right; old paint losses at edges and 

on St. Francis’ neck; needs a clean 

£200-300 

1792. AFTER RAPHAEL (1483-1520) 

THE VIRGIN AND CHILD WITH THE INFANT ST. 

JOHN THE BAPTIST AND ST. ELIZABETH (THE 

MADONNA OF DIVINE LOVE) 

Copy by Banchieri Roma 1834 (inscribed verso), 

oil on canvas 

46 x 35.5cm. 

* After the 1518 original, sometimes ascribed to 

Giulio Romano and Gian Francesco Penni, 

Capodimonte Gallery, Naples 

++ Small puncture; some bloom and 

craquelure; needs a clean 

£300-400 

B1795. AFTER DIEGO VELASQUEZ 

(1599-1660) 

THE LADY WITH A FAN 

Oil on canvas 

99 x 68.5cm. 

* After the original of c.1640, Wallace 

Collection, London 

++ Lined; scattered retouching 

£400-600 

1790. AN ORNATE GILT PICTURE FRAME 

of small size, with extravagant leafy scrolls 

around an oblong aperture 

To fit 15.2 x 11.5cm. max. 


£500-700 

B1793. AFTER GIOVANNI ANTONIO DE 

SACCHIS, IL PORDENONE (1484-1539) 

THE LAMENTATION 

Bears inscription in Italian upon a baton affixed 

to the stretcher, oil on canvas 

60 x 45cm. 

* An early copy after the 1522 fresco in the 

Cathedral of Cremona 

++ Lined; old flaked losses in centre and at 

edges; scattered retouching; needs a clean 

£500-700 

B1796. FOLLOWER OF CAREL VAN FALENS 

(1683-1733) 

AN ACCIDENT ON THE ROAD 

Oil on panel 

44.5 x 34cm. 

++ Repaired along vertical split with associated 

retouching; top right corner broken; needs a 

clean 

£200-300 


1797. CIRCLE OF JOSEPH VIVIEN 

(1657-1735) 

PORTRAIT OF A GENTLEMAN, IDENTIFIED AS 

CHARLES GASPARD DODUN, MARQUIS 

D’HERBAULT (1679-1736), FRENCH STATESMAN 

AND MINISTER OF FINANCE 

Quarter length, wearing a dark coat, dark red 

mantle and a long wig, mounted oval, oil on 

canvas 

81 x 63cm. 

++ Lined; some associated retouching; rather 

thin in places; graze above left eye and graze at 

right side 

£1000-1500 

B1800. MANNER OF DAVID TENIERS THE 

YOUNGER (1610-1690) 

TAVERN REVELS 

Oil on panel 

33.5 x 43cm. 

++ Scattered retouching 

£500-700 

B1803. MANNER OF AUGUST QUERFURT 

(1696-1761) 

A CAVALIER AND A HUNTSMAN MEETING 

BEGGARS 

Oil on panel 

24 x 34cm. 

++ A little thin in places; a little scattered 

retouching; needs a light clean 

£500-700 

1798. E** DE LUISE (19th CENTURY) 

SPRING; NIGHT; HEBE; SIGHT; BACCHANTE; 

DANCE; DAWN; AND OTHER SIMILAR SUBJECTS 

Ten, eight signed De Luise, each apparently 

inscribed with title in Italian verso, oil on board, 

mounted oval 

28 x 21.5cm. (10) 

* The artist may be identified as Enrico De Luise 

(1840-1915) 

++ Some with some flaking or bloom; modern 

frames 

£500-800 

B1801. FOLLOWER OF SALVATOR ROSA 

(1615-1673) 

FIGURES IN AN UPLAND LANDSCAPE 

Oil on canvas 

60 x 46.5cm. 

++ Lined; craquelure and retouching 

£200-400 

1804. FLEMISH SCHOOL, 18th CENTURY 

FIGURES IN A LANDSCAPE, HOUSES AND A 

LAKE BEYOND 

Oil on copper, mounted oval 

13 x 15.5cm. 

++ Some fine craquelure; a little thin 

£200-300 

1799. FOLLOWER OF SIR JAMES THORNHILL 

(1675-1734) 

ST. MATTHEW; ST. JOHN 

A pair, oil on paper laid on panel, oval, 

unframed 


++ Each with some restoration; the former 

with vertical split 

£250-350 

B1802. FOLLOWER OF CAREL VAN FALENS 

(1683-1733) 

A MOUNTED SOLDIER STARTLES A FARM CART 

Oil on canvas 

49 x 62cm. 

++ Lined; retouched tears; flaked losses etc 

£500-700 

B1805. CIRCLE OF LUDOLF BAKHUYSEN 

(1631-1708) 

MARINE SCENE UNDER A STORMY SKY 

Oil on canvas 

41.5 x 54cm. 

++ Lined; retouching, especially in the sky 

£500-700 


183

1806. MANNER OF ROBERT WALKER 

(Fl.1641-c.1658) 

PORTRAIT OF A GENTLEMAN 

Standing half length, wearing a black cloak and 

holding the hilt of a sword, oil on canvas 

86.5 x 71.5cm. 

++ Lined; some associated retouching and 

other retouching over old damages 

£500-700 

1809. DOROFIELD HARDY (Fl.1882-1920), 

AFTER (?) JOHN HOPPNER, RA (1758-1810) 

PORTRAIT OF MARY MANGLES, nee HUGHES 

(1773-1852) 

Signed and dated 1904 verso, inscribed upper 

left, oil on canvas 

74.5 x 61.5cm. 

++ A few small holes and grazes with 

associated paint loss 

£250-350 

1811. FOLLOWER OF EDWARD HICKS 

(1780-1849) 

THREE BIG CATS: A TIGER, A LEOPARD AND A 

LIONESS 

Oil on canvas, mahogany frame 

48 x 63cm. 

++ Lined; some retouching; extensive 

craquelure 

£300-500 

184 

1807. CIRCLE OF HANS HYSING 

(1678-1752) 


Seated long half length at a desk, wearing a 

green suit and holding a wax-sealed letter, oil 

on canvas 

44.5 x 32.5cm. 

++ Lined; some associated retouching and 

craquelure; needs a light clean 

£800-1200 

1808. FOLLOWER OF THOMAS 

GAINSBOROUGH, RA (1727-1788) 

PORTRAIT OF COUNTRY GIRL BY A WOODLAND 

POOL 

Bears label verso, oil on panel 

31 x 23.5cm. 

++ Scattered retouching and thickly varnished 

£200-300 

1810. CIRCLE OF RAMSAY RICHARD REINAGLE (1775-1862) 

PORTRAITS OF A GENTLEMAN; AND OF A LADY WITH A CHILD 

A pair, he seated half length wearing a dark suit and white neckcloth, beside a desk with copies of 

Coke upon Littleton, Blackstone’s Commentaries and other books; she wearing a white dress and 

holding a similarly attired infant, oil on canvas, laid on board, probably cut down, unframed 

Each 99 x 84cm. (2) 

* A similarity to the work of the American artist Rembrandt Peale (1778-1860) may be noted. 

++ Old damages (flaking, tears, wear etc.) and repairs 

£600-900 

1812. CIRCLE OF GEORGE CHINNERY 

(1774-1852) 


Seated almost full length at a desk, wearing a 

black suit, oil on canvas 

44.5 x 34.5cm.; 

with a portrait of a lady, standing long half 

length, probably by another hand, 44 x 34cm. 

(2) 

++ Both lined; each with associated 

retouching; he with some paint losses lower 

left; she with small damage upper right 

£200-300 

B1813. ENGLISH SCHOOL, 19th CENTURY 

FIGURES WITH FISHING BOATS IN A COVE AT 

SUNSET 

Oil on canvas 

63 x 63.5cm. 

++ Lined; some craquelure; some retouching 

£100-200 


1814. DUTCH SCHOOL, LATE 17th CENTURY 

THE MUSSEL EATER 

Oil on canvas 

114 x 96.5cm. 

The traditional attribution to Abraham Van Calraet (1642-1722) is 

implausible as his genre subjects are rare. A pupil of Aelbert Cuyp 

(1620-1691), he specialised in scenes of stables, riding schools and 

horsemen or still lifes. However, a similarity may be noted to the work of 

some of the Bamboccianti whilst the figure studies of Giacomo Ceruti, “Il 

Pitocchetto” (1698-1767) are comparable. 

++ Lined; retouching; craquelure 

£3000-5000 

1815. MICHAEL DAHL (1656-1743) 

PORTRAIT OF A YOUNG LADY, BELIEVED TO BE 

LADY ANNE (c.1696-1736), THE DAUGHTER OF 

ARCHIBALD CAMPBELL, 1st DUKE OF ARGYLL 

Seated three-quarter length in a landscape, 

wearing a blue dress and holding a cut flower 

in her right hand, oil on canvas 

123 x 101cm. 

* Lady Anne, the youngest of three children by 

Campbell’s wife Elizabeth (nee Tollemache), 

married James Stewart, 2nd Earl of Bute 

(1696-1723) in 1711. She bore him eight 

children. Upon his death in 1723, she married 

Alexander Fraser, 7th Baron of Strichen, in 

September 1731. 

Provenance: Lt. Col. Ernest Henry Dene Stracey 

(1871-1948), by whose executors sold, Christies 

London, June 25th 1948, bought for 10 gns by 

Wiggins (as Kneller). Subsequently sold by the 

Reynolds Gallery, Barbican, Plymouth in 1980 

as the former property of The Hon. Frances 

Bowes-Lyon. Lawrences, Crewkerne, July 9th 

2004, lot 1596, where purchased by the current 

owner. 

++ Old lining; some associated retouching, 

principally to the craquelure; good overall 

£8000-10000 

1814A. CIRCLE OF ROBERT BYNG (1666-1720) 

PORTRAIT OF A CHILD 

Seated full length upon a cushioned stool, a bird upon her left hand, a 

spaniel at her feet, flowers in her lap, oil on canvas 

97 x 82cm. 

++ Lined; associated retouching 

£1500-2000 


185

186 

B1816. FOLLOWER OF GIOVANNI GHISOLFI 

(1632-1683) 

FIGURES AMIDST CLASSICAL RUINS 

A pair, oil on canvas 

Each 71.5 x 95cm. (2) 


£3000-5000 

1817. ATTRIBUTED TO JOSEPH WALTER 

(1783-1856) 

A SCENE WITH TALL SHIPS AND FISHING BOATS 

Signed ...lter, oil on canvas 

44 x 63.5cm. 

* It has been suggested that this view may 

depict the volcanic plugs known as The Pitons 

in St. Lucia. It is known that Walter travelled to 

St. Lucia. 

++ Lined; retouching over old damages 

£500-800 


1818. FOLLOWER OF ANTHONY VANDYKE 

COPLEY FIELDING (1787-1855) 

LAKE DISTRICT SCENE NEAR THE LANGDALE 

PIKES 

Oil on panel 

25.5 x 37cm. 

++ Rubbed losses at right edge; needs a light 

clean 

£150-250 

B1821. FOLLOWER OF GASPARD DUGHET 

(1615-1675) 

PASTORAL SCENE WITH CATTLE AND SHEEP 

Oil on canvas 

55.5 x 56.5cm. 

++ Lined; craquleure; retouching 

£200-300 

B1824. CIRCLE OF WILLIAM JAMES MULLER (1812-1845) 

COUNTRY LANDSCAPE WITH FIGURES FETCHING WATER NEAR A BRIDGE 

Oil on canvas 

26 x 34.5cm. 

++ Lined; needs a light clean 

£250-350 

1819. GEORGE EDWARDS HERING 

(1805-1879) 

A FISHERMAN, ARRAN 

Signed and dated Arran Augt/1856, oil on card 

laid onto masonite 

32 x 49.5cm. 

++ Scattered retouching; some small paint 

losses at edges 

£500-700 

1822. FOLLOWER OF WILLIAM SHAYER 

(1788-1879) 

FIGURES BY SOUTHAMPTON WATER 

Oil on canvas 

34 x 52cm. 

++ Old lining; retouched damages in sky; 

scattered retouching; some craquelure; needs a 

clean; original gilt frame 

£300-400 

1820. CIRCLE OF FRANCOIS LOUIS THOMAS 

FRANCIA (1772-1839) 

ESTUARY SCENE WITH A WINDMILL, FIGURES 

AND BOATS ON THE SHORE 

Oil on canvas, unframed 

46 x 66.5cm. 

++ On a stretcher but backed onto card; 

scattered retouched damages; small hole lower 

left 

£200-300 

B1823. FOLLOWER OF WILLIAM HAVELL 

(1782-1857) 

COUNTRY LANDSCAPE WITH FIGURES AND 

CATTLE BY A STONE BRIDGE 

Oil on canvas 

44 x 62cm. 

++ Lined; some craquelure; needs a clean 

£200-300 

1825. CIRCLE OF PATRICK NASMYTH 

(1787-1831) 

A FISHERMAN BY A MILL POOL 

Oil on panel 

35.5 x 51.5cm. 

++ Renovated; some associated retouching; old faint crack lower right; 

small chipped loss lower right 

£400-600 


187

1827. DAVID ROBERTS, RA (1796-1864) 

THE CHANCEL OF THE CHURCH OF ST. ROMBAULT, TIRLEMONT 

Signed, oil on panel 

40 x 29.5cm. 

Exhibited: possibly London, The Royal Society of British Artists, 1830, 

no. 415; London, The Fine Art Society Ltd, 1945 (as a view in Brussels) 

* This picture dates from one of Roberts’s early foreign excursions. His 

first had been to northern France in 1824 and by 1830 his principal 

destinations were Holland and Germany but such interiors are typical 

of his work from this period: “Gothic gloom, shafted with sunlight” 

(Katherine Sim, David Roberts R.A. 1796-1864, London, 1984). Roberts 

also exhibited a view of the Chancel of this church at the British 

Institution in 1828 (bought by Lord Northwick, one of the artist’s most 

benign patrons, for £31 10s and listed as Roberts’ 26th work). The artist 

also showed an interior view of the same building at the RBA in 1829 

(bought by Lord Farnborough for £52 10s), which may be this picture. 


£4500-6000 

188 

1826. HENRY ALKEN (1785-1851) 

THE MEET 

Signed (scratch signature), oil on panel, mounted circular, unframed 

41cm. diam. 

++ Some old faint craquelure; slightly abraded details in the background; 

a few scattered dabs of retouching 

£6000-8000 

1828. WILLIAM WYLD (1806-1889) 

FISHERMAN’S WHARF 

Signed, oil on canvas 

75.5 x 100.5cm. 

Provenance: Los Angeles, Sotheby Parke Bernet, 

April 8th 1973, lot 234; Frederick W. Thom Ltd, 

Toronto 

++ Lined; retouching; some craquelure 

£2000-3000 


1829. MANNER OF THE MASTER OF THE COUNTESS OF WARWICK (Fl.c.1565-1570) 

PORTRAIT OF A LADY, IDENTIFIED AS MARIA, WIFE OF THOMAS POTTER, AGED 23 

Small half length, wearing a black bodice with patterned sleeves, elaborate ruff collar and cuffs, a bejewelled 

pendant on a chain around her neck, inscribed MARIA UXOR/ THOMAE POTTERI/ AETATIS SUAE/ 23 and ANo DNI/ 

1565, oil on panel 

40 x 28cm. 

Provenance: London, Christies, November 21st, 1980, lot 75, as by The Master of the Countess of Warwick 

(withdrawn); acquired about 20 years ago by the current owner 

* The artist, identified as a specific hand but one very similar in style to that of Hans Eworth (c.1515-1574), was 

named from a portrait of Anne Russell, Countess of Warwick (Woburn Abbey). Distinctive characteristics of the 

Master’s style include unusually fine attention to detail in the hair and the costume and a thin horizontal line to 

define the mouth between the upper and lower lips. 

++ Cradled, planed panel; retouched vertical split at left side 

£2000-3000 


189

B1830. FOLLOWER OF CHRISTIAN HULFGOTT 

BRAND (1695-1756) 

FIGURES BY A COUNTRY POOL 

Oil on canvas 

32 x 41cm. 

++ Lined; rather thin 

£150-250 

1833. JAMES HERBERT SNELL (1861-1935) 

THE LOCK 


49 x 74cm. 

++ Patched verso with associated retouching in 

centre; some craquelure 

£200-300 

1836. CIRCLE OF HENRY JOHN YEEND KING 

(1855-1924) 

FEEDING THE SWANS 

Oil on canvas 

39 x 49cm. 

++ Good condition; under glass in original gilt 

frame 

£400-600 

190 

1831. FOLLOWER OF GEORGE SMITH OF 

CHICHESTER (1714-1776) 

A WOODED RIVER VIEW 

Oil on panel 

16.5 x 22cm.; 

with a small oil portrait of a nun, possibly over 

a photographic base, 15.5 x 11.5cm. (2) 


£100-200 

1834. WILLIAM E. JONES (Fl.1849-1871) 

THE OLD COUNTRY HOME 


27 x 46.5cm. 

++ Small flaked loss and puncture in centre; 

needs a light clean 

£200-300 

1837. THOMAS SPINKS (Fl.1872-1880) 

LANDSCAPE AND RIVER VIEW, NORTH WALES 

Bears another signature, oil on canvas 

28.5 x 39cm. 

++ Cupping and incipient flaking; a few small 

flaked losses; under glass in period gilt frame 

£200-300 

B1832. FOLLOWER OF ANTHONY VANDYKE 

COPLEY FIELDING (1787-1855) 

A FISHERMAN BY A RIVER AT TWILIGHT, RUINS 

BEYOND 

Oil on canvas 

19 x 24cm. 


£80-120 

1835. JOHN SAMUEL RAVEN (1829-1877) 

A STUDY PAINTED ON ST. LEONARD’S GREEN, 

1858 

Signed with monogram and dated 1858, also 

inscribed and dated on the stretcher, oil paper 

laid on canvas, unframed 

25 x 35.5cm. 

* Raven lived at North Villa, St. Leonard’s 

(Sussex) from c.1850 and then gave an address 

in Chelsea from 1858. 

++ A few minor grazes/scuffs; needs a clean 

£150-200 

1838. CONTINENTAL SCHOOL, LATE 19th 

CENTURY 

FIGURES IN A PARK, PROBABLY AT A RUSSIAN 

RESORT ON THE BALTIC COAST 

Oil on canvas 

14.5 x 21.5cm. 


£200-400 


1839. HENRY MAIDMENT (Fl.1889-1914) 

NEAR WITHAM, ESSEX 

Oil on board 

23.5 x 34cm. 

++ Needs a light clean; under glass in original 

gilt frame 

£300-400 

1842. JAMES PEEL (1811-1906) 

AN APRIL AFTERNOON AT EASBY ABBEY 

Signed with monogram and dated 1856, bears 

later inscription and label on the stretcher, oil 

on canvas 

42 x 63cm. 

Exhibited: London, The Royal Academy, 1856, 

no. 530 

++ Lined; some retouching 

£700-1000 

1843. ALFRED FONTVILLE DE BREANSKI 

(1877-1945) 

THE EVENING LIGHT ON A HIGHLAND LOCH 

Signed, also signed and inscribed with title 

verso, oil on canvas 

39.5 x 54cm. 

++ Good condition; needs a light clean 

£1200-1600 

1840. SARAH LOUISE KILPACK (1840-1909) 

HOUSES ABOVE AN ESTUARY 

Signed, oil on board 

19.5 x 40.5cm. 


£150-200 

1841. J** V** DE FLEURY (Fl.1847-c.1891) 

FIGURES ON A BEACH, FRENCH (?) COAST 

Signed and dated 1891, oil on canvas, 

unframed 

51 x 76cm. 

++ A few small flaked losses; scattered 

retouching at edges 

£450-600 


191

1844. ENGLISH PROVINCIAL SCHOOL, 

19th CENTURY 

A BAY PONY WITH A TERRIER IN A STABLE 

Oil on canvas 

48.5 x 58.5cm. 


£300-400 

1845. CIRCLE OF EDWIN FREDERICK HOLT 

(Fl.1850-1865) 

ANIMALS IN A FARMYARD 

Oil on canvas 

49 x 59cm. 

++ Some craquelure; needs a clean; original 

gilt frame 

£200-300 

1847. CIRCLE OF WILLIAM SHAYER (1788-1879) 

COUNTRY SCENES WITH FIGURES TENDING ANIMALS 

A near pair, oil on canvas 


++ Each lined; a little associated retouching; each needs a clean 

£500-800 

1848. No lot 

1850. CHARLES COLLINS (Fl.1867-1903, d.1921) 

IN THE MAYTIME 

Signed and dated 1900; also signed, inscribed and dated on the stretcher, 

oil on canvas 

25 x 34.5cm. 

++ Minor patched repair lower left; small dab of retouching over 

puncture in centre; needs a light clean 

£250-350 

192 

1846. FRITZ VAN DEN DAELE (b.1891) 

MAN TENDING SHEEP AT THE EDGE OF A WOOD 


68.5 x 98.5cm. 


£800-1200 

1849. BELGIAN SCHOOL, 19th CENTURY 

CONVERSATION IN THE COW BYRE 

Bears a signature, oil on canvas 

31.5 x 41cm. 

++ Lined; some retouching; rubbed damage 

right of centre 

£300-400 

1851. FOLLOWER OF JOHN FREDERICK HERRING Snr (1795-1865) 

PORTRAIT OF BLACKLOCK WITH JOCKEY UP 

Bears a signature and date 1818, oil on canvas 

55 x 74cm. 

++ Old lining; a little associated retouching; needs a light clean; period 

gilt frame 

£800-1200 


1852. ANGLO-CHINESE SCHOOL, 

19th CENTURY 

THE STEAM YACHT LOUDOUN CASTLE 

Inscribed with name, oil on canvas, unframed 

45.5 x 59.5cm. 

++ Lined; repainted damage, principally in the 

sky and the sea; characteristic craquelure; worn 

£200-300 

1855. GUSTAVE DE BREANSKI (c.1856-1898) 

OFF THE ISLE OF MAN 

Signed, also signed and inscribed with title 

verso, oil on canvas 

18.5 x 28.5cm. 

++ Good condition; needs a light clean; under 

glass in original gilt frame 

£300-500 

1853. CIRCLE OF EUGENE ISABEY 

(1767-1855) 

A BUSY BEACH SCENE, STORM APPROACHING 

Oil on canvas, unframed 

28 x 53.5cm. 

++ Scattered retouching; slightly worn; needs 

a clean 

£250-350 

1856. GUSTAVE DE BREANSKI (c.1856-1898) 

FISHING BOATS OFF A JETTY, DOVER BEYOND 


60 x 90cm. 

++ Some flaked losses; needs a clean; slip 

frame 

£500-700 

1858. ARTHUR JOSEPH MEADOWS (1843-1907) 

MACKEREL BOATS UNDER WEIGH OFF CALAIS 

Signed, also signed and inscribed with title on a label on the stretcher, oil on canvas 

35 x 60cm. 

++ Lined; retouching, principally in sky 

£800-1200 

1854. SARAH LOUISE KILPACK (1840-1909) 

COASTAL SCENE WITH VESSELS OFFSHORE 


14 x 29.5cm. 


£100-150 

1857. JOSEPH KENNEDY (Fl.1883-1888) 

THE MOUTH OF THE TAW, LOOKING TO 

BRAUNTON LIGHTHOUSE 


20 x 34cm. 

++ Needs a light clean only 

£150-200 


193

194 

1859. HENRY REDMORE (1820-1887) 

A PERILOUS COAST 

Signed and dated 1887, oil on canvas 

90 x 151cm. 

++ Lined; some associated retouching 

£2000-3000 

1860. THOMAS M. MUSGRAVE 

(Fl.1844-1862) 

A CHRISTMAS PRESENT 

Signed and inscribed on a label on the 

stretcher, oil on canvas 

58 x 118.5cm. 

++ Lined; scattered retouching and craquelure; 

needs a clean 

£1000-1500 

1861. HENRY CHARLES BRYANT 

(1835-1915) 

AUTUMN’S BOUNTY 


42.5 x 55cm. 

++ Good condition; original gilt frame 

£1500-2000 


1862. KARL KAUFMANN (1843-1905) 

PONTE DEI PUGNI, VENICE; CHURCH OF S. 

GIORGIO MAGGIORE, VENICE 

A pair, both signed, the former dated 1891, the 

latter indistinctly date, oil on canvas 

Each 30.5 x 51.5cm. (2) 

++ Each needs a clean; the latter with some 

craquelure and dab of retouching on small 

damage by campanile 

£4000-6000 

1863. ANTONIO ERMOLAO PAOLETTI 

(1834-1912) 

THE ANTIQUE SHOP 

Signed and inscribed Venezia, oil on canvas 

56.5 x 72cm. 

Provenance: London, Cooling Galleries 

++ One small patch lower left corner verso 

£5000-8000 


195

196 

1864. RAFAEL SENET Y PEREZ (1856-1926) 

VENICE: ON THE GRAND CANAL, LOOKING TOWARDS THE S. MARIA DELLA SALUTE 

Signed and inscribed Venezia, oil on canvas 

36.5 x 56.5cm. 

++ Lined; a little associated retouching 

£8000-12000 

1865. RAFAEL SENET Y PEREZ (1856-1926) 

VENICE: THE CAMPANILE DEI FRARI, S. GEREMIA AND 

PALAZZO LABIA 


56.5 x 36.5cm. 


£7000-10000 


1866. HORACE FISHER (Fl.1882-1930, 

d.1934) 

THE FINISHING TOUCH 

Signed, also signed and inscribed on a label on 

the reverse of the frame, oil on canvas 

125 x 74.5cm. 


no. 964 

Provenance: Bequeathed by the family of the 

artist to the vendor. 

Fisher gave London and Surrey addresses when 

he exhibited at the Royal Academy (57 works 

between 1882 and 1930) with the exception of 

“The English Club, Venice” from 1886-1891. In 

later years, he specialised in Capri scenes but 

he favoured Italian subjects in the spirit of 

artists such as Giovanni Battista Torriglia 

(1858-1937), Eugenio Zampighi (1859-1944) 

and Eugene de Blaas (1843-1931) whilst his 

later acknowledgement of British 

Impressionism suggests a familiarity with the 

work of Henry Herbert La Thangue (1859- 

1929). The strongly anecdotal themes combine 

skilful composition with engaging personalities. 

++ Good, original condition; original gilt frame 

£9000-12000 


197

198 

1867. CIRCLE OF SIR FRANCIS GRANT, PRA (1803-1878) 

PORTRAIT OF DUNCAN MACDONELL CHISHOLM OF CHISHOLM, 

“THE CHISHOLM” (1811-1858), CLAN CHIEF AND OFFICER IN 

THE COLDSTREAM GUARDS 

Standing full length wearing Highland dress and the clan 

tartan, with the clan crest and mottoes (Feros Ferio and Vi Aut 

Virtute meaning I am Fierce with the Fierce and By Force or 

Virtue), oil on canvas 

236 x 147cm. 

Provenance: By descent in the family of the sitter’s sister, 

Jemima Chisholm-Batten (1817-1883). The Chisholm name 

was carried through Jemima’s lineage as her brother had died 

without issue and was unmarried. 

++ Unlined but in need of general renovation and lining (tears 

along the stretcher and elsewhere, in need of a clean etc); 

original gilt frame 

£1500-2500 

1868. HENRY DAWSON (1811-1878) 

THREE COUNTRY SISTERS 

Signed and dated 1849, oil on panel 

44.5 x 34cm 


£2500-3500 

1869. CHARLES SPENCELAYH (1865-1958) 

DAILY GRAPHIC 


66 x 53.5cm. 

++ Lined; some craquelure and a little 

retouching; needs a light clean 

£5000-7000 


1870. FOLLOWER OF WILLEM LINNIG 

(1819-1885) 

THE PET RABBITS 

Oil on canvas 

66 x 53cm. 

++ Some craquelure and scattered retouching; 

needs a light clean 

£150-250 

1873. JOHH PHILLIP, RA (1816-1867) 

LA BELLA SENORITA 

Signed and indistinctly dated, oil on canvas 

26.5 x 21cm. 

++ Old lining; retouching at edges; a few 

scattered blemishes; needs a clean 

£200-300 

1876. RICHARD BARRETT DAVIS 

(1782-1854) 

A SMITH’S SHOP 

Signed and dated 1834, initialled and dated 

upon the pumphead, oil on canvas 

46.5 x 59.5cm. 

Exhibited: London, The Royal Society of British 

Artists, 1834, no. 239 

* The sign above the door reads J. W. Smith/ 

Horses shod/ upon Vetinary/ and Scientific/ 

Principles as/ Produced in LONDON 

++ Old lining; associated retouching; some 

craquelure; needs a light clean 

£1200-1800 

1871. SYDNEY S. MORRISH (Fl.1852-1894) 

OFF DUTY 

Signed and dated 1876; also signed, inscribed 

with title and dated 1876 Torquay verso, oil on 

canvas 

49.5 x 39.5cm. 

++ Some craquelure; needs a clean; original 

gilt frame 

£250-350 

1874. CIRCLE OF GEORGE HENRY LAPORTE 

(1799-1873) 

A LIGHT BAY HORSE IN A FIELD; A DARK BAY 

HORSE IN A STABLE 

A pair, the latter with old indistinct inscriptions 

upon labels verso, oil on board 

Each 12 x 17cm. (2) 


£300-500 

1872. ADOLPHE YVON (1817-1893) 

A HALBERDIER OF THE SWISS GUARD 

Signed indistinctly (partially flaked), oil on 

canvas 

63 x 46cm. 

++ Lined; flaked losses at base; some damages 

elsewhere; needs a clean 

£300-500 

1875. KEELEY HALSWELLE, ARSA 

(1832-1891) 

THE BURGOMASTER 


74.5 x 60.5cm 

++ Damage from test clean over signature and 

date lower left; some craquelure; needs a clean; 

original gilt frame 

£400-600 


199

1877. HENRY GEORGE TODD (1846-1898) 

STILL LIFE OF FRUITS, A BIRD’S NEST AND A 

GOBLET UPON A DRAPED TABLE 


44.5 x 36.5cm. 

++ Lined; associated retouching over old tear, 

skilfully restored 

£800-1200 

1880. PEDER MORK MONSTED (1859-1941) 

LAC LEMAN, SWITZERLAND 

Signed, also inscribed and dated Lac Leman 

1887, oil on canvas laid on board, unframed 

31.5 x 25.5cm. 

++ Dabs of retouching at edges; needs a light 

clean 

£400-600 

B1883. ATTRIBUTED TO GIUSEPPE CANELLA 

THE YOUNGER (1837-1913) 

FIGURES NEAR A FARM ON A WOODED LANE 

Bears signature and date 1858, oil on canvas 

44.5 x 34.5cm. 

++ Lined; associated retouching; needs a clean 

£500-700 

200 

1878. A** MILNE (Circa 1900) 

STILL LIFES OF SUMMER FRUITS 

A pair, both signed, oil on canvas 

Each 21.5 x 31.5cm. (2) 

++ Each with some craquelure and a few small 

flaked losses 

£150-200 

1881. NOEL LAURA NISBET (1887-1956) 

A PERSONIFICATION OF SPRING 

Oil on panel, painted trompe l’oeil ‘frame`, 

unframed 

77 x 45.5cm. 

++ Flaked losses, grazes and other damages 

£300-400 

1884. TOM LAWRANCE (Fl.1850-1855) 

THE CUP THAT CHEERS; THE TURN OF A 

FRIENDLY CARD 

A pair, both signed, oil on board, unframed 

Each 20.5 x 26cm. approx. (2) 


£350-450 

1879. DENIS PIERRE BERGERET (1846-1910) 

THE CORNER OF AN ELEGANT SALON 

Signed (incised signature), oil on canvas 

43.5 x 33.5cm. 

++ Good condition; needs a light clean; elegant 

period gilt frame 

£1500-2000 

1882. WILLIAM THORNLEY (1857-1935) 

HAY BARGE AND OTHER CRAFT AT EVENTIDE 


34.5 x 29.5cm. 

++ Slight paint losses at extreme edges 

£800-1200 

1885. WALTER WILLIAMS (1835-1906) 

THREE FIGURES ON A RIVERSIDE PATH NEAR 

RUINS AT EVENING 


74 x 61.5cm. 


£400-600 


1886. ENGLISH SCHOOL, Circa 1900 

THE OLD MAORI 

Signed indistinctly, oil on Winsor & Newton 

canvas 

19 x 14cm. 

* Probably derived from a subject by Charles 

Frederick Goldie (1870-1947) 


£100-200 

1889. JEAN DRYDEN ALEXANDER 

(1911-1994) 

PORTRAIT OF A LADY, BELIEVED TO BE HRH 

ELIZABETH, DUCHESS OF YORK, 1933 

Quarter length, wearing a red dress, oil on thin 

panel, unframed 

49.5 x 38cm. 

Provenance: The family of the artist 

++ Generally good condition 

£150-200 

1891. MARION GRACE HOCKEN 

(1922-1987) 

A JUG OF SUMMER FLOWERS 

Signed and dated 56, oil on board 

59.5 x 49cm. 

Provenance: Purchased by the vendor at the 

artist’s studio sale, 1988 

++ Needs a light clean. 

£150-200 

1887. ATTRIBUTED TO HARRY FIDLER 

(1856-1935) 

THEIR GOLDEN WEDDING 

Bears title on backboard, oil on board 

27 x 21cm. 

++ A little craquelure; needs a light clean 

£200-300 


(1911-1994) 

EFFIE ALEXANDER AND ARDROSS, 1935 

Signed, inscribed and dated Mum and 

Ardross/January 1935 verso, oil on thin panel, 

unframed 

49 x 38cm.; 

with a watercolour and pencil sketch of a dog, 

Buffy, by the same artist, 1940, 14 x 22cm. (2) 


++ The oil sketchy, with some cracks and a 

little warped; the watercolour good 

£200-300 

1892. TOM COATES (b.1941) 

THE JOCKEY - HARRY GATRELL 

Oil on canvas 

72.5 x 52.5cm. 

++ Needs a clean; small flaked loss on right 

chest 

£250-350 


(1911-1994) 

THE VICAR OF BRENTWOOD, 1936 


59 x 52cm. 



£100-150 

1890A. JEAN DRYDEN ALEXANDER 

(1911-1994) 

A FOLIO OF SKETCHES 

to comprise pastels, watercolours and pencil 

drawings of Felixstowe, Dovercourt, 

Woolacomb Bay, Trevor, Swanpool, Fowey, 

Kaitemata Yacht Club (New Zealand), Veulesles-Roses, 

portraits and animal sketches, 

c.1940-1983, various sizes (17 items, one 

framed) 


++ Generally satisfactory 

£200-300 


201

1893. ARTHUR JAMES WETHERALL 

BURGESS (1879-1957) 

HMS VOLAGE ON PASSAGE SIERRA LEONE TO 

BARBADOS DECR.1893 

Signed and inscribed HMS Volage 1893, bears 

inscribed label verso stating that this was 

painted from a photograph taken from HMS 

Active by Arthur Burgess, oil on board 

23 x 33cm. 

++ A little craquelure 

£500-700 

1896. CIRCLE OF DONALD McINTYRE 

(1923-2009) 

BOATS ON THE RIVER, NEAR CEMAES BAY, 

ANGLESEY 

Inscribed with title in Welsh verso, oil on 

canvas board 

28.5 x 38cm. 


£120-180 

1899. MARTIN YEOMAN (b.1953) 

VENICE IN HAZY LIGHT 


11 x 20.5cm. 


£300-500 

202 

1894. CIRCLE OF GEORGE HENDRIK BREITNER (1857-1923) 

A BUSY PORT (SKETCH) 

Oil on canvas laid on board 

13 x 58cm. 


£400-600 

1895. J** SERVAIS (20th CENTURY) 

HARBOUR SCENE 


38.5 x 48.5cm. 

++ Needs a very light clean 

£200-300 

1897. CLARENCE E. BLACKBURN 

(1914-1984) 

CIRCUS LIFE 

Signed, titled on label on stretcher, oil on 

canvas 

62 x 97.5cm. 

++ A few slight flaked losses 

£600-800 

1900. DIANA ARMFIELD, RA, RWS (b.1920) 

HILLS NEAR URBINO (?) 

Signed and inscribed verso, the word URBINO 

indistinct, oil on board 

19.5 x 29.5cm. 


£250-350 

1898. CONRAD HEIGHTON LEIGH (b.1883) 

THE GRENADIER GUARDS 


34 x 44cm. 


£150-200 

1901. VINCE PETERSON (Contemporary) 

AXMOUTH 

Signed, hunting scene (sketch) verso, oil on 

board 

29.5 x 39.5cm. 


£100-150 


1902. NORMAN EGMONT MANNERS 

(b.1905) 

TOUT PASSE 


59 x 48.5cm. 

with a signed lithograph of a farmyard scene, 

1930, 17 x 19.5cm. (2) 

Exhibited: (oil) London, The Royal Academy, 

1932, no.652 

++ Oil needs a light clean only; the lithograph 

with foxing 


(b.1905) 

PINCHPOOLS FARM, MANUDEN 

Signed, also signed and inscribed with title and 

address verso, oil on canvas 

50 x 60cm. 


£200-300 

1908. FRED JESSUP (1920-2007) 

INTERIOR WITH CLOCKS 

Oil on canvas 

129 x 194cm. 


£500-700 


(b.1905) 

WAYWARD GARDEN 


62 x 74cm. 


£250-350 

1906. MERVYN GOODE (b.1948) 

FEBRUARY SUN IN THE LANE TO EMPSHOTT 

GREEN 

Signed, inscribed with title on the stretcher, oil 

on canvas 

50 x 60cm. 

Provenance: The Bournemouth Gallery Ltd, 

where purchased by the owners, March 1980 


£120-180 

1909. ERIC WARD (b.1945) 

STILL LIFE IN THE PORTSCATHO STUDIO 

Signed, inscribed with title on label on reverse 

of the frame, oil on board 

24 x 29cm. 

++ Very good condition 

£150-250 


(b.1905) 

RONDEAU 

Signed on the envelope beneath the bottle, 

scene of a country house and garden verso, oil 

on canvas 

75 x 62.5cm. 


no.169 


£300-500 

1907. COLIN VERITY (1924-2011) 

THE LONDON, MIDLAND & SCOTTISH RAILWAY: 

THE SUTTON NELTHORPE, POSSIBLY AT 

CARNFORTH 


59.5 x 90cm. 


£400-600 

1910. VINCENZO APRILE (b.1952) 

A BUSY SQUARE, SORRENTO 


17 x 22.5cm. 


£300-400 


203

1911. ALGERNON TALMAGE, RA 

(1871-1939) 

THE AVON, WARWICKSHIRE 

Signed and dated 24, inscribed with title on the 

overlap, oil on canvas 

49.5 x 59.5cm. 

++ A little craquelure; needs a light clean 

£800-1200 

204 

1914. ADAM EDWIN PROCTOR (1864-1913) 

THE WATERING PLACE 


44.5 x 29cm. 

++ Some craquelure; needs a clean; slip frame 

£500-700 

1912. SUZANNE DAYNES-GRASSOT 

(Fl.1918-1935) 

PAYSAGE A BAGATELLE 

Signed, also signed and inscribed with title on 

label on stretcher, oil on canvas 

63 x 90cm. 


£1000-1500 

1913. FRED CUMING, RA (b.1930) 

THE ORCHARD 

Signed, oil on canvas board 

49 x 59.5cm. 


£1200-1500 

1915. WILLIAM LEE-HANKEY, RWS (1869-1952) 

LES ARCHES, DIEPPE 

Signed, also signed and inscribed with title on the 

stretcher, oil on canvas 

62 x 74.5cm. 


£5000-7000 


1916. HERBERT DAVIS RICHTER 

(1874-1955) 

A LOVE OF ART AND NATURE 


76 x 50cm. 


£600-800 

1921. TERRICK JOHN WILLIAMS, RA 

(1860-1937) 

A SHADY STREET, TANGIERS 

Signed, also signed and inscribed with 

title verso, oil on canvas 

34.5 x 59.5cm. 

++ Good condition; needs a light clean 

£3000-4000 

1919. RICHARD PIKESLEY (b.1951) 

BY THE WINDOW 


75.5 x 60cm. 


£1200-1500 

1917. ANTHONY GRIFFITHS (b.1960) 

EUROPA AND THE BULL 

Bronze, signed and dated 1991, Cowdy Foundry 

stamp 

29 x 51cm. 


£250-350 

1918. GRAHAM EDWIN LUPP (b.1946) 

SELF PORTRAIT, 1976 

Signed and inscribed upon a label verso, oil on 

canvas, unframed 

99 x 70cm. 


£1000-1500 

1920. ANDREW MACARA (b.1944) 

SWANS ON A LAKE 


48.5 x 38.5cm. 


£800-1200 


205

206 

1922. MARGARET HANCOCK (20th Century) 

STILL LIFE WITH STRAWBERRIES 

Oil on board 

53.5 x 80cm. 


£1500-2000 

1923. BRIAN DAVIES (b.1942) 

THE STAFF OF LIFE 


39 x 49.5cm. 


£400-600 

1924. BRIAN DAVIES (b.1942) 

AN EPICURE’S LUNCH 


45 x 60cm. 


£2000-3000 


Furniture, Clocks and Carpets 

Friday 20th April 

Enquiries: Richard Gold FRICS 



Lot 2017 

Furniture, Clocks and Carpets

CLOCKS, BAROMETERS AND SCIENTIFIC INSTRUMENTS 

1931. A CARRIAGE CLOCK 

dial white enamel, subsidiary alarum dial, 

movement repeating, lever escapement striking 

on a bell, the backplate signed Black.Murray, 

Hastings St., Calcutta, case gorge, 5 1 ⁄2ins. 

(14cms.) high 

£500-700 

1933. A BRASS SHIPS TIMEPIECE 

dial 7 inch white enamel, signed Thomas 

Armstrong & Brother, Manchester & Liverpool, 

sweep seconds hand, slow/fast lever to the top 

£180-220 

1936. HOROLOGY 

A COLLECTION OF APPROXIMATELY 19 BOOKS 

together with an assortment of pamphlets, 

including Britten’s Old Clocks and Watches 

Ninth Edition (a lot) - not subject to return 

£30-50 

1939. A GREEN BOULLE MOUNTED MANTEL 

CLOCK 

of Regence design, dial blue and white enamel 

cartouche numerals, movement drum striking 

on a bell, 12ins. (30.5cms.) high 

£300-450 

208 

1932. A COLES TYPE STRUT CLOCK 

dial silvered, engraved with three horses heads and an eagle’s head amongst foliate scrolls, 

movement repeating, lever escapement striking on a gong, the dial and back case flap signed Vieyres 

& Repingon, the movement and case numbered 2788, 6 1 ⁄2ins. (16.5cms.) high x 4 3 ⁄4ins. (12cms.) wide. 

Complete with leather case 

£1500-1800 

1934. A GILT METAL GRAVITY CLOCK 

with partially exposed movement, 10 1 ⁄4ins. 

(26cms.) high, together with a Horstmann Gear 

piece 

£100-150 

1937. CLOCK MAGAZINE 

including The Pilot, issue No. - 2008, a run - 

not subject to return 

£120-150 

1940. A CHAMPLEVE ENAMEL MOUNTED 

ONYX FOUR GLASS MANTEL CLOCK 

dial cream enamel painted with swags, 

movement drum, mercury pendulum striking 

on a gong, case serpentine front, 12 1 ⁄2ins. 

(32cms.) high 

£350-450 

1935. A BULK HEAD TIMEPIECE 

dial silvered, signed C. Frodsham & Co., 115 New 

Bond St., London, 8 days, 401, 4 1 ⁄4ins. (10.5cms.) 

dia. overall 

£100-150 

B1938. A FRENCH SPELTER MANTEL CLOCK 

of monumental proportions, dial with blue and 

white cartouche enamel numerals, movement 

now electric, 28ins. (71cms.) high x 32ins. 

(81cms.) wide 

£200-300 

1941. A RED TORTOISESHELL BOULLE WORK 

MANTEL CLOCK 

dial blue and white enamel numeral 

cartouches, movement drum striking on a bell, 


£300-400 


1942. A SKELETON TIMEPIECE 

4 inch silvered chapter ring movement anchor 

escapement, 10 3 ⁄4ins. (27cms.) high 

£250-300 

1945. A SKELETON TIMEPIECE 

dial 2 1 ⁄4 inch white enamel chapter ring, signed 

Henry Marc, Paris, A-Frame, 6 3 ⁄4ins. (17cms.) 

high 

£150-200 

1948. A ROSEWOOD WALL CLOCK 

dial cream enamel, signed B Kimich, Newport, 

movement fusee, case inlaid with brass foliage 

and lines, 22ins. (56cms.) high 

£400-500 

1943. AN ELECTRIC CLOCK 

dial 3 1 ⁄2 inch silvered, mahogany pedestal, 

9 1 ⁄4ins. (23.5cms) high overall 

£130-150 

1946. AN ORMOLU FOUR GLASS MANTEL 

CLOCK 

dial white enamel, signed Du Chateau, 

movement with mercury pendulum striking on 

two bells, case bevelled glass panels, 11 1 ⁄2ins. 

(29cms.) high 

£350-450 

1949. A MAHOGANY WALL CLOCK 

dial cream slightly convex, movement chain 

fusee, case inlaid with brass lines, 


£400-500 

B1951. AN ORMOLU MANTEL CLOCK 

dial cream enamel, signed Chapentier - 

Bronzier a Paris, movement drum also signed 

and numbered 2007, striking on a bell, 13 1 ⁄2ins. 

(34cms.) high 

£600-700 

1944. A ST JAMES’S HOUSE LIMITED 

EDITION MERIDIAN CLOCK 

celebrating 100th anniversay of Greenwich 

Meantime, on an oak plinth, 14 1 ⁄2ins. (37cms.) 

high overall 

£250-300 

1947. AN ORMOLU MOUNTED RED BOULLE 

BRACKET TIMEPIECE AND A MATCHED PLINTH 

dial white enamel cartouche numerals, signed 

Payne, 163 New Bond St., London, movement 

drum, 20 1 ⁄4ins. (51cms.) high overall 

£600-800 

1950. A MANTEL CLOCK 

dial cream enamel, movement drum striking on 

a gong, case vernis martin style, painted with 

flowers and a rustic couple, 11 3 ⁄4ins. (30cms.) 

high 

£100-200 

1952. A MANTEL CLOCK 

dial 8 1 ⁄4 inch cream painted, the calendar dial 

with sweep hand and apertures for day and 

month, patented Feb. 15, 1876, movement 

striking on a bell, 27 1 ⁄4ins. (69cms.) high 

£200-300 


209

1953. A BLACK LACQUER LONGCASE CLOCK 

dial 11 inch silvered ring, subsidiary seconds 

ring and calendar aperture, strike/silent ring to 

the arch below a large tablet, signed Thomas 

Kefford, Royston, fecit, the waist door worked 

with a chinoiserie staircase scene, 83 1 ⁄4ins. 

(211cms.) high 

£400-500 

1956. AN OAK LONGCASE CLOCK 

dial 13 inch silvered chapter ring with 

subsidiary seconds ring and calendar ring, the 

arch with a displaying eagle to the boss, case 

with mahogany crossbanding and inlaid with a 

shell and a patera, 91ins. (231cms.) high overall 

£600-900 

210 


dial cream painted with subsidiary seconds ring 

and calendar crescent, signed H. Wilkes, 

Thornbury, case with well figured facings and 

inlaid with a shell medallion and a flower filled 

urn medallion, 79ins. (201cms.) high 

£200-400 

1957. A MAHOGANY LONGCASE CLOCK 

dial the chapter ring signed Dobson, London, 

subsidiary seconds ring and calendar aperture, 

case hood flanked by stop fluted pillars 

beneath an architectural pediment, the shaped 

waist door and base each inlaid with a 

boxwood outlined oval, 80 1 ⁄2ins. (227cms.) high 

overall 

£800-1200 


dial cream painted, subsidiary seconds ring and 

calendar crescent, signed W. Birch, Ashcott, gilt 

bright-cut hands, the spandrels painted with 

shells, the arch set with a mechanical group of 

Adam tempting Eve, case with part mahogany 

facings, 85 1 ⁄2ins. (217cms.) high 

£500-700 


dial 11 inch silvered chapter ring, subsidiary 

seconds ring, calendar aperture and signed on 

a tablet Reuben Lmude, Chard, case the 

mahogany hood flanked by turned pilasters, 

the waist door with mahogany crossbanding, 

82ins. (208cm.) high 

£300-400 


1959. AN OAK LONGCASE TIMEPIECE 

dial the brass chapter ring signed Jno. Watts, 

Canterbury, case the hood flanked by turned 

pilasters, the blind fret carved frieze with 

ebonised backing, 81 1 ⁄2ins. (207cms.) high 

£450-500 

1962. A MAHOGANY AND BRASS MOUNTED 

PILL ROLLER 

one of the tampers impressed T W, London, bed 

7ins. (18cms.) wide 

£150-250 

1965. A BRASS TRAVELLING MICROSCOPE 

contained in a mahogany box with a subsidiary 

box, an assortment of lenses, box 6 1 ⁄4ins. 

(16cms.) wide 

£140-180 

1960. A ROSEWOOD WHEEL BAROMETER 

9 3 ⁄4 inch silvered dial, the neck set with a 

convex ebonised framed mirror beneath an 

alcohol hygrometer, the onion apron with a 

spirit level, signed Nolcini & Moretti, Merthyr, 


£200-300 

1963. A MINIATURE GLOBE 

by Newton & Sons, contained in a turned wood 

case, globe 1 1 ⁄2ins. (4cms.) dia. 

£100-130 

1966. A PINFOLD’S PATENT SILVERED 

METRONOME 

£20-40 

1961. A MAHOGANY CASED MERCURY 

THERMOMETER 

the silvered plate signed Carpenter & Westley, 

24 Regent Strt., London, 17 1 ⁄4ins. (44cms.) high 

£150-200 

1964. A POCKET ANEROID BAROMETER 

with adjustable outer ring, the silvered dial 

signed John Browning, London, 1204, 3ins. 

(7.5cms.) dia., contained in a leather case, 

together with a Watkin patent aneroid 

barometer, no. 104, signed J. Hicks, 89 and 10 

Hatton Garden, London, contained in an 

oxidised brass case, 4ins. (10cms.) dia. 

£100-150 

B1967. A BRASS POSTAL BALANCE 

by S. Morden & Co., on an oak plinth, various 

rates including India and Colonies (with few 

exceptions, 1d per half once) weights, heaviest 

4lbs, 15ins. (38cms.) wide 

£150-200 


211

MISCELLANEOUS 

1971. A RUSTIC FOLDING BACKGAMMON 

BOARD 

inlaid with bone and ebony, together with ivory 

counters and two rosewood shakers, 16 1 ⁄4ins. 

(41cms.) wide 

£130-150 

B1974. AN EARLY GEORGE III MAHOGANY 

TEA CADDY 

with coved lid inlaid with ebony and chequer 

stringing, 10 1 ⁄4ins. (26cms) wide 

£100-150 

212 

1972. A POLYCHROME AND PARCEL GILT 

PAINTED COAT OF ARMS 

carved in low relief with the arms of Maskelyne 

quartered, 13 1 ⁄2ins. (34.5cms.) wide 

£100-200 

B1975. A FRENCH BRONZE BUST OF 

VOLTAIRE 

on a white marble pedestal, a brass bust of a 

youth after the antique and a Sevres style 

inkstand, Voltaire 8ins. (20cms.) high overall 

£120-130 

1973. A COLLECTION OF THIRTY FOUR 

BISCUIT PORCELAIN CELLAR LABELS 

some stamped Farrow & Jackson, London and 

Paris, together with ten circular glazed 

numerical labels and eight zinc holder labels (a 

lot) 

£100-150 

B1976. A TORTOISESHELL TEA CADDY 

with a domed lid and breakfront, inlaid with 

mother of pearl and silver wire-work sprays, 

the interior now a jewel case, 8ins. (20cms.) 

wide 

£500-600 

1977. A LARGE SELECTION OF OBJECTS 

from a cabinet of curiosities, including natural history specimens, Constantinople purse 1765, archaeological fragments, minerals, intaglio cut stones, 

emu feather from Van Diemens Land, an assortment of trap door spider nests collected amongst other from Menton circa 1873 and approximately 

seventeen wishbones from a variety of small birds (a lot) 

£300-400 

Sold as is and not subject to return 


1978. A BONE PRISONER OF WARWORK CASKET 

the sliding lid engraved with a military funeral party and indistinctly inscribed ... Malborough (sic) containing bone playing cards and dominoes, 

distressed, 8 1 ⁄2ins. (21.5cms.) long 

£200-300 

1979. AN IVORY MODEL OF A SHIPS HULL 

with some brass fittings, set on a tortoiseshell veneered plinth inlaid with brass stringing, ship 5ins. (12.5cms.) long, plinth 6ins. (15cms.) 

£400-500 


213

B1980. A BURR WALNUT HUMIDOR 

the interior with three drawers with adjustable 

divisions, flush brass mounts, 12ins. (30.5cms.) 

wide 

£200-300 

1983. A GEORGE IV EBONY BOX 

of sarcophagus form, inlaid with mother of 

pearl foliage, 13 1 ⁄2ins. (34cms.) wide 

£100-200 

1986. AN ORMOLU MOUNTED MALACHITE 

BELL PUSH 

in the form of an inkwell, 3ins. (7.5cms.) dia. 

£100-120 

1989. A SET OF THREE MALACHITE BOXES 

largest 7ins. (17.5cms.) wide 

£200-300 

214 

B1981. AN IRON BOUND WOODEN STRONG 

BOX 

set with studded straps, 20 1 ⁄2ins. (52cms.) wide 

£150-200 

1984. A MAHOGANY BOX 

fitted with six small medicine bottles and 

stoppers, 5 3 ⁄4ins. (14.5cms.) wide 

£100-120 

1987. A CHINESE SOFTWOOD BUCKET 

with lift-off receptical, brass banded, 19 1 ⁄2ins. 


£100-120 

1990. A TORTOISESHELL TABLE BOX 

inlaid with chequer stringing and an Edwardian 

rosewood example inlaid with paterae and fan 

quadrants, tortoiseshell box 11 1 ⁄2ins. (29cms.) 

wide 

£100-120 

1982. A REGENCY ROSEWOOD LAP DESK 

inlaid with brass, 12ins. (30.5cms.) wide 

£200-250 

1985. A GEORGE III MAHOGANY BOOK 

CARRIER 

with delicate boxwood and ebony stringing, 

fitted with two short and one long drawer, one 

short drawer partially fitted for writing, 19 1 ⁄2ins. 

(49cms.) wide 

£200-300 

1988. A PAPIER MACHE TRAY 

painted with a bold floral spray, shaped border 

with gilt fruiting vines, 31ins. (79cms.) wide 

£100-130 

1991. A GEORGE III MAHOGANY REVOLVING 

COASTER 

the top with broad grooved border, 11 3 ⁄4ins. 

(29.5cms.) dia. 

£100-150 


1992. A GEORGE III WALNUT TEA CADDY 

with mahogany crossbanding and chequer 

stringing, the edges caddy moulded, two 

interior divisions, 10ins. (25.5cms.) wide 

£80-120 

1995. A TORTOISESHELL TEA CADDY 

of bombe sarcophagus form, the lid set with a 

silver coloured metal tablet engraved with a 

crest, on engine-turned top feet, 7 3 ⁄4ins. 


£700-900 

1998. A CHINESE EXPORT LACQUER TEA 

CADDY 

with two lidded pewter canisters, the exterior 

decorated with a profusion of figures amongst 

pavilions within scroll frame cartouches, the lid 

with dragons, 8 1 ⁄2ins. (21.5cms.) 

£130-180 

2001. A CHINESE HARDWOOD LOOKING 

GLASS 

the frame pierced and carved with dragons 

amongst clouds pursuing flaming pearls, 

17 1 ⁄4ins. (44cms.) high 

£100-120 

1993. AN EARLY VICTORIAN COROMANDEL 

WOOD TEA CADDY 

of sarcophagus shape with two domed lift-out 

caddies flanking a cut-glass sugar bowl, 13ins. 

(33cms.) wide 

£150-200 

1996. A MAHOGANY POSTING BOX 

of sarcophagus shape, 12ins. (31cms.) wide 

£50-80 

1999. AN ITALIAN PARCEL-GILT WOOD CUP 

AND COVER 

the cup carved in low relief with religious head 

cartouches, flanked by winged cherubs’ heads 

in high relief, 9 1 ⁄4ins. (23.5cms.) high 

£100-150 

2002. A CHINESE EXPORT LACQUER JEWEL 

BOX 

the pink fabric lined interior with lift-out tray, 

the exterior delicately worked with riverside 

pavilions within broad fruiting vine border on a 

trellis diaper ground, 14 3 ⁄4ins. (37.5cms.) wide 

£400-600 

1994. AN ORMOLU MOUNTED CHAMPLEVE 

ENAMEL INKSTAND AND COVER 

on an onyx plinth, 5ins. (12.5cms.) high overall 

£170-200 

1997. AN EDWARDIAN WALNUT TABLE 

CASKET 

the front and sides inlaid with figures beside a 

lake beneath fret carved trees, bearing a paper 

label Franco British Exhibition 1908 Women’s 

Section, 16ins. (41cms.) wide 

£120-160 

2000. A SET OF NINE CHINESE PITH 

PAINTINGS 

each depicting a different vessel, 7 1 ⁄4ins. 

(18.5cms.) x 11ins. (28cms.) 

£1500-2000 

2003. No Lot 


215

2004. A GEORGE III PEAR WOOD TEA CADDY 

the chamfered corners veneered in rosewood 

inlaid with a compass star and paterae, 5ins. 


£150-200 

2007. A RED AND WHITE IVORY CHESS SET 

King 3 1 ⁄2ins. (9cms.) high 

£100-200 

2010. A PAIR OF PAINTED WROUGHT IRON 

CANDLE BRANCHES 

each with a brass drip pan, 11ins. (28cms.) deep 

£250-300 

2013. AN ORMOLU MOUNTED BRASS DESK 

STAND 

with two cut glass receivers, the sides cast in 

low relief with fruiting vines, 12 1 ⁄2ins. (32cms.) 

wide 

£200-300 

216 

2005. A CHINESE PARCEL GILT CINNABAR 

RED PAINTED ARCH 

carved and pierced with a profusion of figures 

and foliage against a trellis background, 35ins. 

(89cms.) high x 76 1 ⁄2ins. (194cms.) wide 

£400-500 

2008. A CAST BRONZE LION’S MASK WATER 

SPOUT 

cast around the side Messenger & Sons, 

Birmingham, 6ins. (15cms.) high 

£100-120 

2011. A BRASS DESK STAND 

with three vacant receivers, the applied border 

boldly cast with crowns flanked by roses, 

thistles, shamrock and foliage, 15ins. (38cms.) 

wide overall 

£100-150 

2014. TWO BRASS INKWELLS 

largest 4ins. (10cms.) wide overall 

£100-120 

2006. A GEORGE III PALE MAHOGANY TEA 

CADDY 

inlaid with delicate stringing, 5ins. (12.5cms.) 

wide and a plain example 

£120-150 

2009. A PRINTED AND NEEDLEWORK MAP 

of the world, worked by Mary Forster at 

Tottenham 1802, 16ins. (41cms.) x 29 1 ⁄4ins. 

(74cms.) 

£100-130 

2012. A POLISHED STEEL PIERCED 

SERPENTINE FENDER 

52 1 ⁄4ins. (132.5cms.) wide 

£150-200 

2015. FOUR VARIOUS TUNBRIDGE BOXES 

three painted with foliate motifs, one with a 

transfer of Carrisbrooke Castle, largest 7ins. 

(18cms.) wide 

£100-200 


2017. A BRONZE BULL BY EMMA MACDERMOTT 

signed E MacD, 1995, 9/9, 18ins. (46cms.) long overall 

£1500-2000 

2016. A PAIR OF 19TH CENTURY, POSSIBLY 

EMPIRE, ORMOLU WALL APPLIQUES 

delicately cast and chased, each 9 1 ⁄4ins. 


£2000-3000 


217

2018. A PAIR OF ORMOLU ROD HOLDERS 

each with a female mask above delicately 

chiselled acanthus foliage, ormolu 7ins. 

(18cms.) high 

£100-150 

2021. A FRENCH BURR WOOD LIQUEUR 

DECANTER BOX 

with a serpentine front, the lid rising and sides 

out-folding to reveal glasses, decanter and 

cigar holders, 10ins. (25.5cms.) wide 

£200-300 

2024. AN INDIAN VIZAGAPATUM WHITE 

IVORY PART AND MATCHED CHESS SET 

one side with green plinths, King 5 1 ⁄2ins. 

(14cms.) high 

£400-600 

2027. A CHINESE EXPORT LACQUER WORK 

BOX 

worked with gilt chinoiseries of figures beside 

pavilions, the interior with a fitted lift-out tray, 

the base with pull-out drawer with a writing 

slope, 13 3 ⁄4ins. (35cms.) wide 

£400-500 

218 

2019. A LATE GEORGIAN ROSEWOOD 

GALLERY GLASS 

with delicate moulded frame, 7 1 ⁄2ins. (19cms.) 

dia. 

£400-500 

2022. A 19TH CENTURY FRENCH AMBOYNA 

LIQUEUR CABINET 

with a serpentine front, rising lid and outfolding 

sides, lift-off tray fitted with three 

decanters and twelve glasses, 12 3 ⁄4ins. 


£400-600 

2025. A MAH JONG SET 

the bone tiles contained in an ivory inlaid box 

fitted with five drawers, 9 1 ⁄2ins. (24cms.) wide 

£100-130 

2028. A CHINESE EXPORT LACQUER TEA 

CADDY 

gilt with chinoiserie buildings and flower filled 

vases, the interior with two lidded pewter 

canisters, on bold paw feet, 16 1 ⁄2ins. (42cms) 

wide 

£700-800 

2020. A PAIR OF SEVRES STYLE ORMOLU 

MOUNTED CASSOLETTES 

each painted with a domestic scene, the reverse 

with a landscape, 9 1 ⁄4ins. (23.5cms.) high 

£200-300 

2023. A GEORGE IV ROSEWOOD TABLE 

SEWING CABINET 

the rising lid enclosing a mirror and fitted 

interior, enclosed by a pair of doors enclosing 

three long drawers, one fitted for writing, all 

inlaid with mother of pearl foliate sprays, 


£300-400 

2026. AN INDIAN VIZAGAPATUM WHITE 

AND WHITE IVORY CHESS SET 

King 3ins. (8cms.) high 

£500-700 

2029. THREE CHINESE BROWN LACQUER 

BOXES 

each gilt with bird inhabited flowering plants, 

largest 10 1 ⁄4ins. (26cms.) wide 

£100-150 


2030. A 15TH CENTURY LIME WOOD FIGURE 

OF THE VIRGIN AND CHILD 

traces of paint work, probably South German, 

34ins. (86.5cms) high 

£3000-4000 

Provenance: A house in West Dorset, previously 

in the Tyndell-Lister Collection 

2031. A BRONZE FIGURE 

of a farm girl, signed Ferville-Suan, 27 1 ⁄4ins. 

(69cms.) high overall 

£600-800 

Charles Georges Ferville-Suan flourished late 

19th century, exhibited at the Salon in the 

1870’s 


219

2032. A CURLED PAPER TEA CADDY 

of lozenge section, the paper edges gilt, 7ins. 

(18cms.) wide 

£100-150 

2035. A STEEL BOWFRONT CURB FENDER 

set with paterae, 49 1 ⁄2ins. (126cms.) wide 

£100-150 

2038. A PAIR OF GOTHIC BRASS 

CANDLESTICKS 


£150-250 

B2041. A PLATED CORINTHIAN COLUMN 

TABLE LAMP 

18 3 ⁄4ins. (47.5cms.) high 

£150-250 

220 

2033. A CUBE PARQUETRY SPECIMEN 

WOOD MOUNTED TEA CADDY 

with two lidded interior divisions, 8ins. (20cms.) 

wide 

£200-300 

2036. A PAIR OF OXIDISED BRASS THREE 

LIGHT CEILING LIGHTS 

the circle 24 1 ⁄2ins. (62.5cms.) dia. complete with 

spherical suspension 

£400-600 

2039. A BRONZE AND ORMOLU MOUNTED 

CANDLESTICK 

a classical lady wearing flowing robes, 18 1 ⁄2ins. 

(47cms.) high 

£150-200 

B2042. A BRASS TABLE LAMP 

the scallop shell shade supported by a dolphin, 

green marble pedestal, 17 1 ⁄2ins. (44.5cms.) high 

overall 

£100-150 

2034. A PIETRA DURA DESK WEIGHT 

7 1 ⁄4ins. (18.5cms.) wide 

£100-150 

2037. A SET OF FOUR OXIDISED BRASS 

WALL LIGHTS 

each 9ins. (23cms.) high overall 

£150-200 

2040. TWO SIMILAR WROUGHT IRON RUSH 

LIGHT HOLDERS 

largest 16ins. (41cms.) high 

£150-200 

B2043. AN OXIDISED BRASS MOUNTED 

CORINTHIAN COLUMN LAMP 

with ebonised pineapple cut column, 14 3 ⁄4ins. 


£100-150 


2044. A 19TH CENTURY FRENCH BURR WALNUT LIQUEUR BOTTLE BOX 

in the form of a chest of drawers, the front with five false and one real drawer flanked by gilt metal 

mounted ebonised pilasters, the box dividing to open, fitted with four square bottle decanters and 

two liqueur glasses, all enriched in gilt, 12 1 ⁄4ins. (31cms.) x 7 1 ⁄4ins. (18cms.) wide 

£800-900 

2046. A GEORGE III MAHOGANY KNIFE BOX 

of conventional form, inlaid with chequer 

stringing, the interior fitted for cutlery, 9ins. 


£200-300 

2049. A STONE DRAGON 

15 1 ⁄2ins. (39.5cms.) high 

£150-200 

2052. AN ORMOLU URN AND COVER 

with bold ribbon tied oak leaf swags suspended 

by female masks, on an ebonised pedestal, urn 


£100-150 

2047. A PAIR OF BRONZE URNS 

in the antique manner, each cast with classical 

figures, 11 1 ⁄2ins. (29cms.) high 

£150-250 

2050. A CARVED WOOD PLAQUE 

depicting head and shoulders of a harpist, 

13 1 ⁄4ins. (34cms.) high 

£120-150 

2053. A BRONZE FIGURE 

of a seated pasha, representing Asia, possibly 

16th/17th century North Italian, 5ins. (12.5cms.) 

high 

£1200-1500 

2045. A MAHOGANY AND ROSEWOOD 

WATCH CASE 

inlaid with demi patera and fan quadrants, 


£100-120 

2048. A GEORGE III MAHOGANY KNIFE BOX 

of conventional form, the interior fitted for 

cutlery, 8 3 ⁄4ins. (22cms.) wide 

£200-300 

2051. A MAHOGANY SHAVING MIRROR 

with a rising plate and flip-over magnifying 

glass, inlaid with boxwood and ebony stringing, 

24 1 ⁄2ins. (62cms.) high 

£100-150 

2054. A BRONZE BAROQUE URN 

delicately chased and matted, probably mid 

17th century French, 4 1 ⁄4ins. (11cms.) high 

£200-300 


221

2055. A NEEDLEWORK COUNTY MAP OF 

ENGLAND AND WALES 

within a rosewood moulded frame, 27 1 ⁄2ins. 

(70cms.) x 22 3 ⁄4ins. (58cms.) overall 

£150-200 

2058. AN 18TH CENTURY SILK AND 

BULLION COPE 

delicately worked with flowering tendrils, in a 

carved gilt painted frame, 63 1 ⁄2ins. (161cms.) 

high x 44ins. (112cms.) wide overall 

£300-400 

2061. A VICTORIAN VELVET PILE PICTURE 

of a hawking party, image 31 1 ⁄2ins. (80cms.) x 

45ins. (114cms.) 

£200-300 

222 

2056. A NEEDLEWORK SAMPLER 

Every Deviation...Mary Fletcher aged 8, Lichfield 

1789, within a delicate floral ribbon tied 

meander, 16ins. (41cms.) x 14ins. (35.5cms.) 

overall 

£150-200 

2059. A SILKWORK PICTURE 

the back labelled Lady Roushout and Daughter, 

together with another of a young woman and 

her beau, 12 1 ⁄2ins. (32cms.) x 14 1 ⁄2ins. (37cms.) 

£150-200 

2062. A SILKWORK PICTURE 

of a flower-filled urn, worked by Jane Cecil, 

giltwood frame, 22 1 ⁄2ins. (57cms.) x 19 1 ⁄2ins. 

(49.5cms.) overall 

£100-200 

2057. A NEEDLEWORK PICTURE 

worked with Ariadne on Naxos, a stag behind, 

18ins. (46cms.) x 13 3 ⁄4ins. (35cms.) 

£200-300 

2060. A SECTION OF CHINESE WALLPAPER 

painted with figures inside and outside a 

palace, 90ins. (228cms.) x 33ins. (84cms.) 

£100-120 

2063. A TAPESTRY FRAGMENT 

3ft. 1ins. (95cms.) x 5ft. 7ins. (170cms.) 

£100-200 


B2067. A PAIR OF BRONZE EQUESTRIAN FIGURES 

of Wellington and Napoleon, Wellington dated 1815, 

Wellington 25ins. (64cms.) high 

£2500-3000 


223

B2068. A GREY AND WHITE MARBLE 

PEDESTAL 

40 3 ⁄4ins. (104cms.) high, top 11ins. (28cms.) wide 

£300-500 

2071. A PAIR OF RECONSTITUTED 

STONEWARE OCTAGONAL PLANTERS 

each with a ribbed rim, 21ins. (53cms.) high x 


£150-250 

2074. A PAIR OF STONEWARE URNS 

each shallow body with horizontal lines, 24ins. 

(61cms.) dia. 

£100-120 

B2077. A SALTGLAZED “LOG GROUP” 

SHALLOW PLANTER 


£100-120 

224 

2069. A PAIR OF RECONSTITUTED STONE 

TRELLIS URNS 


£500-550 


STONEWARE OCTAGONAL PLANTERS 

each with a ribbed rim, 21ins. (53cms.) high x 


£150-250 


STONEWARE URNS 

each with a band of florettes and swags, 24ins. 

(61cms.) high x 29ins. (74cms.) dia. 

£300-400 

B2078. A PAIR OF STONEWARE PEDESTALS 

each with a floral and fruit top, 23ins. (59cms.) 

high 

£100-150 

2070. A SET OF FOUR RECONSTITUTED 

STONE URNS 


£250-350 


STONEWARE SHALLOW PLANTERS 

each with a moulded band of roundels to the 

rim, 12 1 ⁄2ins. (32cms.) high x 32 1 ⁄2ins. (82cms.) 

dia. 

£400-600 

B2076. A RECONSTITUTED STONEWARE URN 

with an octagonal rim and stiff leaf moulded 

body, 13ins. (33cms.) high 

£100-120 

B2079. A SET OF FIVE RECONSTITUTED 

STONEWARE URNS 

each with fruiting drapery swags, 14 1 ⁄2ins. 

(37cms.) dia. 

£100-150 


B2080. A PAIR OF RECONSTITUTED STONEWARE URNS 

each with fluted campana body and pine cone finial, 


£300-500 

2081. A LEAD SHALLOW BIRD BATH 

the semi-lobed body on a fluted pedestal, the triform plinth with three 

dolphin supports, 26ins. (66cms.) high x 25ins. (63cms.) wide 

£400-600 

2082. A LEAD TWO TIER FOUNTAIN 

modelled as a putto, standing in a semi-lobed 

basin, supported on a fluted column and 

triform plinth with three dolphin supports, 

60ins. (153cms.) high x 26ins. (66cms.) dia. 

£800-1200 


225

B2083. A PAIR OF RECONSTITUTED 

STONEWARE PUTTI 

representing Music, each seated atop a sphere, 

38 1 ⁄2ins. (98cms.) high 

£500-600 

2087. A SET OF FOUR RECONSTITUTED STONE FIGURES 

representing the Four Seasons, 29 1 ⁄2ins. (75cms.) high 

£300-400 

226 

B2084. A STONEWARE GROUP 

of two putti, 19ins. (49cms.) high x 24ins. 

(61cms.) wide 

£400-600 

B2085. A STONEWARE GROUP 

of two putti at play, 23ins. (58cms.) high 

£300-400 

B2086. A WHITE MARBLE FIGURE OF 

APOLLO BELVEDERE 


£200-300 


B2088. A PAIR OF RECONSTITUTED STONE CROUCHING LIONS 


£1000-1500 


227

2089. A PAIR OF TEAK CHINESE TRELLIS 

BACK GARDEN BENCHES 

71 1 ⁄2ins. (182cms.) wide 

£300-400 

2092. A TEAK GARDEN BENCH 

with a slat back, 70 1 ⁄2ins. (199cms.) wide 

£100-150 

2095. A CAST IRON GARDEN BENCH 

with a moulded interlaced knot back set with 

scrolling fruiting vines inhabited by birds, 


£1000-1250 

228 

2090. A TEAK CHINESE TRELLIS BACK 

GARDEN BENCH 

£100-200 

2093. A WHITE PAINTED WROUGHT IRON 

GARDEN BENCH 


£200-300 


with a Gothic triple chair back, 64ins. (163cms.) 

wide 

£1000-1200 

The purchaser of this lot has the option to 

purchase the next lot at the same price 

2098. A WIREWORK GARDEN ARCH 

19th century, 96ins. x 66ins. wide approx. 

£400-600 

2091. A PAIR OF TEAK GARDEN BENCHES 

with slat backs, 70 1 ⁄2ins. (179cms.) wide 

£200-300 

2094. A PAIR OF CAST IRON GARDEN 

BENCHES 

each with a moulded interlaced knot back set 

with scrolling fruiting vines inhabited by birds, 


£2000-2500 


with a Gothic triple chair back, 64ins. (163cms.) 

wide 

£1000-1200 


B2101. A RECONSTITUTED STONE URN AND PEDESTAL 

the fluted rim with a husk swag cover, on a turned pedestal, 83ins. (210cms.) high 

£800-1000 


229

FURNITURE 

2102. A 17TH CENTURY OAK SIDE TABLE 

the top with rounded corners, the frieze drawer 

with a coffered front, 29ins. (74cms.) wide 

£200-300 

B2105. AN EARLY 18TH CENTURY OAK 

SMALL MULE CHEST 

the top with a moulded edge, the front with 

three moulded fielded panels above two short 

drawers, 28ins. (71cms.) wide 

£400-600 

2108. A GEORGE III MAHOGANY SIDE TABLE 

the rectangular top with a moulded edge, fitted 

with three short frieze drawers, 35ins. (89cms.) 

wide 

£200-250 

2111. A GEORGE III OAK DRESSER 

the lower part fitted with three short frieze 

drawers, 77 1 ⁄4ins. (196cms.) high x 73 1 ⁄4ins. 

(186cms.) wide 

£500-600 

230 

2103. A 17TH CENTURY OAK CRADLE 

with “pigeon loft” to the hood, the sides carved 

with a scrolling dragon, the footboard dated 

1695, 33 1 ⁄2ins. (85cms.) wide 

£600-800 

B2106. A PAIR OF 17TH CENTURY OAK SIDE 

CHAIRS 

each back with moulded splats 

£150-250 

2109. A VICTORIAN OAK OPEN BREAKFRONT 

BOOKCASE 

with adjustable shelves, 53 3 ⁄4ins. (136.5cms.) 

high x 131 3 ⁄4ins. (334cms.) wide x 13 3 ⁄4ins. 

(35cms.) deep 

£500-1000 

2112. A GEORGE I OAK COURT CUPBOARD 

the upper part with a projecting cornice with 

turned terminals, fitted with two fielded 

panelled doors, the lower part with three short 

drawers above a pair of doors, 53 1 ⁄2ins. 


£500-600 

2104. AN OAK CUPBOARD 

enclosed by a pair of panelled doors with 

moulded rails and muntins, 61 1 ⁄2ins. (162cms.) 

high x 71 1 ⁄4ins. (181cms.) wide 

£300-400 

2107. A 17TH CENTURY OAK PLANK COFFER 

the top with moulded front and back and chip 

carved sides, the front with tracery carving, 

37 1 ⁄2ins. (97.5cms.) wide 

£300-400 

2110. A GEORGE II OAK LOWBOY 

the top with a moulded edge, fitted with three 

short frieze drawers, 29 1 ⁄2ins. (75cms.) wide 

£300-400 

2113. A GEORGE III ELM DRESSER 

the upper part with dentil cornice and reeded 

sides, the lower part fitted with four short 

frieze drawers above a pair of long drawers 

flanked by fielded panel doors, each centred by 

an inlaid star, 81 1 ⁄2ins. (207cms.) high x 71 1 ⁄2ins. 


£500-800 


2114. A 17TH CENTURY OAK CHEST OF 

DRAWERS 

in two parts, the top with a moulded edge, 

fitted with four geometrically coffered long 

drawers, the sides panelled, 41ins. (104cms.) 

wide 

£350-450 

B2117. A 17TH CENTURY OAK JOINT STOOL 

the top with a moulded edge, underneath of 

the top incised I B?, 18ins. (46cms.) wide 

£300-400 

2115. A 17TH CENTURY STYLE BEECH SIDE 

CHAIR 

with floral upholstery 

£100-120 

B2118. A 17TH CENTURY OAK JOINT STOOL 

the top with a moulded edge, 17 3 ⁄4ins. 


£200-300 

2116. AN EARLY GEORGE III OAK DROP FLAP 

DINING TABLE 

with pad feet, 41 3 ⁄4ins. (106cms.) wide x 57ins. 

(145cms.) long 

£130-180 

2119. A 17TH CENTURY STYLE OAK JOINT 

STOOL 

the top with a moulded edge, 19ins. (48cms.) 

wide 

£150-200 

2120. A 17TH CENTURY OAK SIDE TABLE 

with a cleated plank top, the frieze carved with foliate S scrolls and incised R P 1679, on turned and bladed baluster legs, 32 1 ⁄2ins. (83cms.) high x 95 1 ⁄2ins. 

(242.5cms.) long x 32 1 ⁄2ins. (82.5cms.) deep 

£4000-5000 


231

2124. A LATE 17TH CENTURY OAK SIDE 

CHAIR 

with bold scroll carved top rail 

£150-200 

2127. A PAIR OF WALNUT SIDE CHAIRS 

each back with a thistle carved frame to the 

caned panel 

£100-200 

B2130. A CHARLES II BEECH CHAIR 

the foliate pierced crest rail centred by a 

scallop shell 

£100-150 

2133. AN OAK CORNER CUPBOARD 

the upper part with shaped shelves enclosed by 

a pair of glazed doors, the lower part with a 

quadruple fielded panelled door, 99ins. 

(251cms.) high x 40ins. (102cms.) wide 

£150-250 

232 

2125. A WILLIAM AND MARY STAINED 

BEECH HIGH BACK CHAIR 

with delicate foliate scroll pierced cresting 

£130-160 

2128. A PART YEW WOOD WINDSOR 

ARMCHAIR 

with a cowhorn stretcher 

£200-250 

2131. A YEW AND ELM WINDSOR 

ARMCHIAR 

with a cow horn stretcher 

£200-250 

2134. A MID GEORGIAN OAK BACON 

CUPBOARD 

the interior with a row of wooden hooks, 

enclosed by a pair of fielded panelled doors, 

three short drawers to the base, 76ins. 

(193cms.) high x 66ins. (168cms) wide 

£450-500 

B2126. A CHARLES II WALNUT SIDE CHAIR 

the caned back flanked and surmounted by a 

crown motif, the stretcher rail also carved with 

a crown 

£250-350 

B2129. A WILLIAM AND MARY WALNUT 

SIDE CHAIR 

with a moulded frame, together with three 

modern copies 

£200-250 

B2132. A LATE 17TH CENTURY OAK SIDE 

CHAIR 

moulded frame to the back 

£100-130 

2135. AN EARLY GEORGE III OAK BUREAU 

BOOKCASE 

the upper part fitted with two banks of shelves 

and enclosed by a pair of twin fielded panelled 

doors, the lower part with a stepped fitted 

interior, drawers and pigeon holes around a 

central cupboard, three long drawers beneath, 

90ins. (228cms.) high x 39 1 ⁄4ins. (100cms.) wide 

£600-900 


2136. A CAMPAIGN METAL SIMULATED 

BAMBOO THREE TIER SHELF 

with folding sides and shelves, 36 1 ⁄2ins. (93cms.) 


£150-200 

2139. A NORTH AFRICAN CINNABAR 

PAINTED HEXAGONAL TABLE 

with shallow copper insert, 24 3 ⁄4ins. (63cms.) 


£300-400 

The buyer of this lot will have the option to 

purchase the next lot at the same price 

2142. A 19TH CENTURY JAPANESE 

SIMULATED TORTOISESHELL WORK BOX ON 

STAND 

the lid enclosing a fitted interior and gilt 

speckled lacquer, two short drawers beneath, 

the stand with a pull-out work bag, all 

lacquered with flowering trees, foliate and 

birds, 17 3 ⁄4ins. (45cms.) wide 

£600-800 

2145. AN EARLY GEORGE III MAHOGANY 

CARD TABLE 

the top with outset corners, the interior with 

counter well and candlestick recesses, on a 

concertina action and cabriole legs, the front 

knees carved with shells, 35 1 ⁄4ins. (89cms.) wide 

£800-900 

2137. A 19TH CENTURY FRENCH 

MAHOGANY WORK TABLE 

the rising top with a raised moulded edge 

enclosing a blond wood interior, a drawer and 

pull-out work bag beneath, 20ins. (51cms.) wide 

£100-150 

2140. A NORTH AFRICAN CINNABAR 

PAINTED HEXAGONAL TABLE 

£300-400 

2143. A BURMESE HARDWOOD TABLE 

profusely carved and pierced in low relief with 

foliage and birds, the cabriole legs surmounted 

by lions, 27ins. (68.5cms.) wide overall 

£200-300 

2146. A PAIR OF EBONISED AND RED 

BOULLE WORK SIDE CABINETS 

each with gilt metal mounts, 43 1 ⁄2ins. (111cms.) 

high x 32ins. (81cms.) wide x 11 3 ⁄4ins. (30cms.) 

deep 

£600-700 

2138. AN AESTHETIC MOVEMENT EBONISED 

AND PARCEL GILT WRITING TABLE 

the superstructure with a bevelled mirror 

flanked by a pair of cupboards, each painted 

with a bird and flowering branches, on a gilt 

ground, three short drawers beneath. The lower 

part with a leather-lined writing surface and a 

drawer to the frieze, 42ins. (107cms.) wide 

£600-1000 

2141. A MIRROR VENEERED SIDE TABLE 

with three short frieze drawers, with bevelled 

edges and engraved with foliate motifs, 43 1 ⁄4ins. 


£200-300 

2144. A GEORGE IV ROSEWOOD CARD 

TABLE 

with a revolving top, 35 1 ⁄2ins. (95cms.) wide 

£400-500 

2147. A LATE GEORGE III MAHOGANY 

REVERSE BREAKFRONT SIDEBOARD 

fitted with a central drawer above a deeply 

recessed napkin drawer, the left with a drawer 

above a deep cupboard, the right with a drawer 

above a deep lead lined cellarette drawer, 

37 1 ⁄4ins. (94.5cms.) high x 63 1 ⁄4ins. (160.5cms.) 

wide x 29 1 ⁄4ins. (79cms.) deep 

£800-1200 


233

2148. A LATE 17TH/EARLY 18TH CENTURY 

NAILED LEATHER TRUNK 


£150-250 

2151. A CHINESE HARDWOOD BENCH 

carved in low relief with lotus and other 

flowering plants, 74 1 ⁄2ins. (190cms.) wide 

£800-1200 

2154. A VICTORIAN WALNUT TABLE 

the quarter veneered top inlaid for chequers 

within calamander crossbanding, the shaped 

frieze fitted with a long drawer, on flat baluster 

trestle legs, 33ins. (84cms.) wide 

£300-400 


TRUNK 

with caddy moulded edges, 48ins. (122cms.) 

wide 

£300-500 

234 

2149. AN EDWARDIAN MAHOGANY 

DRESSING TABLE 

the top with a moulded edge, fitted with three 

short frieze drawers, 42ins. (107cms.) wide 

£130-180 

2152. A CHINESE HARDWOOD LOW TABLE 

with a slightly moulded scroll frame with lizard 

carved rails, 32 3 ⁄4ins. (83cms.) wide 

£200-300 

2155. A GEORGE III STYLE MAHOGANY 

SERPENTINE SIDE CABINET 

the top with a florette and ribbon moulded 

edge, the frieze fitted with two short drawers, a 

pair of panelled doors beneath, 30 1 ⁄4ins. 

(77cms.) high x 52 1 ⁄2ins. (133.5cms.) wide x 

19 3 ⁄4ins. (50cms.) deep 

£300-400 


MAHOGANY AND FLORAL MARQUETRY 

WORK TABLE 

the rising lid with a long drawer, a short drawer 

to the left, 19ins. (48cms.) wide 

£100-200 

2150. A GEORGE III MAHOGANY PEMBROKE 

TABLE 

the shaped butterfly top with a moulded edge, 

fitted with one real and one false frieze drawer, 

on stop-fluted square tapering legs with block 

feet, the legs with relief carved foliate brackets, 


£400-600 

2153. A PAIR OF CHINESE HARDWOOD TWO 

TIER TABLES 

each with a pierced scroll frieze, 31 1 ⁄2ins. 

(80cms.) high x 17 1 ⁄2ins. (44.5cms.) wide x 

12 3 ⁄4ins. (32.5cms.) deep 

£300-500 

B2156. A VICTORIAN WALNUT WORK TABLE 

the burr top quarter veneered and inlaid with 

foliate spandrels, the top rising to reveal a well 

and partially fitted interior, on slender fluted 

turned tapering legs headed by stiff leaves, 


£400-600 

B2159. A VICTORIAN ROSEWOOD STOOL 

with X frame and delicately turned stretcher, 

18 1 ⁄2ins. (47cms.) wide 

£200-300 


B2160. A MID VICTORIAN ROSEWOOD AND PARCEL GILT CENTRE TABLE 

the top with bold egg and dart moulding to the edge, the pedestal with three bold simulated rosewood scroll supports, 59 1 ⁄2ins. (151cms.) dia. 

£1200-1500 

By repute purchased in the 1851 exhibition at Crystal Palace 

B2161. A VICTORIAN ROSEWOOD CENTRE TABLE 

with broad egg and dart moulded edge, on rectangular trestle legs with pierced scroll brackets, parcel gilt, 55 1 ⁄2ins. (141cms.) wide x 30 1 ⁄2ins. (77.5cms.) 

deep 

£1000-1250 

By repute bought at the 1851 exhibition at Crystal Palace 


235

B2162. A POLISHED STEEL FENDER FRONT 

pierced with engraved foliate scrolls, 58 1 ⁄2ins. 

(148cms.) wide, together with a pair of 

matching implement rests 

£100-150 

B2165. A GEORGE III STYLE STEEL FIRE 

BASKET 

29ins (74cms.) wide overall x 22 3 ⁄4ins. (58cms.) 

high 

£300-400 

B2168. AN IMARI SAUCER DISH 

painted with puppies in a garden, 18ins. 

(46cms.) dia., now with a walnut stand 

£150-250 

2171. A GEORGE III MAHOGANY DINING TABLE 

with D shaped ends, centre gateleg section and two extra leaves, 103ins. 

(262cms.) long extended x 48 1 ⁄2ins. (123cms.) wide 

£500-800 

236 

B2163. A SET OF THREE BRASS AND STEEL 

FIREIRONS 

£150-200 


BASKET 

28ins. (71cms.) wide x 22 1 ⁄2ins. (57cms.) high 

£250-350 

2169. A WILLIAM AND MARY WALNUT 

SEAWEED MARQUETRY CHEST OF DRAWERS 

now with a burr maple top within broadwood 

crossbanding, the sides also with seaweed 

marquetry, 36 3 ⁄4ins. (93.5cms.) wide 

£200-300 

B2164. A GEORGE IV POLISHED STEEL 

FENDER 

with pierced motifs, brass paw feet, 48ins. 


£100-120 


BASKET 

28 1 ⁄4ins. (72cms.) wide x 22 1 ⁄2ins. (57cms.) high 

£250-350 

2170. A GEORGE III MAHOGANY TRIPOD 

TABLE 

on hipped cabriole legs, 29 1 ⁄2ins. (75cms.) dia. 

£150-200 

2172. A LATE GEORGE III MAHOGANY DINING TABLE 

the rounded rectangular top with a moulded edge and three leaves, on 

turned tapering legs with brass castors, telescopicly extending, 

123 1 ⁄2ins. (314cms.) long extended x 59 1 ⁄2ins. (152cms.) wide 

£1200-1800 


B2173. A SET OF FOUR OAK CORINTHIAN PILASTERS 

each with a rectangular fluted column, possibly early 18th century, 112ins. 

(285cms.) high. Together with a pair of panelled doors within frames, one door 

painted with a floral spray of tulips and horse chestnuts, the other with a shelf of 

blue and white china. The architrave boldly carved with scrolling acanthus foliage, 

each door 104ins. (264cms.) x 43ins. (110cms.) overall 

£3500-4000 

Blount’s Court, Potterne, near Devizes, Wiltshire. By family repute removed from 

Farleigh House, Farleigh Hungerford, Somerset 


237

2174. A GEORGE III MAHOGANY SOFA 

TABLE 

the top with broad satinwood crossbanding 

within rosewood crossbanding, fitted with two 

short drawers, the reverse with false drawers, 

on rectangular trestle legs, 33 3 ⁄4ins. (86cms.) 

wide closed 

£1000-2000 

2177. A QUEEN ANNE WALNUT CHEST OF 

DRAWERS 

the top with a quarter veneered oval within 

feather stringing, the top broadly crossbanded, 

fitted with two short and three long drawers 

also with feather crossbanding, 37 3 ⁄4ins. 

(96cms.) wide 

£600-800 

2180. A GEORGE III MAHOGANY BEDSIDE 

COMMODE 

with a rising top and seat, slight bowfront, 

21 1 ⁄2ins. (51cms.) wide 

£300-500 

2183. A GEORGE IV MAHOGANY SERVING TABLE 

with a brass gallery, the top with a reeded edge fitted with two short 

panelled drawers, on lobed turned tapering legs, 65 1 ⁄4ins. (166cms.) wide x 

36 1 ⁄4ins. (92cms.) high x 21 1 ⁄2ins. (54.5cms.) deep 

£800-1200 

238 


MAHOGANY AND FLORAL MARQUETRY SIDE 

CABINET 

the top inlaid with a chequer out-lined oval, 

flanked by lozenges each centred by a foliate 

patera, enclosed by a pair of panelled doors, 

each inlaid with a ribbon-suspended flowerfilled 

basket, the sides with a shallow frieze 

drawer above a ribbon-suspended shell 

medallion, 47 1 ⁄2ins. (120cms.) wide 

£250-350 

2178. A GEORGE I WALNUT KNEEHOLE 

DRESSING TABLE 

with a figured oak top, fitted with a long 

drawer above a recessed kneehole cupboard 

with a shallow drawer, flanked by short 

drawers, all with chevron stringing and 

crossbanding, 30ins. (76cms.) wide 

£500-700 

2181. THREE LATE GEORGE III MAHOGANY 

DINING CHAIRS 

each with reeded arms and turned column 

supports 

£120-160 

2176. A PAIR OF VENETIAN LOOKING 

GLASSES 

each plate engraved with a classical figure 

within a C scroll and floral carved cartouche 

frame, each 32ins. (81cms.) high 

£500-700 

2179. A 19TH CENTURY FRENCH COMMODE 

fitted with ten drawers in two banks, flanked 

by ormolu mounted keels, 38 3 ⁄4ins. (98.5cms.) 

high x 68ins. (173cms.) wide x 22 3 ⁄4ins. (57.5cms.) 

deep 

£500-800 

2182. A GEORGE III MAHOGANY CHEST OF 

DRAWERS 

the top with chequer stringing and 

crossbanding, fitted with a slide above four 

graduated long drawers also with chequer 

stringing, 34ins. (86.5cms.) wide 

£400-600 

2184. A GEORGE III MAHOGANY SERVING TABLE 

fitted with brass rails, the serpentine front fitted with a central flush 

drawer, on slender tapering legs with block feet, head by carved paterae, 

inlaid with ebony stringing, 62ins. (157.5cms.) wide x 34 3 ⁄4ins. (88.5cms.) 

high x 26 3 ⁄4ins. (68cms.) deep 

£700-1000 


B2185. A GEORGE IV MAHOGANY HUNT TABLE 

with moulded edge and slightly raised beaded edging, each end with a drop flap, 64 1 ⁄2ins. (164cms.) wide 

£900-1200 

2186. A GEORGE IV ROSEWOOD SOFA TABLE 

with D shaped flaps, the broadly crossbanded edge inlaid with bold foliage and acanthus scrolls, fitted with a frieze drawer, on obelisk pedestal legs also 

inlaid with foliage, the moulded feet with brass rams head mask terminals, 37 1 ⁄4ins. (95cms.) wide closed 

£3000-4000 


239

2187. A GEORGE III MAHOGANY BOW 

FRONT SIDEBOARD 

the top with a brass back rail, fitted with a 

central drawer above a recess with a tambour 

shutter, flanked each side by a deep drawer, 

simulating two drawers, all carved with paterae 

and fan quadrants, on moulded square 

tapering legs, 54ins. (137cms.) wide x 35 3 ⁄4ins. 

(91cms.) high x 25ins. (64cms.) deep 

£500-800 


CANTERBURY 

a drawer to the base, 19ins. (48.5cms.) wide 

£300-400 


the quarter veneered burr wood top revolving 

and opening to reveal inlays for chequers, 

backgammon and cribbage, the frieze with a 

fitted drawer, a pull-out work bag beneath, 


£500-600 

2196. A MAHOGANY BREAKFRONT LIBRARY BOOKCASE 

the upper part fitted with adjustable shelves enclosed by four doors with 

moulded glazing bars, the projecting lower part fitted with four slides 

above four short drawers with panelled doors beneath, 94 1 ⁄2ins. (240cms.) 

high x 97 1 ⁄2ins. (248cms.) wide x 19 1 ⁄2ins. (49cms.) deep 

£2000-3000 

240 

2188. A GEORGE III MAHOGANY CHEST OF 

DRAWERS 

the top with narrow rosewood crossbanding, 

fitted with a brushing slide above four 

graduated long drawers, 32ins. (81cms.) wide 

£400-600 

2191. AN EARLY VICTORIAN MAHOGANY 

THREE TIER DUMB WAITER 

the top tier rising, on panelled rectangular 

trestle legs, each tier 52 1 ⁄2ins. (133cms.) x 

18 1 ⁄2ins. (47cms.) x 35 3 ⁄4ins. (91cms.) high shut 

£600-800 

B2194. A GEORGE III MAHOGANY 

CELLARETTE 

the domed lid inlaid with an oval within ebony 

and boxwood stringing, the interior fitted with 

a lift-out container with two lidded lift-out 

caddies and flanking a glass mixing bowl, 

together with two rectangular decanters with 

gilt enriched shoulders and a large rectangular 

cut-glass decanter, 17 1 ⁄2ins. (44cms.) wide 

£600-800 

B2189. A GEORGE IV ROSEWOOD CARD 

TABLE 

with a revolving top, 36ins. (91cms.) wide 

£200-250 

2192. A VICTORIAN BURR WALNUT CARD 

TABLE 

the quarter veneered revolving top with a 

moulded edge, on lobed trestle supports with 

cabriole legs, 36ins. (91.5cms.) wide 

£250-350 


CORNER CHAIR 

with horseshoe top rail and pierced baluster 

vase splat, on cabriole front leg 

£300-400 

2197. A SATINWOOD LIBRARY OPEN BOOKCASE 

with adjustable shelves, the lower part enclosed by four doors, with tulip 

wood crossbanding and mahogany stringing, 91 1 ⁄2ins. (232cms.) high x 

103ins. (261.5cms.) wide x 15 3 ⁄4ins. (40cms.) deep 

£1200-1500 


B2198. AN EDWARDIAN MAHOGANY TWO 

TIER OCCASIONAL TABLE 

the top tier with a lift-off glass bottom tray, 

each tier inlaid with a musical trophy within 

bold foliate scrolls, also set with musical 

trophies, 35 1 ⁄4ins. (89.5cms.) wide 

£600-800 

B2201. A PAIR OF OAK STOOLS 

each with fluted turned tapering legs, 17ins. 

(43cms.) wide 

£200-300 


the top rising to reveal a partially fitted interior 

and well, 24 1 ⁄2ins. (62cms.) wide 

£200-300 

B2207. A GEORGE IV MAHOGANY CONSOLE 

TABLE 

supported by bold stylised stiff leaf carved 

brackets, 36 1 ⁄2ins. (93cms.) high x 38ins. (96cms.) 

wide x 15 1 ⁄4ins. (39cms.) deep 

£500-600 

B2199. TWO SIMILAR 19TH CENTURY 

FRENCH TWO TIER OCCASIONAL TABLES 

one inlaid with a floral spray on a walnut 

surround, the other with foliate scrolls, 15ins. 

(38cms.) wide 

£150-200 

B2202. A VICTORIAN MAHOGANY STOOL 

on moulded lyre supports, 27 3 ⁄4ins. (70.5cms.) 

wide 

£300-400 

B2205. A GEORGE IV MAHOGANY 

BOWFRONT CHEST OF DRAWERS 

flanked by moulded outset pilasters, 43 1 ⁄2ins. 


£300-500 

B2208. A GEORGE IV ROSEWOOD CONSOLE 

TABLE 

now with a mahogany top, 35 3 ⁄4ins. (91cms.) 

high x 38 3 ⁄4ins. (98.5.cms.) wide x 16 1 ⁄4ins. 

(41.5cms.) deep 

£300-400 

B2200. A VICTORIAN PARCEL GILT WALNUT 

STOOL 

with a needlework seat and serpentine sides, 

traces of trade label for Wm. Turner & Son, 

Bristol, 26ins. (66cms.) wide 

£400-500 

B2203. A GEORGE II STYLE MAHOGANY 

STOOL 

with gadroon moulded edge, on claw and ball 

cabriole legs with foliate carved knees, 24 1 ⁄2ins. 


£130-160 

B2206. AN EARLY GEORGE II STYLE 

MAHOGANY SIDE CABINET 

the top with a moulded edge, the acanthus leaf 

carved frieze fitted with a flush drawer, 

enclosed by a pair of doors with applied 

carving, 38ins. (96.5cms.) high x 54 1 ⁄4ins. 

(138cms.) wide x 18 3 ⁄4ins. (47.5cms.) deep 

£300-400 

B2209. A GEORGE IV ROSEWOOD CENTRE 

TABLE 

fitted two short frieze drawers, the reverse with 

false drawers, on flat trestle legs, 57ins. 


£1000-1500 


241


SIDEBOARD 

the breakfront with dark mahogany 

crossbanding, fitted with three drawers above a 

slightly recessed napkin drawer, 60ins. 


£300-400 

B2213. A VICTORIAN ROSEWOOD CHAISE 

LONGUE 

the button upholstered back with a bold 

moulded carved frame, serpentine seat with a 

rounded end, 77ins. (195cms.) long 

£1200-1500 

2216. A MAHOGANY ARMCHAIR 

of generous proportions, the pierced baluster 

splat carved with foliage, drop-in needlework 

seat 

£200-250 

2219. A YEW WOOD DRUM TABLE 

the top with segmental veneers within broad 

crossbanding, the frieze fitted with short 

drawers, on a baluster column and reeded 

down curved legs, 38ins. (96cms.) dia. 

£500-600 

THIS IS SOLD IN AID OF THE FUNDS FOR NORTH 

CADBURY PARISH 

This table was made by the cabinet maker M 

Rowe, from a tree in North Cadbury believed to 

date from 1420 

242 

B2211. A REGENCY GILT WOOD CONVEX 

GIRANDOLE 

18 1 ⁄4ins. (46.5cms.) dia. 

£150-250 

B2214. A PAIR OF GEORGE III MAHOGANY 

PLATE BUCKETS 

each with a swing handle, 11 1 ⁄2ins. (29cms.) high 

x 14ins. (35.5cms.) dia. 

£1500-1750 

2217. A WALNUT CENTRE TABLE 

the serpentine top quarter veneered within 

tulip wood crossbanding, the shaped frieze 

fitted with a drawer, on cabriole legs, all with 

ormolu mounts, 31ins. (79cms.) wide 

£500-600 

2220. A GEORGE IV ROSEWOOD CARD 

TABLE 

with revolving top, the panels with split reel 

mouldings, 35 1 ⁄2ins. (90cms.) wide 

£300-400 

B2212. AN EARLY VICTORIAN ROSEWOOD 

CENTRE TABLE 

the top with a moulded edge, fitted with a 

flush frieze drawer, on tapering square section 

trestle legs, 48ins. (122cms.) wide 

£700-900 

2215. A LOUIS XV STYLE GILT WOOD 

CANAPE 

with a moulded frame, 52 1 ⁄4ins. (133cms.) wide 

£150-250 

2218. A WILLIAM IV MAHOGANY WINE 

COOLER 

of sarcophagus form, 31ins. (79cms.) wide 

£800-1200 

2221. AN EDWARDIAN MAHOGANY ROLL 

TOP DESK 

the cylinder with satinwood crossbanding, 

enclosing a leather lined pull out slide and an 

arrangement of satinwood faced drawers, two 

short drawers to the frieze, 46ins. (117cms.) 

wide 

£700-1000 


2222. A WILLIAM AND MARY STYLE 

WALNUT STOOL 

with a delicately moulded under-frame, 18 1 ⁄2ins. 

(47cms.) wide 

£200-250 


TRIPOD TABLE 

the rectangular top with a moulded edge, 

31 1 ⁄2ins. (80cms.) wide 

£100-120 

2228. A MAHOGANY CARD TABLE 

the top with outset corners, the interior with 

slightly recessed candle stands, fitted with a 

frieze drawer, on square chamfered legs, 

30 1 ⁄2ins. (77.5cms.) wide 

£300-400 

2230. A GEORGE III MAHOGANY SQUARE 

TOP WASHSTAND 

the top now with a gallery and a pull-out slide, 

a drawer to the middle tier, 14ins. (35.5cms.) 

wide 

£100-150 

2223. AN EARLY GEORGE III STYLE 

MAHOGANY STOOL 

with stuffed over seat, on cabriole legs with 

claw and ball feet, foliate carving to the knees, 

24 3 ⁄4ins. (63cms.) wide 

£600-800 


DROP FLAP DINING TABLE 

with pad feet, 40ins. (102cms.) wide 

£100-120 

2231. A GEORGE III MAHOGANY FOUR 

POSTER BED 

with lobed foot posts, the foot posts 84ins. 

(213cms.) high x 6ft. (183cms.) wide 

£600-800 

2224. A GEORGE III MAHOGANY TRIPOD 

TABLE 

the deep gallery with spindle turned supports, 


£200-400 

2227. A WILLIAM IV ROSEWOOD FOOT 

STOOL 

with an X frame, 21 3 ⁄4ins. (55cms.) wide 

£300-400 

2229. A VICTORIAN ROSEWOOD WORK 

TABLE STOOL 

with a rising needlework seat, on delicate 

barley twist frame, 20ins. (51cms.) wide 

£150-200 

2232. A GEORGE IV ROSEWOOD PEMBROKE 

WORK TABLE 

with split reel mouldings, a partially fitted 

drawer to the frieze, a pull-out work bag 

beneath, 19 1 ⁄4ins. (49.5cms.) wide closed 

£400-600 


243

B2233. A PAIR OF GILT GESSO JARDINIERES 

of Louis XVI inspiration, 41ins. (104cms.) high 

£500-700 

B2236. A LATE GEORGE III MAHOGANY 

CUPBOARD 

with a reeded superstructure, the panelled door 

inlaid with ebony stringing, enclosing 

adjustable shelves, 35 3 ⁄4ins. (91cms.) high x 


£100-150 

2239. A GEORGE II STYLE GILT WOOD 

LOOKING GLASS 

the cresting flanked by eagle heads, on a cods 

roe ground, 34 1 ⁄2ins. (87.5cms.) high 

£150-250 

2242. A GEORGE IV MAHOGANY LINEN 

PRESS 

the upper part enclosed by a pair of panelled 

doors, the lower part with two short and two 

long drawers, on turned feet, 85 1 ⁄4ins. 

(216.5cms.) high x 53 3 ⁄4ins. (136.5cms.) wide 

£400-500 

244 

2234. A LOUIS XV STYLE BEECH ARMCHAIR 

with a moulded frame 

£200-250 

2237. AN EDWARDIAN PAINTED 

SATINWOOD DISPLAY CABINET 

delicately painted with ribbon suspended swags 

and husks, the door centred by a draped urn, 

61ins. (155cms.) high x 29ins. (74cms.) wide 

£300-500 

2240. A REGENCY GILT WOOD CONVEX 

LOOKING GLASS 

surmounted by a bold displaying eagle, 41ins. 

(104cms.) high overall 

£600-900 

B2243. A GEORGE III MAHOGANY BUREAU 

now with a glazed upper part, the sloping front 

enclosing a fitted interior, the central cupboard 

inlaid with a floral spray and flanked by flower 

filled urns, the slope later inlaid with an urn 

with scrolling foliage, all inlaid with chequer 

stringing, 90ins. (229cms.) high x 43 1 ⁄4ins. 


£700-1000 

2235. AN EARLY GEORGE III OAK HALL 

CHAIR 

the back now carved with flowering foliate 

scrolls 

£100-200 

2238. A LATE GEORGE III ROSEWOOD 

SEWING BOX 

the coved lid with penwork, the drawer to the 

right fitted for writing, on slender splayed 

tapering legs with boxwood stringing, 11ins. 

(28cms.) wide 

£150-250 

2241. A 19TH CENTURY GILTWOOD PIER 

MIRROR 

the frieze applied in high relief with a ribbon 

suspended swag, 71ins. (180.5cms.) high x 


£1000-1200 

2244. A GEORGE III MAHOGANY LINEN 

PRESS 

the upper part with sliding shelves, enclosed by 

a pair of fielded panelled doors set with 

rosettes, two short and one drawer beneath, 

75ins. (190.5cms.) high x 50 3 ⁄4ins. (129cms.) wide 

£400-500 


B2246. A 19TH CENTURY MAHOGANY PEDESTAL DESK 

with green leather lined top, fitted with three short drawers, three drawers to the reverse, the pedestals each 

fitted with three drawers to the front and three to the reverse, 54ins. (137cms.) wide x 33 3 ⁄4ins. (86cms.) deep 

£500-700 

2245. A GEORGE I WALNUT BUREAU 

BOOKCASE 

the upper part with adjustable shelves enclosed 

by a pair of doors, each set with a bevelled 

mirror, the lower part with a sloping front 

enclosed by a well and a stepped arrangement 

of drawers and pigeon holes, two short and 

two long drawers beneath with feather 

crossbanding, 41ins. (104cms.) wide x 75 1 ⁄2ins. 


£1200-1500 

The top now disintegrated 


245

B2247. A VICTORIAN MAHOGANY WORK 

TABLE 

the chamfered rectangular rising lid revealing a 

fabric lined interior and well, 17 1 ⁄4ins. (44cms.) 

wide 

£300-400 


WORK TABLE 

the rising top enclosing a lift out fitted tray, a 

sliding bag beneath, 19ins. (48cms.) wide 

£100-150 

2252. A SET OF FOUR 17TH CENTURY STYLE 

WALNUT CONTINENTAL SIDE CHAIRS 

each with a moulded frame, on pied beche feet 

£200-300 

B2255. A 19TH CENTURY FRENCH WALNUT 

OCCASIONAL TABLE 

inlaid with broad ebonised bands, 20 1 ⁄2ins. 

(52cms.) dia. 

£120-150 

246 

B2248. A GEORGE IV BURR YEW WOOD TEAPOY 

of sarcophagus shape, the interior with a vacant space for a bowl and two lidded lift-out canisters, 

one with trade label for Robt. James...35 Broadmead, Bristol, 18 3 ⁄4ins. (48cms) wide 

£800-1000 

Robert James, Bristol (1784-1831). Manufacturer in British Woods to his Majesty. In the 1820’s he 

labelled some of his products. 

2250. A MATCHED SET OF EIGHT VARIOUS 

MAHOGANY DINING CHAIRS 

including two with arms 

£200-300 

2253. A GEORGE II STYLE WALNUT 

ARMCHAIR 

upholstered in floral needlework, the knees 

carved with scrolls and husks 

£250-350 

B2256. A GEORGE III STYLE OLIVE GREEN 

PAINTED AND PARCEL GILT PAINTED 

FRENCH HEPPLEWHITE STYLE ARMCHAIR 

with moulded outscrolled arms and bowfront 

seat 

£200-300 

2251. A GEORGE III STYLE MAHOGANY 

DROP FLAP TABLE 

with spider leg under-frame, 30 1 ⁄4ins. (77cms.) 

wide 

£200-250 

2254. A PAIR OF VICTORIAN ROSEWOOD 

OCCASIONAL CHAIRS 

each with slender turning 

£120-150 

B2257. A GEORGE II STYLE MAHOGANY 

TORCHERE 

with fluted stem and angular cabriole legs, 


£200-300 


2258. A SET OF SIX GEORGE III MAHOGANY 

DINING CHAIRS 

each with a moulded almost rectangular back 

and stuffed-over slightly serpentine seat, on 

moulded square tapering legs 

£600-800 

2261. A PARCEL GILT SIMULATED 

ROSEWOOD CONSOLE TABLE 

with a marble top, 21 1 ⁄4ins. (54cms.) wide 

£300-400 

2264. AN 18TH CENTURY MAHOGANY ALCOVE 

the alcove ceiling interior set with a demi-compass star and each fielded 

panel with scrolling foliage and anthemnion motifs, 106ins. (269cms.) 

high x 51ins. (130cms.) wide 

£500-800 

2259. A SET OF FOUR GEORGE III 


each with a moulded back and stuffed-over 

serpentine seat, on moulded square tapering 

legs 

£140-180 

2262. A FAUX BAMBOO PAINTED HALL 

STICK STAND 

26ins. (66cms.) high x 16ins. (41cms.) wide 

£100-150 


ARMCHAIR 

with moulded frame and florette headed splats, 

serpentine stuffed-over seat 

£150-250 

B2263. A GEORGE IV ROSEWOOD 

OCCASIONAL TABLE 

with gilt wood stiff leaf carved collar to the 

base, 18 3 ⁄4ins. (48cms.) wide 

£250-350 

2265. A LATE GEORGE III MAHOGANY CABINET 

with adjustable shelves, the projecting lower half enclosed by a pair of 

panelled doors, 88ins. (224cms.) high x 36 1 ⁄2ins. (92.5cms.) wide 

£400-600 


247

2266. AN EARLY GEORGE II MAHOGANY 

TOILET MIRROR 

with shaped bevelled plate, the caddy moulded 

plinth with three short drawers, 16 3 ⁄4ins. 


£100-150 

2269. A MAHOGANY TOILET MIRROR 

with fluted pillar supports, concave plinth on 

bronze paw feet, 31 1 ⁄4ins. (79cms.) high 

£100-200 

2272. A GEORGE IV MAHOGANY BOOK TRAY 

STAND 

with stiff leaf carving to the pedestal, 14 3 ⁄4ins. 


£100-120 

B2275. A CANVAS FOUR FOLD SCREEN 

each fold painted with flowers within a rococo 

cartouche, each fold 75 1 ⁄4ins. (191cms.) high x 


£100-150 

248 

2267. A GEORGE II STYLE WALNUT LOOKING 

GLASS 

with a moulded inner border, 35 3 ⁄4ins. (91cms.) 

high 

£100-200 

2270. A GEORGE III MAHOGANY BOWFRONT 

CORNER WASHSTAND 

fitted with one real and two false drawers, 


£100-200 

2273. A SET OF SEVEN LATE GEORGE III 


including one with arms, each with a reeded 

frame 

£300-400 

B2276. A MAHOGANY CHEVAL MIRROR 

62ins. (157.5cms.) high x 32ins. (81.5cms.) wide 

£400-500 

2268. A GEORGE III MAHOGANY 

BOWFRONT TOILET MIRROR 

the plinth with tulip wood crossbanding, 

16 1 ⁄2ins. (42cms.) wide 

£150-200 

2271. A WALNUT LOOKING GLASS 

with a cushion frame, 30ins. (76.5cms.) x 21ins. 

(53cms.) 

£100-150 

2274. A BRASS SWING COT 

41ins. (104cms.) wide overall 

£300-400 

2277. A GEORGE III MAHOGANY THREE TIER 

DUMB WAITER 

each dished revolving tier with a moulded 

edge, 46ins. (117cms.) high 

£400-700 


B2278. A 19TH CENTURY FRENCH 

AMBOYNA OCCASIONAL TABLE 

each tier with burr-maple and rosewood 

banding, on ebonised legs all with gilt metal 

mounts, 15 3 ⁄4ins. (40cms.) wide 

£300-400 

2281. AN INDIAN HARDWOOD FIGURE OF 

AN ELEPHANT 

elaborately capraisoned with ivory foliate 

scrolls and diapering, 31ins. (79cms.) long 

£400-600 

B2279. A 19TH CENTURY FRENCH THREE 

TIER OCCASIONAL TABLE 

each tier inlaid with a floral spray on an ebony 

lozenge within rosewood surround, ebonised 

legs and gilt metal mounts, 15ins. (38cms.) wide 

£200-300 

2282. A FRENCH PROVINCIAL ARMOIRE 

probably chestnut, enclosed by a pair of 

panelled doors, all enriched with brass studs, 

76ins. (193cms.) high x 54 1 ⁄2ins. (139cms.) wide 

£400-600 

2284. A VICTORIAN MAHOGANY BED 

the panelled head and foot board with a stiff leaf frieze, 80ins. (203cms.) long x 45ins. (115cms.) wide 

£300-500 

By repute purchased from Buckingham Palace 

Incised VR No. 92 1866 and separately 31979 

BP 

2280. A SET OF EIGHT GEORGE III STYLE 


including two with arms 

£600-700 

2283. AN EMPIRE MAHOGANY CRADLE 

the cradle with spindle turned hood and sides, 

the bold trestle supports with ormolu mounts 

and a swan neck suspension, 53ins. (135cms.) 

wide 

£700-1000 


249

250 

2285. AN EMPIRE PARCEL GILT MAHOGANY 

CHEVAL MIRROR 

of monumental proportions, the rectangular 

plate with a cushion frame, supported by 

turned pillars with gilt stiff leaf capitals, the 

bold paw feet with gilt toes, 80 3 ⁄4ins. (205cms.) 

high x 48ins. (102cms.) wide 

£1200-1500 

2286. A GEORGE IV ANGO-INDIAN 

HARDWOOD BREAKFRONT WARDROBE 

possibly rosewood, the centre section fitted 

with two short and two long drawers beneath 

a cupboard enclosing sliding tray shelves, 

flanked each side by a hanging cupboard 

carved with foliate scrolls in low relief within 

stiff leaf and rosette borders, 84ins. (213cms.) 


£1200-1500 


2287. A PAIR OF GEORGE III SATINWOOD CARD TABLES 

each top with a broad band inlaid with foliage within tulip wood crossbanding, on square tapering legs with foliate pendants headed by patera, 38ins. 


£1500-2000 


251

CARPETS AND RUGS 

2301. A SHIRVAN RUG 

woven with a kufic border, fair, pile low in parts 

some damages, 6ft 5ins. (195cms.) x 4ft 

(137cms.) 

£100-150 

2304. A PERSIAN PATTERN RUG 

generally good, 7ft 5ins. (226cms.) x 4ft 7ins. 

(138cms) 

£80-100 

2307. A CHINESE MAT 

generally good, some wear, 3ft 7ins. (110cms.) x 

1ft 11ins. (58cms.) 

£400-420 

2310. AN AGRA CARPET 

the eau de nil field woven with magenta 

lozenges, fair to poor, 8ft 7ins. (262cms.) x 6ft 

5ins. (195cms.) 

£150-200 

252 

2302. A PERSIAN RUG 

woven with narrow rows of stylised flowering 

plants, washed, generally fair, 6ft (183cms.) x 

4ft 2ins. (127cms) 

£130-160 

2305. A PAIR OF CHINESE SHORT RUNNERS 

one generally good, one low in parts, 5ft 8ins. 

(172cms.) x 2ft 4ins. (71cms.) 

£600-620 

2308. A KURDISH RUNNER 

good to fair, 11ft 8ins. (355cms.) x 3ft 5ins. 

(105cms.) 

£600-620 

2311. A PERSIAN PATTERN CARPET 

woven with bold palmettes, generally good, 

some areas of wear, 14ft 5ins. (440cms.) x 10ft 

8ins. (326cms.) 

£300-400 



(340cms.) 

£150-200 


fair, 12ft 11ins. (392cms.) x 3ft (90cms.) 

£250-300 

2309. A KARIBAGH PATTERN RUNNER 

indistinctly dated, ?1884, good to fair, pile 

evenly lowish, 12ft 7ins. (382cms.) x 4ft 

(122cms.) 

£1000-1100 

2312. A TURCOMAN SUSANI 

fair, 7ft 6ins. (230cms.) x 4ft 1ins. (125cms.) 

£150-250 


2313. A FERAGHAN CARPET 

woven with an all over herati pattern, fair pile 

low, 13ft 6ins. (410cms.) x 12ft 5ins. (379cms.) 

£400-700 

2316. A LARGE CHINESE PATTERN CARPET 

the mushroom cell pattern field with bold 

dragon and foliate spandrels, generally good, 

but cut and re-constructed, 25ft 6ins. (780cms.) 

x 13ft 2ins. (401cms.), together with an 

assortment of six off-cuts 

£4000-5000 

By family repute woven in Persia for a Chinese 

client 

2319. A PERSIAN PATTERN SMALL CARPET 


(204cms.) 

£100-150 



(270cms.) 

£250-350 

2314. A BESHIR MAT 

generally good but some damages, 5ft 6ins 

(169cms.) x 3ft 5ins. (103cms.) 

£100-120 

2317. A MESHED PATTERN CARPET 

generally good, a little faded, 12ft 4ins. 

(375cms.) x 8ft 7ins. (262cms.) 

£130-150 

2320. A HAMADAN RUNNER 

woven with an herati pattern, good to fair, pile 

mainly evenly low, 12ft 11ins. (394cms.) x 4ft 

(122cms.) 

£120-160 


generally good, 11ft 4ins. (345cms.) x 8ft 

(245cms.) 

£250-350 

2315. A SHIRVAN RUG 

with a pale honey field, generally fair but some 

damages, 5ft 4ins. (162cms.) x 3ft 5ins. 

(106cms.) 

£100-130 

2318. A PERSIAN CARPET 

generally good, low in a few parts, 14ft 7ins. 

(445cms.) x 10ft 3ins, (313cms.) 

£300-400 


generally good, washed, 11ft 2ins. (340cms.) x 

7ft 8ins. (234cms.) 

£150-200 

2324. A PERSIAN CARPET 

finely woven with flowering plant lozenges, 


(280cms.) 

£300-500 


253

2325. A TABRIZ PATTERN CARPET 


(270cms.) 

£300-500 


generally good but washed, 10ft (305cms.) x 6ft 

10ins. (209cms.) 

£130-160 

2331. A RUNNER 

fair low in parts, 11ft (337cms.) x 4ft 2ins. 

(127cms) 

£80-120 

2334. A HAMADAN CORRIDOR CARPET 

fair, pile low, 11ft (335cms.) x 5ft 11ins. 

(180cms.) 

£100-120 

254 

2326. A SERABAND PATTERN CARPET 


(198cms.) 

£130-160 

2329. A TEKKE TURCOMAN PATTERN 

CARPET 


(282cms.) 

£150-250 


woven with a small herati pattern, fair low in 

parts, 10ft 1ins. (308cms.) x 6ft 11ins. (211cms.) 

£100-150 

2335. A PORTION OF A ZIEGLER PATTERN 

CARPET 

pile low, some damages, 10ft 9ins. (328cms.) x 

14ft 9ins. (449cms) 

£100-150 


woven with an herati design, generally good, 

perhaps a little faded, 10ft (305cms.) x 6ft 6ins. 

(199cms.) 

£130-160 



(197cms.) 

£100-150 



(310cms.) 

£150-200 

2336. A KELIM RUNNER 

fair to poor, 16ft 2ins. (492cms.) x 3ft (91cms.) 

£100-120 


2337. A KELIM CORRIDOR CARPET 

fair, but damages, 11ft 8ins. (325cms.) x 4ft 

10ins. (147cms.) 

£80-120 

2340. A USHAK PATTERN CARPET 

fair, but some staining, 11ft 11ins. (364cms.) x 

10ft 11ins. (273cms.) 

£100-130 

2343. AN HERIZ CARPET 

fair with areas of mothing and damages, 11ft 

1ins. (337cms.) x 7ft 9ins. (240cms.) 

£100-150 

2338. A SERABAND PATTERN RUNNER 


(102cms) 

£200-300 

2341. A SPANISH CARPET 

the main border woven with a continuous band 

of script, delicately woven with a bird inhabited 

and animal tile pattern, fair, damages, 15ft 8ins. 

(478cms.) x 9ft 10ins. (300cms.) 

£400-500 

2344. A HAMADAN RUNNER 


(102cms.) 

£120-180 

2339. A BAKTIARI CARPET 

generally good, some repairs, 13ft 3ins. 

(403cms.) x 10ft 10ins. (330cms.) 

£200-300 


fair, some wear to one end, 17ft 5ins. (535cms.) 

x 3ft 7ins. (110cms.) 

£150-200 


255

256 


A30 Chard 

Lopen & Merriott 

Lyme Regis B3165 

PARKING FOR LAWRENCES 

A303 

Waitrose 

Henhayes 

Centre 

Aqua 

Centre 

The Linen Yard 

SALEROOMS 

No Parking 

(Behind Salerooms) 

Path to Sale Rooms 

A30 Yeovil 


Furland Road 

Head Office and Salerooms 



Email: enquiries@lawrences.co.uk 


P 

P 

Blacknell Trading Estate 

A356 Dorchester 

257

258 


INFORMATION FOR BUYERS 

1. Introduction. The following informative notes are intended to assist 

Buyers, particularly those inexperienced or new to our salerooms. All sales 

are conducted on our printed Conditions of Sale which are readily available 

for inspection. Our staff will be happy to help you if there is anything you 

do not fully understand. 

2. Agency. As auctioneers we usually contract as agents for the seller 

whose identity, for reasons of confidentiality, is not normally disclosed. 

Accordingly if you buy your primary contract is with the seller. 

3. Estimates. Estimates are designed to help buyers gauge what sort 

of sum might be involved for the purchase of a particular lot. The lower 

estimate may represent the reserve price and certainly will not be below 

it. Estimates do not include the Buyer's Premium or VAT (where 

chargeable). Estimates are prepared some time before the sale and may be 

altered by announcement before the sale. They are in no sense definitive. 

4. Buyer's Premium. (INCLUSIVE OF VAT) The Conditions of Sale oblige 

buyers to pay a buyer's premium at 19.5% on the hammer price of each 

lot purchased. VAT at the standard rate is added to this premium (see 

below). 

5. VAT. (*) indicates that VAT is payable by the purchaser at the standard 

rate (presently 20%) on the hammer price as well as being added to the 

buyer's premium. The imposition of VAT is likely to be because the seller is 

registered for VAT within the European Union and is not operating the 

Dealers Margin Scheme or because VAT is due at 20% on importation into 

the UK. The double symbol (**) indicates that the lot has been imported 

form outside the European Union and the present position is that these 

lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both 

the hammer price and the buyer's premium). Lots which appear without 

either of the above symbols indicate that no VAT is payable on the hammer 

price. This is because such lots are sold using the Auctioneer's Margin 

Scheme and it should be noted that the VAT included within the premium 

is not recoverable as input tax. 

6. We are, primarily, agents for the seller. We are dependent on 

information provided by the seller and whilst we may inspect lots and act 

reasonably in taking a general view about them we are normally unable to 

carry out a detailed or any examination of lots in order to ascertain their 

condition in the way in which it would be wise for a buyer to do. Intending 

buyers have ample opportunity for inspecting and investigating lots in 

which they may be interested. Please note carefully the exclusion of 

GLOSSARY OF PICTURE CATALOGUING TERMS 

liability for the condition of lots contained in the Conditions of Sale. 

Neither the seller nor we, as the auctioneers, accept any responsibility for 

their condition. In particular, mechanical objects of any age are not 

guaranteed to be in working order. However, in so far as we have examined 

the goods and make a representation about their condition, we shall be 

liable for defect which that examination ought to have revealed to he 

auctioneer but which would not have been revealed to the buyer has the 

buyer examined the goods. Additionally, in specified circumstances lots 

misdescribed because they are 'deliberate forgeries' may be returned and 

repayment made. There is a 3 week time limit. (The expression 'deliberate 

forgery' is defined in our Conditions of Sale). 

7. Electrical goods. These are sold as 'antiques' only and if bought for 

use must be checked over for compliance with the safety regulations by a 

qualified electrician first. 

8. Export of goods. Buyers intending to export goods should ascertain 

(a) whether an export licence is required and (b) whether there is any 

specific prohibition on importing goods of that character because, e.g. they 

may contain prohibited materials such as ivory. Ask us if you need help. 

9. Bidding. Bidders may be required to register before the sale 

commences and lots will be invoiced to the name and address on the 

registration form. Some form of identification may be required if you are 

unknown to us. Please enquire in advance about our arrangements for 

telephone bidding. 

10. Commission bidding. Commission bids may be left with the 

auctioneers indicating the maximum amount to be bid excluding buyer's 

premium. They will be executed as cheaply as possible having regard to 

the reserve (if any) and competing bids. If two buyers submit identical 

commission bids the auctioneers may prefer the first bid received. Please 

enquire in advance about our arrangements for the leaving of commission 

bids by telephone or FAX. 

11. Methods of Payment. As a general rule any cheques tendered will 

need to be cleared before removal of the goods is permitted. Please discuss 

with our Accounts Department in advance of the sale if other methods of 

payment are envisaged (except cash up to a maximum of £6,000). 

12. Collection and storage. Please note what the Conditions of Sale 

state about collection and storage. It is important that goods are paid for 

and collected promptly. Any delay may involve the buyer in paying storage 

charges. 

A work catalogued with the forename(s) and surname or recognised designation of an artist in our opinion is or is probably a work by the artist, e.g. 

NICHOLAS HILLARD. Nevertheless, intending buyers are reminded that while a full designation is our highest category of authenticity, no unqualified 

statement as to authorship is made or intended. A full cataloguing does not necessarily imply a full warranty. 

Attributed to NICHOLAS HILLARD 

In our opinion a work of the period of the artist which may be in whole or in part the work of the artist. 

Studio of NICHOLAS HILLARD 

In our opinion a work by an unknown hand, which may have been executed in the studio of the artist. 

Circle of NICHOLAS HILLARD 

In our opinion a work from the period of the artist and showing his influence. 

Follower of NICHOLAS HILLARD 

In our opinion a work executed in the style of the artist but not necessarily by a pupil. 

Manner of NICHOLAS HILLARD 

In our opinion a work executed in the style of the artist but of a later date. 

After NICHOLAS HILLARD 

In our opinion a copy of any date after a work by the artist. 

Signed/inscribed/dated 

in our opinion the work has been signed/ inscribed/ dated by the artist. 

Bears/with signature, inscription, date 

In our opinion the signature/inscription/date are not by the hand of the named artist. 

The term ’ascribed to’ may in certain cases be used to denote a traditional attribution based on style, though this attribution is not necessarily confirmed 

by the auctioneers. A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was 

executed at that time and in the location, e.g. South Netherlands School, circa 1520. All references to signatures, inscriptions and dates refer to the 

present state of the work, i.e. as at the time of inspection for the purpose of cataloguing. 

www.lawrences.co.uk

CONDITIONS OF SALE 

Lawrence Fine Art Auctioneers Ltd. carries out business with bidders, buyers 

and all those present in the auction room prior to or in connection with a 

sale on the following General Conditions and on such terms, conditions 

and notices as may be referred to herein. 

1. DEFINITIONS 

In these conditions: 

a) “auctioneer” means the firm of Lawrence Fine Art Auctioneers Ltd. (LFA) 

or its authorised auctioneer, as appropriate; 

b) “deliberate forgery” means an imitation made with the intention of 

deceiving as to authorship, origin, date, age, period, culture or source but 

which us unequivocally described in the catalogue as being the work of 

a particular creator and which at the date of the sale had a value 

materially less than it would have had if it had been in accordance with 

the description; 

c) “hammer price” means the level of bidding reached (at or above any 

reserve) when the auctioneer brings down the hammer; 

d) “terms of consignment” means the stipulated terms and rates of 

commission on which LFA accepts instructions from sellers or their 

agents; 

e) “total amount due” means the hammer price in respect of the lot sold 

together with any premium. Value Added Tax chargeable and any 

additional charges payable by a defaulting buyer under these conditions; 

f) “sale proceeds” means the net amount due to the seller, being the 

hammer price of the lot sold less commission at the stated rate, Value 

Added Tax chargeable and any other amounts due to us by the seller in 

whatever capacity and however arising; 

g) “You”, “your”, etc. refer to the buyer as identified in Conditions 2. 

h) The singular includes the plural and vice versa as appropriate. 

2. BIDDING PROCEDURES AND THE BUYER 

a) Bidders are required to register their particulars before bidding and to 

satisfy any security arrangements before entering the auction room to 

view or bid; 

b) The maker of the highest bid accepted by the auctioneer conducting the 

sale shall be the buyer at the hammer price and any dispute about a bid 

shall be settled at the auctioneer’s absolute discretion by reoffering the 

Lots during the course of the auction or otherwise. The auctioneer shall 

act reasonably in exercising this discretion. 

c) Bidders shall be deemed to act as principals. 

d) Our right to bid on behalf of the seller is expressly reserved up to the 

amount of any reserve and the right to refuse any bid is also reserved. 

3. INCREMENTS 

Bidding increments shall be at the auctioneer’s sole discretion. 

4. THE PURCHASE PRICE 

The buyer shall pay the hammer price together with a premium thereon of 

19.50% plus VAT on the premium at the rate imposed by law. 

5. VALUE ADDED TAX 

Value Added Tax on the hammer price is imposed by law on all items 

affixed with an asterisk or double asterisk. Value Added Tax is charged at 

the appropriate rate prevailing by law at the date of sale and is payable by 

buyers of relevant Lots. (Please refer to “Information for Buyers” for brief 

explanation of the VAT position). 

6. PAYMENT 

1) Immediately a Lot is sold you will: 

a) Give to us, if requested, proof of identity, and 

b) Pay to us the total amount due in cash (UP TO £6,000) or in such 

other way as is agreed by us. 

2) Any payments by you to us may be applied by us towards any sums 

owing from you to us on any account whatever without regard to any 

directions of you or your agent, whether express or implied. 

7. TITLE AND COLLECTION OF PURCHASES 

1) The ownership of any Lots purchased shall not pass to you until you 

have made payment in full to us of the total amount due. 

2) You shall at your own risk and expense take away any lots that you have 

purchased and paid for not later than 3 working days following the day 

of the auction or upon the clearance of any cheque used for payment 

after which you shall be responsible for any removal, storage and 

insurance charges. 

3) No purchase can be claimed or removed until it has been paid for. 

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT 

PURCHASES 

1) If any Lot is not paid for in full and taken away in accordance with these 

conditions or if there is any other breach of these Conditions, we, as agent 

for the seller and on our own behalf, shall at our absolute discretion and 

without prejudice to any other rights we may have be entitled to exercise 

one or more of the following rights and remedies: 

a) To proceed against you for damages for breach of contract; 

b) To rescind the sale of that Lot and/or any other Lots sold by us to 

you; 

c) To resell the Lots (by auction or private treaty) in which case you shall 

be responsible for any resulting deficiency in the total amount due 

(after crediting any part payment and adding any resale costs). Any 

surplus so arising shall belong to the seller; 

d) To remove, store and insure the Lot at your expense and, in the case 

of storage, either at our premises or elsewhere; 

e) To charge interest at a rate not exceeding 1.5% per month on the 

total amount due to the extent it remains unpaid for more than 3 

working days after the sale; 

f) To retain that or any other Lot sold to you until you pay the total 

amount due 

g) To reject or ignore bids from you or your agent at future auctions or 

to impose conditions before any such bids shall be accepted. 

h) To apply any proceeds of sale of other Lots due or in future becoming 

due to you towards the settlement of the total amount due and to 

exercise a lien (that is a right to retain possession of) any of your 

property in our possession for any purpose until the debt due is 

satisfied. 

2) We shall, as agent for the seller and on our own behalf pursue these 

rights and remedies only so far as is reasonable to make appropriate 

recovery in respect of breach of these conditions 

9. THIRD PARTY LIABILITY 

All members of the public on our premises are there at their own risk and 

must note the lay-out of the accommodation and security arrangements. 

Accordingly neither the auctioneer nor our employees or agents shall incur 

liability for death or personal injury (except as required by law by reason 

of our negligence) or similarly for the safety of the property of persons 

visiting prior to or at a sale. 

10. COMMISSION BIDS 

Whilst prospective buyers are strongly advised to attend the auction and 

are always responsible for any decision to bid for a particular Lot and shall 

be assumed to have carefully inspected and satisfied themselves as to its 

condition we will if so instructed clearly and in writing execute bids on 

their behalf. Neither the auctioneer nor our employees or agents shall be 

responsible for any failure to do so save where such failure is unreasonable. 

Where two or more commission bids at the same level are recorded we 

reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY 

The seller warranty to the auctioneer and you that the seller is the true 

owner of the property consigned or is properly authorised by the true 

owner to consign it for sale and is able to transfer good and marketable 

title to the property free from any third party claims. 

12. AGENCY 

The auctioneer normally acts as agent only and disclaims any responsibility 

for default by sellers or buyers. 

13. TERMS OF SALE 

The seller acknowledges that Lots are sold subject to the stipulations of 

these Conditions in their entirety and on the Terms of Consignment as 

notified to the consignor at the time of the entry of the Lot. 

14. DESCRIPTIONS AND CONDITIONS 

1) Whilst we seek to describe lots accurately, it may be impractical for us 

to carry out exhaustive due diligence on each lot. Prospective buyers are 

given ample opportunities to view and inspect before any sale and they 

(and any independent experts on their behalf) must satisfy as to the 

accuracy of any description applied to a lot. Prospective buyers also bid on 

the understanding that, inevitably, representations or statements by us as 

to authorship, genuineness, origin, date, age, provenance, condition or 

estimated selling price involve matters of opinion. We undertake that any 

such opinion shall be honestly and reasonably held and accept liability for 

opinions given negligently or fraudulently. Subject to the foregoing neither 

we the auctioneer nor our employees or agents nor the seller accept 

liability for the correctness of such opinions and all conditions and 

warranties, whether relating to description, condition or quality of lots, 

express, implies or statutory, are hereby excluded. This Condition is subject 

to the next following Condition concerning deliberate forgeries and applies 

save as provided for in paragraph 6 “information for buyers”. 

2) Private treaty sales made under these Conditions are deemed to be sales 

by auction for purposes of consumer legislation. 

15. FORGERIES 

Notwithstanding the preceding Condition, any Lot which proves to be a 

deliberate forgery (as defined) may be returned to us by you within 21 

days of the auction provided it is in the same condition as when bought, 

and is accompanied by particulars identifying it from the relevant 

Whilst the responsibility for the collection of purchase(s) rests 

with the buyer, we are pleased to offer the following guidance 

regarding postage 

and packing: 

For the avoidance of doubt, please note that Lawrences do 

not offer a full postage and packing service 

However, for a handling fee plus the cost of postage, we are able 

to post certain items. These items will be sent by Royal Mail 

Special Delivery (whose maximum insurance value is £2500). 

After a large auction, we are inundated with requests for 

packing. These are administered as swiftly as possible. Please be 

patient if you experience a slight delay. If in any doubt, please 

contact Anne Lindsay at Lawrences on 01460 73041. 

For larger items (or if you need a speedier service than we can 

offer) the following firms can offer a fast and efficient service: 

Momentous Moving 

with whom we have negotiated special terms. They will be happy 

to quote on an individual basis and will arrange for the collection 

and delivery of most items. Please contact them direct on 0207 

511 6107 or by email at info@momentousmoving.com 

catalogue description and a written statement of defects. If we are 

satisfied from the evidence presented that the Lot is a deliberate forgery 

we shall refund the money paid by you for the Lot including any buyer’s 

premium provided that (1) If the catalogue description reflected the 

accepted view of scholars and experts as at the date of sale or (2) You 

personally are not able to transfer a good and marketable title to us, you 

shall have no rights under this condition. 

The right of return provided by this Condition is additional to any right or 

remedy provided by law or by these Conditions of Sale. 

GENERAL 

16. We shall have the right at our discretion, to refuse admission to our 

premises or attendance at our auction by any person. 

17. 

1) any right to compensation for losses liabilities and expenses incurred in 

respect of and as a result of any breach of these Conditions and any 

exclusions provided by them shall be available to the seller and/or the 

auctioneer as appropriate 

2) Such rights and exclusions shall extend to and be deemed to be for the 

benefit of employees and/or the auctioneer who may themselves enforce 

them. 

18. Any notice to any buyer, seller. Bidder or viewer may be given by first 

class mail or swiftmail in which case it shall be deemed to have been 

received by the addressee 48 hours after posting. 

19. Special terms may be used in catalogue descriptions of particular 

classes of items in which case the descriptions must be interpreted in 

accordance with any glossary appearing at the commencement of the 

catalogue 

20. Any indulgence extended to bidders, buyers or sellers by us 

notwithstanding the strict terms of these Conditions or the Terms of 

Consignment shall affect the position at the relevant time only and in 

respect of that particular concession only; in all other respects these 

Conditions shall be construed as having full force and effect. 

21. English law applies to the interpretation of these Conditions 

E&OE 

COLLECTION OF PURCHASES 

Mail Box Etc 

who provide a packing, courier and shipping service. They are 

agents for DHL, Fedex, UPS, Parcel Force, Business Post and Parcel 

Line. Their nearest office to Crewkerne is in Taunton (01823 

322263) or go to their website at www.mbe.uk.com 

If you instruct a courier to collect direct from Lawrences, please 

note that we shall only wrap the purchased item when we feel 

confident to do so and when we are absolved of all responsibility 

for the safety of the item after it has left our premises. A charge 

of £10 per item will be made to cover the cost of the packing. 

Alternatively, you may wish to instruct the courier to pack the 

items for you. 

Lawrences reserves the right to refuse to pack and post any item 

(or items) which we deem to be unsuitable for delivery by Royal 

Mail Special Delivery or which cannot be packed safely for a 

courier to collect. 

LOTS WILL NOT BE RELEASED UNTIL THE ACCOUNT HAS 

BEEN SETTLED IN FULL

TERMS OF CONSIGNMENT OF SELLERS 

1. Interpretation In these Terms the words 'you' , 'yours', etc. refer to 

the Seller and if the consignment of goods to us is made by an agent we 

assume that the Seller has authorised the consignment and that he 

consignor has the Seller's authority to contract. Similarly the words, 'we', 

'us', etc. refer to the Auctioneers. 

2. Commission is charged to the sellers at the following rates: - 

a) Catalogued Lots selling for more than £1,000 -10% + VAT 

selling for up to £1,000 -15% + VAT 

b) General Sales 15% plus VAT on all lots with a minimum lot 

charge of £5 plus VAT. 

3. Removal costs. Items for sale must be consigned to the sale room 

by any stated deadline and at your expense. We may be able to assist 

you with this process but any liability incurred to a carrier for haulage 

charges is solely your responsibility. 

4. Loss and damage warranty. 

We are not regulated by the FSA for the provision of insurance to clients. 

However, we for our own protection assume liability for property 

consigned to us at lower pre-sale estimate. To justify accepting liability, 

we make a charge of 1.5% of the hammer price plus VAT. 

If the owner of goods consigned instructs us in writing not to take such 

action they then remain at owner's risk unless and until the property in 

them passes to the Buyer or they are collected by or on behalf of the 

owner, and clause 4a) is inapplicable. 

5. Illustrations. The cost of any illustrations is borne by you. The 

copyright in respect of such illustrations shall be the property of us, the 

auctioneer, as is the text of the catalogue. 

6. Minimum bids and our discretion. Goods will normally be 

offered subject to a reserve agreed between us before the sale in 

accordance with clause 7. We may sell lots below the reserve provided 

we account to you for the same sale proceeds as you would have 

received had the reserve been the hammer price. If you specifically give 

us "discretion" we may accept a bid of up to 10% below the formal 

reserve. 

7. Reserves. 

You are entitled to place prior to the auction a reserve on any lot 

consigned, being the minimum hammer price at which that lot may be 

sold. Reserves must be reasonable and we may decline to offer goods 

which in our opinion would be subject to an unreasonably high reserve. 

A reserve once set cannot be changed except with our consent. 

Where a reserve had been placed only we may bid on your behalf and 

only up to the reserve (if any) and you may in no circumstances bid 

personally. 

8. Electrical items. These are subject to detailed statutory safety 

controls. Where such items are accepted for sale you accept 

responsibility for the cost of testing by external contractors. Goods not 

certified as safe by an electrician (unless antiques) will not be accepted 

for sale. They must be removed at your expense on you being notified. 

We reserve the right to dispose of unsafe goods as refuse, at your 

expense. 

9. Soft furnishings. The sale of soft furnishings is strictly regulated 

by statute law in the interests of fire safety. Goods found to infringe 

safety regulations will not be offered and must be removed at your 

expense. We reserve the right to dispose of unsafe goods as refuse, at 

your expense. 

The rights of disposal referred to in clause 8 and 9 are subject to the 

provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a 

copy of which is available for inspection on request. 

10. Descriptions. Please assist us with accurate information as to the 

provenance etc. of goods where this is relevant. There is strict liability 

for the accuracy of descriptions under modern consumer legislation and 

in some circumstances responsibility lies with sellers if inaccuracies 

occur. We will assume that you have approved the catalogue description 

of your lots unless informed to the contrary. Where we are obliged to 

return the price to the buyer when the lot is a deliberate forgery under 

condition 15 of the Conditions of Sale and we have accounted to you 

for the proceeds of sale you agree to reimburse us the sale proceeds. The 

liability to reimburse the sale proceeds shall not arise where you are 

acting reasonably and honestly and are unaware of the forgery but we 

are or ought to have been aware of it. 

11. Unsold and withdrawn items. If an item is unsold it may with 

your consent be re-offered at a future sale. Where in our opinion an 

item is unsaleable you must collect such items from the saleroom 

promptly on being so informed. Otherwise, storage charges may be 

incurred. We reserve the right to charge for storage in these 

circumstances at a reasonable daily rate. 

12. Withdrawn and bought items. If an item is withdrawn, any 

expenses incurred prior to the printing of the catalogue will be charged 

to the client. After the catalogue has been printed withdrawn items 

incur charges comprised of the sum of the vendor's commission, the 

buyer's premium, the illustration cost, the loss and damage warranty 

and other expenses in relation to that item. VAT will be levied upon all 

these charges at the standard rate. These charges will be calculated 

upon Lawrence's published high estimate. 

13. Conditions of Sale. You agree that all goods will be sold on our 

Conditions of Sale. In particular you undertake that you have the right 

to sell the goods either as owner or agent for the owner. You undertake 

to compensate us and any buyer or third party for all losses liabilities 

and expenses incurred in respect of and as a result of any breach of this 

undertaking. 

14. Authority to deduct commission and expenses and retain 

premium and interest. 

a) You authorise us to deduct commission at the stated rate and all 

expenses incurred for your account from the hammer price and 

consent to our right to retain beneficially the premium paid by the 

buyer in accordance with our Conditions of Sale and any interest 

earned on the sale proceeds until the date of settlement. 

b) You authorise us in our discretion to negotiate a sale by private 

treaty not later than the close of business the day of the sale in the 

case of lots unsold at auction, in which case the same charges will 

be payable as if such lots had been sold at auction and so far as 

appropriate these Terms apply. 

15. Warehousing. We disclaim all liability for goods delivered to our 

saleroom without sufficient sale instructions and reserve the right to 

make the minimum warehousing charges of £5 per lot per day. Unsold 

lots are subject to the same charges if you do not remove them within a 

reasonable time of notification. If not removed within three weeks we 

reserve the right to sell them and defray charges from any net proceeds 

of sale or at your expense to consign them to the local authority for 

disposal. 

16. Settlement. After sale settlement of the net sum due to you 

normally takes place within 28 days of catalogued sale and within 14 

days of a general sale (by crossed cheque to the seller) unless the buyer 

has not paid for the goods. In this case no settlement will then be made 

but we will take your instruction in the light of our Conditions of Sale. 

You authorise any sums owed by you to us on other transactions to be 

deducted form the sale proceeds. You must note the liability to 

reimburse the proceeds of sale to us as under the circumstances 

provided for in Condition 10 above. You should therefore bear this 

potential liability in mind before parting with the proceeds of sale until 

the expiry of 21 days from the date of sale from the hammer price and 

consent to our right to retain beneficially the premium paid by the buyer 

in accordance with our Conditions of Sale and any interest earned on 

the sale proceeds until the date of settlement.

COMMISSION FORM 

Sale date . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Lawrences is requested, without legal obligation of any kind, to bid on the following lots up to the figure stated. I agree with 

your usual conditions of sale and the conditions overleaf. I understand that, in the case of a successful bid, a premium of 

19.5% plus VAT will be payable on the hammer price. 

Name: Mr/Mrs/Miss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Address . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Postcode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Telephone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

E-mail Address . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Bankers Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Bids must be received by the auctioneers by 9 am on the morning of the sale. 

Lot No. Description 

Max amount 

(excl premium) 

Conditions 


1. The auctioneers will endeavour to purchase lots at the lowest possible price. 

2. If two or more bids for the same item are received, bidding will start at one bid above the underbidder’s maximum bid. 

3. The auctioneers are not responsible for wrong lot numbers entered. 

4. Successful bidders will be notified and items despatched only after receipt of payment. 

5. An appropriate charge is made for despatch. 

6. Telephone bids: these are accepted at the auctioneer’s discretion. All such bids must be confirmed in writing, 

no responsibility is taken for the incorrect transcription or failed connection. 

Max amount 

(excl premium)


Max amount 

(excl premium) 


Max amount 

(excl premium)

GLOSSARY OF PICTURE CATALOGUING TERMS 

A work catalogued with the forename(s) and surname or recognised 

designation of an artist in our opinion is or is probably a work by the 

artist, e.g. NICHOLAS HILLARD. Nevertheless, intending buyers are 

reminded that while a full designation is our highest category of 

authenticity, no unqualified statement as to authorship is made or 

intended. A full cataloguing does not necessarily imply a full 

warranty. 

Attributed to NICHOLAS HILLARD 

In our opinion a work of the period of the artist which may be in 

whole or in part the work of the artist. 

Studio of NICHOLAS HILLARD 

In our opinion a work by an unknown hand, which may have been 

executed in the studio of the artist. 

Circle of NICHOLAS HILLARD 

In our opinion a work from the period of the artist and showing his 

influence. 

Follower of NICHOLAS HILLARD 

In our opinion a work executed in the style of the artist but not 

necessarily by a pupil. 

Manner of NICHOLAS HILLARD 

In our opinion a work executed in the style of the artist but of a later 

date. 

After NICHOLAS HILLARD 

In our opinion a copy of any date after a work by the artist. 

Signed/inscribed/dated 

in our opinion the work has been signed/ inscribed/ dated by the 

artist. 

Bears/with signature, inscription, date 

In our opinion the signature/inscription/date are not by the hand of 

the named artist. 

The term ’ascribed to’ may in certain cases be used to denote a 

traditional attribution based on style, though this attribution is not 

necessarily confirmed by the auctioneers. A work catalogued as 

‘School’ accompanied by the name of a place or country and a date 

means that in our opinion the work was executed at that time and 

in the location, e.g. South Netherlands School, circa 1520. All 

references to signatures, inscriptions and dates refer to the present 

state of the work, i.e. as at the time of inspection for the purpose of 

cataloguing. 

Conditions of Sale 

All sales are subject to the Notices and Conditions of Sale, 

copies of which are posted in the Accounts office and are 

available on request. 

Head Office and Salerooms 



Email: enquiries@lawrences.co.uk 

Lyme Regis B3165 

Important Notices 

Buyers are reminded that, in accordance with all sales 

conducted by Lawrences, a premium of 19.5% plus VAT is 

payable on the hammer price. We accept most debit and 

credit cards but not charge cards (e.g. American Express). 

An administration charge of 1.5% + VAT will be added 

for credit cards. 

Important Notice applicable to all lots in this 

catalogue 

Some catalogue descriptions indicate some damage, repairs 

and/or restoration. 

This is a guide only and does not constitute a full condition 

report or a guarantee for other lots where no reference to 

condition is made. 

Purchasers must satisfy themselves as to the condition 

of each lot. 

All items are described within the Auctioneer’s view, but 

authenticity must be confirmed by the buyer. 

All measurements are approximate. 

† Next to the lot number indicates that VAT at the rate of 

20% is payable on the final bid price (hammer price), plus 

buyer’s premium. 

Bidding Numbers 

In order to obtain a bidding number you will need to open an 

account and you may be asked to furnish us with any one or 

all of the following: 

1. Photo ID (Driving Licence/Passport) 

2. Utility bill or document dated within the last three months 

showing your address 

If you have any queries about this please contact the 

Accounts Department on 01460 270797 or email to 

accounts@lawrences.co.uk 

Waitrose 

P 

Aqua 

Centre 

The Linen Yard 

Henhayes 

Centre 

Furland Road 

OVERFLOW PARKING 

STAFF ONLY 

SALEROOMS 

(Left Hand SIde Only) 

P 

A356 Dorchester 

P 

Blacknell Trading Estate 

Path to Sale Rooms

LAWRENCES 

AUCTIONEERS 

South Street, Crewkerne 

Somerset TA18 8AB 

Telephone: 01460 73041 

Fax: 01460 270799 

www.lawrences.co.uk

Autumn 07 Cover - Property World Interactive

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