Autumn 07 Cover - Property World Interactive

Silver, Jewellery and Ceramics, 

Pictures, Clocks, Furniture and Rugs 

12th,14th & 15th April 2011 

www.lawrences.co.uk

£10,750 £16,130 £16,730 £17,900 

£23,300 £28,600 £33,460 £54,970 

£71,700 £90,800 £119,500 £203,150 

£2,390 £3,220 £5,975 £7,880 

£8,840 £9,080 £9,560 £9,560 

MAY 5TH THE NAVAL COLLECTION 

MAY 6TH MILITARIA, COLLECTORS 

& SPORTING 

JULY 5TH SILVER & VERTU 

JULY 6TH DECORATIVE ANTIQUES 

Front cover illustration: Lot 2073 

SOLD IN OUR JANUARY SALE 

Forthcoming Sales 2010 

JULY 7TH JEWELLERY & CERAMICS 

JULY 8TH PICTURES & FURNITURE 

JULY 21ST BOOKS, MAPS & 

MANUSCRIPTS

TUESDAY 12th APRIL 

Silver and Vertu - 11am 

WEDNESDAY 13th APRIL 

The General and Decorative Antiques Sale - 9.30am 

THURSDAY 14th APRIL 

Jewellery and Watches, 19th/20th Century Design, Glass and Ceramics - 11am 

FRIDAY 15th APRIL 

Pictures, Furniture, Clocks and Rugs - 11am 

The Property of 

Lord and Lady Petty-Fitzmaurice 

The Late Miss Joan May of Stogumber, Somerset 

including pictures to be sold for the benefit of 

The National Maritime Museum, Greenwich 

Viewing Times 

FRIDAY 8TH APRIL Fine Art Sale 9.00am – 4.30pm 

SATURDAY 9TH APRIL Fine Art Sale and the General Sale 9.30am – 1.00pm 

MONDAY 11TH APRIL Fine Art Sale and the General Sale 9.00am – 4.30pm 

TUESDAY 12TH APRIL Fine Art Sale and the General Sale 9.00am – 7.00pm 

WEDNESDAY 13TH APRIL Fine Art Sale and the General Sale 9.00am – 4.30pm 

THURSDAY 14TH APRIL Fine Art Sale 9.00am – 4.30pm 

FRIDAY 15TH APRIL Fine Art Sale 9.00am – 10.30am 

Buyer’s Premium 

Please note that a premium of 19.5% plus VAT will be charged on all lots in this sale 

Head Office and Salerooms 

South Street, Crewkerne, Somerset TA18 8AB 

Telephone: 01460 73041. Fax: 01460 270799 

Email: enquiries@lawrences.co.uk 

Catalogue £12 (£15 by post) 

Lyme Regis B3165 

Waitrose 

P 

Aqua 

Centre 

The Linen Yard 

Henhayes 

Centre 

Furland Road 

OVERFLOW PARKING 

until 5.00pm only 

STAFF ONLY 

SALEROOMS 

(Left Hand SIde Only) 

P 

A356 Dorchester 

P 

Blacknell Trading Estate 

Path to Sale Rooms

simon.jones@lawrences.co.uk 

Jumeau Doll for sale on 

6th May 2011 

Lalique Glass Scent Bottle 

sold for £6,050 

Scratch Built Steam Tank Engine 

sold for £2,700 

SIMON JONES 

@ THE COLLECTORS DEPARTMENT 

AND 19TH & 20TH CENTURY DESIGN 

Simon has been with Lawrences for fourteen years, starting in the General Saleroom 

as a Porter before becoming an Auctioneer and Valuer. His particular interests 

include Collectors and Sporting items and 19th and 20th Century Design, a 

combination which makes his work both varied and interesting. 

His interests in 19th and 20th Century Design include Moorcroft Pottery, Lalique, 

Clarice Cliff, Whitefriars Glass, and Doulton Pottery. Last year he sold a rare Lalique 

Scent Bottle for £6,050, which attracted world wide interest. 

He particularly enjoys meeting clients on the large number of home calls he does 

every year, always with the possibility of finding something exciting. A visit last year 

unearthed a fascinating collection of Brooklands Motor Racing Memorabilia, 

including silver trophies, original artwork and photographs from the 1920’s. 

Simon also conducts a large number of valuation days throughout the South West 

and recently discovered a rare Jumeau doll which the owner had won in a raffle 

some 50 years before! This is included in the forthcoming May Collectors Sale as is a 

rare Gebruder Heubach “pouty faced” doll, also discovered on a valuation morning. 

Trains are another interest of Simon’s with the May Collectors Sale including the 

largest section of trains Lawrences has ever 

sold. Among them is the Arnold Cole Collection 

of early models and scratch built engines 

(estimate £10,000 - £15,000) consigned 

from Cornwall following a 

probate valuation. 

www.lawrences.co.uk 

Bill Craig in a Bugatti at Brooklands 1932

Thursday, April 7th 2011 

Carl Andre's "pile of bricks", or "Equivalent VIII" as it is more properly known, was one of the most controversial 

art works of the last century and provoked derision and indignation when it was purchased by the Tate in 1972. 

In this new talk, Richard Kay tries to make sense of the apparently artless simplicity of Minimalism and 

suggests that Donald Judd's polished steel boxes, Dan Flavin's fluorescent lights and Carl Andre's untreated 

timber slabs in an art gallery deserve greater attention than we think. Richard intends to keep the nonsensical 

art jargon to a minimum. 

Coffee 10.30am 

Talk 11.00am 

Lunch 12.30pm 

Ends 2.30pm 

LAWRENCES STUDY DAY 

with Richard Kay 

MAKING THE MOST OF MINIMALISM 


Robyn Denny, 

screenprint, 1973 

Enquiries to catharina.bircher@lawrences.co.uk 

(01460) 73041 

Tickets £15 (including lunch) 

Tickets strictly limited

AT LAWRENCES 

THE GENERAL SALE ROOM 

AUCTIONS EVERY WEDNESDAY AT 9.30am 

USUALLY 500 - 700 LOTS 

Forthcoming General Sales In April And May 

April 6th at 9.30 am April 13th at 9.30am 

April 20th at 9.30 am April 27th at 9.30 am 

May 4th at 9.30 am May 11th at 9.30 am 

May 18th at 9.30 am May 25th at 9.30 am 

Head Office and Salerooms 

South Street, Crewkerne, Somerset TA18 8AB 

Telephone: 01460 73041. Fax: 01460 270799 

Email: enquiries@lawrences.co.uk

AT LAWRENCES 

• Quarterly Fine Art Auctions In 

Illustrated Catalogues & On The 

Internet (2000+ Lots) 

• Professional Written Valuations 

For Insurance Probate And 

Family Division Purposes 

• Free Verbal Valuations At 

Crewkerne On Monday 

Mornings And At Taunton 

On Friday Mornings 

• Home Visits Without Charge 

Or Obligation 

• Full Team Of Specialists: We 

Cover Everything From Muskets 

To Meissen 

• See Our Sales And Read Our News 

At www.lawrences.co.uk

SPECIALIST DEPARTMENTS 

Helen Carless, BA, ASFAV 

Managing Director 

helen.carless@lawrences.co.uk 

Richard Gold, FRICS, ASFAV 

Jennie Rennie (assistant) 

Furniture, Works of Art & Rugs 

English, Continental & Oriental 

Ceramics & Glass 

richard.gold@lawrences.co.uk 

jennie.rennie@lawrences.co.uk 

Anthony Kilroy, FRICS, FRSA 

Vertu 

anthony.kilroy@lawrences.co.uk 

Chris Flower, ASFAV 

Catharina Bircher (assistant) 

Valuations 

chris.flower@lawrences.co.uk 

catharina.bircher@lawrences.co.uk 

Richard Kay, MA, ASFAV 

Pictures 

richard.kay@lawrences.co.uk 

Alexis Butcher 

Catharina Bircher (assistant) 

Silver 

alex.butcher@lawrences.co.uk 

catharina.bircher@lawrences.co.uk 

Miranda Bingham 

Jewellery 

miranda.bingham@lawrences.co.uk 

Bimmy Amor FGA 

Jewellery 

(Taunton & West Somerset) 

Simon Jones 

19th/20th Century Design, Collectors 

Sporting 


Rose Sanguinetti 

Books, Maps, Manuscripts 

rose.sanguinetti@lawrences.co.uk 

Jeff Day 

Militaria, Coins & Stamps 

jeff.day@lawrences.co.uk 

Bill Pratt, BSc, MAAT 

Financial Director 

bill.pratt@lawrences.co.uk 

Accounts Reception Head of Viewing Staff Consultants 

Kathryn Cooper Janet Cross Vivien Butler Richard de Pelet 

Rachael Hough Louise Cullingford Sue Hickmet 


sue.hickmet@lawrences.co.uk

Silver and Vertu 

Tuesday 12th April at 11am 

Please note that any lots with a double asterisk (**) 

against their lot number have V.A.T. at 5% payable on the 

hammer price. 

Enquiries: Alexis Butcher 

alex.butcher@lawrences.co.uk 

Anthony Kilroy 

anthony.kilroy@lawrences.co.uk 


Lot 462 

Silver and Vertu

SPOONS, FLATWARE AND CUTLERY 

1. BY PAUL STORR: 

A George III Old English pattern tea spoon, 

London 1816; 5.5” (14 cms) long; 0.2 oz 

£40-60 

4. A VICTORIAN FIDDLE BASTING SPOON 

by Charles Boyton, London 1842; 3.75 oz 

£80-100 

7. A VICTORIAN ALBERT PATTERN BUTTER 

KNIFE 

(loaded), a George III mother-of-pearl handled 

butter knife, an Edwardian preserve spoon and 

a rare “patent” butter knife with a lip for 

making butter curls, ivory handle, crested, by 

George Unite, Birmingham 1845; the latter 

7.75” (19.6 cms) long (4) 

£100-150 

10. A SET OF SIX GEORGE III BRIGHT-CUT 

TEA SPOONS 

initialled by William Bateman, London 1818 

and a pair of George II Old English dessert 

spoons (with shoulders) by Isaac Callard, 

London 1759; 5 oz (8) 

£80-120 

8 

2. AN EARLY GEORGE III IRISH HOOK- 

END BASTING SPOON 

crested, by Christopher Skinner, Dublin 1760; 

12.2” (30.5 cms); 3.5 oz 

£200-300 

5. A MIXED LOT: 

A scarce pair of George III mother of pearl & 

tortoiseshell sugar tongs, Feather-edge pattern 

c.1775, a modern nephrite-handled fork, 

butterknife & preserve spoon by Adie & 

Lovekin, Birmingham 1911 and a mother of 

pearl handled dip-pen; the tongs 4.9” 

(12.2 cms) long (5) 

£40-60 

8. AN EDWARDIAN CASED PAIR OF 

PIERCED FISH SERVERS 

with Albany pattern handles & engraved blades 

and tines, by Mappin & Webb, Sheffield 1902; 

the slice 11.5” (28.7 cms) long; 7 oz 

£80-100 

11. FIVE VARIOUS TABLE SPOONS: 

a later-decorated example by James Ker, 

Edingburgh c.1730, a George III fancy-back by 

W. Turton, London 1771, an Aberdeen-made 

example by James Gordon c.1770, an Edinburgh 

example by P. Robertson 1770 and an Irish 

Fiddle Rattail example by W. Cummins, Dublin 

1831; 10 oz (5) 

£150-200 

3. A PAIR OF VICTORIAN CAST SALT 

SPOONS 

with shell bowls & mask terminals, maker’s 

marks worn, London 1839; 4” (10 cms) long; 

1 oz (2) 

£30-40 

6. A MODERN CONTINENTAL CADDY OR 

SUGAR SPOON 

with a ‘hammered’ finish, possibly Swiss; 

5.1” (13 cms) long; 0.75 oz 

£40-60 

9. A LATE 19TH CENTURY FRENCH 

BEAKER 

with a swirl-fluted lower body and an applied 

cartouche inscribed “GASTON”, by Emille 

Puifourcat c.1900 and a set of six silver-gilt tea 

spoons, Paris c.1850; the beaker 2.75” (7 cms) 

high; 7 oz (7) 

£100-120 

12. BY HESTER BATEMAN: 

A George III Old English pattern basting spoon, 

London 1789 and a George III sauce ladle by 

William Chawner, London 1817; the baster 

11.5” (29.2 cms) long; 4.5 oz (2) 

£80-120 

All lots are viewable on our website – w w w . l awrences.co.uk

13. SIX VARIOUS GEORGE III / IV 

SILVERGILT SALT SPOONS 

Old English pattern with shell bowls, 

mixed makers & dates, London 1791- 

1827; approx. 4” (10 cms) long; 1.25 oz 

(6) 

£30-50 

16. A PLATED MODERN 

CADDY SPOON 

by the Keswick School of 

Industrial Art; 3” (7.5 cms) long 

£30-50 

19. A PAIR OF GEORGE III SUGAR TONGS 

with a ‘sprung’ pivot crested, possibly by John 

Bourne, London c.1780; 1 oz 

£80-100 

22. A RARE VICTORIAN ‘BLIND’ MOTE 

SPOON 

with a large diamond-point finial & engraving 

below the drop, crested, by S. Hayne & D. Cater, 

London 1860; 5.4” (13.8 cms) long 

£60-80 

14. A VICTORIAN PART-CANTEEN OF MATCHED QUEEN’S 

PATTERN FLATWARE (WITH HONEYSUCKLE HEELS) COMPRISING: 

A set of six table spoons & six table forks, all initialled “H”, by 

George Adams, London 1869/70, a set of six dessert spoons and 

six dessert forks by J. Aldwinckle & T. Slater, London 1890 

together with a set of six modern Queen’s pattern table knives & 

six side knives (stainless steel blades) by C.J. Vander Ltd., Sheffield 

1964/66; 65 oz weighable silver (36) 

£600-700 

17. A RARE ROYAL “PRIVATE DIE”, TABLE FORK 

Adelaide pattern with the Royal Crown on each side in relief with 

the initials “AR” on the front, *by Mary Chawner, London 1837; 3 oz 

£200-250 

*For Queen Adelaide, who became Queen Dowager when her 

husband King William IV died of heart failure on 20th June 1837. 

20. A 19TH CENTURY CONTINENTAL 

FILIGREE SIFTER LADLE 

with a fanned terminal and a petal-shaped 

bowl, unmarked; 4.75” (12 cms) long; 0.2 oz 

£100-150 

23. AN 18TH CENTURY SWEDISH SPOON 

with a ballknop, ‘twist’ stem & a large round 

bowl with wriggle engraving by Lorens (Lars) 

Stabeus, Stockholm 1739; 5.2” (13.1 cms) long; 

1 oz 

£250-300 

15. SCOTTISH PROVINCIAL: 

A pair of George III/IV table spoons, 

Old English pattern, crested, by Donald 

Fraser, Inverness (“DF” over “INS”, in a 

single punch) c.1820; 4 oz (2) 

£120-140 

All lots are viewable on our website – w w w . l awrences.co.uk 

18. BY TIFFANY & CO.: 

A late 19th century American spoon 

with a shallow bowl, the stem hand 

finished with daisy flowers, c.1890; 

5.25” (13.3 cms) long; 1.25 oz 

£120-140 

21. A 20TH CENTURY PLATED FIDDLE 

PATTERN TABLE FORK 

with a removable cutting blade on the outer 

tine. 

£30-40 

*These forks were made for invalids and the 

demand for them was greatly increased by the 

volume of wounded soldiers returning home 

from the Great War. 

24. A SET OF SIX GEORGE III 

DESSERT/FRUIT KNIVES & SIX FORKS 

with part-reeded handles, crested by Moses 

Brent, London 1810/1811 (loaded) (12) 

£100-150 

9

25. AN EARLY VICTORIAN SOUP LADLE 

Fiddle Thread & Shell pattern, crested, by 

William Eaton, London 1840; 13.75” (35 cms) 

long; 9 oz 

£250-300 

28. A GEORGE III CADDY SCOOP 

with a mother of pearl handle, by Cocks & 

Bettridge, Birmingham 1807, another, by 

Joseph Wilmore, Birmingham 1811 and a 

Fiddle caddy scoop by Samuel Pemberton, 

Birmingham 1816; the latter 2.9” (7.4 cms) 

long; 0.7 oz gross (3) 

£120-150 

31. SUGAR SIFTER LADLES: 

A Victorian parcel-gilt example with a stylised 

Onslow terminal by Walter & John Barnard, 

London 1882 and a George IV Fiddle example, 

initialled, by John Meek, London 1824; the 

latter 6.25” (16 cms) long; 2.4 oz (2) 

£80-100 

34. CASTING PATTERNS: 

Four various base metal patterns for grape 

shears and two for stork nips/threaders (6) 

£100-120 

10 

26. A GEORGE III KING’S PATTERN 

BASTING SPOON 

with a Union Shell heel, crested, by William 

Chawner, London 1816; 12.25” (31 cms) long; 

7 oz 

£180-200 

29. A LATE 18TH CENTURY GOLD- 

MOUNTED STEEL TRAVELLING KNIFE & FORK 

SET 

(slotting apart for use), the sides with acid 

etched scrollwork, cutter’s mark on the blade 

(indistinct) 1780-1800; 8” (20.4 cms) long 

£100-150 

32. A GEORGE III PUNCH LADLE 

with a coin-inset bowl and a twisted 

whalebone handle, probably by John Moore, 

London 1790; 13.4” (34 cms) long 

£40-50 

35. A GEORGE III MARROW SCOOP 

Old English pattern, crested, by George Smith, 

London 1784; 8.75” (22.2 cms) long; 1 oz 

£90-120 

27. A PAIR OF WILLIAM IV FIDDLE 

PATTERN SPRUNG SERVING TONGS 

with pierced blades, crested, by W. Chawner, 

London 1831; 10.4” (26.5 cms) long; 6.2 oz 

£200-250 

30. A GEORGE III ENGRAVED CADDY 

SPOON 

with a navette-shaped bowl by John Lambe, 

London 1804, a William IV Fiddle example, 

initialled, by Robert Hennell, London 1831 

and a George III example with borderengraving 

& a fluted bowl, unmarked; the 

latter 3.75” (9.5 cms) long; 1 oz (3) 

£120-150 

33. A PAIR OF GEORGE I HANOVERIAN 

PATTERN TABLE SPOONS 

with plain rattails & scratched initials “R” over 

“RM” by Samuel Hutton, London 1724/25 and a 

George II provincial table spoon, with an 

extended drop, initialled “EM” by J. Langlands & 

J. Robertson, Newcastle 1757; 6.5 oz (3) 

£120-150 

36. A SET OF SIX VICTORIAN PARCELGILT 

TEA SPOONS 

in the Aesthetic taste, each with a bird in flight 

& prunus on the terminal, by Frederick 

Elkington, Birmingham, 1881 (with associated 

case); 3 oz 

£100-120 


37. A PAIR OF WILLIAM IV KING’S 

PATTERN GRAPE SHEARS 

initialled & crested, by C. Reily & G. Storer, 


£200-250 

40. TEA SPOONS: 

An American souvenir tea spoon from 

“Bienville, Mobile, ALA”, an Edward VIII 

commemorative tea spoon, a Russian niello 

work example, four Turkish examples with 

turned finials, two fancy-back examples, a set 

of twelve German silvergilt examples & ten 

other tea spoons, assorted; 10 oz (31) 

£60-80 


Two George III punch ladle bowls, a George III 

caddy spoon, nine various condiment spoons, 

an ivory handled dessert spoon & knife, two 

small knives & six forks (with loaded handles), a 

mother of pearl handled bread fork, & nine 

other various small spoons; 10 oz weighable 

silver (lot) 

£100-130 

46. A RARE VICTORIAN ROSE PATTERN 

DESSERT SPOON 

maker’s mark “T.S.”, Exeter 1869, a Victorian 

Elizabethan pattern, large tea spoon, an Irish 

Fiddle butter knife, two other butter knives & 

two continental spoons; 9.5 oz (7) 

£70-100 

38. A RARE GEORGE III/IV SCOTTISH 

PROVINCIAL MARROW SCOOP 

initialled, no maker’s mark, Greenock (anchor, 

tree, anchor) 1815-1825; 9.75” (24.8 cms) long; 

1.1 oz 

£300-350 

41. TEA SPOONS: 

A set of six modern tea spoons 

commemorating the marriage of King George V 

& Queen Mary, three various sets of five tea 

spoons and six various sets of four tea spoons; 

22.5 oz (45) 

£150-200 

44. TEN VARIOUS ANTIQUE TABLE SPOONS 

each one later-decorated for use as a fruitserving 

spoon; 18.5 oz (10) 

£150-200 

47. THIRTEEN VARIOUS FORKS 

(including two with mother of pearl handles), a 

George III sugar sifter ladle, and a plated fork; 

18.5 oz weighable silver (15) 

£100-150 


A pair of George III sugar tongs with partreeding 

by Peter, Ann & William Bateman, 

London 1803, a bright-cut Exeter pair by 

William Pearse c.1790, a Fiddle pair, 

crested, London 1822, a caddy spoon, a 

mother of pearl-handled fork and a plain 

15 ct. gold bangle; the bangle 3” (7.6 cms) 

diameter; 3.6 oz weighable silver (6) 

£120-160 

42. FIFTY VARIOUS TEA SPOONS 

assorted (50) 

£300-400 

45. THIRTEEN VARIOUS CONDIMENT 

SPOONS 

(including one in the form of a spade), mixed 

makers, designs & dates; 2.5 oz (13) 

£50-70 

48. ELEVEN VARIOUS TABLE SPOONS 

including a George III fancy-back, a bright-cut 

example, an example by the Batemans, three 

Hanoverian examples and five later-decorated 

examples; 19 oz (11) 

£120-150 


11

49. A GEORGE II MARROW SCOOP 

by William Cripps, London 1758 and a George 

III example, maker’s mark “TM” (script), London 

1768; both approx. 8.7” (22 cms) long; 2.5 oz (2) 

£200-220 

52. A SET OF EIGHT MODERN TABLE 

KNIVES & EIGHT SIDE KNIVES 

Hanoverian (Rattail) pattern, stainless steel 

blades, by C.J. Vander Ltd., Sheffield 1991 and a 

set of four similar modern table knives & four 

side knives, stainless steel blades, by another 

maker “WY”, Sheffield 1973 (24) 

£400-500 

55. **A PAIR OF GEORGE IV KING’S HUSK 

PATTERN SALT SPOONS 

crested, gilt bowls, by Charles Eley, London 

1826; 1.5 oz (2) 

£100-120 

58. **THREE 20TH CENTURY DANISH 

COFFEE SPOONS 

enamelled with a guardsman on the 

terminals, by Anton Michelsen, Copenhagen, 

together with an early 19th century Fiddle 

salt spoon, initialled, pseudo marks, probably 

Chinese/Colonial 1820-30; 1.5 oz (4) 

£40-50 

12 

50. A GEORGE IV SCOTTISH PROVINCIAL 

FIDDLE DESSERT SPOON 

initialled “S”, by William Jamieson, Aberdeen 

(WJ, A, B, D, WJ); 1825-30; 1 oz 

£40-60 

53. INDIAN COLONIAL: 

A cased pair of late 19th/early 20th century 

fruit serving spoons with engraved gilt bowls, 

cast stems & terminals (one depicting “SIVA” 

and the other “KURMA”) marked, by P. Orr & 

Sons, Madras & Rangoon; 8.4” (21.4 cms) long; 

5.75 oz 

£60-80 

56. **A GEORGE III STILTON SCOOP 

with a reeded, green-stained, ivory handle, by 

Richard Crossley, London 1798; 10.3” (26.3 cms) 

long 

£150-250 

59. **A SET OF FOUR LATE 18TH CENTURY 

AMERICAN BRIGHT-CUT TEA SPOONS 

crested, by Daniel Van Voortis, Philadelphia 

c.1790; 2 oz (4) 

£200-250 

Please note that all lots marked with ** are subject to V.A.T. at 5% on the hammer price 

51. A GEORGE I MARROW SCOOP 

London 1716 and a George III marrow scoop, 

maker’s mark partially worn, London 1772; the 

former 9.6” (24.5 cms) long; 3 oz (2) 

£200-250 

54. A PAIR OF LATE 19TH/EARLY 20TH 

CENTURY CONTINENTAL STORK NIPS OR 

RIBBON THREADERS 

struck with two indistinct marks; 3.9” (10 cms) 

high; 0.75 oz 

£120-150 

57. **A DANISH ACORN PATTERN CADDY 

SPOON 

by Georg Jensen & Wendel, and another larger 

Danish caddy spoon with an openwork vine 

stem, by Cohr; the latter 5” (12.6 cms) long; 2 oz 

(2) 

£50-80 

60. **BY HESTER BATEMAN: 

A set of six George III bright-cut tea spoons, 

initialled “F” over “NM”, maker’s mark & lion 

passant only, London c.1780; 2 oz (6) 

£100-120 


61. A RARE QUEEN ANNE, SCOTTISH 

DOGNOSE FORK 

with three prongs, initialled “K” on the 

back of the terminal, by Robert Inglis 

(Assay Master E. Penman), Edinburgh 

1708; 7.5” (19 cms) long; 1.5 oz 

£300-400 

62. A GEORGE IV / WILLIAM IV SCOTTISH 

PROVINCIAL PUNCH LADLE 

with a shallow circular bowl and a twisted 

whalebone handle, by Alexander Cameron, 

Dundee (“CAM” over “ERON”, C, thistle, pot of 

lilies, “DUN” over “DEE”) 1825-35; 17.5” 

(44.5 cms) long 

£150-180 

A SMALL COLLECTION OF CHANNEL ISLANDS FLATWARE 

64. A SET OF SIX 19TH CENTURY BRIGHT- 

CUT TEA SPOONS 

initialled “MAHQ” by John Le Gallais (JLG, 

crown, J) Jersey (one scratched 14 Mai 1854), 

together with a set of six Fiddle tea spoons 

initialled “IEDLH” by Jacques Quesnel, Jersey; 

4.75 oz (12) 

£80-120 

67. A SET OF SIX EARLY 19TH CENTURY 

BRIGHT-CUT TEA SPOONS 

initialled “ALVT”, one inscribed on the back of 

the terminal “PMG PARAIN* 1829”, maker’s 

mark only, by Jacques Quesnel, Jersey c.1829; 

1.75 oz (6) 

£50-70 

65. A SET OF SIX MID 19TH CENTURY 

BRIGHT CUT TEA SPOONS 

Old English, with skeleton drops, initialled 

“SEW” and another similar set of six, maker’s 

mark only, by Thomas de Gruchy & John Le 

Gallais, Jersey 1840-45; 4 oz (12) 

£120-160 

68. SEVEN VARIOUS JERSEY-MADE TEA 

SPOONS 

& three London-made examples (overstruck by 

Jersey makers), mixed makers & dates; 8.5 oz 

(20) 

£150-250 

63. A SET OF SIX GEORGE III 

SCOTTISH TABLE SPOONS 

with a Celtic point, initialled "JR", by 

Alexander Gairdner, Edinburgh 1791; 

12.5 oz (6) 

£280-320 

66. A SET OF SIX LONDON-MADE BRIGHT- 

CUT TEA SPOONS 

and a pair of sugar tongs, initialled “EID” 

hallmarked 1864, maker’s mark overstruck by 

that of John Le Gallais, Jersey together with 

three various Jersey-made tea spoons; 7 oz (10) 

£100-120 

69. A SET OF SIX VICTORIAN EXETER- 

MADE, ENGRAVED FIDDLE TEA SPOONS 

hallmarked 1876 with maker’s/retailer’s mark of 

J.P. Genge of Jersey, together with a set of six 

London-made bright-cut tea spoons, Old 

English pattern, initialled “SEW”, hallmarked 

1863, maker’s mark overstruck by that of John 

Le Gallais of Jersey; 6.5 oz (12) 

£100-150 


13

70. A LATE 18TH CENTURY HANOVERIAN 

TABLE SPOON 

initialled “PDLG”, maker’s mark only by Thomas 

Bouton, Jersey and a bright-cut table spoon 

initialled “SDSC” & dated “1834” by Thomas de 

Gruchy & John Le Gallais of Jersey and a 

London made Albert pattern table spoon 

hallmarked 1855 (maker’s mark overstruck by 

that of John Le Gallais); 6 oz (3) 

£80-120 

74. TWO LATE 18TH CENTURY TREFID 

TABLE SPOONS 

(one initialled “PLB”, the other “JNF”) and a 

Hanoverian table spoon, initialled “AR”, all by 

Pierre Amiraux (maker’s mark only), last quarter 

of the 18th century; the latter 7.7” (19.3 cms) 

long; 3.2 oz (3) 

£200-250 

77. A LATE 18TH CENTURY TREFID TABLE SPOON 

and two Hanoverian pattern table spoons, all initialled, all by Thomas 

Mauger (maker’s mark only), Jersey 1780-1800; the trefid 7.1” (18 cms) 

long; 3.8 oz (3) 

£100-150 

SPOONS, FLATWARE AND CUTLERY (CONTINUED) 

79. CHANNEL ISLES: 

A late 18th century trefid table spoon with a 

skeletal rattail & the scratched initials “P.DG” 

on the back of the terminal, maker’s mark only, 

“L.C” (crowned) for Lawrence Chevalier, Jersey, 

1770-1780; 7.1” (18 cms) long; 0.75 oz 

£100-150 

14 

71. A PAIR OF LATE 18TH CENTURY TREFID 

TABLE SPOONS 

with ribbed rattails, maker’s mark only, by 

Jacques Limbour, Jersey c.1775, approx. 7.75” 

(19.8 cms) long; 2.1 oz (2) 

£200-250 

75. A LATE 18TH CENTURY HANOVERIAN 

TABLE SPOON 

single drop bowl, initialled “ELM”, maker’s mark 

only, “IA” Jersey; 7.25” (18.5 cms) long; 1.5 oz 

£60-80 

80. A GEORGE III MEAT SKEWER 

with a cast, shell & ring terminal, initialled 

“JM”, marks a little rubbed, probably by John 

Lambe, London 1774; 14.1” (36 cms) long; 4 oz 

£100-150 

72. FOUR VARIOUS TABLE SPOONS 

late 18th/early 19th century, all initialled and 

two dated (6 Nov 1803 & 2.Mars 1800), all by 

George Mauger (maker’s mark only), Jersey; 

5.5 oz (4) 

£100-120 

73. No Lot 

76. A LATE 18TH CENTURY TREFID TABLE 

SPOON 

initialled “IS”, an Old English table spoon 

initialled “RRR” & a Fiddle table spoon initialled 

“JRV”, all by George Hamon (maker’s mark 

only), Jersey 1790-1830; the trefid 7.2” 

(18.3 cms) long; 4 oz (3) 

£100-120 

78. A LATE 18TH CENTURY TREFID TABLE SPOON 

initialled “MGT” and a Hanoverian table spoon initialled “AL” (maker’s 

mark only once on each - two variations), by Lawrence Chevalier, Jersey 

1770-90; the trefid 7.15” (18 cms) long; 1.9 oz (2) 

£140-170 


An early 19th century engraved table spoon, 

initialled, by Thomas De Gruchy & John Le 

Gallais, Jersey c.1840; 1.4 oz 

£100-120 


82. TWELVE VARIOUS GEORGE III/IV OLD 

ENGLISH PATTERN TABLE FORKS 

all crested to match, mixed makers & dates 

1795-1826; 25 oz (12) 

£170-200 

85. A SET OF FIVE LATE VICTORIAN FISH 

KNIVES & SIX FISH FORKS 

with loaded, Kings’ pattern handles by James 

Dixon & Sons, Sheffield 1898, together with a 

Victorian fish serving knife & fork by J. Gloster, 

Birmingham 1851, loaded, and 2 Victorian table 

knives (steel blades) (15) 

£100-150 

88. TWO VICTORIAN BUTTER KNIVES: 

A large example with a carved, mother of pearl 

handle, crested, by George Unite, Birmingham 

1853 and a smaller, Kings’ pattern example by 

R. Martin & E. Hall, Sheffield 1879 (2) 

£80-100 

91. A SET OF SIX PAIRS OF EDWARDIAN 

FRUIT/DESSERT KNIVES & FORKS 

with ivory handles, by Brooke & Son (of 

Edinburgh) with Sheffield marks for 1904, 

together with 4 Lily pattern tea spoons & 6 

other small spoons; 5.25 oz weighable silver 

(22) 

£100-120 

83. IRISH FIDDLE PATTERN: 

Ten George IV table spoons, six dessert spoons, 

twelve dessert forks & two sauce ladles, all 

crested, all by J. Buckton, Dublin 1829; 58 oz 

(30) 

£350-450 


Five salt spoons, two table spoons, a pair of 

sauce ladles, a set of eleven “Apostle” tea 

spoons & a pair of matching sugar tongs and 

two plated salt spoons; 14 oz weighable silver 

(23) 

£100-120 

89. A SET OF SIX GEORGE III SIDE/DESSERT 

KNIVES 

(with later, stainless steel blades) and panelled, 

tapering handles and a very similar (slightly 

smaller) set of 6 to match, all Birmingham 

1816, maker’s mark “T&G” (unascribed), loaded 

(12) 

£150-200 

92. A SET OF FOUR OLD ENGLISH PATTERN 

TABLE SPOONS 

unascribed, initialled, struck twice with an 

indistinct script, maker’s mark, possibly 

American 1st quarter of the 19th century; 

6.5 oz (4) 

£100-120 

84. A SET OF TWELVE GEORGE III FIDDLE 

PATTERN TABLE FORKS 

crested, by Thomas Wallis & Jonathan Hayne, 

London 1818; 27 oz (12) 

£200-250 

87. MODERN HANOVERIAN PATTERN 

COMPRISING:- 

Five table spoons, seven table forks, twelve 

dessert spoons & seven dessert forks, mixed 

makers & dates; and three other table forks, 

crested, 66 oz (34) 

£450-550 

90. EXETER-MADE ITEMS: 

A pair of sugar tongs with canted oblong 

bowls, initialled, by William Welch 1817, a 

Fiddle table spoon, maker “EL” & 2 Fiddle 

condiment spoons; 4 oz (4) 

£80-120 

93. A SET OF SIX PAIRS OF GEORGE III 

FRUIT/DESSERT KNIVES & FORKS 

with ivory handles, by Aaron Hadfield, 

Sheffield 1821/22 (12) 

£100-120 


15

94. A VICTORIAN KING’S PATTERN SOUP 

LADLE 

crested, by Francis Higgins, London c.1861 

(date letter quite worn), and a pair of Victorian 

Bead pattern fish servers with piercing & 

engraving by Edward Gilbert, London 1886; the 

ladle 13.5” (34.5 cms) long; 15.5 oz (3) 

£200-250 

97. COBURG PATTERN: 

Six modern salt spoons and two small butter 

knives, the majority by C.J. Vander Ltd., London 

1984/1988 and a pair of small modern butter 

knives, Princess No.1 pattern by Garrard & Co., 

London 1972; the knives 5.8” (15 cms) long; 

7.5 oz 

£100-150 

100. A GEORGE III OLD ENGLISH PATTERN 

BASTING SPOON 

initialled, by Thomas & George Hayter, London 

1817 and an Edwardian example, initialled, by 

James Dixon & Sons Ltd., Sheffield 1903, both 

approx. 12” (30.3 cms) long; 8.25 oz (2) 

£150-170 

103. AN 18TH CENTURY UNASCRIBED 

TREFID TABLE SPOON 

scratched initials “EG” over “MS”, maker’s mark 

struck twice “PH” (with mullets), probably 

English provincial c.1700; 7.6” (19.2 cms) long; 

0.75 oz 

£150-200 

16 

95. A MODERN PART CANTEEN OF 

FLATWARE & CUTLERY 

with ‘canted’ terminals and reed-bordered 

stems, crested: two table spoons, six soup 

spoons, five table forks, five dessert spoons, six 

dessert forks, one tea spoon, six fish knives, 

four fish forks & two sauce ladles by Wakeley & 

Wheeler, London 1936/37 (37) 

£500-700 

98. A PAIR OF GEORGE I SCOTTISH TABLE 

SPOONS 

Hanoverian pattern with plain rattails & the 

scratched initials “S” over “TI” on the back of 

the terminals, by Charles Blair (Assay Master E. 

Penman), Edinburgh 1723; 5 oz (2) 

£250-300 

101. A WILLIAM III ASCRIBED WEST 

COUNTRY LACE-BACK TREFID SPOON 

with a reeded rattail, the back of the terminal 

scratched “IG” & pricked “S.T.” over “1698”, 

maker’s mark (twice) and another mark (twice), 

by John Murch (I), Plymouth c.1698; 8” 

(20.3 cms) long; 1.5 oz 

£800-1200 

104. **BY PAUL STORR: 

A pair of George III sauce ladles, Old English 

Military Thread & Shell pattern, crested, London 

1817; 4.2 oz (2) 

£300-400 


96. AN EARLY VICTORIAN KING’S HUSK 

PATTERN FISH SLICE 

by William Theobalds, London 1877, together 

with a Fiddle table spoon and a Newcastlemade 

Fiddle table spoon & three tea spoons; 

14 oz (6) 

£150-200 

99. SEVEN VARIOUS IRISH TABLE SPOONS 

Fiddle Rattail pattern, some initialled/crested, 

mixed makers & dates, all Dublin, together with 

a George III fancy-back table spoon and a 

Fiddle & Thread table spoon; 22 oz (9) 

£200-300 

102. A GEORGE III PUNCH LADLE 

with a turned whalebone handle, maker’s mark 

worn, London 1786 and a George III Old 

English pattern soup ladle, initialled, by William 

Sumner, London 1790; the latter 13.4” (34 cms) 

long; 5 oz weighable silver (2) 

£150-170 


A George III Hourglass pattern condiment ladle, 

crested, gilt bowl, London 1813 and another 

with a pierced, gilt bowl, London 1814; approx. 

4.75” (12 cms) long; 2.2 oz (2) 

£250-300 


106. **A MODERN COPY OF AN ANCIENT 

ROMAN SPOON 

with an offset bowl by Richard Comyns, 

London 1970 and a copy of the Royal 

annointing spoon by C. Saunders & F. Shepherd, 

London 1901; the latter 10.25” (26 cms) long; 

6 oz (2) 

£110-130 

109. **REGIMENTAL: 

Two George III Irish table spoons, each 

engraved with the badge of the 39th 

(Dorsetshire) Regiment of Foot*, one by J. 

D’Olier and one by M. Keating, Dublin 1790/91 

and a George III Irish Fiddle pattern sauce ladle, 

crested & initialled, maker’s mark “JK” (script) 

Dublin 1802 (3) 

£90-120 

*The Regiment were serving in Ireland at this 

time. 

112. **A GEORGE III SILVERGILT CADDY 

SPOON 

with a heart-shaped bowl and a bifurcated 

handle, initialled “E”, by Josiah Snatt, London 

1802; 3.8” (9.6 cms) long; 0.4 oz 

£90-120 


SPOON 

stamped in relief with flowers in the bowl, shell 

terminal, by Joseph Wilmore, Birmingham 

1816; 3” (7.6 cms) long; 0.3 oz 

£90-100 

107. **A SET OF TWELVE EARLY 19TH 

CENTURY DANISH PARCELGILT TEA SPOONS 

with openwork stems and coronet finials, the 

backs of the bowls monogrammed & inscribed 

“Paris, June 1900” by Anton Michelsen, 

Copenhagen 1900; 15 oz (12) 

£120-130 

110. **AN EARLY GEORGE III SCOTTISH 

SOUP LADLE 

with a ‘twist’ pattern in the stem, initialled 

“MMcD”, engraved crest & motto “DOE OR DIE” 

by Patrick Robertson, Edinburgh 1764; 13” 

(33 cms) long; 7 oz 

£120-150 

113. **A GEORGE III SILVERGILT STILTON 

CHEESE SCOOP 

with a faceted agate handle, crested, maker’s 

mark worn, possibly by Paul Storr, London 

1808; 9.7” (24.5 cms) long 

£250-300 

116. **A GEORGE III CADDY SPOON 

with a shell bowl & a stamped & beaded lug 

handle, by Nathaniel Smith & Co., Sheffield 

1788 and a George III shell caddy spoon, 

initialled, c.1775, maker’s mark mis-struck; 

0.5 oz (2) 

£100-150 


108. **A PAIR OF UNASCRIBED COLONIAL 

SUGAR TONGS 

with bright-cutting, initialled “MJ”, maker’s 

mark “M&F” (struck twice), probably American 

c.1800; 1.5 oz 

£30-40 

111. **A SET OF ELEVEN EARLY VICTORIAN 

COBURG PATTERN TEA SPOONS 

crested, by Benjamin Smith, London 1840; 

12.25 oz (11) 

£250-300 


SPOON 

with a hollow Fiddle stem and an embossed 

floral panel with bowl, by Joseph Taylor, 

Birmingham 1817; 3.1” (7.7 cms) long; 0.1 oz 

£90-100 


SHOVEL 

initialled “B” by Samuel Pemberton, 

Birmingham 1807; 3.5” (8.8 cms) long; 0.25 oz 

£80-100 


17

118. A WILLIAM IV SCOTTISH TODDY LADLE 

Fiddle pattern, initialled, by R. Gray & Sons, 

Glasgow 1836, a George III sugar sifter ladle, a 

Victorian Queen’s pattern sauce ladle and a 

small Thread pattern sauce ladle, crested, by 

Henry Chawner, London 1792; 5.5 oz (4) 

£100-120 

121. A SET OF FOUR GEORGE III 

POULTRY SKEWERS 

with corded, ring terminals, initialled “D”, 

unmarked, c.1770; lengths varying from 

8.25” (21 cms) to 8.75” (22.3 cms) long; 

2.25 oz (4) 

£80-120 

124. A GEORGE III FIDDLE CADDY 

SPOON 

with a shaped circular bowl, engraved in 

the centre with amoeba-like decoration, 

pricked borders, initialled, by Thomas James, 

London 1813; 4” (10 cms) long; 0.25 oz 

£140-150 

127. A PAIR OF EARLY VICTORIAN CAST 

SUGAR TONGS 

the arms with a figure each side, foliage, 

flowers & grapes, crested, by Edward Farrell, 


£500-600 

18 

119. A GEORGE III TRIFORM FISH SLICE 

with a pierced blade & a turned wooden 

handle, by William Plummer, London c.1770 

(marks disappearing over edge); 12.5” 

(31.5 cms) long; 4 oz gross 

£250-300 


A pair of George III Fiddle pattern toddy ladles, 

crested, by James Douglas, Dundee (ID, pot of 

lilies [4 times]) c.1810; 5.9” (15 cms) long; 1.5 oz 

(2) 

£350-400 


A George IV oar pattern toddy ladle with crest 

& initials “ABS”, by Donald Frazer, Inverness (DF, 

INS) c.1820; 6.75” (17.2 cms) long; 0.75 oz 

£150-200 

128. FIVE VARIOUS GEORGE III CADDY 

SPOONS 

mixed designs, makers & dates, Birmingham & 

London 1798-1818; 1.3 oz (5) 

£100-150 

120. TWENTY VARIOUS ASSORTED DESSERT 

SPOONS 

(including some Scottish & two unmarked), 

mixed designs, makers & dates; 26 oz (2) 

£180-220 

123. A PAIR OF VICTORIAN WEST 

COUNTRY FIDDLE SUGAR TONGS 

initialled, by Messrs. J&J Williams, Exeter 

1860; 5.8” (14.7 cms) long; 1 oz 

£30-40 

126. A GEORGE IV CADDY SPOON 

with a shaped bowl & a wavy, threadbordered 

stem, initialled, and a caddy scoop 

with a mother of pearl handle, both by John 

Bettridge, Birmingham, 1820 & 1818 

respectively; 0.3 oz gross (2) 

£100-150 

129. A GEORGE II / III MOTE SPOON 

with a fluted shell below the drop, the bowl 

pierced with crosslets & scrolls possibly by 

James Wright, London c.1760; 5.3” (13.5 cms); 

0.2 oz 

£80-100 


130. A CASED SET OF SIX MODERN FISH 

KNIVES & FIVE FORKS 

with ivory handles and a cased set of 6 modern 

Feather-edge tea spoons & a pair of matching 

sugar tongs (2) 

£70-100 

133. A QUANTITY OF MODERN KING’S 

PATTERN CUTLERY 

with stainless steel blades including: two 

cheese knives (boxed), two grapefruit knives 

(one boxed), a carving knife, a set of six tea 

knives, together with a modern Queen’s pattern 

bread knife (stainless steel blade), three King’s 

pattern grapefruit spoons, a sugar spoon, two 

modern Queen’s pattern fish knives & two fish 

forks and a cased set of six modern King’s 

pattern fruit spoons; 18 oz weighable silver 

(lot) 

£150-200 

136. BY GERALD BENNEY: 

A cased modern stainless steel carving knife & 

fork with textured handles - part of the 

“Studio” range for Viners of Sheffield; the box 

13.4” (34.5 cms) long 

£40-60 

139. A WILLIAM III TENTATIVELY ASCRIBED 

TREFID SPOON 

the back of the terminal pricked “IH” over “EW” 

over “1700”, maker’s mark only struck 4 times 

“DS” conjoined, possibly for Daniel Slade of 

Exeter c.1700; 8.45” (21.2 cms) long; 1.75 oz 

£200-300 

131. A CHARLES II SILVERGILT TREFID 

SPOON 

with a reeded rattail & the scratched initials “P” 

over “TA” on the back of the terminal, by 

Lawrence Coles, London 1676; 8” (20.2 cms) 

long; 1.5 oz 

£300-500 

134. A VICTORIAN STILTON SCOOP 

with an ivory baluster handle, by J. Gloster, 

Birmingham 1868; 8.5” (21.6 cms) long 

£80-120 

137. A GEORGE III STILTON SCOOP 

with mechanical pusher & an ivory handle, by 

Solomon Hougham, London 1804; 8.9” 


£300-400 


A rare George IV Fiddle dessert spoon by 

Alexander Stewart of Tain (AS, TAIN, wheatear) 

c.1825; 0.9 oz 

£400-500 

132. A MODERN CASED SET OF TWELVE 

PAIRS OF IVORY HANDLED FISH KNIVES & 

FORKS 

by the Goldsmiths & Silversmiths Co. Ltd., 

London 1915, together with a Victorian cased 

set of 12 pairs of close-plated dessert knives & 

forks with knobbly, ivory handles, initialled (2) 

£150-200 

135. A SET OF TWELVE MODERN KING’S 

PATTERN DESSERT SPOONS 

and another set of six to match, all with 

maker’s mark “RP”, Sheffield 1985 and 1979 

respectively; 38.5 oz (18) 

£500-600 

138. IRISH PROVINCIAL: 

A George III bright-cut salt spoon, initialled 

“CC”, maker’s mark “?C” & “STERLING” (incise), 

possibly by Thomas Cumming, Cork c.1785; 

4” (10 cms) long; 0.1 oz 

£50-60 

141. A WILLIAM III / QUEEN ANNE 

ASCRIBED WESSEX AREA TREFID SPOON 

with a reeded rattail, maker’s mark struck thrice 

& another device mark, by William Webb (I) or 

(II), Winchester 1700-1710; 7.65” (19.4 cms) 

long; 1.25 oz 

£100-150 


19

142. A PAIR OF LATE 18TH CENTURY 

GERMAN SERVING TONGS 

with scissor handles, maker’s mark 

partially rubbed “IP?”, date letter “N”, 

Stuttgart, probably last quarter of the 

18th century; 9.2” (23.3 cms) long; 3.5 oz 

£150-200 

145. MIXED FLATWARE: 

Six various antique table spoons, a set of 

six Fiddle table forks, crested, by Messrs. 

Eley & Fearn, London 1806, and five 

various table forks; 39 oz (17) 

£250-350 

147. OLD ENGLISH PATTERN: 

A George III basting spoon, initialled by 

Richard Crossley, London 1813, 2 George 

III sauce ladles and 5 various antique 

table spoons; 16.5 oz (8) 

£120-160 

A PRIVATE COLLECTION OF SEAL TOP SPOONS 

150. A CHARLES I ASCRIBED WESSEX AREA, SILVERGILT SEAL TOP 

SPOON 

with a large decorated terminal, pricked “CR” over “IG” over “1633” on the 

seal, maker’s mark only, by John Green, Salisbury c.1633; 7.1” 

(18 cms) long; 1.7 oz 

£600-800 

20 

143. A VICTORIAN SCOTTISH PART CANTEEN OF QUEEN’S 

PATTERN (SINGLE STRUCK) FLATWARE & CUTLERY: 

Two table spoons, six table forks, six dessert spoons, six dessert 

forks, six tea spoons and a fish serving knife & fork, all by an 

unascribed maker, “WCS” Glasgow 1859, together with a set of 

six modern Queen’s pattern fish knives and six fish forks by C.J. 

Vander Ltd., London 1964 and six modern knives & five table 

knives (stainless steel blades); 79 oz weighable silver (51) 

£1000-1500 

146. A MODERN PART-CANTEEN OF OLD ENGLISH PATTERN FLATWARE: 

Four table spoons, eight table forks, eight soup spoons, seven dessert forks & eight dessert spoons, 

maker’s mark “UC”, Sheffield 1994; 77 oz (35) 

£500-700 

148. AN EARLY VICTORIAN FIDDLE PATTERN 

SOUP LADLE 

by W.R. Sobey, Exeter 1838; 14.5” (36.8 cms) 

long; 8.5 oz 

£100-120 

144. A PAIR OF GEORGE III 

SILVERGILT GRAPE SCISSORS 

with ring terminals, maker’s mark 

unclear, “TH?”, London 1815; 6.3” (16.2 

cms) long; 2.25 oz 

£100-150 

149. A PAIR OF WILLIAM IV FIDDLE 

PATTERN BASTING SPOONS 

by William Eaton, London 1832 and 5 various 

antique Fiddle pattern table spoons, initialled; 

18 oz (7) 

£150-200 

151. A JAMES I SOUTH EASTERN PROVINCIAL SEAL TOP SPOON 

silvergilt, indistinctly pricked & dated “1617” on the terminal, struck once 

in the bowl with a fleur-de-lys mark for Lewes c.1617 (possibly by William 

Dodson); 6.3” (16 cms) long; 1.2 oz 

£600-800 


152. A CHARLES I / COMMONWEALTH WEST COUNTRY SEAL TOP 

SPOON 

unascribed with a large, decorated terminal, pricked “WG” over “1653” on 

the back of the bowl, maker’s mark struck thrice on the back of the stem, 

“DC” between mullets*, 1640-1660; 7” (17.8 cms) long; 1.8 oz 

£400-500 

*See Jackson’s Revised pp. 324, 2nd mark down. 

154. A CHARLES I SOUTH EASTERN PROVINCIAL, SEAL TOP SPOON 

ascribed with a small gilt seal, pricked “DB” over “1631” on the terminal, 

maker’s mark once on the back of the stem & a fleur-de-lys mark in the 

bowl, by William Dodson (I), Lewes c.1631; 6.3” (16 cms) long; 1 oz 

£500-700 

156. A CHARLES I / COMMONWEALTH PROVINCIAL SEAL TOP SPOON 

unascribed, with a slender stem & a large gilt terminal, pricked “C.H” over 

“I.H”, maker’s mark a monogram “IS?”, struck twice on the back of the 

stem & once in the bowl, 1640-1650; 7.25” (18.4 cms) long; 1.2 oz 

£500-600 

153. A CHARLES I, WEST COUNTRY, PROVINCIAL SEAL TOP SPOON 

ascribed, pricked “EP” over “T.H” over “1638” in the back of the bowl, 

maker’s mark once in the bowl & thrice on the back of the stem, by John 

Quick, Barnstaple c.1638; 6.75” (17 cms) long; 1.25 oz 

£600-800 

155. A CHARLES I / COMMONWEALTH PROVINCIAL SEAL TOP SPOON 

unascribed, with a rounded bowl and a large, gilt terminal, pricked “IB” 

over “ID” over “1652” on the terminal, struck once in the bowl & thrice on 

the back of the stem with a fleur-de-lys mark*, 1635-1655; 6.75” 

(17.1 cms) long; 1.25 oz 

£600-700 

*See Jackson’s Revised pp.523, 11th mark down & also a photographic 

image of very similar marks on the right hand side of the page. 

157. JAMES I / CHARLES I WESSEX AREA SEAL TOP SPOON 

with a small terminal, struck once in the bowl & twice on the back of the 

stem with a pelleted, six foil mark*, 1630-40; 6.5” (16.6 cms) long; 1.25 oz 

£400-500 

*See Jackson’s Revised pp. 279, 7th & 8th marks down from the top of the 

page. These similar marks were noted on Wessex spoons 1630 & 1640 


21

158. AN ELIZABETH I / JAMES I PROVINCIAL SEAL TOP SPOON 

unascribed, with the incise initials “ES.KN” on the back of the stem & a 

small gilt terminal, struck once in the bowl with an incise 

quatrefoil/cruciform mark, 1590-1610; 6.3” (16 cms) long; 1 oz 

£350-400 

160. A CHARLES I PROVINCIAL SEAL TOP 

SPOON 

with a decorated, gilt terminal, pricked “WS” 

over “WS” over “1665” on the back of the bowl, 

maker’s mark only “TH”* struck once in the 

bowl, unascribed, 1630-40; 6.55” (15.6 cms) 

long; 1.25 oz 

£400-500 

*For a very similar mark see Jackson’s Revised 

pp. 493 & compare the 7th mark down - that 

of Thomas Hewitson. 

163. AN EARLY ELIZABETH I SEAL TOP SPOON 

with a squat, fluted, hexagonal terminal, maker’s mark “S” within a sun in 

splendour,* London 1562; 6” (15.2 cms) long; 1 oz 

£500-600 

*See Jackson’s Revised pp.95, 1st item on page. 

165. AN ELIZABETH I SEAL TOP SPOON 

with a squat, fluted terminal, pricked “EE”, maker’s mark an incuse orb & 

cross, London 1582; 6.25” (15.8 cms) long; 1.25 oz 

£600-800 

22 

161. A JAMES I / CHARLES I PROVINCIAL 

SEAL TOP SPOON 

unascribed, small & struck once in the bowl 

with an “IH” or “TH” mark within a pelleted 

circle*, c.1630; 6.25” (15.8 cms) long; 1 oz 

£400-450 

*See Jackson’s Revised pp. 517 (1st mark on 

page) and 520 (2nd mark on page) for similar 

marks. 

159. A CHARLES I SILVERGILT SEAL TOP SPOON 

with a slender stem, maker’s mark “RC” within a shaped punch, London 

1629; 6.35” (16.2 cms) long; 1.2 oz 

£400-450 

162. A JAMES I / CHARLES I PROVINCIAL 

SEAL TOP SPOON 

unascribed with a large, gilt, fluted terminal 

pricked “AB” over “1620” over “I.W” on the seal, 

struck once in the bowl with an indistinct mark, 

“S?” and traces of two marks on the back of the 

stem, 1620-40; 6.35” (16.2 cms) long; 1.25 oz 

£400-500 

164. A CHARLES I SEAL TOP SPOON 

with a small slender terminal, by Richard Crosse, London 1625-35 (date 

letter partially unclear); 6.5” (16.4 cms) long; 1 oz 

£400-500 


with a chased & fluted terminal, by Edward Hole, London 1634; 7” 

(17.8 cms) long; 1.3 oz 

£250-350 



with a chased & fluted terminal, maker’s mark unclear, London 1639; 6.3” 


£400-500 


with a squat, fluted terminal, pricked “.K”, 

maker’s mark a bird’s claw between the initials 

F&?, London 1573; 6” (15.4 cms) long; 1.2 oz 

£500-700 

172. A JAMES I SEAL TOP SPOON 

with a small slender terminal, scratched “L.I” over “1664” on the seal, by 

Martin Hewitt, London 1607; 1.2 oz 

£700-800 


with a chased & fluted seal, pricked “GH” on 

the terminal, by John Feake, London 1627; 

6.35” (16.1 cms) long; 1.35 oz 

£500-700 


with a squat, fluted terminal, maker’s mark a campanula*, London 1573; 

6.45” (16.3 cms) long; 1.25 oz 

£600-800 

*See Jackson’s Revised pp 96, 3rd item down for this mark as seen on an 

Apostle & seal top spoons. 


with a small slender terminal, pricked “I” on the 

seal, by Benjamin Yates, London 1635; 6.4” 

(16.2 cms) long; 1.1 oz 

£400-500 


with a chased & fluted seal, pricked “WB” over “IH” on the terminal, by 

Edward Hole, London 1635; 6.65” (16.9 cms) long; 1.4 oz 

£700-800 


23

SILVER AND PLATED WARES 

174. A MODERN OVAL BOX 

with an engraved cover inscribed “Dad”, gilt 

interior, by Adie Bros., Birmingham 1935; the 

box 2.25” (5.5 cms) long; 2 oz weighable silver 

£40-60 

177. BY E.H. STOCKWELL: 

A most unusual small cream jug on a circular 

foot with a trefoil-shaped bowl with reeded 

shell adornment either side and a tapering, 

reeded loop handle, gilt interior, London 1872; 

2.7” (6.7 cms) high; 2.65 oz 

£250-300 

180. A GEORGE III BALUSTER CREAM JUG 

on a pedestal foot with gadrooned borders and 

a leaf-capped, scroll handle, by Nathaniel 

Appleton & Anne Smith, London 1774; 4.5” 

(11.5 cms) high; 2.8 oz 

£100-120 

183. A GEORGE II LEMON STRAINER 

of shallow circular form with two scrollwork 

handles, by Edward Aldridge, London c.1750 

(date letter pierced); 7.1” (18 cms) long; 2.5 oz 

£180-220 

24 

175. A PAIR OF MODERN SAUCE BOATS 

with shaped, cut rims and three shell & scroll 

legs with hoof feet, by T. Bradbury & Sons, 

Sheffield 1930/31; 6.7” (17 cms) long; 14.5 oz 

(2) 

£250-300 

178. A PAIR OF EDWARDIAN OCTAGONAL 

PEPPERETTES 

Birmingham 1901, a tea strainer and the 

following plated ware: two sauce boats on 

stands, a sugar bowl, a pair of salad servers, 

and a pair of Victorian pierced salts (blue glass 

liners); the peppers 4.5” (11.5 cms) high; 4.2 oz 

weighable silver (lot) 

£100-150 

181. A LARGE MODERN OBLONG 

PHOTOGRAPH FRAME 

with a plain mount & a wooden easel back, by 

Sanders & Mackenzie, Birmingham 1930; 16.2” 

(41 cms) high 

£80-120 

184. A GEORGE III CIRCULAR DINNER PLATE 

with a gadrooned border, the reverse inscribed 

“No.3-17-11”, the front engraved on each side 

with a coat of arms, by Richard Carter, Daniel 

Smith & Robert Sharp, London 1778; 9.75” 

(24.6 cms) diameter; 16.5 oz 

£300-350 

176. A GEORGE III NAVETTE-SHAPED 

SWEETMEAT BASKET 

with reed borders & a swing handle, decorated 

around the inside with a row of pierced, 

repeating leaf motifs & engraving, initialled, 

by Peter & Ann Bateman, London 1791; 

7” (17.8 cms) long; 3.3 oz 

£250-300 

179. AN EARLY GEORGE I BRANDY 

SAUCEPAN 

with a reeded foot rim, flaring bowl, inscribed 

“Love.P.Cutts”, turned ivory handle, maker’s 

mark worn, London 1715; the bowl 3.5” (9 cms) 

diameter; 5.5 oz 

£500-600 

182. A GEORGE III PAP BOAT 

with an incised border around the rim & an 

upswept rear section, initialled “WW” by 

Samuel Meriton (I), London 1796; 4.2” 

(10.5 cms) long; 1.5 oz 

£100-120 

185. A GEORGE III BALUSTER PEPPER 

CASTER 

the high domed cover pierced with drilled 

holes, by Jabez Daniel & James Mince, London 

1764; 4.95” (11.5 cms) high; 2.5 oz 

£120-150 



A novelty stamp dispenser in the form of a 

coffee grinder with a small drawer, by Grey & 

Co., Chester 1910, a mounted porcelain scent 

flask, a sovereign case, a mounted steel pocket 

knife and a plated ashtray with a golf ball 

finial; the stamp dispenser 2.4” (6.2 cms) high; 


£150-200 

189. BY CHARLES HORNER: 

A modern napkin ring, stamped in low relief 

with repeating floral motifs & a vacant 

cartouche, Chester 1944; 0.6 oz 

£70-90 

192. A GEORGE III SMALL SALVER 

with a cast & pierced border of flowers & 

beading, the centre monogrammed, by Emick 

Romer, London 1766; 8” (20 cms) diameter; 

13 oz 

£150-200 

195. A LATE VICTORIAN CUP & SAUCER 

with bright-engraved floral & foliate 

decoration, by H. Atkin, Sheffield 1891; the 

saucer 5.3” (13.5 cms) diameter; 7 oz (2) 

£80-100 

187. A GERMAN ART NOUVEAU 

ELECTROPLATED DESK TRAY 

of shaped oval outline, cast with the figure of a 

small dog watching a lizard, by W.M.F. c.1900; 

9” (23 cms) wide 

£80-100 

190. BY LIBERTY & CO.: 

a modern small oblong photograph frame with 

an enamelled boss in each corner & applied 

floral studs around the sides, wooden easel 

back, Birmingham 1911; 6.75” (17 cms) long 

£100-150 

193. A GEORGE IV SMALL BALUSTER MUG 

with embossed decoration, a bifurcated serpent 

handle and a floral foot, vacant cartouche, gilt 

interior, by Richard Pearce, London 1824; 3.7” 

(9.3 cms) high; 6.25 oz 

£150-200 


Four napkin rings, a Victorian scent, three 

thimbles, a small chick pin cushion, two 

pendants, a pin dish, a plated rattle A/F, a nail 

buffer, two manicure items and a seal A/F; 

4.25 oz weighable silver (lot) 

£100-120 

188. A MODERN PIERCED CREAM PAIL 

with a cranberry glass liner by T. Bradbury & 

Sons, Sheffield 1937 and two overlay glass 

scent bottles; the cream pail 2.25” (8 cms) high; 


£100-150 

191. A VICTORIAN CHARACTER CREAM JUG 

with a textured handle, a shaped moulded rim 

and a circular body, decorated in relief with 

fruiting vines and three figures, including a 

miser & two others serving drinks, by Thonas 

Smily, London, 1876; 3.6” (9.2 cms) high; 5.7 oz 

£400-500 

194. A VICTORIAN BALUSTER MILK JUG 

with a leafy scroll handle, by John James Keith, 

London 1845, an antique salt with blue glass 

liner (marks hidden by repairs to feet), a small 

modern embossed cream jug and an Irish, 

bright-cut cream ladle, crested, by Benjamin 

Tait, Dublin c.1780; the latter 4.3” (11 cms) long; 


£100-120 

197. OLD SHEFFIELD PLATE: 

A middle period tea pot with bead borders 

1785-90, a snuffer tray with a gadrooned 

border & tinned base, c.1820, an oval dish 

cover with an engraved coat of arms & 

gadrooning, and a warming base; the cover 13” 

(33 cms) wide; (4) 

£200-250 


25

198. A PAIR OF VICTORIAN PLATED WINE 

COASTERS 

with gadrooned borders, raised circular bases 

and turned wooden bases with inset bosses, by 

Elkington & Co., c.1871; 6.8” (17.5 cms) 

diameter 

£200-250 

201. A GEORGE III EMBOSSED CIRCULAR 

MUSTARD POT 

flower finial & a blue glass liner, maker’s mark 

partially obscured, London 1817; 3.5” (9 cms) 

high; 5 oz 

£100-120 

204. A VICTORIAN PLATED EWER 

of baluster form with engraving, an insulated 

scroll handle & a knop final; 11” (28 cms) high 

£110-120 

207. A PAIR OF GEORGE IV SHAPED 

CIRCULAR SALTS 

on three legs with chased floral borders & blue 

glass liners, crested, by John Wakefield, London 

1821; 3.5” (8.2 cms) diameter; 9 oz weighable 

silver (2) 

£150-160 

26 

199. AN EARLY 20TH CENTURY CHINESE, 

TWELVE PIECE TORTOISESHELL DRESSING 

TABLE SET 

decorated in gilt with dragons (fitted case); the 

case 21” (53 cms) long 

£300-350 

202. A PAIR OF GEORGE III ORNATE 

CANDLESTICKS 

with embossed decoration & shaped circular 

bases, detachable nozzles, by S.C. Younge & Co., 

Sheffield 1817 (loaded); 8.6” (21.8 cms) high (2) 

£800-900 

205. A SET OF FOUR ‘TRANSITIONAL’ 

PERIOD OLD SHEFFIELD PLATED WINE 

COASTERS 

with everling, pierced vine borders, and wooden 

bases with inset, hall marked, silver bosses, by 

J. Dixon & Sons, Sheffield 1851; 7.75” 

(19.8 cms) diameter (4) 

£420-500 

208. A GEORGE III SMALL BALUSTER MUG 

with a leaf-cupped, scroll handle, by William & 

Aaron Lestourgeon, London 1767; 2.75” (7 cms) 

high; 2.2 oz 

£200-250 

200. A GEORGE III SINGLE WINE COASTER 

with a gadrooned border & turned wooden 

base, no maker’s mark, London 1807; 5.5” 

(14 cms) diameter 

£300-350 

203. A VICTORIAN SWING HANDLED SUGAR 

BASKET 

of panelled, boat form with reeded borders & 

embossing, by F. Sibray & J.F. Hall, London 

1887; 5.5” (14 cms) long; 7.5 oz 

£150-160 

206. A GEORGE II TANKARD 

of tapering form with a skirted base, stepped 

domed cover, and a large, scroll handle, 

scratched “V” over “TE”, maker’s mark “IF”, 

probably by John Fawdrey (II), London 1736; 

7” (17.8 cms) high; 22 oz 

£1200-1600 

209. AN EDWARDIAN CREAM JUG & SUGAR 

BOWL 

on three lion mask & paw feet, with applied 

reeded girdles, by Edward Barnard & Sons Ltd., 

London 1909; the jug 4” (10 cms) high; 14 oz (2) 

£280-300 


210. A GEORGE III PEDESTAL CREAM JUG 

embossed with a parrot eating berries amongst 

flowers, shell cartouche, initialled, by Thomas 

Shepherd, london 1770; 4.3” (11 cms) high; 

2.2 oz 

£100-120 

213. A GEORGE III IRISH CREAM JUG 

on four paw feet with a part fluted body and a 

border of gadrooning interspersed with floral 

shells, by Charles Marsh? (maker CM), Dublin 

1810; 4.3” (11 cms) high; 6 oz 

£100-150 

216. A GEORGE III CREAM JUG 

on ball feet with a bowl of embossed fluting 

below the rim, maker’s mark worn, London 

1813; 4” (10 cms) high; 4.5 oz 

£90-100 


of tapering form with a skirted base, stepped, 

domed cover, volute thumbpiece and a large, 

scroll handle with scratched initials, the body 

with script initials “BB”, maker’s mark misstruck 

or over-struck, probably “RC” for Robert 

Cox, London 1755; 7.3” (18.6 cms) high; 

23.75 oz 

£1200-1500 

211. A PAIR OF GEORGE III ENGRAVED, 

NAVETTE-SHAPED SALTS 

on four legs with blue glass liners, by Alexander 

Field, London 1808; 3.75” (9.5 cms) long; 2.5 oz 

weighable silver 

£150-160 

214. A GEORGE III OVAL MUSTARD POT 

with a domed cover, ball finial & a blue glass 

liner, by James Mince, London 1800; 3.2” 

(8 cms) high; 3.2 oz weighable silver 

£150-160 

217. A MODERN PAPERKNIFE / LETTER 

OPENER 

set at the end of a hardstone boss, by J.J. Hill, 


£200-250 

220. A GEORGE III TANKARD 

of tapering form with a skirted base, stepped, 

domed cover and applied reeded girdle, the 

large scroll handle with an engraved coat of 

arms at the terminal, the body crested, gilt 

interior, maker’s mark “WT”,* London 1775; 7.5” 

(19 cms) high; 25 oz 

£1200-1300 

*There are a few possible contenders for this 

mark. 

212. A GEORGE IV CHAMBERSTICK 

of polyfoil outline with detachable nozzle & 

matching conical snuffer, by T. J. & N. Crewick, 

Sheffield 1826; 5.75” (14.5 cms) diameter; 

9.5 oz 

£400-500 

215. AN EARLY 20TH CENTURY MALTESE 

FILIGREE WORK MODEL OF A COACH 

on a wooden stand, maker’s mark “TM”; the 

carriage 3.1” (8 cms) high; 4 oz weighable silver 

£100-150 

218. A LATE VICTORIAN NOVELTY SUGAR 

BOWL & SPOON 

in the form of a coal scuttle & scoop, by J. T. 

Heath & J.H. Middleton, Birmingham 1900; 6.2” 

(15.5 cms) long; 8 oz (2) 

£400-500 

221. A VICTORIAN ELECTROPLATED INKWELL 

in the form of an eagle with wings spread, on a 

rocky base/plynth, inscribed as an “athletic 

sport’s prize....1878”; 7.75” (19.8 cms) high 

£100-150 


27

222. A MODERN FOUR-PIECE TEA SET 

circular with reed & ribbon borders and four 

feet, by George Unite, Birmingham 1918/19; 

the pot 6” (15.2 cms) high; 43 oz (4) 

£300-400 

225. A MODERN OVAL DISH 

with a pierced border and four scroll legs, 

maker’s mark “A.E.” possibly for Alfred Illidge, 

Birmingham 1911; 8.25” (21 cms) long; 7 oz 

£120-150 

228. A VICTORIAN EMBOSSED 

CHRISTENING MUG 

with a vacant cartouche by John Evans, London 

1849 and a Victorian cylindrical Christening 

mug with an angular handle & pierced foot by 

R. Martin & E. Hall, London 1871, gilt interior; 

the latter 3.6” (9 cms) high; 8.25 oz (2) 

£120-150 

231. SEVEN VARIOUS NAPKIN RINGS 

(including a pair), mixed designs, dates & 

makers; 6.5 oz (7) 

£100-120 

28 

223. A LATE VICTORIAN THREE-PIECE 

CIRCULAR TEA SET 

on four feet with shaped rims, by Roberts & 

Belk, Sheffield 1899 (retailed by R.B. Wigfull & 

Son, Plymouth); the pot 5.3” (13.5 cms) high; 

23 oz (3) 

£200-250 

226. A LATE 19TH CENTURY, COPPER 

PLATED, OVAL PLAQUE 

stamped in relief with the dual portraits of 

Dante & Beatrice*, c.1900; 5.25” (13.3 cms) high 

£80-100 

*Beatrice Portinari (1266-1290) was a 

Florentine woman known as the muse of the 

poet Dante Alighieri and was the inspiration for 

two of his great works “Vita Nuova” & “La 

Divina Commedia”. 

229. A GEORGE III CREAM JUG 

of rounded oblong form on ball feet with 

engraved decoration, & reeded borders, 

probably by Alice & George Burrows, London 

1808; 3.5” (9 cms) high; 3.6 oz 

£80-120 

232. A VICTORIAN EMBOSSED MUSTARD 

POT 

with a leafy scroll handle and a shaped circular 

foot, (blue glass liner & later spoon), by W.R. 

Sobey, London 1846; 3.75” (9.5 cms) high; 

5.75 oz weighable silver 

£170-200 

224. THREE CREAM JUGS: 

A small Edwardian Scottish example, oblong 

with part fluting, crested, by Brooke & Son, 

Edinburgh 1902, a Britannia Standard example 

of baluster form with gadrooned borders by 

Harry Freeman, London 1913 and a Victorian 

squat example with wrythen fluting, by Walker 

& John Barnard, London 1893; 2.75” (7 cms) 

high; 10 oz (3) 

£170-200 

227. BY A.E. JONES: 

A modern oval fruit dish with a hammered 

finish and a latticework border around the rim 

and the base, button feet, Birmingham 1913; 

9.3” (24 cms) long; 12 oz 

£200-250 

230. A MODERN SPOOL-SHAPED MUG 

with a curved handle by J. Richard 

Attenborough & Co. Ltd., Chester 1916, and a 

modern vase-shaped caster by G. Nathan & R. 

Hayes, Chester 1913; the latter 6.3” (16 cms) 

high; 9 oz (2) 

£120-150 

233. A SMALL VICTORIAN CYLINDRICAL 

MUSTARD POT 

with bed borders (& a blue glass liner) by 

Messrs. Lias, London 1874 and a pair of small 

Victorian salts, bead borders (& blue glass 

liners) by E.C. Brown, London 1874; the latter 2” 

(5cms) diameter; 4.75 oz weighable silver (3) 

£100-140 


234. A SET OF FOUR MODERN MINIATURE 

TOAST RACKS 

with five triangular bars & button feet, by Adie 

Brothers, Birmingham 1913; 2” (5 cms) long; 

2.5 oz (4) 

£80-120 

237. NINE VARIOUS NAPKIN RINGS 

mixed designs, dates & makers; 6.5 oz (9) 

£100-150 

240. AN EARLY 19TH CENTURY DUTCH 

PIERCED BAG MOUNT 

with a cloth bag, maker’s mark indistinct, 

possibly Friesland 1817 and a pair of early 19th 

century Dutch mounted steel scissors; 6.5” 

(16.5 cms) long (2) 

£100-150 

243. A LATE VICTORIAN HOT WATER JUG 

with part-fluting & an angular handle, by 

Messrs. Hutton, London 1895; 6.75” (17 cms) 

high; 16 oz 

£100-150 

235. A PAIR OF EDWARDIAN BOAT-SHAPED 

SALTS 

on oval pedestals with angular handles, reeded 

borders & gilt interiors, by Messrs. Thomas (of 

New Bond Street), London 1903; 5.2” (13 cms) 

wide; 7.5 oz (2) 

£80-120 


CHOCOLATE POT 

with a turned hardwood handle, short spout 

and lift-off cover with a covered aperture for 

inserting a swizzle stick, maker’s mark & assay 

masters mark “FH” & “WS” and a town mark, an 

animal?, unascribed possibly Danish/Baltic, 

early 19th century; 5” (12.5 cms) high; 8.25 oz 

£150-200 


Three George III canted oblong wine labels, 

“WHISKEY”, “SHERRY” & “CLARET”, a modern 

“WHISKEY” label, a porcelain “WHISKEY” label, a 

continental bonbon dish, a small German 

beaker & an embossed goblet; 4.75” (12 cms) 

high; 7 oz weighable silver (8) 

£80-120 

244. A MODERN NOVELTY TABLE LIGHTER 

in the form of a flaming grenade, by S. 

Blackensee & Sons Ltd., Chester 1938; 3.75” 

(9.5 cms) high (loaded) 

£80-120 

236. AN EDWARDIAN NOVELTY PIN 

CUSHION 

in the form of a pair of Edwardian novelty, 

sprung sugar nips in the form of a chicken 

‘wishbone’, by Messrs. Hutton & Sons Ltd., 

Birmingham 1908; the former 2.75” (7 cms) 

long; 0.5 oz weighable silver (2) 

£100-120 

239. SIX SMALL MODERN DANISH 

DRINKING GLASS COASTERS 

an Edwardian double lipped sauce boat, 

Birmingham 1906, an American nut pick by 

Gorham & Co., a modern cigar piercer, a 

mounted gilt metal curling tongs heater, and 

two continental, mounted nickel cigar cutters; 

the sauce boat 6.75” (16.5 cms) long; 13 oz 

weighable silver (12) 

£150-200 

242. A DUTCH MINIATURE OR TOY GROUP 

with a carriage, two horses & two figures, 

oblong base, probably early 20th century; 2.9” 

(7.8 cms) long; 2.5 oz 

£60-80 

245. A PAIR OF EDWARDIAN CANDLESTICKS 

on shaped square bases with shell decoration 

in the corners & knopped baluster columns, 

maker’s mark “T.A.S”, Sheffield 1903, (loaded); 

9.9” (25 cms) high; 1 oz 

£150-200 


29

246. LITERATURE: 

Blair, C: The History of Silver, 

Pickford, I: Starting to collect 

Antique Silver; Houart, V: Antique 

Spoons, Beldon & Snodin: Spoons, 

Delieb, E: Silver Boxes and two 

catalogues (7) 

£30-40 


Grimwade, A: Silver for sale - 

Christies in the Thirties, 1994 

(with dust wrapper) 

£20-30 

254. AN EARLY GEORGE IV INKSTAND 

of rounded oblong form with ornate borders & 

feet fitted with a central taperstick & snuffer 

flanked by two mounted, ribbed glass bottles & 

two pen depressions, engraved crest & coat of 

arms, by Rebecca Emes & Edward Barnard, 

London 1821; 9.6” (24.4 cms) long; 24 oz 


£800-1000 

257. A LATE VICTORIAN CIGARETTE BOX 

of plain, rounded oblong form, wood lines, the 

cover interior gilt, by A & J Zimmerman, 

Birmingham 1901; 6.8” (17 cms) long 

£100-150 

30 


SALTER, J: Sauce Labels, printed by 

the Wine Label Circle, 2002 (with 

dust wrapper) 

£30-40 


Bradbury, F.: History of Old 

Sheffield Plate, 1968, together 

with Clayton, M: The Collector’s 

Dictionary of Silver & Gold, 1985 

(with dust wrapper) and Delieb, E: 

Investing in Silver, 1970 (3) 

£30-40 


BUTLER, R: The Albert Collection - 

Five Hundred Years of British & 

European Silver, by Broadway 

Publishing 2004 (with dust 

wrapper) 

£100-150 


Silver related auction catalgoues, 

mainly collections (including 

Christie’s - Silver from the 

Collection of the Whiteley Trust, 

Magnificent Gold & Sotheby’s - 

The Bennett Stamford Spoons, 

Nov. 1935) (approx. 22) 

£60-80 


Silver-related literature & catalogues (including 

Elaine Barr’s George Wickes-Royal Goldsmith, 

Silver by Margaret Holland, & Silver Collecting 

by John Culme & John Strong) (10) 

£30-40 

258. A MODERN MOUNTED TORTOISESHELL 

DRESSING SET 

in a fitted case comprising hand mirror, two 

clothes brushes & two hair brushes, all with 

inlay decoration, maker’s mark “C&A”, London 

1930 and a non-matching, later comb; the case 

14.5” (36.8 cms) wide 

£150-200 


LING ROTH, H: Oriental 

Silverwork, Malay and Chinese, 

printed by Truslove & Hanson Ltd., 

London 1910 

£80-100 

253. LITERATURE 

Silver related Sotheby’s & 

Christie’s sale catalogues mainly 

1970’s & 1980’s (approx. 100) 

£30-50 

256. A VICTORIAN BUTTER DISH & COVER 

in the form of a wooden tub with hoops & 

staves, a dairy cow finial, stand (& clear glass 

liner with a star-cut base), crested, by Messrs. 

Barnard, London 1868; the base 7” 

(19 cms) diameter; 21.5 oz weighable silver 

£500-700 

259. MATTHEW BOULTON: 

A printed portrait of the man sitting in a chair, 

examining a medallion, by Sir William Beachy 

(published by W. Sharp, 1802), framed & 

glazed; 24.5” (61 cms) x 18.75” (47.7 cms) 

£80-120 


260. AN EARLY 20TH CENTURY CHINESE 

THREE-PIECE TEA SET 

circular & embossed around the sides with a 

dragon, vacant circular cartouches, maker’s 

mark “TS” & character marks, 1920-30 (tea pot 

hinge A/F); 30.5 oz (3) 

£400-500 

263. A LATE VICTORIAN EMBOSSED 

CIRCULAR BASKET 

with a pierced swing handle, and a polyfoil 

foot, by Walker & Hall, Sheffield 1900; 9.5” 

(24 cms) diameter; 16 oz 

£150-200 

266. A MODERN GOBLET 

commemorating the Silver Wedding of H.M. 

Queen Elizabeth II & the Duke of Edinburgh 

1947-1972, gilt interior, by Mappin & Webb, 

London 1972 (with fitted case & certificate); 

5.7” (14.5 cms) high; 7 oz 

£100-150 

269. A PAIR OF CONTEMPORARY WINE 

GOBLETS 

on cast, openwork stems with fruiting vine 

decoration, gilt interiors, maker’s mark “AGE”, 

London 1988, retailed by “Grey Harris & Co., 

Clifton”; 6.6” (16.7 cms) high; 20 oz (2) 

£300-350 

261. A VICTORIAN BALUSTER CREAM JUG 

AND SUGAR BOWL 

with S-scroll handles decorated around the 

sides with reserves of polished chased scrolls & 

vacant cartouches on a matt ground, by R. 

Hennell, London 1865; the jug 6” (15.2 cms) 

high; 22 oz 

£250-300 

*The matching tea pot & coffee pot were sold 

in these rooms, as lot 555, 20th April 2010. 

264. A CONTINENTAL ELECTROPLATED 

WAGER CUP 

modelled as a lady in a crinoline dress holding 

aloft a pivoting vessel, c.1900; 8” (20 cms) high 

£50-80 

267. A LATE VICTORIAN FOUR-PIECE TEA & 

COFFEE SERVICE 

of panelled form with fluted corners, angular 

handles & ball feet, crested, by Walter & John 

Barnard, London 1898 (contained in a fitted 

oak case); the tea pot 6.3” (16.8 cms) high; 

53 oz 

£500-600 

270. TWO SIMILAR GEORGE III PIERCED 

CIRCULAR WINE COASTERS 

with inset mahogany bases and small central 

ivory bosses, ropework borders, initialled 

“T.A.M.”, by Edward Lowe, London 1769/71; 

4.75” (12 cms) diameter (2) 

£600-800 

262. AN EARLY 20TH CENTURY CHINESE 

THREE-PIECE CIRCULAR TEA SET 

embossed around the sides with dragons, 

against a hammered ground, the sugar bowl 

with a lift-off cover (finial detached), character 

maker’s mark only, 1900-1920; 29 oz (4) 

£350-450 

265. A LATE VICTORIAN EMBOSSED OVAL 

FRUIT DISH 

by G.M. Jackson, London 1895 and a pierced 

bonbon dish by William Comyns, London 1896; 

the latter 10” (25.5 cms) long; 15 oz (2) 

£120-160 

268. A PAIR OF MODERN CAST 

TAPERSTICKS 

on hexagonal bases with “well” centres and 

knopped, slender columns with spool capitals 

by Thomas Bradbury & Sons, Sheffield 1926; 

4.6” (11.5 cms) high; 8.75 oz (2) 

£380-420 

271. A GEORGE III BOAT-SHAPED CRUET 

FRAME 

on 4 fluted feet with a reeded loop handle & an 

inset wooden base, containing 3 mounted & 4 

stoppered, cut glass bottles (one mount 

unmarked), by William Barrett (II), London 

1816; 8.25” (21 cms) wide 

£300-400 


31

272. A MODERN THREE-PIECE OCTAGONAL 

CONDIMENT SET 

(two blue glass liners and two spoons), a small, 

shaped oblong pin tray, together with an 

antique mustard spoon, a Scottish condiment 

ladle, a small butter knife and six various tea 

spoons; 11.5 oz (lot) 

£100-150 

275. A SET OF FOUR GEORGE III TWO 

HANDLED OVAL SALTS 

on pedestal bases with bead borders, crested, 

gilt interiors, by Richard Gardner, London 1784; 

5.5” (14 cms) long; 15 oz (4) 

£400-500 

278. A GEORGE III PEDESTAL CREAM JUG 

with bead borders, initialled, by Charles 

Hougham, London 1786, and a pair of early 

George III squat circular salts on 3 legs, 

initialled, by David Mowdem, London 1763; the 

jug 5.9” (15 cms) high; 5.5 oz (3) 

£80-120 


A pair of unusual “spring” sugar tongs by S. 

Mordan & Co., Chester 1913, an antique caddy 

spoon, a cream ladle, a pair of plated stork 

nips/ribbon threaders, a pair of Victorian plated 

menu holders, a gilt metal pocket barometer by 

Chapman of Glasgow and a pen/pencil 

combined (lot) 

£100-200 

32 

273. A PAIR OF MODERN WINE GOBLETS 

gilt interiors, maker’s mark “B&Co.”, 

Birmingham 1978; 6.25” (16 cms) high; 11 oz (2) 

£120-150 

276. A MODERN TWO-HANDLED TEA TRAY 

of canted oblong form with an “Empress” 

border, maker’s mark “PP”, Sheffield 1977; 21” 

(53.5 cms) long; 63 oz 

£800-900 

279. A LATE GEORGE II PROVINCIAL 

BALUSTER MUG 

with a scroll handle & a spreading foot, by John 

Langlands, Newcastle 1757; 4.9” (12.5 cms) 

high; 9.5 oz 

£250-300 

282. A MODERN OBLONG CIGARETTE CASE 

a modern Japanese cigarette case and a pair of 

9ct. gold lorgnettes; the lorgnettes 5” 

(12.7 cms) long; 8.5 oz weighable silver (3) 

£120-140 

274. A GRADUATED PAIR OF MODERN 

SALVERS/TRAYS 

of shaped circular outline with ‘Royal Prince’ 

borders, by C. Boyton & Sons Ltd., Sheffield 

1975; the larger one 10” (25.5 cms) diameter; 

25 oz (2) 

£400-500 

277. REGIMENTAL: 

A Victorian gallery inkstand of narrow oblong 

form on ball feet with pierced sides converted 

for use as a box by the addition of a shoulder 

belt pouch cover for the 27th (Inniskilling) 

Regiment of foot (also lacking bottles), 

monogrammed, the body by D&C Houle, 


£150-200 

280. A PLATED MOUNTED, HORN TABLE 

LIGHTER 

in the form of a winged gryphon, A/F; 19” 

(48 cms) long 

£200-300 

283. A PAIR OF VICTORIAN SALTS 

with ornate borders, part fluting & blue glass 

liners, together with a pair of salt spoons to 

match, by James Garrard, London 1887; the 

salts 3.25” (8.5 cms) diameter; 8.5 oz weighable 

silver (4) 

£70-90 



of baluster form with bead borders, a pierced, chair-back thumbpiece, a 

stepped, domed cover, crested, and a spreading circular foot, maker’s 

mark “RE” * overstriking that of Hester Bateman, London 1782; 8.1” 

(20.6 cms) high; 28 oz 

£2000-2500 

*Maker’s mark “RE”, probably for Richard Evans of Shrewsbury - a 

smallworker, who quite conceivably could have purchased this tankard 

from Hester Bateman to retail it. 

286. A GEORGE III CUP & COVER 

with two reeded loop handles, borders of reeding and engraved borders of 

pricked, Greek-key work, & a coat of arms on each side, by John Emes, 

London 1802; 13.4” (34 cms) high 

£600-800 

285. A PAIR OF LATE VICTORIAN NEO-CLASSICAL CANDLESTICKS 

on canted square bases with tapering columns & urn-shaped capitals, the 

whole decorated with urns, ram’s masks festoons & beading in relief, by 

Edward Hutton, London 1893 (loaded); 31” (12.25 cms) high (2) 

£600-800 

287. A VICTORIAN EMBOSSED KETTLE 

with a swing handle, crested, and a small inscription around the base, 

together with an adapted George II stand/burner (to fit the kettle), the 

kettle by W. J. Barnard, London 1888, the stand London 1751; 15.25” 

(38.5 cms) high overall; 76 oz 

£600-800 


33

288. A MATCHED MODERN SIX-PIECE 

DRESSING TABLE SET 

each piece embossed with a lily flower, scroll 

borders, by two makers, Birmingham & Chester 

1906/09/11/12 (loaded); the mirror 11.7” 

(29 cms) long (6) 

£250-300 

291. A MODERN THREE-PIECE CIRCULAR 

TEA SET 

C-scroll handles, by C. Boyton & Sons, London 

1918; the pot 6.1” (15.5 cms) high; 36.5 oz (3) 

£400-500 

294. AN EDWARDIAN COFFEE POT 

on a reeded oval foot, with a waisted neck & an 

angular handle, by Mappin & Webb, Sheffield 

1908; 8.6” (22 cms) high; 22 oz 

£180-220 


A George III salt, a modern caddy spoon, two 

decorative continental boxes, a modern 

cigarette case, a George III punch ladle bowl 

inset with a coin, a pair of sugar tongs, a 

mounted steel cigar cutter, & a vesta case; 

2” (5 cms) high; 11 oz weighable silver 

£150-200 

34 

289. A GEORGE III VASE-SHAPED CASTER 

with reed borders, a pedestal foot & a ball 

finial, initialled “JP”, by Stephen Adams, London 

1800; 6.3” (16 cms) high; 3.5 oz 

£80-120 

292. A LATE VICTORIAN COFFEE POT 

of vase form with a pedestal foot & part-fluted 

decoration, by Messrs. Hutton, Sheffield 1899; 

9.8” (25 cms) high; 18 oz 

£150-200 

295. CONDIMENTS: 

A cased modern three-piece set with spoon, a 

cased pair of Edwardian small shell salts & 

spoons, a pair of small modern cylindrical 

pepperettes and a pair of Victorian pepperettes 

on ball feet; the later 2.25” (5.8 cms) high (6) 

£150-200 

298. A SMALL 19TH CENTURY RUSSIAN 

TROMPE L’OEUIL JUG 

of baluster form decorated to simulate birch 

bark wrapping, scroll handle & gilt interior by 

Alexei Osipov, Moscow 1866; 5.25” (13.4 cms) 

high; 8 oz 

£250-300 


A modern purse, a salt, a vesta case, a sifter 

ladle, two pairs of sugar tongs, a tea spoon & a 

George III dessert spoon, maker’s mark only 

“IS”; approx. 10 oz (8) 

£120-150 

293. A MODERN CIRCULAR TEA POT 

of squat circular form, by Adie Brothers, 

Birmingham 1941 and a cream jug & sugar 

bowl of a similar design by Docker & Burn Ltd., 

Birmingham 1927; 15 oz (3) 

£100-150 

296. A MODERN OVAL CREAM JUG 

a modern ‘panelled’ sugar bowl, a late Victorian 

embossed cream jug & sugar bowl by G. 

Jackson & D. Fullerton, London 1897/98 and a 

mounted glass sugar caster; 6.25” (15.5 cms) 

high; 16 oz weighable silver (5) 

£150-200 

299. A 19TH CENTURY FILIGREE-WORK 

BASKET 

with a swing handle, maker’s mark “MP” & “12”, 

unascribed, probably German 1st half of the 

19th century; 7.1” (18 cms) wide; 7 oz 

£150-200 


301. A LATE VICTORIAN TEA CADDY 

of bombé form with a hinged cover, scroll feet 

& a knop finial, by H. Wilkinson, Sheffield 1899, 

together with a William IV engraved & fluted 

caddy spoon, initialled, by Taylor & Perry, 

Birmingham 1830; the caddy 6.1” (15.5 cms) 

high; 8.5 oz (2) 

£120-160 

304. BY CHRISTOPHER NIGEL LAWRENCE: 

a modern silvergilt beaker with a slightly flared 

rim and a vertically ‘ribbed’ foot, London 1968; 

4” (10 cms) high; 7 oz 

£300-350 

307. A MODERN OCTAGONAL COFFEE POT & 

MATCHING HOT WATER JUG 

with angular handles by Mappin & Webb, 

Sheffield 1931/34; 7.7” (19.5 cms) high; 38 oz 

(2) 

£400-500 

300. A HISPANIC/SOUTH AMERICAN CRUCIFIX 

with chased decoration & a pendant loop, unmarked, 

probably late 17th century; 4.1” (10.5 cms) long; 1 oz 

£200-250 


A pair of mounted ivory knife rests, a small 

mounted ivory paper knife, a crucifix, a mother 

of pearl mounted, folding fruit knife, a French 

tortoiseshell & gilt metal purse and a pair of 

silvergilt mounted toilet bottles in a fitted & 

inlaid, burrwood case, measuring 5” (13 cms) 

high (lot) 

£150-200 

305. A PAIR OF MODERN, BRITANNIA 

STANDARD WINE COASTERS 

with connex sides and inset wooden bases, by 

Garrard & Co., Ltd., London 1977; 5.75” 


£200-300 

308. AN EDWARDIAN PART-FLUTED KETTLE 

ON STAND 

with burner, by the Goldsmiths & Silversmiths 

Co.Ltd., London 1903; 12.2” (31.2 cms) high; 

36 oz 

£400-500 

303. AN EARLY GEORGE III WAITER 

of shaped circular outline with a shell & scroll 

border, the centre initialled, within an engraved 

cartouche, by Richard Rugg, London 1761; 6.5” 

(16.6 cms) diameter; 6 oz 

£100-150 

306. A LARGE LATE VICTORIAN 

‘LIGHTHOUSE’ CASTER 

on a domed & fluted base with a bayonetfluting 

cover & knop finial by John & Frank 

Pairpoint, London 1890; 8.6” (21.8 cms) high; 

13 oz 

£300-400 


A modern cigarette box on bracket feet, a 

cigarette case, a card case & purse combined, a 

small powder compact, a small oblong box, a 

modern, engine-turned mug, initialled and a 

Dunhill cheroot holder; the cigarette box 6.5” 

(16.5 cms) long; 9 oz weighable silver 

£150-200 


35

310. A GEORGE II CREAM BOAT 

on three legs with a shaped rim & a flying 

scroll handle, by Dinah Gamon*, London 1741; 

4.8” (12.2 cms) long; 3.5 oz 

£150-200 

*Widow of John Gamon, mark entered as large 

worker 6. March 1740 

313. TWO BIRMINGHAM-MADE VINE LEAF 

“MADEIRA” WINE LABELS 

the smaller by Taylor & Perry 1845, the larger 

by Joseph Wilmore 1832; 1 oz (2) 

£90-120 

316. A GEORGE II SHIELD OR ESCUTCHEON 

WINE LABEL 

incised “RED PORT” & crested, unmarked 

c.1750, together with a later “WHITE-WINE” 

label to match, probably Victorian (2) 

£50-80 

319. A GEORGE III ENGRAVED WINE LABEL 

navette shaped with a surmount & garlands, 

incised “SHERRY”, by T. Phipps & E. Robinson, 

London c.1800 (maker’s mark only, twice); 

2” (5 cms) wide; 0.1 oz 

£80-90 

36 

311. A MINIATURE OR TOY BRAZIER 

maker’s mark “CA” & Dutch duty mark, probably 

19th century Dutch/Belgian and a pair of small 

modern coasters; the former 1.5” (3.6 cms) high 

(3) 

£200-220 

314. A GEORGE IV CASED SET OF TWELVE 

PAIRS OF IVORY-HANDLED DESSERT KNIVES & 

FORKS 

by Aaron Hadfield, Sheffield 1820; the case 

11.5” (29 cms) long 

£150-170 

317. A GEORGE II ESCUTCHEON WINE 

LABEL 

chased with fruiting vines & incised “PORT” 

label, a Victorian “CHILI” sauce label, and a pair 

of modern ‘kidney’ wine labels “BRANDY” & 

“WHISKY”; 1.25 oz (5) 

£100-150 

320. A LARGE, CONTINENTAL WAGER CUP 

in the form of a Queen in a crinoline dress 

holding aloft a pivoting cup, with pseudo 

German marks; 11.75” (30 cms) high; 15 oz 

£1200-1400 

312. A VICTORIAN SAUCE BOAT 

with a flying scroll handle & wrythen fluting by 

John Marshall Spink, London 1888, together 

with a pedestal pepperette, crested and a 

Victorian plated mustard pot with piercing; the 

pepper 3.2” (8cms) high; 7 oz weighable silver 

(3) 

£170-190 

315. A VICTORIAN VINE LEAF WINE LABEL 

pierced “PORT” and another similar William IV 

example pierced “MADEIRA”, both by C. 

Rawlings & W. Summers, London 1841 and 

1834, respectively; 1.75 oz (2) 

£100-140 

318. AN EARLY VICTORIAN CANTED 

OBLONG WINE LABEL 

with reed borders, pierced “SHRUB” by 

Rawlings & Summers, London 1837, and a 

George III kidney-shaped label with reed 

borders incised & filled “HOLLANDS” by Joseph 

Wilmore, Birmingham 1813; the latter 1.4” 

(3.5 cms) wide; 0.2 oz (2) 

£140-160 

321. A GEORGE III PENDANT NECK RING 

WINE LABEL 

retitled “BENEDICTINE” by Robert Garrard, 

London 1804; the ring 2.5” (6.5 cms) diameter; 

0.4 oz 

£150-160 


322. A GEORGE III NAVETTE SHAPED BASKET 

with reeded borders & a swing handle, the centre with an engraved coat 

of arms, by Henry Chawner, London 1795; 13.75” (35 cms) long; 22.5 oz 

£600-800 

324. AN EDWARDIAN EMBOSSED DRESSING 

TABLE TRAY 

with winged, cherub’s masks in the centre, by 

H. Matthews, Birmingham 1904; 10.6” (27 cms) 

long; 7 oz 

£130-150 


of tapering form with a skirted base, domed cover & volute thumbpiece, 

the body with engraved, script initials within an oval cartouche, the base 

with scratched initials & the scratchweight “25.4.12”, by William Shaw, 

London 1765; 7.6” (19.2 cms) high; 24.8 oz 

£1200-1300 

325. A GEORGE IV EMBOSSED FOUR-PIECE 

TEA & COFFEE SERVICE 

with fox masks around the rims & alternating 

stiff leaves & flowers around the sides, the pots 

with bud finials, by William Hunter, London 

1827; the coffee pot 8.5” (21.5 cms); 84 oz (4) 

£1600-1700 

329. A GEORGE II 

TAPERING COFFEE POT 

with an ivory handle & a 

tucked-in base with a 

spreading foot, the upper & 

lower body with flat chased 

reserves of flowers, husks & 

scrolls, bud finial, crested, 

the base with scratchweight 

“27-10”, by John Pollock, 

London 1746; 9.5” 

(24 cms) high; 28 oz 

£900-1200 

323. A GEORGE III CAKE BASKET 

of shaped oval outline with a pierced & embossed decoration, corded 

borders & a pierced, swing handle, initialled, by Richard Mills, London 

1772; 13.4” (34 cms) long; 

23.25 oz 

£1800-2000 


of bellied form with a stepped domed cover, chair-back thumbpiece, large 

scroll handle & an applied reeded girdle, by R. Gurney & T. Cooke, London 

1752; 7.75” (19.6 cms) high; 27 oz 

£1500-2000 

330. A GEORGE II IRISH 

TAPERING COFFEE POT 

with vertical fluting, flatchased 

work around the 

upper & lower body & a 

tucked-in base, bud finial, 

engraved cypher, no 

apparent maker’s mark, 

Dublin 1751 (indented 

Hibernia mark); 10.2” (25.8 

cms) high; 34 oz 

£900-1200 

326. AN EARLY GEORGE III WAITER 

with a shell & scroll border & pad feet, crested, 

by Thomas Hannam & Richard Mills, London 

1763; 7” (18 cms) diameter; 9 oz 

£250-300 


37

331. A GEORGE II BALUSTER CASTER 

with a high-domed cover, wrythen piercing & a 

knop finial, crested, by Samuel Wood, London 

1752; 6.95” (17.6 cms) high; 8 oz 

£350-450 

334. A MODERN SQUAT CIRCULAR 

MUSTARD POT 

on three cast feet with a shaped, gadrooned 

border & a knop finial, blue glass liner, maker 

J.R.O. & Sons (Ogdens?), London 1972; 3.2” 

(8 cms) high; 7.5 oz weighable silver 

£120-150 

337. A MID 18TH CENTURY RUSSIAN 

PROVINCIAL VODKA CUP 

with part fluting and an octagonal upper body, 

chased below the rim with formal scrolls, 

maker’s mark “?T”, date mark partially obscured, 

assay master “MA” (unascribed), Jaroslavl 1740- 

1760; 1.8” (4.6 cms) high; 1 oz 

£200-250 

340. A MODERN CAST MODEL OF A 

VINTAGE ROLLS ROYCE OPEN TOURER 

with personalised number plates “CRMcG”, 

maker’s mark “C.J.L.”, London 1977; 7.75” 

(19.7 cms) long; 22 oz 

£600-700 

38 

332. A GEORGE II SMALL BRANDY 

SAUCEPAN 

of bellied form with a turned, wooden handle, 

by George Greenhill Jones, London 1731; 7.7” 

(19.5 cms) long overall; 3.25 oz 

£350-450 

335. A PAIR OF LATE VICTORIAN PIERCED 

WINE COASTERS 

with beaded rims & turned wooden bases with 

inset bosses, maker’s mark “EAB”, London 1897; 

4.25” (11 cms) diameter (2) 

£300-400 

338. A GEORGE III IRISH HOT WATER JUG 

of baluster form on a spreading foot with a 

later-applied shield cartouche, crested (lacking 

cover), by Matthew West, Dublin 1789; 7.3” 

(18.6 cms) high; 17.5 oz 

£1200-1500 

341. A MODERN JEWEL BOX 

on four feet of rounded oblong form, the cover 

inscribed “BERYL”, by William Comyns, London 

1912, a modern cigarette box, initialled, and a 

George III cream jug, initialled, by John Merry, 

London 1804; the latter 4” (10 cms) high; 2.6 oz 

(3) 

£100-150 

333. A MODERN SWEDISH BEAKER 

inscribed base & maker’s facsimile signature, 

Stockholm 1945 and a 19th century annular 

brooch, probably Finnish, maker’s mark “WH” 

1845; 2.5” (6.4 cms) diameter; 4 oz (2) 

£100-120 

336. A GEORGE III SMALL IRISH TEA POT 

of rounded oblong form on paw feet with a 

shaped, decorated rim, maker’s mark partially 

worn, probably by James Fray, Dublin 1815; 5” 

(12.7 cms) high; 9 oz 

£300-400 

339. AN INDIAN/BURMESE SILVER 

MOUNTED COPPER PLAQUE OR DISH 

with chased figures and a central bead border; 

9.25” (23.5 cms) diameter 

£50-100 


MODEL OF A CRADLE 

mounted in a hardwood stand with ‘dove of 

peace’ finials, the pivoting cradle with stamped 

decoration & filigree work on the sides, 

unmarked probably 1820-40; 5.15” (13 cms) 

high 

£150-200 


343. A MODERN SUITE OF SIX, FRET-PIERCED, OCTAGONAL SUNDAE 

CUPS 

and larger matching fruit dish, all with frosted, glass liners and a cased set 

of six matching fruit spoons, all by Mappin & Webb, Sheffield 1947-1954; 

the larger bowl 8.25” (21 cms) diameter; 55.5 oz weighable silver (8) 

£700-800 

345. THREE MODERN NOVELTY 

CONDIMENTS (PEPPERS) 

in the form of “Jersey cans” by two makers, 

Birmingham 1902/1913/1921, together with a 

pair of plated mounted cut glass oil & vinegar 

bottles and a modern mounted glass whisky tot 

& label; the tot 4.3” (11 cms) high (6) 

£100-150 

348. A CASED PAIR OF EDWARDIAN 

‘STUBBY’ FRUIT SERVING SPOONS 

with seal terminals, by Holland, Aldwinckle & 

Slater, London 1902 and a cased set of six 

modern coffee spoons in Old English Shell 

pattern; the fruit spoons 5.75” (14.6 cms) long; 

5.5 oz 

£60-80 


Two vesta cases (one plated), a caddy spoon, a 

stamp case in the form of an envelope with 

engraving, a cheroot holder case, a sugar sifter 

ladle and a Scottish provincial toddy ladle with 

a whalebone handle by R&R Keay of Perth 

(with Edinburgh marks); 1.5 oz weighable silver 

(7) 

£80-120 

349. A MODERN TWO-HANDLED CUP 

on a domed, circular foot, inscribed “27th June 

1912”, by Walker & Hall, Sheffield 1911; 7” 

(17.8 cms) high; 26 oz 

£200-300 

344. A CAST MODERN, FOX MASK STIRRUP CUP 

with textured fur & detail and an open mouth revealing barred teeth, the 

collar inscribed “To E.L. Woodward M.F.H. for good sport 1928 from HD 

Kirkover”, gilt interior, by C.H. Townley & J.W. Thomas, London 1926; 5.9” 

(15 cms) long; 16.5 oz 

£2500-3000 

347. A MODERN FOUR-PIECE TEA SET 

with panelled oblong bodies and canted oblong 

bases, maker “H.F & Co.”, Sheffield 1940; the 

hot water jug 7.7” (19.5 cms) high; 56.5 oz (4) 

£500-700 

350. A VICTORIAN PLATED STAND 

fitted with a cut glass sugar basin & a mounted 

cut glass cream jug by Martin, Hall & Co. Ltd. & 

a sifter spoon, together with a plated pickle 

stand fitted with two cut glass jars with 

stoppers & two pickle forks, both stands 

approx. 9.75” (24.5 cms) high (2) 

£100-150 


39

351. A VICTORIAN MOUNTED 

TORTOISESHELL PAPER KNIFE 

with an embossed hilt, Birmingham 1889 

(maker’s mark worn), and a nickel-plated, 

patent knife sharpener; the knife 16” (40.5 cms) 

long (2) 

£70-90 

354. A WILLIAM IV MUSTARD POT 

of melon-fluted form with a flower finial by 

John James Keith, London 1834, together with 

an Edwardian double-lipped sauceboat, Chester 

1907 and two Irish salt spoons; the mustard 3” 

(7.5 cms) high; 8.5 oz (4) 

£150-200 


a Danish caddy spoon with a leaf-shaped bowl, 

maker’s mark “LB”, Copenhagen 1900, a 19th 

century Italian, whip-end salt spoon, a 

Victorian Fiddle salt shovel, a card case and a 

George III folding fruit fork with mother of 

pearl sides; 3 oz (5) 

£100-150 

360. **A GEORGE II SPARROW BEAK CREAM 

JUG 

with embossed floral decoration & a vacant 

cartouche, by Thomas Rush, London c.1730 

(maker’s mark & lion passant only); 3.2” 

(8.2 cms) high; 2.25 oz 

£125-150 

40 

352. MOUNTED GLASS TOILET WARES: 

Two George IV boxes with cut decoration & 

engraved, pierced covers by Archibald Douglas, 

London 1829 and a pair of bottles and a 

circular box with engraved covers, crested, by 

Thomas Diller, London 1847; the latter 3.1” 

(8 cms) diameter; 5 oz weighable silver (5) 

£200-250 

355. A GEORGE III SWING HANDLED OVAL 

BONBON DISH 

with pierced sides & bead borders, initialled, 

possibly by John Dutton, London 1784; 6.4” 

(16.3 cms) long; 3.5 oz 

£100-150 

358. **BY ELIZA GODFREY: 

A George II silvergilt cream jug of baluster form 

with gadrooned borders, embossed & chased 

with vignettes of flowers, architecture & a 

swan, vacant cartouche, scratchweight “5-15”, 

maker’s mark only, London c.1745; 4.5” 

(11.5 cms) high; 6.25 oz 

£900-1200 

361. **A GREEK SILVERGILT HANDMADE 

TAZZA OR CRATER CUP 

with dolphins, a sailing vessel & vines in relief 

in the centre, maker’s mark of “ZOLOTAS”; 5.6” 


£100-120 


353. AN EARLY VICTORIAN TOILET BOX 

of tubular form with engine-turned decoration, 

unscrewing into sections revealing a polished 

silver mirror & compartments, probably for 

shaving accessories, by F. Douglas, London 

1838; 7.75” (19.7 cms) long; 4 oz 

£250-300 

356. A GEORGE IV SMALL SQUARE CRUET 

FRAME 

crested & inscribed “In memory of Captain 

Guzmoore RMLI-1882” by Rebecca Emes & 

Edward Barnard, London 1825; 6.75” (17 cms) 

high; 8.25 oz 

£100-150 

359. **A LATE 17TH CENTURY CONTINENTAL 

SWEETMEAT DISH 

of lobed oval outline with two small cast scroll 

handles, the centre with a putto & a skull in a 

wooded landscape, unmarked, probably 

German c.1700; 4.75” (12 cms) long; 2 oz 

£400-500 

362. **AN 18TH CENTURY SMALL BRANDY 

SAUCEPAN 

turned wooden handle, leopard’s head & lion 

passant marks only readable, London c.1730; 

the bowl 2.5” (6.5 cms) diameter; 2 oz 

£100-120 



of bellied form with a spreading circular foot, 

stepped, domed cover and a large scroll handle 

with a chair-back thumb piece, gilt interior, by 

Francis Spilsbury, London 1740; 7.5” (19 cms) 

high; 25.25 oz 

£1000-2000 

366. A WILLIAM IV CREAM JUG & 

MATCHING SUGAR BOWL 

circular with ornate borders and upswept scroll 

handles, each inscribed “Taunton Agricultural 

Association to Mr. T.W. Fouracre...24th Nov 

1837”, the jug for “the best pen of fat wether 

sheep” & the bowl for “the best fat ox”, gilt 

interiors, by Waterhouse & Son, Birmingham 

1831/32; approx. 5.25” (13.3 cms) high; 24 oz 

(2) 

£200-300 

369. A MODERN MUSTARD 

in the form of a tankard, blue glass liner, by 

Harold Child, London 1912; 3” (7.5 cms) high; 

2.4 oz weighable silver 

£60-80 

372. A PAIR OF GEORGE III OLD ENGLISH 

SAUCE LADLES 

by G. Smith & W. Fearn, London 1790, a sugar 

sifter, two caddy spoons, a mustard spoon, a 

salt, a salt spoon, a thimble and an pair of 

Chinese salts; 2” (5 cms) diameter; 9 oz (11) 

£120-160 

364. A PAIR OF VICTORIAN CANDLESTICKS 

in the Neo classical style, on bevelled square 

bases with foliate festoons, rams’ masks & 

paterae in relief, the columns with garlands of 

bell flowers, detachable nozzles & bead borders, 

engraved armorials, by Richard Hodd & William 

Linley, London 1868, loaded; 13.1” (33.2 cms) 

high (2) 

£600-800 

367. A PAIR OF MODERN CANDLESTICKS 

on round bases with baluster columns & ‘well’ 

centres, by J.B. Chatterley & Sons Ltd., London 

1968 (loaded); 6” (15 cms) high (2) 

£120-150 

370. A GEORGE III OVAL TEA POT STAND 

with border engraving and a vacant wreath 

cartouche by William Bennett, London 1802; 

6.5” (16.5 cms) long; 4 oz 

£150-200 

373. A MODERN CIRCULAR SALVER 

with an applied, stamped border, by C. Boyton 

& Sons, Sheffield 1961; 9.6” (24.5 cms) 

diameter; 16 oz 

£120-150 


365. A LATE VICTORIAN HOT WATER JUG 

of vase form, with a repousse work cartouche 

on each side depicting figures in a tavern, the 

central character smoking a pipe, initialled, by 

Thomas Hayes, Birmingham 1895; 10” 

(25.5 cms) high; 14.5 oz 

£100-150 

368. A WILLIAM IV TEA POT 

circular on a spreading foot with a c-scroll 

handle and a flower finial, by Joseph & Albert 

Savory, London 1836; 6.1” (15.5 cms) high; 

24.5 oz 

£200-250 

371. AN EARLY VICTORIAN TAPERSTICK 

with a foliate bordered base, scroll handle & a 

detachable conical snuffer, inscribed, by H. 

Wilkinson & Co., Sheffield 1845 (loaded); 5.6” 

(14.2 cms) high 

£200-250 

374. **A MIXED LOT: 

An Old Sheffield plated inkstand with central 

mounted glass bottle, c.1810, a modern 

‘kitchen’ pepper, London 1938 and a pair of 

George III bright-cut tablespoons, initialled 

“WB” over “CB” over “1804” by Richard Ferris, 

Exeter 1803/04; the inkstand 8.5” (21.5 cms) 

long; 4.75 oz weighable silver 

£120-180 


41

375. **A LATE GEORGE II TWO HANDLED 

CUP 

of campana form with reeded scroll handles, 

initialled on each side, by William Shaw & 

William Priest, London 1759; 4.25” (11 cms) 

high; 8.5 oz 

£300-350 

378. **TWO GREEK SILVERGILT HANDMADE 

MUGS 

after the antique, with bulls and bullfighting 

scenes around the sides, maker’s mark of 

“ZOARTAS”; 2.7” (6.6 cms) high; 8 oz (2) 

£100-120 

381. A GEORGE IV IRISH EMBOSSED 

CIRCULAR TEA POT 

flower finial by W. Nelson or Nowlan (retailed 

by “Law”) Dublin 1824 together with a George 

IV Irish cream jug & sugar bowl with floral 

scroll embossing, crested, by James Le Bas, 

Dublin 1829; the pot 5” (12.6 cms) high; 40 oz 

(3) 

£500-600 

384. A PAIR OF LATE VICTORIAN DWARF 

CANDLESTICKS 

in the Neo Classical style, on canted square 

bases with urn-shaped capitals by J.K. Baily, 

decorated with ram’s masks, urns & beading, 

Sheffield 1891 (loaded); approx. 6.2” (15.5 cms) 

high (2) 

£120-150 

42 

376. **A LATE 17TH CENTURY DANISH 

BEAKER 

engraved to simulate sharkskin, centred by a 

wreath cartouche, initialled “SGS” over “EID” 

over the date “1670”, gilt interior, maker’s mark 

“MS” or “SM” (monogram), Odense, 1689; 3” 

(7.6 cms) high; 3.2 oz 

£1400-1600 

379. A GEORGE IV COFFEE POT 

with ornate borders & feet, a waisted neck and 

matted shells & scrolls embossed around the 

body, flower finial, crested, maker’s mark “IW”, 

unascribed, London 1826; 8.2” (20.8 cms) high; 

32 oz 

£400-500 

382. A MODERN SALVER 

of shaped circular outline with a gadrooned 

border, no maker’s mark, Sheffield 1930; 9” 


£120-160 

385. A GEORGE III OVAL TEA CADDY 

with embossed & chased decoration, flower 

finial, crested, by William Vincent, London 

1779; 4.1” (10.5 cms) high; 12.25 oz 

£300-400 


377. **A PAIR OF LATE 19TH CENTURY 

AMERICAN ENGRAVED SALTS 

with octagonal bowls & floral scroll borders, by 

Bigelow, Kennard & Co., Boston c.1880; 3.25” 

(8.2 cms) wide; 9 oz (2) 

£100-120 

380. A GEORGE IV SCOTTISH THREE-PIECE 

TEA SET 

of lobed circular outline with panels of 

embossed fruit & flowers, fox mask, floral feet, 

scroll handles & cast borders of repeating floral 

motifs, vacant cartouches, by Mitchell & Son, 

Glasgow 1823/1824; 51 oz (3) 

£600-800 

383. A PAIR OF MODERN CIRCULAR WINE 

COASTERS 

with gadrooned borders, turned wooden bases 

& inset, central bosses, by Barker Ellis Ltd., 

Birmingham 1975; 5.75” (14.5 cms) diameter (2) 

£100-120 

386. A WILLIAM IV MUG 

with embossed flowers around the sides, 

initialled, by Messrs. Barnard, London 1831, 

together with a pair of Victorian embossed 

salts & a George III taperstick & snuffer (from 

an inkstand); the mug 4” (10 cms) high; 13 oz 

(5) 

£150-200 


387. AN EARLY VICTORIAN SALVER 

of shaped circular outline with a husk & scroll border and flat-chased 

border work, the centre with an engraved coat of arms, by William Hunter, 

London 1837; 10.2” (25.7 cms) diameter; 24.5 oz 

£300-400 

389. AN EARLY PERIOD OLD SHEFFIELD PLATED TWO HANDLED CUP 

with embossed part-fluting, a ropework girdle & a floral cartouche*, 

struck with pseudo marks, probably by Tudor & Leader c.1765; 8.75” 

(22.2 cms) high 

£200-250 

*Inscribed “Aldershot Rifle Meeting 1st prize 200 yards open to all Corps 

armed with the carbine - won by Lieut. Peter Marrow, King’s Dragoon 

Guards July 27.1881”. 

391. **BY PAUL CRESPIN: 

A George II naturalistic cream boat on three 

legs with leafy handle, the body flat chased 

below the rim with husks, flowers, scrolls & 

pouring water, crested, scratchweight “5-11”; 

5.7” (14.4 cms) long; 5.5 oz 

£900-1200 

392. **A MID 18TH CENTURY CASTER OF 

VASE FORM 

with a high domed cover & knop finial, maker’s 

mark only, “IK” within a shaped punch (struck 

twice), possibly by James Ker, Edinburgh c.1740; 

6.45” (6.6 cms) high; 5 oz 

£450-550 

388. **REGIMENTAL: 

A George III prize goblet on a reeded pedestal base engraved with the 

badge of the “Royal Roehampton, Putney & Mortlake Vols” & inscribed 

“Won by Sergt. Penn 2nd Compy.11 Sept 1804 - Presented to him by the Earl 

of Bessborough Major Commandant”, gilt interior, by John Emes, London 

1803; 6.45” (16.2 cms) high; 9.5 oz 

£600-700 

390. A LATE 19TH CENTURY CAST ELECTROPLATED STIRRUP CUP 

in the form of a wolfhound mask with a flaring rim, unmarked; 6.3” 


£150-200 

393. BY PETER & JONATHAN BATEMAN: 

A rare George III waiter or tea pot stand, 

navette shaped with a bead border & beaded 

feet, the centre crested, London 1790; 7” 

(18 cms) wide; 6.5 oz. 

£800-1000 

*This rare 

partnership lasted only a few months due to 

the premature death of Jonathan Bateman 



43

WINE LABELS 

394. A MODERN “CONCORDE” WINE LABEL 

oblong with incurved corners, stamped “GIN” & 

“CONCORDE” by British Airways, Birmingham 

1986; 0.25 oz 

£30-50 

*The labels were given to First Class passengers 

during their flight on board British Airways’ 

Concorde. 

397. TWO VERY SIMILAR VICTORIAN, VINE 

LEAF WINE LABELS 

pierced “HOCK” & “BUCELLAS”, by C. Rawlings & 

W. Summers, London 1840 and 1844 

(respectively); 2.7” (6.8 cms) wide; 1.5 oz (2) 

£120-140 

400. A GEORGE III OBLONG WINE LABEL 

with gadrooning, pierced “MADEIRA”, maker’s 

mark & lion passant only, by Thomas Hyde, 

London c.1775 and a beaded oblong label 

incised “SHERRY” same maker, London c.1775; 

1.7” (4.2 cms) long; 0.2 oz (2) 

£90-120 

403. A RARE GEORGE IV PROVINCIAL WINE 

LABEL 

of rounded oblong form with a reeded border, 

incised “SHERRY”, by Joseph Hicks, Exeter 1825; 

1.75” (4.5 cms) long; 0.2 oz 

£120-150 

44 

395. THREE VARIOUS WEDGWOOD POTTERY 

BIN LABELS 

part glazed “SHERRY”, “PORT” & “MADEIRA” and 

a similar Minton example “SHERRY” (4) 

£200-300 


A LARGE MODERN WINE LABEL 

curved & rounded to fit a magnum decanter, 

incised “MADEIRA” & inscribed, “Presented to 

the officers Royal Devon Yeomanry Artillery by 

Captain C.T. Beckett M.C. Royal Artillery 1923- 

26”, by William Bruford & Son, London 1926; 

3.7” (9.3 cms) wide; 1.25 oz 

£300-500 

401. TWO WEDGWOOD POTTERY BIN 

LABELS 

part glazed; 6” (15.5 cms) wide (2) 

£80-120 

404. THREE VICTORIAN ENGRAVED AND 

PIERCED WINE LABELS 

each formed as five conjoined circles, incised 

“CLARET”, “PORT” & “MADEIRA”, by C. Rawlings 

& W. Summers, London 1851/58 & 72 

(respectively); 2.45” (6 cms) long; 1.4 oz (3) 

£100-150 


A George IV cast letter “S” wine label, London 

1824; 1.6” (4 cms) high; 0.5 oz 

£400-500 

399. TWO GEORGE IV WINE LABELS 

each in the form of three vine leaves; one 

pierced “PORT” by Lesdam, Vale & Wheeler, 

Birmingham 1827, the other pierced 

“MADEIRA” by C. Reily & G. Storer, London 

1828; 3” (7.5 cms) wide; 1.5 oz (2) 

£120-140 


402. A PAIR OF GEORGE III NARROW 

OBLONG WINE LABELS 

incised “CLARET” & “MADEIRA”, by James 

Aldridge, London 1805; 2.3” (6 cms) long; 1 oz 

(2) 

£120-160 

405. A GEORGE III NAVETTE WINE LABEL 

with a slot-pierced border, incised “PORT” 

below a crest, by William Allen, London 

c.1784/5 (incise duty mark & no date letter); 2” 

(5cms) long; 0.2 oz 

£90-120 


407. A GEORGE III NARROW OBLONG WINE 

LABEL 

incised “PORT” by Susanna Barker, London 

c.1780 (maker’s mark & lion passant only); 

1.75” (4.5 cms) long; 0.2 oz 

£80-100 

410. A PAIR OF EARLY VICTORIAN WINE 

LABELS 

stamped with vine leaves & grapes, pierced 

“MADEIRA” & “PORT”, by C. Reily & G. Storer, 

London 1837; 2.5” (6.5 cms) long; 1 oz (2) 

£100-150 

406. **A SET OF EIGHT GEORGE III BACCHANALIAN WINE LABELS 

with carousing putti & a satyr’s mask in relief, titled CHAMPAGNE”, “CHAMPAGNE”, “HOCK”, “HOCK”, 

“BURGUNDY”, “BURGUNDY”, “PORT” & “ MADEIRA”, no maker’s mark, London 1806; 2.45” (6.1 cms) 

wide; 5 oz (8) 

£2500-3000 

408. FIVE VARIOUS ANTIQUE “MADEIRA” 

WINE LABELS 

mixed designs, makers & dates; 1.8 oz (5) 

£120-150 

411. A GEORGE III OBLONG WINE LABEL 

with a pierced border, pierced “CLARET”, 

maker’s mark & lion passant only, possibly by 

Joseph Bradley, London c. 1780; 2.15” (5.5 cms) 

long; 0.25 oz 

£90-120 


409. A GEORGE III NARROW OBLONG WINE 

LABEL 

with a bright-cut border & a pierced surmount, 

incised “PORT”, maker’s mark of Thomas 

Ollivant (of Manchester) overstriking that of 

Peter & Ann Batemans, London 1791-1800 (no 

date letter); 2” (5 cms) long; 0.2 oz 

£120-160 

412. A PAIR OF GEORGE III ‘WAISTED’ WINE 

LABELS 

with gadrooned borders, pierced “WHITE” & 

“LISBON” by Richard Binley, London c.1765 (one 

with maker’s mark twice, the other with 

maker’s mark & lion passant); 1.85” (4.6 cms) 

long; 0.5 oz (2) 

£150-200 


45

413. FIVE VARIOUS GEORGE III/IV WINE 

LABELS 

mixed designs “HOLLANDS” (x2), retitled 

“BRANDY” (x2), & “GIN”, various makers, 

London 1798-1820; 1.2 oz (5) 

£100-140 

416. A PAIR OF GEORGE II ESCUTCHEON 

WINE LABELS 

flat chased with vines, incised “MADEIRA” & 

“WHITE-WINE”, maker’s mark only, struck once 

on each, “TS” (script), below a crown, London 

c.1745; 1.85” (4.7 cms) long; 0.8 oz (2) 

£150-200 

419. A GEORGE II ESCUTCHEON WINE 

LABEL 

incised “PORT”, maker’s mark T? (script) below a 

crown, & lion passant, London c.1745; 1.9” 

(4.8 cms) long; 0.2 oz 

£90-120 

422. IRISH PROVINCIAL: 

A rare Victorian wine label in the form of a cutout 

letter “S” maker’s mark only, by Henry L. 

Stewart, Limerick c.1890; 0.3 oz 

£200-300 

46 

414. A PAIR OF GEORGE III DOMED OVAL 

WINE LABELS 

incised “PORT” & “SHERRY” by John Rich, 

London 1802; 1.85” (4.7 cms) long; 0.7 oz (2) 

£120-130 

417. A GEORGE III ‘STAMPED’ 

BACCHANALIAN WINE LABEL 

incised “SHERRY”, no maker’s mark, Sheffield 

1809; 2.3” (6 cms) long; 0.4 oz 

£150-200 

420. A SET OF FOUR GEORGE III GORGET 

SHAPED WINE LABELS 

with thread borders incised “MADEIRA”, 

“CLARET”, “SHERRY” & “PORT”, by Thomas 

Morley, London 1793; 1.65” (4.2 cms) wide; 

0.8 oz (4) 

£200-250 

423. A PAIR OF VICTORIAN VINE LEAF WINE 

LABELS 

pierced “PORT”, & “MADEIRA”, by C. Rawlings & 

W. Summers, London 1846; 2.6” (6.5 cms) wide; 

1.4 oz (2) 

£130-150 

415. FOUR VARIOUS WINE LABELS: 

an escutcheon “SHERRY”, by Sandilands 

Drinkwater, London c.1745, a gadroon & shell 

bordered “SHERRY” by Messrs. Lias, London 

1829, a stamped “AMONTILLADO” scroll label, 

by Taylor & Perry, Birmingham 1833, and a 

pierced quatrefoil “PORT” by C. Rawlings & W. 

Summers, London 1848; 1.8 oz (4) 

£120-140 

418. TWO SIMILAR WILLIAM IV / VICTORIAN 

‘STAMPED’ WINE LABELS 

one incised “TENERIFFE” and the other 

“BRANDY” by George Unite, Birmingham 1834 

and 1843 (respectively); 0.5 oz (2) 

£100-150 

421. BY HESTER BATEMAN: 

A George III oblong wine label with a 

gadrooned border, incised “MADEIRA”, London 

c.1765 (maker’s mark & lion passant only); 1.5” 


£150-200 

424. A GEORGE III UNASCRIBED 

PROVINCIAL WINE LABEL 

in the form of a bright-cut bordered crescent, 

incised “SHERRY”, maker’s mark “HP” 

(conjoined), & lion passant, c. 1775; 1.55” 

(4 cms) wide; 0.2 oz 

£200-250 


426. **A GEORGE III BIGGIN OR HOT WATER 

JUG 

of squat form with a cane-insulated handle, 

hinged cover & knop finial, by John Edwards, 

London 1809; 6.8” (17.4 cms) high; 20 oz 

£300-350 

425. A PAIR OF GEORGE III CAST SILVERGILT WINE LABELS 

in the form of a fruiting vine wreath around a plain title area, pierced “SHERRY” & “PORT”, by Digby 

Scott & Benjamin Smith, London 1806; 3.45” (8.8 cms) wide; 3.25 oz (2) 

£900-1200 

429. **A GEORGE II PROVINCIAL SNUFFER STAND 

of waisted oblong form with a cast border of leaves & scrolls with a mask 

at each corner, a mask handle & scroll feet, the centre with a crest, within 

plumed mantling, maker’s mark only (struck twice), by John Langlands, 

Newcastle 1755-60; 8.3” (21.2 cms) long; 

12.75 oz 

£1200-1500 

427. A VICTORIAN CHRISTENING MUG 

engraved with bullrushes, lilies and other 

flowers and grasses growing in a swamp, gilt 

interior, by George Fisher, London 1878 and a 

small late Victorian box, domed cover (lined), by 

W.R. Corke, London 1897; the mug 4” (10 cms) 

high; 7.5 oz gross (2) 

£100-150 

428. A LATE 19TH / EARLY 20TH CENTURY 

FRENCH KOVSCH OR DIPPING CUP 

with a curved handle, suspensory ring and a 

gilt interior, retailer’s mark of Tallois & 

Mayence, Strasbourg c.1900; 4” (10 cms) long; 

2.5 oz 

£100-150 

430. A MODERN COPY OF AN ‘ARMADA’ DISH 

with a reeded rim, a small dome in the centre of the bowl and an 

engraved coat of arms*, by Messrs. Crichton, London 1911; 8.2” (20.8 cms) 

diameter; 12 oz 

£150-200 

*Arms of Sir Christopher Harris (1553-1625). The original ‘Armada’ service 

- a suite of more than 30 dishes of differing size made for Sir Christopher 

had a chequered history. After being buried during the Civil War, lost for 

over 150 years before being accidentally discovered by farm labourers, 

they were eventually sold by auction at Christie’s in 1911. They were 

purchased by Colonel Crichton of Crichton Brothers, Silversmiths for a 

(then) world record price of £11,500. Crichtons, then produced replicas of 

the originals of which this lot is one. Incidentally a pair of the original 

“lost” dishes of this size were sold in these rooms, lot 1890, on 15th 

October 2009 for £140,000 hammer price. 



47

431. A SMALL SALVER 

of shaped circular outline with a moulded 

border by Hollings & Hitchinson, Birmingham 

1923; 9.8” (25 cms) diameter; 

£100-120 

434. A LATE VICTORIAN CREAM JUG 

in the form of a “Jersey Can”, by W.C. Griffiths 

& Singleton, Birmingham 1894, together with a 

William IV circular toilet box & cover crested, by 

Archibald Douglas, London 1834 and a novelty, 

Mexican ‘sombrero’ dish; 4.5” (11.5 cms) 

diameter; 9 oz (3) 

£100-150 

437. A LATE VICTORIAN SHAVING JUG 

with a reeded loop handle & gilt interior, by J. 

Braham, London 1896, together with a plated 

mounted shaving brush with a later handle; the 

jug 4.5” (11.5 cms) high; 9.5 oz weighable silver 

£250-300 

440. A SMALL CHINESE VASE 

in the form of a section of bamboo on three 

legs, with applied decoration, maker’s mark 

“CW” c.1900 and a George III later-embossed 

mug, London 1819 and and Edwardian twohandled 

sugar bowl, Birmingham 1905; the 

vase 6.3” (16 cms) high; 14 oz (3) 

£80-120 

48 

432. A CONTEMPORARY DWARF 

CANDELABRUM 

trefoil shaped with a linear blue enamelled 

border around each capital, maker’s mark 

indistinct, “KELYUM” unascribed, probably 

Scandinavian; 8.25” (21 cms) wide; 8 oz 

£300-350 


A mid 18th century Christening cup of plain 

campana form with beaded, s-scroll handles 

and a waisted, ring foot, initialled “C”, by 

Guillaume Henry, Guernsey 1750-60; 2.4” 

(6 cms) high; 2.5 oz 

£600-800 

438. A RARE GEORGE II PROVINCIAL MILK 

JUG 

of baluster form on three legs with the 

scratched initials “L” over “GM” underneath, 

maker’s mark only struck thrice “IB” (gothic) by 

John Brancker, Liverpool c.1740; 3.75” (8.5 cms) 

high; 3.75 oz 

£400-500 

441. A MIDDLE PERIOD OLD SHEFFIELD 

PLATED WAXJACK 

with a shaped circular base, wire frame and a 

border of gadrooning shells, c.1820; 4.75” 

(12 cms) high 

£100-120 

433. AN OBLONG TRAY 

with moulded rim, initialled, by the Goldsmiths 

& Silversmiths Co. Ltd., London 1917; 13.4” 

(34.8 cms) long; 

£200-220 

436. A SMALL MODERN EMBOSSED 

CIRCULAR BOWL 

with a reeded rim, a small modern plain cream 

jug and 2 other George III milk jugs, mixed 

makers & dates; the bowl 5” (12.6 cms) 

diameter; 14.5 oz (4) 

£130-160 

439. A 20TH CENTURY PERSIAN CANTED 

OBLONG TRAY 

cocktail shaker, a pepper caster, a tea pot, and 

four small goblets (with loaded bases), all with 

flat-chased decoration and each with a native 

maker’s mark (except the goblets), probably 

Isphahan post 1950; the tray 12.5” (32 cms) 

long; 50 oz weighable silver (8) 

£400-500 

442. A MODERN BARGE-SHAPED TEA POT 

London 1937, a modern milk jug and a modern 

toast rack with 7 arched bars, mixed makers & 

dates; 5.25” (13.2 cms) long; 32 oz (3) 

£250-300 


443. BY CHRISTOPHER NIGEL LAWRENCE: 

A large modern parcelgilt, revolving table centrepiece fitted with six 

removable hors d’oeuvres dishes, a rose bowl with grille, a flower 

vase also with grille and a six light candelabrum with detachable 

nozzles, the sides decorated with bands of texturing, hallmarked, 

London 1970; 24.7” (62.5 cms) diameter; 9.3” (23.7 cms) high; 356 oz 

£7000-9000 

*This centrepiece and another example not too dissimilar were 

entered by Christopher Lawrence in the silver section of the Jacques 

Cartier competition at Goldsmiths Hall in early 1971. The two 

centrepieces won joint first prize. Lawrence actually won the highly 

coveted Jacques Cartier award three times in all and became 

ineligible to be chosen again for it. This centrepiece was purchased 

by the vendors from Watches of Switzerland in June 1971 for £4,000 

after they saw it and fell in love with it at an Exhibition in 

Bournemouth. 


49

50 

444. A PAIR OF LATE 19TH CENTURY GERMAN FIVE-LIGHT CANDELABRA 

with foliate scroll branches, the decorative baluster columns with high-domed bases and chased & 

applied floral adornment, maker’s mark three figures in an oblong, c.1890 (one capital & one part of 

a branch & capital detailed but present); 16.5” (42 cms) high; 14” (35.5 cms) span of branches; 102 oz 

(2) 

£1400-1600 


a late 19th century American fruit or punch bowl on four cast foliate paw 

feet, decorated around the sides with alternately applied floral roundels 

and feathery, stiff leaves, the rim cast with leaves and quatrefoil flowers, 

the base initialled & dated “SIG 1866-1891”* & stamped “6 Pints”, c.1891; 

9.75” (24.6 cms) diameter; 29.5 oz 

£2000-2500 

*This bowl was purchased by the vendor’s great grandfather & great 

grandmother Sigmund & Ida Guitermann, from Tiffanys, New York in 

celebration of their 25th wedding anniversary. 

446. A LARGE, EARLY 20TH CENTURY GERMAN MOUNTED CUT GLASS 

PUNCH BOWL & COVER 

with a circular base & two angular handles, maker’s mark “HB” (conjoined), 

c.1920; 10 oz weighable silver 

£500-800 


448. A MODERN THREE-PIECE 

CIRCULAR TEA SET 

with gadrooned rims, maker “RWB”, 

Birmingham 1932 (3) 

£200-250 

447. A PAIR OF GEORGE III “HOB & NOB” BEAKERS 

fitting together to form a barrel with reeded hoops, gilt interiors, crested, by Peter, Ann & William 

Bateman, London 1800; 6.5” (16 cms) high; 14 oz 

£1500-1800 

451. A LATE 19TH CENTURY MOUNTED RUSSIAN ICON “MADONNA & 

CHILD” 

the oclad with a raised border of repeating floral & geometric motifs 

centred by embossed detail surrounding the figures and separately 

applied halos with piercing & engraving, maker’s mark partially unclear, 

assay master’s mark of “BC” Moscow 1885; 10.75” (27.2 cms) high 

£500-700 


A treen box in the form of an acorn, a small 

‘ball’ box, a small Victorian engraved etui, a 

mounted “dimple” glass bitters bottle and the 

following plated items: a mug, 2 salt bases, a 

tea pot, a Stilton scoop (9) 

£70-100 

450. A MODERN CREAM JUG & 

SUGAR BASIN 

with stamped decoration & angular 

handles, by Pearce & Sons, Birmingham 

1911 (2) 

£100-150 

452. A MID 19TH CENTURY CHINESE MUG 

of tapering form with a dragon handle, the body profusely chased & 

embossed with native figures in a garden landscape serving & being 

served with beverages, the central shield with an engraved coat of arms, 

gilt interior, maker’s mark on an applied tablet, by Lee Ching of Canton, 

Hong Kong & Shanghai c.1860; 

5.5” (14 cms) high; 12.5 oz 

£500-700 


51

453. A VICTORIAN MINIATURE OR NOVELTY 

BRANDY SAUCEPAN 

with a turned ivory handle, by Arthur Sibley, 

London 1872; 4.1” (10.5 cms) long overall; 

0.5 oz gross 

£100-150 

457. BY LIBERTY & CO.: 

a modern hand mirror, hair brush, 2 clothes 

brushes, a mounted comb & a mounted steel 

shoe horn & button hook decorated with 

stamped, geometric patterns, Birmingham 

1912/13, together with 5 mounted glass 

dressing table jars of a similar design by 

another maker, London 1914 (12) 

£350-450 

52 

454. BY KARL FABERGÉ: 

A late 19th century Russian spherical cream jug 

with a collet foot, angular handle and an 

engraved, vacant, cartouche on one side, assay 

master Lev Oleks, Moscow 1896; 2.95” (7.4 cms) 

high; 4.5 oz 

£200-300 

455. A GEORGE III TWO-HANDLED CUP 

of campana form on a spreading foot, initialled 

“E.O.Z”, by John Lambe, London 1785; 3.35” 

(8.5 cms) high; 2.75 oz 

£150-200 

456. A GEORGE III CIRCULAR SALVER 

with a reeded border and bracket feet, the centre engraved with a coat of arms* above the motto “QUAD. 

ADEST. GRATUM. JUVAT” by Thomas Hannam & John Crouch, London 1792; 16.2” (41 cms) diameter; 64 oz 

£1200-1500 

*Probably for Carill. 

458. A PAIR OF EARLY 20TH CENTURY 

GERMAN MOUNTED CUT GLASS DECANTERS 

& STOPPERS 

with twin pouring spouts, maker’s mark (or 

town mark) a unicorn, c.1920; 12.9” (32.8 cms) 

high (2) 

£250-300 

459. A RARE GEORGE III PAGE 

MARKER/TURNER 

in the form of a long tapering spike of flat 

section, with an offset handle, maker’s mark 

“IH”, possibly for Joseph Hastings, London 

c.1790; 16.7” (42.4 cms) long; 1.2 oz 

£220-260 


460. A SCARCE PAIR OF GEORGE II SCOTTISH PROVINCIAL SALTS 

squat circular on three moulded legs with stepped hoof feet, gilt interiors, engraved crest & motto 

"DISCE PATI"* by Alexander Johnston, Dundee (AI, pot of lilies, AI, L (script)) 1740-50; 3" (7.7 cms) 


£1200-1500 

*"Crest & Motto is that of Duncan as borne by Adam Duncan, 1st Viscount Duncan (1731-1804) and 

his son Robert Dundas Haldane-Duncan, 2nd Viscount Duncan (1785-1859) who was created Earl of 

Camperdown in 1831. 

Adam Duncan was the second son of Alexander Duncan of Lundie, Angus (died May 1777) who was 

Provost of Dundee. In 1746 after being educated at Dundee, Adam joined the Royal Navy and went 

on to have an extremely distinguished career rising to the rank of Admiral and his golden hour was 

defeating the Dutch fleet off Camperdown (North of Haarlem) which was considered one of the 

most significant actions in Naval History. For this achievement he was at once raised to the Peerage 

as Viscount Duncan, of Camperdown and Baron Duncan of Lundie, Perthsire. He was awarded the 

large Naval Gold Medal and an annual pension of £3000 (incidentally this was the largest pension 

ever awarded by the British Government). 

461. A RARE GEORGE II SCOTTISH PROVINCIAL 'UPRIGHT' SNUFF 

MULL 

of inverted baluster form with a hinged, low domed cover and an oval 

base engraved with a cypher, the interior gilt, maker’s mark only struck 

once inside the base, ”AI” in a shaped punch, for Alexander Johnston, 

Dundee c.1740; 2.2" (5.6 cms) high; 1.75 oz 

£1200-1500 


53

54 


An extremely rare late 16th/early 17th century wine 

cup with a hemispherical bowl, a spreading circular 

foot & a turned, baluster stem, the bowl interior 

with traces of gilding, scratched initials "I.N 

(backwards)" below the rim, unmarked, Jersey 

c.1600; 5.25" (13.2 cms) high; 8 oz 

£12,000-15,000 

Literature: See Mayne, R: Channel Islands silver, 1985 

where Mayne illustrates this particular cup on the 

cover and plate 137 for another illustration & details 

of this cup. 


463. AN EARLY GEORGE I TANKARD 

tapering with a skirted base, stepped dome cover & a large scroll handle 

engraved with scratched initials & the date “Nov.14-1742", the body 

crested, by Joseph Clare (I), London 1714; 7.95" (17.6 cms) high; 22 oz 

£3000-4000 

464. A RARE PAIR OF EARLY 18TH CENTURY BELGIAN CASTERS 

of shaped octagonal, vase form with high domed covers & knop finials, 

decorated with flat-chased reserves of formal scrollwork, crested, maker’s 

mark "PA" with an anchor, Brussels 1737-40 (date letter "q"); 7.2" (18.2 

cms) high; 15 oz (2) 

£900-1200 

465. A RARE, LATE GEORGE II LARGE PROVINCIAL TANKARD 

with a tucked-in, circular base, stepped, domed cover and a moulded girdle, the large scroll handle 

with applied rattail and an openwork, scroll thumbpiece, the body engraved with a coat of arms 

below the motto ”VIRTUTE FIDEQUE”, gilt interior, by Sampson Bennett of Falmouth, with Exeter 

hallmarks for 1735; 9" (23 cms) high; 57.2 oz 

£3000-4000 

*Arms of Hart, Scotland. 


55

56 


466. **A GEORGE III SILVERGILT CUP & COVER 

of vase-form on a pedestal foot with a rising, domed cover & a bud cast in the form of two coiled serpents, terminating at the bottom in a ram’s mask, 

the lower body embossed with a calyx of debased foliage, mirrored on the cover & foot, the upperbody with a vacant circular cartouche on each side, 

linked by applied festoons of foliage, by J. Parker & W. Wakelin, London 1775; 15.45” (39 cms) high; 87.5 oz 

£4000-6000 

467. A GEORGE III TWO-HANDLED OVAL TRAY 

with an applied border of chased laurel leaves & berries, on four large, bracket feet with similar borders, the centre with an engraved oval coat of arms* 

bordered by the inscription “A tribute of gratitude to the memory of Nicholas Bonfoy Esq., from I.H. Babb to John Bonfoy Rooper”, by William Fountain & 

Daniel Pontifex, London 1792; 27.1” (69 cms) wide overall; 148 oz 

£2500-3500 

*Arms of Rooper quartering Bonfoy for John Bonfoy Rooper. 


57

A PRIVATE COLLECTION OF VINAIGRETTES, OBJECTS OF VERTU AND SILVER 

468. A MODERN SCOTTISH QUAICHE 

by Hamilton & Inches, Edinburgh 1924 and a 

modern circular sugar bowl on foot, by Stokes 

& Ireland, Chester 1937; both items 4” (10 cms) 


£120-150 

471. A LATE VICTORIAN TEA CADDY 

of bombe form with embossed decoration, 

leafy scroll feet & a hinged cover with a shell 

finial, by T. Bradbury, London 1891; 5.75” 

(14.5 cms) high; 8.5 oz 

£300-400 

474. A PAIR OF VICTORIAN NOVELTY 

PEPPERETTES 

in the form of mushrooms (the stalks unscrew 

for filling), by E.H. Stockwell, London 1881; 

2.25” (5.5 cms) diameter; 3.45 oz (2) 

£400-600 

58 

469. A VICTORIAN INKWELL 

in the form of a James I spicebox with a scallop 

shell cover, snail feet and gadrooned borders, 

the interior with a glass liner & lift-off cover, 

engraved with a crest & scrip initials, by Robert 

Garrard, London 1874; 5.5” (14 cms) long 

overall; 13.5 oz weighable silver 

£500-800 

472. A LATE 19TH CENTURY DUTCH 

OBLONG BOX 

decorated in low relief with Naval vessels on 

the cover & birds & figures around the sides, 

pseudo marks for The Hague, c.1900; 5.5” 

(14 cms) long; 16.5 oz 

£200-250 

475. AN EARLY VICTORIAN MOUNTED 

IVORY TIPSTAFF 

with a wrythen centre section, the cast Royal 

Crown finial unscrewing to reveal a 

compartment, engraved with the Royal Arms, 

by I. Field, London 1837, also inscribed “Field & 

Sons 233 Holborn, London”; 7.5” (19 cms) long 

£800-1200 

470. A CONTINENTAL HEAT-SHAPED 

TRINKET BOX 

stamped with dual portraits on the cover, a 

trowel book mark, a small modern ‘Armada’ 

dish and a mother of pearl mounted folding 

fruit knife; the box 2.75” (7 cms) long; 5 oz 


£80-120 

473. A LATE VICTORIAN EMBOSSED 

NOVELTY BOX 

in the form of a sedan chair, gilt interior, by 

Samuel Jacob, London 1899; 4.75” (12 cms) 

high; 6.25 oz 

£300-400 

476. A PAIR OF VICTORIAN NOVELTY 

PEPPERETTES 

each in the form of a Knight’s helmet (the 

visors raise for filling), with registered design 

lozenge, by Frederick Elkington, Birmingham 

1869; 2.1” (5.2 cms) high; 2.8 oz (2) 

£500-700 


477. A CASED VICTORIAN MOTHER OF 

PEARL MOUNTED, FOLDING FRUIT KNIFE & 

MATCHING FORK 

with knobbly handles, inscribed “Marian”, by 

George Unite, Birmingham 1886 (case A/F); the 

case 3.8” (9.6 cms) long 

£60-80 

480. A LATE 19TH CENTURY FRENCH, 

PIERCED, SARDINE SERVER 

with engraved decoration post 1838 and a late 

19th /early 20th century French circular 

powder compact box with embossed 

decoration c.1900; 2” (5 cms) diameter; 2 oz 

gross (2) 

£80-100 

483. A SMALL VICTORIAN WHISTLE OF 

SQUAT CYLINDRICAL FORM 

WITH A WAISTED mouthpiece & a suspensory 

ring, the interior with a spinning rotor to 

enhance the noise, marks worn, maker’s mark 

“JWB?”, Birmingham c.1890; 1.3” (3.4 cms) long; 

0.3 oz 

£120-160 

486. A LATE VICTORIAN 9 CT. GOLD VESTA 

CASE 

with engraving & a vacant shield cartouche, 

maker’s mark “M&L”, Birmingham 1897 and a 

modern 9 CT. gold circular, mounted steel 

pocket tool with a folding knife & a pair of 

scissors, pendant loop; 1.5” (3.6 cms) diameter; 

0.3 oz weighable gold 

£100-150 

478. A VICTORIAN PENDANT “ROLL OF 

HONOUR” MEDALLION 

in the form of an engraved cross, inscribed 

“College House Eastbourne by C.F.H. White 

Midsr.1887” by Walter Diederich Morisse, 

London 1887; 2” (5 cms) high; 0.4 oz 

£20-30 

481. A GEORGE II GOLD MOUNTED 

TORTOISESHELL SNUFF BOX 

circular with engine turned decoration, the 

cover inset with a domed circular painted 

porcelain plaque depicting Venus & Adonis in 

polychrome, unmarked c.1735; 2.5” (5.7 cms) 

diameter 

£700-900 

484. A VICTORIAN GOLD MOUNTED, 

GRECIAN REVIVAL NOVELTY FOB SEAL & 

WHISTLE COMBINED 

in the form of an oil lamp with engraving & a 

bloodstone matrix intaglio initial “M”, 

suspensory chain; 1.45” (3.7 cms) long 

£300-400 

487. A VICTORIAN SCOTTISH GOLD 

MOUNTED HARDSTONE VINAIGRETTE 

barrel shaped, set with multicoloured agates 

around the sides, engraved borderwork, the 

hinged cover set with a Madeira-coloured 

faceted, quartz boss, the hinged grille with 

engraving & piercing, suspensory chain 

unmarked 1850-60; 2.3” (5.9 cms) high 

£2500-3000 

479. A PAIR OF GEORGE III SCOTTISH SALTS 

navette-shaped with pierced & engraved 

decoration & blue glass liners, by an unascribed 

maker “WA”, Edinburgh c.1800 (no date letter) 

and two George III Thread pattern salt spoons, 

by Solomon Haugham, London 1799/1808; the 

salts 3.4” (8.6 cms) long; 4.25 oz weighable 

silver (4) 

£100-150 

482. A SET OF SIX GEORGE III OLD ENGLISH 

PATTERN TEA SPOONS 

initialled ‘B’ by William Bateman, London 1817, 

a bright-cut salt spoon with shell bowl by 

Hester Bateman, London 1789, a pair of George 

II sugar nips, initialled “AB” by Richard Mills, 

London c.1760 and a George III mother of pearl 

mounted folding fruit knife in Morocco leather 

case; the nips 4.75” (12 cms) long; 4.25 oz 


£120-150 

485. A VICTORIAN TWO-COLOUR GOLD 

THIMBLE 

with a vacant shield cartouche set around the 

base with diamond & emerald chips arranged 

in trefoils; 0.9” (2.2 cms) high 

£120-150 

488. A MID 19TH CENTURY VIENNESE 

ENAMELLED, PENDANT VINAIGRETTE 

in the form of a squat circular box, hinged 

cover, maker’s mark “AS” c.1870, together with 

the following pendant charms: a salmon, a tea 

caddy, a pair of enamelled brass open glass and 

a miniature brass tortoise compass; the 

vinaigrette 1” (2.5 cms) diameter (5) 

£120-150 


59

489. A GEORGE III ENGINE-TURNED VINAIGRETTE 

in the form of a book, the grille with flowers & grapes, suspensory ring, by 

William Edwards, London 1818; 1.65” (4 cms) long; 1 oz 

£250-300 

491. A WILLIAM IV LARGE VINAIGRETTE 

of rounded oblong form with engine-turned decoration, a vacant 

cartouche on the cover & raised floral borders, by C. Rawlings & W. 

Summers, London 1835; 1.85” (4.7 cms) long; 1.75 oz 

£400-500 

493. A GEORGE III CANTED OBLONG 

VINAIGRETTE 

with engraving & a flattened, domed cover, 

initialled, by William Edwards, London 1803; 

1.45” (3.5 cms) long; 0.5 oz 

£150-200 

496. A GEORGE III ENGRAVED OBLONG VINAIGRETTE 

with a swirling pattern on the cover, inscribed “from an affectionate 

father”, the grille with a leafy, trailing flower, by Joseph Wilmore, 


£200-250 

60 

494. A GEORGE IV SILVERGILT CORONATION 

COMMEMORATIVE VINAIGRETTE 

in the form of the Royal Crown, the grille with 

flowers & scrolls, suspensory chain, by Joseph 

Wilmore, Birmingham 1820; 1.15” (2.8 cms) 

long; 0.5 oz 

£900-1200 

*These were made as souvenirs for the 

Coronation of King George IV. 

490. A GEORGE III CANTED OBLONG VINAIGRETTE 

with a vacant cartouche & ‘scale’ engraving at the cover, the grille 

engraved with seaweed, by John Bettridge, Birmingham 1817; 1.25” 

(3.1 cms) long; 0.3 oz 

£100-150 

492. A WILLIAM IV LARGE OBLONG VINAIGRETTE 

with engine-turning, a vacant cartouche & a large floral border around 

the cover, the grille pierced with flowers, sheet music & a lute, probably by 

Thomas Edwards, London 1833; 1.85” (4.7 cms) long; 1.25 oz 

£400-600 

495. A GEORGE III ENGRAVED VINAIGRETTE 

of canted oblong form with a filigree grille, & 

diaper work on the cover, by Joseph Taylor, 

Birmingham 1803; 1” (2.6 cms) long; 0.2 oz 

£140-160 

497. A GEORGE III ROUND OBLONG VINAIGRETTE 

engraved with stylised Greek-Key work on the cover, the grille pierced 

with military trophies, by Matthew Linwood, Birmingham 1804; 1.5” (3.8 


£300-400 


498. A GEORGE III ENGRAVED OBLONG 

VINAIGRETTE 

with a rayed design within a pelleted border on 

the cover & base, initialled, the grille pierced 

with vines, by Matthew Linwood, Birmingham 

1817; 1.25” (3.2 cms) long; 0.3 oz 

£200-250 

501. A GEORGE IV OBLONG VINAIGRETTE 

with engine-turning, a vacant cartouche and a foliate thumbpiece, the 

grille with formal scrollwork, by Charles Rawlings, London 1825; 1.45” (3.6 


£150-200 

503. A GEORGE III REEDED OBLONG VINAIGRETTE 

the grille pierced & engraved with a basket of flowers, by John Shaw, 


£200-300 

505. A GEORGE III ROUNDED OBLONG 

VINAIGRETTE 

with scale decoration on the base & cover, 

initialled, simulated filigree grille, by John 

Shaw, Birmingham 1810; 1.25” (3.3 cms) long; 

0.3 oz 

£150-200 

499. A VICTORIAN POLYFOIL VINAIGRETTE 

with an engine-turned base, & vacant shield 

cartouche, the cover engraved with a dinghy 

under full sail, by Nathaniel Mills, Birmingham 

1846; 1.6” (4 cms) long; 0.5 oz 

£150-200 

506. AN EARLY VICTORIAN ‘CASTLETOP’ 

VINAIGRETTE 

oblong with raised floral borders, engineturned 

sides & base, vacant cartouche, the 

cover with a view of York Minster in high relief, 

by Nathaniel Mills, Birmingham 1845; 1.65” 

(4.1 cms) long; 0.9 oz 

£700-900 

500. A GEORGE III ENGRAVED OBLONG 

VINAIGRETTE 

curved to fit the pocket, initialled, by Joseph 

Wilmore, Birmingham 1804; 1.25” (3.2 cms) 

long; 0.2 oz 

£100-200 

502. A GEORGE III NARROW OBLONG VINAIGRETTE 

with engraved decoration, by Joseph Wilmore, Birmingham 1810; 1.85” 

(4.7 cms) long; 0.5 oz 

£300-400 

504. A GEORGE III LARGE, ENGRAVED VINAIGRETTE 

with a diaper work and a wreath cartouche on the cover, initialled, diaper 

work grille, by William Edwards, London 1805; 1.85” (4.8 cms) long; 0.8 oz 

£200-300 

507. A GEORGE IV ENGRAVED VINAIGRETTE 

with a floral border & amoeba-like work on the 

cover, initialled, by an unascribed maker, 


£100-150 


61


A rare, First World War Tank Corps (Heavy 

Section) regimental badge, by the Goldsmiths & 

Silversmiths Co. Ltd., London 1917; 2.1” 

(5.1 cms) long; 0.25 oz 

£70-90 

512. A GEORGE III NOVELTY VINAIGRETTE 

in the form of a reticulated fish with engraved 

detail & hinged head revealing a gilt interior & 

hinged grille, by Joseph Taylor, Birmingham 

1818; 3.6” (9.3 cms) long; 0.25 oz 

£400-500 

515. A VICTORIAN NOVELTY SNUFF BOX 

in the form of a book, the cover inset with an 

enamelled panel en grisaille depicting the cover 

of “PUNCH” magazine by Henry William Dee, 

London 1879; 2” (5 cms) high; 2.25 oz 

£700-900 

62 

508. A GEORGE I MUG 

decorated with bands of vertical fluting, a wreath cartouche, crested & ‘punched’ leaf 

motifs, possibly by William Spackman, London 1723; 4.6” (11.8 cms) high; 12.75 oz 

£250-300 

510. AN EARLY VICTORIAN NOVELTY 

‘CASTLETOP’ BONBON DISH 

of shaped circular outline, with a decorative, 

swing handle, the sides & base stamped with 

views of the following in low relief: Newstead 

Abbey, Abbottsford, Kenilworth Castle, Warwick 

Castle & Windsor Castle, by Nathaniel Mills, 

Birmingham 1838; 4.75” (12 cms) diameter; 

3 oz 

£500-700 

513. PLATED WARE: 

A beaded oval entree dish & cover with handle, 

a shaped oval entree dish & cover with foliate 

borders & handle (& a spare base) and an 

engraved salver; 12” (30 cms) diameter (4) 

£50-80 

516. A GEORGE III NAVETTE-SHAPED, DUAL 

COMPARTMENT SNUFF BOX 

engraved with a floral diaperwork on the cover 

& base and repeating patterns around the 

sides, with twin covers & a concealed hinge, 

gilt interior, by T. Phipps & E. Robinson, London 

1787; 3.9” (9.8 cms) long; 2.6 oz 

£600-800 

511. AN EARLY VICTORIAN BOSUN’S 

WHISTLE OR CALL 

with barrel terminal & engraved sides, by 

Joseph Wilmore, Birmingham 1841; 5.7” 

(14.5 cms) long; 0.5 oz 

£400-500 

514. A LATE VICTORIAN VESTA CASE & 

WHISTLE COMBINED 

with scroll engraving & a vacant circular 

cartouche, gilt interior, by A & J Zimmerman, 


£250-300 

517. A GEORGE III SCOTTISH, MOUNTED 

HORN SNUFF MULL 

with a pierced & reeded mount, the hinged 

cover set with a domed agate boss, unmarked, 

c.1800; 3.75” (9.5 cms) long 

£250-300 


518. A GEORGE IV CHINOISERIE-DECORATED TEA 

CADDY 

of square bombe form with figures tending plants 

on three sides and a figure with a rocaille cartouche 

on the other, engraved coat of arms, hinged cover & 

leaf finial, by Charles Price, London 1828; 6.2” (15.5 

cms) high; 17.5 oz 

£1500-2000 

519. A VICTORIAN LARGE, ENGRAVED 

VINAIGRETTE 

of shaped oblong outline with an engineturned 

base, initialled, the cover with a harbour 

scene, by Nathaniel Mills, Birmingham 1846; 

1.75” (4.5 cms) long; 0.75 oz 

£400-500 


VINAIGRETTE 

oblong with reeded sides & an engine turned 

base with a vacant shield cartouche, stamped 

on the cover in low relief with a view of 

Windsor Castle with Queen Victoria on 

horseback in the foreground, by Francis Clarke, 

Birmingham 1839; 1.65” (4 cms) long; 0.75 oz 

£700-1000 

521. A RARE VICTORIAN ENGRAVED 

VINAIGRETTE 

of shaped rectangular form with an engineturned 

base & vacant cartouche, serpentine 

thumbpiece, the cover with a view of the Old 

Chain Pier, Brighton, by Nathaniel Mills, 


£700-900 

*The pedestal-shaped building in the 

foreground was the box office where tickets 

were obtained for access to the pier. One then 

entered through the gate on the left and 

proceeded to the pier which was some way 

along Marine Parade. 

522. A LATE 17TH /EARLY 18TH CENTURY FRENCH “BUTTERFIELD” DIAL 

octagonal with an adjustable, sprung, folding gnomon, with bird-beak pointer, incised & filled with four concentric hour scales, the reverse incised & 

filled with European latitudes (from Madrid at 40 degrees through to Copenhagen at 56 degrees), signed “N. Brion a Paris”* (original fitted case), Paris 

c.1700; 2.85” (7.3 cms) long; 1 oz gross 

£1500-2000 

*Nicholas Brion (1652-1733) was a prolific instrument maker who wrote “Treatise sur les Instruments Mathematique”, Paris 1709 which was translated 

into English in 1713 

523. A RARE VICTORIAN NOVELTY 

COMBINED VINAIGRETTE & SCENT BOTTLE 

in the form of a honey skep with pendant ring 

& screw cap, the base hinging open to reveal a 

gilt vinaigrette interior (lacking grille), by 

Sampson Mordan & Co., London 1873; 1.75” 

(4.5 cms) high; 0.7 oz 

£1500-2000 

524. A GEORGE IV SCOTTISH, GOLD- 

MOUNTED HARDSTONE VINAIGRETTE 

with a faceted citrine cover & base & chased 

floral borders, the hinged grille pierced with 

drilled holes, engraved with a wreath & set 

with an applied thistle, unmarked 1825-30; 

1.7” (4.2 cms) long 

£800-1200 

525. AN EARLY GEORGE IV SMALL 

VINAIGRETTE 

in the form of a Maltese Cross with rayed 

engraving & suspensory swivel ring, initialled 

by Joseph Wilmore, Birmingham 1821; 1” 

(2.5 cms) long; 0.2 oz 

£300-400 


63

526. A LARGE EARLY GEORGE IV VINAIGRETTE 

of flat, rounded oblong form engraved with cross-scatching, central 

wreath cartouche, initialled, the grille engraved & pierced with an open 

book, a quill pen & flowers, suspensory ring, by Thomas Edwards, London 

1821; 1.85” (4.7 cms) long; 0.8 oz 

£500-600 

528. A GEORGE III OVAL VINAIGRETTE 

with bright-cut borders, crested, the grille pierced with a flowering plant, 

by Richard Lockwood, London 1800; 1.3” (3.4 cms) long; 

0.3 oz 

£300-400 

530. A GEORGE III LARGE OBLONG VINAIGRETTE 

engraved with leaves around the cover border, the grille pierced with a 

central wreath, by Samuel Pemberton, Birmingham 1807; 1.85” (4.8 cms) 

long; 0.75 oz 

£350-400 

532. A LATE VICTORIAN ENGRAVED VINAIGRETTE 

of shaped oblong outline, vacant cartouche, by George Randle, 

Birmingham 1891; 1.3” 

(3.5 cms) long; 0.3 oz 

£100-150 

64 

527. A GEORGE III NOVELTY VINAIGRETTE 

in the form of a pocket watch, the grille stamped & set with the numbers 

“1-12” to resemble a watch dial, by Matthew Linwood, Birmingham 1806; 

1.5” (3.2 cms) diameter; 

0.5 oz 

£300-350 

529. A GEORGE III OVAL VINAIGRETTE 

with a shell cover and an engraved base, initialled “EJ”, the grille stamped 

& pierced with florets & scrolls, by Forrest & Wasdell, Birmingham 1802; 

1.35” (3.5 cms) long; 0.5 oz 

£300-400 

531. A GEORGE III LARGE, FLAT OBLONG VINAIGRETTE 

engraved on the cover with various shapes, some figural, some animal, 

some geometric*, the grille with a latticework pattern, by Samuel 

Pemberton, Birmigham 1805; 1.85” (4.7 cms) long; 1 oz 

£400-600 

*Perhaps representing constellations 

533. AN EARLY VICTORIAN ENGRAVED VINAIGRETTE 

of shaped oblong outline, vacant cartouche, the grille pierced with a floral 

spray, suspensory chain, by Taylor & Perry, Birmingham 1843; 1.3” (3.4 


£100-150 



VINAIGRETTE 


sides & base, vacant shield cartouche, 

the cover with a view of Windsor Castle in high 

relief, by Nathaniel Mills, Birmingham 1843; 

1.85” (4.7 cms) long; 1 oz 

£400-600 

538. A GEORGE III LARGE, FLAT OBLONG 

VINAIGRETTE 

engraved on the cover with various shapes 

some figural, some animal, some geometric*, by 

Samuel Pemberton, Birmingham 1805; 1.85” 

(4.8 cms) long; 1 oz 

£250-300 

*Perhaps representing constellations. 


VINAIGRETTE 


sides & base, vacant cartouche, the 

cover with a view of Worcester Cathedral, in 

high relief, by Nathaniel Mills, Birmingham 

1843; 1.6” (4 cms) long; 0.75 oz 

£1200-1500 

534. AN EXTREMELY RARE VICTORIAN VINAIGRETTE 

in the form of a human skull with engraved, cranium detail, the jaw hinging open to 

reveal a gilt interior with a hinged, engraved grille, gold suspensory ring, by Henry William Dee, 

London 1871, retailer’s mark of “W.Barker 164 New Bond St.”; 1.4” (3.5 cms) high overall; 0.7 oz 

£3000-4000 

536. A VICTORIAN ENGRAVED VINAIGRETTE 

of shaped oblonog outline with a view of the 

Crystal Palace on the cover, the base with 

engine-turning & a vacant scroll cartouche, 

suspensory ring, by George Unite, Birmingham 

1850; 1.65” (4.2 cms) long; 0.5 oz 

£400-500 

539. A VICTORIAN OVAL ‘CASTLETOP’ 

VINAIGRETTE 

with reeded sides & an engine-turned base, 

inscribed “from Manny” the cover with a view 

of Martyrs’ Memorial, Oxford, by Nathaniel 

Mills, Birmingham 1847; 1.95” (4.8 cms) long; 

1 oz 

£700-900 

542. NELSON: 

A George III small counter box & cover 

containing four Nelson Commemorative 

counters (ABOUKIR, ST. VINCENT, COPENHAGEN 

& TRAFALGAR) by Samuel Pemberton, 

Birmingham 1805; 0.8” (2.2 cms) diameter; 

0.3 oz 

£250-300 

537. A RARE EARLY VICTORIAN ‘CASTLETOP’ 

VINAIGRETTE 

oblong with engine-turned sides & base, vacant 

cartouche, raised floral borders & a view of the 

University Church of St. Mary the Virgin, 

Oxford in high relief by Nathaniel Mills, 


£800-1200 

540. A RARE, EARLY VICTORIAN ‘CASTLETOP’ 

VINAIGRETTE 

oblong with engine turned sides & base, 

initialled, the cover with a view of Bath Abbey 

in high relief, by Nathaniel Mills, Birmingham 

1846; 1.55” (4 cms) long; 0.9 oz 

£1200-1500 


VINAIGRETTE 


sides & base, initialled, the cover with a 

view of Bristol Cathedral, in high relief, by 

Nathaniel Mills, Birmingham 1843; 1.6” (4 cms) 

long; 0.8 oz 

£700-900 


65


in the form of a cushion with cut corners, vacant cartouche, domed grille, 

by Wardell & Kempson, Birmingham 1807; 1.65” (4.2 cms) long; 0.6 oz 

£400-500 


of rounded oblong form with a flower on the cover, the grille stamped & 

pierced with musical trophies by Matthew Linwood, Birmingham c.1810 

(no date letter); 1.75” 

(4.4 cms) long; 0.75 oz 

£400-500 

549. NELSON: 

A rare George III vinaigrette oblong, engraved with a portrait of Viscount 

Horatio Nelson on the cover within the inscription “ENGLAND EXPECTS 

EVERY MAN WILL DO HIS DUTY”, the grille stamped with HMS “VICTORY” 

and “TRAFALGAR OCTR.21.1805”, the base initialled “M” by Matthew 

Linwood, Birmingham 1805; 1.4” (.5 cms) long; 0.5 oz 

£1200-1500 

66 

548. AN EARLY VICTORIAN ‘CASTLETOP’ CARD CASE 

of shaped oblong outline, stamped with profuse floral & fruiting foliage 

with a view of the Royal Pavillion, Brighton on one side & The Old Chain 

Pier, Brighton on the other in relief, by Joseph Wilmore, Birmingham 

1844; 4.25” (10.8 cms) high; 3 oz 

£2500-3000 

545. A GEORGE IV OBLONG VINAIGRETTE 

with raised floral borders & a ‘rayed’ design on the base & cover, vacant 

cartouche by John Shaw, Birmingham 1818; 1.5” (3.7 cms) long; 0.8 oz 

£300-400 

547. A GEORGE III ENGRAVED OBLONG VINAIGRETTE 

with ammatory trophies on the cover (a bow, arrow & quiver of arrows) 

the grille stamped & pierced to resemble filigree work, centred by a shell, 

by Thropp & Tayjlor, Birmingham 1812; 1.6” (4 cms) long; 1 oz 

£400-500 

550. TRAFALGAR: 

A George III plain oblong vinaigrette with rounded corners, the grille 

pierced & engraved with a trophy of arms (to commemorate the Battle of 

Trafalgar) possibly by John Reily, London 1805; 1.3” (3.4 cms) long; 0.6 oz 

£600-800 


OBJECTS OF VERTU 

551. A SMALL LATE 19TH CENTURY FRENCH 

BRASS CARRIAGE TIMEPIECE 

with an ivory-coloured dial and Arabic 

numerals, in fitted travelling case, with key; 

3.75” (9.7 cms) high 

£80-120 

554. ENGLISH SCHOOL EARLY 19TH 

CENTURY 

Miniature portrait of a negro wearing blue 

jacket, half length on ivory; 7.75 x 6.25 cms 

£250-350 

556. ENGLISH SCHOOL, LATE 18TH 

CENTURY 

Miniature portrait of a lady wearing blue dress 

& headdress on ivory oval; 6 x 5 cms 

£100-150 

552. A GEORGE III SMALL, PLAIN BODKIN 

maker’s mark & lion passant only, probably by 

John Edwards & William Frisbee, London 

c.1795; 3.25” (8.2 cms) long; 0.1 oz 

£60-80 

555. CIRCLE OF SAMUEL ANDREWS 

Miniature portrait of James Amos wearing brown coat, half length oval signed with 

initials JA and the companion portrait of his wife Cornelia wearing turquoise dress; 

each 5.75 x 4 cms 

£1400-1600 

557. ATTRIBUTED TO FREDERICK BUCK 

Miniature portrait of a young officer in 

uniform, half length on ivory; 6.25 x 5 cms 

£850-1000 

553. AN EARLY 19TH CENTURY FRENCH 

SILVERGILT MOUNTED CAMPAIGN SET 

in a fitted leather case comprising a plain 

beaker, a folding spoon & fork with gold inlaid, 

mother of pearl handles, a folding knife with a 

steel and a silvergilt blade, and a mother of 

pearl condiment container, the flatware & 

cutlery by B. Fuchs (the beaker with maker’s 

mark “SSR”), Paris 1819-1838; the case 5.4” 

(13.6 cms) high overall 

£600-800 

558. R.. A.. CLACK 

Portrait of a young man standing in an interior, 

pencil & watercolour, signed & dated 1842; 

21 x 16” 

£150-200 


67

559. AN ENAMEL SNUFF BOX 

green with white trellis pattern decoration & 

floral reserve; 6.5 cms 

£100-150 

562. A CHINESE IVORY BRISE FAN 

19 cms (damaged & incomplete), a parasol 

and the remnants of three fans 

£50-100 

565. A CHINESE MOTHER OF PEARL AND 

WOOD SNUFF BOX, 

a gold mounted pen, silver penknife Sheffield 

1930 and five various writing accoutrements 

(four silver) 

£100-200 

568. AN EDWARDIAN VESTA CASE 

enamelled with a hornet flying over a flying 

pennant, inscribed “FJCC from BC - 24 July 

1907”, maker’s mark worn, Birmingham 1907; 

2” (5 cms) high; 1 oz 

£70-90 

68 

560. A SILVER PHOTOGRAPH FRAME 

Birmingham 1898, a scrimshaw tusk, plated 

boxing trophy, horn beaker & meerschaum pipe 

£80-120 

563. A REGENCY SILKWORK PICTURE OF 

TWO BIRDS 

15 x 10.5 cms and a miniature portrait of Oliver 

Cromwell (2) 

£180-220 

566. ENGLISH SCHOOL 19TH CENTURY 

Two miniature portraits, one of a gentleman 

wearing striped waistcoat, the other wearing 

brown coat, on ivory; approx. 9.5 x 7.5 cms 

£70-100 

569. A GEORGE IV SNUFF BOX 

with waisted sides & engine turning, the cover 

decorated in relief with a stag & his hinds 

browsing in a forest glade, shell & scroll 

thumbpiece, gilt interior, by A.J. Strachan, 

London 1825; 3.5” (9 cms) long; 5 oz 

£300-400 


561. A BERLIN PORCELAIN PIPE BOWL 

painted with a portrait of a female beauty with 

horn stem; bowl 10.5 cms 

£100-150 

564. AN ONYX BOWL 

oval with French silver cover, foliate 

mounts & scroll handles; 20 cms 

£200-300 

567. MINIATURE 

A 19th century carved giltwood console table 

of rococo design, 18 cms, a Chinese silver four 

fold screen, 9 cms and a miniature portrait of a 

young lady c.1830 (3) 

£100-150 

570. **A CONTINENTAL SILVERGILT, LADY’S 

CIGARETTE CASE 

of rounded oblong form decorated with 

translucent light blue enamel over an engine 

turned ground, c.1900; 3.1” (8 cms) long; 3.5 oz 

£100-150 


571. A MODERN 9 CT. GOLD CIGARETTE 

CASE 

oblong with engine-turning and a concealed 

thumbpiece, maker’s mark “R&R”, London 1938; 

5” (12.7 cms) long; approx. 5 oz 

£900-1200 

574. A GEORGE III NUTMEG GRATER 

in the form of a barrel with incised, reeded 

hoops, initialled “B” at one end and “EB” at the 

other, lift-out, mounted steel grater, maker’s 

mark only, “SM” (struck twice), by Samuel 

Meriton, London c.1775; 1.65” (4.2 cms) high; 

0.9 oz 

£400-500 

577. THREE MINIATURES OR TOYS: 

a 19th century Dutch example with a goatherd 

on an oblong base, maker’s mark twice (a 

bunch of grapes), a small chariot of four babies 

being pulled by a stork (with pseudo 

Nuremberg marks), and a mortar with an 

indistinct maker’s mark; the latter 1” (2.5 cms) 

high; 0.7 oz (3) 

£100-150 

580. A TIMEPIECE 

in heart shape silver case, Birmingham 1898; 

9.5 cms 

£100-150 


CASE 

oblong with engine-turning, by W. Neale Ltd., 

Birmingham 1936, together with two silver 

cigarette cases, one initialled; 14.75 oz (the 

gold one approx. 2.25 oz) (3) 

£600-800 

575. SEWING: 

A Victorian, egg-shaped compendium hinging 

open to reveal holes to place pins, a bobbin and 

needle holder combined, and a later nonmatching 

thimble, by Thomas Johnson, London 

1872; 1.75” (4.5 cms) high; 1.5 oz 

£500-600 

578. A MID 18TH CENTURY DUTCH 

MINIATURE OR TOY COFFEE GRINDER 

with drawer & rotating handle, maker’s mark 

“VS?”, possibly for Willem Van Strant, 

Amsterdam 1741; 1.6” (4 cms) high; 1.2 oz 

£250-300 

581. A PAIR OF GILT LORGNETTES & A PAIR 

OF OPERA GLASSES (2) 

£40-60 


CASE 

with ‘slide’ opening, the mounted oblong body 

with a repeating pattern of engine-turning, by 

Adie Brothers, Birmingham 1924; 3.4” (8.6 cms) 

long; approx. 3.5 oz 

£700-900 

576. A VICTORIAN WHISTLE 

of baluster form, profusely chased with foliate 

scrolls, suspensory ring, by George Unite, 

Birmingham 1877; 2” (5 cms) long; 0.2 oz 

£150-200 

579. A NOVELTY ASHTRAY 

in the form of a life belt with P&O enamelled 

flag, Birmingham 1895; 10.5 cms diameter and 

a label for “MADEIRA” by Phipps & Robinson, 

1791 

£80-120 

582. AN ENAMEL BONBONNIÈRE 

green with bird & floral vignettes and 

inscription, 4 cms, and a patch box, pink 

inscribed “My lovely Fair whom I adore, Love or 

cease to charm me more” 

£120-180 


69

583. A GEORGE III REEDED OBLONG SNUFF 

BOX 

curved to fit the pocket, concealed hinge & gilt 

interior, by Joseph Wilmore, Birmingham 1806; 

2.45” (6.2 cms) long; 1 oz 

£140-180 

586. AN EARLY 18TH CENTURY SCOTTISH 

MOUNTED HORN SNUFF MULL 

with an openwork, stand-away hinge, the 

cover, lappet-set with a panel of banded agate, 

unmarked 1720-40; 5” (12.6 cms) long 

£250-300 

589. A LATE 18TH CENTURY GILT-METAL 

MOUNTED PORCELAIN PENDANT, SMELLING 

BOX 

with a screw cover & bead border, containing 

an ivory pomander, c.1785; 1.2” (3 cms) high 

£100-150 

592. A MODERN NOVELTY PIN CUSHION 

in the form of a boot with decorative buckle & 

a mounted wooden sole, maker’s mark of 

“GM&Co”, Birmingham 1910; 4” (10 cms) long 

£200-250 

70 

584. A SMALL VICTORIAN TUBULAR SCENT 

BOTTLE 

engraved with an owl in the moonlight flanked 

by a finch & a wading crane, glass liner & 

stopper, by Sampson Mordan, London 1882; 

2.2” (5.4 cms) high 

£100-120 


Two late Victorian brass vesta cases (one in the 

form of a pair of knickerbockers & one a ram’s 

head), a plated vesta stamped with Queen 

Victoria’s portrait, another plated vesta, a 

plated cigarette case with an applied brass 

hound mask roundel, a small leather 

necesssaire and a plaid brooch 

£70-100 

590. A VICTORIAN RED GLASS SCENT 

BOTTLE 

silvergilt mounted, double ended, a smaller blue 

glass example, a mounted red glass smelling 

salts bottle and a ‘Tartanware’ small circular 

box & cover; the latter 1.75” (4.5 cms) diameter 

£100-150 

593. A LATE VICTORIAN NOVELTY SCENT 

BOTTLE AND VINAIGRETTE COMBINED 

in the form of a howitzer shell with a button 

opening, spring cover, the base hinging open to 

reveal a vinaigrette grille, unmarked, 1870-85; 

2.65” (6.6 cms) high 

£400-500 

585. A SILVERGILT & ENAMEL BODKIN 

with a tapering round ‘spike’, an ear-pick & a 

cockerel below the terminal, unmarked; 5” 

(12.6 cms) long; 0.2 oz 

£80-120 

588. A GEORGE IV SCOTTISH MOUNTED 

HORN SNUFF MULL 

inscribed “W.M. Whitfield Chain maker Dundee 

1825”, also inscribed “John Forster Gateshead 

1870” and another Scottish mounted horn 

snuff mull, both unmarked; approx. 3.5” (9 cms) 

long (2) 

£250-350 

591. A LATE VICTORIAN VESTA CASE 

stamped in relief on the front with two lovers 

in a swing, by H. Matthews, Birmingham 1899; 

2” (5 cms) high; 0.8 oz 

£80-100 

594. A GEORGE III OBLONG VINAIGRETTE 

engraved on the cover (probably later) with a 

castle, the interior gilt, the grille pierced with a 

flower, by T. Phipps & E. Robinson, London 

1800; 1.5” (3.8 cms) long; 0.8 oz 

£150-200 


595. A GEORGE III CIRCULAR PATCH BOX 

with a pull-off, agate-set cover, maker’s mark 

“IS” or “HS”, London 1786; 1.2” (3 cms) diameter 

£80-120 

598. AN EARLY VICTORIAN SILVERGILT 

MOUNTED, MAMMOTH TOOTH IVORY SNUFF 

BOX 

of oblong form with cage-work mounts and a 

chased floral thumbpiece, by Edward Edwards, 


£250-300 

601. AN AUSTRO-HUNGARIAN CIGARETTE 

CASE 

with a concealed hinge, a serpentine 

thumbpiece and incised linear decoration, gilt 

interior, Vienna c.1925 and a late Victorian 

circular dressing table box & cover, London 

1898; 3.5” (9 cms) diameter; 19.5 oz (2) 

£100-130 

604. A WILLIAM & MARY, SMALL TUBULAR 

NUTMEG GRATER 

with a pull-off cover, scratch-engraved 

debased foliage and a rose flower, lift out 

tubular grater, maker’s mark only (on base & 

grater) “IS”, London c.1690; 2.5” (6.5 cms) long; 

0.5 oz 

£600-800 

596. A GEORGE III ÉTUI 

of tapering form with reed borders & a buttonoperated 

cover fitted with the following: a 

bodkin/earpick, a folding 6” rule, a folding bone 

tablet, 2 steel knife blades & fork tines, an 

octagonal handle (with another inside), a 

pencil/dip-pen, a pair of dividers, a pair of steel 

tweezers & a pair of mounted steel scissors, 

unmarked c.1770; 3.6” (9.2 cms) long 

£250-300 

599. A GEORGE III TUBULAR NUTMEG 

GRATER 

with a hinged cover & a hinged side revealing a 

steel grater, unmarked 1760-1780; 2.6” 

(6.6 cms) long; 1.25 oz 

£250-350 

602. AN EARLY VICTORIAN LANCET CASE 

of tapering form with reeded borders & a 

button-operated cover, fitted with two steel & 

tortoiseshell phleams, maker’s mark mis-struck, 

also stamped “MAW”, London 1837; 2.5” 


£150-200 

605. A GEORGE II / III SMALL SILVERGILT 

MOUNTED AGATE SNUFF BOX 

circular with flat chased decoration, unmarked 

c.1760; 2” (5 cms) diameter 

£150-160 

597. A GEORGE III SMALL TUBULAR 

NUTMEG GRATER 

with reed borders, a pull-off base & a pull-off, 

domed cover, revealing a steel grater, unmarked 

c.1790; 1.5” (3.6 cms) high; 0.5 oz 

£100-130 

600. BY GEORG ADAM SCHEIDT: 

An Austro-Hungarian mounted glass smelling 

salts bottle with a hinged cover decorated 

flame red & green enamel depicting a tulip 

flower, the body cut & etched to resemble the 

leaves & stalk of the tulip, glass stopper, Vienna 

c.1900; 2.5” (6.2 cms) high 

£250-300 

603. A LATE 19TH CENTURY PARCELGILT 

COPPER PHOTOGRAPH FRAME 

decorated in high relief with putti around the 

sides, tied ribbon surmount & easel support; 

11.6” (29.5 cms) high 

£70-100 

606. A VICTORIAN CHATELAINE CLASP WITH 

SIX CHAINS 

and the following various fittings dependent: a 

thimble holder, a pencil holder, a scissor’s 

sheath, a needle case and a plated spectacle’s 

case, the clasp & silver fittings by C.D. Miller, 

London/Birmingham 1888/91; the clasp 3.1” 

(8 cms) long; 3 oz weighable silver 

£120-150 


71

607. A LATE 18TH CENTURY MOUNTED, 

LACQUERED TORTOISESHELL SNUFF BOX 

oval with a coloured floral spray inlaid on 

the cover, unmarked c.1785; 2” (5 cms) 

high 

£300-350 

610. **A LATE 19TH CENTURY FRENCH 

MOUNTED GLASS DRESSING TABLE BOX, 

circular with a pull-off cover, decorated in 

polychrome cloisonne enamel, maker’s mark 

unclear, retailed by “SPAULDING & CO., 

CHICAGO” c.1900; 3.2” (8.1 cms) diameter; 2 oz 


£600-700 

613. A MODERN SCOTTISH 9 CT. GOLD 

“LUCKENBOOTH” BROOCH 

maker’s mark “T.E.”, Edinburgh 1972; 2” (5 cms) 

high; approx. 0.4 oz 

£150-200 

616. **AN EARLY 18TH CENTURY 

CONTINENTAL PATCH BOX 

engine-turned with a ‘weave’ pattern, screw 

cover, unmarked, probably German c.1700 and 

a continental, 18th century scent flask with 

screw cap & wrythen fluting, probably German 

c.1750; 2.45” (6 cms) high; 1.5 oz (2) 

£250-300 

72 

608. **A LATE 18TH CENTURY CONTINENTAL GILT 

METAL & MOTHER OF PEARL MAKE-UP BOX 

carved with birds & scrolls on the cover & base, the 

interior with a mirror, 2 hinged compartments & an open 

compartment with a brush, unmarked probably French; 

2.25” (5.6”) wide 

£250-300 

611. **A SMALL LATE 18TH CENTURY 

GERMAN OVAL BOX 

with a pull-off cover decorated with wrythen 

fluting, maker’s mark indistinct, Nuremberg 

c.1773-6; 1.75” (4.5 cms) long; 0.2 oz 

£200-250 

614. **MINIATURES/TOYS: 

A 3-light candelabrum, a Dutch group of 2 

figures & a barrel, a Chinese sedan chair & oxen 

pulling a sled; the latter 2.2” (5.5 cms) long; 

2.2 oz (4) 

£40-50 

617. **A SET OF SEVEN CONTINENTAL 

BUTTONS 

domed, with stamped decoration, maker’s mark 

“MDW”, town mark a device, unascribed 

possibly German, late 18th century and a late 

18th century small circular seal box with bright 

cut border, initialled, c.1780; 1.5” (3.8 cms) 


£40-60 


609. **AN 18TH CENTURY DUTCH 

MINIATURE BELL 

with a turned handle, by Jan Borduur, Jnr., 

Amsterdam, 1750; 2.1” (5.2 cms) high; 1.1 

oz 

£300-350 

612. TWO SMALL ENGRAVED VINAIGRETTES 

(one in the form of a purse), the larger example 

initialled, by Thomas Newbold, Birmingham 

1825, the other by John Tongue, Birmingham 

1817; 0.75” (2 cms) long; 0.3 oz (2) 

£200-250 


in the form of a stylised purse, with pricked 

work to simulate stitching, initialled “CD”, by 

Simpson & Son, Birmingham 1817; 1.25” 

(3.3 cms) long; 0.4 oz 

£250-300 

618. **MINIATURES OR TOYS: 

A Dutch group of musicians & dancers on an 

oblong base, a Dutch windmill, an English chair, 

a Dutch basin stand and an English tea pot & 

cover, mixed makers & dates; the latter 1.6” 

(4 cms) high; 3.2 oz (5) 

£130-150 


620. **A GEORGE I MOUNTED TERRAPIN 

SHELL SNUFF BOX 

oval with a concealed hinge, the cover 

inscribed “John Nunn, Holbeach 1718”, 

unmarked c. 1718; 2.5” (6.5 cms) long 

£800-900 

623. A GEORGE III VINAIGRETTE 

of rounded oblong form with pricked 

borders of amoeba-like decoration 

inscribed “L’Amour” on the cover, diaper 

work grille (detached), by Joseph 

Wilmore, Birmingham 1814; 1.5” (4 cms) 

long; 0.5 oz 

£150-200 

619. A RARE COLLECTION OF 18TH CENTURY TURNED BONE TOYS/MINIATURES COMPRISING: 

a pestle & mortar, a bottle vase & cover, three goblets, a caster, a baluster tankard, a slightly larger 

baluster tankard (cover detached), a chamberstick, a covered beaker, a straight-sided tankard (cover 

detached), and a pair of candlesticks (in a larger scale), unmarked, late 18th century Continental; the 

candlesticks 3.4” (8.6 cms) high; the caster 2.25” (5.6 cms) high (14) 

£1500-2000 

621. **A FRENCH MINIATURE THREE PIECE 

COFFEE SET & A MUG 

with lobed & engraved decoration, traces of 

gilding, no maker’s mark c.1880; the coffee pot 

3.4” (8.5 cms) high; 3.2 oz (4) 

£80-100 

624. A CONTINENTAL LADIES COMPACT 

oblong & decorated with translucent blue 

enamel on a wavy, engine turned ground, the 

interior fitted with a scent flask, two make-up 

pencils and a mirror, hinging up to reveal a 

powder compartment, with English import 

marks for London 1925 (with an associated 

case); 1.75” (4.5 cms) long; 1.75 oz 

£400-500 


622. A RARE GEORGE II GOLD MOUNTED 

COWRIE SHELL SNUFF BOX 

with a mother of pearl cover and a serpentine 

thumbpiece centred by a shell, unmarked 

c.1740; 2.9” (7.3 cms) long 

£800-1000 

625. A VICTORIAN ENGRAVED 

VINAIGRETTE 

of shaped oblong outline with concaved 

sides, the cover engraved with a lake 

scene with a bridge & buildings at 

sunrise, the base initialled, by Edward 

Smith, Birmingham 1845; 1.35” (3.5 cms) 

long; 0.5 oz 

£400-500 


73

626. A 19TH CENTURY FRENCH NIELLO- 

WORK SNUFF BOX 

of rounded oblong form, the cover with a scene 

depicting the last supper, gilt interior, maker’s 

mark a letter unclear, 1840-60; 3.5” (9 cms) 

long; 4 oz 

£150-200 

629. **A LATE 18TH CENTURY FRENCH 

SNUFF BOX 

upright oval in form with engraved spiral 

fluting, hinged cover and a pull-off outer 

sleeve or cup, gilt interior, maker’s mark “FW” 

(incise), Strasbourg c.1770; 2.5” (6.4 cms) high; 

3.25 oz 

£700-800 

632. A 19TH CENTURY BRASS MOUNTED 

TIPSTAFF 

with a short, wooden shaft; 7.75” (19.6 cms) 

long 

£80-100 


engraved with a vintage car & the initials 

“A.A.C.” by Arthur Cook, Birmingham 1903 and 

two other vesta cases; 2.5 oz (3) 

£80-100 

74 

627. JAMES SCOUTER 

Miniature portrait of a gentleman wearing grey 

coat & blue waistcoat half length on ivory, 

signed & dated probably 1769, later frame 

£600-800 

630. AFTER SIR THOMAS LAWRENCE 

Portrait of Lady Peel (nee Floyd) standing 

wearing feathered hat threequarter length, 

pencil & watercolour; 9.5 x 7 cms 

£100-150 

633. ENGLISH SCHOOL C.1775 

Miniature portrait of a naval officer wearing 

uniform, head & shoulders on ivory in engraved 

oval gold frame; 3.75 x 2.75 cms 

£300-400 


SILVERGILT & ENAMEL, SINGING BIRD BOX 

in the form of a decorative casket on four 

curved legs, the domed oval cover decorated 

with a polychrome vase of flowers; 4.5” 


£1200-1500 


628. A WILLIAM IV SNUFF BOX 

of rounded oblong form with engine-turned 

decoration, the cover decorated in relief with a 

hare-coursing scene within a scroll border, the 

base inscribed “JOS. Pebody, Braunston”, gilt 

interior, by Joseph Wilmore, Birmingham 1836; 

3.25” (8.1 cms) long; 3 oz 

£200-300 

631. A PLAIN CHINESE CARD CASE 

with a flip up cover & engraved character 

inscription, maker’s mark “LH” & character 

mark, together with an Indian card case with 

flat-chased decoration; the former 3.3” 

(8.5) cms long; 4.2 oz (2) 

£100-150 

634. AN EARLY 19TH CENTURY TREEN BOX 

in the form of a shoe with swing-open sole & 

an inlaid mother of pearl, lozenge cartouche; 

3.1” (8 cms) long 

£80-100 


Four various thimbles, two vesta cases, a 

bookmaker holder & a small fruit/paper knife 

with a slide-out blade; 2.75” (7 cms) long; 4 oz 

(8) 

£100-150 


638. SEWING: 

A mother of pearl thimble with gilt metal 

mounts; 0.85” (2.2 cms) high 

£60-80 

641. ATTRIBUTED TO WILLIAM HAMLET OF 

BATH 

Silhouette portrait of a young officer in 

uniform in profile, 8.75 x 6.5 cms brass frame 

£200-250 

644. ENGLISH SCHOOL C.1800 

Miniature portrait of a gentleman wearing 

brown coat, head & shoulders on ivory oval 

4 x 3.25 cms, eglomise mount 

£100-150 

647. A LATE VICTORIAN GAMING MARKER 

with slide-out tabs, possibly for Whist, by 

Sampson Mordan & Co., London 1891; 2.6” 

(6.5 cms) long; 1.25 oz 

£80-120 

639. THREE BRASS VESTAS: 

a Victorian example in the form of an owl, a 

Dowlery Nocturnal patent example c.1860 and 

a Beanfils vesta & candleholder combined, the 

latter 4.1” (10.5 cms) high (3) 

£200-220 


an early 20th century gilt metal pen tray & 

matching note pad mount with etched & linear 

decoration, each stamped “Tiffany Studios - 

New York”; the latter 7.75” (19.6 cms) long (2) 

£250-300 

645. A 20TH CENTURY NOVELTY METAL & 

WOOD TABLE LIGHTER 

in the form of a “tinder pistol”, by Dunhill; 

5.75” (14.5 cms) long 

£80-100 


CONTINENTAL ELECTROPLATED CIGARETTE 

CASE 

decorated in polychrome enamel on the cover 

with a naked young girl in her boudoir putting 

on a pair of pink stockings, probably German 

c.1900; 3.5” (9 cms) high 

£250-300 

640. A MODERN MOUNTED PENCIL 

SHARPENER 

circular with a lift-off cover, set with an 

enamelled panel depicting a crowing cock, by 

A. Barrett & Sons (of 64 Piccadilly), London 

1914; 1.2” (3 cms) diameter 

£200-220 

643. ATTRIBUTED TO WILLIAM HAMLET OF 

BATH 

Silhouette portrait of an officer in uniform, half 

length in profile; 6.5 x 5 cms 

£120-180 

646. CONTINENTAL SCHOOL EARLY 19TH 

CENTURY 

Miniature portrait of a young officer in 

uniform, half length on ivory; 7.5 x 5.25 cms 

£120-180 

649. A PAIR OF VICTORIAN ELECTROPLATED 

KNIFE RESTS 

cast in the form of man with a cudgel, trying to 

persuade a mule to ford a stream, by William 

Hutton & Sons Ltd. (with registered design 

lozenge); 3.5” (9.5 cms) long (2) 

£130-150 


75

650. BY STUART DEVLIN: 

A modern silvergilt surprise egg with a swirling, 

textured surface, the interior with a kangaroo 

& joey in it’s pouch, London 1974; 2.8” 

(7.2 cms) high; 6 oz 

£300-400 

653. A GEORGE III MOTHER OF PEARL 

MOUNTED, FOLDING FRUIT KNIFE 

and matching for, with engraved decoration & 

the Prince of Wales’ feathers on each side of 

each handle, no maker’s mark, Sheffield 1800- 

1815, in original tooled leather case measuring 

4.1” (10.5 cms) long 

£200-250 


AMERICAN VESTA CASE 

stamped on each side in low relief with a stag’s 

head below a clock face, registering 11 o’clock, 

below the initials “BPOE”*, maker’s mark “G” 

(conjoined), suspensory ring, c.1900; 2.5” 

(6.5 cms) high; 1.25 oz. 

£100-150 

*For the “Benevolent & Protective Order of 

Elks”, known as the Elks Lodge (or the Elks), a 

fraternal order founded in North America in 

1868. It is one of the leading fraternal orders in 

the U.S. with nearly 1 million members 

659. A GEORGE I MINIATURE OR TOY KETTLE 

on a 3-legged stand with detachable burner, 

the squat circular kettle with a swing handle & 

lift-off cover, unmarked, 1715-20; 5” (12.5 cms) 

high overall (to handle); 5.5 oz 

£150-200 

76 

651. A GERMAN ART NOUVEAU MOUNTED 

LEATHER NOTE/CARD CASE 

stamped with a poppy flower & seed heads in 

relief, c.1900; 5.5” (13.1 cms) long 

£60-80 


CASE 

with engine-turned decoration, by H. 

Woodward & Co., Birmingham 1918; 4.45” 

(11.3 cms) long; 4.2 oz 

£800-900 

657. EARLY MOTORING: 

An Edwardian circular vesta case, stamped on 

the front in low relief with three people 

enjoying a run out in the countryside, sitting in 

a vintage open tourer, by James Fenton, 

Birmingham 1906; 1.55” (4 cms) diameter; 

0.65 oz 

£300-400 

660. A LATE 19TH CENTURY VESTA CASE 

AND CIGAR CUTTER COMBINED 

oblong with a gilt interior and a compartment 

with a small cover to collect cigar cuttings, the 

cover initialled “MB” below a coronet, 

unmarked c.1880; 2.15” (5.5 cms) long; 2.25 oz 

£100-150 

652. THIMBLES: 

Four small examples “The Spa” thimble in a 

leather case, and two plated examples (7) 

£100-150 

655. A LATE VICTORIAN SMOKER’S 

COMPENDIUM 

plain oblong with a rounded end, and three 

hinges, opening to reveal compartments for 

cheroots, vestas, a vesta striker plate, with 

covered knurled wheel on one side to withdraw 

a slow match or taper, engraved with a Baron’s 

coronet & initial “D”; 3.95” (10 cms) long by 

William Tietzsch, London 1894; 4.2 oz 

£400-500 


enamelled on the front with a facsimile post 

card, addressed to: “T.A. Richardson, 49 

Mansfield Rd, Ilford”, suspensory ring, by 

J.M. Banks, Chester 1906; 2.25” (5.5 cms) high; 

1.25 oz 

£250-300 


A Victorian, oval tubular vesta case with a flip 

cover, initialled, maker’s mark struck on curve, 

Birmingham 1874, three miniature or toy 

chairs, and an Albert chain; 3 oz (5) 

£100-120 


662. TWO VICTORIAN GOLD FOB SEALS 

One with a cornelian matrix, the other with a 

citrine matrix & intaglio initials; both approx. 

1” (2.5 cms) high (2) 

£200-250 


A vinaigrette A/F, two rings, two brooches, 

three round small model bicycles, two vesta 

cases, a wine label, a button & a salt spoon; 

4 oz (lot) 

£80-120 

668. A VICTORIAN PLATED VESTA CASE 

in the form of a horseshoe with provision for a 

‘slow match’, decorated on the front with a 

small enamelled plaque depicting a huntsman 

jumping a gate, initialled, and 2 other modern 

vestas; the former 2.2” (5.6 cms) high (3) 

£100-150 

671. A CARVED OAK WATCH STAND 

a carved wooden, folding watch stand, two 

silver pocket watches, an Albert chain and a 

brass, pocket compass; the compass 1.7” 


£80-100 

663. A LARGE VICTORIAN GOLD FOB SEAL 

chased with fruiting vines, on a pendant ring, 

the cornelian matrix with intaglio crest & 

initials; 1.5” (3.6 cms) high 

£200-250 

666. A LATE VICTORIAN ART NOUVEAU 

PENDANT 

of shaped oval outline with an ‘open’ centre, 

decorated top & bottom with blue & green 

enamel panels, maker’s mark of William Hair 

Haseler, c.1900; 2.7” (6.8 cms) high; 0.5 oz 

£60-80 

669. A CASED VICTORIAN GILT METAL 

PAPER KNIFE 

with an engraved blade & a carved ivory handle 

in the form of a bird claw grasping an egg, 

unmarked c.1870; 10.75” (27.4 cms) long 

£150-200 

672. A 19TH CENTURY CARVED IVORY 

WHISTLE 

in the form of a hound mask and a small brass 

whistle with ‘corded’ decoration; the former 2” 

(5 cms) long (2) 

£100-150 

664. A SMALL COLLECTION OF SEALS: 

Four miniature Victorian gold fob seals on a 

ring, each with a coloured hardstone matrix 

and a slightly larger seal; the latter 0.8” 

(2.1 cms) high (2) 

£120-150 

667. THREE PENS: 

A modern ball point with a pale green enamel 

band around the centre by Tiffany & Co., a gilt 

metal & plastic “Marksman” fountain pen 

example resembling a cigar and a gilt metal & 

enamel “Minka” fountain pen (3) 

£60-80 

670. TREEN: 

A waisted box & cover, two other small boxes, a 

small pin cushion, a smaller Tunbridgeware pin 

cushion, a small waisted mortar and a carved 

coquilla nut box in the form of an egg; the 

latter 3” (7.5 cms) high (7) 

£150-200 


A Mauchlinware tubular case “STIRLING 

CASTLE”, a wood & ivory gaming marker, a 

papier mache box, a turned wooden box, a 

novelty wooden spoon, an ivory ‘barrel’ box, a 

bore crochet hook, a cased Daguerro-type 

portrait of a girl and 4 other items; the 

Daguerro-type 3.75” (9.5 cms) high 

£150-200 


77

78 

674. A MID 18TH CENTURY FRENCH PARCELGILT SNUFF BOX 

of plain oblong form, decorated on the sides & base with engraved architectural scenes within floral 

scroll borders, the cover decorated in low relief with a reclining figure in an architectural landscape, 

again with a floral scroll border, gilt interior, unmarked probably Paris c.1750; 3.25” (8.2 cms) long; 

6.5 oz 

£600-800 

675. AN 18TH CENTURY FRENCH PARCELGILT SNUFF BOX 

with two-colour gilding, oblong engraved linear decoration on each panel 

centred by a chased, floral spray, gilt interior, by Jean Frederic 1er, Buttner, 

Strasbourg 1759; 3” (7.6 cms) long; 4 oz 

£1200-1500 

*See Snowman, A.K: Eighteenth century Gold Boxes of Europe, pp. 405 for 

an illustration of a gold box by the same maker which was the gift of King 

Christian the Seventh of Denmark to a John Secker in 1768 when the King 

visited London in that year. 

677. SOPHIE LIENARD (19TH C. FRENCH) 

A miniature portrait of a lady, Eliza McGhie seated on a sofa holding a rose, 

three quarter length on porcelain, signed; 6.9” x 5.75” (17.5 x 14.5 cms). 

£1000-1500 

*The reverse inscribed “Eliza McGhie, daughter of Captain Hugh Barnet 

McGhie, 1st Royals. Born 19 October 1808. Married 17 September 1832 - to 

Patrick Muldoon Esqre. of Old Castle Co. Meath Ireland”. From the original by 

Dubufe, May 1835 

676. A GEORGE I ÉTUI 

of tapering form with a button-operated cover, engraved top & base and 

leather-clad body, the cover unclad, initialled & inscribed “L.G. Prescott”, 

fitted with a folding fruit knife, a pair of mounted steel scissors, a bone 

tablet, an earpick & scoop and needlecase, unmarked c.1720; 3.4” (8.6 cms) 

long 

£100-150 


Jewellery and Watches 

Thursday 14th April at 11am 

Enquiries: Miranda Bingham 

miranda.bingham@lawrences.co.uk 


Lot 1268 

Jewellery Notices 

Weights and measurements are approximate guidelines only. 

The photographs in the catalogue are not always a true representation of the 

colour or size of gemstones and prospective buyers are advised to satisfy 

themselves in this respect. 

Coloured Gem Stones 

Prospective buyers of coloured gemstones, including Jade, should be aware 

that some stones might have been treated to enhance their colour or clarity. 

Sapphires and rubies are commonly heat-treated and emeralds are commonly 

oiled. In the case of heat treatments, these are permanent but can affect the 

durability of the stones. In the case of oiling, this may need to be redone 

after a period of years. The international jewellery trade has generally 

accepted these methods. It is not possible for Lawrences to obtain 

gemmological reports on stones offered for sale and so prospective 

buyers should assume all gemstones may have been enhanced by some 

method. 

Jewellery and Watches

801. A QUANTITY OF JEWELLERY 

including a Victorian garnet mourning brooch, an opal five stone ring, an 

emerald and diamond ring, a pearl and gem set two row ring, a 22ct. gold 

wedding band, a 15ct. gold bangle and various other items. 

£150-200 


including a pair of piqué drop earrings, a gold gypsy ring set with a 

diamond, a gold gypsy ring set with rubies and diamonds, a garnet and 

gold three stone ring, a sapphire and diamond ring, a gold signet ring and 

various other items. 

£100-150 


including a graduated amber bead necklace, a coral necklace, a jet necklet 

and various other items of jewelley. 

£150-200 

80 


including a 9ct. gold gate link bracelet, an 18ct. gold wedding band, a 

pietra dura pendant, three pairs of amber earrings, a pearl and gem set 

gold foliate brooch, a hat pin by Charles Horner, and various other hat 

pins. 

£200-300 


including a pearl ring set with a green stone, a green paste necklace, a 

piqué brooch, and various other items. 

£60-80 


including three assorted coral necklaces, a black enamel and gold 

mourning brooch, a tiger’s eye ring and an amethyst quartz brooch. 

£120-180 


807. A QUANTITY OF JEWELLERY 

including five enamel foliate clips, a cameo pendant in black onxy frame 

and on a black onyx bead necklace, with a similar pair of drop earrings 

and various other items. 

£80-100 


including a cased set of mother of pearl and gilt dress studs, a pair of 

18ct. gold dress studs, a citrine and gold brooch, a shell cameo and gold 

ring, an amethyst and pearl brooch and various other items. 

£60-80 


including a gold clasp set with a cultured pearl and five small sapphires, a 

large shell cameo brooch, two jade charms, and various other items. 

£100-120 

808. A CARVED IVORY BANGLE 

of foliate form, together with other various pieces of ivory. 

£100-120 


including a 9ct. gold curb link bracelet set with three turquoise 

cabochons, a pair of enamel memorial lockets, a 15ct. gold, pearl and gem 

set ring, a 9ct. gold signet ring, a gold foliate pocket watch, an enamel 

and gold regimental brooch and various other items. 

£300-400 


including a long coral necklace, an amber bead necklace, a gold fox mask 

stock pin, a circular garnet brooch, an 18ct. gold pocket watch with 

enamel decoration, and a paste set foliate brooch. 

£250-300 


81

813. A 9CT. GOLD MASONIC PENDANT 

a gold and enamel bracelet and various items of marcasite jewellery. 

£60-80 


including an enamel and silver pendant, a gold watch on an expanding 

bracelet and various other items. 

£80-100 


including a Victorian ruby and pearl brooch, a gold brooch set with a 

small diamond and two pearls, a gold ring set with a cultured pearl and 

various other items. 

£100-120 

82 


including a 15ct. gold necklace set with two zircons, an amethyst and 

opal five stone ring, a graduated amber bead necklace, a gold hunting 

horn brooch and various other items. 

£150-200 


including two 18ct. gold wedding bands, a 9ct. gold watch chain, a gold 

ring set with five small diamonds and various other items. 

£200-250 


including a piertra dura brooch, a gold brooch set with a ruby and small 

diamonds, two gold brooches set with plaited hair, a pair of gold tassel 

drop earrings and various other gold pendants etc. 

£400-450 



including an opal and gold pendant, a blue enamel, pearl set and gold 

heart-shaped locket pendant, two opal rings, a pair of opal and ruby stud 

earrings and various other items. 

£100-200 


including a gold spinning fob set with tiger’s eye and cornelian, an 

enamel and gold naval crown brooch, two gold locket pendants, and 

various bar brooches etc. 

£300-400 

823. A 15CT. GOLD AND ZIRCON BROOCH 

two gold and red enamel bow brooches, a gold bow brooch set with small 

diamonds, a gold snake brooch, a gold swirl brooch and various other 

brooches etc. 

£200-300 


including a fob seal set with an amethyst, a 9ct. gold cruciform pendant, 

a stick pin set with a bloodstone, and various other items. 

£80-100 


including a Georgian garnet brooch, an enamel and pearl ring, a cultured 

pearl necklace, a diamond, pearl and guilloche enamel ring, an opal bar 

brooch, a paste set cruciform pendant and various other items. 

£200-250 

822. A QUANTITY OF GOLD CHARMS 

some 18ct. gold and others 9ct. gold. Total weight approximately 80 

grams. 

£300-400 

823A. A QUANTITY OF GOLD CHARMS 

including a gold seal, a gold coin holder, a Hungarian coin in a pendant 

mount, a gold swivel fob set with a cornelian, and various other charms. 

£400-500 

824A. A QUANTITY OF JEWELLERY 

including a gold circular locket set with a ruby and four rose-cut 

diamonds, an 18ct. gold gypsy ring set with a diamond and two small 

rubies, a gold heart ring set with a small diamond, a paste set necklace 

and various other items. 

£100-150 


83

825. A BOXED SET OF ASSORTED 

GEMSTONES 

including tanzanite, a sapphire, green garnets, 

pink tourmalines, rough ruby, ametrine and 

synthetic topaz. 

£250-300 


including an aquamarine and diamond brooch, 

an opal and diamond brooch, a green and 

white paste set brooch, a gold wristwatch with 

expanding bracelet, and three stick pins. 

£150-200 


including a 9ct. gold gate link bracelet, a 

diamond solitaire pendant, a gold wristwatch, a 

gold buckle ring, a gold signet ring, an opal and 

gold ring, a ruby and diamond ring, a sapphire 

and diamond cluster ring and various other 

items. 

£150-200 

834. A VICTORIAN DIAMOND AND PEARL 

DOUBLE CLUSTER BROOCH 

set in silver and gold, (some diamonds missing), 

a seed pearl star burst brooch, another brooch 

and a two row uniform cultured pearl necklace. 

£100-120 

84 

826. A PAIR OF 18CT. GOLD CUFFLINKS 

each set with a medallion, a pair of enamel 

drop earrings and various other pairs of gold 

earrings. 

£250-300 


including a gold pendant set with a cabochon 

moonstone, a gold quartrefoil pendant, a 

chrysoprase and gold ring, a garnet single 

stone ring and various other items. 

£300-350 

832. A SAPPHIRE AND DIAMOND BROOCH 

a diamond swallow brooch, two other brooches 

and a pair of lorgnettes. 

£100-120 


including a foliate engraved gold locket 

pendant, an amethyst flower brooch, a lady’s 

gold wristwatch and a pair of gold cufflinks. 

£200-250 

827. A 15CT. GOLD SOUTH AFRICAN GOLD 

RUSH BROOCH 

4.5cm. long, a gold kookaburra brooch, a gold 

fob set with a bloodstone, three gold dress 

studs, a gold indentity bracelet, and various 

other items. 

£200-300 


including a Victorian 15ct. gold brooch set with 

a small diamond, a 22ct. gold wedding band, a 

gold brooch set with a spade guinea, 1887, a 

9ct. gold lady’s wristwatch and a pair of 

cufflinks. 

£300-350 

833. A QUANTITY OF SILVER JEWELLERY 

including a ring set with an amethyst, a pair of 

Royal Air Force cufflinks and various other 

items. 

£50-60 


including a diamond and sapphire pendant, a 

gold pendant set with a shell camoe, a gold 

signet ring set with a bloodstone, three 

assorted seals and a large shell cameo brooch. 

£200-250 



including a diamond and 15ct. gold gypsy ring, 

a ruby and diamond ring, a diamond ring set 

with nine princess-cut diamonds, an oval gold 

locket, two amethyst pendants and various 

other items. 

£200-250 

840. A VICTORIAN GARNET AND GOLD 

MOURNING PENDANT 

set with a cabochon garnet, with black enamel 

decoration, with locket compartment to the 

reverse and inscribed with the initials, H.L.H., a 

pearl and blue enamel decorated mourning 

pendant, a cameo and pearl brooch, a circular 

gem set locket pendant and an amethyst and 

pearl circular brooch. 

£100-150 

843. AN ENAMEL AND DIAMOND BUCKLE 

RING 

set in 18ct. gold, a turquoise and pearl cluster 

ring set in gold, a garnet cluster ring set in 

gold, a garnet single stone ring, set in gold, an 

agate and gold three band ring, and a zircon 

and gold ring. 

£100-150 

846. A CORAL AND GOLD CAMEO RING 

a diamond five stone ring set in 18ct. gold, a 

diamond three stone ring, set in 18ct. gold and 

platinum, a diamond solitaire ring, set in 18ct. 

gold and platinum, a 22ct. gold wedding band, 

a 9ct. gold wedding band, and two other rings. 

£150-200 


including a rose-cut diamond and enamel 

regimental brooch for the Royal Artillery, an 

enamel and gold brooch for the Royal Artillery, 

a gold brooch set with a garnet, an unmounted 

carved shell cameo, an amethyst and pearl set 

brooch, and a ruby and diamond ring. 

£80-100 

841. A DIAMOND AND PEARL THREE STONE 

RING 

a diamond three stone ring set in 18ct. gold, a 

diamond cluster ring set in platinum and 18ct. 

white gold, a garnet and cultured pearl ring, a 

15ct. gold wedding band, two 18ct. gold 

wedding bands, a gold signet ring set with a 

bloodstone and a platinum wedding band. 

£100-150 

844. A DIAMOND RING 

set with a cushion-shaped diamond in gold, a 

diamond v-shaped ring set in 18ct. gold, a 

white opal and 18ct. gold ring, and a gold ring 

set with three small rubies and two diamonds. 

£150-200 

847. A SAPPHIRE AND DIAMOND RING 

set with three oval-shaped sapphires and six 

circular-cut diamonds in gold, a diamond 

cluster ring, set in gold, and a tanzanite five 

stone ring, set in gold. 

£250-350 


including a 22ct. gold gypsy ring set with three 

rubies, a diamond three stone ring set in 18ct. 

gold and platinum, a gold watch on an 

expanding bracelet and various other items. 

£150-200 

842. A DIAMOND AND GEM SET SEVEN 

BAND RING 

set in gold, a ruby five stone ring, a turquoise 

and diamond cluster ring, a turquoise eternity 

ring and a turquoise and ruby cluster ring. 

£150-200 

845. A 22CT. GOLD WEDDING BAND 

another 22ct. gold wedding band, an 18ct. gold 

signet ring engraved with initials and foliate 

decoration, a platinum wedding band, three 

9ct. gold signet rings and a 9ct. gold wedding 

band. 

£300-350 

848. A DIAMOND CLUSTER RING 

set in 18ct. gold, a ruby and diamond cluster 

ring set in 18ct. gold, a diamond seven stone 

ring, set in 18ct. gold, a diamond solitaire ring 

set in 18ct. gold and platinum and another 

diamond solitaire ring set in 18ct. gold. 

£100-150 


85

849. A 9CT. GOLD FLOWERHEAD BROOCH 

centred with a cultured pearl, a pair of gold 

and cultured pearl clip earrings and two other 

pairs of earrings. 

£80-100 

852. A 9CT. ROSE GOLD BRACELET 

18cm. long, 23 grams. 

£150-200 

855. A 9CT. GOLD OVAL LOCKET 

with engraved foliate decoration to one side, 

on a 15ct. gold neckchain. 5 x 4cm. 26 grams. 

£150-200 

858. AN 18CT. GOLD FANCY LINK BRACELET 

20cm. long, 14 grams. Together with two 9ct. 

gold chains. 30 grams. 

£300-400 

86 

850. A HEART-SHAPED CITRINE, PEARL AND 

GOLD BROOCH 

three various pearl and gem set bar brooches, a 

pearl and gold oval brooch and a cannetille 

gold brooch. 

£150-200 

853. A 9CT. GOLD CURB LINK BRACELET 

set with many assorted gold charms. 103 

grams. 

£600-700 

856. A 9CT. GOLD FANCY LINK BRACELET 

with padlock clasp. 18cm. long, 17 grams. 

£120-180 

859. A THREE COLOUR 9CT. GOLD NECKLET 


£100-120 

851. A 9CT. GOLD FLAT TEXTURED BRACELET 


£200-250 

854. A HEAVY 9CT. GOLD CURB LINK 

BRACELET 

with padlock clasp, 62 grams. 

£550-650 


8.4 grams, together with a 9ct. gold curb link 

bracelet, 14 grams, and a silver identity 

bracelet. 

£150-200 

860. A 9CT. GOLD FANCY GATE LINK 

BRACELET 

with padlock clasp. 17 grams. 

£120-180 


861. A 9CT. GOLD FRINGE NECKLET 


£200-250 

864. A GOLD WATCH CHAIN 

formed with oval punched out links, 31.5cm. 

long, 42 grams. 

£300-350 

867. A RUBY AND DIAMOND CLUSTER RING 

set in gold, a peridot and gold ring, a pair of 

peridot stud earrings and a pair of black 

cultured pearl stud earrings. 

£150-200 

870. AN AMETHYST FIVE STONE RING 

set in gold, a diamond five stone ring, set in 

18ct. gold, a gold ring set with a ruby and small 

diamonds, and five other assorted rings. 

£400-500 

862. A 15CT. GOLD GATE LINK BRACELET 

set with five turquoise cabochons, 15 grams. 

£500-600 

865. A 15CT. GOLD BRACELET 

19cm. long, 17 grams, and a 9ct. rose and white 

gold circular link bracelet, 17cm. long, 7 grams. 

£200-250 

868. A PEARL AND GOLD DRAGONFLY 

BROOCH 

7cm. long, a pearl and gold foliate brooch, 

4.5cm. long, and a carved shell cameo ring, 

depicting the head of a classical woman, set in 

gold. 

£100-150 

871. A DIAMOND FIVE STONE RING 

set with five graduated brilliant-cut diamonds, 

a diamond seven stone ring and another ring 

set with five small diamonds. 

£500-600 

863. A 9CT. GOLD MESH LINK NECKLET 


£200-250 


with padlock clasp. 19cm. long, 15 grams. 

£100-150 


19cm. long, 9.7grams, an amethyst single stone 

ring set in gold, a pair of garnet stud earrings 

set in gold, and a garnet and diamond cluster 

ring set in 18ct. gold. 

£100-150 

872. AN 18CT. GOLD GYPSY RING 

set with a diamond and two sapphires, a 

diamond five stone ring set in gold and 

platinum, and a zircon and diamond ring. 

£200-250 


87

873. A GOLD LION’S HEAD BANGLE 

26 grams. 

£200-300 

876. A 9CT. GOLD WATCH CHAIN 

41 grams. 

£200-250 


of oval form with ridged decoration. 9.8 grams. 

Together with a gold wristwatch, three 18ct. 

gold dress studs etc. 

£80-100 

882. AN 18CT. GOLD RING 

of punched-out geometric design, an textured 

18ct. gold band and five other 18ct. gold 

assorted wedding bands. Total weight 

approximately 50 grams. 

£600-700 

88 

874. AN 18CT. GOLD DOUBLE LINK 

BRACELET 


£120-180 

877. A 9CT. GOLD FANCY LINK NECKLET 


£200-250 


suspending a spinning fob set with a 

bloodstone and a cornelian, 20 grams, together 

with an 18ct. gold watch chain, 15 grams. 

£300-350 

883. A DIAMOND FULL CIRCLE ETERNITY 

RING 

set in 18ct. white gold, a wide platinum 

wedding band and six other various platinum 

wedding bands. 

£400-500 

875. A 9CT. ROSE GOLD BANGLE 

engraved with foliate decoration to one side, 6 

grams. Together with a gold coloured bangle in 

the form of a belt. 

£200-250 

878. A GOLD CHARM BRACELET 

set with many gold and various other charms. 

77 grams. 

£550-650 

881. A GOLD GATE LINK BRACELET 

with concealed clasp and suspending a 9ct. 

gold circular charm. 19cm. long, 26 grams. 

£200-300 

884. A 9CT. GOLD ENGRAVED SIGNET RING 

two 9ct. three colour gold wedding bands, and 

six assorted 9ct. gold signet rings. 

Total weight approximately 30 grams. 

£200-300 


885. A PAIR OF GARNET AND GOLD 

CUFFLINKS 

a pair of tiger’s eye and gold cufflinks, three 

pairs of 9ct. gold cufflinks, a pair of 18ct. gold 

rectangular-shaped cufflinks and two other 

pairs of cufflinks. 

£300-400 

888. A QUANTITY OF GOLD PADLOCK 

CLASPS 

Total weight approximately 40 grams. 

£250-300 

891. TWO HEAVY 9CT. GOLD SIGNET RINGS 

nine assorted 9ct. gold rings, two 9ct. white 

gold wedding bands and a 14ct. gold ring. Total 

weight approximately 76 grams. 

£500-700 

894. AN EMERALD AND DIAMOND TWO 

ROW RING 

set in gold, a gold ring set with seven small 

sapphires, a sapphire eternity ring and an 18ct. 

gold ring set with small diamonds (some 

missing). 

£80-100 

886. A QUANTITY OF ASSORTED GOLD 

CHARMS AND PENDANTS 

including an 18ct. gold pendant depicting a 

horse’s head, a 9ct. gold horse pendant, and 

various other charms etc. Total weight 


£400-500 

889. A 9CT. GOLD IDENTITY BRACELET 

a smaller 9ct. gold identity bracelet, together 

with a silver one. Total weight of gold 


£120-180 

892. A HEAVY GOLD WEDDING BAND 

17 grams, two 18ct. gold wedding bands, four 

18ct. white gold wedding bands and a pair of 

gold earrings. The remainder approximately 39 

grams. 

£600-800 

895. A DIAMOND RING 

set with four graduated cushion-shaped 

diamonds in 18ct. gold and platinum, a ruby 

and pearl (one missing) cluster ring set in 18ct. 

gold and a gold signet ring. 

£80-100 

887. A GARNET AND PEARL CLUSTER CLASP 

a garnet and pearl flowerhead clasp and 

various other gem set clasps, some set in gold, 

others in silver. 

£80-100 

890. A 9CT. GOLD GATE LINK BRACELET 

with padlock clasp, together with another 9ct. 

gold gate link bracelet and a 9ct. gold charm 

bracelet. Total weight approximately 48 grams. 

£300-400 

893. A SMOKY QUARTZ SINGLE STONE RING 

set in gold, an oval-shaped citrine single stone 

ring, set in gold and another ring. 

£60-80 

896. A GEORGIAN GARNET RING 

set with five circular-cut garnets in rose gold 

closed back settings, a diamond seven stone 

ring set in 18ct. gold, a diamond three stone 

ring set in gold, and a diamond two stone ring 

set in platinum and gold. 

£300-400 


89

897. A 9CT. ROSE GOLD WATCH CHAIN 

27 grams. 

£250-300 

900. AN 18CT. GOLD NECKCHAIN 

together with another gold chain and an tiger’s 

eye pendant. 

£150-200 


set with assorted charms, including a gold 

envelope containing a note. 16 grams. 

£100-150 

906. A 9CT. ROSE GOLD MUFF CHAIN 

suspending a yellow paste swivel fob. Total 

weight 26 grams. 

£80-100 

90 

898. A GOLD CRUCIFORM PENDANT 

on a gold neckchain. 20 grams. 

£300-350 


set with assorted gold charms, including a 

sovereign,1904. 39 grams. 

£250-300 


19cm. long, a 9ct. gold watch chain, and a 9ct. 

gold chain. Total weight 23 grams. 

£150-200 

907. A GOLD CHARM BRACELET 

set with assorted gold charms. 38 grams. 

£250-300 

899. A 9CT. GOLD OVAL LINK BRACELET 

with padlock clasp, 29 grams. 

£200-300 


with padlock clasp. 20 grams. 

£120-180 

905. A 9CT. GOLD CHARM BRACELET 

set with assorted gold charms. 36 grams. 

£200-300 

908. AN 18CT. GOLD CURB LINK BRACLET 

suspending two 18ct. gold medallions. 29 

grams. 

£200-300 



set with assorted charms. 16 grams. 

£100-150 

912. A GOLD DOUBLE CURB LINK BRACELET 

19.5cm. long, 17 grams. 

£150-200 

915. A DIAMOND THREE STONE CROSS- 

OVER RING 

set in 18ct. gold and platinum, Size T, a 

diamond five stone ring, set in gold, Size T, an 

18ct. gold gypsy ring set with a cushionshaped 

diamond, Size R, and a ring set with 

green glass. 

£300-400 

918. A PAIR OF GOLD SNAKE EARRINGS 

with diamond eyes, a pair of ruby and gold 

cluster earrings, a pair of amethyst and gold 

stud earrings and a pair of circular gold stud 

earrings. 

£100-150 

910. A 9CT. GOLD IDENTITY BRACELET 


£200-250 

913. FIVE ASSORTED GOLD RINGS 

22 grams, and another ring. 

£150-200 

916. AN 18CT. GOLD SIGNET RING 

engraved with a crest, an 18ct. gold wedding 

band and a 9ct. gold wedding band. 

Total weight 13 grams. 

£150-200 

919. A YOUNG HEAD SOVEREIGN 

1872, in gold pendant mount and on a gold 

neckchain. 

£200-250 


set with assorted gold and enamel charms. 44 

grams. 

£300-400 



£250-300 

917. A TURQUOISE AND DIAMOND RING 

set with a cabochon turquoise and four small 

diamonds in gold, a diamond cluster ring, set in 

gold and an amethyst single stone ring, set in 

gold. 

£80-100 

920. A GARNET AND DIAMOND CLUSTER 

RING 

set with a cabochon garnet within a surround 

of rose-cut diamonds in gold, an opal and 

garnet ring set in gold and a ruby and diamond 

five stone ring set in 18ct. gold. 

£100-150 


91

921. A DIAMOND AND CULTURED PEARL 

CIRCULAR PENDANT 

a pendant set with two small diamonds and 

two cultured pearls, a pair of diamond and 

cultured pearl clip earrings and various other 

earrings. 

£200-250 

924. A CITRINE AND GOLD BROOCH 

of oval form. 4cm. wide. 

£150-200 

927. A GARNET AND PEARL TRIPLE CLUSTER 

BROOCH 

set in cannetille gold mount, 5.5cm. wide, and a 

Victorian 15ct. gold brooch set with a diamond. 

£185-220 


of oval form with engine turned decoration, 

together with another pair of 9ct. gold oval 

cufflinks with engraved decoration, and two 

pairs of silver cufflinks. 

£150-200 

92 

922. A GOLD AND DIAMOND DRESS STUD 

a cultured pearl and gold pendant, a gold and 

pearl stick pin and two pairs of earrings. 

£150-200 


suspending seven sovereigns, 

1872,1891,1892,1895,1913, two for 1915, a 

half sovereign, 1912, and a 9ct. gold religious 

pendant. Total weight 89 grams. 

£1200-1500 

928. A GOLD SPINNING FOB 

set with a bloodstone and a cornelian. 3.5cm. 

high. 

£80-120 

931. A 22CT. GOLD WEDDING BAND 

a 14ct. gold bracelet, a gold band set with small 

diamonds and various assorted cufflinks. 

£300-350 

923. A GOLD AND ENAMEL NAVAL SWORD 

BROOCH 

6cm. long, a gold brooch set with three 

cabochon opals, and another brooch. 

£80-120 

926. A MOONSTONE BROOCH 

set with a circular cabochon moonstone, 

together with an oval shell cameo brooch 

depicting the head of a classical woman. 

£80-100 

929. A ROSE GOLD FOB 

set with a citrine. 2.5cm. high. 

£60-80 


oval, engraved with initial R to one side, with 

engine turned decoration to the other, 16 

grams, together with another pair of 9ct. gold 

rectangular-shaped cufflinks, 4.5 grams. 

£150-200 



of rectangular shape, engraved with initials, 

together with another pair of 18ct. gold 

cufflinks of engraved swirl design. 15 grams in 

total. 

£250-300 


of rounded rectangular-form, engraved with 

initials and crest. 10 grams. 

£80-100 

939. A QUANTITY OF VARIOUS CORAL 

DRESS STUDS 

£80-100 

942. A PAIR OF MOTHER OF PEARL AND 

18CT. GOLD CUFFLINKS 

together with a matching pair of dress studs, 

and four mother of pearl and white gold dress 

buttons. 

£150-200 


of oval form, engraved with initials, together 

with another pair of 9ct. gold oval 

cufflinks, engraved with initials. Total weight 21 

grams. 

£150-200 

937. A 9CT. GOLD SIGNET RING 

engraved with crest, together with a pair of 

18ct. gold oval cufflinks, each link engraved 

with a crest. Total weight 17 grams. 

£100-150 

940. A PAIR OF BLACK ONYX CUFFLINKS 

each disc centred with a small pearl, together 

with four matching dress buttons and two 

dress studs. 

£100-150 

943. A CASED SET OF SIX DRESS STUDS 

each mother of pearl disc is centred with a 

small pearl, in gold. 

£80-100 


oval, inscribed with initials, together with a pair 

of navette-shaped 18ct. gold cufflinks, 

inscribed with initials. 14 grams. 

£100-200 

938. AN 18CT. GOLD SIGNET RING 

8.9 grams, a pair of 14ct. gold cufflinks 

engraved with initials, a set of 9ct. gold 

hammered design dress studs (one missing) 

and a set of 18ct. gold dress studs. 

£200-250 

941. A DIAMOND STICK PIN 

set with a circular-cut diamond in gold, a gold 

insect brooch, the wings set with sections of 

carved and pierced jade, and a glass flowerhead 

stick pin. 

£100-150 

944. ASPREY: A CASED SET OF DRESS 

STUDS AND CUFFLINKS 

each set with a panel of mother-of-pearl in 

gold. 

£300-350 


93

945. SIX VARIOUS STICK PINS 

one set with a cabochon opal, one with a small 

diamond, one with a tear-shaped pearl and 

rose-cut diamonds, one with a freshwater pearl 

in claw setting and two others. 

£200-250 


with padlock clasp and two gold charms. 

30 grams. 

£200-300 

951. A SILVER OPEN FACED POCKET WATCH 

BY ELGIN 

the white enamel dial with roman numerals 

and subsidiary seconds dial. Together with a 

silver hunting cased pocket watch by John 

Bennett, and two other silver pocket watches. 

£80-100 

954. FOUR VARIOUS POCKET BAROMETERS 

one in a red leather case. 

£60-80 

94 

946. A GOLD STICK PIN 

set with an oval portrait miniature of a lady, 

together with a pearl and gold stick pin and 

three other stick pins. 

£200-300 

949. AN 18CT. GOLD BRACELET 

set with assorted 9ct. gold charms. 41 grams. 

£400-500 



and subsidiary seconds dial, together with 

another silver open faced pocket watch, the 

white enamel dial signed Clerke 1 Royal 

Exchange 8258, with roman numerals and 

subsidiary seconds dial. 

£80-100 

955. A SILVER HUNTING CASED EIGHT DAY 

POCKET WATCH BY HEBDOMAS 

the white enamel dial with arabic numerals and 

with silver embossed foliate decoration. The 

cases with engine turned and cartouche 

decoration. 

£100-150 


including a diamond stick pin, a pair of pierced 

and carved jade cufflinks, a pair of cufflinks set 

with Greek coins, a gold brooch set with a 

small diamond and another stick pin. 

£150-200 

950. A 9CT. GOLD CRUCIFORM PENDANT 

on a heavy 9ct. gold watch chain. Total weight 

20 grams. 

£120-180 

953. A SILVER HEART-SHAPED POCKET 

WATCH 

the circular dial with arabic numerals, a silver 

open faced pocket watch by Camerer Kuss & 

Co., and two other open faced silver pocket 

watches. 

£80-100 

956. A GOLD PLATED OPEN FACED POCKET 

WATCH BY WALTHAM WATCH CO. 


and subsidiary seconds dial, on a 9ct. gold 

watch chain, suspending a half sovereign, 

1915. Weight of chain 33 grams. 

£350-400 



WATCH BY PRESCOT 


and subsidiary seconds dial, on a 9ct. gold 

watch chain. Weight of chain 38 grams. 

£300-400 

960. A SMALL GOLD OPEN FACED POCKET 

WATCH 

the white enamel dial with roman numerals, 

with foliate engraved and cartouche decoration 

to the back case. 

£80-100 

963. A GOLD PLATED HALF HUNTING CASED 

POCKET WATCH 


and subsidiary seconds dial, together with a 

silver open faced pocket watch by Rutherford 

of Hawick. 

£50-60 

966. AN 18CT. GOLD OPEN FACED POCKET 

WATCH 

the gold textured dial with roman numerals 

and subsidiary seconds dial, full plate English 

lever movement, hallmarked for London 1821, 

with engine turned decoration to the back case. 

£400-500 

958. A 9CT. GOLD OPEN FACED POCKET 

WATCH BY ELGIN 


and subsidiary seconds dial, on a 9ct. rose gold 

watch chain. Weight of chain 34 grams. 

£300-400 


WATCH BY VERITY 

the gold coloured circular dial with roman 

numerals, the back case numbered 1350. 

£80-120 



and subsidiary seconds dial, signed Geo. 

Graham London 4918. Converted pocket watch 

movement by George Graham, expertly fitted 

into a modern silver case. 

£100-150 

967. AN AMERICAN GOLD FULL HUNTING 

CASED POCKET WATCH 


and subsidiary seconds dial, signed Elgin Natl 

Watch Co.. With engraved foliate decoration to 

both cases. 

£500-700 


WATCH 

the two colour gold foliate dial with roman 

numerals and subsidiary seconds dial. With 

foliate engraved decoration to the back case. 

£150-200 


BY THOS. RUSSELL & SON OF LIVERPOOL. 

the white enamel dial with arabic numerals and 

subsidiary seconds dial, together with a 9ct. 

gold wristwatch by Tissot. 

£80-100 


WATCH 

the gold textured dial with roman numerals, 

the movement signed Dent, with engine turned 

and cartouche decoration to the back case. 

With watch key. 

£150-200 

968. AN 18CT. GOLD FULL HUNTING CASED 

POCKET WATCH 


and subsidiary seconds dial, and signed Arnold 

Chas. Frodsham 8978, engine turned decoration 

to both cases. 

£300-400 


95

969. A TRAVELLING CLOCK BY JAEGER- 

LeCOULTRE 

in a leather case. 

£80-100 


WATCH 

the gold dial with roman numerals and foliate 

decoration, the inner case numbered 109224, 

with foliate engraved decoration to the back 

and sides. 

£150-200 

975. AN 18CT. GOLD FULL HUNTING CASED 

POCKET WATCH BY J.W. BENSON 


and subsidiary seconds dial. 

glass missing and hinge on outer case broken. 

£150-200 


WATCH 


subsidiary seconds dial and signed Collingwood 

& Son, the inner case numbered 174124, 

engraved with monogram to the reverse. 

£300-350 

96 


WATCH 

the foliate dial with roman numerals and 

signed C. Lannier Geneve, together with 

another 18ct. gold foliate open faced pocket 

watch and a similar 14ct. gold pocket watch. 

All with metal inner cases. 

£80-100 


WATCH 

the silver dial with roman numerals and foliate 

engraved decoration, with foliate engraved 

decoration to the back case. 

£200-250 

976. A SILVER OPEN FACED CHRONOGRAPH 

POCKET WATCH 


and subsidiary dials. With cartouche decoration 

to the back case. 

£80-100 


WATCH 


and subsidiary seconds dial, on a gold watch 

chain suspending two gold fobs. 

£400-500 

971. FOUR ASSORTED GOLD POCKET 

WATCHES 

all with gold outer cases, but metal inner cases. 

£200-250 

974. AN 18CT. GOLD AND ENAMEL HALF 

HUNTING CASED POCKET WATCH 


and subsidiary seconds dial, with pink guilloche 

enamel outer chapter ring, with foliate and 

cartouche decoration to the cases. 

£200-250 


WATCH 


and subsidiary seconds dial, the inner case 

numbered 55131, with engine turned and 

cartouche decoration to the back case. 

£300-400 


WATCH 


and subsidiary seconds dial, and signed Cyrus 

G.T., the inner case numbered 20734, engine 

turned and cartouche decoration to the back 

case. In fitted case. 

£300-350 


981. A GOLD OPEN FACED POCKET WATCH 


and subsidiary seconds dial, with 9ct. gold 

outer case, and stainless steel inner case. 

Together with a 9ct. gold watch chain. The 

watch chain 37 grams. 

£400-500 

986. A STAINLESS STEEL AUTOMATIC 

WRISTWATCH BY ETERNA 

the white circular dial with arabic numerals 

and subsidiary seconds dial, together with two 

other stainless steel wristwatches. 

£80-120 

989. A STAINLESS STEEL CHRONOSTOP 

WATCH BY OMEGA 

the grey circular dial with baton numerals and 

red sweep seconds hand. On a black leather 

strap with stainless steel deployant clasp. 

£150-200 

982. A SILVER OPEN FACED POCKET BY 

ELLICOT 

the cream dial with roman numerals, the case 

hallmarked for London 1788 and with marker’s 

mark I B, the movement signed Ellicott, London, 

no. 6100, early English cylinder escapement. 

£700-900 

984. AN 18CT. GOLD OPEN FACED POCKET WATCH BY ROLEX 

the circular dial with arabic numerals and subsidiary seconds dial, in a gold cushion-shaped case 

engraved with foliate decoration to the edges, the case numbered 1001439. 

£500-700 

987. AN 18CT. GOLD WRISTWATCH BY J.W. 

BENSON 

the white circular dial with roman numerals, 

three quarter plate lever movement, with pearl 

set monogram to the back case, together with 

a stainless steel and gold plated wristwatch by 

Girard Perregaux. 

£200-250 

990. A GOLD PLATED MECHANICAL 

CHRONOGRAPH WRISTWATCH BY ZODIAC 

the black circular dial with arabic numerals, 

sweep seconds hand and two subsidiary dials. 

£80-100 

983. A GOLD OPEN FACED POCKET WATCH 

the gold granulated dial with roman numerals, 

the case hallmarked for London 1846, the 

movement signed Smith 27 Cornhill London, 

and no. 1030, worn engraved decoration to the 

back case. Key wind. 

£300-400 

985. AN ENAMEL FOB WATCH AND CHAIN 

the gold coloured dial with arabic numerals, 

and with lilac guilloche enamel and gold 

decoration. 

£80-100 

988. A STAINLESS STEEL AND GOLD PLATED 

AUTOMATIC CHRONOMETER 

CONSTELLATION WRISTWATCH BY OMEGA 

the black circular dial with baton numerals, 

sweep seconds hand and date aperture. 

£200-300 

991. AN EARLY AUTOMATIC WRISTWATCH 

BY OMEGA 

the circular cream dial with baton numerals 

and subsidiary seconds dial, in rolled gold case, 

with ‘bumper’ movement. Bears inscription to 

the back case. Circa 1950. 

£120-180 


97

992. A GENTLEMAN’S GOLD WRISTWATCH 

the cream circular dial with arabic numerals, 

sweep seconds hand and signed Helvetia, with 

presentation inscription to the back case. 

£150-200 

995. A GENTLEMAN’S AUTOMATIC 

WRISTWATCH BY OMEGA 

the cream circular dial with baton numerals, 

sweep seconds hand and date aperture. 1960. 

£100-150 

998. A GENTLEMAN’S 18CT. GOLD 

CONSTELLATION CHRONOMETER 


the gold coloured cushion-shaped dial with 

baton numerals, sweep seconds hand and date 

aperture. Quartz movement. On bracelet strap 

with deployant clasp. With paperwork. 

£1500-2000 

1001. A 9CT. GOLD WRISTWATCH 

the circular dial with arabic numerals, inscribed 

with initials to the back case, on a gold 

expanding bracelet, together with another 

wristwatch. 

£150-200 

98 

993. A GENTLEMAN’S GOLD AUTOMATIC 

SEAMASTER DE VILLE WRISTWATCH BY 

OMEGA 

the cream circular dial with baton numerals 

and sweep seconds hand. 

£200-300 


SEAMASTER WRISTWATCH BY OMEGA 

the gold octagonal dial with baton numerals, 

sweep seconds hand and date aperture. Quartz 

movement. 

£80-100 

999. A GENTLEMAN’S STAINLESS STEEL 

OYSTER PERPETUAL AIR-KING WRISTWATCH 

BY ROLEX 

the silvered dial with baton numerals and 

sweep seconds hand, on an oyster bracelet with 

deployant clasp. 

£300-400 

1002. A LADY’S 9CT. GOLD WRISTWATCH 

the octagonal-shaped dial with arabic 

numerals, together with a stainless steel and 

gold plated wristwatch by Omega de Ville. 

£80-100 

994. AN 18CT. GOLD WATCH BY ROTARY 

the rectangular dial with arabic numerals and 

subsidiary seconds dial, on a black leather 

strap. 

£200-250 


WRISTWATCH BY BAUME & MERCIER 

the circular white dial with baton numerals, 

sweep seconds hand and date aperture. On a 

bracelet strap with deployant clasp. 

£200-300 

1000. A GENTLEMAN’S 14CT. GOLD 

WRISTWATCH BY ALPINA GRUEN 

the rectangular dial with luminous arabic 

numerals and hands, subsidiary seconds dial. 

Case numbered 104796, tonneau-shaped 

fifteen jewelled movement, on a gold mesh link 

bracelet with folding centre clasp. With 

inscription to the back case. 

1930. 

£800-1200 

1003. A LADY’S 9CT. GOLD WRISTWATCH BY 

CERTINA 

together with another 9ct. gold wristwatch. 

£100-150 



LONGINES 

the white circular dial with arabic and baton 

numerals, on a fancy link bracelet. With 

paperwork. 

£100-150 

1007. A GOLD HALF SOVEREIGN 

1911, in pendant mount, together with a lady’s 

9ct. gold wristwatch by Tissot. 

£150-200 

1010. AN 18CT. GOLD WRISTWATCH 

the white enamel dial with roman numerals, on 

a gold expanding bracelet, together with a 

silver and enamel watch face. 

£150-200 

1013. A LADY’S SILVER GILT WRISTWATCH BY 

MUST DE CARTIER 

the circular dial with roman numerals, quartz 

movement, on a brown leather strap. With box 

and papers. 

£300-400 


OMEGA 

the circular dial with baton numerals, on a 

integrated bracelet with ladder clasp. 

With Omega fitted case, box and papers. 

£120-180 

1008. FOUR GOLD ASSORTED 

WRISTWATCHES 

all with gold expanding bracelets. 

£250-300 


MUST DE CARTIER 

the grey and black dial with roman numerals, 

on a tan leather strap. With Cartier box and 

associated papers. 

£300-500 


OMEGA 

the cream circular dial with baton numerals, on 

an integrated bracelet. With Omega fitted box. 

£100-150 


ROTARY 

the oval dial with baton numerals, quartz 

movement, on an integrated bracelet. 

£80-100 

1009. A ROSE GOLD WATCH KEY 

engraved with a perpetual calendar. 5cm. long. 

£100-150 

1012. A SILVER GILT WRISTWATCH BY MUST 

DE CARTIER 

the cream rectangular dial with roman 

numerals, on a tan leather strap. With Cartier 

box and associated papers. 

£300-500 

1015. A LADY’S GOLD WRISTWATCH BY 

MAPPIN & WEBB 

the gold circular dial with baton numerals, 

quartz movement, on a black leather strap. 

£150-200 


99


CARTIER 

the square-shaped white dial with roman 

numerals, quartz movement, on a black leather 

strap. 

£300-400 

1019. A LADY’S DIAMOND COCKTAIL WATCH 

the tonneau shaped dial with arabic numerals 

and with eight-cut diamonds set to the bezel, 

on an 18ct. white gold integrated bracelet with 

deployant clasp. 

£800-1000 


the white circular dial with arabic 12 and baton 

numerals, diamonds set to the bezel and with 

further diamonds set to the foliate bracelet, in 

white gold. 

£200-300 


ZENITH 

the cushion-shaped gold dial with baton 

numerals, on an integrated bracelet. 

£600-800 

100 

1017. A 9CT. GOLD WRISTWATCH BY ROLEX 

the cushion-shaped dial with arabic numerals. 

The back case numbered 15 11883, the inner 

case hallmarked for Glasgow 1938. 

£150-200 


the rectangular-shaped dial with arabic 

numerals and with eight-cut diamonds set to 

the bezel, on a white gold expanding bracelet. 

£300-500 

1023. AN LADY’S ART DECO DIAMOND 

COCKTAIL WATCH 

the white rectangular-shaped dial with arabic 

numerals, with eight-cut diamonds set to the 

bezel. On a black elasticated strap. 

£600-800 

1026. A LADY’S GOLD WRISTWATCH 

the square cream dial with arabic and dot 

numerals, signed Universal Geneve, the back 

case numbered 150815 and 1192186, on a 

integrated gold bracelet. 

£400-600 

1018. AN 18CT. WHITE GOLD AND GEM SET 

BRACELET 

set with seven circular-cut sapphires, 18cm. 

long. Together with a lady’s 18ct. white gold 

wristwatch. 

£200-250 

1021. AN ART DECO LADY’S COCKTAIL 

WATCH 

the rectangular dial with arabic numberals, 

with eight-cut diamonds set to the bezel, 

together with a lady’s diamond open faced 

pocket watch, the circular dial with arabic 

numerals, the back case with foliate rose-cut 

diamond decoration, with small rose-cut 

diamonds set to the watch chain. 

£300-400 

1024. A LADY’S 18CT. GOLD AND DIAMOND 

DRESS WATCH BY OMEGA 

the gold coloured circular dial with baton 

numerals, with circular-cut diamonds set to the 

bezel, on an integrated gold bracelet. 

£1700-2000 

1027. A GENTLEMAN’S AUTOMATIC 

CHRONOMETER CONSTELLATION 


the cream circular dial with baton numerals, 

sweep seconds hand and date aperture, on 

Omega leather strap. With case, box and 

papers. 

£200-250 


1028. A GENTLEMAN’S STAINLESS STEEL AND GOLD OYSTER 

PERPETUAL DATEJUST WRISTWATCH BY ROLEX 

the champagne dial with dagger numerals, sweep seconds hand and date 

aperture. Model no. 16013/b, the case numbered 9390123. On an oyster 

bracelet, With Rolex case, box and papers. 1987. 

£1000-1500 

1030. A WIDE 14CT. GOLD BRACELET 

formed with flexible hexagonal links. 20cm. 


£1200-1500 

1033. A 15CT. GOLD HALF HINGED BANGLE 

with rope and ball decoration to one side. 16 

grams. 

£200-250 

1036. A LAPIS LAZULI AND GOLD BRACELET 

formed as five sections of lapis lazuli in gold 

frames. 17cm. long. 

£500-600 


set with assorted gold charms. 49 grams in 

total. 

£300-400 

1034. A CIRCULAR JADE PENDANT 

set with a gold chinese dragon to one side and 

a Chinese character to the other. 6.5cm. dia. 

£150-200 

1037. A VICTORIAN GARNET AND GOLD 

BROOCH 

of circular form, centred with a cabochon 

garnet, 4cm. wide. 

£300-350 

1029. A LADY’S 18CT. GOLD OYSTER PERPETUAL DATEJUST 

WRISTWATCH BY ROLEX 

the white circular dial with roman numerals, sweep seconds hand and 

date aperture. On an Oyster bracelet with deployant clasp. With Rolex 

case, box and papers. 

£6000-8000 

1032. AN 18CT. GOLD BRACELET BY CARTIER 

signed Cartier and numbered 733545, 20cm. 


£1500-1800 

1035. AN 18CT. GOLD NECKLACE 

set with four circular-cut rubies. 42cm. long. 

£300-400 

1038. AN AMETHYST AND PERIDOT TASSEL 

NECKLACE 

formed with faceted amethyst bead and 

peridot roundels, together with a gold bracelet 

set with white stones. 

£150-200 


101

1039. A TOURMALINE AND 

DIAMOND RING 

the cushion shaped green 

tourmaline is set with four 

circular-cut diamonds in 18ct. 

gold. Size K 1/2. 

£250-300 

1043. A DIAMOND FIVE STONE 

RING 

set with graduated circular-cut 

diamonds in gold. Size L. 

£600-800 

1047. AN OPAL AND GARNET 

RING 

set with three oval-shaped 

cabochon opals and six small 

garnets in 18ct. gold. Size P. 

£200-250 

1051. AN 18CT. GOLD SIGNET 

RING 

engraved with crest. 4 grams. Size 

C. 

£80-100 

102 

1040. A GOLD SIGNET RING 

set with an oval lapis lazuli 

intaglio within a gold serpent 

mount. Size K. 

£100-150 

1044. A DIAMOND SOLITAIRE 

RING 

the rectangular-shaped diamond 

is set with three circular-cut 

diamonds to each shoulder, in 

18ct. gold. Size M 1/2. 

£250-300 

1048. A RUBY AND DIAMOND 

CLUSTER RING 

the oval-shaped ruby is set within 

a surround of circular-cut 

diamonds in 18ct. gold. Size K. 

£150-200 

1052. A DIAMOND AND PEARL 

CROSS-OVER RING 

set with a circular-cut diamond 

and a pearl, with diamond set 

shoulders, in gold. Size M. 

£400-500 

1041. AN AQUAMARINE AND 

DIAMOND RING 

set with oval-shaped aquamarines 

and small diamonds in 18ct. gold. 

Size N. 

£400-500 

1045. A SAPPHIRE AND 

DIAMOND CLUSTER RING 

set with circular-cut sapphires 

and circular-cut diamonds, in 

18ct. gold. Size P. 

£150-200 

1049. A VICTORIAN STAR 

MOONSTONE AND DIAMOND 

THREE STONE RING 

set with a cabochon moonstone 

and two cushion-shaped 

diamonds in gold. Size L. 

£300-400 

1053. A DIAMOND HALF HOOP 

ETERNITY RING 

set with eighteen circular-cut 

diamonds in platinum. Size L, 

together with a platinum wedding 

band. Size K. 

£200-300 



RING 

set with an old brilliant-cut 

diamond weighing approximately 

1.30 carats in 18ct. gold and 

platinum. Size M. 

£800-1000 


DIAMOND TWO ROW RING 

set with oval-shaped sapphires 

and cushion-shaped diamonds in 

gold. Size P. 

£200-300 

1050. AN EMERALD AND 

DIAMOND RING 

set with four circular-cut 

emeralds with circular-cut 

diamonds in 18ct. gold. Size K 1/2. 

£300-400 

1054. AN AQUAMARINE AND 


the oval-shaped aquamarine is set 

within a surround of two 

baguette-cut diamonds and ten 

circular-cut diamonds, with 

further diamonds to each 

shoulder, in 18ct. gold. Size P. 

£500-600



the square-shaped emerald is set 

within a surround of circular-cut 

diamonds in 18ct. gold and 

platinum. Size T. Together with an 

opal and diamond ring, set in 

18ct. gold. Size R. 

£300-400 


DIAMOND RING 


and diamonds in 18ct. white gold. 

Size K 1/2. 

£200-250 

1063. A GENTLEMAN’S GOLD 

RING 

set with two brilliant-cut 

diamonds. Size T. 

£500-700 


DIAMOND FIVE STONE RING 

set with a circular-cut sapphire 

and four circular-cut diamonds in 

18ct. gold. Size N. 

£200-300 

1056. A BLUE TOPAZ SINGLE 

STONE RING 

set with a circular-cut topaz in 

gold. Size H. 

£300-400 

1060. A DIAMOND CLUSTER 

RING 

of flowerhead form, set with a 

circular-cut diamond within a 

surround of eight smaller circularcut 

diamonds weighing 

approximately 1.90 carats in total, 

in 18ct. white gold. Size N. 

£1500-2000 


RING 

set with a brilliant-cut diamond in 

platinum. Size R. 

£300-400 

1068. A DIAMOND FOUR STONE 

RING 

set with four brilliant-cut 

diamonds weighing approximately 

1.65 carats in total, in 18ct. gold. 

Size P. 

£1100-1500 

1057. AN 18CT. GOLD GYPSY 

RING 

set with a circular-cut diamond. 

Size P. 

£150-200 


DIAMOND MARQUISE-SHAPED 

RING 

set with a circular-cut sapphire 


diamonds in gold. Size N. 

£300-400 


ETERNITY RING 

set with twelve princess-cut 

diamonds in platinum. Size R. 

£200-250 


RING 

the Asscher-cut diamond weighs 

approximately 1.10 carats and is 

set in 18ct. white gold. Size L 1/2. 

£1500-2000 




the rectangular-shaped emerald is 

set with four baguette-cut 

diamonds and ten circular-cut 

diamonds in 18ct. white gold. Size 

O. 

£850-1000 

1062. A GEORGIAN GARNET 

RING 

set with five garnets in gold 

closed back settings. Size P. 

Together with a 15ct. gold buckle 

ring set with four small rubies and 

four small diamonds. Size T. 

£200-300 


RING 

set with five brilliant-cut 

diamonds, in white gold. Size M. 

£200-300 

1070. A DIAMOND SOLITAIRE 

RING 

set with a brilliant-cut diamond 

weighing 1.00 carats, in 18ct. 

white gold. Size L 1/2. 

£1700-2000 

103

1071. A GENTLEMAN’S 18CT. 

GOLD SIGNET RING 

set with a circular-cut bloodstone. 

Size O. 

£80-100 

1075. A DIAMOND THREE 

STONE RING 

set with three graduated 

baguette-diamonds in platinum. 

Size R. 

£1000-1500 

1079. A ZIRCON AND DIAMOND 

RING 

the circular-cut blue zircon is set 

with three small diamonds to 

each shoulder. Size M. 

£150-200 


RING 


diamond in platinum. Size O. 

£100-150 

104 

1072. A DIAMOND FIVE STONE 

RING 

set with five graduated circularcut 

diamonds. Size P. 

£500-600 

1076. A RUBY AND DIAMOND 

RING 

set with three oval-shaped rubies 

and four circular-cut diamonds in 

18ct. gold. Size J. 

£350-400 


RING 

set with an emerald-cut diamond 

in platinum. Size J 1/2. 

£200-300 


RING 


weighing approximately 0.70 

carats in white gold. Size L. 

£850-950 

1073. AN OPAL AND DIAMOND 

RING 

set with three oval cabochon 

white opals and four circular-cut 

diamonds in 18ct. gold. Size M. 

£350-450 


RING 

set with graduated circular-cut 


2.20 carats in total, in 18ct. white 

gold. Size O. 

£2000-2500 




and circular-cut diamonds in 18ct. 

gold. Size N. 

£250-350 



the oval-shaped emerald is 

centred with a small diamond and 

set within a surround of circularcut 

diamonds, with diamond set 

foliate shoulders, in gold. Size M. 

£550-650 



RING 

set with five graduated cushionshaped 

diamonds in 18ct. gold. 

Size M. 

£400-600 

1078. A SAPPHIRE AND 

DIAMOND FIVE STONE RING 

set with an oval-shaped and two 

circular-cut sapphires and two 

cushion-shaped diamonds in 18ct. 

gold. Size M. 

£400-500 

1082. A GENTLEMAN’S 18CT. 

GOLD GYPSY RING 

set with three brilliant-cut 


1.30 carats in total. Size Z. 

£1200-1800 


RING 


diamonds in 18ct. gold. Size P. 

£200-300


DIAMOND RING 


sapphires and six circular-cut 

diamonds in gold, together with a 

sapphire and diamond five stone 

ring, set in gold. 

£200-300 


RING 

the oval-shaped diamond weighs 


set with a circular-cut diamond to 

each shoulder in 18ct. white gold. 

Size N. 

£1500-2000 

1095. A PERIDOT AND 

DIAMOND RING 

set with three graduated circularcut 

peridots and six small 

diamonds in 18ct. gold. Size L 1/2. 

£80-100 

1099. A VICTORIAN EMERALD 

AND DIAMOND TRIPLE CLUSTER 

RING 

set with a square-shaped and two 

pear-shaped emeralds, each 

within a surround of rose-cut 

diamonds, in silver and backed in 

gold. Size M. 

£150-200 


RING 


diamonds in 18ct. gold. Size N. 

£400-600 

1092. A MULTI-COLOURED 

SAPPHIRE AND DIAMOND RING 

set with a row of square-cut 

sapphires within a surround of 

circular-cut diamonds in gold. 

Size O. 

£350-450 

1096. A TWO STONE DIAMOND 

RING 

set with two circular-cut 


shoulders in 18ct. white gold. Size 

N 1/2. 

£650-750 



set with calibre-cut emeralds and 

circular-cut diamonds in 


£1200-1800 


RING 


18ct. gold. Size L. 

£300-350 


RING 

of flowerhead form, set with nine 

brilliant-cut diamonds in 18ct. 

white gold. Size P 1/2. 

£1000-1200 

1097. A GOLD RING 

set with a pearl with three small 

pearls to each shoulder. Size Q. 

The pearls are probably natural but 

are untested. 

£300-400 

1101. AN AQUAMARINE SINGLE 

STONE RING 

the circular-shaped aquamarine is 

set in white gold. Size M. 

£200-300 



RING 

set with five circular-cut 

diamonds in 18ct. gold. Size J 1/2. 

£500-700 


RING 



0.50 carats in gold and platinum. 

Size O. 

£450-500 

1098. A PERIDOT AND PEARL 

RING 

the oval-shaped peridot is set 

with two pearls in 18ct. gold. Size 

O. 

£80-100 


RING 

the oval-shaped diamond weighs 

1.06 carats and is set in 18ct. 

white gold. Size O. 

£2600-3000 

105

106 

1103. A MEDIEVAL BRONZE RING 

engraved to the inside ‘OSVIT HE’. Size R. 

£50-80 

A Private Collection of Posy Rings 

1104. AN ENGLISH BRONZE POSY RING CIRCA 1680 

engraved to the inside with indistinct inscription. Size Q 1/2. 

£50-80 

1105. A FRENCH PROVINCIAL SILVER POSY RING CIRCA 1500 

engraved with unidentified black lettering. Size V. 

£150-200 

1106. A SILVER RING. CIRCA 1620. 

bears unidentified lettering. Size Z. 

£50-80 

1107. A TUDOR SILVER GILT POSY RING 

with raised dome decoration, engraved to the inside ‘No frend to faith’. Circa 1550. Size K. 

£200-250 

1108. A BRONZE POSY RING. CIRCA 1350. 

engraved with unidentified lettering. Size Q. 

£100-150 

1109. A TUDOR ENAMEL AND GOLD RING 

with red and green enamel decoration, separated by gold balls. Heavily restored. Size M. 

£100-150 

1110. A TUDOR SILVER GILT POSY RING 

engraved to the inside ‘Keepe faith till death’. Circa 1600. Size M 1/2. 

£100-150 

1111. A TUDOR SILVER GILT POSY RING. CIRCA 1600. 

inscribed to the inside ‘Be loyel in love’. Gilt has worn away from the outside. Size V. 

£100-150 

1112. AN ENGLISH SILVER POSY RING. CIRCA 1630. 

inscribed to the inside ‘I like my choys’. Size N. 

£100-150 

1113. A TUDOR GOLD POSY RING. CIRCA 1600. 

inscribed to the inside ‘Love is a love’. Size H. 

£350-400 

1114. A GOLD POSY RING. CIRCA 1650. 

engraved to the interior ‘Be tru in hart’. Recently cleaned. Size O. 

£300-350 

1115. A GOLD POSY RING. CIRCA 1680. 

inscribed to the inside with indistinct inscription. Size K. 

£100-150 


1106 

1110 

1113 

1104 

1108 

1111 

1115 


1105 

1109 

1114 

1103 

1107 

1112 

107

1116. A SILVER BUCKLE BY LIBERTY & CO. 

designed by Archibald Knox. Signed L & Co., and 

hallmarked for Birmingham 1906. 10cm. wide. 

£400-450 

1119. A SILVER NECKLET BY TIFFANY & CO. 

formed with oval-shaped links to a ring and 

bolt clasp stamped Tiffany & Co., and 

suspending two heart-shaped pendants. 43 cm. 

long. With turquoise Tiffany pouch and box. 

£150-200 

1122. A 19TH CENTURY AUSTRO 

HUNGARIAN ENAMEL AND GEM SET 

PENDANT 

in Renaissance style, depicting The Flight into 

Egypt, set with a ruby and enamel decoration. 

6cm. high. 

£400-600 

1125. A GOLD CIRCULAR LOCKET 

with a painting of a dog inside, together with a 

seal and a silver stamp case. 

£100-150 

108 

1117. A TWO ROW AMBER BEAD NECKLACE 

set with graduated oval amber beads to a 9ct. 

gold clasp. 43cm. long. 

£200-250 

1120. A SILVER BRACELET BY TIFFANY & CO. 

formed with oval-shaped links to a ring and 

bolt clasp stamped Tiffany & Co., and 

suspending two heart-shaped pendants. 18cm. 

long. With turquoise Tiffany pouch and box. 

£80-100 

1123. A SINGLE ROW UNIFORM JADE BEAD 

NECKLACE 

the beads measure approximately 10.2mm. 

80cm. long. 

£200-250 

1126. A VICTORIAN CORAL AND GOLD 

BROOCH 

depicting a beaver in a foliate landscape, with 

locket compartment to the reverse containing 

plaited hair. 7cm. wide. 

£100-150 

1118. THREE ASSORTED SILVER BROOCHES 

two by Geoffrey G. Ballamy and one by Ernest 

A. Blyth. 

£100-200 

1121. A SILVER HEART PENDANT BY PALOMA 

PICASSO FOR TIFFANY & CO. 

on a silver neckchain. With Tiffany turquoise 

pouch and box. 

£80-100 

1124. A GOLD STORK BROOCH 

depicting a stork in flight, 4cm. long. 

£400-600 

1127. A GOLD AND CERAMIC FOB 

depicting a swan with a black onyx matrix and 

gold ring. 2.5cm. high. 

£300-400 


1128. A VICTORIAN DOVE BROOCH 

set with three graduated rectangular-shaped 

emeralds to each wing, with cabochon ruby 

eyes, carrying a paste set cross in it’s mouth. 

4.5cm. long. 

£150-200 

1131. A SINGLE ROW OPAL BEAD NECKLACE 

set with graduated opal beads with crystal 

spacers. 38cm. long. 

£100-150 

1134. AN AMETHYST AND DIAMOND 

PENDANT 

set with an oval cabochon amethyst within a 

surround of small diamonds in gold, on a fine 

link neckchain. 3cm. long. 

£100-150 

1137. A SINGLE ROW GRADUATED CULTURED 

PEARL NECKLACE 

the pearls graduate from 5.3mm. to 8.5mm. to 

an oval clasp set with an oval-shaped emerald 

and six circular-cut diamonds. 

£150-200 

1129. A PAIR OF 19TH CENTURY MINIATURE 

PORTRAIT BROOCHES 

depicting a painted portrait of a young boy and 

a girl on ivory, in foliate pinchbeck frames. Each 

4 x 3.5cm. 

£100-150 

1132. A JADE AND 18CT. GOLD PENDANT 

formed with a circular jade disc suspending 

two jade batons, on a gold link chain. 

£850-950 

1135. A SINGLE ROW UNIFORM 

FRESHWATER CULTURED PEARL NECKLACE 

45.5cm. long. 

£60-80 

1138. A TRIPLE ROW GRADUATED CULTURED 


the pearls graduate from 4.5mm. to 9.2mm and 

are set to a ruby and diamond cluster clasp. 

40cm. long. 

£400-600 

1130. A LATE VICTORIAN AMETHYST 

CRUCIFORM PENDANT 

set with six rectangular-shaped amethysts in 

gold frame, on a 15ct. gold neckchain. 6.5cm. 

long. 

£100-150 

1133. AN OPAL NECKLACE 

formed as graduated egg-shaped sections, each 

set with sections of opal divided with crystal 

spacers, on a gold fine link neckchain, 45cm. 

long. 

£400-500 



the pearls graduate from 3.4mm. to 6.8mm. 

and are set to a white gold clasp set with a 

small diamond. 

£100-120 



the pearls graduate from 4.1mm. to 8.7mm. 

and are set to a white gold clasp. 

£60-80 


109

1140. A PAIR OF 9CT. THREE COLOUR GOLD 

TASSEL DROP EARRINGS 

5cm. long. 

£80-120 

1143. A PAIR OF SAPPHIRE AND DIAMOND 

TRIPLE CLUSTER EARRINGS 

each set with three circular-cut diamonds 

within a surround of circular-cut sapphires in 

18ct. white gold. 2cm. long. 

£150-200 

1146. A DIAMOND FOX MASK BROOCH 

set with rose-cut diamonds and with cabochon 

ruby eyes, in gold. 4cm. long. 

£80-120 

1149. A VICTORIAN AQUAMARINE BROOCH 

of oval form and with gold wire work frame, 

together with a matching pear-shaped 

aquamarine pendant. The brooch 3.5cm. wide, 

the pendant 4.5cm. long. 

£250-350 

110 

1141. A DIAMOND AND TWO COLOUR GOLD 

RING BY BVLGARI 

set with a band of circular-cut diamonds. Size 

K. Together with a two colour gold ring by 

Bvlgari. Size R. 

£400-500 

1144. A SAPPHIRE AND DIAMOND PENDANT 

one side set with a row of square-cut 

sapphires, the other with three circular-cut 

diamonds in gold. 2.25cm. high. 

£220-300 

1147. AN AMETHYST BRACELET 

set with six rectangular-shaped amethysts, in 

gold. 16cm. long. 

£200-300 

1150. AN INDIAN MINIATURE PENDANT 

depicting an Indian woman in traditional dress, 

painted on ivory. 5 x 3.5cm. 

£300-400 

1142. A PAIR OF MULTI-COLOURED 

SAPPHIRE AND DIAMOND EARRINGS 

each set with a row of square-cut sapphires 

within a surround of circular-cut diamonds in 


£400-500 

1145. A PAIR OF DIAMOND HOOP EARRINGS 

set with circular-cut diamonds in gold. 

£150-200 

1148. A PAIR OF AQUAMARINE AND GOLD 

DROP EARRINGS 

each set with a pear-shaped aquamarine drop, 

with gold foliate surmount. 4.25cm. long. 

£650-750 

1151. A DIAMOND AND TWO COLOUR GOLD 

BAR BROOCH 

centred with a brilliant-cut diamond and 

inscribed to the back June Eighteenth 1940, 

8cm. long, together with an amethyst and pearl 

circular brooch and a gold dress stud set with a 

brilliant-cut diamond. 

£400-600 


1152. A SCANDINAVIAN SILVER BRACELET 

formed as six oval links each set with four coils, 

signed JKP and numbered 830S. 

20cm. long. 

£100-150 

1155. AN INDIAN GOLD BROOCH 

set with rose-cut diamonds and centred with a 

section of green glass. 2.5cm. long. 

£80-100 

1158. A DIAMOND CLUSTER PENDANT 

set with brilliant-cut diamonds in 18ct. gold. 

2cm. high. 

£250-300 

1161. A PERIDOT AND PEARL CRESCENT 

BROOCH 

set with graduated oval-shaped peridots and 

small pearls in gold. 5cm. wide. 

£80-120 

1153. A QUANTITY OF LOOSE DIAMONDS 

£400-500 

1156. A SAPPHIRE AND DIAMOND 

CRUCIFORM PENDANT 

set with four square-shaped sapphires and 

circular-cut diamonds in white gold. 4.5cm. 

high. 

£450-550 

1159. AN ENAMEL BROOCH 

depicting a trout with enamel decoration and 

set in silver, on a gold fishing rod. 6.5cm. long. 

£300-350 

1162. A VICTORIAN GARNET NECKLACE 

formed as graduated flowerhead clusters, with 

five garnet set drops, 46cm. long. 

Together with an oval-shaped garnet brooch, 

centred with an oval cabochon garnet with 

graduated circular-cut garnets in gold. 4.5cm. 

wide. 

£100-150 

1154. A VICTORIAN DIAMOND FLOWER 

SPRAY BROOCH 

set with graduated rose-cut and circular-cut 

diamonds, in silver and backed in gold. 6cm. 

long. 

£250-300 

1157. A DIAMOND AND FIRE OPAL BROOCH 

of quartrefoil form, centred with a diamondshaped 

fire opal, within a surround of small 

diamonds. 3.25cm. wide. 

£450-550 

1160. A PAIR OF DIAMOND AND CULTURED 

BLACK PEARL DROP EARRINGS 

each set with a pearl measuring 8.2mm. and a 

small diamond in 18ct. white gold. 1.25cm. 

long. 

£300-350 

1163. A CARVED JADE DISC 

formed with pierced and carved foliate 

decoration. 5.5cm. dia. 

£150-200 


111

1164. AN 18CT. GOLD RING BY 

KUTCHINSKY 

of geometric form, 25 grams. Size 

S. 

£450-550 


DIAMOND THREE STONE RING 

set with a rose-cut diamond and 

two circular-cut sapphires in 18ct. 

gold. Size O. 

£500-700 

1172. A ROMAN HARDSTONE 

INTAGLIO RING 

depicting a standing maiden, in 

later gold mount and shank. Size I. 

£200-300 



set with a circular-cut diamond 

within a surround of calibre-cut 

sapphires and an outer surround 

of small diamonds, with sapphire 

and diamond set v-form 

shoulders, in 18ct. white gold. Size 

L 1/2. 

£3000-3500 

112 

1165. A DIAMOND CROSS-OVER 

RING 


diamonds, with three small 

diamonds set to each shoulder, 

and with foliate engraving to the 

platinum shank. Size R. 

£400-500 


RING 

set with five graduated brilliantcut 



in 18ct. white gold. Size M. 

£2500-3000 

1173. A DIAMOND, RUBY AND 

SAPPHIRE TRIPLE ROW SWIVEL 

ETERNITY RING 

set with calibre-cut rubies and 

sapphires and circular-cut 

diamonds in white gold. Size M. 

£600-800 


DIAMOND RING 


sapphires and four circular-cut 

diamonds in 18ct. gold. Size P 1/2. 

£100-150 


SAPPHIRE AND DIAMOND RING 

set with crossing rows of squarecut 

sapphires and circular-cut 

diamonds in gold. Size O. 

£250-350 

1170. A DIAMOND THREE 

STONE RING 

set with three graduated brilliantcut 


approximately 1.60 carats in total. 

Size Q. 

£1000-1200 


RING 


diamond in 18ct. white gold and 

platinum. Size L. 

£500-700 


RING 


weighing approximately 2.07 

carats in 18ct. white gold. Size O. 

£3700-4000 


1167. A PEARL FIVE STONE RING 

set with five slightly graduated 

pearls in 18ct. gold. Size O, and a 

gold signet ring set with a 

bloodstone intaglio. Size B. 

£120-180 



set with calibre-cut sapphires and 


gold. Size P. 

£450-500 

1175. AN 18CT. WHITE GOLD 

RUSSIAN WEDDING RING 

7 grams. 

£80-100 


RING 




in 18ct. white gold. Size Q 1/2. 

£3000-3500



set with a line of calibre-cut 

sapphires within a surround of 


gold, size L, and a ruby and 

diamond ring, set in 18ct. gold, 

size P. 

£200-250 

1184. A DIAMOND FULL CIRCLE 

ETERNITY RING 

millegrain set with old brilliantcut 

diamonds. Size M. 

£400-600 

1188. A CITRINE AND DIAMOND 

CLUSTER RING 

the oval-shaped citrine is set 

within a surround of small 

diamonds in 18ct. gold. Size R. 

£300-400 

1192. A GENTLEMAN’S 

DIAMOND RING 


diamonds weighing 1.63 carats in 

total, in 18ct. gold. Size W. 

£1500-2000 

1181. A GOLD RING BY CARTIER 

with diamond set terminals, 

stamped Cartier Paris and 

numbered 247850. Size J 1/2. 

£300-350 


STONE RING 



2.90 carats in total, in 18ct. white 

gold. Size L 1/2. 

£4500-5500 


DIAMOND RING 

the oval-shaped sapphire is set 

with three circular-cut diamonds 

to each shoulder in 18ct. gold. 

Size K. 

£300-400 


CHEQUERBOARD RING 

set with circular-cut rubies and 

circular-cut diamonds in white 

gold. Size O. 

£300-400 


RING 

of flowerhead form, set with 

seven circular-cut diamonds with 

two small diamonds set to each 

shoulder, in 18ct. gold and 

platinum. Size Q. 

£250-300 


RING 



0.65 carats. Size Q. 

£400-500 

1190. AN 18CT. GOLD RING 

set with an oval-shaped sapphire 

and fourteen circular-cut 

diamonds. Size N. 

£600-700 

1194. A ROSE-CUT DIAMOND 

RING 

set in silver and gold. Size I. 

£600-800 



RING 

the brilliant-cut diamond weighs 


set with a baguette-cut diamond 

to each shoulder in platinum. Size 

M. 

£1900-2200 


SAPPHIRE RING 

set with three rows of square-cut 

sapphires in gold. Size M. 

£250-350 


DIAMOND RING 


sapphires and four old brilliantcut 

diamonds in gold. Size Q. 

£800-1200 

1195. A TANZANITE AND 


the square-shaped tanzanite is set 



shoulders in 18ct. white gold. Size 

P. 

£500-600 

113

1196. AN 18CT. GOLD AND GEM 

SET RING BY CATHERINE BEST 

set with circular-cut diamonds 

and marquise-shaped and 

circular-cut rubies, emeralds and 

sapphires. Signed C B. Size N. 

£500-700 


RING 


18ct. gold and platinum. Size N. 

£600-800 


RING 

set with a brilliant-cut diamond, 

with diamond set shoulders, in 

white gold. Size L 1/2. 

With a gemmological report 

no.1/20650-002 from Anchor Cert 

stating that the diamond weighs 

1.03 carats and has H colour and 

VS2 clarity. 

£3600-4000 


RING 




in 18ct. white gold. Size Q. 

£5500-6000 

114 

1197. AN EDWARDIAN 

DIAMOND TRIPLE CLUSTER RING 

set with graduated old brilliantcut 

diamonds in gold. Size R. 

£1000-1500 


STONE RING 

set with three old brilliant-cut 


2.20 carats in total, in 18ct. gold 

and platinum. Size P 1/2. 

£1000-1500 

1205. A DIAMOND FOUR STONE 

RING 

set with four brilliant-cut 


1.45 carats in total, in 18ct. gold. 

Size P. 

£1200-1800 


RING 



carats with further diamonds set 

to the carved shank. Size J. 

£300-400 

1198. A DIAMOND AND GOLD 

GYPSY RING 

set with three graduated cushionshaped 

diamonds in 18ct. gold. 

Size O. 

£200-250 


RING 

of flowerhead form, centred with 

a fancy cinnamon coloured 

diamond within a surround of 


Size P 1/2. 

£800-1000 


ETERNITY RING 

set with circular-cut diamonds in 

18ct. white gold carved mount. 

Size J. 

£150-200 


STONE RING 




in 18ct. white gold. Size L 1/2. 

£2200-2800 


1199. A VICTORIAN DIAMOND 

CLUSTER RING 

set with four rose-cut diamonds 

within a surround of small rosecut 

diamonds, on a foliate gold 

shank. Size L 1/2. 

£200-250 


ETERNITY RING 

set with eight-cut diamonds in 


£400-600 

1207. A DIAMOND THREE 

STONE RING 


diamonds in 18ct. gold. Size J. 

£300-400 


RING 


weighing 0.90 carats, in 18ct. 

white gold. Size L. 

£1000-1500

1212. A PAIR OF DIAMOND AND 

ENAMEL PANSY STUD EARRINGS 

together with another pair of 

enamel flowerhead earrings, also 

centred with a small diamond. 

£300-350 

1216. A PAIR OF DIAMOND 

CLUSTER STUD EARRINGS 

of flowerhead form, each set with 


gold. 

£600-700 


STUD EARRINGS 

the brilliant-cut diamonds weigh 

approximately 1.00 carats in total 

and are set in 18ct. white gold. 

£850-1000 


STUD EARRINGS 

set with brilliant-cut diamonds 


carats in total, in 18ct. white gold. 

£1500-2000 

1213. A PAIR OF AQUAMARINE 

STUD EARRINGS 

each set with a circular-cut 

aquamarine in gold. 

£200-250 

1217. A PAIR OF SAPPHIRE AND 

DIAMOND STUD EARRINGS 

each set with an oval-shaped 

sapphire and a small diamond in 

18ct. gold. 

£200-250 


STUD EARRINGS 




£3000-3500 


STUD EARRINGS 




£2000-2500 


CLUSTER STUD EARRINGS 

each set with circular-cut 

diamonds in gold. 

£200-250 


DIAMOND RING 


with two small diamonds in 18ct. 

gold. Size M. 

£200-250 

1222. A PAIR OF RUBY STUD 

EARRINGS 

each set with an oval-shaped ruby 

in gold. 

£200-250 


STUD EARRINGS 




£300-350 


1215. A PAIR OF SAPPHIRE AND 

DIAMOND CLUSTER STUD 

EARRINGS 

each set with an oval-shaped 

sapphire within a surround of 


white gold. 

£800-900 


DIAMOND PENDANT 

set with an oval-shaped sapphire 

and a small diamond in 18ct. gold. 

1.5cm. high. 

£200-250 


STUD EARRINGS 




£4000-4500 


STUD EARRINGS 



carats in total, in white gold. 

£1200-1800 

115

1228. A RUBY AND DIAMOND BROOCH 

PENDANT 

the geometric design is set with six circular-cut 

rubies and four brilliant-cut diamonds in 18ct. 

gold. 4cm. wide. 

£400-600 

1231. A MARCASITE AND PASTE BROOCH 

of foliate design, 5cm. wide. 

£200-300 

1234. A GOLD AND GEM SET PENDANT BY 

VAN CLEEF & ARPELS 

formed as two love birds sitting on a branch 

set with a pear-shaped ruby and two small 

diamonds. Signed Van Cleef et Arpels and 

numbered 80198. 3m. dia. On a fine link 

neckchain. 

£400-600 

1237. A DIAMOND BRACELET BY VAN CLEEF 

& ARPELS 

set with fifteen circular-cut diamonds. Signed 

Van Cleef & Arpels and numbered 39.389. With 

French marks. 19cm. long. 

£300-400 

116 

1229. A VICTORIAN TURQUOISE AND GOLD 

BRACELET 

set with circular and oval-shaped turquoise 

cabochons, with locket compartment to the 

reverse. 18cm. long. 

£100-150 

1232. A VICTORIAN GOLD VINAIGRETTE 

BROOCH 

formed with a bloodstone set with a gold dove. 

1.75cm. wide. 

£150-200 

1235. A DIAMOND STAR BROOCH PENDANT 

set with graduated cushion-shaped diamonds. 

4.5 x 3.5cm. With three gold chains. 

£400-500 

1238. AN EDWARDIAN AQUAMARINE AND 

PEARL NECKLET 

set with two circular-cut aquamarines, an ovalshaped 

aquamarine and a pear-shaped 

aquamarine drop, with small pearls on a gold 

neckchain. 37cm. long. Together with a 

matching pair of drop earrings. 

£150-200 

1230. A GEORGIAN DIAMOND, ENAMEL AND 

PEARL PENDANT 

set with three blue guilloche enamel sections 

each set with rose-cut diamonds within a 

surround of small pearls, in rose gold. 7cm. 

long. 

£100-150 

1233. A PAIR OF GOLD HOOP EARRINGS 

each suspending five small hoops. 

£100-150 

1236. A GOLD PENDANT BY VAN CLEEF & 

ARPELS 

formed as a cottage within a heart design. 

Signed Van Cleef et Arpels and numbered 

84635. 3cm. dia. 

£300-400 

1239. A PAIR OF EMERALD AND DIAMOND 

DROP EARRINGS 

each set with a rectangular-shaped emerald 

within a surround of circular-cut diamonds, in 

gold. 1.5cm. long. 

£550-650 


1240. A DIAMOND AND 18CT. WHITE GOLD 

NECKCHAIN 

the chain set with circular-cut diamonds in collet 

settings. 44cm. long. 

£400-600 

1241. No lot. 

1243. A SAPPHIRE AND DIAMOND CLUSTER 

BROOCH 

the oval-shaped sapphire is set within a 

surround of ten cushion-shaped diamonds in 

gold. 5.5cm. long. 

£400-600 

1246. A PAIR OF CULTURED PEARL AND 

TURQUOISE DROP EARRINGS 

set in gold. 4cm. long. 

£200-300 

1249. A SAPPHIRE AND DIAMOND 

FLOWERHEAD BROOCH 

the centre of the flower set with circular-cut 

diamonds and sapphires, with gold petals. 5cm. 

wide. In fitted box by Garrard & Co. 

£250-350 

1244. AN EDWARDIAN GOLD NECKCHAIN 

suspending trefoil drops set with small 

emeralds and rose-cut diamonds. 44cm. long. 

£150-200 

1247. A RUBY AND DIAMOND BRACELET 

set with circular-cut rubies and diamonds in 


£100-150 


ENAMEL CRUCIFORM PENDANT 

centred with an oval cabochon turquoise to 

one side, with hinged locket compartment to 

the other side, set with blue and white enamel 

with gold foliate decoration, on a gold 

neckchain. Circa 1840. 6 x 5.5cm. 

£550-750 

1242. A DIAMOND AND CULTURED PEARL 

PENDANT 

set with a pearl measuring 8.0mm. and three small 

diamonds in 18ct. white gold. 1.5cm. long. 

£180-220 

1245. A RUBY, DIAMOND AND GOLD 

BROOCH 

of bow design, centred with a cluster of 

circular-cut rubies and diamonds in 18ct. gold. 

5.5cm. wide. 

£150-200 

1248. A PAIR OF AGATE AND GOLD 

ETRUSCAN-REVIVAL DROP EARRINGS 

each set with a baton of banded agate 

suspending gold fringe drops and with gold 

surmount, 6cm. long. 

£200-250 

1251. A VICTORIAN LOCKET PENDANT 

set with four cushion-shaped rubies and five 

pearls in gold. 5cm. long. In fitted box by 

Collingwood & Son. 

£300-400 


117

1252. A DIAMOND LINE BRACELET 

set with princess-cut diamonds weighing 

approximately 7.50 carats in total, in 18ct. 

white gold. 18cm. long. 

£3400-4000 

1255. A LONG SINGLE ROW PEARL 

NECKLACE 

the slightly graduated pearls measure 2.4mm. 

to 4.3mm. and are set to a seed pearl set 

flowerhead clasp. 

With a gemmological certificate from the Gem 

and Pearl Laboratory no. 03796 stating that the 

pearls are natural (saltwater). 

£400-600 

1258. A PAIR OF DIAMOND DROP EARRINGS 

each set with a triangular-shaped diamond 

suspending four circular-cut diamonds, in 

white gold. 3.75cm. long. 

£5000-6000 

1261. A DIAMOND BROOCH 

of flowerhead form, set with brilliant-cut 

diamonds in silver and gold. 4cm. long. 

£400-600 

118 

1253. A DIAMOND CIRCULAR BROOCH 

set with graduated cushion-shaped diamonds. 

3cm. dia. 

£300-400 

1256. AN EDWARDIAN OPAL AND DIAMOND 

PENDANT 

centred with an oval-shaped opal, two circularcut 

opals and with graduated circular-cut 

diamonds in silver and gold. 4.25cm. long. 

£650-750 

1259. A DIAMOND AND ENAMEL BROOCH 

of ribbon and foliate form, set with graduated 

circular-cut diamonds within a white enamel 

border. 4cm. dia. 

£850-1000 

1262. A VICTORIAN BEE BROOCH 

the wings and body set with graduated rosecut 

diamonds and a pearl, with cabochon ruby 

eyes, set in silver and backed in gold. 3cm. wide. 

£300-400 


set with circular-cut diamonds in white gold 

collet settings, weighing approximately 5.00 

carats in total, 18.5cm. long. 

£2000-2500 

1257. A SINGLE ROW GRADUATED PEARL 

NECKLACE 

the pearls graduate from 2.8mm. to 6.5m. and 

are set to a diamond flowerhead clasp. 

With a gemmological certificate from the Gem 

and Pearl Laboratory no. 03793 stating that the 

pearls are natural (saltwater). 

£400-600 

1260. A PAIR OF SAPPHIRE AND DIAMOND 

DROP EARRINGS 

each set with a pear-shaped sapphire drop 

suspended from a line of small diamond, 4cm. 

long. 

£3500-4000 

1263. A DIAMOND AND PEARL BROOCH 

the circular openwork design is centred with a 

basket of flowers, set with graduated circularcut 

diamonds and four pearls, 4.5cm. wide. 

£2000-2500 


1264. A VICTORIAN DIAMOND AND RUBY 

BROOCH 

of foliate form, centred with a circular-cut ruby 

and with graduated cushion-shaped diamonds, 

set in silver and backed in gold. 3.5cm. wide. 

£400-500 

1267. A GOLD AND PEARL NECKLET 

set overall with graduated pearls, 34cm. long. 

£400-500 

1271. A DIAMOND NECKLACE 

formed as thirteen graduated flowerhead clusters each set with circularcut 

diamonds in white gold, with white gold clusters set to the neckchain. 

45cm. long. 

Together with a matching pair of diamond flowerhead stud earrings. 

£1500-2000 

1265. AN AQUAMARINE AND DIAMOND 

PENDANT 

the octagonal-shaped aquamarine is set with 

three circular-cut diamonds in gold, on a fine 

link neckchain. In fitted box. 

£1000-1200 

1268. A VICTORIAN GOLD SERPENT 

NECKLACE 

formed with articulated links and set with 

graduated turquoise cabochons, with garnet 

eyes. 39cm. long. 

£1600-2000 

1270. A FABERGÉ GOLD AND OPAL TIE PIN 

the oval cabochon opal is set within a scrolling 

gold mount, struck KF in Cyrillic, 56 standard, 

7m. long. 

£1200-1800 

1266. A VICTORIAN AMETHYST, RUBY AND 

PEARL BROOCH 

the oval-shaped amethyst is set within a 

border of pearls with circular-cut ruby 

highlights, in gold. 4.5cm. wide. 

£300-400 

1269. A PAIR OF AQUAMARINE DROP 

EARRINGS 

each set with an oval-shaped aquamarine in 

gold surround with gold drop. 3.5cm. long. 

£150-200 

1272. A SUITE OF INDIAN RUBY, PEARL AND GOLD JEWELLERY 

comprising a necklet of openwork foliate form, with matching bracelet, a 

pair of drop earrings and three rings, together with a similar bracelet 

formed with eight rows of seed pearls. 

£600-800 


119



the cut cornered rectangularshaped 

sapphire is set within a 

surround of twelve circular-cut 

diamonds in 18ct. gold. Size N 1.2. 

£300-400 

1277. A GOLD RING 

mounted with a reverse painted 

crystal depicting a chicken. Size K. 

£300-400 


CLUSTER RING 


a surround of ten brilliant-cut 

diamonds. Size O. 

£1200-1800 


RING 



carats, with diamond set 

shoulders, in platinum and 18ct. 

white gold. Size O. 

£5000-7000 

120 

1274. A GEORGE III DIAMOND 

AND GOLD MOURNING RING 

the centre section containing 

plaited hair is set within a 

surround of rose-cut diamonds, 

with gold bifurcated shoulders, 

inscribed to the back Capt. Lytrott 

ob 1 June 1809 ae 71. Size J. 

£150-200 

1278. AN ART DECO SAPPHIRE 

AND DIAMOND RING 

the emerald-cut sapphire is set 

with three baguette-cut diamonds 

to each shoulder, in platinum. Size 

O. 

£6000-7000 



the oval-shaped sapphire weighs 



diamonds in gold. Size Q. 

£800-1000 

1286. A YELLOW SAPPHIRE AND 



within a surround of brilliant-cut 

diamonds with three diamonds 

set to each shoulder, in gold. Size 

N. 

£1200-1800 

1275. A VICTORIAN GOLD AND 

ENAMEL VINAIGRETTE RING 

with chased gold and pale blue 

enamel decoration, the vinaigrette 

in the form of a hinged envelope. 

Size N 1/2. 

£300-400 


ETERNITY RING 

set with fifteen baguette-cut 

diamonds. Size R. 

£600-800 



the step-cut emerald is set with 

two brilliant-cut diamonds in 

platinum. Size J 1/2. 

£6000-8000 

1287. AN OPAL AND DIAMOND 

RING 

set with three oval cabochon 

opals within a surround of 


Size N. 

£300-400 


1276. AN ENAMEL AND 

DIAMOND RING 

the blue and white enamel band is 

set with a row of rose-cut 

diamonds, in gold. Size M. 

£500-600 


CLUSTER RING 


a surround of circular-cut 

diamonds in gold. Size P. 

£2500-3000 


ETERNITY RING 

set with nine brilliant-cut 

diamonds in 18ct. white gold. Size 

T. 

£2000-3000 

1288. A PAIR OF GOLD AND 

GEM SET CLUSTER STUD 

EARRINGS 

set with turquoise cabochons, 

small diamonds and centred with 

a pink stone. 

£450-550

1289. AN ENAMEL AND GOLD RING 

set with an oval-shaped synthetic sapphire 

within a surround of blue and white enamel 

and four circular-cut diamonds in gold. Size O. 

£400-600 


set with an emerald-cut diamond within a 

surround of baguette-cut, pear-shaped and 

circular-cut diamonds. Size L. 

With a gemmological report no. 1/20598-004 

stating that the emerald-cut diamond weighs 

2.30 carats and has H colour with SI1 clarity. 

£10000-12000 


centred with a cluster of brilliant-cut diamonds 

within a surround of tapered baguette-cut 

diamonds and an outer surround of circularcut 

diamonds in 18ct. white gold. Size N. 

£2400-3000 

1293. A TANZANITE AND DIAMOND CLUSTER 

RING 

the oval cabochon tanzanite is set within a 

surround of circular-cut diamonds, with 

diamond set bifurcated shoulders, in gold. Size 

O. 

£750-850 

1295. A VICTORIAN SAPPHIRE AND 


the oval-shaped sapphire is set with two 

cushion-shaped diamonds, with rose-cut 

diamond highlights, in gold. Size L. 

£12000-18000 

1291. A VICTORIAN DIAMOND SNAKE RING 

set with graduated cushion-shaped diamonds, 

with ruby eyes, in silver and gold. 

Size O. Three diamonds missing. 

£500-700 

1294. AN EDWARDIAN DIAMOND SOLITAIRE 

RING 

set with a brilliant-cut diamond weighing 

approximately 2.25 carats, with eight-cut 

diamonds set to the two row leaf design shank, 

in platinum. Size O. 

£5000-7000 


121

122 

1297. AN EDWARDIAN DIAMOND BROOCH 

set with graduated old brilliant-cut diamonds. 4.5cm. wide. 

£600-800 

1298. A VICTORIAN DIAMOND BROOCH PENDANT 

of circular flowerhead form, set with graduated cushion-shaped diamonds in silver and backed gold. 

With pendant loop. 4cm. dia. In fitted box by Hunt & Roskell. 

£2000-2500 

1299. A DIAMOND NECKLACE 

set with baguette-cut and brilliant-cut diamonds weighing approximately 19.00 carats in total, in 


£15000-18000 

1300. A DIAMOND BRACELET 

set with baguette-cut and brilliant-cut diamonds weighing approximately 9.70 carats in total, in 


£6600-7000 

1301. A DIAMOND FLEXIBLE BRACELET 

set with brilliant-cut diamonds weighing approximately 17.00 carats in total. in 18ct. white gold. 

17cm. long. 

£9600-10500 


set with circular-cut diamonds in 18ct. white gold collet settings. 19cm. long. 

£1200-1800 

1303. A LATE VICTORIAN DIAMOND AND ENAMEL BEE BROOCH 

the body set with black enamel, with gold stripes, the wings set with graduated eight-cut diamonds, 

with ruby cabochon eyes, set in silver and gold. 3cm. long. 

£1200-1500 

1304. AN 18CT. GOLD BROOCH BY KUTCHINSKY 

of overlapping leaf design. 5cm. wide, 31 grams. 

£450-550 

1305. A VICTORIAN GOLD AND PEARL NECKLACE 

formed as sixteen gold open work sections each set with three pearls and divided with a gold 

quatrefoil set with a small pearl. 45cm. long. 

£1000-1500 

All All lots lots are are viewable on on our our website – w– w w . w l awrences.co.uk 

. l awrences.co.uk 

122

1303 

1297 


1298 

1304 

1299 

1305 

1300 

1301 

123 

1302

124 


19th/20th Century Design; 

Ceramics and Glass 

Thursday 14th April 

Enquiries: Richard Gold FRICS 


Enquiries: Simon Jones 


19th/20th Century Design 

Condition Reports for Ceramics 


Lot 1596 

Under no circumstances will we confirm that a 

lot is in perfect condition. 

Condition reports will not be given on items 

estimated at less than £500 and will only be 

given on items above £500 at our discretion. 

The onus rests with the buyer to satisfy 

themselves as to the condition of lots on which 

they wish to bid. 

Condition reports will be in writing only and will 

be generated only by the ceramics department. 

Condition reports will not be given after the 

close of business of the day before the sale. 

Ceramics and Glass

DECORATIVE ARTS 

1351. LARGE COPENHAGEN POLAR BEAR 

model number 502 and designed by C F 

Liisberg, the Bear in a roaring position. Marked, 

Royal Copenhagen, Denmark, 502. 12ins. 

(30cms) high 

£100-200 

1354. BING & GRONDAHL GREAT DANE & 

DAHL JENSEN 

model number 1773, the dog lying down. Also 

with a Dahl Jensen model of a dog, model 

number 1088. Marked, B & G, 1773. 11ins. 

(28cms) long. (2) 

£100-150 

1357. ROYAL COPENHAGEN PUPPY 

model number 259, the dog in a seated 

position. Also with a dog chewing a bone, 

model number 164. Marked, Royal 

Copenhagen, Denmark. 7 3 ⁄4ins. (19cms) high. (2) 

£100-150 

1360. CLARICE CLIFF BOWL 

in the Rhodanthe design, the interior painted 

with stylised flowers on long stems, the 

exterior of mottled appearance, painted in 

yellow and green. Marked, Bizarre by Clarice 

Cliff, Wilkinson, England. 8 1 ⁄4ins. (21cms) 

diameter 

£80-120 

126 

1352. LARGE ROYAL COPENHAGEN 

BLOODHOUND 

model number 1341 and designed by Lauritz 

Jensen, the dog sniffing the ground. Marked, 

Royal Copenhagen, 1341. 12ins. (30cms) long 

£100-150 

1355. ROYAL COPENHAGEN DOGS 

including Fox Terrrier 3170, and also model 

numbers 453, 1311, 3086 (2). (5) 

£100-150 

1358. ROYAL COPENHAGEN DEER 

model number 2648, also with a Cockerel 1025 

and a fish 1602. 4 1 ⁄4ins. (11cms) long. (3) 

£80-120 

1361. CLARICE CLIFF PLATE 

the rectangular plate in the Coral Firs design, 

painted with stylised trees within a landscape. 

Marked, The Biarritz, Royal Staffordshire, 

Bizarre by Clarice Cliff. 16ins. (41cms) across 

£50-70 

1353. LARGE ROYAL COPENHAGEN FOX 

model number 437 in an upright position. Also 

with a smaller version, model number 1475. 

10ins. (26cms) high. (2) 

£100-150 

1356. TWO ROYAL COPENHAGEN FOX 

TERRIERS 

model numbers 3139 and 2967, also with two 

Bing & Grondahl Highland Terriers, model 

numbers 2117 and 2073. (4) 

£100-150 

1359. LIMOGES PLATTER - GREYHOUNDS 

the oval platter handpainted with Greyhounds 

in a landscape, and with gilded handles and 

rim. Marked, Limoges France, and signed Henry. 

18 1 ⁄2ins. (47cms) across 

£80-120 


in the Crocus design, the flowers painted on a 

cream ground and with a green band and 

interior. Also with a small Crocus bowl. Marked, 

Clarice Cliff, Honeyglaze, Newport Pottery. 

8 1 ⁄2ins. (22cms) diameter 

£60-100 


1363. CLARICE CLIFF DISH 

of rectangular shape, painted with a Diamond 

shaped design around the dish in bright 

colours. Marked, Bizarre by Clarice Cliff, Corry & 

Co Ltd, London. 11ins (28cms) across 

£200-300 

1366. MOORCROFT VASE 

the modern vase tube lined, painted with white 

flowers on a dark blue ground. Marked, 

Moorcroft, Made in Stoke on Trent, 2001. 4 3 ⁄4ins. 

(12cms) high 

£100-150 

1369. MOORCROFT VASE - EMMA BOSSONS 

in the Victoriana design, painted with a variety 

of flowers on a green and orange ground. 

Marked, Moorcroft, Made in England, 97, and 

signed E Bossons. 8 1 ⁄4ins. (21cms) high 

£60-100 

1372. MOORCROFT MUG 

dated 1989 and inscribed Museum, also with a 

mug dated 1995, and another painted with 

flowers. Marked, Moorcroft, Made in England. 

3 1 ⁄2ins. (9cms) high. (3) 

£60-100 

1364. BRONZE & 

IVORY ETLING FIGURE 

- ALONZO 

modelled as a milk 

maid, with an ivory 

face and arms and 

bronze body and base. 

Signed Alonzo, and 

Etling Paris. 9ins. 

(23cms) high 

*In 1909 Edmond Laurent Etling founded a shop 

in his name. He opened the shop in Paris where 

one could buy the most expensive art objects of 

the day. Etling represented leading sculptors of 

the day, Dominique Alonzo produced many 

items that were sold through Etling. 

£400-600 


the modern vase tube lined, painted with 

flowers and leaves on a green ground. Marked, 

Moorcroft, Made in Stoke on Trent, 98. 7 1 ⁄4ins. 

(18cms) high 

£80-120 

1370. MOORCROFT VASE - RACHEL BISHOP 

the modern vase painted with flowers on a 

green ground. Also with another modern 

Moorcroft vase, dated 1996. Both signed by J 

Moorcroft. Marked, Moorcroft, Made in 

England, 95. 5 1 ⁄4ins. (13cms) high. (2) 

£80-120 

1373. MOORCROFT VASE - EMMA BOSSONS 

the modern vase painted with flowers on a 

yellow ground. Also with another modern 

Moorcroft vase, dated 1993 and signed J 

Moorcroft. Marked, Moorcroft, Made in 

England, 99, and signed Emma Bossons. 5 1 ⁄4ins. 

(13cms) high. (2) 

£80-120 

1365. POOLE POTTERY AEGEAN CHARGER 

painted with an image of a centurion. Marked, 

Poole England, 5, Aegean. 13 3 ⁄4ins. (35cms) 

diameter 

£120-150 

1368. MOORCROFT DISH 

the modern dish painted with leaves and 

berries on a purple ground. Also with two 

boxed dishes (one Golden Jubilee), a squat vase 

and bell. Marked, Moorcroft, Made in England, 

95. 9ins. (23cms) long. (5) 

£80-120 

1371. MOORCROFT JUG 

the modern jug tube lined, painted with 

flowers on a blue and cream ground. Marked, 

Moorcroft, Made in England, 96. 9 1 ⁄2ins. (24cms) 

high 

£60-100 

1374. MOORCROFT DISH 

in the Anenome design, also with another dish 

and ashtray, all with floral designs. Marked, 

Moorcroft, Made in England. 4 1 ⁄2ins. (11cms) 

diameter. (3) 

£60-100 


127

1375. C H BRANNAM CHAMBERSTICK 

modelled as a grotesque fish, and painted in 

green, blue and cream. Marked, C H Brannam, 

Barum, 1894, BW (Beauchamp Whimple). 7 1 ⁄2ins. 

(19cms) long 

£350-400 

1378. LINTHORPE PLATE - CHRISTOPHER 

DRESSER 

the centre designed with birds and flowers on a 

brown ground, the rim painted in a speckled 

green glaze. Impressed marks, HT for Henry 

Tooth, Linthorpe, Chr Dresser, 353. 7 3 ⁄4ins. 

(19cms) diameter. 

*For similar design see Christopher Dresser A 

Design Revolution, page 168. 

£80-120 

1381. DOULTON LAMBETH STEIN - 1876 

the stoneware jug with embossed decoration 

and borders of Fleur De Lys, and with a pewter 

lid. Impressed marks, Doulton Lambeth, 1876, 

EA possibly for Elizabeth Atkins. 10 1 ⁄4ins. (26cms) 

high 

£80-120 

1382. STUDIO POTTERY VASE - TIM 

ANDREWS 

with a crackleware effect glaze, and painted in 

tones of green and white. The lid with a ‘U’ 

shaped finial. Seal mark, TA. 10 1 ⁄4ins. (26cms) 

high 

*After training with David Leach, Tim Andrews 

has worked since the 1970’s producing 

distinctive Studio Pottery. His studio is currently 

in Woodbury. 

£50-100 

128 

1376. C H BRANNAM DEVON POTTERY VASE 

designed with fish and aquatic plants, and with 

three loop handles. Marked, C H Brannam, 

Baron, 1893, JD (James Dewdney). 11 1 ⁄4ins. 

(29cms) high 

£300-350 

1379. LINTHORPE POTTERY VASE 

the large vase of slender form, painted in 

brown and green glazes. Some damage. 

Impressed marks, Linthorpe, 1307. 19 1 ⁄4ins. 

(49cms) high 

£80-120 

1377. C H BRANNAM VASE 

in the form of a grotesque fish, painted in 

brown and cream on a green ground. Some 

restoration. Marked, C H Brannam. 5 3 ⁄4ins. 

(14cms) high 

£250-300 

1380. LINTHORPE PLATE - CHRISTOPHER 

DRESSER 

the centre designed with birds and flowers on a 

brown ground, the rim painted in a speckled 

green glaze. Impressed marks, HT monogram 

for Henry Tooth, Linthorpe, Chr Dresser. 11ins. 

(28cms) diameter 

*For similar design see Christopher Dresser A 

Design Revolution, page 168. 

£100-150 

1383. RARE MOORCROFT VASE - LIBERTY & CO 

painted in the Hazeldene design, with stylised trees within a landscape. Marked, W Moorcroft 

signature, Made for Liberty & Co, Ro No 397964. 6ins. (15cms) high 

£500-700 


1384. CLARICE CLIFF BOWL - CITRUS 

in the Citrus Delecia design, painted with 

Oranges and Lemons on a yellow ground. 

Marked, Bizarre by Clarice Cliff, Delecia, Lawleys 

of Regent Street. 9ins. (23cms) diameter 

£150-250 


in the Aurea colourway of the Rhodanthe 

design, painted against a cream ground. 

Marked, Clarice Cliff, Newport Pottery, 

Honeyglaze. 8 1 ⁄2ins. (22cms) diameter 

£100-150 

1390. CLARICE CLIFF JUG 

in the Delecia Pansy design, the flowers painted 

with a running glaze underneath. Marked, 

Bizarre by Clarice Cliff, Pansie. 6 1 ⁄2ins. (16cms) 

high 

£80-120 

1393. CLARICE CLIFF LOTUS JUG 


design, with a ridged body and painted on a 

cream ground. Marked, Bizarre by Clarice Cliff, 

Wilkinson Ltd. 7 1 ⁄2ins. (19cms) high 

£120-180 

1385. CLARICE CLIFF VASE - CITRUS 



Marked, Bizarre by Clarice Cliff, Delecia, Lawleys 

of Regent Street. 8ins. (20cms) high 

£200-300 

1388. CLARICE CLIFF JUG 

in the Sunrise design, and with an angular 

handle. Also with a cup and saucer in the same 

design. Marked, Fantasque by Clarice Cliff, 

Lawleys Regent Street. 2 1 ⁄2ins. (6cms) high 

£100-150 

1391. CLARICE CLIFF 

including a condiment with concentric 

coloured bands, a spill vase with pierced holes, 

and a jug and plate. (4) 

£80-120 

1394. C H BRANNAM DEVON POTTERY JUG 

in the form of a Bittern, with a loop handle and 

painted in blue, green, and brown colours. 

Unmarked. 11 1 ⁄2ins. (29cms) high 

£250-300 

1386. CLARICE CLIFF BOWL - CITRUS 



Marked, Bizarre by Clarice Cliff, Delecia. 8 3 ⁄4ins. 


£150-250 



design, painted with a cream ground. Marked, 

Bizarre by Clarice Cliff, Wilkinson Ltd. 5 1 ⁄2ins. 


£60-100 

1392. CLARICE CLIFF PLATE 

in the Solitude design and painted with a 

yellow and green border. Some chips to the rim 

and back of the plate. Marked, Bizarre by 

Clarice Cliff, Newport Pottery. 10ins. (26cms) 

diameter 

£60-100 

1395. POOLE POTTERY ATLANTIS VASE 

with a rough textured finish, the dimples 

painted in brown with a yellow ground. 

Marked, Poole England. 8 3 ⁄4ins. (22cms) high 

£200-250 


129

1396. CARLTON WARE VASE - PERSIAN 

in the Persian design, on a Royal Blue ground. 

Marked, W & R Stoke on Trent, Carlton Ware, 

2884. 8ins. (20cms) high 

£80-120 

1399. CARLTON WARE BOWL - PERSIAN 

in the Persian design, and on a rich blue 

ground. Marked, W & R Stoke on Trent, Persian, 

2882. 9ins. (23cms) diameter 

£80-120 

1402. CARLTON WARE LIDDED BOX - 

PERSIAN 

in the Persian design, painted on a Royal Blue 

ground. Also with a slender vase and bowl, also 

in the same design. Box 5 1 ⁄4ins. (13cms) across. 

(3) 

£100-150 

1405. CARLTON WARE 

eight various cups and saucers, painted in a 

variety of patterns and including a cup and 

saucer in the Mikado design. (8) 

£80-120 

130 


in the Persian design, with a Royal Blue ground 

and gilded handles. Marked, W & R, Stoke on 

Trent, Carlton Ware, 2884. 12ins. (30cms) across 

£100-150 

1400. CARLTON WARE VASE - KANG HSI 

in the Kang Hsi design, and with a rich blue 

ground. Marked, W & R Stoke on Trent, Kang Hsi. 

9 3 ⁄4ins. (25cms) high 

£80-120 


in the Persian design, the square dish with a 

rich blue ground and gilded border and rim. 

Marked, W & R Stoke on Trent, Carlton Ware, 

2882. 9 1 ⁄2ins. (24cms) across 

£80-120 

1406. CARLTON WARE VASE 

a Vert Royal vase of squat form. Also with five 

other pieces of Carlton Ware lustre pottery. 

Vase 3 1 ⁄2ins. (9cms) high. (6) 

£100-150 

1398. CARLTON WARE VASE - ROOKERY & 

PHEASANT 

painted in the Rookery & Pheasant design, of 

slender form and painted on a Royal Blue 

ground. Marked, W & R Stoke on Trent, Carlton 

Ware, 2071. 9 3 ⁄4ins. (25cms) high 

£60-100 

1401. CARLTON WARE VASE - PERSIAN 

in the Persian design, and on a blue ground. 

Also with two other vases and a small pedestal 

bowl. (4) 

£100-150 

1404. CARLTON WARE 

including a Rouge Royale teapot, and a variety 

of other Carlton Ware items including vases, 

dishes etc. 

£100-150 

1407. CARLTON WARE - MIKADO 

a lidded jar and cover in the Mikado design. 

Also with a Vert Royale small jug, and various 

other items. 9 3 ⁄4ins. (25cms) high. (7) 

£100-150 


1408. CARLTON WARE VASE - CHINESE 

FIGURES 

pattern number 3199, of squat form and 

painted in the oriental style on a blue ground. 

Also with three other pieces of Carlton Ware, 

all in the oriental style. Marked, Carlton Ware, 

3199. 4ins. (10cms) high. (4) 

£100-150 

1411. BRETBY ART NOUVEAU VASE 

with simulated metal strapwork and two large 

loop handles. Marked, Bretby, 1516. 15 1 ⁄4ins. 

(39cms) high 

£150-200 

1414. DENNIS CHINA WORKS VASE - SALLY 

TUFFIN 

painted with clovers on a green ground and 

titled, Roll me over in the clover. Also with a 

Dennis bowl in the Sunflower design, and a 

small Dennis Merry Xmas mug. Vase marked, 

Dennis China Works, 2000, CW, S.T des. 5 3 ⁄4ins. 

(14cms) high 

£80-120 

1417. ASHTEAD POTTERY FIGURE 

‘Posy’, model M5 by Anne Acheson. Printed 

mark, Ashtead Potters. 7 1 ⁄4ins. (18cms) high 

£300-350 

1409. ROYAL DOULTON FIGURE - THE MOOR 

HN 2082, designed by C J Noke, and part of the 

Prestige Series. Marked, Royal Doulton, The 

Moor, HN 2082. 17ins. (43cms) high 

£400-600 

1412. LORENZL ART DECO FIGURE 

of a dancer balanced on one leg, the bronze 

figure mounted on a shaped Onyx base. Signed, 

Lorenzl. 11 1 ⁄2ins. (29cms) high 

£400-600 


TUFFIN 

painted with flowers on a yellow ground. 

Impressed marks, Dennis China Works, S T des, 

RMc 97, No 23. 10 3 ⁄4ins. (27cms) high 

£80-120 

1418. TROIKA VASE 

the rectangular vase of tapering form, with 

stylised motifs on a buff ground. Also with a 

circular Troika vase. Marked, Troika Cornwall, EF. 

6 3 ⁄4ins. (17cms) high. (2) 

£100-150 


in the Pomegranate design, of squat form and 

painted on a dark blue ground. Chip to the rim. 

Marked, Moorcroft Made in England, and 

painted signature. 6 3 ⁄4ins. (17cms) high 

£150-200 

1413. WATCOMBE DEVON POTTERY VASE 

the urn shaped vase made in terracotta, with a 

frieze of figures in the classical style. Also with 

a Watcombe moon shaped flask painted with 

flowers. Both marked, Watcombe Torquay. Vase 

16ins. (41cms) high. (2) 

£200-250 

1416. DENNIS CHINA WORKS BOX - SALLY 

TUFFIN 

the lidded box designed with flowers on a 

green ground. Impressed marks, Dennis China 

Works, After WM, RMc, No 5. 5 1 ⁄4ins. (13cms) 

diameter 

£80-120 

1419. BACCARAT PERFUME BOTTLE 

the large bottle made for Guerlain, of clear 

complexion. Marked, Baccarat, Guerlain, Paris - 

France. 8ins. (20cms) high 

£100-150 


131


TUFFIN 

with a flared rim and painted with leaves 

against a blue ground. Marked, Dennis China 

Works, No 1, RMc, 94, S.T des. 6ins. (15cms) high 

£80-120 

1423. BRONZE & IVORY FIGURE 

of a young boy carrying his kit bag, made in 

bronze with ivory face and hands. Mounted on 

a marble base. Unsigned. 5 1 ⁄4ins. (13cms) high 

£150-250 

1426. POOLE ATLANTIS LAMP - GUY 

SYDENHAM 

the helmet shaped lamp with a textured 

exterior, the interior depicting a male face. 

Painted overall in a green spotted glaze. 

Impressed marks, Poole, GS monogram, A12. 


£700-900 

1427. C H BRANNAM DEVON POTTERY JUG 

painted with fish and plants on a tan coloured 

ground. Marked, C H Brannam, Barum, 1893. 

5ins. (13cms) high 

£70-100 

132 

1421. LIMOGES ENAMEL PLAQUE - BONNET 

landscape scene painted in enamel on a copper 

plaque, framed. Signed, P Bonnet, Limoges. 

Plaque 5 1 ⁄4ins. (13cms) across 

£80-120 

1424. ROYAL WORCESTER FIGURES - CHINA 

model number 3073, designed by Freda 

Doughty and part of Children of the Nations 

series. Both identical. Marked, Royal Worcester, 

F G Doughty, 3073. Each 2 1 ⁄4ins. (6cms) high. (2) 

£80-120 

1422. ELTON WARE TYG 

painted with panels of flowers on a dark 

ground, with three handles and a pinched rim. 

Marked, Elton. 9ins. (23cms) high 

£250-300 

1425. FRENCH POTTERY FIGURE - JOE 

DESCAMPS 

depicting a scantily clad woman, the figure on 

an oval base. Marked, Joe Descamps and 

factory mark. 

*Joe Descamps was a French Sculptor working 

in Paris in the 1920’s. He is best known for his 

Bronze Art Deco figures. 

£100-150 

1428. DELLA ROBBIA VASE 

of Art Nouveau influence, painted with stylised trees and plants to both sides, and with a turquoise 

and green ground. Impressed marks, DR and Ship, RB for Ruth Bare. 

*Della Robbia was founded in 1894 in Birkenhead and only ran for a number of years until it’s closure 

in 1901. The factory was very much part of the Arts and Crafts movement. 

£500-700 


1429. CHARLOTTE RHEAD CHARGER - 

CROWN DUCAL 

the tube lined plate painted with flowers, and 

leaves around the rim. Marked, Crown Ducal, C 

Rhead, 5803. 12 1 ⁄2ins. (32cms) diameter 

£100-150 

1432. CHARLOTTE RHEAD VASE - CROWN 

DUCAL 

the ridged body painted with flowers, on a buff 

ground. Marked, Crown Ducal, C Rhead, 129. 


£80-120 


DUCAL 

pattern number 4921, painted with leaves on a 

ribbed body. Also with another vase, pattern 

172 and a square dish. Marked, Crown Ducal, C 

Rhead. 6 3 ⁄4ins. (17cms) high. (3) 

£80-120 

1438. CHARLOTTE RHEAD BOWL - CROWN 

DUCAL 

the bowl brightly painted with flowers and a 

yellow border. Also with a very large bowl 

(some damage), pattern 4921. Marked, Crown 

Ducal, C Rhead, 164. 10ins. (25cms) diameter. (2) 

£100-150 


DUCAL 

of squat form, the ridged body painted with 

flowers over an orange glaze. Marked, Crown 

Ducal, Rhead. 5 3 ⁄4ins. (14cms) high 

£80-120 

1433. CHARLOTTE RHEAD JUG - CROWN 

DUCAL 

the tube lined jug painted with fruit and leaves. 

Also with two double handled jugs (both with 

hairline cracks). Marked, Bursley Ware, 

Charlotte Rhead, England. 10ins. (25cms) high. 

(3) 

£100-150 


CROWN DUCAL 

the tube lined charger painted with flowers on 

a green and orange lustre glaze. Marked, C 

Rhead, Crown Ducal, 1972. 12 1 ⁄2ins. (32cms) 

diameter 

£100-150 

1439. CHARLOTTE RHEAD CHARGER 

painted in the Blue Posie design, painted with 

flowers on a grey ground and blue border. Also 

with a bowl in the same design. The bowl 

marked, Crown Ducal, Made in England. Charger 

12 1 ⁄2ins. (32cms) diameter. (2) 

£100-150 


CROWN DUCAL 

the tube lined plate painted with flowers on a 

buff ground, and a red chevron border. 

Marked, Crown Ducal, C Rhead. 12 3 ⁄4ins. (32cms) 

diameter 

£100-150 


DUCAL 

of Octagonal shape, painted with flowers and 

with a chevron border around the rim. Marked, 

Crown Ducal, C Rhead, 143. 8 1 ⁄2ins. (22cms) high 

£80-120 

1437. CHARLOTTE RHEAD JUG - CROWN 

DUCAL 

the tube lined jug painted with flowers and an 

orange and green lustre glaze. Marked, C 

Rhead, Crown Ducal, 2681. 10 1 ⁄4ins. (26cms) high 

£100-150 

1440. POOLE DELPHIS CHARGER 

designed by Carol Holder, designed with a Lynx 

and its’ prey on a bright orange ground. Circa 

1966. Marked, Poole England. 16ins. (41cms) 

diameter 

£250-300 


133

1441. ROYAL WORCESTER TEA SERVICE 

each piece painted with flowers on a blush 

ivory ground, and comprising six cups, six 

saucers, six small plates, and one larger side 

plate. Marked, Royal Worcester, England, 5171. 

Side plate 9ins. (23cms) diameter. (19) 

£200-250 

1444. COMPTON POTTERY PLAQUE 

depicting three cherubs and titled Hear no evil, 

Say no evil, See no evil. Impressed mark on the 

reverse. 6 1 ⁄4ins. (16cms) across 

£100-150 

1447. DOULTON LAMBETH JUG 

painted with flowers on a dark green ground, 

with beaded borders and a plated rim. 

Impressed marks, Doulton Lambeth, 1881, GTH, 

792. 9 1 ⁄2ins. (24cms) high 

£80-120 

1448. C H BRANNAM DEVON POTTERY 

a spoonwarmer in the form of a Frog, painted 

in green, yellow, and white. Incised marks. 3ins. 

(7cms) high 

£70-100 

134 

1442. ROYAL WORCESTER BISCUIT BARREL 

painted with flowers on a blush ivory ground, 

and with a plated lid and handle. Marked, Royal 

Worcester, England, 1651. 6 1 ⁄2ins. (16cms) high 

£100-150 

1445. ROBERT THOMPSON OF KILBURN - 

MOUSEMAN 

a Mouseman booktrough, made in oak and 

with a carved Mouse siganture. 17 3 ⁄4ins. (45cms) 

across 

£100-150 

1443. ROYAL WORCESTER BLUSH IVORY 

including a small vase painted with flowers, 

shell shaped dish, and three other items. Vase 

marked, Royal Worcester, 1034. 5ins. (13cms) 

high. (5) 

£100-150 

1446. LARGE STUDIO POTTERY BOWL 

the large bowl painted with Fish on a blue 

ground. Impressed seal mark. 17ins. (43cms) 

diameter 

£80-120 

1449. LARGE MINTON COMMEMORATIVE JARDINIERE 

made to commemorate the Coronation of King George in 1911, depicting HMS King George V 

Dreadnought. Inscription reads, Coronation of their most gracious majesties King George V and 

Queen Mary, June 22nd 1911. Marked, Mintons Ltd. 14ins. (36cms) high 

*The King George V Dreadnought of 23,400 tonnes was present at the battle of Jutland and had a 

crew of 1100. It was scrapped in 1926. 

£500-700 


1450. ART DECO SET OF GLASS 

each piece designed with angular handles in 

the form of birds, of frosted complexion tinted 

in blue. Comprising a bowl, and a set of four 

smaller bowls with plates. Unmarked. Bowl 

13 1 ⁄2ins. (34cms) across 

£100-150 

1453. SUSIE COOPER VASE 

with a matt yellow glaze and designed with 

stylised flowers. Incised marks, Susie Cooper, 

1932, England. 4 1 ⁄4ins. (11cms) high 

£50-70 

1456. THREE TILES - SPORTING 

three transfer printed tiles, circa 1880 and 

depicting Sporting themes. Subjects include 

Chess, Bowls, and Cricket. 6ins. (15cms) square. 

(3) 

£100-150 

1459. ARTS AND CRAFTS CHAMBERSTICK 

made in brass with a beaten finish, the handle 

inset with a Ruskin style enamel roundel. 

Marked, Bambra Ware. 8 1 ⁄2ins. (21cms) across 

£50-70 

1451. MOORCROFT POTTERY 

including a rectangular dish in the Hibiscus 

design on a dark blue ground, and with three 

other Moorcroft items. Dish 8ins. (20cms) 

across. (4) 

£100-150 

1454. DAUM NANCY VASE 

of frosted complexion,designed with Thistles 

and with gilded rim and base. Signed on the 

base, Daum Nancy. 4 1 ⁄2ins. (11cms) high 

£200-400 

1457. LARGE POOLE POTTERY CHARGER 

The Eclipse, designed by Alan Clarke and 

produced in 1999 in a limited edition. With a 

certificate of authenticity and original box. 

Charger 16ins. (41cms) diameter 

£120-180 

1460. MOORCROFT BOWL 

in the Pomegranate design, painted on a blue 

ground and decorated on the exterior and 

interior. With a plated mount by Walker & Hall. 

Marked, Moorcroft Burslem and painted 

signature. 8ins. (20cms) diameter 

£100-200 

1452. ART NOUVEAU METALWORK 

in the style of WMF, comprising a pewter dish 

with the handle in the form of a lady, and two 

other pewter dishes in the Art Nouveau style. 

Lady 7 1 ⁄2ins. (19cms) high. (3) 

£100-200 

1455. WEDGWOOD PHILADELPHIA BOWL 

designed for The Bailey Banks & Biddle Co, with 

transfer printed scenes and an inscription 

around the rim. Marked, Wedgwood, Engraved 

by the Wedgwood Studios. 12ins. (30cms) 

diameter 

£80-120 

1458. GEORGE JONES & SONS - PART 

DESSERT SERVICE 

designed by Horace Overton Jones in the 

Familiar Flowers design and comprising one 

comport and twelve plates. Each with a 

transfer printed Botannical theme. Marked, 

George Jones monogram, HOJ, Familiar Flowers. 

Plates 9ins. (23cms) diameter 

£100-150 


135

GLASS 

1461. A PAIR OF BLUE GLASS EWERS 

with silvered mounts and an urn and cover, 

another with silvered mount, each body with 

geometric facet cutting, ewers 8 1 ⁄4ins. (20.5cms.) 

high 

£130-150 

1464. A FACET STEM CORDIAL 

the foliate engraved rim inhabited by by birds, 

together with a pair of cordials, each rim 

engraved with slight printie swags 

£150-250 

MISCELLANEOUS 

1467. AN ISNIK STYLE DISH 

boldly painted with stylised flowers, 13 3 ⁄4ins. 

(35cms.) dia. 

£100-150 

136 

1462. A WINE EWER 

the body with frosted vertical bands, one side 

engraved with a motto, crest and coronet, the 

reverse with a monogram, the handle terminal 

incised with a crown above Pellatt, 10ins. 

(26cms.) high 

£100-200 

1468. AN INDIAN BRASS OIL LAMP 

the reservoir surmounted by a bird with incised 

feathers, 6 1 ⁄2ins. (16.5cms) wide overall 

£50-100 

1470. A SET OF EIGHT INDIAN IVORY EROTIC PLAQUES 

carved in low relief with figures in athletic poses, including two with 

European gentlemen, average 4ins. (10cms) x 3ins. (7.5cms.) 

£200-300 

1471-1472. No Lots 

1465. No Lot 1466. No Lot 

1463. A SERVICE OF VENETIAN TABLE GLASS 

each piece enriched in gilt, comprising: a 

footed bowl, five plates, six small bowls with 

four stands, ten footed bowls and three small 

dishes, largest dish 8 3 ⁄4ins. (22cms) dia. 

£150-200 

1469. A SET OF TWENTY SIX INDIAN TILES 

painted with stylised foliage, each 6 1 ⁄2ins. 

(16.5cms.) square 

£200-300 


ENGLISH POTTERY 

1473. A STONEWARE REGINA PATTERN 

DINNER SERVICE 

each piece printed in sepia with birds and a 

floral meander, on a stippled border, 

comprising: soup tureen, cover and stand, two 

vegetable dishes and one cover, 

two sauce tureens, covers and stands, two 

rectangular vegetable dishes, five meat plates 

in four sizes, largest 17ins. (43cms.) wide, eight 

soup plates, twelve dinner plates, eight dessert 

plates and seven side plates 

£100-200 

1476. A WHISTLE 

in the form of a dog, seated atop a tussock, 

2 3 ⁄4ins. (7cms.) high 

£120-140 

1479. A ST ANTHONY’S POTTERY NEWCASTLE 

CREAMWARE CRESS DISH AND STAND 

dish 8 1 ⁄2ins. (21.5cms.) dia., together with a pair 

of blue and white printed stands 

£180-220 

1482. AN ELKINS & CO BLUE AND WHITE 

WASH BASIN AND JUG 

each with a fluted body, the basin printed with 

a view of Windsor Castle, the jug 

Brighton Pavilion, blue cartouches to the base 

printed Pomerania and Warren, jug 10ins. 

(25.5cms.) high 

£100-125 

1474. A PAIR OF MASONS IRONSTONE 

PLATES 

and a jug, each printed and painted in a 

chinoiserie Imari palette, 

plates impressed mark, jug blue printed mark, 

plates 8 1 ⁄2ins. (22cms.) dia. 

£120-160 

1477. A SPODE STONEWARE HUNTING JUG 

impressed mark, 7ins. (18cms.) high, together 

with a black basalt coffee pot and cover 

£100-120 

1480. A FROG MUG 

a yellow frog to the interior, 4ins. (10cms.) high, 

together with a creamware basket weave tazza 

and a basket weave dish 

£100-200 

1483. FOUR VARIOUS STONEWARE JUGS 

the two blue jugs each sprigged with a hunting 

motif and initialled below the spout JJ 1818. 

The largest jug sprigged with a gathering of 

rustics and neo-classical motifs including The 

Drunken Silenus, largest 7 1 ⁄2ins. (19cms.) high 

£160-200 

1475. A WEDGWOOD BLUE AND WHITE 

BOTANICAL PLATE 

impressed mark, 9 3 ⁄4ins. (25cms.) dia., a 

Wedgwood blue and white botanical shell 

shape dish, impressed mark, a Spode “cracked 

ice” pattern blue and white stand, impressed 

and printed mark and a child’s pearlware 

teacup and saucer, printed and painted with 

birds 

£100-120 

1478. TWO PUNCH AND JUDY CHILDRENS 

PLATES 

each with a foliate moulded edge, 7 1 ⁄2ins. 

(19cms.) dia. 

£150-200 

1481. TWO WEDGWOOD BLUE JASPER 

MEDALLIONS 

incised 72 and 132, together with cane handle, 

impressed marks, largest medallion 2ins. (5cms.) 

wide 

£50-80 

1484. A VILLAGE OF EIGHT STAFFORDSHIRE 

COTTAGE PASTEL BURNERS 

encrusted with lichen and flowers, largest 


£300-500 


137

1485. A SET OF THREE SPODE BISCUIT 

JASPER CACHE POTS 

sprigged with children at play, impressed 

marks, largest 5 1 ⁄4ins. (13.5cms.) high 

£100-150 

1488. A DELFTWARE POLYCHROME PLATE 

possibly Bristol, painted with fenced plants, 

13 1 ⁄4ins. (33.5cms.) dia. 

£100-125 

1491. A COLLECTION OF PINK LUSTRE WARES 

five jugs, one moulded with a hunting scene, 

another with a print of HMS Northumberland, 

a deep bowl with a view of the Ironbridge, 

another of a sailor and his moll and a bowl 

printed with a Manchester Unity Independent 

Order of Odd Fellows 

£150-250 

1494. A SALT GLAZED TEAPOT AND COVER 

and a sugar box and cover, each piece moulded 

with neo-classical motifs and the American 

displaying eagle, together with a similar milk 

jug 

£100-150 

138 

1486. A STAFFORDSHIRE FIGURE 

of a shepherdess with a lute and another 

Staffordshire group, largest 7 3 ⁄4ins. (19.5cms.) 

high 

£100-150 

1489. TWO LARGE STAFFORDSHIRE PINK 

LUSTRE JUGS 

one with a view of Ironbrige and inscribed on a 

cartouche Robert Miller, Copper Smith, aged 20 

years 1835, the other Sailor’s Farewell, 9 1 ⁄4ins. 

(24cms.) high 

£150-200 

1492. A BLUE AND WHITE DELFTWARE MEAT 

DISH 

probably Dublin, 22ins. (56cms.) wide 

£300-500 

1495. A MASONS IRONSTONE WASH JUG 

AND BASIN 

together with a carafe and a soap dish, cover 

and liner, printed with blue dragon design, 

printed mark. basin 16ins. (41cms.) dia. 

£100-150 

1487. A GRADUATED SET OF FIVE MASONS 

IRONSTONE JUGS 

each printed and painted in the Imari palette, 

largest 8 1 ⁄2ins. (21.5cms.), smallest 3 1 ⁄2ins. (9cms.) 

£100-150 

1490. A PINK AND COPPER LUSTRE JUG 

printed with a coaching scene, the coach for 

Liverpool/London by Bretherton & Co Potteries, 

inscribed beneath the spout Geo. Robinson, 

1816, another May They Ever Be United and a 

cycling mug, largest 5 3 ⁄4ins. (14.5cms.) high 

£130-150 

1493. A PAIR OF SALT GLAZED SAUCE BOATS 

each with basket weave moulding, 6ins. 

(15.5cms) long 

£100-120 

1496. A PAIR OF DERBY FIGURES 

of the Welsh Tailor and his wife. He incised no. 

69, 5 3 ⁄4ins. (14.5cms.) high, together with a 

Staffordshire figure of a long dog 

£200-250 


1497. AN IRONSTONE TYPE PART DESSERT 

SERVICE 

each piece printed and painted in the 

chinoiserie Imari palette with flowering plants, 

comprising: fifteen plates, two rectangular 

dishes and two square dishes, blue printed 

TONQUIN CHINA mark and iron red 500 

£400-500 

1500. A WEDGWOOD BLUE AND WHITE 

JASPER STILTON DISH AND COVER 

sprigged with neo-classical figures, impressed 

marks, dish 11 1 ⁄2ins. (29cms.) dia. 

£120-150 

1503. A POLYCHROME DELFTWARE DISH 

painted with two swans, buildings beyond, 

13 1 ⁄4ins. (33.5cms.) dia., and two other plates, 

9ins. (22.5cms.) dia. 

£130-160 

1506. A COLLECTION OF POTTERY JELLY 

MOULDS 

fifteen in total, 19thc and 20thc examples. 

Including Copeland, Fenton, Minton, and 

stoneware examples. In a variety of sizes and 

shapes. (15) 

£100-150 

1498. A COLLECTION OF FORTY NINE BLUE 

JASPER MEDALLIONS 

largest 3 1 ⁄2ins. (9cms.) high 

£500-700 

1501. A PAIR OF WEDGWOOD BASKETS AND 

STANDS 

10 1 ⁄2ins. (26.5cms.) wide 

£200-300 


MOULDS 

fifteen in total, 19thc and 20thc examples 

including one by Copeland. In a variety of sizes 

and shapes. (15) 

£100-150 

1507. A COLLECTION OF POTTERY JELLY 

MOULDS 

fourteen in total, 19thc and 20thc examples. 

Including Shelley, Copeland, and various others. 

In a variety of shapes and sizes. (14) 

£100-150 

1499. A WEDGWOOD BLACK BASALT OIL 

LAMP 

impressed mark, 8ins. (20.5cms.) high, a black 

and white jasper cache pot, impressed mark, 

3ins. (8cms.) high and a Staffordshire 

commemmorative jug for Queen Caroline 

£300-400 

1502. TWO POLYCHROME DELFTWARE 

DISHES 

one painted with a ballooning scene, 13 3 ⁄4ins. 

(35cms.) dia. 

£100-150 


MOULDS 

fifteen in total, 19thc and 20thc examples. 

Including Copeland, Booths, Shelley, and 

stoneware examples. In a variety of shapes and 

sizes. (15) 

£100-150 


MOULDS 


Including Royal Winton, Shelley, Brownfield 

and various others. In a variety of sizes and 

shapes. (14) 

£100-150 


139


MOULDS 


Including Shelley, Lovatts, and stoneware 

examples. In a variety of sizes and shapes. (14) 

£100-150 

1511. A PARIAN GROUP 

of Innocence Protected, by W. Beattie, 17ins. 

(43cms.) high 

£150-250 

1515. A PARIAN BUST 

of Apollo Belvedere, 18 1 ⁄2ins. (47cms.) high 

£100-150 

140 

1509A.A MAJOLICA JARDINIERE 

moulded in low relief with a girl milking a ewe, 

the reverse with a goat, 9ins. (23cms.) dia. 

£100-150 

1512. FOUR PARIAN FIGURES 

of Mrs Hannah More, William Pitt the Younger, 

Charles Fox and William Wilberforce, largest 


£400-600 

1514. A ROBINSON & LEADBEATER QUEEN 

VICTORIA JUBILEE BUST 

by R J Morris, 14 1 ⁄4ins. (36cms.) high 

£150-200 

1516. THREE COPENHAGEN BISCUIT FIGURES 

of three classical figures, largest 13 1 ⁄2ins. 

(34cms.) high 

£150-250 

1510. AN IRONSTONE TYPE VASE AND COVER 

richly gilt with bold chinoiserie flowers on a 

solid mazarin ground, 24ins. (61cms.) high 

£200-300 

1513. A SAMUEL ALCOCK FIGURE 

of The Duke of Wellington, printed publishers 

mark and designer and sculptors mark for Alfred 

Croquill & G Abbott, 11 1 ⁄2ins. (29cms.) high 

£150-200 

1517. A PARIAN FIGURE 

of a water nymph, 17ins. (43cms.) high 

£150-200 

1518-1520. No Lots 


ENGLISH PORCELAIN 

1521. A NEAR PAIR OF DERBY VASES 

each painted with a girdle of flowers on a solid 

gilt ground, iron red crown baton and D mark, 

9ins. and 9 1 ⁄4ins. (23.5cms.) high 

£100-150 

1524. A DERBY SALAD BOWL 

the rim painted with roses and a Chantilly 

sprigged meander, iron red crown baton and 3 

mark, 9 3 ⁄4ins. (25cms.) wide 

£100-120 

1527. TWO FIRST PERIOD WORCESTER 

POLYCHROME TEAPOTS 

each polychrome painted with floral sprays, 

4 1 ⁄2ins. (11.5cms.) dia. 

£150-200 

1530. A DERBY TEA BOWL, COFFEE CUP AND 

SAUCER 

each piece with a fluted body, purple crowned 

batons D mark 

£70-100 

1522. A DERBY SAUCE TUREEN, COVER AND 

STAND 

delicately painted with puce roses, purple 

crowned baton and D mark and numbered 232, 

tureen 6ins. (15cms.) dia. 

£100-120 

1525. A PAIR OF CHELSEA RED ANCHOR 

PLATES 

each moulded rim with a brown edge, red 

anchor mark, 8 1 ⁄2ins. (21.5cms.) dia. 

£120-160 

1528. A FIRST PERIOD WORCESTER TEAPOT 

AND COVER 

with a vertically fluted body, blue square fret 

mark, 5 1 ⁄2ins. (14cms.) dia. 

£100-125 

1531. A FIRST PERIOD WORCESTER QUEEN’S 

PATTERN TEA CANISTER 

with fluted body, blue square fret mark, 4 3 ⁄4ins. 

(12cms.) high 

£200-250 

1523. A SOUP PLATE 

painted in a coral colour with riverside 

buildings, 8 3 ⁄4ins. (22cms.) dia. 

£100-120 

1526. A CHELSEA RED ANCHOR SHAPED 

OVAL DISH 

with feathery scroll moulded border, red anchor 


£80-120 

1529. A NEW HALL BLUE AND WHITE TEAPOT 

AND COVER 

printed with the Two Moths pattern, N.J. 

Berthoud Collection Paper Label, 9 1 ⁄2ins. 

(23.5cms.) long overall 

£100-150 

1532. A FIRST PERIOD WORCESTER BLUE 

AND WHITE CORNUCOPIA 

delicately painted with a flowering prunus 

branch and insects, 8 1 ⁄2ins. (21.5cms.) high 

Godden Reference Collection Label 

£450-500 


141

1533. A ROCKINGHAM BROWN GLAZED 

COFFEE CAN 

puce griffin mark, a Derby custard cup and 

cover, turquoise mark, a Worcester blue scale 

coffee can and six other various coffee cups (a 

lot) 

£100-120 

1536. A FIRST PERIOD WORCESTER SHAPED 

LOZENGE DISH 

painted with mirror shaped cartouches of 

exotic birds on a blue scale ground, 

blue square fret mark, 10 3 ⁄4ins. (27cms.) wide 

£120-160 

1539. A PAIR OF SAMSON PLYMOUTH SHELL 

SALTS 

6ins. (15cms.) wide 

£100-150 

1542. A BOUGH POT 

of bombé rectangular form, the front and 

reverse painted with a bird amongst flowers, 

8 1 ⁄4ins. (21cms.) wide 

£150-200 

142 

1534. A SPODE FLORAL PAINTED BASKET 

pattern no. 1166, 4 1 ⁄4ins. (11cms.) wide, a Royal 

Worcester pink ground coffee cup and saucer 

painted with views, a blue ground coffee cup 

and saucer painted with insects (a lot) 

£100-120 


AND WHITE VASE 

painted with the Telephone Box pattern, within 

feathery shaped cartouches, blue crescent mark 

and Thistle Collection A3 label, 7 1 ⁄4ins. (18.5cms.) 

high 

£180-240 

1540. A DERBY FIGURE 

of a female gardener, 5 3 ⁄4ins. (14.5cms.) high, a 

Bow figure of a bag piper and his dog and a 

Bow figure of a nun 

£300-400 

1543. A LIVERPOOL POLYCHROME SAUCE 

BOAT 

painted one side with two exotic birds and the 

reverse with chinoiserie flowers, on a floral and 

scroll moulded ground, 7 3 ⁄4ins. (19.5cms.) wide 

£300-400 

1535. A SWANSEA COFFEE CUP AND SAUCER 

painted with floral cartouches on an Imari 

palette ground, iron red script mark Swansea 

219 

£100-120 

1538. A FIRST PERIOD WORCESTER 

POLYCHROME CUP AND SAUCER 

with a fluted body, the cup with a calligraphy 

mark, the saucer a crescent 

£220-260 

1541. A BOW FIGURE 

of a recumbent pug dog, 4 3 ⁄4ins. (12cms.) wide 

£150-200 

1544. A PAIR OF LONGTON HALL LEAF 

DISHES 

each naturalistically moulded and painted with 

scattered floral sprigs, 5 mark, 7 3 ⁄4ins. (19.5cms.) 

long overall 

£150-200 


1545. TWO GRADUATED HICKS AND MEIGH 

WEDDING JUGS 

each with lavender sprigged floral sprays, the 

shoulders inscribed in gilt Willia & Sarah 

Jardine, each base with a sprigged cartouche 

impressed 75, largest 8ins. (20cms) high 

£100-150 

1548. A CAUGHLEY BLUE AND WHITE BOWL 

printed with floral sprays and butterflies, blue 

crescent mark, 4ins. (10cms.) dia., together with 

three New Hall saucers and two tea bowls, one 

saucer with sepia K9X mark 

£140-160 

1551. A DERBY INFANT GARDENER 

3 3 ⁄4ins. (9.5cms.) high, together with a New Hall 

blue and white printed teapot stand and a New 

Hall fluted coffee can 

£100-120 

1554. A DERBY GROUP 

of a sleeping cherub, incised no. 195, 11 3 ⁄4ins. 

(30cms.) high 

£100-150 

1546. A COALPORT TEACUP AND SAUCER 

together with a Coalport teacup, coffee cup 

and saucer, each painted with a Japan pattern, 

the trio pattern no. 128 

£100-125 

1549. A FIRST PERIOD WORCESTER 

POLYCHROME TEAPOT AND COVER 

painted with chinoiserie figures, 4 1 ⁄2ins. 

(11.5cms.) dia. 

£240-280 

1552. TWO LIVERPOOL POLYCHROME COFFEE 

CUPS 

the chinoiserie one with label for McShane- 

Stephens Collection 

£150-200 

1555. A ROCKINGHAM FLORAL ENCRUSTED 

SCENT FLASK AND STOPPER 

puce mark, 5ins. (12.5cms.) high 

£150-200 

1547. A DERBY STYLE MUG 

each side painted with a floral spray, a Factory 

X helmet cream jug, jug 5ins. (12.5cms.) high 

and a Caughley gilt sprigged coffee cup 

£150-175 

1550. A LOWESTOFT SPARROW BEAK CREAM 

JUG 

and a pair of New Hall helmet cream jugs 

£150-180 

1553. A SET OF SEVEN CHURCH GRESLEY 

PATTERN DESSERT PLATES 

8 1 ⁄4ins. (21cms.) dia. 

£400-600 

1556. A PAIR OF VASES AND COVERS 

probably Coalport, each baluster body painted 

with floral sprays within extravagant scrolled 

rococo cartouches and foliage, 14 3 ⁄4ins. 


£300-500 


143

1557. A DERBY TEABOWL AND SAUCER 

the wrythen fluted body painted with gilt 

outlined blue stylised foliage, puce crown baton 

and 81 mark 

£100-150 

1560. A BOUGH POT 

possibly Coalport, the moulded panels 

delicately painted on a solid gilt ground, 


£400-450 

1563. A ROYAL CROWN DERBY IMARI 

PATTERN DESSERT SERVICE 

pattern no. 6682, retailers label for Stonier & Co. 

78 Lord St. Liverpool, comprising: a footed dish, 

a footless dish, two oval dishes, two circular 

dishes and twelve plates 

£150-250 

1566. A BLUE AND WHITE SUGAR BOWL AND 

COVER 

printed with chinoiserie fenced flowering 

plants, blue crescent mark, 4 1 ⁄2ins. (11.5cms.) 

high 

£100-120 

144 

1558. A FIRST PERIOD WORCESTER QUEEN 

CHARLOTTES PATTERN TEABOWL AND 

SAUCER 

blue crescent mark, paper label for Hanscombe 

Collection 

£100-120 

1561. A BRISTOL TEABOWL AND SAUCER 

delicately painted with green swags, green X 

and 10 mark 

£100-120 

1564. A PLAQUE 

painted with a three quarter length portrait of 

a gentlemen wearing black, 9 1 ⁄4ins. (23.5cms.) x 

7 3 ⁄4ins. (19.5cms.) 

£100-130 


AND WHITE CABBAGE LEAF MASK JUG 

painted with floral sprays, blue crescent mark, 

8ins. (20cms.) high 

£150-200 

1559. A PAIR OF DERBY FLORAL ENCRUSTED 

VASES 

and an inkwell and cover, the cover encrusted 

with mayflower blooms, vases 7ins. (18cms.) 

high 

£100-150 

1562. A FACTORY Z TEAPOT, COVER AND 

STAND 

enriched with silver lustre, together with a New 

Hall teabowl and saucer, a New Hall wrythen 

fluted coffee cup and saucer and a Machin 

teapot stand and small basin (a lot) 

£150-200 

1565. A PART DESSERT SERVICE 

each piece painted with rustic views within 

slightly moulded acanthus foliage cartouches, 

reserved on a solid green ground, pattern no. 

1382/1, comprising: a footed tazza, a pair of 

sauce tureens, covers and stands, two oval 

dishes, two rectangular dishes, four shell shape 

dishes, seven dessert plates 

£200-300 

1568-1570. No Lots 


CONTINENTAL POTTERY 

1571. A DELFT TILE 

painted in blue and magnanese, 17th/18th 

century, 5ins. (12.5cms.) square 

£100-125 

1574. A DELFT BLUE AND WHITE CHARGER 

painted with stylised foliage, 15 3 ⁄4ins. (40cms.) 

dia. 

£100-130 

1572. A FAIENCE DISH 

of silver shape, possibly Strasbourg, 

monogrammed BAC, 13 3 ⁄4ins. (35cms.) wide 

£100-150 

1575. A SET OF FOUR DELFT BLUE AND 

WHITE TILES 

each painted with a stylised tulip, 5 1 ⁄4ins. 

(13cms.) square 

£130-160 

1577. A PAIR OF DELFT MAGENTA TILE 

PICTURES 

20 1 ⁄2ins. (52cms.) x 31 3 ⁄4ins. (78cms.) 

£100-150 

1578. A PAIR OF DELFT BLUE AND WHITE 

OCTAGONAL OVOID VASES AND COVERS 

each with a vertically ribbed body, blue PK 

monogram mark, 15 1 ⁄2ins. (38.5cms.) high 

£300-400 

1579-1580. No Lots 

1573. A SAVONA LION-CUT POODLE 

5 3 ⁄4ins. (14.5cms.) long 

£100-120 

1576. A DELFT POLYCHROME DISH 

painted with an urn of flowers, 13 1 ⁄2ins. 

(34.5cms.) dia. 

£100-125 


145

CONTINENTAL PORCELAIN 

1581. A PAIR OF DOCCIA SOUP PLATES 

each painted in iron red and gilt with a pair of 

confronting cockerels beneath a tree, silver 

moulded rim, 9 1 ⁄4ins. (23.5cms.) dia. 

£300-350 

1584. A MEISSEN STYLE SPOON 

the bowl painted with Watteauesque figures, 

9ins. (22.5cms.) long, a pair of knife handles, 

painted with birds and a set of four knife 

handles, painted with court figures 

£100-150 

1587. A MEISSEN GROUP 

of a couple, two cherubs in attendance, blue 

crossed swords mark, impressed no. 831, 7ins. 

(18cms.) high 

£500-800 

146 

1590. A PAIR OF MEISSEN FIGURES 

of a gardener and his companion, blue crossed 

swords mark, 6 1 ⁄4ins. (16cms.) high 

£400-600 

1582. A PAIR OF SHAPED BOXES AND 

COVERS 

each cover painted with an exotic bird, 4ins. 

(10cms) wide 

£100-120 

1585. A BERLIN KPM CREAM JUG 

painted with “mosaic” views of Rome, reserved 

on a gilt ground, a Meissen pot and cover and a 

Milan faience coffee cup, jug 4ins. (10cms.) high 

£130-200 

1588. A TUREEN AND COVER 

painted with bold floral sprays, simulated blue 

crossed swords mark, 10ins. (25.5cms.) dia. 

£150-250 

1591. TWO MEISSEN BON BON DISHES 

blue crossed swords mark, incised 2872 and 

2875, 6 3 ⁄4ins. (17cms.) wide 

£150-200 

1583. A RUSSIAN BOX AND COVER 

modelled as a recumbent ram, black printed 


£100-150 

1586. THREE MEISSEN MARCOLINI TEACUPS 

painted with fruit, a Marcolini Meissen saucer 

painted with flowers and a pair of Cozi 

teabowls and saucers (a lot) 

£130-150 

1589. A PAIR OF MEISSEN FIGURES 

of children at play, she spanking her barebottomed 

doll, he with a hobby horse, 

blue crossed swords mark, incised E95 and E94, 

he 6ins. (15cms.) high 

£400-600 


1592. A PAIR OF MEISSEN VASES 

each basket weave ground applied with 

flowerheads and fruit, 17ins. (43.5cms.) high 

£400-700 

1595. A CANE HANDLE 

possibly Berlin, painted with Watteauesque 

figures, 2 3 ⁄4ins. (7cms.) wide 

£100-150 

JAPANESE WORKS OF ART 

1601. AN IVORY FIGURE 

of a farmer, with a basket of eggs, signed, 


£600-900 


of a bird fancier, holding aloft a bird table, 

signed, 9 1 ⁄2ins. (24cms.) high 

£300-400 

1593. A MEISSEN STRUT CLOCK 

the clock with a gilt foliate engraved dial, 

signed J.W. Benson, 25 Old Bond St., 

London, timepiece movment, the case 

surmounted by cherubs, blue crossed swords 

mark, 9 1 ⁄2ins. (24.5cms.) high 

£150-200 

1596. A MEISSEN HOUND 

seated, blue mark, 2 1 ⁄4ins. (5.5cms.) high 

£100-150 


of a fisherman on a rocky outcrop beside 

waves, engraved details, signed, 


£300-400 

1605. A CLOISONNE ENAMEL DISH 

worked with a central dragon, 12 1 ⁄4ins. (31cms.) 

dia., and a Satsuma type box and cover, painted 

with a rushing mountain stream, 4 1 ⁄4ins. 

(11cms.) dia. 

£130-150 

1594. A MEISSEN INCENSE BURNER 

of urn form, one side painted with a profile 

head of Scipio, the other with C Marus, 

7 1 ⁄4ins. (18.5cms.) high 

£150-200 

1597-1600. No Lots 

1603. AN IVORY SEGMENT GROUP 

of a street trader and his boy, signed, 7ins. 

(18cms.) high 

£180-220 

1606. A BRONZE FIGURE 

of a sage, wearing leafy clothes, 14 1 ⁄2ins. 

(37cms.) high 

£200-300 


147

1607. THREE IVORY CARVINGS 

all with incised and blackened details, largest 

12 1 ⁄4ins. (31cms.) high and signed 

£300-400 

1610. TWO PRINTS 

of famous poets, each 12 1 ⁄4ins. (31cms.) x 10ins. 

(25.5cms.) 

£220-260 

1611-1614. No Lots 

CHINESE WORKS OF ART 

1621. A COLLECTION OF FIVE JADE BEADS 

AND CARVINGS 

of archaistic manner, lion 2 1 ⁄2ins. (6.5cms.) high 

£150-200 

1624. A ROSE QUARTZ FIGURE 

of a seated Shou lao, a rose quartz snuff bottle 

carved with figures in a pine tree and an 

amethyst carving of a doe and dragon dog, 

bottle 2 1 ⁄2ins. (5.5cms.) high 

£100-125 

148 

1608. A CLOISONNE ENAMEL INCENSE 

BURNER AND COVER 

of oval baluster form,delicately worked and 

with an aventurine ground, 4 1 ⁄2ins. (11.5cms.) 

high 

£400-500 

1622. A BRASS FIGURE 

of a seated Buddha, 14 1 ⁄2ins. (37cms.) high 

£200-250 

1625. A GREEN HARDSTONE FIGURE 

of a temple lion dog, 4 1 ⁄4ins. (11cms.) long 

£200-300 


of an elephant, naturalistically cast and chased, 

signed, 7ins. (18cms.) long 

£100-120 

JAPANESE PORCELAIN 

1615. A KUTANI VASE 

with stepped foot, painted with cartouches of 

mythical figures with dragons and phoenix, 

iron red seal mark, 12 1 ⁄4ins. (31cms.) high 

£100-200 

1616-1620. No Lots 

1623. A PAIR OF CANTONESE ENAMEL TEA 

BOWLS AND SAUCERS 

saucers 3 3 ⁄4ins. (9.5cms.) wide 

£80-120 

1626. A BRONZE INKWELL 

modelled as a dog with elaborately coiffed coat 

on a matted ground, 5 1 ⁄2ins. (14cms.) long 

£80-120 


1627. A BROWN AND GREY AGATE CARVING 

of a kneeling figure on a boat-like prunus 

branch, 5ins. (12.5cms.) wide 

£200-300 

1630. A BRONZE INCENSE BURNER AND 

COVER 

in the form of a sage astride a buddhist lion, 


£150-200 

1628. A ROSE QUARTZ RECUMBENT 

BUFFALO 

a Celadon vase and cover, carved with a 

dragon, a green Celadon coloured ting and 

cover, a green quartz vase and a pair of green 

quartz figures, figures 10ins. (25.5cms.) high 

£200-300 

1631. A BRASS BOX AND COVER 

the lid engraved with a map and calligraphy, 

3 3 ⁄4ins. (9.5cms.) dia., together with a lock 

engraved with emblems and a flowering 

prunus tree, 5 1 ⁄4ins. (13cms.) long 

£100-150 

1633. AN AGATE PENDANT - SUZHOU 

SCHOOL 

one side carved in low relief with a seated 

scholar, the brown inclusion worked to give the 

scholar a hat, a leafy tree and a four line script. 

The reverse with a waterfall, 2 1 ⁄4ins. (5.5cms.) x 

1 1 ⁄2ins. (4cms.) 

£1000-1500 


of a buddist lion with boldly scrolling mane 

and tail, 14 1 ⁄4ins. (36cms.) high 

£200-300 

1632. A BRONZE AND CHAMPLEVE ENAMEL 

INCENSE BURNER AND COVER 

in the form of a pheasant, 14ins. (35.5cms.) 

long 

£150-200 


149

1634. A COLLECTION OF SEVEN VARIOUS 

BLUE AND WHITE SNUFF BOTTLES 

largest 3 3 ⁄4ins. (9.5cms.) high 

£150-200 

1637. AN AGATE CUP 

2 1 ⁄2ins. (6.5cms.) dia., an agate archer’s ring the 

inclusion carved in low relief as a man and a 

tiger, a pale Celadon recumbent puppy and a 

moss agate cup (a lot) 

£500-600 


HARDSTONE SNUFF BOTTLES 

£200-300 

1643. AN IVORY SNUFF BOTTLE 

in the form of a smiling head and three others, 

each inscribed or engraved with calligraphy 

£150-250 

150 

1635. A COLLECTION OF FOUR ENAMEL 

SNUFF BOTTLES 

£100-150 

1638. AN AMBER CARVING 

of a man kneeling beside a large vase, 2 1 ⁄4ins. 

(6cms.) high, an ivory carving of gourdes, a 

shpere with retractable spikes an Indian ivory 

fruit and an ivory pen rest 

£200-300 

1641. A COLLECTION OF SEVEN INTERIOR 

PAINTED GLASS SNUFF BOTTLES 

£180-250 

1644. A SOAPSTONE CARVING 

of three children clambering upon a recumbent 

buffalo with naturalistically engraved hide, 


£150-250 

1636. A COLLECTION OF EIGHT VARIOUS 

SNUFF BOTTLES 

various mediums, including a large example, 

interior painted with tigers, 4 1 ⁄2ins. (11.5cms.) 

high overall, and two English glass condiment 

bottles 

£150-200 

1639. A COLLECTION OF FIVE VARIOUS 

HARDSTONE SNUFF BOTTLES 

£100-150 


PORCELAIN SNUFF BOTTLES 

£200-300 

1645-1650. No Lots 


CHINESE PORCELAIN 

1651. A LARGE BLUE AND WHITE BRUSH POT 

painted with a continuous riverside 

mountainous landscape, blue six character 

mark within double circle of Kangxi, 7ins. 

(20cms.) dia. 

£200-250 

1654. TWO FAMILLE ROSE TEA CANISTERS 

and another, Qianlong 

£100-200 

1657. A TEAPOT AND COVER 

of generous proportions, painted in the 

mandarin palette with panels of riverside 

figures, Qianlong, 6ins. (15cms.) dia., 

£200-300 

1660. A FAMILLE ROSE TEAPOT AND COVER 

each side painted with two birds perched on a 

rocky outcrop, Qianlong, 5 1 ⁄2ins. (14cms.) dia. 

£100-150 

1652. A MANDARIN PALETTE CHAMBER POT 

painted with sepia cartouches of birds, 

Qianlong, 7 3 ⁄4ins. (19.5cms.) dia. 

£125-150 

1655. A SAMSON ARMORIAL FAMILLE VERTE 

OCTAGONAL TEAPOT AND COVER 

and a punch bowl, painted in the compaigne 

des Indes manner, 11 1 ⁄2ins. (29cms.) dia. 

£130-180 

1658. A PAIR OF BRIGHT FAMILLE ROSE 

SHAPED RECTANGULAR MEAT PLATES 

delicately painted with floral sprays, Qianlong, 

12ins. (30.5cms.) wide 

£400-600 

1661. A BLUE AND WHITE SOUP TUREEN 

AND COVER 

painted with riverside views, lotus pod handles 

and pomegranate knop, Qianlong, 13ins. 

(33cms.) wide 

£200-300 

1653. A CLOBBERED BLUE AND WHITE KENDI 

painted with birds and flowers, late 18th/early 

19th century 7 1 ⁄2ins. (19cms.) high 

£100-120 

1656. A FAMILLE ROSE BOWL 

painted in the compaigne des Indes manner, 

Qianlong, 9ins. (23cms.) dia. and a clobbered 

blue and white punch bowl 

£130-180 

1659. A FAMILLE ROSE DOG PASTEL BURNER 

Qianlong, 5 1 ⁄4ins. (13.5cms.) long 

£130-180 

1662. A BLUE AND WHITE GINGER JAR 

painted with panels of utensils, on a prunus 

cracked ice ground, Kangxi, blue double circle 

mark, 6 1 ⁄2ins. (16.5cms.) high 

£100-200 


151

1663. A MANDARIN PALETTE PUNCH BOWL 

painted with cartouches of figures on terraces, 

on a Y diaper ground, Qianlong, 10 1 ⁄2ins. 

(26.5cms.) dia. 

£125-150 

1666. A BLUE AND WHITE BOWL 

the interior painted with flowering peonies 

issuing from rockwork, the exterior with 

flowering plants, Qianlong, 10 1 ⁄2ins. (26.5cms.) 

dia. 

£120-150 

1669. THREE BLUE AND WHITE BOXES AND 

COVERS 

largest 3 3 ⁄4ins. (9.5cms.) wide, a blue and white 

flattened flask, a pen rest painted in sepia with 

figures in landscapes and two small mounted 

famille rose fragment pendants 

£150-200 

1672. A MINIATURE BLUE AND WHITE PLATE 

Kangxi, 4ins. (10cms.) dia., two other blue and 

white plates and a Japanese Arita blue and 

white saucer dish painted with a river 

landscape, 7 1 ⁄2ins. (19cms.) dia. 

£100-150 

152 

1664. A BLUE AND WHITE TANKARD 

Qianlong, 4 3 ⁄4ins. (12cms.) high and four various 

dishes, each moulded, late 17th/early 18th 

century 

£100-150 

1667. A FAMILLE ROSE PUNCH BOWL 

painted with cartouches of travellers and 

figures playing board games, Qianlong 11ins. 

(28cms.) dia., and another bowl, Qianlong, 9ins. 

(23cms.) dia. 

£100-130 

1670. A PAIR OF FAMILLE ROSE CACHE POTS 

each side painted with an exotic bird, 9ins. 

(23cms.) dia. over handles 

£300-400 

1673. A BLUE AND WHITE SLEEVE VASE 

painted with figures flanking flower-filled 

vases, 19 3 ⁄4ins. (50cms.) high 

£100-120 

1665. A FAMILLE ROSE CREAM JUG 

of helmet shape, the interior of the rim 

delicately painted with cartouches of birds and 

butterflies set within feathery scrolls, Qianlong, 

5ins. (12.5cms.) high 

£100-120 

1668. A COLLECTION OF BLUE AND WHITE 

TABLE WARES 

Qianlong, and an incense burner (a lot) 

£300-500 

1671. A PAIR OF FAMILLE ROSE PLATES 

each painted with a pavilion and a pagoda set 

in a mountainous landscape, Qianlong, 8 1 ⁄2ins. 

(22cms.) dia. 

£80-120 

1674. A BLUE AND WHITE HOLLOW DISC 

one side painted with court figures, the reverse 

with flowering plants, Qianlong, 10 1 ⁄2ins. 

(21.5cms.) dia. 

£150-200 


1675. AN ORMOLU MOUNTED FAMILLE 

VERTE VASE AND COVER 

adapted for electricity, porcelain 16 1 ⁄2ins. 


£250-500 

1678. A PAIR OF FAMILLE ROSE WALL 

POCKETS 

each painted with a couple admiring their cat, 


£130-180 

1681. A BLUE AND WHITE VASE AND COVER 

painted with a continuous mountainous river 

landscape, Qianlong, 15 3 ⁄4ins. (40cms.) high 

£100-150 

1684. A PAIR OF FAMILLE VERTE VASES 

of rouleau form, each painted with horsemen 

in a mountainous landscape, incised marks, 


£200-250 

1676. A FAMILLE ROSE VASE AND COVER 

brightly enamelled with tables of flower filled 

utensils, blue square seal mark for Qianlong, 


£1500-2000 

1679. A FAMILLE VERTE VASE 

of tapering square section, each side painted 

with two ladies, 16 1 ⁄2ins. (42cms.) high 

£200-250 

1682. A BLUE AND WHITE PLAQUE 

painted with a riverside landscape, early 19th 

century, 12 1 ⁄2ins. (32cms.) x 9 3 ⁄4ins. (24.5cms.) 

£125-150 

1685. A PAIR OF CANTONESE FAMILLE ROSE 

VASES 

each with panels of court figures and flowering 

plants inhabited by butterflies, 17 3 ⁄4ins. (45cms.) 

high 

£480-520 

1677. A CANTONESE MILLEFLEUR VASE 

on a yellow cell ground, 10ins. (26cms.) high 

£200-400 

1680. A BLUE AND WHITE CYLINDRICAL 

COFFEE POT AND COVER 

painted with a continuous riverside scene, 

Qianlong, 9ins. (23cms.) high 

£150-200 

1683. A PAIR OF BLUE AND WHITE SLEEVE 

VASES 

painted with prunus on a blue ground, 17 1 ⁄2ins. 


£320-380 

1686-1720. No Lots 


153

154 


Pictures 

Friday 15th April at 11am 

Enquiries: Richard Kay 

richard.kay@lawrences.co.uk 


Lot 1904 

Pictures

PRINTS 

1721. GIOVANNI BATTISTA PIRANESI 

(1720-1778) 

VEDUTA DELLA BASILICA DI S. GIOVANNI 

LATERANO (Hind 8; Wilton-Ely 139) 

Etching, first published 1749 

37 x 54cm. 

++ Old vertical crease where formerly folded; 

damp stains. in margins. but image generally 

good 

£150-250 

156 

1722. GERMAN SCHOOL, 19th CENTURY 

CHELSEA HOSPITAL; CONWAY CASTLE 

Two, lithographs printed in colour 

Each 24 x 33cm. approx. (2) 

++ Images good; a little foxing; maple 

veneered frames 

£80-120 

1723. AFTER JOHN FREDERICK HERRING 

(1795-1865) 

LABOUR; REST 

A pair, mixed method engravings with hand 

colouring, by W T Davey, published by W Tegg 

and Co, 1853 

Each 50 x 64.5cm. (2) 

++ Some foxing and in need of a clean 

£180-250 

1724. WILLIAM DANIELL (1769-1837) 

VIEW FROM STRAWBERRY HILL, PRINCE OF 

WALE’S ISLAND (MALAYSIA) (Abbey Travel II, 

525 no.3) 

Aquatint with hand colouring, after Capt. R. 

Smith, published by the engraver, 1821 

Image 45 x 69cm. 

++ Needs a clean; some foxing; long but faint 

graze in the sky on left 

£800-1200 

1725. AFTER BENJAMIN HERRING Junr. 

(1830-1871) 

THE SILKS AND SATINS OF THE FIELD; THE SILKS 

AND SATINS OF THE TURF 

A pair, aquatints with hand colouring, by J. 

Summers, published 1867-1868 

Each 48.5 x 107.5cm.; 

with a set of four coloured prints of “The 

Billiard Stakes” after Finch Mason, published by 

Fores, 1894, 25.5 x 35cm. (6) 

++ (Herrings) Framed to the image; images in 

apparently good condition; good gilt frames; 

(Mason) a little light staining 

£400-600 


1726. AFTER FRANCIS WHEATLEY, RA 

(1747-1801) 

THE FULL OF THE HONEY-MOON; THE WANE OF 

THE HONEY-MOON 

A pair, mezzotints by R. Laurie, published by R. 

Sayer, 1789 

Each 55.5 x 44.5cm. (2) 

++ Framed close on three sides; images 

generally good 

£120-180 

1729. J. PHILLIPS (PUBLISHER) 

FOUR STAGES OF ELOPEMENT: PERSUASION; 

CONSIDERATION; RESOLUTION; CONCLUSION 

A set of four, mezzotints with hand colouring, 

c.1786, in original frames 

Each 32 x 25cm. (4) 

++ Images generally satisfactory; each but the 

third print with noticeable damp stains. in the 

margins 

£300-400 

1731A. JOHN PIPER, CH (1903-1992) 

WILLINGTON DOVECOTE, BEDFORDSHIRE (L.286) 

Lithograph printed in colours, 1978, signed and 

inscribed H/C, aside from the edition of 120, 

published by Christies Contemporary Art and 

The National Trust, full margins, rolled 

42 x 55.5cm. 

++ Good condition 

£300-500 

1727. AFTER CECIL ALDIN (1870-1935) 

OLD ENGLISH INNS: THE GEORGE INN, 

SALISBURY; THE TALBOT INN, CHADDESLEY- 

CORBETT 

Two, published by Eyre and Spottiswoode, with 

blindstamp, signed in pencil 

38 x 32.5cm. and 32.5 x 38.5cm.; 

with another from the same series, also signed. 

(3) 

++ One with a little light staining 

£300-400 

1730. AFTER LAURENCE STEPHEN LOWRY, RA 

(1887-1976) 

ST. LUKE’S, LONDON 

Colour reproduction, published by G. R. Mellor, 

1973, with blindstamp, signed in pencil, 

numbered 350/496 

61.5 x 45.5cm. 

++ A few skilfully repaired grazes; good colour 

£200-300 

1732. WINIFRED NICHOLSON (1893-1981) 

NARCISSI IN BASKET (YELLOW CLOTH) 

Screenprint, 1979, after the oil painting of 

1936 (coll. of Joan Halbert), now trimmed 

removing all but the N and the number 20, 

unframed 

43 x 51cm.; 

with two signed lithographs of Oxford colleges 

by Julian Trevelyan; and a screen print by 

Kenneth Rowntree, 1976, all signed in pencil, 

unframed (4) 

++ Nicholson with foxing in margins; the 

others worn and/or damp stained 

£200-300 

1728. AFTER CECIL ALDIN (1870-1935) 

THE YARN MARKET, DUNSTER 

Colour reproduction, published by Eyre and 

Spottiswoode, with blindstamp, signed in pencil 

39 x 39cm.; 

with another, of Porlock Weir, also after Aldin, 

unsigned, 30 x 39.5cm. (2) 

++ Each with slight light staining; the latter 

with a few spots of foxing 

£250-350 

1731. SIR EDUARDO PAOLOZZI, CBE, RA 

(1924-2005) 

B.A.S.H. 

Screenprint with collage on wove paper, 1971, 

printed by Advanced Graphics, published by 

Galerie Dorothea Leonhart, signed in pencil, 

inscribed P/P (printer’s proof) and dated 1971, 

numbered 25/25, with green background, aside 

from the edition of 3000 that had been 

available from The Observer newspaper for 

£17.50 

73.5 x 49cm. 

++ Damp stains. in the margins 

£150-200 

1733. AFTER PATRICK COKAYNE KEELY 

(d.1970) 

STAGGERED WORKING HOURS 

Four, colour lithographs, 1945, published by 

Waterlow & Sons Ltd, unframed 

98 x 59cm. approx. (4) 

++ Wear in margins; paper losses; some 

damage within images 

£200-300 


157

158 

1734 1735 

1736 1737 

1738 1739 

1734. CHRISTOPHER RICHARD WYNNE 

NEVINSON, RA (1889-1941) 

LA CITE, PARIS (Guichard 85) 

Etching, with plate tone, probably 1931, the full 

sheet, unframed 

17.4 x 27.5cm. 

++ Some very slight light staining; a few spots 

of foxing; generally good condition 

£600-800 

1735. GERALD LESLIE BROCKHURST, RA 

(1890-1978) 

THE WEST OF IRELAND 

Etching, 1928, from the edition of 111, 

unframed 

12 x 14.2cm. 

++ Slight light staining; original mount 

£150-250 

1736. EILEEN ALICE SOPER (1905-1990) 

CUTTY SARK; KITE FLYING 

Two, etchings, each signed in pencil 

Each 9.5 x 14.5cm. (2) 

Provenance: Edinburgh, John Mathieson and 

Co. 

++ The former good; the latter with some mat 

burn 

£200-300 

1737. A GROUP OF SIGNED ETCHINGS 

to comprise `Peckham Rye` by Francis Dodd; 

barn interior by William Palmer Robins; two 

field workers by E. Herbert Whydale; `Dartford 

Warbler` by George Edward Collins; two 

children reading by George Bernard O’Neill; and 

two unsigned wood engravings of a shepherd 

with his flock, various sizes (6 frames) 

++ Generally good condition 

£200-250 

1738. HARRY BECKER (1865-1928) 

A FOLIO OF NINE ETCHINGS AND FOUR 

LITHOGRAPHS 

depicting rural workers engaged in loading 

carts, working in the fields, sheep dipping, 

ploughing etc; ten signed in pencil and some 

inscribed, all unframed, various sizes (13) 

++ Mixed condition - one laid down; some 

foxed; some with handling creases etc 

£200-300 

1739. ARCHIBALD STANDISH HARTRICK, 

RWS (1864-1950) 

AN INTERESTING GROUP OF WORKS 

to comprise a watercolour of fieldworkers 

attributed to Hartrick, 24 x 31.5cm.; four signed 

lithographs (mother and child, two bellringers, 

country crafts and a figure by a church gate); 

and an etching of two woodworkers, signed, 

various sizes, two framed (6) 

++ The watercolour needs a clean; the others 

good 

£200-400 


1740. GRAHAM SUTHERLAND, OM 

(1903-1980) 

THE BARN 

Etching with drypoint, signed, inscribed with 

title and dedicated To Charles Lapworth, 

unframed 

16.5 x 14.5cm. 

++ A little foxing; needs a clean; taped to 

mount along top edge 

£250-350 

1741. LESLIE MOFFAT WARD (1888-1978) 

THE CAPE LINER BALMORAL CASTLE TAKING IN 

CARGO AT SOUTHAMPTON DOCKS 

Lithograph, 1913, on pale buff paper 

44.5 x 33cm. 

++ A few minor old soft creases 

£50-70 

1742. STANLEY ANDERSON, RA (1884-1966) 

THE BASKET WEAVER; THE SILK SELLER; THREE 

MEN IN A PUB 

Three, line engravings, only the last signed in 

pencil (from the edition of 40), unframed 

16.7 x 16.5cm.; 19.7 x 14.5cm.; and 16 x 17cm. 

(3) 

++ Generally good; the first with light staining 

£180-250 

1743. DIANA THORNE (American b.1895) 

JAZZ 

Etching, signed, inscribed with title and further 

inscribed with dedication To Major Haldane 

MacFall with my compliments, unframed 

24 x 16cm. 

++ Old horizontal fold; some handling marks 

£100-150 

1744. ANDERS ZORN (1860-1920) 

GOPSMOR COTTAGE (Hjert & Hjert 210; Asplund 

275) 

Etching and drypoint, 1917 (dated within the 

plate), signed in pencil 

28 x 19cm. 

++ Scattered foxing 

£200-300 

1745. PAUL CESAR HELLEU (1859-1927) 

MADAME MARGUERITE LABADY, ASSISE, 

TENANT SON MANCHON 

Etching with drypoint, signed in pencil 

Sight 56 x 34cm. 

++ Laid down; not examined out of frame 

£650-850 

1740 

1742 

1741 

1744 1745 


1743 

159

160 

1746 1747 

1748 1749 

1750 1751 

1746. HERBERT THOMAS DICKSEE 

(1862-1942) 

A WEST HIGHLANDER 

Etching, 1930, published by Frost and Reed Ltd, 

signed in pencil and numbered indistinctly 

(possibly 8/150) 

Plate 22 x 30cm. 


£150-200 


(1862-1942) 

ON VELVET 

Etching, 1922, from the edition on vellum, 

published by Frost and Reed Ltd, with 


Image 22.5 x 37.5cm. 

++ Some slight bloom 

£150-200 


(1862-1942) 

A PEKINESE 

Etching, 1924, from the edition of 300, on 

vellum, published by Frost and Reed Ltd, signed 

in pencil 

Image 34cm. diam.; plate 39 x 36cm. 

++ A few scattered minor damp marks 

£150-200 


(1862-1942) 

THREE LITTLE KITTENS 

Mezzotint, 1903, published by Frost and Reed 

Ltd, with blindstamp, signed in pencil 

Image 23.5 x 34.5cm. 

++ Some foxing, mainly in the margins 

£150-200 


(1862-1942) 

READY! 

Etching, 1928, from the signed edition of 325, 

published by Frost and Reed Ltd, with 


Image 32 x 53.5cm. 

++ Good condition (mounted close) 

£200-300 


(1862-1942) 

ALSATIANS 

Etching, c.1926, from the signed edition of 150, 

signed in pencil 

Plate 31 x 41.5cm. 


£150-200 



(1862-1942) 

A BRITISH BULLDOG 

Etching, 1913, from the edition of 300 on 


in pencil 

Image 36.5cm. diam.; plate 42 x 41cm. 

++ A little pale foxing; small nick near muzzle 

£200-300 


(1862-1942) 

COMRADES 

Etching, 1928, published by Frost and Reed Ltd, 

with blindstamp, signed in pencil 

Image 29.25 x 55.25cm.; plate 32.5 x 56.5cm. 


£200-300 


(1862-1942) 

A SEALYHAM PUP 

Etching, 1923, from the edition of 325, with 


Plate 27.5 x 19.75cm. 


£150-200 


(1862-1942) 

THE PRODIGAL 

Etching, 1926, from the edition of 325, on 


in pencil 



£200-300 

1756. HERBERT DICKSEE (1862-1942) 

SILENT SYMPATHY 

Etching, published by Frost and Reed, 1894, 

signed in pencil 

48 x 58cm. 

++ A good impression; possibly laid down 

(unexamined out of frame) 

£200-300 

1757. HARRY GOFFEY (1871-1951) 

ALERT! 

Etching, published by The Academy of Art Ltd, 

signed in pencil and inscribed with title 

27 x 19.5cm. 

++ Good condition; slight light staining 

£100-150 

1752 1753 

1754 1755 

1756 1757 


161

1758. CHARLES FREDERICK TUNNICLIFFE, RA 

(1901-1979) 

STAG AT BAY 

Wood engraving, signed in pencil 

12.2 x 19cm.; 

with an unsigned wood engraving of otters; an 

ink and sgraffito drawing of butterflies, c.1946, 

6 x 10cm.; and two further unsigned prints of 

a hound and an otter hunt, two items 

unframed. (5) 

Exhibited: (Otter Hunt) Worthing Museum, A 

Countryside Collection, 2000; Somerset County 

Museums Service, The Countryman at Work 

(Glastonbury and Taunton, 1999) 

++ Principal item foxed; otters light stained; 

others satisfactory 

£200-300 


(1901-1979) 

THE HARVESTERS 

Etching, on wove, signed and numbered 31/75, 

unframed 

20.5 x 28cm. 

++ A few blemishes in the margins; image 

good 

£250-350 


(1901-1979) 

THE SICK CALF 

Etching, on wove, signed and titled, unframed 

21 x 28.5cm. 

++ Some foxing and inky fingerprints in the 

margins 

£200-300 

162 

Lots 1758-1771 were purchased from the artist by the owner in the 1960’s 


(1901-1979) 

TOAD 

Etching with aquatint, on laid, signed, 

unframed 

16.5 x 20cm. 

++ Slight stains. at sheet edges; image good 

£200-300 


(1901-1979) 

THE SMITHY DOORWAY 

Etching, on thin wove, signed, titled and 

numbered 14/75, unframed 

19 x 25cm. 

++ Very slight light staining 

£200-300 


(1901-1979) 

THE THIEF 

Etching, on laid, signed and titled, unframed 

15 x 22.5cm. 


£200-300 


(1901-1979) 

THE SEED ROLLER 

Etching, on laid, signed, titled and numbered 

27/75, unframed 

17 x 22cm. 


£200-300 


(1901-1979) 

THE SWING BRIDGE 

Etching, on wove, signed, titled and inscribed 

Hurdsfield length of the canal 

19.5 x 27cm. 

Exhibited: Worthing Museum, A Countryside 

Collection, 2000; Somerset County Museums 

Service, The Countryman at Work (Glastonbury 

and Taunton, 1999) 


£200-300 


(1901-1979) 

(HORSE UNDER TREES) 

Etching, on wove, signed and numbered 60/75, 

unframed 

20 x 23.5cm. 

++ A little pale foxing; generally good 

£200-300 



(1901-1979) 

THE PIE-BALD PONY 

Etching and aquatint, on laid, 1929, signed and 

inscribed P/P (progress proof?), titled, unframed 

16 x 23.5cm. 


£200-300 


(1901-1979) 

BULL HORNING 

Etching, on wove, signed in pencil, unframed 

22.5 x 27.5cm. 

++ Light staining; slight soiling in margins 

£250-350 


(1901-1979) 

TO THE SLAUGHTER 

Etching, signed and numbered 31/75, unframed 


++ Grubby and worn at sheet edges; image 

good 

£300-500 


(1901-1979) 

THE COLT 

Etching with plate tone, on laid, signed in 

pencil, titled and numbered 36/75, unframed 

22 x 25cm. 

++ Slight light staining 

£300-500 


(1901-1979) 

THE CHECK 

Etching with aquatint, on laid, signed in pencil 

and titled, unframed 

20 x 28.5cm. 


£250-350 

1772. CECIL ALDIN (1870-1935) 

WHO SAID RATS? 

Etching, signed in pencil and numbered 

118/150 

17 x 12cm. 

++ Sealed into original frame; good condition 

£300-500 

1773-1774 

No lots 

1767 1768 

1769 1770 

1771 1772 


163

WATERCOLOURS AND DRAWINGS 

1775. GERMAN SCHOOL, EARLY 18th 

CENTURY 

PORTRAIT OF A YOUNG NOBLEMAN, POSSIBLY 

PRINCE THEODOR OF DUSSELDORF 

Bust length, wearing an ermine-trimmed robe, 

pastels 

37 x 30.5cm. 

++ A few grazes and slightly abraded 

£300-400 

1778. A GROUP OF SEVEN DRAWINGS AND 

WATERCOLOURS 

to comprise a portrait of a gentleman 

attributed to Henry Edridge; a crayon portrait 

of a seated lady attributed to Charles Landseer; 

`Blackstone Edge` by Paul Sandby Munn; 

`Tintern Abbey` by William Collingwood Smith; 

a cottage scene in the style of John Varley; a 

street scene by a follower of Robert Hills; and a 

life study of a stretching male nude dated April 

21 64, various sizes (7) 

++ Mixed condition; some faded but generally 

satisfactory 

£700-900 

1781. A SMALL FOLIO 

OF BOTANICAL STUDIES AND NATURAL 

HISTORY SUBJECTS 

Principally 19th Century, mainly watercolours 

of flowers with a few studies of birds (Loxia 

Mexicana by Ann Lie, 1770, illustrated), fish, 

butterflies, insects etc; also a few prints of 

shells, fish and whales, various sizes 

++ Generally good overall; some wear and 

soiling etc 

£100-150 

164 

1776. JOHN “WARWICK” SMITH (1749-1831) 

A MOUNTAINOUS LANDSCAPE WITH A 

TRAVELLER AND TWO MULES 

Watercolour 

29 x 22cm. 

Provenance: London, Christies, December 7th, 

1965 

++ A few small grazes and nicks in the sky; 

needs a clean; slightly faded 

£250-350 

1779. SAMUEL GILLESPIE PROUT (1822-1911) 

FIGURES IN A TOWN SQUARE 

Signed, watercolour with pen and ink 

42 x 29.5cm.; 

with a watercolour of a similar subject 

attributed to Samuel Prout Senior, 38 x 28cm. 

(2) 

++ The former in need of a light clean 

£300-500 

1781A.AFTER JACOB JORDAENS (1593-1678) 

HEAD OF A SAINT 

Pastels, in a stripped carved wood frame 

53 x 43cm. 

++ Some surface mould 

£300-500 

1777. ENGLISH SCHOOL, 19th CENTURY 

AN ALBUM OF BOTANICAL STUDIES AND OTHER 

SUBJECTS 

comprising approximately 30 leaves by various 

hands, some with botanical names in pencil, 

marbled boards worn 

22 x 27.5cm. or smaller 

£150-250 

1780. GEORGE PERCY ASHBURNHAM 

(c.1815-c.1886) 

FIGURES IN A CHURCH INTERIOR 

Signed, watercolour with pen and ink 

heightened with gum arabic 

41 x 32cm.; 

with two further watercolours in the style of 

Samuel Prout, one bears monogram and date, 

26.5 x 20cm. and 22.5 x 17cm. (3) 

++ Each with some fading 

£150-200 

1781B. C** SCHUMACHER (Fl.c.1907) 

PORTRAIT STUDY OF A LADY 

Head study, signed and dated 1907, pastels on 

buff paper 

52.5 x 41cm. 


£200-400 


1782. FOLLOWER OF CHRISTIAN STOCKLIN 

(1741-1795) 

CAPRICCI OF MAGNIFICENT BUILDINGS ON A 

COAST 

A pair, watercolour and pencil, in tortoiseshell 

veneered frames 

Each 10 x 12.5cm. (2) 

++ Generally good; one frame with small loss 

£400-600 

1785. CIRCLE OF WILLIAM PARS (1742-1782) 

VIEW OF A HILL TOWN AND ITS OUTSKIRTS, 

POSSIBLY LAUNCESTON 

Watercolour with pen and ink, on original 

mount, unframed 

22 x 38.5cm. 

Provenance: Mrs Solly of the Merivale family, to 

whom bequeathed by Francis Towne. Iolo 

Williams noted that the Misses Merivale 

inherited “a rich store of Towne’s drawings”. 

John Merivale was Towne’s great friend and 

residuary legatee. 

++ Some pigment oxidised with `spotting` 

throughout; vertical crease (or join) 

£100-150 

1788. NICHOLAS POCOCK (1740-1821) 

A LANDSCAPE WITH A COTTAGE AND FIGURES; 

A WOOD SCENE, WITH LIME-KILN AND 

CHILDREN 

A pair, the latter signed and dated 1790, 

watercolour and pencil 


Provenance: R. Cox of Hillingdon (the former) 

++ Each with some discoloration or mat burn; 

the latter with a 3cm graze left of centre 

£1000-1500 

1783. CIRCLE OF THOMAS SUNDERLAND 

(1744-1828) 

ON THE RIVER TAFF 

Pen and grey ink with grey wash 

30 x 44.5cm. 

Provenance; London, The Fine Art Society Ltd, 

1961 (as Thomas Horner) 

++ Generally faded; discoloured in the sky 

£100-150 

1786. JOSHUA CRISTALL (1767-1847) 

ROCKY LANDSCAPE WITH SHEPHERD AND 

FLOCK 

Watercolour and pencil 

12 x 22cm. 

Exhibited: London, Appleby Bros. Ltd., Autumn 

1966 Exhibition 

++ Faded 

£100-150 

1789. WILLIAM CALLOW, RWS (1812-1908) 

LOCH INVER 

Signed, inscribed Loch Inver Aug 24/1861, 


22.5 x 52cm. 

++ A little pale foxing; good colour 

£500-800 

1784. JOHN CHESSELL BUCKLER 

(1793-1894) 

THE GATE OF SHERBORNE CASTLE, 

DORSETSHIRE 

Signed and dated 1809, inscribed with title in 

margin, watercolour and pencil 

Image 16 x 18.5cm.; 

with a watercolour portrait of a seated lady by 

Adam Buck, signed and dated 1820, 17.5 x 

15cm. (2) 

++ The former in good condition; the latter 

rather faded 

£200-300 

1787. HENRY BRYAN ZIEGLER (1798-1874) 

LODGE COTTAGE IN A PARK, CATTLE BEYOND 

Signed, watercolour 

21.5 x 32cm. 

++ Slight stain in sky at right; slightly faded; 

small grazes lower right 

£300-400 

1790. ATTRIBUTED TO WILLIAM ALEXANDER 

(1767-1816) 

A BUSY CHINESE PORT 

Watercolour and pencil 

11.5 x 19.5cm. 

Provenance: London, Christies, December 7th, 

1965 

++ Some foxing and pale stains, principally in 

the sky; needs a light clean 

£600-800 


165

1791. THOMAS MILES RICHARDSON, RWS 

(1813-1890) 

MARTELLO TOWERS, KENT 

Signed and dated 1852, watercolour 

22.5 x 51cm. 

++ Some discoloration and a few spots of 

foxing; needs a clean 

£600-800 

1794. ROBERT ANGELO KITTERMASTER 

MARSHALL (1849-1926) 

TO EVENING PASTURES 

Signed twice (possibly three times, once 

indistinct), watercolour and bodycolour 

43.5 x 68cm. 

++ Good colour; some repaired damage in the 

sky 

£500-700 

1797. JOHN PEDDER (1850-1929) 

A FEBRUARY FLOOD, COOKHAM 


heightened with scratching out 

34 x 62cm. 

++ Needs a light clean; small blemish in sky 

left of centre; original gilt mount and frame 

£300-400 

166 

1792. GEORGE STANFIELD WALTERS 

(1838-1924) 

AT RYE 

Signed, watercolour over traces of pencil 

19 x 36.5cm. 

++ A few pale spots of foxing 

£150-200 

1795. C** F** BUCKLEY (Fl.1840-1869) 

SCENES AT HADDON HALL 

A pair, both signed and dated 1866, 

watercolour 

Each 32 x 52cm.; 

with another watercolour by the same hand of 

Bonnington Linn on the River Clyde, signed, 

31 x 43cm. (3) 

Provenance: (the pair) Manchester, Exchange 

Art Gallery, label on backboards 

++ The pair with good colour but in need of a 

slight clean; original gilt frames; the last 

slightly faded 

£600-800 

1798. RUSSELL STEPHENSON 

(Fl.c.1872-1895) 

SALMON POOL, METAPEDIAC RIVER, CANADA; 

OLD CANADIAN HOUSES, SOUTH SIDE OF ST. 

LAWRENCE RIVER, OPPOSITE QUEBEC, 1872; 

CONVENT RUINS, ISLAND OF MONTREAL, 1872 

(SCENE OF MASSACRE BY INDIANS) 

Three, the first initialled and dated 1874, 

watercolour 

16.5 x 23.5cm.; 12.5 x 20.5cm.; and 

13.5 x 19.5cm.; 

with two further subjects by the same hand, 

“River, Northumberland, 1895”, 9.5 x 13cm.; 

and “Garden at Shanganagh Castle, C. Wicklow, 

1879”, 17.5 x 11.5cm. (5) 

Exhibited: London, James Newman (nos. 9, 15, 

20, 26, 55 in an exhibition) 

++ Each needs a clean; two of the Canadian 

scenes faded/discoloured 

£250-350 

1793. ALBERT ERNEST MARKES (1865-1901) 

SAILING VESSELS IN COASTAL WATERS 

Signed, watercolour and pencil 

40 x 66cm. 

++ Scattered retouching; a few slight grazes; 

characteristic fading/discoloration 

£300-400 

1796. FREDERICK JOHN WIDGERY 

(1861-1942) 

A DEVONSHIRE RIVER 


49 x 72cm. 

++ Some pale scattered foxing 

£150-250 

1799. W** H** HOWES (Fl.c.1887) 

SCENE IN NEW ZEALAND, PROBABLY A VIEW OF 

MOUNT COOK 

Signed and dated June 1887, inscribed New 

Zealand on the support sheet, watercolour 

heightened with white 

30 x 44cm. 

++ Some fading, especially in the sky 

£200-300 


1800. ATTRIBUTED TO WILLIAM SIMPSON 

(1823-1899) 

TEMPLE OF ELEPHANTA NEAR BOMBAY 

Watercolour and pencil heightened with white 

33.5 x 48cm. 

* Hindu temple, dedicated to Siva, built circa 

700-1100AD 

++ Mat burn and discoloration; brown tones 

predominate 

£500-700 

1801. FREDERICK E. J. GOFF (1855-1931) 

THAMES AT GRAVESEND 

Signed and inscribed with title, watercolour 

and pencil with scratching out 

26 x 72.5cm. 

Exhibited: Glasgow, Institute of Fine Arts (label 

on backboard) 

++ Needs a light clean; a little foxing 

£400-600 

1802. GEORGE WEATHERILL (1810-1890) 

TYNEMOUTH 

Signed with initials, watercolour with traces of 

pencil 

9.5 x 13cm. 


£500-700 


167

168 

1803. THE HON. CHARLES GORE (1729-1807) 

A GROUP OF 19 WATERCOLOURS AND DRAWINGS 

to comprise a panorama of Plymouth, inscribed, 21.5 x 45cm.; another similar, 19.5 x 42.5cm.; Riviera de Genoa, inscribed, 

13 x 40cm.; North View of Gibraltar, inscribed, badly torn, 14.5 x 40.5cm.; Needles, Isle of Wight, inscribed, 14 x 36.5cm.; Loo in 

Cornwall, signed and inscribed C. Gore 1772, 12 x 30cm.; Isola Bella, inscribed, 8 x 17cm.; Dutch Pilot, 1771, inscribed, 12.5 x 14cm.; 

and eleven various marine sketches showing small craft, men of war and frigates, the largest 20 x 31cm, the smallest 10 x 10cm.; 

principally pen and ink and wash, some with pencil and/or watercolour; and another, attributed to the same hand (20) 

Provenance: The May family, who were vintners in Lisbon in the late 18th Century. A member of the family was a godchild of Gore. 

Thence by descent to the late Miss Joan May, by whose executors it has been requested that these drawings are to be sold for the 

benefit of The National Maritime Museum, Greenwich. Further works from the May family are in the Museum’s collection. 

* Gore epitomised the informal skills of the English amateur. After leaving his native Lincolnshire where he had grown up in the 

affluent home of his merchant father, he worked briefly with his uncle in London before marrying the wealthy Mary Cockerill. They 

settled in Southampton after his father’s death and Gore sailed his cutter `Snail` up and down the English Channel in the 

company of the Dukes of York, Gloucester and Cumberland. 

Gore and his wife travelled to Weimar and to Lisbon, seeking warm weather for the benefit of his Mary’s health. From Lisbon, they 

journeyed to Gibraltar, Port Mahon and Livorno. Zoffany painted the family upon the occasion of Gore’s daughter’s marriage to 

George Clavering-Cowper, 3rd Earl Cowper. 

From bases in Rome, Naples and Florence, Gore associated with Richard Payne Knight and Philipp Hackert until 1778 and had the 

honour of watching his drawings worked up by John Robert Cozens. Hackert accompanied Gore to Switzerland, Venice, France, 

Austria and back to England. Mary Gore died in 1785. Charles Gore then settled in Weimar at the Jagerhaus as a member of the 

Ducal Court. The home had been previously occupied by Johann von Goethe, who wrote Gore’s biography. 

++ Mixed condition; many with some foxing, pale stains, old creases and wear; two badly torn etc 

£6000-9000 


1804. HERBERT MENZIES MARSHALL, 

RWS (1841-1913) 

CRICKET AT MEADS, WINCHESTER 

COLLEGE 

Signed and dated 1905, watercolour and 

pencil 

35 x 51cm. 

++ A few scattered grazes; a little 

faded; some pale foxing 

£750-1000 

1805. JOSEPH HUGHES CLAYTON 

(1870-1930) 

CEMAES BAY, ANGLESEY 


57.5 x 94cm. 

++ Good condition; some slight staining 

in the sky 

£800-1200 

1806. PERCY BROOKE (Fl.1894-1916) 

TENDING SHEEP ON A COUNTRY PATH; 

ACROSS THE MOSSES 

A pair, both signed, each dated 1907 and 

1912, watercolour 

24 x 34.5cm. and slightly smaller (2) 

++ Good condition; original gilt frames 

£700-900 


169

1807. ERNEST ARTHUR ROWE (1862-1922) 

MONTACUTE 


13 x 24cm. 

++ Needs a light clean 

£250-350 

1810. WALTER WILLIAM MAY (1831-1896) 

FRENCH VESSELS AND FISHING BOATS 

Signed with initials, watercolour 

17.5 x 27cm.; 

with another, Dutch boats and fishing boats, 

initialled, 10 x 18cm. (2) 

++ Good condition; the latter needs a light 

clean 

£150-200 

1813. FRED HINES (Fl.c.1875-1897) 

CHANGING PASTURES 

A pair, both signed, watercolour and gouache 

Each 36 x 53cm. (2) 

++ Each with some foxing and/or slight 

discoloration 

£300-400 

170 

1808. CHARLES EDWARD BRITTAN 

(1837-1888) 

NEAR ILFRACOMBE, DEVON 

Signed and dated 1875, bears title on the 

mount, watercolour heightened with white 

30.5 x 59.5cm. 

++ Needs a light clean; a little foxing 

£200-300 

1811. FREDERICK JAMES ALDRIDGE 

(1850-1933) 

FISHING BOATS IN ROUGH WEATHER 

Signed and dated Oct 1910, watercolour with 

scratching out 

13.5 x 32.5cm. 

++ A few spots of foxing 

£150-200 

1814. WILLIAM WIEHE COLLINS (1862-1952) 

A COUNTRY CHURCH (DORSET?) 


17.5 x 26.5cm. 

++ Colours good; needs a light clean in the sky 

£250-350 

1809. CHARLES MOATE WALSHAW (b.1884) 

WHITBY FROM THE EAST CLIFF 

Signed and dated 1907, watercolour over traces 

of pencil 

35 x 52.5cm. 

++ Pale in the sky; a few pale spots of foxing 

£150-250 

1812. FRANK HENRY MASON (1876-1965) 

SAILING VESSELS OFFSHORE 

Signed, watercolour heightened with white 

23 x 37.5cm. 

++ Very slight mat burn 

£150-200 

1815. HENRY BOWSER WIMBUSH 

(1858-1910) 

THURSO RIVER, CAITHNESS 

Signed, inscribed with title on a tab on the new 

backboard, watercolour with traces of pencil 

59 x 79cm. 

++ A little pale 

£200-300 


1816. ARTHUR WARDLE (1864-1949) 

OUR DOGS: THE SEALYHAM TERRIER; POINTER; 

FIELD SPANIEL; THE ESKIMO; DACHSHUND; 

TIBET MASTIFF 

Six, each signed, each but the last also 

inscribed “Our Dogs”, pen and black ink 

Sight size 14.5 x 19.5cm. and slightly smaller; 

with a copy of “Show Dogs” by Theo Marples, in 

which the Dachshund and Pointer are 

illustrated. (7) 

Provenance: Beaconsfield, David Messum, 

(Pointer and Field Spaniel only) 

++ A few with minor creases, blemishes, foxing 

etc.; book a little tatty 

£800-1200 

1819. ALFRED LEYMAN (1856-1933) 

THE ARRIVAL OF THE COACH, SHIP INN, 

PORLOCK 


51 x 73cm. 


£500-700 

1822. BERTRAM NICHOLLS (1883-1974) 

ABBEY RUINS 

Indistinctly signed lower right, watercolour 

27.5 x 40cm. 

++ A little scattered foxing; needs a light clean 

£100-150 

1817. JOSEPH WILLIAM CAREY (1859-1937) 

SLIEVE BERNAGH, CO. DOWN, MOURNE RANGE 

Signed, inscribed with title and dated 1920, 


25 x 37.5cm. 

++ Some foxing; needs a light clean; slightly 

pale 

£200-400 

1820. JOHN WHITE (1851-1933) 

ABOVE PORLOCK BAY 

Signed, watercolour and bodycolour over traces 

of pencil 

24.5 x 34.5cm. 


£400-600 

1823. BERTRAM NICHOLLS (1883-1974) 

A MILL HOUSE 


28 x 37.5cm. 

++Needs a light clean; slightly faded 

£120-180 

1818. FREDERICK WILLIAM DAVIS 

(1862-1919) 

THOUGHTFUL MOMENTS 


35 x 50cm. 

++ Some silverfish damage and foxing 

£250-350 

1821. JOHN WHITE (1851-1933) 

A WALK BY THE CORNFIELD 

Signed, watercolour and bodycolour over traces 

of pencil 

24.5 x 34.5cm. 

++ Needs a light clean; slightly pale 

£400-600 

1824. GEORGE EDWARD ALEXANDER 

(1865-1931) 

AMBERLEY MARSHES, SUSSEX, 1921 

Signed, also signed and inscribed on a label on 

the backboard, watercolour 

21 x 32cm.; 

with a watercolour of Jevington near 

Eastbourne, by a follower of Copley Fielding, 

16.5 x 27cm.; and a charcoal drawing of sheep 

in a field attributed to George Sheffield, 23.5 x 

35.5cm. (3) 

++ Each in generally good condition; a few 

spots of foxing 

£200-300 


171

172 

1825 1826 

1825. ALFRED LEYMAN (1856-1933) 

THE BUTTER WALK, DARTMOUTH 


52.5 x 36.5cm. 

++ Generally good condition; slightly pale 

£450-650 

1826. SOPHIE HOBSON (Fl.1880-1887) 

COUNTRY GIRL WITH A BASKET OF FRUIT 


51.5 x 32.5cm. 

++ A little foxing; needs a light clean 

£120-180 

1827. JAMES ALFRED TURNER 

(Australian, 1850-1908) 

THE WOODMAN AND HIS DOG; THE FOOTSORE 

TRAVELLER 

A pair, both signed, watercolour and pencil 

Each 24 x 16.5cm. (2) 

Provenance: see lot 1918 

++ Each with some fading, principally in the 

former 

£500-700 

1828. ELIJAH WALTON (1833-1880) 

SOULIMAN, CAIRO; NUBIAN 

Two, the former signed, each signed and 

inscribed with title verso, the former also dated 

1868 verso, watercolour, the latter oval, 

unframed 


++ Each needs a clean; the latter with some 

discoloration 

£300-500 


1829. ARTHUR WARDLE (1864-1949) 

HEAD STUDY OF A SPANIEL 

Signed vignette, watercolour and gouache en 

grisaille 

Sight 29 x 23cm. 

++ Some spots of foxing in the background; 

slight light staining 

£300-500 

1832. J* DURAND-DEACON (Fl.c.1900) 

AN ARAB STREET SCENE 


34 x 23cm. 


£150-200 

1835. J* DURAND-DEACON (Fl.c.1900) 

FIGURES EMBARKING AT AN INDIAN 

WATERFRONT NEAR A PAVILION 

Signed, watercolour over traces of pencil 

58 x 43.5cm. 

++ Old horizontal crease; needs a light clean 

£250-300 

1830. EDMUND CALDWELL (Fl.1880-1921) 

GONE TO THE DOGS 

Signed and dated 1882, also signed and 

inscribed on a label on the new backboard, 

watercolour and gouache 

33 x 24cm. 

Exhibited: London, The Royal Society of British 

Artists, 1883, no.631 


£300-500 

1833. NEAPOLITAN SCHOOL, LATE 19th 

CENTURY 

CASTELLAMMARE DI STABIA, GOLFO DI NAPOLI 

Inscribed verso, gouache, mounted oval 

51 x 39cm. 


£200-300 

1836. FREDERICK M. EVANS (1859-1929) 

AN OLD EYE BUT A STEADY HAND 


30.5 x 22.5cm. 

++ Two small tears at extreme left and at top 

edge; slightly faded 

£400-600 

1831. WILFRED DUTTON (Fl.c.1934) 

TOO DEAR! 

Signed, titled and dated 1934, watercolour 

vignette 

31 x 21cm. 

Illustrated: Jeremy Wood, Hidden Talents 

(Billingshurst, 1994), p.42 


£100-150 

1834. WILLIAM HARDING COLLINGWOOD 

SMITH (1848-1922) 

GONDOLIERS AT THE DOGE’S PALACE, VENICE 


60 x 43cm. 

++ Good condition overall 

£400-600 

1837. WALTER LANGLEY (1852-1922) 

THE LONELY YEARS 

Signed, pen and black ink via nib and brush 

28 x 18cm. 

++ Needs a light clean; a few damp spots 

£500-700 


173

1838. SAMUEL JOHN LAMORNA BIRCH, RA, 

RWS (1869-1955) 

ST. JEAN PIED DE PORT, BASSES PYRENEES, 

FRANCE 

Signed, inscribed in pencil on backboard, 

watercolour and pencil heightened with white 

29.5 x 37.5cm. 

++ Faded in the sky 

£750-900 

1841. ERIC MEADE-KING (1911-1987) 

THE WILY FOX 

Signed, five vignettes on grey paper with a 

pencil remarque on the mount 

23.5 x 27cm.; 

with a watercolour, `Study of Waders, Severn 

Estuary 1960` by the same artist, signed and 

inscribed, 28.5 x 44.5cm. (2) 

Provenance: (fox) Warwickshire, The Coughton 

Galleries, 1979 (£100) 

++ Each in good condition 

£300-400 

1844. LEONARD RICHMOND (1889-1965) 

A TOR ON DARTMOOR 

Signed, pastels 

47 x 59.5cm. 

Provenance: By descent in the family of the 

writer and broadcaster S. P. B. Mais. This work 

was the cover illustration for one of Mais’s 

numerous books on walking. 

++ A couple of faint grazes 

£200-300 

174 

1839. CHARLES J. KELSEY (Fl.1912-1940) 

ANTIBES; EZE; MONTREUIL; MALIJAI SUR 

BLEONE; NEAR SENEZ 

Six, each signed, each inscribed verso and dated 

1932-1939, pastels, unframed 

28.5 x 36cm. and smaller (6) 

Provenance: The artist’s studio 


£400-600 


(1901-1979) 

GULLS 

Watercolour on paper, laid on card, unframed 

31.5 x 51cm. 

Provenance: see lots 1758 to 1771 

++ Good colour; needs a light clean 

£300-400 

1845. COL. ROBERT CHARLES GOFF 

(1837-1922) 

SUTTON PLACE, GUILDFORD (LAWRENCE 

HARRISON) 

Signed, inscribed and dated 1897, watercolour 

and pencil 

15.5 x 25.5cm. 

Exhibited: Worthing Museum, `A Countryside 

Collection`, 2000 

++ A few spots of pale foxing 

£120-180 

1840. HARRY MORLEY, ARA, VPRWS 

(1881-1943) 

BARBARIANS: THE SACK OF ROME; ROMAN 

CAPRICCIO; FIGURES IN BOATS BY A BRIDGE 

Three, each with studio stamp, pen and black 

ink with washes 

28 x 43.5cm.; 36 x 28.5cm.; and 26.5 x 27.5cm. 

(3) 

++ Each in generally good condition but the 

first in need of a light clean 

£500-700 

1843. MICHAEL LYNE (1912-1989) 

IN THE BERKELEY HILL COUNTRY, BETWEEN 

KINGSCOT AND DURSLEY 

Signed, watercolour and bodycolour 

18.5 x 30.5cm. 


£200-300 

1846. ARILD ROSENKRANTZ 

(Danish 1870-1964) 

OFFERING AT TWILIGHT 

Signed, inscribed on a label on reverse of 

frame, pastels 

42.5 x 57.5cm. 

++ Retouched spots at right and left 

£200-300 


1847. KARL HAGEDORN (1889-1969) 

FIVE WOMEN IN A KITCHEN INTERIOR 

Signed with monogram and dated 18, 


22.5 x 34cm. 

++ Needs a light clean; small blemishes upper 

centre 

£100-200 

1849A. NICOLA HICKS (b.1960) 

UNTITLED (POODLE 2), 1999 

Charcoal on brown paper 

135 x 150cm. 

* "Brown paper was good enough for Picasso 

and Braque, so it's good enough for me." 

Interview with Anthony Denselow, quoted by 

J. Dellingpole, Nicola Hicks (London, 1999, p.90) 

Provenance: London, Flowers East 


£800-1200 

1852. ROLAND GREEN (1896-1972) 

A SNIPE IN FLIGHT 


34.5 x 25cm. 


£150-250 

1848. HAROLD HOPE READ (1881-1959) 

A HAZY AFTERNOON 

Indistinctly signed and dated 25, watercolour 

with pen and brown ink and pencil 

22.5 x 29cm. 

++ A few pale stains; good colour 

£300-400 

1850. ROY HAMMOND (b.1934) 

SUNDAY STROLLERS ALONG THE MALL 

Signed and dated 1989, also signed, inscribed 

and dated verso, watercolour and bodycolour 

15 x 21cm. 

Exhibited: London, Chris Beetles Ltd, Roy 

Hammond’s London, Feb. 1990, no.98 


£150-200 

1853. HARRY MORLEY, ARA, VPRWS 

(1881-1943) 

THE QUIRINALE, ROME 


28 x 19.5cm.; 

with a pencil drawing of `Luiga and her 

children` by Morley, 24.5 x 19.5cm. (2) 

++ Good condition; the latter with a little pale 

foxing 

£300-400 

1849. COLIN KENT (b.1934) 

SUNLIT BAY 

Signed, watercolour and acrylic with pen and 

ink 

42 x 64.5cm. 

Exhibited: London, The Federation of British 

Artists (The Mall Galleries), 1998 


£120-180 

1851. ANNE SHINGLETON (b.1953) 

TUSCANY 

Signed and dated 91, pastels 

33.5 x 48cm.; 

with an oil of `Lily and Roof` by the same artist, 

initialled and dated 89, 28 x 18cm. (2) 


£150-200 

1854. MARIO DUBSKY (1939-1985) 

SAMUEL BECKETT 

Signed and dated 79, also inscribed S. Beckett - 

For Stephen, with my love - Mario/ 7.viii.79, 

pencil 

78.5 x 58cm. 

++ A little soiling 

£150-250 


175

176 

1855. GEORGE EDWARD LODGE (1860-1954) 

PEREGRINE FALCON 

Signed, watercolour and gouache 

28 x 43.5cm. 

Provenance: By descent in the Newall family 


£1000-1500 



Signed, gouache 

37 x 26.5cm. 



£800-1200 



Signed, gouache 

29.5 x 44cm. 



£1000-1500 

1858-1859. 

No lots 


OIL PAINTINGS 

1860. FOLLOWER OF KAREL BREYDEL 

(1678-1733) 

CAVALRY ENCOUNTER ON A BRIDGE 

Oil on panel 

22 x 33cm. 

++ Craquelure; needs a clean 

£250-350 

1862. CIRCLE OF JAN FRANS VAN 

BLOEMEN, called ORIZZONTE 

(1662-1749) 

PASTORAL RIVER LANDSCAPE WITH 

FIGURES BY RUINS AT SUNSET 

Oil on canvas 

48 x 105.5cm. 

Provenance: The peace campaigner 

Dame Adelaide Livingstone, DBE 

(c.1881-1970); by whom given to an 

ancestor of the vendor 

++ Lined; some associated retouching 

£2000-3000 

1863. DANIEL TURNER 

(Fl.1782-1801, d.1817) 

VIEW OF BLACKFRIARS BRIDGE FROM 

THE THAMES WITH ST. PAUL’S 

CATHEDRAL BEYOND; VIEW OF 

WESTMINSTER BRIDGE WITH THE 

PALACE AND ABBEY BEYOND 

Two, both signed DANL. TURNER, oil on 

panel 

28 x 42.5cm.; and 26.5 x 37cm. (2) 

++ Each with some slight craquelure 

and `wrinkling` of the paint; gilt frames 

£1500-2000 

1861. FOLLOWER OF GILLIS VAN TILBORGH 

(c.1625-c.1678) 

A ROWDY TAVERN 

Oil on panel 

36 x 48cm. 

++ Scattered retouching and other faults; dark 

£600-800 


177

178 

1865 

1864 

1866 

1867 1868 

1864. ATTRIBUTED TO WILLIAM ANDERSON 

(1757-1837) 

FISHERFOLK WITH BOATS ON THE SHORE 

A pair, oil on panel 

Each 10.5 x 19.5cm. (2) 

++ Each with some craquelure; each needs a 

clean 

£1200-1800 

1865. CIRCLE OF WILLIAM LINTON 

(1791-1876) 

A VIEW OF THE BAY OF NAPLES WITH VESUVIUS 

BEYOND 

Oil on canvas 

43.5 x 59.5cm. 

++ Lined; some scattered retouching; paint loss 

in sky upper right; craquelure; needs a light 

clean 

£400-600 

1866. CIRCLE OF PHILIPPE MERCIER 

(1689-1760) 

THE PROPOSAL 

Oil on canvas 

59 x 73.5cm. 

Provenance: Christies, London, April 20th, 1945, 

lot 128 (as Mercier; sold by Sergt. G. Smith, RE 

and bought by James for 11gns); Phillips, 

London, October 29th 1985, lot 15, as Mercier; 

whereat purchased by the owner. 

++ Lined; craquelure and a little retouching 

£700-1000 

1867. ATTRIBUTED TO CHRISTIAAN LODEWYK 

WILLEM DREIBHOLZ (1799-1874) 

A FISHING BOAT OFF A JETTY IN SQUALLY 

WEATHER 

Bears monogram (CD entwined) and date 1871, 

oil on panel 

19.5 x 26.5cm. 

++ Some retouched craquelure; needs a clean 

£300-500 

1868. O** GODFREY 

(Australian, 19th/20th Century) 

THE BARQUE ALLIANCE UNDER FULL SAIL OFF A 

LIGHTHOUSE 

Signed, oil on board 

46 x 61cm. 

++ Needs a light clean; scattered scuffs and 

minor defects 

£500-700 


1869. FOLLOWER OF MICHIEL JANSZ. VAN 

MIEREVELT (1567-1641) 

PORTRAIT OF A GENTLEMAN 

Bust length, wearing a black coat and white 

collar, oil on canvas 

58 x 48.5cm. 

++ Recently skilfully restored; lined; retouching 

to disguise old damages; a little thin 

£300-500 

1872. AFTER SIR JOSHUA REYNOLDS, PRA 

(1723-1792) 

SELF PORTRAIT (DETAIL) 

Bust length, oil on board, oval 

20 x 15.5cm. 

* Derived from Reynolds’ 1775 self portrait 

(Uffizi Gallery, Florence) 


£300-400 

1875. CUZCO SCHOOL 

AN ELEGANT SPORTSMAN 

Oil on canvas 

49.5 x 39.5cm. 

++ Lined; general craquelure and needs a 

clean; gilt frame 

£450-550 

1870. MANNER OF GODFRIED SCHALCKEN 

(1643-1706) 

LACEMAKER WORKING BY CANDLELIGHT 

Oil on panel 

28 x 23cm. 

++ A few minor flaked losses 

£300-400 

1873. FRENCH SCHOOL, LATE 18th CENTURY 

PORTRAIT OF A LADY, PROBABLY LA 

MARECHALE DE MUY 

Bust length, wearing a white dress, bears an 

inscribed label on the backpaper, pastels 

45 x 33.5cm. 

++ Generally good condition 

£200-300 

1876. FOLLOWER OF THOMAS 

GAINSBOROUGH, RA (1727-1788) 

PORTRAIT OF A LADY 

Bust length, wearing a russet dress with lace, 

and a black neckband, oil on canvas 

39.5 x 30.5cm. 

++ Lined; some associated retouching; 

craquelure 

£300-500 

1871. AFTER SIR GODFREY KNELLER, Bt. 

(1646-1723) 

PORTRAIT OF KING WILLIAM III 

Quarter length, wearing armour, lace jabot and 

a sash, within a painted oval, bears later 

inscription, oil on canvas 

73.5 x 61cm. 

++ Lined; retouching; small patched repair on 

left 

£900-1200 

1874. FOLLOWER OF ENOCH SEEMAN 

(c.1694-1745) 

PORTRAIT OF A GENTLEMAN 

Quarter length, wearing a blue coat and white 

neckcloth, oval, oil on canvas, period oval frame 

75 x 62cm. 

++ Old lining; scattered faults; some 

craquelure; wear at edges; needs a clean 

£250-300 

1877. No lot 


179

1878. AFTER HANS HOLBEIN (1497-1543) 

PORTRAIT OF THE HUMANIST, DESIDERIUS ERASMUS (c.1466-1536) 

Quarter length, wearing a hat and cloak, within a painted oval, oil on 

canvas laid on panel; in an Italian carved giltwood frame profusely carved 

with flowers and foliage 

58 x 46.5cm. 

* Probably derived from Wallerant Vaillant’s mezzotint of c.1650-1675 

which depicts the sitter in a similar pose in reverse. 

++ The panel is split at the back; scattered retouching; needs a clean; 

farme with minor losses 

£1000-1500 

180 

1879. AFTER DIEGO RODRIGUEZ DE SILVA Y VELASQUEZ (1599-1660) 

PORTRAIT OF A MAN 

Quarter length, wearing a black tunic, oil on canvas 

72.5 x 60cm. 

* After the original of 1649 (Wellington Museum, Apsley House, London) 

++ Lined; repaired tear upper left; some bitumen damage; some bloom 

and needs a clean 

£700-1000 

1880. ATTRIBUTED TO MICHAEL DAHL (1656-1743) 

PORTRAIT OF NICHOLAS HUME-LOFTUS, Ist EARL OF ELY (bb.1709-1766); AND OF HIS WIFE, MARY (nee HUME), COUNTESS OF ELY (d.1740) 

A pair, each quarter length, he wearing a full-bottomed wig, dark red mantle and white neckcloth, she wearing a blue mantle, each within a 

painted oval, oil on canvas 

75 x 64.5cm.; and 74 x 62.5cm. (2) 

Provenance: by descent in the family of the sitters 

++ Lined; each with some craquelure and scattered retouching 

£1500-2000 


1881. WIILIAM OWEN, RA (1769-1825) 

PORTRAIT OF PETER VON WINTER (1754-1825) 

Quarter length, wearing a dark coat and white neckcloth, later label on 

stretcher, oil on canvas 

74 x 61cm. 

Exhibited: London, The Royal Academy, 1894 (Coll. of Mrs Horsley) 

Engraved: by William Say 

* Von Winter was Maestro to the Elector of Bavaria, Composer to the 

King’s Theatre, Haymarket and Kapellmeister in Munich from 1798-1825. 

He studied with Antonio Salieri, encountered Mozart (with whom he fell 

out) and wrote Italian operas. His Maometto was staged at La Scala in 

Milan in 1817. 

++ Lined; a little associated retouching; small flaked loss upper left. 

£1500-2000 

1883. ATTRIBUTED TO EUGENE JOSEPH VERBOECKHOVEN (1798-1881) 

HORSE AND RIDER WATERING BENEATH A BRIDGE 

Bears signature and indistinct date, oil on panel 

29.5 x 23cm. 

* Old catalogue cutting verso stating A magnificent example and bought 

from Verboeckhoeven’s studio 

++ Panel braced lower right verso; scattered retouching 

£1500-2000 

1882. WILLIAM SHAYER (1788-1879) 

FISHERFOLK WITH A HORSE, BOATS AND THEIR CATCH ON A BEACH 

Oil on panel 

59 x 48.5cm. 

Provenance: London, Messrs N. R. Omell; from whom purchased by the 

owner’s father, late 1970’s. 

++ A little old, scattered retouching 

£3000-4000 

1884. CIRCLE OF PETRUS VAN SCHENDEL (1806-1870) 

KITCHEN MAID IN A POULTRY LARDER, WITH A LAMP 

Oil on panel 

22.5 x 17.5cm. 


£800-1200 


181

1885. FOLLOWER OF PAUL DELAROCHE 

(1797-1856) 

THE NIGHT BEFORE EXECUTION; THE FATEFUL 

DAY 

A pair, oil on canvas 

Each 48.5 x 41cm. (2) 

++ Unlined; the latter with small patch verso; 

each needs a clean 

£400-600 

1888. EUGENE ISABEY (1803-1886) 

THE PROCESSION 

Signed, oil on canvas 

28.5 x 22cm. 

Provenance: The artists Camille Etienne 

Roqueplan (1803-1855); and Charles Edouard 

Frere (1837-1894) 

Exhibited: Dublin, Art Loan Exhibition, 1899 

++ Unlined; craquelure; needs a clean 

£1000-1500 

1891. WILLIAM MELLOR (1851-1931) 

FALLS ON THE BURBADGE, NR. GRINDLEFORD 

BRIDGE, DERBYSHIRE 

Signed, also signed and inscribed with title 

verso, oil on canvas 

44.5 x 27cm. 

++ Good condition; needs a light clean 

£500-800 

182 

1886. JOHN WOOD (1801-1870) 

RECOLLECTION OF THE PORTRAIT - MRS G 

ARKWRIGHT 

Depicted three quarter length by a pillar in a 

garden, signed and inscribed on a label verso, 

oil on canvas laid on board 

24 x 16cm. 

++ Needs a clean; flaked loss upper left 

£150-200 

1889. WILLIAM COLLINS, RA (1788-1847) 

and FREDERICK GOODALL, RA (1822-1904) 

ROMAN BEGGARS 

Signed by Goodall on behalf of both artists and 

dated indistinctly (1862?), bears title on the 

stretcher, oil on canvas 

39.5 x 32cm. 

* It seems probable that this picture was signed 

by Goodall on behalf of both artists as Collins. 

died in 1847 and Goodall (who has signed F. 

Goodall ARA) was not elected an Associate of 

The Royal Academy until 1852 

++ Lined; needs a clean 

£300-500 

1892. JOSEPH LOXTON RAWBON 

(Canadian, 1855-1942) 

NIAGARA FROM PROSPECT PARK 

Signed, also signed, inscribed and dated 1898 


34 x 23.5cm. 

++ Some craquelure; needs a light clean 

£150-200 

1887. CIRCLE OF WILLIAM BROMLEY 

(Fl.1835-1888) 

RESTFUL COMPANY 

Bears signature, oil on canvas 

32.5 x 27cm. 

++ Lined; a little associated retouching; 

original gilt frame 

£500-700 

1890. FELICE AUGUSTE REZIA (1857-1906) 

A BUSY TOWN SCENE 


39 x 28.5cm. 


£400-600 

1893. A MIXED FOLIO 

containing unstretched oils by Gwendoline 

Mary Hopton (1866-1913) and other hands; 

assorted watercolours and drawings by M. 

Sinclair and copies after Old Masters; and 

minor scraps 

++ Mixed condition; generally good 

£50-80 


1894. RICHARD BEAVIS, RWS (1824-1896) 

SALVAGERS AT THE WRECK 

Signed and inscribed Kensington Sketching 

Club (all lightly incised), oil on board 

28.5 x 35.5cm. 

++ Needs a light clean; good condition 

£500-700 

1897. MARTIN AAGAARD (1863-1913) 

TWO VESSELS OFF A SCANDINAVIAN COAST 


38 x 58.5cm. 

++ Some craquelure; needs a light clean 

£300-400 

1901. GUSTAVE EDOUARD LE SENECHAL 

DE KERDREORET (1840-1920) 

BEACHED BOATS 


32 x 45cm. 


£400-600 

1895. THOMAS RALPH SPENCE (1855-1918) 

ON THE IONIAN SEA, 1906 

Signed and inscribed with title and date on 

backboard, oil sketch on card 

15.5 x 25cm. 


£300-400 

1898. DAVID JAMES (Fl.1881-1898) 

VESSELS IN HEAVY SEAS 

Signed and indistinctly dated, oil on canvas 

44.5 x 80cm. 

++ Some craquelure; needs a clean 

£400-600 

1896. SALVATORE COLACICCO (b.1935) 

BRITISH AND AMERICAN VESSELS OFF A 

WINTRY COAST 

Signed, oil on panel 

49 x 74cm. 


£500-700 

1899. GEORGE D. CALLOW (Fl.1858-1873) 

EVENING, ST. MICHAEL’S MOUNT; FISHING 

BOATS ASHORE 

A pair, both signed, the former inscribed 

Evening on the stretcher, oil on canvas 

Each 24.5 x 44.5cm. (2) 


£500-700 

1900. No lot 


183

184 

1902. GEORGE HYDE POWNALL 

(c.1876-1932) 

CHARING CROSS BRIDGE; WESTMINSTER 

A pair, both signed Geo Hyde, oil on board 

Each 14.5 x 22cm. approx. (2) 

++ Each needs a very light clean only 

£2000-3000 

1903. FOLLOWER OF EDWIN HAYES, RHA 

(1819-1904) 

A LIFEBOAT APPROACHING A SINKING SHIP 

Bears a signature, oil on canvas 

59.5 x 90cm. 

++ Lined; retouching over repairs in the sky; 

needs a light clean 

£600-800 

1904. ALFRED DUKE (1828-1918) 

CONSTERNATION 


29.5 x 39.5cm. 

++ Good condition; original gilt frame 

£3500-4500 


1905. HENRY DAWSON (1811-1878) 

CALM AT TWILIGHT 

Oil on canvas, mounted circular 

59.5cm. diam. 

++ Lined; some associated retouching, 

principally near the edges; skilfully retouched 

tear in the sky; period gilt frame 

£1500-2000 

1906. WILLIAM H. WARD (Fl.1850-1882) 

TICKLED AWAKE 

Signed and dated 1876, oil on panel, unframed 

35.5 x 30cm. 

++ A few minor chips and scratches to extreme 

panel edges and corners; needs a light clean 

£1200-1800 

1907. FREDERICK WILLIAM HULME 

(1816-1884) 

A SUNNY AFTERNOON; MEETING ON A PATH 

A pair, the former signed and inscribed with 

title verso, oil on canvas 

Each 35 x 28.5cm. approx. (2) 

++ The latter lined; each in otherwise good 

condition; each needs a light clean 

£800-1200 

1907A. JAMES WEBB (1825-1895) 

HASTINGS 

Signed and dated 64, oil on canvas 

74.5 x 112.5cm. 

Provenance: Bristol, David Cross; from whom 

purchased by the owner, 1993 

++ Lined; craquelure; scattered retouching 

£5000-7000 

1905 


1907 

1907A 

1906 

185

1908. THOMAS MORRIS ASH (Fl.1881-1885) 

ABOVE ARTHOG, BARMOUTH, N. WALES 

Signed, also signed and inscribed verso, oil on 

canvas 

39.5 x 59.5cm. 

++ 4cm tear in sky; some cupping/craquelure 

£100-150 

1911. CIRCLE OF ERNEST WALBOURN 

(Fl.1897-1904) 

GIRL WITH A PITCHER AT A COUNTRY GATE 

Oil on canvas 

55 x 74.5cm. 

++ Some craquelure; needs a clean; Watts-type 

frame 

£1000-1500 

1914. THOMAS GEORGE COOPER 

(1836-1901) 

A SHEEP AND TWO LAMBS RESTING BY THE 

SHORE 


25 x 33cm. 

++ Good condition; some slight bloom; under 

glass in original frame 

£300-400 

186 

1909. JOHN WATKINS CHAPMAN 

(1832-1903) 

THE OLD CURIOSITY SHOP 


72 x 118.5cm. 

Exhibited: London, The Royal Academy, 1888, 

no.677 (“Little Nell and her grandfather, etc.”) 

++ Lined; associated retouching; some 

craquelure 

£800-1200 

1912. THOMAS WHITTLE (Fl.1854-1868) 

SHEPHERD WITH FLOCK BY A LAKE AT SUNSET; 

MOONRISE ABOVE THE LAKE 

Two, both signed and dated 1863, the former 

on canvas, the latter on board 

Each 19.5 x 29.5cm. (2) 

++ The former with damage lower left; each 

needs a light clean 

£400-600 

1915. ALFRED FONTVILLE de BREANSKI 

(1871-1957) 

TAVY CLEAVE, DARTMOOR 



39 x 59cm. 

++ Good condition, needs a light clean; 

original frame 

£700-1000 

1910. ALFRED VON WIERUSZ-KOWALSKI 

(1849-1915) 

WINTER SLEIGH TEAMS 

Signed Konarski, oil on canvas 

31.5 x 47cm. 

++ Needs a very light clean only 

£1000-1500 

1913. HENRY EARP Senr. (1831-1914) 

HARVEST SCENE WITH A FARMER’S CART 

Signed, oil on panel 

18 x 27cm. 

++ Graze in sky; needs a clean 

£200-300 

1916. WILLIAM GREAVES (1852-1938) 

BOLTON WOODS, YORKSHIRE; SHERWOOD 

FOREST, NOTTINGHAMSHIRE 

A pair, both signed and dated 78 and 76, oil on 

board 

Each 14 x 22cm. (2) 


£300-500 


1917. BENJAMIN WILLIAMS LEADER, RA 

(1831-1923) 

TWO FIGURES ON A COUNTRY PATH 


19 x 29cm. 

Provenance: London, Cooling Galleries; Sir 

William Kirkpatrick (1906-1985) 


£1500-2000 



A TRAVELLER AT SUNSET 


34.5 x 69.5cm. 

Provenance: The property of Colonel 

Pemberton, Pyrland Hall, Taunton (now 

King’s Hall School) and his Australian wife, 

Annie Catto, by 1940. 

++ Small puncture in the sky; scattered 

flydirt 

£3000-5000 



RABBITING 


29 x 49.5cm. 

Provenance: see lot 1918 

++ Scattered flydirt 

£3000-5000 


187

1920. WILLIAM HEMSLEY (1819-1893) 

GRANNY’S CHARGE 


39.5 x 49cm. 

Exhibited: probably London, Royal Society of 

British Artists, 1877, no. 22 

++ Lined; retouched tear in centre of image; 

scattered retouching elsewhere 

£750-1000 

1923. CIRCLE OF EDMUND BRISTOW 

(1787-1876) 

MAN ON A GREY HORSE, TWO DOGS AT FOOT 

Bears inscription on the stretcher (possibly 15 

Juillet 1876 Piatte?), oil on canvas 

14.5 x 19.5cm. 

++ Patched verso at right side 

£200-300 

1926. FOLLOWER OF JOHN FERNELEY 

(1782-1860) 

A BAY HORSE IN A FIELD 

Bears signature J. Stark, Oil on canvas 

44.5 x 59.5cm. 

++ Lined; some associated retouching; a little 

thin 

£200-300 

188 

1921. AFTER SAWREY GILPIN, RA 

(1733-1807) 

THE DEATH OF THE FOX 

Oil on canvas 

67 x 87.5cm. 

* After the original, exhibited at The Royal 

Academy in 1788 (Collection of The Dukes of 

Rutland). Possibly derived from John Scott’s 

1811 line engraving of the same subject. 

++ Lined; some scattered retouching over old 

damages 

£400-600 

1924. FOLLOWER OF JOHN NOST SARTORIUS 

(1759-1828) 

A HORSEMAN AND A JOCKEY WITH A DOG AND 

A CAT ON A LANE 

Oil on canvas 

49.5 x 59.5cm. 

++ Lined; associated retouching and old 

damages; some craquelure; two diagonal 

grazes 

£300-400 

1927. FOLLOWER OF RICHARD BARRETT 

DAVIS (1782-1854) 

A LIGHT BAY HORSE IN A FIELD 

Oil on canvas 

49.5 x 59.5cm. 

++ Lined; scattered retouching; a little thin in 

places; needs a light clean 

£250-350 

1922. AFTER BEN MARSHALL (1768-1835) 

THOMAS OLDACRE AND THE BERKELEY 

HOUNDS 

Oil on canvas 

47.5 x 58.5cm. 

++ Relined; some retouching (notably in the 

sky near the horse’s head); some craquelure; 

needs a clean 

£120-180 

1925. ATTRIBUTED TO JAMES THOMAS 

WHEELER (1849-1888) 

HORSES WITH A GOAT AND POULTRY IN A 

BARN 

Oil on canvas 

51 x 59.5cm. 

++ Lined; some associated retouching 

£200-300 

1928. FOLLOWER OF ALBERT CLARK 

(1821-1909) 

RUNNING TO JOIN THE HUNT 

Oil on canvas 

48.5 x 74.5cm. 

++ Some craquleure; needs a light clean 

£300-400 


1929. ALBERT CLARK AND SON (1821-1909) 

A LIGHT BAY IN A STABLE 


49.5 x 59.5cm. 

++ Some craquleure; small puncture at left and 

tear at horse’s tail; needs a clean 

£400-600 

1932. JOHN ARNOLD WHEELER (1821-1903) 

OUT HUNTING 

Signed or inscribed on a label on the backpaper, 

oil on board 

15.5 x 22.5cm. 

++ Needs a light clean; some retouching in the 

sky 

£150-200 

1934. EDWARD ARMFIELD (1817-1896) 

VICTORI SPOLIA 

Signed with initials in monogram, oil on canvas 

24 x 34.5cm. 


£150-200 

1930. WILLIAM NEDHAM OF LEICESTER 

(Fl.1823-1849) 

PUNCH, AGED 17, IN A LANDSCAPE, A HUNT 

ON A HILL BEYOND 

Signed and dated 1840, inscribed, oil on canvas 

53.5 x 64cm. 

++ patched repairs verso with associated 

retouching; needs a light clean 

£500-700 

1935. WILLIAM ALBERT CLARK 

(Fl.c.1900-1920) 

SAILOR, A BAY IN A STABLE 


49.5 x 59.5cm. 


£450-650 

1933. JOHN ALFRED WHEELER (1821-1877) 

GENTLEMEN HUNTERS 

A pair, one signed with initial and dated 62, oil 

on board 

Each 22 x 31cm. (2) 

++ Each needs a light clean 

£750-1000 

1931. GEORGE DERVILLE ROWLANDSON 

(1861-1928) 

GALLANT SUITORS; ELEGANT RIDERS 

A pair, both signed, oil on board 

Each 20.5 x 29cm. (2) 

++ Each needs a light clean only; original gilt 

frames 

£600-800 

1936. WILLIAM ALBERT CLARK 

(Fl.c.1900-1920) 

WELSHMAN, A BAY IN A STABLE 


49.5 x 59.5cm. 


£450-650 


189

1939. JOHN JAMES MASQUERIER 

(1778-1855) 

NAPOLEON I REVIEWING THE GUARDS 

Oil over a printed base on paper laid on canvas 

53 x 66cm. 

++ Skilfully renovated in 2004; some 

retouching over old tears etc; period gilt frame 

£500-700 

190 

1940. W** HOOPER (Fl.c.1880) 

STILL LIFE OF FRUITS, A WICKER BASKET AND A 

JUG ON A LEDGE 


63 x 76cm. 

++ Lined; craquelure; some retouching; needs a 

clean; period gilt frame 

£300-500 

1937. CIRCLE OF WILLIAM JONES OF BATH 

(Fl.1764-1777) 

A BASKET OF SUMMER FLOWERS WITH 

SUMMER FRUITS, FINCHES AND BUTTERFLIES 

Oil on metal 

52 x 80cm. 

++ Some scattered damages and retouching; 

needs a clean 

£1000-1500 

1938. FOLLOWER OF GEORGIUS JACOBUS 

JOHANNES VAN OS (1782-1861) 

AN URN OF SUMMER FLOWERS WITH A BIRD’S 

NEST, UPON A STONE LEDGE 

Bears signature and date, oil on canvas 

104 x 88.5cm. 

++ Lined; some retouched craquelure etc 

£3000-5000 

1941. EDWIN HENRY BODDINGTON 

(1836-1905) 

MILL POND NR. RIPLEY, SURREY 

Signed, inscribed with title verso, oil on canvas 

75 x 125.5cm. 

++ Needs a light clean; a few scattered minor 

flaws but generally good 

£500-700 


1942. SAMUEL JOHN LAMORNA BIRCH, RA, 

RWS (1869-1955) 

SEPTEMBER’S BLUE GOLD (THE LITTLE RIVER AT 

LOCH MAREE) 

Signed and dated 1951, also signed and 

inscribed on a label on the stretcher, oil on 

canvas 

49.5 x 59.5cm. 


£3000-5000 

1943. ATTRIBUTED TO JACOB EPSTEIN 

(1880-1959) 

(PORTRAIT OF A GIRL) 

Bronze, with mid brown patina 

30cm. approx.; plus socle 


£600-800 

1944. WILLIAM DARLING McKAY, RSA 

(1844-1924) 

A WATERFALL IN A WOODLAND GLADE 

Signed with initials, oil on canvas 

29 x 39.5cm. 

++ Good condition; under glass in original gilt 

frame 

£150-200 

1945. J** BOLTON (Fl.c.1899) 

FRESH ROSES 


27 x 54.5cm. 

++ Needs a light clean; some slight craquleure 

and bloom; Watts-type frame 

£150-200 

1946. DUTCH SCHOOL, 20th CENTURY 

A RIVER LANDSCAPE 

Oil on canvas 

59.5 x 90cm. 

++ Needs a light clean only. 

£200-300 


191

1947. MARGARET LISLE (b.1942) 

WINTER LANDSCAPE SCENES 

A pair, oil panel 


++ Good condition; modern 

£200-300 

1950. JOSEPH DE DECKER (Fl.c.1948-1955) 

DOLSACH, OSTTIROL 

Signed with DD in monogram and dated 55, 

also signed and inscribed verso, oil on board 

31 x 59.5cm.; with two further oils, 

monogrammed and dated 51 and 54; three 

gouaches, monogrammed and dated 48 and 

49; and two gouaches by Marie de Decker, 

signed and dated 2/47 and 1949, various sizes, 

all unframed. (8) 


£400-600 

1953. THOMAS BROWN YATES (1882-1968) 

STILL LIFE 

Oil on canvas, unframed 

41 x 45.5cm.; 

with another oil of a seated ballerina by the 

same hand, signed, 41 x 33cm. (2) 

Provenance: The artist’s studio sale 

++ Each a little worn at the edges 

£150-200 

192 

1948. EDMOND YON (1836-1897) 

LES COTEAUX DE LA SEINE 


69 x 51.5cm. 

++ Lined; two dabs of retouching upper right 

and a little elsewhere; slightly abraded in places 

£400-600 

1951. G** H** WARR (Fl.1907-c.1936) 

A BOWL OF ROSES 

Signed and dated 1936, oil on board 

43.5 x 43.5cm. 


£100-150 

1954. HOWARD BARRON 

(Australian 1900-1991) 

CORFE CASTLE, DORSET 


49.5 x 75cm. 


£400-600 

1949. JAMES WRIGHT (Contemporary) 

PLOUGHING; HARROWING 

A pair, both signed, oil on board 

Each 12 x 17cm.; 

with an oil of a Dutch canal by Ronald Meilof, 

signed, 12.5 x 17cm. (3) 


£150-200 

1952. KEITH DUNKLEY, RWS (b.1942) 

THE IMPLEMENT SHED 

Signed and dated 78, oil on board 

21.5 x 21.5cm. 

Exhibited: Stow on the Wold, Gloucestershire, 

Keith Dunkley Exhibition, 1978 


£100-150 

1954A.PAUL AYSHFORD, LORD METHUEN, RA, 

RWS (1886-1974) 

CHESIL BEACH 

Signed Methuen, oil on canvas 

50 x 75.5cm. 

++ Scattered damp spots; needs a light clean; 

one small flaked loss in the sky 

£250-350 


1955. JOSEPH VICKERS DE VILLE 

(1856-1925) 

ANGLERS 



29 x 34cm. 

++ A few scattered cracks; needs a light clean 

£200-300 

1958. CIRCLE OF MARY McCROSSAN 

(1864-1934) 

ST. MARK’S SQUARE, VENICE 

Signed with an indistinct monogram lower 

right, oil on canvas 

47 x 57cm. 

++ Lined; retouching 

£1000-1500 

1960A. EUGENE PETIT (1839-1886) 

VERBENA AND LILAC 


63 x 52cm. 

++ Lined; a little associated retouching 

£700-1000 

1956. LEONARD RICHMOND (1889-1965) 

FARM BUILDINGS BY A POOL 


50 x 60cm. 


£600-800 

1959. CARLO JEAN-JACQUES (1943-1990) 

THREE FIGURES BY A HUT 


49.5 x 59cm.; 

with another, of a man with a sack of coffee 

beans, signed, unframed, 41 x 30cm. (2) 

Provenance: Purchased by the owner from The 

Red Carpet Gallery, Port-au-Prince, Haiti, April 

2nd 1982 


£300-400 

1961. RICHARD EURICH, RA (1903-1992) 

GREENHAM COMMON, 1985 

Signed and dated 85, also signed and inscribed verso, oil on board 

39.5 x 49.5cm. 

Exhibited: London, The Royal Academy, 1986, no.10 

Provenance: The collection of the late Lady Isabel Throckmorton 


£700-1000 

1957. MAURICE LEVIS (1860-1940) 

LA POISSONNERIE, DIEPPE 


verso, oil on board 

12.25 x 16.5cm. 

Provenance: London, Frost and Reed Ltd, c.1961 


£200-400 

1960. R** L** HUTTON (Fl.1912-1917) 

CORNISH FISHING BOATS 

Signed, oil on paper 

34 x 55cm. 

++ A little craquelure 

£300-400 


193

1962. EVE KIRK (1900-1969) 

FITZROY SQUARE 

Signed, inscribed TO SYDNEY and dated 1942, 

bears inscribed label on the frame, oil on 

canvas 

36.5 x 47cm. 

Provenance: Sydney Nunny, Grafton House, 

Fitzroy Square, London; and thence by direct 

descent 

++ Good condition; slight craquelure upper left 

£200-300 

1965. GORDON DAVIES (1926-2007) 

STREET ON THE CASTILLO, PORTUGAL; WINDOW 

IN SANTA MARGHERITA; PORTICO D’OTTAVIA, 

ROME (2) 

Four, each signed, three dated 72 or 73, oil on 

board 

The largest 25 x 34cm.; the smallest 14 x 16.5cm. 

(4) 


£300-500 

194 

1968. GEORGE JAMES CHARLTON 

(1899-1979) 

THE JOLLY SAILOR, MALDON, ESSEX 


75 x 113.5cm. 

++Patch verso in sky upper right 

£1000-1500 

1963. ANNA HORNBY (1914-1996) 

LUGNE, LANGUEDOC, FRANCE, 1977; TOWARD 

THE BLACK MOUNTAINS 

A pair, both signed and inscribed with title on 

the overlap, oil on canvas 

Each 16.5 x 24cm. (2) 



£150-200 

1966. RICHARD LANNOWE HALL 

(Contemporary) 

VENICE REFLECTED, 2009 

Signed with monogram, mixed media on board 

39.5 x 39.5cm. 

++ New 

£200-300 

1964. REG GAMMON (1894-1997) 

THE YOUNG MOTHER 


43 x 58.5cm. 

Provenance: Purchased from the artist’s studio 

by the owner 


£300-500 

1967. RICHARD LANNOWE HALL 

(Contemporary) 

BERE ISLAND, KERRY, 2006 

Signed with monogram, mixed media on paper 

laid on board 

44 x 71cm. 

++ New 

£300-500 

1968A. EUGENE BERTRAND (1858-1934) 

CHRYSANTHEMUMS 


58 x 47cm. 


£300-500 


1969. JULIUS HARE (1859-1932) 

HOMAGE TO FANTIN LATOUR: MIXED 

AQUILIEGIA IN A GLASS VASE 

Faintly signed (?) lower left, oil on canvas 

49.5 x 42cm. 

++ Lined; a little associated retouching; slightly 

thin in places 

£400-600 

1972. HARRY VAN DER WEYDEN 

(American, 1868-1952) 

FISHING BOAT, BEACHED AT LOW TIDE 

Signed and dated 91, oil on canvas board 

29.5 x 24cm. 

++ Needs a clean 

£300-400 

1975. WILLIAM JOHN WAINWRIGHT, RWS 

(1855-1931) 

A SINGING CAVALIER 

Signed and inscribed A Study, signed and 

inscribed with artist’s address verso, oil on 

canvas board 

19.5 x 12cm. 

++ Small graze on face 

£150-200 

1970. ANNA HORNBY (1914-1996) 

NARCISSI, 1949 

Signed with initials, oil on board 

38.5 x 28.5cm; 

with another oil, `Glenharvie 1967` by the same 

artist, initialled and dated, 29.5 x 39.5cm. (2) 


++ Each needs a light clean 

£250-300 

1973. LOUIS ROBERT JAMES 


MADONNA 

Signed, also signed, inscribed with title and 

dated 58 verso, oil on board 

38 x 14.5cm. 

++ Some slight paint shrinkage 

£200-300 

1976. IVAN MIRKOVIC (20th Century) 

FISHING 

Signed, signed drawing affixed to verso, also 

signed and inscribed on label verso, oil on 

board 

69 x 48cm. 

++ Needs a very light clean 

£200-300 

1971. FLORA TOMKINS (Fl.1910-1937) 

A JUG OF SUMMER FLOWERS 

Signed and dated 1928, oil on canvas board 

33.5 x 27.5cm. 


£80-120 

1974. HOPE JOSEPH (Fl.1907-1936) 

HARBOUR AT ST. IVES, CORNWALL, 1926 

Oil on canvasboard 

39.5 x 31.5cm. 

++ Good condition; small damage upper right 

corner 

£100-200 

1977. IGOR TALWINSKI (b.1907) 

LA MIGNONNE 


53 x 44cm. 


£300-500 


195

196 

1978. STANISLAS LEPINE (1835-1892) 

THE SEINE 

Oil on panel 

15 x 22.5cm. 

Provenance: London, Marlborough Fine Art Ltd, 

Exhibition of French Masters, June 1950, no.44; 

Private Collection 


£2500-4000 

1979. ALGERNON NEWTON (1880-1968) 

THE HAYFIELD 

Signed with monogram, oil on canvas 

39.5 x 59.5cm. 

Exhibited: London, The Fine Art Society Ltd, 

1961; American Collection 

++ Slight cracking/cupping 

£2000-3000 

1980. MICHAEL LYNE (1912-1989) 

THE DEVON AND SOMERSET STAGHOUNDS 


69.5 x 90cm. 


£3500-4500 


1981. BO HILTON (b.1961) 

THE SISTERS 

Signed, bears inscribed label verso, oil on 

canvas board 

38.5 x 34cm. 


£200-300 

1984. BO HILTON (b.1961) 

UNDER THE WESTWAY, 1998 

Signed, also signed, inscribed and dated verso, 

oil on canvas board 

29.5 x 39cm. 


£200-300 

1987. BO HILTON (b.1961) 

PORTOBELLO ROAD FRUIT MARKET 

Bears inscribed label verso, oil on board 

22 x 31.5cm. 


£200-300 

BO HILTON & ROSE HILTON 

Lots 1981-1990 and Lots 1992-1993 have been consigned for sale by the artists 

1982. BO HILTON (b.1961) 

KATE IN REDS 

Signed and inscribed with title verso, oil on 

canvas, unframed 

35.5 x 35.5cm. 


£200-300 

1985. BO HILTON (b.1961) 

WESTWAY, 1998 

Signed, inscribed and dated verso, oil on 


45.5 x 56cm. 


£250-300 

1987A.BO HILTON (b.1961) 

CAFE REFLECTIONS, 3.2.96 


verso, oil on canvas, unframed 

50.5 x 61cm. 


£250-300 

1983. BO HILTON (b.1961) 

SEATED NUDE MODEL IN AN INTERIOR 

Signed, also signed and dated verso, oil on 

canvas 

40.5 x 30cm. 


£200-300 

1986. BO HILTON (b.1961) 

RAILWAY STATION 

Signed, oil on canvas, unframed 

40 x 50.5cm. 

++ Small paint mark in the sky 

£200-300 

1988. BO HILTON (b.1961) 

FRENCH MARKET, 2009 

Signed, inscribed and dated on backboard, oil 

on canvas 

30 x 40cm. 


£200-300 


197

1989. BO HILTON (b.1961) 

FRENCH MARKET, 2009 

Signed; also signed, inscribed and dated on 

backboard, oil on canvas 

30 x 40cm. 


£200-300 

198 

1990. BO HILTON (b.1961) 

ON THE ROAD, 2008 

Signed and inscribed with title verso, oil on 


50.5 x 76cm. 


£250-300 

1992 1993 

1994 1995 

1991. BO HILTON (b.1961) 

STILL LIFE WITH ROSES; CAMELLIAS AND ROSES 

A pair, both signed, each inscribed and dated 

92 on backboard 

Each 39 x 29cm. (2) 


£200-300 

1992. ROSE HILTON (b.1931) 

HELEN IN SUMMER DRESS, 1998 

Signed; also signed, inscribed with title and 

dated verso, oil on canvas 

59.5 x 49.5cm. 

++ Damp spots at right side 

£300-500 

1993. ROSE HILTON (b.1931) 

VALERIE 



75 x 49.5cm. 


£500-700 

1994. ALBERT HOUTHUESEN (1903-1979) 

WHITE FACE IN A CONE HAT, 1975 

Signed; inscribed with title and dated verso, oil 

on board 

29.5 x 24cm. 

Provenance: London, Richard Nathanson; Coll. 

of R. B. White, 1976 


£300-500 

1995. ALBERT HOUTHUESEN (1903-1979) 

RED SKY, BLUE ROCKS, c.1974 

Signed, acrylic on board 

39.5 x 49.5cm. 

Provenance: London, Richard Nathanson; Coll. 

of Bernard White, 1977 


£300-500 


1996. RAYMOND COXON (1896-1997) 

UNTITLED 


61 x 74cm. 

++ Good conditio n 

£150-200 

1999. RAYMOND COXON (1896-1997)] 

FANTASY 


the frame, oil on canvas 

33 x 51cm. 


£150-250 

RAYMOND COXON & EDNA GINESI 

Coxon studied alongside Henry Moore, Barbara Hepworth, 

Edward Bawden and Eric Ravilious under William Rothenstein 

and Leon Underwood at The Royal College of Art. 

In his turn, Coxon taught John Piper. “It was Coxon who really 

taught me how to look,” said Piper. Despite regular exhibitions at 

The Leicester Galleries and with the London Group, Coxon’s work 

defied ready categorisation. Henry Moore was Coxon’s 

best man upon his marriage to Edna Ginesi in 1926. 

Lots 1996 to 2010 have been consigned by the artists’ family 

1997. RAYMOND COXON (1896-1997) 

ROWFANT MILL POND, 1950 


the frame, oil on canvas 

63 x 80cm. 


£200-250 

2000. RAYMOND COXON (1896-1997) 

ROWFANT WOODS 

Signed, watercolour and black crayon 

34.5 x 52cm.; 

with two further watercolours by the same 

hand, of plants and an abstracted horse study, 

both signed, 50 x 34.5cm. and 35.5 x 51.5cm. (3) 

++ Generally good; the plant study light 

stained 

£150-200 

1998. RAYMOND COXON (1896-1997) 

GRAND CANYON 

Oil on canvas 

62 x 73.5cm. 


£200-300 

2001. RAYMOND COXON (1896-1997) 

LANDSCAPE 


49.5 x 75.5cm; 

with another landscape scene in the Yorkshire 

Dales by the same hand, 49.5 x 59cm. (2) 


£150-250 


199

2002. EDNA GINESI (1902-2000) 

TWO FOLIOS OF FIGURE STUDIES AND LIFE 

DRAWINGS etc 

Some signed, the majority pen and black ink 

(many of these showing some influence of 

Henry Moore), some with wash, a few pastel 

and crayon studies, pencil sketches etc; also six 

further sketchbooks of nudes, figure studies etc 

in various media, various sizes 

++ Mixed condition; some with handling 

marks, wear etc; sketchbook studies generally 

good 

£150-200 

2005. EDNA GINESI (1902-2000) 

THISTLE STUDY 


151 x 101cm.; 

with an unstretched canvas of cranes on a dark 

lake, unsigned, 145 x 105cm. (2) 

++ A few flaked losses etc. 

£150-200 

2008. EDNA GINESI (1902-2000) 

BIRDS AT A TABLE 


100 x 151cm.; 

with an unframed oil by Raymond Coxon of 

natural forms with a horse skull, 81 x 64cm. (2) 


£150-200 

200 

2003. EDNA GINESI (1902-2000) 

PORTRAIT OF AN ARTIST, SEATED AT HER EASEL, 

PAINTING GINESI 

Oil on canvas 

29 x 24.5cm. 

++ Needs a clean 

£150-200 

2006. EDNA GINESI (1902-2000) 

THISTLES 


151.5 x 100.5cm. 


£150-200 

2009. EDNA GINESI (1902-2000) 

CATTLE IN WOODLAND PASTURE 


44.5 x 75cm. 


£100-150 

2004. EDNA GINESI (1902-2000) 

STILL LIFE WITH STAFFORDSHIRE FIGURINE 


74.5 x 44.5cm. 


£200-300 

2007. EDNA GINESI (1902-2000) 

BLUE AND BROWN 

Signed, titled on label on stretcher, oil on 

canvas 

88 x 75cm. 


£150-200 

2010. EDNA GINESI (1902-2000) 

WINDOWSILL: STILL LIFE 

Watercolour and gouache 

16 x 28cm.; 

with two further drawings; and an unframed 

nude study by Roland Vivian Pitchforth, 55 x 

38cm. (4) 

++ All but the first with creases, foxing, wear 

£80-120 


2011. RUSKIN SPEAR, RA (1911-1990) 

SARDINES FOR TEA 

Signed, also signed on a label on the reverse, oil 

on board 

74 x 59cm. 


£3000-5000 

2012. RUSKIN SPEAR, RA (1911-1990) 

TUG ON THE THAMES 

Signed, also signed and inscribed on a label 

verso, oil on board 

37 x 51.5cm. 

Provenance: London, Business Art Galleries 


£1200-1800 


201

202 

2013. HEYWOOD HARDY, ARWS (1843-1933) 

A VISIT TO THE FARRIER 


24 x 34cm. 

++ Good condition; original gilt frame 

£5000-7000 

2014-2020 

No lots 


Furniture, Clocks and Carpets 

Friday 15th April 

Enquiries: Richard Gold FRICS 



Lot 2059 

Furniture, Clocks and Carpets

CLOCKS, BAROMETERS AND SCIENTIFIC INSTRUMENTS 

2021. A GILT METAL CARRIAGE TIMEPIECE 

dial white enamel, movement cylinder 

escapement, 4 3 ⁄4ins. (12cms.) high 

£70-100 

2024. AN ORMOLU CARRIAGE CLOCK 

dial white enamel with subsidiary alarum dial, 

movement repeating, lever escapement striking 

on a gong, case gorge, 5 3 ⁄4ins. (14.5cms.) high 

£400-500 

2027. A GILT METAL CARRIAGE CLOCK 

dial white enamel and blue numerals, 

movement cylinder escapement striking on a 

gong, case flanked by turned pilasters, 


£140-160 

2029. A ROSEWOOD WHEEL BAROMETER 

with a 9 3/4 inch silvered dial, the neck with a 

mirror, alcohol thermometer, hygrometer to the 

cresting and a spirit level to the apron, 40ins. 

(102cms.) high 

£150-200 

204 

2022. A MINIATURE CARRIAGE TIMEPIECE 

dial white enamel, movement with lever 

escapement, 3ins. (7.5cms.) high 

£150-200 

2025. A MINIATURE CARRIAGE TIMEPIECE 

dial white enamel, movement lever 

escapement, 3ins. (7.5cms.) high 

£150-250 

2028. A GILT METAL CARRIAGE TIMEPIECE 

dial white circular, on an engine turned 

ground, movement cylinder escapement, 

4 1 ⁄2ins. (11.5cms.) high 

£100-125 

2030. AN ANEROID BAROMETER 

set in a silver mounted green Morocco case, 

case stamped Vickery, Regent St. 

case 6 1 ⁄2ins. (16.5cms.) square 

£100-200 



escapement striking on a gong, 


£200-300 



escapement striking on a bell, 


£130-160 

2031. A MAHOGANY WHEEL BAROMETER 

8 1/4 inch silvered dial, alcohol thermometer to 

the neck, hygrometer to the cresting, the spirit 

level to the apron, indistinctly signed, the case 

with ebony and boxwood stringing, 


£150-200 


2032. A FRENCH ORMOLU ROBINSON 

CRUSOE MANTEL TIMEPIECE 

dial silvered, movement drum, the bronze case 

flanked by a palm tree and Robinson Crusoe, 

the burr-maple plinth set with a musical box, 

clock 8 3 ⁄4ins. (22cms.) high 

£1000-1250 

2035. AN ORMOLU CHAMPLEVE MOUNTED 

MANTEL CLOCK 

movement drum with mercury pendulum, 

striking on a gong, 12 1 ⁄4ins. (31cms.) high 

£300-450 

2038. AN EBONISED AND ORMOLU 

MOUNTED BOULLE MANTEL TIMEPIECE 

dial gilt metal with white enamel numerals, 

movement drum, 12ins. (31cms.) high 

£150-200 

2041. A SKELETON TIMEPIECE 

movement with chain fusee, on a white marble 

plinth, 14 3 ⁄4ins. (37.5cms.) high overall 

£300-500 

2033. A MAHOGANY BRACKET CLOCK 

dial brass, signed J. Lake, Taunton, movement 

with pull repeat, striking on a bell, case with 

fish scale panels to the front and sides, 

15 3 ⁄4ins. (40cms.) high 

£1000-1250 

2036. A RED BOULLE CLOCK 

dial blue and white enamel cabochon numerals, 

movement drum, striking on a bell, 

case delicately inlaid with foliate scrolls, 

all with ormolu mounts, 15 1 ⁄2ins. (39.5cms.) high 

£300-500 

2039. AN ORMOLU MANTEL CLOCK 

mounted with Sevres style porcelain plaques, 

dial signed J & W I Max, movement striking 

on a bell, 11 3 ⁄4ins. (30cms.) high 

£125-150 

2042. A MAHOGANY AND STAINED BEECH 

WALL CLOCK 

dial cream painted, 22 1 ⁄2ins. (57cms.) high 

£120-160 

2034. AN ORMOLU MANTEL CLOCK 

set with turquoise Sevres style porcelain, 

movement drum, striking on a bell, 

16 3 ⁄4ins. (42.5cms.) high 

£400-500 

2037. A MAHOGANY MANTEL CLOCK 

dial cream painted, signed John Cross, London, 

movement striking on two bells, 

the backplate also signed and together with the 

pendulum, each with a bright-cut border, case 

of Egyptian inspiration, 21ins. (53cms.) high 

£800-1200 

2040. AN ORMOLU MOUNTED FOUR GLASS 

CLOCK 

dial cream annular, painted with floral swags, 

movement drum, striking on a gong, 

mercury pendulum, 12 1 ⁄2ins. (32cms.) high 

£300-400 

2043. A COMPTOISE WALL CLOCK 

dial white enamel, movement striking on a bell, 

case floral and foliate press moulded brass 

surround, 16ins. (40.5cms.) high 

£250-300 


205

2044. A ROSEWOOD AND PARQUETRY 

INLAID WALL CLOCK 

dial white, 27 1 ⁄2ins. (70cms.) high overall 

£125-160 

2047. A BRASS MICROSCOPE 

with rack and pinion focusing, tube 7ins. 

(18cms.) long, the mahogany cabinet with a 

slide drawer 

£150-200 

2050. A TROUGHTON & SIMMS LIBRARY 

TELESCOPE 

with three draw, on a folding tripod, principal 

draw 43 1 ⁄2ins. (110cms.) long 

£600-700 

206 

2045. A BRASS BULKHEAD CLOCK 

dial cream enamel, subsidiary seconds ring, 

signed Lankester & Son Ltd., Southampton, 

7 1 ⁄2ins. (19cms.) dia. overall 

£120-150 

2048. A HOUGHTON-BUTCHER MFG CO LTD 

1918 MAHOGANY AND BOXWOOD 

SURVEYING INSTRUMENT 

together with an assortment of pens and 

pencils, contained in a mahogany box, 

box 33 1 ⁄4ins. (84.5cms.) long 

£60-80 

2051. A STEREOSCOPIC VIEWER 

the ebonised case delicately painted with floral 

sprays, together with a collection of black and 

white photographs of rural views, 

20 1 ⁄4ins. (51.5cms.) high 

£500-600 

2053. A MAHOGANY THERMOMETER 

with silvered dial, signed Berge, London, late 

Ramsden, contained in a bowfronted case, 

17 1 ⁄2ins. (44.5cms.) high 

£300-400 

2046. A MAHOGANY ACT OF PARLIAMENT 

TYPE WALL CLOCK 

dial cream painted, case the Gothic waist 

door flanked by reeded pilasters, 


£800-1300 

2049. A BRASS LIBRARY TELESCOPE 

on a folding tripod, together with an 

assortment of lenses, tube 29 3 ⁄4ins. (75.5cms.) 

long, contained in a mahogany case with paper 

label for R B Bates...No 17, Poultry, London 

£200-300 

2052. A BAROGRAPH 

by Short & Mason, London, No. J42029, 

contained in a bevelled glazed mahogany case 

with a chart drawer, 14 1 ⁄4ins. (36.5cms.) wide 

£300-400 


2054. A MAHOGANY LONGCASE CLOCK 

dial painted 12 inch, signed Cockburn, 

Richmond, subsidiary calendar and seconds 

ring, 79 1 ⁄2ins. (202cms.) high 

£800-900 

2057. A MAHOGANY LONGCASE CLOCK 

dial cream painted with subsidiary seconds ring 

and calendar ring, signed W. Cram, Carlisle, the 

spandrels painted with rural buildings, the arch 

with a kneeling couple, case inlaid with 

boxwood lines, 85 1 ⁄2ins. (217cms.) high 

£400-600 

2056. A VIENNA REGULATOR STYLE WALNUT 

AND EBONY WALL CLOCK 

dial white enamel within gilt beaded surround, 


£200-300 

2055. AN OAK LONGCASE CLOCK 

dial 10 1 ⁄4inch silvered, signed Edwd. Smith, 

Richmond, subsidiary seconds ring and 

calendar aperture, 86ins. (218.5cms) high 

overall 

£300-500 

2058. A TORTOISESHELL AND CHINOISERIE 

GILT LACQUERED LONGCASE CLOCK 

dial 11 inch silvered chapter ring, subsidiary 

seconds ring and calendar aperture, 

the plate signed B. Broadhead, Londini, Fecit, 

the arch with silvered strike/silent ring, 


£1500-2500 


207

208 

2059. AN ORMOLU STRUT CLOCK IN THE MANNER OF THOMAS COLE 

the silvered dial with a chapter ring and inner seconds ring, blue enamel and gilt 

engraved phases of the moon crescent. The lower part of the dial with a day ring 

and a month ring, set on a foliate engraved ground. The case with engraved floral 

and foliate scrolls, on a matted ground, 6 3 ⁄4ins. (17.5cms.) high x 5 1 ⁄4ins. (13cms.) wide 

£3000-4000 

2060. No lot 



209

MISCELLANEOUS 

2061. A WHITE MARBLE BUST OF NAPOLEON 

AS PREMIER CONSUL 

after Antonio Canova, 19ins. (48cms.) high 

£400-500 

2064. A BRONZE FIGURE OF HARLEQUIN 

signed St. Marceaux, 1879 and with reduction 

stamp for A. Collas, and also signed 

F. Barbedienne...Paris., 19ins. (48cms.) high 

£1000-2000 


of a hen pheasant, on a black marble plinth, 

22ins. (56cms.) high overall 

£250-350 

2070. A BRONZE LOUIS PHILIPPE STYLE 

CANDLESTICK 

adapted for electricity, 17 1 ⁄2ins. (44.5cms.) high 

£150-200 

210 

2062. A WHITE ALABASTER GROUP OF THE 

THREE GRACES 

after Canova, 19 1 ⁄2ins. (49.5cms.) high overall 

£100-150 


of a cherub, on a white marble pedestal, 


£200-300 

2068. A BRONZE BUST 

of a peasant woman, on a marble pedestal, 

7 1 ⁄2ins. (19cms.) high overall 

£120-150 

2071. A BRONZED EMILE MULLER CERAMIC 

MASK 

of Wagner, 12ins. (31cms.) high 

£150-200 

2063. A WHITE MARBLE BUST 

of the young Queen Victoria, 


£280-320 


entitled Pecheur, signed Lavergne, 

12ins. (31cms.) high, excluding rod 

£120-150 


of a seated soldier, inscribed Waterloo 1815, 

and signed T. Gechter 1842, 12ins. (31cms.) high 

£400-500 

2072. A SET OF TWELVE CAST IRON POSTS 

each knopped and spiral twist stem 

surmounted by a crown, 

40 3 ⁄4ins. (103cms.) high above ground 

£700-900 


2073. A PAIR OF WHITE MARBLE FIGURES OF SEATED 

SQUIRRELS 

eating nuts, with naturalistically carved coats, 8ins. (20.5cms.) high 

Provenance: The Marquess of Lansdowne, Bowood, Wiltshire, 

thence by descent 


211

2074. A TREEN LIQUEUR DISPENSER 

in the form of a windmill, together with four 

tumblers, 11 1 ⁄2ins. (29cms.) high 

£100-200 

2077. A GEORGE III OAK CANDLE BOX 

with a pierced back plate and moulded and 

chip carved front, 21 1 ⁄4ins. (54cms.) high 

£100-250 

2080. A BRASS ADJUSTABLE TABLE LANTERN 

the two-light burner in the form of a fish, 

23 1 ⁄2ins. (60cms.) high 

£100-120 

2083. AN EDWARDIAN OAK STATIONERY 

COMPENDIUM 


£150-200 

212 

2075. A PAIR OF FRENCH SILVERED TABLE 

CANDLESTICKS 

each with a triform baluster stem, 


£100-120 

2078. A SIENA MARBLE URN AFTER THE 

ANTIQUE 

carved with a bold mask and handles, on a 

marble pedestal, 10ins. (25.5cms.) high overall 

£400-600 

2081. AN 18TH CENTURY MAHOGANY AND 

BEECH SPINNING WHEEL 

the turned frame with ivory embellishments, 

27 3 ⁄4ins. (75.5cms.) high 

£100-200 

2084. A BRONZE FIGURE OF A BOY 

wearing a furry waistcoat, 6ins. (15cms.) long 

£100-120 

2076. A BLACK JACK 

of monumental proportions, 

24 1 ⁄2ins. (62cms.) high 

£1500-2000 

2079. A PAIR OF STAINED OAK TERMS 

each figure crowned with fruit, 

largest 21 3 ⁄4ins. (55cms.) high 

£125-160 

2082. A PAIR OF ORMOLU MOUNTED FIVE- 

LIGHT TABLE LIGHTS 

44.5ins. (113cms.) high 

£600-800 

2085. A VICTORIAN PAPIER MACHE TEA 

CADDY 

the interior with two divisions flanking a cut 

glass sugar bowl, all profusely decorated 

with gilt rocaille scrolls and enriched 

with mother of pearl, 

15ins. (38cms.) wide overall 

£140-160 


2086. A PAIR OF RECONSTITUTED 

STONEWARE DISPLAYING EAGLES 


£300-400 

2089. A BAVARIAN CARVED WOOD INKWELL 

set with two birds and two cut glass receivers, 


£400-500 

2092. A NORTH EUROPEAN CARVED OAK 

PANEL 

depicting The Judgement of Solomon, 

16 1 ⁄4ins. (41cms.) x 15ins. (38cms.) wide 

£200-300 


of a lion-cut poodle, on a Siena marble plinth, 

plinth 4 1 ⁄4ins. (10.5cms.) wide 

£100-150 

2087. A SILVER PLATED FIGURE 

of a European cavalryman, 

17 1 ⁄4ins. (43.5cms.) high 

£500-600 

2090. A VICTORIAN COROMANDEL WOOD 

LAP DESK 

and a book slide, each with engraved bold brass 

mounts, the slide with a label for 

G N Mingny and another label engraved 

Betjemann’s Patent 476 

£500-600 

2093. TWO GINGER BREAD MOULDS 

one initialled A. L and two crowned head, the 

other carved Dinant Renard, 

largest 13ins. (33cms.) dia. 

£200-300 

2096. A DUTCH BRONZE LAVABO 

with birds head spouts and female head handle 

terminals, probably 17th century, 

12ins. (30.5cms.) wide overall 

£400-500 

2088. A GEORGE III FIDDLEBACK MAHOGANY 

TEA CADDY 

the lid and front inlaid with floral sprays, 

the interior with two divisions, 

7 1 ⁄2ins. (19.5cms.) wide 

£200-300 

2091. A SAILOR SHELL WORK VALENTINE 

one side worked Think Of Me, the other with a 

heart motif, 8 3 ⁄4ins. (22cms.) high 

£600-700 


of Lo Spinaro, after the antique, stamped and 

engraved F. Barbedienne, 


£150-200 

2097. A 17TH CENTURY GILT GESSO AND 

WOOD PRICKET CANDLESTICK 


£100-150 


213

2098. A GEORGE IV MAHOGANY TEA CADDY 

of sarcophagus shape, the interior with 

specimen wood parquetry, 

12 1 ⁄2ins. (32cms.) wide 

£150-200 

2101. A WHITE MARBLE BUST OF A YOUNG 

WOMAN 

signed J. Bragovitch (Montenegro), 

24 1 ⁄4ins. (61.5cms.) high 

This is thought to be the sculptor’s mistress 

and this bust was sold by her in the 1970’s. 

£600-800 

2104. A CHINESE EXPORT LACQUER GAMES 

BOX 

fitted with lidded boxes and eight counter 

trays, all with gilt chinoiserie decoration, 

box 14 3 ⁄4ins. (37.5cms.) wide 

£150-200 

2107. A PAIR SAMSON STYLE ARMORIAL 

TABLE LAMPS 

each painted in the compaigne des Indes 

manner, porcelain 16 1 ⁄2ins. (42cms.) high 

£800-1200 

214 

2099. A REGENCY PRINTED AND SILK WORK 

RELIGIOUS PICTURE 

oval, set within a rectangular black glass 

mount, 22ins. (56cms.) x 26ins. (66cms.) overall 

£100-120 

2102. A STRAW WORK BOX 

set with geometric desgins, the interior with 

three divisions, 7 1 ⁄2ins. (19cms.) wide 

£100-200 

2105. AN ASSORTMENT OF APPROXIMATELY 

TWO HUNDRED VARIOUS CHINESE MOTHER 

OF PEARL GAMING COUNTERS 

(a lot) 

£200-250 

2108. A PAIR OF CHINESE FAMILLE ROSE 

BALUSTER TABLE LAMPS 

each painted with fruit and insects, 

porcelain 12ins. (30.5cms.) high 

£200-300 

2100. A PAIR OF PLASTER PORTRAIT PROFILE 

BUSTS 

in low relief set in a concave oval, one with a 

later inscription in pencil on the reverse 

Old Modeling Cast, Josiah Wedgwood, 

within gilt painted integral surround, 

7 1 ⁄4ins. (18.5cms.) x 6ins. (15.5cms.) 

£100-150 

2103. A BLACK AND WHITE FOSSIL MARBLE 

BASIN 

11 1 ⁄4ins. (28.5cms.) dia. 

£100-200 

2106. A REVERSE PAINTING ON GLASS 

of a court lady, 12 3 ⁄4ins. (32.5cms.) x 

11ins. (28cms.) overall 

£120-160 

2109. A WOODEN TABLE LAMP 

of flared cylindrical form, painted with a 

continuous view of a Russian waterside 

monastry, 16ins. (41cms.) high 

£200-300 


2110. A PAIR OF FRENCH STYLE OPAQUE 

GLASS BALUSTER TABLE LAMPS 

each delicately painted with floral sprays, 

glass 15 3 ⁄4ins. (40cms.) high 

£1200-1500 

2113. TWO GEORGE III MAHOGANY BOTTLE 

COASTERS 

each with a shaped side, 

largest 7 1 ⁄4ins. (18.5cms.) dia. 

£200-300 

2116. A PAIR OF BRASS TABLE 

CANDLESTICKS 

with push-up ejectors, a dredger, a pair of tilt 

top tables and a pair swingers, 

candlesticks 7ins. (17.5cms.) high 

£100-125 

2119. A FIGURED WALNUT DRESSING TABLE 

BOX 

with plated fittings, the box with flush rounded 

brass mounts, 11 3 ⁄4ins. (30cms.) wide 

£100-150 

2111. A PAIR OF SEVRES STYLE BLEU 

CELESTE ORMOLU MOUNTED URNS AND 

COVERS 

each painted with a domestic interior scene, 

the reverse with a floral spray, 

13 3 ⁄4ins. (35cms.) high 

£300-500 

2114. A GEORGE III MAHOGANY BOTTLE 

COASTER 

with a moulded edge, together with an elm 

example, largest 7ins. (18cms.) dia. 

£150-200 

2117. A COLLECTION OF TREEN 

including a box and cover, a string box and a 

box containing six coasters, 

string box 4 1 ⁄2ins. (11cms.) high 

£100-150 

2120. A SILVER COLOURED METAL 

ARTICULATED SNAKE 

with naturalistically chased head, 

52ins. (132cms.) long 

£100-200 

2112. A VICTORIAN ROSEWOOD 

ANSWERED/UNANSWERED LETTER BOX 

inlaid with mother of pearl tablets, 

9 1 ⁄4ins. (23.5cms.) wide 

£140-180 

2115. A PAIR OF CARVED WOOD URNS 

each finely carved with fruit to the shoulders, 

with lift-off covers, 

6 1 ⁄2ins. (16.5cms.) high 

£200-400 

2118. A COLLECTION OF TREEN 

comprising a cup and cover, 

8ins. (20.5cms.) high 

£100-120 


of a ferocious displaying eagle, set upon a 

hardstone plinth, 

17 3 ⁄4ins. (45cms.) high 

£300-400 


215

2122. A GEORGE III STYLE STEEL AND BRASS 

FIRE BASKET 

with a serpentine front and fret pierced apron, 

23 3 ⁄4ins. (60.5cms.) high x 30 1 ⁄2ins. (77.5cms.) wide 

£400-600 

2125. A GEORGE III POLISHED STEEL 

SEMI CIRCULAR FENDER 

pierced with interlaced circles, set with 

“bright-cut” rosettes, 43ins. (109cms.) wide 

£100-150 

2128. A LATE 17TH CENTURY VERDURE 

TAPESTRY SET PELMET 

18ft 3ins. (567cms.) long x 

1ft 10ins. (56cms.) high overall 

£220-260 

2131. A PAIR OF ORMOLU PRICKET WALL 

LIGHTS 

15 1 ⁄2ins. (39.5cms.) long 

£200-300 

216 

2123. A BRASS CLUB FENDER 

of generous proportions with plain supports, 

26ins. (66cms.) deep x 86 1/2ins. (220cms.) wide 

£800-1200 


CURVED FENDER 

with pierced vertical pales, 


£100-150 

2129. A GILT SLATE PLAQUE 

carved in low relief with the arms of Earl 

Grosvenor, 1784, 

5 3 ⁄4ins. (14.5cms.) x 7 1 ⁄2ins. (19cms.) 

£100-120 

2132. A PAIR OF ORMOLU THREE-LIGHT 

CANDELABRA 

of Louis XVI style, cast and chased with foliage, 


£250-300 

2124. A BRASS AND POLISHED STEEL FIRE 

BASKET 

the serpentine apron pierced with a displaying 

eagle, flanked by foliate scrolled legs, 

23 3 ⁄4ins. (60.5cms.) high x 21ins. (53cms.) wide 

£200-300 


SERPENTINE FENDER 

with pierced vertical pales, 


£40-60 

2130. A FRENCH EBONISED LAP DESK 

the rising top and folding sloping front inlaid 

with rows of brass stars and mother of pearl 

crosses, label for Alph. Giroux, Paris, 


£120-160 

2133. A VICTORIAN WALNUT BOX 

applied with brass strap work, 


£100-120 


2134. A VICTORIAN ROSEWOOD AND 

TUNBRIDGE WARE TEA CADDY 

the lid inlaid with a view of Malvern Abbey, 

the interior with two lidded divisions, 

10ins. (25.5cms.) wide overall 

£400-700 

2137. A VICTORIAN ROSEWOOD TUNBRIDGE 

WARE TEA CADDY 

the top inlaid with a view of Mount Ephraim, 

burr wood sides and Russell work front, 

8 1 ⁄2ins. (21.5cms.) wide 

£200-400 


WARE THREAD BOX 

the lid set with a recumbent spaniel, 

6 1 ⁄2ins. (16.5cms.) wide 

£120-150 


WARE PILLAR DESK THERMOMETER CUM 

THERMOMETER 

the ivory thermometer labelled Hollamby, 

Tunbridge Wells, 5ins. (12.5cms.) high 

£150-250 

2135. TWO VICTORIAN ROSEWOOD 

TUNBRIDGE WARE SCEAN BOXES 

one with printed label for Edmund Nye, the 

other with stamped printed label for Thomas 

Martin, largest 10 1 ⁄2ins. (26.5cms.) long 

£130-180 


WARE TRAVELLING BOX 

with a fall front, the lid inlaid with a view of 

St. Helena, formerly Gibraltar Cottage, 

Tunbridge Wells, 7 3 ⁄4ins. (19.5cms.) wide 

£150-200 

2141. TWO VICTORIAN TUNBRIDGE WARE 

NOTEBOOKS 

each with floral inlaid covers, one inlaid A 

present from Malvern, together with a rosewood 

inkwell, paper label for Edmund Nye, a pen and a 

pencil holder and a ruler, together with an 

assortment of mother of pearl gaming counters, 

a butter knife and a small spoon (a lot) 

£150-250 

2144. A VICTORIAN TUNBRIDGE WARE 

CADDY SPOON 

with ogee bowl, 3 3 ⁄4ins. (9.5cms.) wide overall 

£200-400 


WARE BOX 

the lid inlaid with a view of Eridge Castle, 


£150-250 

2139. A VICTORIAN ASH TUNBRIDGE WARE 

SPECIMEN WOOD CUBE PARQUETRY BOX 

the lower part inlaid with Russell work, 


Paper label for Barton & Nye 

£100-150 

2142. A VICTORIAN TUNBRIDGE WARE 

RUSSELL WORK PARQUETRY TABLE BOX 

circular paper for T. Barton, Late Nye, 


£100-120 

2145. A VICTORIAN ROSEWOOD RUSSELL 

WORK DESK TIDY 


£100-150 


217


WARE MAGNIFYING GLASS 

5 3 ⁄4ins. (14.5cms.) wide overall, together with a 

“Penny Red” stamp box, a cube parquetry 

matchbox case and four other objects (a lot) 

£150-250 

2148. A VICTORIAN PAPIER MACHE 

STATIONERY BOX 

inlaid with mother of pearl motifs and enriched 

in gilt, the interior in blue silk and velvet with a 

lidded compartment for stamps/wafers, 

stamped Clay & Co., 20 Pall Mall, London, 

8 1 ⁄2ins. (21.5cms.) wide overall 

£100-120 

2151. A WILLIAM IV ROSEWOOD DESK BOOK 

CARRIER 

with delicately turned spindles, 

16 1 ⁄2ins. (42cms.) wide 

£200-300 

2154. A BRONZE LIBRARY BUST 

of George II on a black marble socle, signed J. Hamilton, London, 1843, 

12 3 ⁄4ins. (32.5cms.) high overall, a bronzed plaster bust of The Duke of 

Wellington, incised twice R Shout, 18 Holborn, London, September 23rd 

1814, 13ins. (33cms.) high , a German white plaster bust, indistinctly 

signed...Semann, on a wooden socle, 10 1 ⁄2ins. (26.5cms.) high overall and a 

cast iron bust 5 1 ⁄2ins. (14cms.) high 

£200-250 

218 

2149. A STAUNTON EBONY AND BOXWOOD 

CHESS SET 

the pieces weighted, King stamped Jaques, 

London, King 4 1 ⁄4ins. (11cms.) high, contained in 

a box with signed label, together with a 

rosewood and boxwood chess board, 

26 1 ⁄4ins. (67cms.) wide 

£200-300 

2152. A RED MOROCCO STATIONERY BOX 

with foliate embossed silver mounts, 13ins. 

(33cms.) wide overall 

£130-150 

2147. A SORRENTO WARE POCKET WATCH 

STAND 

together with seven various treen sewing and 

other accessories (a lot) 

£120-150 

2155. TWO GLASS SMOKE BELLS 

and another cover, largest 12 1 ⁄2ins. (32cms.) high 

£100-120 

2150. A GEORGE III MAHOGANY KNIFE BOX 

of conventional form, inlaid with tulip wood 

crossbanding and simulated stop fluting, 

interior now missing, 9 1 ⁄2ins. (24cms.) wide 

£100-200 

2153. FIVE VARIOUS SEPIA AND COLOURED 

PRINTS 

one of Tancred and Erminia and two by 

Bartolozzi of Adelaide and Fonrose, 

largest 14 3 ⁄4ins. (37cms.) x 19ins. (48cms.) overall 

£100-120 


2156. A BRONZE GROUP AFTER THE ANTIQUE 

on a black marble plinth, 14 1 ⁄2ins. (37cms.) high 

overall 

£250-350 

2159. A COLLECTION OF PLASTER PORTRAIT 

MEDALLIONS 

of notables, framed as three, largest frame 

10ins. (25cms.) square overall 

£100-120 

2157. THREE GILT METAL PORTRAIT PROFILES 

two of The Duke of Wellington and one of 

George IV, 

largest figure 7 1 ⁄2ins. (19cms.) high 

£100-150 

2160. A 17TH CENTURY BEECH BOX 

with a sliding lid, incised and carved with a 

variety of geometric motifs and carved Jacob 

Siebes, 11ins. (28cms.) long 

£800-1200 

2158. TWO BOIS DURCI PORTRAIT PLAQUES 

of Prince Albert and Fenelon, another similar of 

Beethoven and a wood example of Lord Byron, 

largest 5ins. (12.5cms.) dia. 

£120-150 

2161. A NEEDLE AND SCULPTED WOOL 

WORK PICTURE 

of a white cat in a simulated rosewood frame, 

10 3 ⁄4ins. (27cms.) x 10ins. (25.5cms.) overall 

£125-150 

2162 - 2170. 

No lots 


219

FURNITURE 

2171. AN EARLY GEORGE III OAK HALL CHAIR 

later carved with foliage 

£100-200 

2174. A GEORGE III FRUIT WOOD AND OAK 

TRIPOD TABLE 

24ins. (82cms.) dia. 

£80-120 

2177. A 17TH CENTURY OAK GATELEG TABLE 

with a drawer to one end, on turned column 

supports, 45 1 ⁄2ins. (116cms.) x 

56ins. (142.5cms.) 

£300-400 

2180. A GEORGE III OAK DRESSER 

the upper part with open shelves flanked by a 

pair of crossbanded doors, the lower part also 

crossbanded, the deep frieze with three short 

drawers, 73 3 ⁄4ins. (187cms.) high x 


£700-1000 

220 

2172. A 17TH CENTURY OAK WAINSCOT 

CHAIR 

the panelled back with a row of turned 

spindles, the fluted top rail incised I F B and 

centred by 68 

£300-400 

2175. A GEORGE III OAK TRIPOD TABLE 

17 1 ⁄2ins. (44cms.) dia. 

£100-200 

2178. A GEORGE III OAK CRICKET TABLE 


£200-250 

2181. AN EARLY 19TH CENTURY DUTCH OAK 

ARMOIRE 

of monumental proportions, the moulded 

shaped cornice centred by a floral and rocaille 

motif, shaped panelled doors enclosing shelves 

and drawers, the bombé lower part fitted 

with three long drawers, above a scroll carved 

apron, flanked by outset keel corners, on 

bold claw and ball feet, 98ins. (249cms.) high x 


£1000-2000 

2173. AN OAK SIDE CHAIR 

possibly early 18th century Spanish, carved and 

spindle set back 

£100-150 

2176. A GEORGE III OAK TRIPOD TABLE 

with a tilt top, 23 1 ⁄2ins. (59.5cms.) dia. 

£100-150 

2179. A 17TH CENTURY OAK DOUBLE 

GATELEG TABLE 

with baluster turned under frame, a drawer to 

each end, top 51 1 ⁄2ins. (131cms.) x 61ins. 

(155cms.) 

£400-500 

2182. A GEORGE III OAK CUPBOARD 

the upper part with two rows of hooks, 

enclosed by a pair of twin fielded panelled 

doors, the lower part with fielded panels above 

a pair of short drawers, 

70ins. (178cms.) high x 54 3 ⁄4ins. (139cms.) 

£500-700 


2183. A GEORGE III ELM SIDE TABLE 

the top with a moulded edge, fitted with a 

frieze drawer, 29 1 ⁄2ins. (75cms.) wide 

£200-300 

2186. A 17TH CENTURY OAK COFFER 

the triple panelled top and front with carved 

lozenges and dragon scroll carved muntins, 

49 3 ⁄4ins. (126.5cms.) 

£240-350 

2189. A GEORGE III OAK MULE CHEST 

with mahogany crossbanding, the front fitted 

with six false short drawers above three real 

drawers, flanked by fluted quadrant pilasters, 

on ogee bracket feet, 


£600-700 

2192. A LATE 17TH CENTURY OAK CHEST OF 

FOUR LONG DRAERS 

with geometrically coffered fronts, the sides 

with twin panels 37 1 ⁄2ins. (95cms.) wide 

£500-600 

2184. A LATE 17TH CENTURY OAK SIDE 

TABLE 

fitted with a frieze drawer, on turned legs, 


£150-250 

2187. A GEORGE III ELM DOUGH BIN 

the top with a moulded edge, the lower part 

with chip carved edges, 

38 1 ⁄4ins. (97cms.) wide 

£100-200 

2190. A GEORGE III OAK DRESSER 

the top with a moulded edge, the slightly 

recessed centre section fitted with three short 

graduated drawers, flanked each side by a 

drawer above a shaped cupboard, the frame 

with chip carving, 72 1 ⁄2ins. (184cms.) wide 

£600-800 

2193. A PAIR OF FRENCH OAK STOOLS 

possibly early 18th century, 


£300-400 

2185. AN EARLY GEORGE III OAK LOWBOY 

the top with a moulded edge, fitted with three 

drawers to the shaped apron, 


£150-250 


the quadruple panelled top with moulded 

edges, the front carved, the reverse also with 

three moulded edge panels, 42 1 ⁄2ins. (108cms.) 

wide 

£250-350 

2191. A 17TH CENTURY OAK CUPBOARD 

with a dentil cornice, enclosed by a pair of 

fielded panelled doors, the sides also with 

fielded panels, 45ins. (114cms.) high 23 3 ⁄4ins. 

(60cms.) deep x 80ins. (203cms.) wide 

£2000-3000 

2194. A 17TH CENTURY OAK BIBLE BOX 

the chip carved sloping front enclosing three 

short drawers, rosette carved front and sides, 

24 1 ⁄2ins. (63cms.) wide 

£120-150 


221

2195. AN EARLY 17TH CENTURY OAK ARK 

the broad stiles with a reeded inner edge, each 

side set with a yoke rail, 54ins. (137cms.) wide 

£600-900 

2198. A PAIR OF RUSH SEATED ARMCHAIRS 

each with horseshoe arms and a spindle frame 

£300-400 

2201. A GEORGE III MAHOGANY BOWFRONT 

TOILET MIRROR 

inlaid with boxwood lines, 

21 1 ⁄2ins. (55cms.) wide 

£100-120 

2202. No lot 

2205. A NEST OF FOUR MAHOGANY TABLES 

each top inlaid with a plum pudding oval, the 

edge with rosewood crossbanding, 

largest 19 3 ⁄4ins. (50cms.) wide 

£400-500 

222 

2196. A 17TH CENTURY OAK MURAL 

CABINET 

of arched form, the panelled front centred 

by a door, enclosing two shelves, 

271 ⁄4ins. (69cms.) high x 27ins. (69cms.) wide x 

103 ⁄4ins. (27.5cms.) deep 

Provenance: By repute from Cothelstone 

Manor, Somerset 

£800-900 

2199. A 17TH CENTURY OAK JOINT STOOL 

with slightly shaped frieze rails, on baluster 

turned legs, 17 1 ⁄2ins. (44.5cms.) wide 

£400-600 

2203. A GEORGE III MAHOGANY TEA TABLE 

inlaid with boxwood stringing, 

35 1 ⁄2ins. (90cms.) wide 

£100-200 

2206. A WILLIAM IV MAHOGANY PEMBROKE 

WORK TABLE 

the frieze fitted with two long drawers above a 

pull-out fabric work bag, on a U-shaped 

pedestal, 17ins. (43cms.) wide closed 

£400-500 


with twin panelled top and front, 

40 1 ⁄2ins. (102cms.) wide 

£250-350 

2200. A 17TH CENTURY OAK JOINT STOOL 

with chip-carved and slightly frieze rails, 


£300-400 

2204. A MAHOGANY FRAMED OVERMANTEL 

LOOKING GLASS 

each bevelled rectangular plate with a gilt inner 

border, 26 1 ⁄2ins. (67cms.) x 46 1 ⁄4ins. (117.5cms.) 

£100-200 

2207. A GEORGE III MAHOGANY TEA TABLE 

with a semi circular top, 42ins. (107cms.) wide 

£150-250 


2208. A GEORGE IV MAHOGANY AND 

“ROSEWOOD” FINISHED WORK TABLE 

17 3 ⁄4ins. (45.5cms.) wide 

£100-150 

2211. A PARCEL GILT WALNUT LOOKING 

GLASS 

with a gilt inner border, 34 1 ⁄2ins. (87.5cms.) high 

£150-200 

2214. A GEORGE III MAHOGANY LIBRARY 

BOOKCASE 

enclosed by a pair of chicken wire set doors 

with rosette carved moulding, the vitruvian 

scroll carved apron set with three short 

drawers above a pair of quarter veneered doors, 

96ins. (243cms.) high x 573 ⁄4ins. (147cms.) wide. 

Together with another, very similar, but later 

and with no drawers to the apron, 

93ins. (236cms.) high x 443 ⁄4ins. (113.5cms.) wide 

Provenance: The Leycester-Penrhyn family 

Miss Joan May 

£3000-5000 

2209. A LATE GEORGE III ROSEWOOD TEAPOY 

the crossbanded rising octagonal top revealing 

two vacant recesses and two lidded divisions, 

the legs with boxwood stringing, 

13 1 ⁄2ins. (35cms.) wide 

£100-150 

2212. A MAHOGANY LOOKING GLASS 

with a fret carved frame, 33 1 ⁄2ins. (85cms.) high 

£150-200 

2210. A GEORGE III MAHOGANY WHATNOT 

the top rising on a ratchet, 48ins. (I22cms.) high 

x 18 3 ⁄4ins. (47.5cms.) wide 

£600-700 

2213. A GEORGE III GILT WOOD LOOKING 

GLASS 

the oval plate flanked by bold pierced 

feathery scrolls and florettes, surmounted 

by a flower-filled urn, 49 1 ⁄2ins. (126cms.) high x 


£2000-3000 


223

2215. A GILT PAINTED CONVEX LOOKING 

GLASS 

surmounted by a displaying eagle, 


£100-150 

2218. AN IRISH EBONISED AND PARCEL GILT 

LOOKING GLASS 

the oval plate with a frame set with cut glass 

beads, 30 1 ⁄4ins. (77cms.) high 

£400-500 

2221. A GEORGE II STYLE MAHOGANY 

PARCEL GILT LOOKING GLASS 

with bevelled rectangular plate, 

32ins. (81cms.) high x 37ins. (94cms.) wide 

£200-300 

2224. A GEORGE III MAHOGANY CARD TABLE 

the serpentine top inlaid with ebony stringing 

and moulded crossbanded edge, 

on lozenge section square tapering legs with 

block feet, 36 1 ⁄4ins. (92cms.) wide 

£200-300 

224 

2216. A PAIR OF GILT WOOD LOOKING 

GLASSES 

of George III inspiration, each rectangular plate 

flanked by foliate pendants, the scrolled pierced 

foliate cresting centred by a flower-filled urn, 

54 1 ⁄2ins. (138cms.) high x 31ins. (79cms) wide 

£800-900 

2219. AN INDIAN IVORY INLAID MAHOGANY 

LOOKING GLASS 

the plate and supports inlaid with a floral and 

foliate meander, 17ins. (43cms.) wide 

£150-250 

2222. A GEORGE III BIRDSEYE MAPLE 

BODIED TEAPOY 

the octagonal top inlaid with specimen wood 

squares, the interior with four lidded divisions, 

two for tea and two for vacant sugar bowls, 

13 1 ⁄2ins. (34.5cms.) wide 

£150-250 

2225. A GEORGE III MAHOGANY PEMBROKE 

TABLE 

the oval top with mahogany crossbanding and 

inlaid with boxwood lines, fitted with a frieze 

drawer, a false drawer to the reverse, 


£150-200 

2217. A GILT WOOD CONVEX LOOKING 

GLASS 

surmounted by a displaying eagle, 

29ins. (74cms.) high overall 

£150-200 

2220. A GEORGE III GILT WOOD LOOKING 

GLASS 

the oval plate surmounted by an urn with 

ivy leaves trailing from the handles, 

36 1 ⁄2ins. (93cms.) high 

£400-500 

2223. A GEORGE III MAHOGANY TOILET 

MIRROR 

the oval plate and serpentine plinth with 

chequer feather stringing and crossbanding, 

fitted with three short drawers, on ogee 

bracket feet, 19 3 ⁄4ins. (50cms.) wide 

£200-300 

2226. A GEORGE IV ROSEWOOD CARD TABLE 

the top inlaid with a broad band of brass 

stylised foliage, on a flat baluster column and 

concave plinth, 36ins. (91.5cms.) wide 

£700-900 


2227. A GEORGE III MAHOGANY OCTAGONAL 

WINE COOLER 

with a caddy moulded top and brass bands, 

with a lead lined interior, 18ins. (45.5cms.) wide 

£700-900 

2230. AN EARLY GEORGE III PROVINCIAL 

WALNUT ARMCHAIR 

the back with rocaille and drapery carved top 

rail and baluster splat 

£300-400 

2233. A GEORGE III MAHOGANY TALLBOY 

the cornice inlaid with feather stringing, 

70 1 ⁄2ins. (179cms.) high x 42ins. (107cms.) wide 

£600-900 


with a dentil cornice, the drawers inlaid with 

ebony and boxwood stringing, 

the upper part flanked by reeded canted 

corners, the lower part with a brushing slide, 

77ins. (196cms.) high x 46ins. (117.5cms.) wide 

£900-1200 

2228. A GEORGE III MAHOGANY BUREAU 

BOOKCASE 

the married upper part with fret pierced swan 

neck pediment above a pair of geometrically 

glazed doors, the lower part with a sloping 

front enclosing an arrangement of drawers and 

pigeon holes, four long drawers beneath, 


£500-600 

2231. A PAIR OF GEORGE II FRUIT WOOD 

SIDE CHAIRS 

£300-500 

2234. AN AMERICAN TALLBOY 

the upper part with a swan neck pediment with 

three short and four long drawers, the lower 

part with one long and three short drawers, on 

shell carved cabriole legs, 88 1 ⁄2ins. (225cms.) 

high overall x 40 1 ⁄2ins. (103cms.) wide 

£400-600 

2237. A SOUTH GERMAN/NORTH ITALIAN 

PAINTED CUPBOARD 

the door set with two fielded panels, flanked by 

panels, each set with a flower-filled urn, 

67 1 ⁄2ins. (171cms.) high x 40ins. (102cms.) wide 

£600-700 

2229. A PAIR OF WHITE PAINTED CARVED 

WOOD URNS 

of foliate campana form, 45 1 ⁄2ins. (115cms.) high 

£300-400 

2232. A SET OF SIX GEORGE III MAHOGANY 

DINING CHAIRS 

including two with arms, each top rail inlaid 

with a satinwood panel, within chequer 

stringing 

£300-400 

2235. A GEORGE III OAK CORNER CUPBOARD 

the upper part enclosed by a pair of glazed 

doors, the lower part by a pair of panelled doors, 


£600-700 

2238. A GEORGE III MAHOGANY SECRETAIRE 

BOOKCASE 

the upper part enclosed by a pair of glazed 

doors, the lower part with a pull-out drawer 

enclosing pigeon holes, three long drawers 

beneath, on splayed bracket feet, 

87ins. (221cms.) high x 45 1 ⁄2ins. (116cms.) wide 

£500-700 


225

2239. AN EARLY 19TH CENTURY DUTCH 

MAHOGANY SIDEBOARD 

the rising top revealing two folding shelves, a 

lift-off panel enclosing a brass basin, 

the outfolding flaps with pull-out supports, 

the frieze with a false drawer flanked by two 

real drawers, a pair of panelled doors beneath, 

flanked by fluted chamfered corners, 


£400-600 

2242. A WILLIAM IV ROSEWOOD CHIFFONIER 

with foliate carved cresting, fitted with a 

cushion frieze drawer above a pair of recessed 

lancet panelled doors, 55 1 ⁄2ins. (140.5cms.) high 

x 37ins. (94cms.) wide 

£200-250 


TABLE 

with satinwood and tulip wood crossbanding, 

fitted with a drawer to one end, 

331 ⁄2ins. (85cms.) wide 

Provenance: Port Eliot, St. German’s, Cornwall, 


£600-900 

2248. A QUEEN ANNE BUREAU BOOKCASE 

the upper part fitted with an arrangement of 

drawers and pigeon holes, enclosed by a pair of 

mirror panelled doors, two candle slides 

beneath, the sloping front enclosing a pull-out 

compartment, drawers and pigeon holes, all 

with feather stringing and crossbanding, 

80 1 ⁄2ins. (204.5cms.) high x 38 3 ⁄4ins. (98.5cms.) wide 

£4000-5000 

226 

2240. A SET OF EIGHT REGENCY SIMULATED 

ROSEWOOD DINING CHAIRS 

including two with arms, each with a 

gadrooned cresting 

£600-700 

2243. A REGENCY MAHOGANY BREAK 

FRONT SIDE CABINET 

the upper part enclosed by glazed doors and 

fitted with two short drawers, the lower part 

with satinwood crossbanding, fitted with 

panelled doors and each side with two short 

drawers, on gilt metal paw feet, 

54 1 ⁄2ins. (138cms.) high x 44 3 ⁄4ins. (114cms.) wide 

£1000-2000 

2246. A BRASS CLUB FENDER 

with green leather cloth seat, 69ins. (175cms.) 

wide x 18ins. (46cms.) deep 

£360-400 

2249. A WALNUT DISPLAY CABINET 

of Queen Anne inspiration, the swan neck 

cavetto cornice above a pair of glazed doors 

with crossbanded swept bars, the lower part 

with two short and one long drawer, on 

cabriole legs with ball and claw feet, 

82ins. (208cms) high x 46ins. (117cms.) wide 

£500-600 

2241. A GEORGE III MAHOGANY 

D-BREAKFRONT SIDEBOARD 

the top crossbanded, fitted with a short frieze 

drawer, flanked to the left by a deep cellarette 

drawer and to the right by a cupboard, all 

inlaid with fan quadrants, now on fluted 

square tapering legs, 26 1 ⁄2ins. (67cms.) deep x 

63 1 ⁄2ins. (161cms.) wide 

£600-700 

2244. A GEORGE II WALNUT BUREAU 

the top and sloping front with oyster-cut 

veneers, the interior fitted with an arrangement 

of drawers and pigeon holes, 

34 3 ⁄4ins. (88cms.) wide 

£600-800 

2247. A GEORGE IV MAHOGANY PEMBROKE 

WORK TABLE 

two drawers to one end and a pull-out work 

bag, the pedestal with split reel mouldings, 


Provenance: Port Eliot, St. German’s, Cornwall, 


£400-600 

2250. A DUTCH WALNUT FORAL MARQUETRY 

DISPLAY CABINET 

with canted sides, delicately inlaid with floral 

tendrils and sprays, the bombé fronted lower 

part with three long drawers, 81 1 ⁄2ins. (207cms.) 

high x 47 1 ⁄2ins. (121cms.) wide 

£1000-1500 


2251. A PAIR OF LOUIS XV GREEN PAINTED 

ARMCHAIRS 

of reasonably generous proportions 

Provenance: Port Eliot, St. German’s, Cornwall 

and thence by descent 

£800-1200 

2254. A GEORGE III MAHOGANY DUMB 

WAITER 

each tier inlaid with an ebonised line and set 

with a reeded edge, the lower two tiers 

revolving, 45 1 ⁄2ins. (116cms.) high x largest tier 


£300-400 

2257. A GEORGE III PARCEL GILT PAINTED 

CONSOLE TABLE 

together with a modern counter-part, the 

D-breakfront top delicately painted with a band 

of flowers on a black ground, George III table 


Matched table 37ins. (94cms.) high 



£4000-6000 

2252. A LOUIS XVI GILT WOOD LOOKING 

GLASS 

with bevelled arched rectangular plate, 

within a laurel leaf carved inner border, 




£1500-2000 

2255. A ROSEWOOD QUARTER VENEERED 

OCCASIONAL TABLE 

with rosewood crossbanding and brass mounts, 

23ins. (59cms.) high x 181 ⁄4ins. (46.5cms.) wide 



£400-600 

2253. A PAIR OF VICTORIAN MAHOGANY 

HALL CHAIRS 



£125-150 


DINING CHAIRS 

each with a moulded arched back and stopfluted 

splat, with stuffed-over serpentine seat 

£500-600 


227


with boxwood stringing, 36ins. (91.5cms.) wide 

£100-150 

2261. A GEORGE IV ROSEWOOD 


the chamfered rectangular top with a split reel 

moulded edge, 20ins. (51cms.) wide 

£300-400 

2264. A WINGBACK MAHOGANY SETTEE 

the legs headed by reeded batons, on paw feet, 

54 1 ⁄2ins. (138cms.) wide 

£300-400 

2267. A GEORGE III MAHOGANY DEMI-LUNE 

SIDEBOARD 

the top with broad satinwood crossbanding, 

fitted with a central drawer flanked each side 

by two short drawers and false short drawers 

to the ends, 79 3 ⁄4ins. (203cms.) wide x 

30 1 ⁄2ins. (77.5cms.) deep 

£1500-1800 

228 

2259. A REGENCE STYLE GILT WOOD SIDE 

TABLE 

the grey veined white marble top with a 

moulded edge, 28 1 ⁄2ins. (72cms.) deep x 

43 1 ⁄2ins. (110.5cms.) wide 

£600-700 

2262. A GEORGE III MAHOGANY BEDSIDE 

CUPBOARD 

with a galleried top and tray grip, 

21 3 ⁄4ins. (55cms.) wide 

£200-300 

2265. A PARCEL GILT EBONISED FIRESCREEN 

set with a needlework Royal coat of arms, 


£140-180 

2268. A GEORGE I WALNUT CHEST ON 

STAND 

the top with feather out-lined quadrants, the 

drawers crossbanded, on a later stand, 


£400-500 


TABLE 

with semi circular flaps and a drawer to one 

end, 30 3 ⁄4ins. (78cms.) wide 

£200-300 

2263. A LATE GEORGE III MAHOGANY 


the rounded rectangular top with a rounded 

edge, 30ins. (76cms.) wide 

£100-150 

2266. A WILLIAM IV MAHOGANY BERGERE 

with buttoned upholstery 

£400-500 

2269. AN ELM REFECTORY TABLE 

the two planked top with slightly rounded 

corners and a grooved edge, on square 

chamfered legs, 32 1 ⁄4ins. (82cms.) wide x 

118ins (300cms.) long 

£1500-1800 


2270. A GEORGE IV ROSEWOOD CENTRE TABLE 

the top with brass foliate scrolled inlaid quadrants and cast paterae moulded edge, 

fitted with two short drawers, on flat waisted trestle legs, 45ins. (114cms.) wide x 253 ⁄4ins. (65.5cms.) deep 

Provenance: Miss Joan May 

£3000-5000 

2271. A GEORGE III MAHOGANY PEDESTAL DESK 

with a leather-lined top, fitted with nine short frieze drawers, the reverse with three false drawers, 

above a pair of panelled doors, 49ins. (125cms.) wide x 33ins. (84cms.) deep 

With Malletts 

£7000-10000 


229

230 

2272. A PAIR OF REGENCY STYLE MAHOGANY 

CANED BERGERES 

£500-600 

2274. A GERMAN OAK REVOLVING SMOKER’S CHAIR 

carved with Renaissance motifs, together with the original 

purchase invoice from The International Exhibition, London, 2nd 

August, 1862 from L & S Lovinson, 8, Unter Den Linden, Berlin in 

the sum of £6 and 10 shillings 

£100-150 

2275. A GEORGE III MAHOGANY BREAKFAST 

TABLE 

the figured elliptical top with rosewood 

crossbanding, 63ins. (160cms.) x 

44 1 ⁄2ins. (113cms.) 

£600-700 

2278. A LATE GEORGE III MAHOGANY TWO 

PILLAR DINING TABLE 

with rounded rectangular ends, the top with a 

moulded edge, together with two extra leaves, 

48 1 ⁄2ins. (123cms.) wide x 90 1 ⁄2ins. (230cms.) long 

extended 

£2000-3000 

2276. A PAIR OF 19TH CENTURY FRENCH 

WALNUT BEDSIDE TABLES 

each with a bank of four drawers, a locking 

slide to the right, 32ins. (81.5cms.) high x 

24 3 ⁄4ins. (63cms.) wide 

£300-400 

2279. A SET OF EIGHT GEORGE III 

MAHOGANY DINING CHAIRS 

including two with arms, each with a moulded 

top rail and reeded X splat, centred by a patera 

£1000-2000 

2273. A GEORGE II WALNUT PROVINCIAL ARMCHAIR 

with scrolled knuckles and shaped baluster vase splat 

£500-700 


BREAKFAST TABLE 

the top with a reeded edge, 44 1 ⁄4ins. (117.5cms.) 

x 36 1 ⁄2ins. (93cms.) 

£600-700 

2280. A LATE GEORGE III MAHOGANY BOW 

BREAKFRONT SIDEBOARD 

fitted with a short frieze drawer above a 

recessed napkin drawer, flanked each side by 

deep drawers, 21 1 ⁄2ins. (54.5cms.) deep x 


£1000-2000 


2281. AN EARLY GEORGE III MAHOGANY GAINSBOROUGH ARMCHAIR 

of generous proportions. The arms delicately carved with foliage, some issuing from a rosette, on cabriole 

legs with hairy claw and ball feet, foliate carved knees and plain cabriole back legs 

£4000-6000 

2282. A VICTORIAN EBONISED SIDE CABINET 

the breakfront centred by a mirrored door, flanked by panelled doors mounted with green jasper plaques 

and with amboyna crossbanding, 44ins. (112cms.) high x 19 1 ⁄4ins. (49cms.) deep x 70 1 ⁄2ins. (179cms.) wide 

£1200-1500 


231


the upper part with a key pattern cornice, the 

drawers flanked by plain chamfered corners, 

the lower part drawers flanked by fluted 

chamfered corners, 72 1 ⁄2ins. (184cms.) high x 

43 1 ⁄2ins. (110.5cms.) wide 

£500-600 

2286. A GEORGE IV ROSEWOOD WHATNOT 

a drawer to the under-tier, the sides now set 

with pleated fabric behind brass grilles, 

47 1 ⁄2ins. (121cms.) high x 18ins. (45.5cms.) wide 

£600-700 

2289. A CHINESE HARDWOOD URN STAND 

with a rouge marble top, on bamboo carved 

frame, 36ins. (91cms.) high x 15ins. (38cms.) dia. 

overall 

£250-300 

2292. A MAHOGANY WINGBACK ARMCHAIR 

on square chamfered legs 

£500-600 

232 

2284. A GEORGE I WALNUT CHEST ON 

MATCHED STAND 

the top quarter veneered and broadly 

crossbanded with feather stringing, the upper 

part with feather crossbanded drawers, 

60ins. (153cms.) high x 38 1 ⁄2ins. (97.5cms.) wide 

£300-400 

2287. A GEORGE II WALNUT PARCEL GILT 

LOOKING GLASS 

30 1 ⁄2ins. (77cms.) high 

£150-250 

2290. A CHINESE HARDWOOD URN TABLE 

the shaped circular top set with a rouge marble 

panel within a carved foliate scroll border, top 

22ins. (56cms.) dia. x 31 1 ⁄2ins. (80cms.) high 

£200-400 

2293. AN ANTLER FRAMED LOOKING GLASS 

59 1 ⁄2ins. (151cms.) high x 54ins. (137cms.) wide 

overall 

£1000-2000 

2285. A GEORGE IV MAHOGANY LINEN 

PRESS 

the upper part with sliding trays enclosed by a 

pair of panelled doors, two short and two long 

drawers beneath, on reeded scrolled feet, 

81 1 ⁄2ins. (207cms.) high x 54ins. (137cms.) wide 

£600-800 

2288. A GEORGE III MAHOGANY WHATNOT 

with slender turned supports, 

52 1 ⁄2ins. (133.5cms.) high x 15 1 ⁄4ins. (39cms.) wide 

£250-400 

2291. A CHINESE HARDWOOD URN STAND 

with a veined grey marble top, on a prunus 

carved frame, 36ins. (91cms.) high x 

14ins. (36cms.) dia. overall 

£200-250 

2294. A GEORGE II STYLE WALNUT 

WINGBACK ARMCHAIR 

on cabriole legs with carved knees 

£400-600 


2295. A CHINESE HARDWOOD CEREMONIAL DEER 

with traces of polychrome painting and lacquering, possibly an auspicious guardian figure from the 

ancient state of Chu, 58ins. (148cms.) long 

£1200-1500 

2296. A GEORGE IV MAHOGANY CHIFFONIER 

the raised back set with a scallop shell flanked by volute scrolls, the D-breakfront topped lower part 

fitted with a pair of concave panelled doors each with flame figuring flanked by slender outset 

spiral twist pillars, on bold paw feet, 31 3 ⁄4ins. (78cms.) wide 

£1200-1500 


233

2297. A LOUIS XVI STYLE PALE GREEN 

PAINTED SUITE 

comprising: a two seat canape and a pair of 

armchairs, each moulded back with ribbon 

carving 

£600-900 

2300. A GEORGE III MAHOGANY KNEEHOLE 

DRESSING TABLE 


long drawer and six short drawers, 

surrounding a recessed kneehole cupboard, 


£600-800 

2303. A GEORGE III MAHOGANY DINING 

TABLE 

with semi circular ends and one insertion, 

54ins. (137cms.) wide x 75ins. (191cms.) long 

extended 

£400-600 

2306. A GEORGE III STYLE MAHOGANY TWO 

PILLAR DINING TABLE 

the top with semi circular ends and a reeded 

edge, together with one extra leaf, 

45ins. (114cms.) wide x 106 3 ⁄4ins. (271cms.) long 

extended 

£600-700 

234 

2298. AN EARLY GEORGE III STYLE 

MAHOGANY TRIPOD TABLE 

the dished circular top with a shaped rim, on 

spiral twist baluster stem and scroll cabriole 

legs, 12 3 ⁄4ins. (32.5cms.) dia. 

£400-600 

2301. A SPANISH WALNUT SAVONAROLLA 

ARMCHAIR 

of bold construction, upholstered in distressed 

magenta velvet 

£600-900 

2304. A SET OF EIGHT GEORGE III STYLE 


including two with arms, each moulded back 

with an anthemnion cresting 

£1500-1700 

2307. AN ITALIAN SCAGLIOLI TYPE CENTRE 

TABLE 

the broad border inlaid with brass outlined 

“specimen” marble panels, 59ins. (150cms.) x 


£150-250 

2299. A PAIR OF LOUIS XV WALNUT 

ARMCHAIRS 

each with a moulded frame, stamped Coste 

£800-1200 

2302. AN EARLY GEORGE III MAHOGANY 

DROP FLAP TABLE 

the oval top with a moulded edge, on cabriole 

legs with pony hoof feet, a drawer to one end 

of the frieze, 41 1 ⁄2ins. (105cms.) wide 

£600-1000 


SIDEBOARD 

the top inlaid with boxwood stringing and 

crossbanded, fitted with a short drawer flanked 

by deep drawers, the shaped kneehole with 

bold acanthus leaf inlaid brackets, 27 1 ⁄2ins. 

(69.5cms.) deep x 54ins. (137cms.) wide 

£800-1000 

2308. AN EARLY VICTORIAN RED LEATHER 

BUTTON UPHOLSTERED TUB CHAIR 

stamped Holland & Sons 

£600-700 


2309. AN EARLY GEORGE III MAHOGANY 

CENTRE TABLE 

the rectangular top with a moulded edge, on 

leaf capped cabriole legs and pad feet, 27 1 ⁄2ins. 

(70cms.) deep x 37 3 ⁄4ins. (96cms.) wide 

£500-800 

2312. A GEORGE III MAHOGANY SWEPT 

FRONT SIDE TABLE 

the top with a reeded edge, fitted with a frieze 

drawer, 36ins. (91cms.) wide 

£300-350 

2310. A GEORGE IV ROSEWOOD WORK 

TABLE 

the top broadly crossbanded, fitted with a 

frieze drawer above a pull-out work bag, 

on square tapering section pedestal, (three 

other carved brackets present), 

25 3 ⁄4ins. (65cms.) wide 

£400-600 



short frieze drawer, on square chamfered legs, 

35 3 ⁄4ins. (91cms.) wide 

£200-300 

2315. A ROSEWOOD CARLTON HOUSE DESK BY TILLMAN 

of semi elliptical form, the gallery with eight short drawers within satinwood 

crossbanded outline. The leather-lined writing surface with a central rising panel on a 

ratchet, the frieze fitted with three short drawers, on turned lobed tapering legs headed 

by ormolu Egyptian masks, 60 3 ⁄4ins. (154.5cms.) wide 

£2500-3500 

2311. AN EDWARDIAN MAHOGANY 

ENVELOPE TABLE 

stamped Jas. Shoolbred & Co., the flaps each 

inlaid with urns supported by foliate scrolls 

inhabited by gryphons, within satinwood 

crossbanding, fitted with a frieze drawer, 

21 1 ⁄2ins. (55cms.) wide 

£200-300 

2314. A GEORGE III MAHOGANY SQUARE 

TOP WASHSTAND 

a drawer to the under-tier, 12 3 ⁄4ins. (32.5cms.) 

wide 

£120-150 


235

2316. A CHINESE HARDWOOD OCCASIONAL 

TABLE 

the shaped square top with a foliate and berry 

carved meander, 21ins. (53.5cms) wide 

£250-300 


with chamfered rectangular legs with block 

feet, 34 1 ⁄4ins. (87cms.) wide 

£200-300 


the semi circular top inlaid with a satinwood 

enhanced fan motif, 35 1 ⁄2ins. (90cms.) wide 

£400-600 

2325. A BUTTON UPHOLSTERED CHAISE 

LONGUE 

57ins. (145cms.) long 

£150-200 

236 

2317. AN EDWARDIAN MAHOGANY CHILD’S 

CHAIR 

inlaid with tulip wood lines, 

21 1 ⁄2ins. (54.5cms.) high 

£100-120 

2320. A BLACK AND GILT JAPANNED 

PURDONIUM 

set with glass panels, 13ins. (33cms.) high 

£100-150 

2323. A GEORGE III MAHOGANY SECRETAIRE 

the top with a moulded edge, the drawer with 

an arrangement of drawers and pigeon holes, a 

pair of panelled doors beneath enclosing three 

pull-out trays, 41 1 ⁄2ins. (105.5cms.) high x 


£400-600 

2326. A GEORGE III MAHOGANY ARMCHAIR 

the rectangular top rail with a moulded edge, 

reeded arms 

£100-120 

2318. A CHINOISERIE LACQUERED WORK 

TABLE 

the rising top enclosing a lift-out tray, pull-out 

bag beneath, all decorated with chinoiserie 

figures, buildings and flowers, enriched with 

mother of pearl, 211 ⁄5ins. (51.5cms.) wide 

Provenance: By repute formerly the property of 

Agatha Christie 

£400-500 


SINGLE FLAP SIDE TABLE 

the D-shaped top with a reeded edge, the frieze 

inlaid with ebony lines, 36 1 ⁄4ins. (92cms.) wide 

£400-500 

2324. A NEST OF THREE WALNUT TABLES 

each with slender turned frame, 

largest 17 3 ⁄4ins. (45cms.) wide 

£300-400 

2327. AN EARLY GEORGE III GILT WOOD 

OVERMANTEL LOOKING GLASS 

each of the three plates with a bevelled edge, 


£250-350 


2328. A PAIR OF FRENCH HEPPLEWHITE 

SYTLE MAHOGANY ARMCHAIRS 

each moulded frame carved with chains of 

husks 

£300-500 

2331. A GEORGE III MAHOGANY TRIPOD 

TABLE 

now with a dished top and carved legs, 

27 1 ⁄2ins. (70cms.) dia. 

£150-200 

2329. A SET OF TEN GEORGE III STYLE 


including two with arms, each with a carved 

and moulded top rail and splat, the arms with 

stiff leaf carved knuckles 

£3000-4000 

2332. A CUT GLASS CHANDELIER 

with twelve branches in two tiers, 36ins. 

(92cms.) dia. 

£500-600 

2334. A MAHOGANY STOOL 

the rectangular upholstered seat on bold cabriole legs with claw and ball feet, the foliate and scroll 

carved knees set with ribbon suspended husks, the rails with rocaille fluting, 26ins. (66cms.) wide x 

20ins. (51cms.) overall 

£2000-3000 


DINING CHAIRS 

each moulded arched back with a moulded 

splat headed by wheat ears 

£400-500 

2333. A PAIR OF VENETIAN PAINTED NEO- 

ROCOCO TORCHERES 

31 1 ⁄2ins. (80cms.) high x 19 1 ⁄4ins. (49cms.) dia. 

£600-700 


237

2335. A PAIR OF WHITE MARBLE PEDESTALS 

each vertically lobed pedestal with a gilt metal 

Corinthian capital, 40 1 ⁄2ins. (103cms.) high 

£300-400 

2338. A PROVINCIAL BEECH STEMMED 

TRIPOD TABLE 

with a bold under-frame, 28 3 ⁄4ins. (73cms.) dia. 

£100-150 

2341. AN EARLY 18TH CENTURY STYLE 

PAINTED BOWFRONT CORNER CUPBOARD 

the doors painted with a biblical scene, 24ins. 

(61cms.) wide 

£400-450 


BOOKCASE 

the matched upper part with a blind fret carved 

cornic, the crossbanded flap with chevron 

chequer stringing enclosing an arrangement of 

drawers and pigeon holes surrounding a 

recessed cupboard inlaid with shell and paterae 

motifs, 88ins. (224cms.) high x 


£600-800 

238 

2336. A GEORGE IV MAHOGANY CHEVAL 

MIRROR 

with a bevelled plate, the boldly turned frame 

surmounted by pinecone finials, 

61 1 ⁄2ins.(156cms.) high x 27 3 ⁄4ins. (70.5cms.) wide 

£300-400 


CORNER WASHSTAND 

the under-tier with a real drawer flanked by 

false drawers, 22 1 ⁄2ins. (57cms.) wide 

£150-250 

2342. A GREEN CAST IRON FIGURE OF A 

CHERUB 

the green painted youth supporting a scallop 

shell basin, 51 3 ⁄4ins. (131.5cms.) high 

£4000-5000 

2345. A WILLIAM IV ROSEWOOD SECRETAIRE 

BOOKCASE 

the upper part with shelves enclosed by a pair 

of doors set with florette centred brass trellis 

grille, the projecting lower part with a cushion 

frieze secretaire drawer enclosing a fitted 

interior, panelled doors beneath, 79 1 ⁄2ins. 

(202cms.) high x 44 1 ⁄2ins. (113cms.) wide 

£4000-6000 

2337. A PALE BISCUIT MARBLE PEDESTAL 

the vertically lobed column with a gilt metal 

Corinthian capital, 43ins. (109.5cms.) high 

£150-200 

2340. A VICTORIAN MAHOGANY SEWING 

TABLE 

the circular top with a moulded edge, the 

spindle turned gallery to the turned pedestal, 

19 3 ⁄4ins. (50cms.) dia. 

£120-160 

2343. A PAIR OF GEORGE III MAHOGANY 

DINING CHAIRS 

each with a moulded shield shape back, the 

splats centred by carved paterae, drop-in 

serpentine seat, on moulded square tapering 

legs 

£300-400 

2346. A GEORGE I WALNUT BUREAU 

BOOKCASE 

the upper part with a cavetto cornice, a pair of 

doors set with bevelled looking glasses, 

enclosing an interior with an arrangement of 

drawers, pigeon holes and folio racks around a 

central cupboard, candle slides beneath. The 

lower part with a sloping front enclosing a 

fitted interior, two short and three long 

drawers beneath, all with feather stringing, 

83ins. (211cms.) high x 37 1 ⁄2ins. (95cms.) wide 

£6000-7000 



FLUSH TOP CHEST OF DRAWERS 

with broad crossbanding, inlaid with boxwood 

and ebony lines, 41 1 ⁄2ins. (105cms.) wide 

£400-600 

2350. A SOUTH EAST ASIAN TRUNK 

the cinnabar lacquer top gilt in low relief with 

a rural view, the front with a central panel 

carved with figures surrounded by foliate scroll 

carved borders, 39ins. (99cms.) wide 

£1000-1250 

2353. A VICTORIAN INVALID’S CHAIR 

button upholstered, green painted coach work 

£500-600 

2356. AN ITALIAN WALNUT REFECTORY 

TABLE 

the triple planked top with a carved edge, on 

bold solid shaped trestle legs joined by spiral 

twist stretchers, 27 1 ⁄3ins. (70cms.) wide x 

94 1 ⁄2ins. (240cms.) long 

£1000-1200 

2348. A LIBERTY WHITE PAINTED CHEST OF 

DRAWERS 

with Liberty & Co. London label, 46 3 ⁄4ins. 

(118cms.) high overall x 36 1 ⁄4ins. (92cms.) wide 

overall 

£400-500 

2351. A GEORGE III MAHOGANY TOILET 

MIRROR 

fitted with four short drawers flanking a 

cupboard, the projecting D-breakfront lower 

part with three short drawers, 

24 1 ⁄4ins. (63cms.) wide 

£100-150 

2354. A GEORGE III MAHOGANY DINING 

TABLE 

each semi circular end with a flap, the top with 

a reeded edge, on reeded square tapering legs, 

100 1 ⁄2ins. (255cms.) long extended x 

47 1 ⁄2ins. (121cms.) 

£600-700 

2349. A MAHOGANY CARLTON HOUSE DESK 

with a waved gallery, fitted with an 

arrangement of drawers and pigeon holes, 

leather lined writing surface, 

47 3 ⁄4ins. (106cms.) wide 

£300-500 

2352. AN ITALIAN WALNUT SMALL CASSONE 

the front with a central vacant cartouche 

panel flanked by mask panels, parcel gilt, 

33 3 ⁄4ins. (86cms.) wide 

£800-900 

2355. A SET OF SIX GEORGE III STYLE 


each with a shaped top rail and pierced waisted 

vase splat 

£400-600 


239

2357. A PAPIER MACHE TRIPOD TABLE 

the shaped rectangular top inlaid with a 

mother of pearl enriched painted spray of 

flowers, 19 3 ⁄4ins. (50cms.) wide 

£100-200 

2360. A VICTORIAN WALNUT MUSIC STOOL 

with a rising needlework upholstered seat, on 

cabriole legs, 31 1 ⁄2ins. (80cms.) wide 

£150-250 

2363. AN EARLY GEORGE III STYLE 

MAHOGANY ARMCHAIR 

upholstered in nailed leather, the arms with 

eagle’s head terminals 

£150-250 

2366. A GEORGE I BURR WALNUT LOWBOY 

the quarter veneered top with a broadly 

crossbanded edge and border and moulded 

edge, 30ins. (76.5cms.) wide 

£300-400 

240 


later inlaid with paterae and fan quadrants, the 

interior fitted with an arrangement of drawers 

and pigeon holes, 35 3 ⁄4ins. (91cms.) wide 

£350-450 

2361. AN IRISH GEORGE III MAHOGANY 

CENTRE TABLE 

with a dished rectangular top, the front and 

back frieze centred by a scallop shell, on 

cabriole legs with foliate carved knees and paw 

feet, 34 1 ⁄2ins. (88cms.) wide 

£2500-3500 

2364. A VICTORIAN FIGURED WALNUT 

WRITING TABLE 

the shaped superstructure fitted with five short 

drawers, the serpentine lower part set with a 

green leather writing surface, short drawer to 

the frieze, on angular cabriole legs, all with 

tulip crossbanding and ormolu mounts, 


£200-400 

2367. A GEORGE I WALNUT LOWBOY 

the quarter veneered top with feather stringing 

and broad crossbanding, the drawer fronts also 

with feather crossbanding, now on angular 

cabriole legs, 


£200-300 

2359. A VICTORIAN WALNUT DAVENPORT 

the fret pierced gallery and leather lined slope 

rising to reveal a birds eye maple interior, fitted 

with an arrangement of real and false drawers, 

the right side with a pull-out pen and ink 

drawer above four long drawers, 


£300-400 

2362. AN EDWARDIAN EBONISED PARCEL 

GILT CENTRE TABLE 

the circular top set with a bead work spray of 

roses, 18 3 ⁄4ins. (47.5cms.) dia. 

£220-260 

2365. A GEORGE III MAHOGANY SIDE TABLE 

the front with rounded corners and a reeded 

edge, fitted with a frieze drawer, 

29 1 ⁄4ins. (74cms.) wide 

£250-350 

2368. A LOUIS XV PAINTED ARMCHAIR 

stamped Chevigny, the frame moulded and 

carved with foliage 

£300-400 



DINING TABLE 

the rounded rectangular top with a moulded 

edge, the frieze inlaid with ebonised lines, 

together with one extra leaf, 49 1 ⁄4ins. (125cms.) 

wide x 73 1 ⁄2ins. (186.5cms.) long extended 

£800-900 

2370. A LOUIS XVI MAHOGANY CYLINDER 

BUREAU 

the superstructure with a three quarter gallery 

and a white marble top, fitted with three short 

drawers, the cylinder operated by a leather 

lined pull-out writing surface, enclosing a 

central tambour flanked by short drawers. 

The kneehole lower part with five short 

drawers, all with ormolu mounts, 


x 241 ⁄4ins. (62cms.) deep 



£6000-12000 

2371-2381 

No Lots 

2369A.A WALNUT CUPBOARD CHEST 

of Queen Anne design, the upper part enclosed 

by a pair of crossbanded doors with feather 

stringing, the lower part with three long drawers, 

661 ⁄2ins. (169cms.) high x 391 ⁄2ins. (100cms.) wide 

Provenance: Formerly the property of Sir J M Barrie, 

Bt OM. 

Sotheby's ex lot 177, December 20th 1937, together 

with a catalogue and bill from Worley & Son, 

Reigate, 22nd January, 1938 in the sum of £22 and 

ten shillings 

£400-500 


241

RUGS AND CARPETS 

2382. A QUM PATTERN CARPET 

generally good, 12ft 5ins. (379cms.) x 

9ft (275cms.) 

£250-350 

2385. A SILK FINISH PRAYER MAT 


3ft 0ins. (91cms.) 

£100-120 

2388. A TURCOMAN SUSANI 

the quilted central field woven with floral 

motifs, 10ft 1 1 ⁄2ins. (308cms.) x 


£200-250 

2391. A PERSIAN PATTERN SKELETON 

CARPET 

fair but areas of wear, 12ft 8ins. (381cms.) x 

9ft 10ins. (270cms.) 

£100-120 

242 

2383. A MESHED CARPET 

poor, 16ft (488cms.) x 10ft 9ins. (328cms.) 

£100-120 

2386. A TURKEY CARPET 

woven with an all over flowering plant design, 

cut, fair, unevenly faded, 19ft 5ins. (594cms.) x 

12ft 3ins. (373cms.) 

£200-300 

2389. A PERSIAN PATTERN TRIPLE MIHRAB 

PRAYER RUG 

good, 7ft 9ins. (241cms.) x 5ft (152cms.) 

£200-300 

2392. A BELOUCHISTAN PATTERN RUG 



£100-110 

2384. A BACHTIARI SMALL CARPET 

generally good but some areas of wear, 

10ft 8ins. (295cms.) x 6ft 10ins. (208cms.) 

£120-180 

2387. A FERAGHAN CARPET 

pile evenly low, 10ft 7ins. (323cms.) x 


£100-150 

2390. A BELOUCHISTAN PATTERN CARPET 

generally good but slightly faded, 

11ft 9ins. (359cms.) x 8ft (243cms.) 

£100-120 

2393. A PERSIAN RUG 

possibly Tabriz, generally good, 


£130-150 


2394. A NEEDLEWORK CARPET 



£300-400 

2397. A CHINESE CARPET 

generally good, but some areas of staining and 

damage, 11ft 1ins. (337cms.) x 


£100-120 

2400. A HAMADAN RUNNER 



£100-120 

2403. A PAIR OF PERSIAN PATTERN RUGS 

woven as one, generally good, 


£300-400 

2395. A TURCOMAN SUSANI 



£180-220 

2398. A BACHTIARI TYPE CARPET 

generally good, some areas of wear, 


£150-250 

2401. A PERSIAN PATTERN SKELETON 

CARPET 

fair, but some patches, 13ft 3ins. (404cms.) x 


£300-400 

2404. A PERSIAN PATTERN RUG 



£200-300 

2396. AN AFGHAN SMALL CARPET 

the shaded dark coral field woven with 

three rows of guls, generally good, 


£100-130 

2399. A BLOND TURCOMAN PATTERN RUG 



£100-120 

2402. A SMALL SUSANI 

generally good, 3ft 5t 1 ⁄2ins. (106cms.) x 


£100-150 

2405. AN HERIZ CARPET 

generally good, but faded, 12ft (366cms.) x 


£120-160 


243

2406. A PERSIAN CARPET 

with a rich magenta field, woven with 

flowering plants, generally good, 


£200-300 

2409. A TURCOMAN RUG 

the rich magenta field woven with rows of 

guls, fair, 5ft 5ins. (165cms.) x 


£100-120 

2412. A SPARTA TYPE CARPET 

generally good, but areas of wear, 

13ft (396cms.) x 9ft 11ins. (302cms.) 

£100-120 

2415. A FERAGHAN SMALL CARPET 

woven with an herati design, fair but some 

damages, 10ft 4ins. (315cms.) x 


£150-200 

244 

2407. A TURKISH SILK FINISH PRAYER MAT 

with eight mirabs, generally good, 


£100-120 

2410. A MESHED CARPET 



£200-300 

2413. A PERSIAN PATTERN RUNNER 



£100-120 

2416. A PAIR OF PERSIAN RUGS 

generally good, but perhaps a little pale, 

7ft (214cms.) x 4ft 3ins. (131cms.) and 


£200-300 

2408. AN AFSHAR MAT 

woven with boteh, generally good, 

1ft 3ins. (38.5cms.) x 1ft 10ins. (56cms.) 

£50-100 

2411. A PERSIAN FERAGHAN PATTERN 

CARPET 



£200-300 

2414. A PERSIAN MAT 

the rich dark blue field woven with floral 

scrolls, generally good, 4ft 7ins. (140cms.) x 


£100-120 

2417. A HAND KNOTTED SMALL CARPET 

good, 9ft 3ins. (282cms.) x 6ft 5ins. (195cms) 

£100-150 


2418. AN ISPHAHAN RUG 



£300-500 


245

CONDITIONS OF SALE 

Lawrence Fine Art Auctioneers Ltd. carries out business with bidders, buyers 

and all those present in the auction room prior to or in connection with a 

sale on the following General Conditions and on such terms, conditions 

and notices as may be referred to herein. 

1. DEFINITIONS 

In these conditions: 

a) “auctioneer” means the firm of Lawrence Fine Art Auctioneers Ltd. (LFA) 

or its authorised auctioneer, as appropriate; 

b) “deliberate forgery” means an imitation made with the intention of 

deceiving as to authorship, origin, date, age, period, culture or source but 

which us unequivocally described in the catalogue as being the work of 

a particular creator and which at the date of the sale had a value 

materially less than it would have had if it had been in accordance with 

the description; 

c) “hammer price” means the level of bidding reached (at or above any 

reserve) when the auctioneer brings down the hammer; 

d) “terms of consignment” means the stipulated terms and rates of 

commission on which LFA accepts instructions from sellers or their 

agents; 

e) “total amount due” means the hammer price in respect of the lot sold 

together with any premium. Value Added Tax chargeable and any 

additional charges payable by a defaulting buyer under these conditions; 

f) “sale proceeds” means the net amount due to the seller, being the 

hammer price of the lot sold less commission at the stated rate, Value 

Added Tax chargeable and any other amounts due to us by the seller in 

whatever capacity and however arising; 

g) “You”, “your”, etc. refer to the buyer as identified in Conditions 2. 

h) The singular includes the plural and vice versa as appropriate. 

2. BIDDING PROCEDURES AND THE BUYER 

a) Bidders are required to register their particulars before bidding and to 

satisfy any security arrangements before entering the auction room to 

view or bid; 

b) The maker of the highest bid accepted by the auctioneer conducting the 

sale shall be the buyer at the hammer price and any dispute about a bid 

shall be settled at the auctioneer’s absolute discretion by reoffering the 

Lots during the course of the auction or otherwise. The auctioneer shall 

act reasonably in exercising this discretion. 

c) Bidders shall be deemed to act as principals. 

d) Our right to bid on behalf of the seller is expressly reserved up to the 

amount of any reserve and the right to refuse any bid is also reserved. 

3. INCREMENTS 

Bidding increments shall be at the auctioneer’s sole discretion. 

4. THE PURCHASE PRICE 

The buyer shall pay the hammer price together with a premium thereon of 

19.50% plus VAT on the premium at the rate imposed by law. 

5. VALUE ADDED TAX 

Value Added Tax on the hammer price is imposed by law on all items 

affixed with an asterisk or double asterisk. Value Added Tax is charged at 

the appropriate rate prevailing by law at the date of sale and is payable by 

buyers of relevant Lots. (Please refer to “Information for Buyers” for brief 

explanation of the VAT position). 

6. PAYMENT 

1) Immediately a Lot is sold you will: 

a) Give to us, if requested, proof of identity, and 

b) Pay to us the total amount due in cash (UP TO £6,000) or in such 

other way as is agreed by us. 

2) Any payments by you to us may be applied by us towards any sums 

owing from you to us on any account whatever without regard to any 

directions of you or your agent, whether express or implied. 

7. TITLE AND COLLECTION OF PURCHASES 

1) The ownership of any Lots purchased shall not pass to you until you 

have made payment in full to us of the total amount due. 

2) You shall at your own risk and expense take away any lots that you have 

purchased and paid for not later than 3 working days following the day 

of the auction or upon the clearance of any cheque used for payment 

after which you shall be responsible for any removal, storage and 

insurance charges. 

3) No purchase can be claimed or removed until it has been paid for. 

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT 

PURCHASES 

1) If any Lot is not paid for in full and taken away in accordance with these 

conditions or if there is any other breach of these Conditions, we, as agent 

for the seller and on our own behalf, shall at our absolute discretion and 

without prejudice to any other rights we may have be entitled to exercise 

one or more of the following rights and remedies: 

a) To proceed against you for damages for breach of contract; 

b) To rescind the sale of that Lot and/or any other Lots sold by us to 

you; 

c) To resell the Lots (by auction or private treaty) in which case you shall 

be responsible for any resulting deficiency in the total amount due 

(after crediting any part payment and adding any resale costs). Any 

surplus so arising shall belong to the seller; 

d) To remove, store and insure the Lot at your expense and, in the case 

of storage, either at our premises or elsewhere; 

e) To charge interest at a rate not exceeding 1.5% per month on the 

total amount due to the extent it remains unpaid for more than 3 

working days after the sale; 

f) To retain that or any other Lot sold to you until you pay the total 

amount due 

g) To reject or ignore bids from you or your agent at future auctions or 

to impose conditions before any such bids shall be accepted. 

h) To apply any proceeds of sale of other Lots due or in future becoming 

due to you towards the settlement of the total amount due and to 

exercise a lien (that is a right to retain possession of) any of your 

property in our possession for any purpose until the debt due is 

satisfied. 

2) We shall, as agent for the seller and on our own behalf pursue these 

rights and remedies only so far as is reasonable to make appropriate 

recovery in respect of breach of these conditions 

9. THIRD PARTY LIABILITY 

All members of the public on our premises are there at their own risk and 

must note the lay-out of the accommodation and security arrangements. 

Accordingly neither the auctioneer nor our employees or agents shall incur 

liability for death or personal injury (except as required by law by reason 

of our negligence) or similarly for the safety of the property of persons 

visiting prior to or at a sale. 

10. COMMISSION BIDS 

Whilst prospective buyers are strongly advised to attend the auction and 

are always responsible for any decision to bid for a particular Lot and shall 

be assumed to have carefully inspected and satisfied themselves as to its 

condition we will if so instructed clearly and in writing execute bids on 

their behalf. Neither the auctioneer nor our employees or agents shall be 

responsible for any failure to do so save where such failure is unreasonable. 

Where two or more commission bids at the same level are recorded we 

reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY 

The seller warranty to the auctioneer and you that the seller is the true 

owner of the property consigned or is properly authorised by the true 

owner to consign it for sale and is able to transfer good and marketable 

title to the property free from any third party claims. 

12. AGENCY 

The auctioneer normally acts as agent only and disclaims any responsibility 

for default by sellers or buyers. 

13. TERMS OF SALE 

The seller acknowledges that Lots are sold subject to the stipulations of 

these Conditions in their entirety and on the Terms of Consignment as 

notified to the consignor at the time of the entry of the Lot. 

14. DESCRIPTIONS AND CONDITIONS 

1) Whilst we seek to describe lots accurately, it may be impractical for us 

to carry out exhaustive due diligence on each lot. Prospective buyers are 

given ample opportunities to view and inspect before any sale and they 

(and any independent experts on their behalf) must satisfy as to the 

accuracy of any description applied to a lot. Prospective buyers also bid on 

the understanding that, inevitably, representations or statements by us as 

to authorship, genuineness, origin, date, age, provenance, condition or 

estimated selling price involve matters of opinion. We undertake that any 

such opinion shall be honestly and reasonably held and accept liability for 

opinions given negligently or fraudulently. Subject to the foregoing neither 

we the auctioneer nor our employees or agents nor the seller accept 

liability for the correctness of such opinions and all conditions and 

warranties, whether relating to description, condition or quality of lots, 

express, implies or statutory, are hereby excluded. This Condition is subject 

to the next following Condition concerning deliberate forgeries and applies 

save as provided for in paragraph 6 “information for buyers”. 

2) Private treaty sales made under these Conditions are deemed to be sales 

by auction for purposes of consumer legislation. 

15. FORGERIES 

Notwithstanding the preceding Condition, any Lot which proves to be a 

deliberate forgery (as defined) may be returned to us by you within 21 

days of the auction provided it is in the same condition as when bought, 

and is accompanied by particulars identifying it from the relevant 

Whilst the responsibility for the collection of purchase(s) rests 

with the buyer, we are pleased to offer the following guidance 

regarding postage 

and packing: 

For the avoidance of doubt, please note that Lawrences do 

not offer a full postage and packing service 

However, for a handling fee plus the cost of postage, we are able 

to post certain items. These items will be sent by Royal Mail 

Special Delivery (whose maximum insurance value is £2500). 

After a large auction, we are inundated with requests for 

packing. These are administered as swiftly as possible. Please be 

patient if you experience a slight delay. If in any doubt, please 

contact Anne Lindsay at Lawrences on 01460 73041. 

For larger items (or if you need a speedier service than we can 

offer) the following firms can offer a fast and efficient service: 

Momentous Moving 

with whom we have negotiated special terms. They will be happy 

to quote on an individual basis and will arrange for the collection 

and delivery of most items. Please contact them direct on 0207 

511 6107 or by email at info@momentousmoving.com 

catalogue description and a written statement of defects. If we are 

satisfied from the evidence presented that the Lot is a deliberate forgery 

we shall refund the money paid by you for the Lot including any buyer’s 

premium provided that (1) If the catalogue description reflected the 

accepted view of scholars and experts as at the date of sale or (2) You 

personally are not able to transfer a good and marketable title to us, you 

shall have no rights under this condition. 

The right of return provided by this Condition is additional to any right or 

remedy provided by law or by these Conditions of Sale. 

GENERAL 

16. We shall have the right at our discretion, to refuse admission to our 

premises or attendance at our auction by any person. 

17. 

1) any right to compensation for losses liabilities and expenses incurred in 

respect of and as a result of any breach of these Conditions and any 

exclusions provided by them shall be available to the seller and/or the 

auctioneer as appropriate 

2) Such rights and exclusions shall extend to and be deemed to be for the 

benefit of employees and/or the auctioneer who may themselves enforce 

them. 

18. Any notice to any buyer, seller. Bidder or viewer may be given by first 

class mail or swiftmail in which case it shall be deemed to have been 

received by the addressee 48 hours after posting. 

19. Special terms may be used in catalogue descriptions of particular 

classes of items in which case the descriptions must be interpreted in 

accordance with any glossary appearing at the commencement of the 

catalogue 

20. Any indulgence extended to bidders, buyers or sellers by us 

notwithstanding the strict terms of these Conditions or the Terms of 

Consignment shall affect the position at the relevant time only and in 

respect of that particular concession only; in all other respects these 

Conditions shall be construed as having full force and effect. 

21. English law applies to the interpretation of these Conditions 

E&OE 

COLLECTION OF PURCHASES 

Mail Box Etc 

who provide a packing, courier and shipping service. They are 

agents for DHL, Fedex, UPS, Parcel Force, Business Post and Parcel 

Line. Their nearest office to Crewkerne is in Taunton (01823 

322263) or go to their website at www.mbe.uk.com 

If you instruct a courier to collect direct from Lawrences, please 

note that we shall only wrap the purchased item when we feel 

confident to do so and when we are absolved of all responsibility 

for the safety of the item after it has left our premises. A charge 

of £10 per item will be made to cover the cost of the packing. 

Alternatively, you may wish to instruct the courier to pack the 

items for you. 

Lawrences reserves the right to refuse to pack and post any item 

(or items) which we deem to be unsuitable for delivery by Royal 

Mail Special Delivery or which cannot be packed safely for a 

courier to collect. 

LOTS WILL NOT BE RELEASED UNTIL THE ACCOUNT HAS 

BEEN SETTLED IN FULL

TERMS OF CONSIGNMENT OF SELLERS 

1. Interpretation In these Terms the words 'you' , 'yours', etc. refer to 

the Seller and if the consignment of goods to us is made by an agent we 

assume that the Seller has authorised the consignment and that he 

consignor has the Seller's authority to contract. Similarly the words, 'we', 

'us', etc. refer to the Auctioneers. 

2. Commission is charged to the sellers at the following rates: - 

a) Catalogued Lots selling for more than £1,000 -10% + VAT 

selling for up to £1,000 -15% + VAT 

b) General Sales 15% plus VAT on all lots with a minimum lot 

charge of £5 plus VAT. 

3. Removal costs. Items for sale must be consigned to the sale room 

by any stated deadline and at your expense. We may be able to assist 

you with this process but any liability incurred to a carrier for haulage 

charges is solely your responsibility. 

4. Loss and damage warranty. 

We are not regulated by the FSA for the provision of insurance to clients. 

However, we for our own protection assume liability for property 

consigned to us at lower pre-sale estimate. To justify accepting liability, 

we make a charge of 1.5% of the hammer price plus VAT. 

If the owner of goods consigned instructs us in writing not to take such 

action they then remain at owner's risk unless and until the property in 

them passes to the Buyer or they are collected by or on behalf of the 

owner, and clause 4a) is inapplicable. 

5. Illustrations. The cost of any illustrations is borne by you. The 

copyright in respect of such illustrations shall be the property of us, the 

auctioneer, as is the text of the catalogue. 

6. Minimum bids and our discretion. Goods will normally be 

offered subject to a reserve agreed between us before the sale in 

accordance with clause 7. We may sell lots below the reserve provided 

we account to you for the same sale proceeds as you would have 

received had the reserve been the hammer price. If you specifically give 

us "discretion" we may accept a bid of up to 10% below the formal 

reserve. 

7. Reserves. 

You are entitled to place prior to the auction a reserve on any lot 

consigned, being the minimum hammer price at which that lot may be 

sold. Reserves must be reasonable and we may decline to offer goods 

which in our opinion would be subject to an unreasonably high reserve. 

A reserve once set cannot be changed except with our consent. 

Where a reserve had been placed only we may bid on your behalf and 

only up to the reserve (if any) and you may in no circumstances bid 

personally. 

8. Electrical items. These are subject to detailed statutory safety 

controls. Where such items are accepted for sale you accept 

responsibility for the cost of testing by external contractors. Goods not 

certified as safe by an electrician (unless antiques) will not be accepted 

for sale. They must be removed at your expense on you being notified. 

We reserve the right to dispose of unsafe goods as refuse, at your 

expense. 

9. Soft furnishings. The sale of soft furnishings is strictly regulated 

by statute law in the interests of fire safety. Goods found to infringe 

safety regulations will not be offered and must be removed at your 

expense. We reserve the right to dispose of unsafe goods as refuse, at 

your expense. 

The rights of disposal referred to in clause 8 and 9 are subject to the 

provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a 

copy of which is available for inspection on request. 

10. Descriptions. Please assist us with accurate information as to the 

provenance etc. of goods where this is relevant. There is strict liability 

for the accuracy of descriptions under modern consumer legislation and 

in some circumstances responsibility lies with sellers if inaccuracies 

occur. We will assume that you have approved the catalogue description 

of your lots unless informed to the contrary. Where we are obliged to 

return the price to the buyer when the lot is a deliberate forgery under 

condition 15 of the Conditions of Sale and we have accounted to you 

for the proceeds of sale you agree to reimburse us the sale proceeds. The 

liability to reimburse the sale proceeds shall not arise where you are 

acting reasonably and honestly and are unaware of the forgery but we 

are or ought to have been aware of it. 

11. Unsold and withdrawn items. If an item is unsold it may with 

your consent be re-offered at a future sale. Where in our opinion an 

item is unsaleable you must collect such items from the saleroom 

promptly on being so informed. Otherwise, storage charges may be 

incurred. We reserve the right to charge for storage in these 

circumstances at a reasonable daily rate. 

12. Withdrawn and bought items. If an item is withdrawn, any 

expenses incurred prior to the printing of the catalogue will be charged 

to the client. After the catalogue has been printed withdrawn items 

incur charges comprised of the sum of the vendor's commission, the 

buyer's premium, the illustration cost, the loss and damage warranty 

and other expenses in relation to that item. VAT will be levied upon all 

these charges at the standard rate. These charges will be calculated 

upon Lawrence's published high estimate. 

13. Conditions of Sale. You agree that all goods will be sold on our 

Conditions of Sale. In particular you undertake that you have the right 

to sell the goods either as owner or agent for the owner. You undertake 

to compensate us and any buyer or third party for all losses liabilities 

and expenses incurred in respect of and as a result of any breach of this 

undertaking. 

14. Authority to deduct commission and expenses and retain 

premium and interest. 

a) You authorise us to deduct commission at the stated rate and all 

expenses incurred for your account from the hammer price and 

consent to our right to retain beneficially the premium paid by the 

buyer in accordance with our Conditions of Sale and any interest 

earned on the sale proceeds until the date of settlement. 

b) You authorise us in our discretion to negotiate a sale by private 

treaty not later than the close of business the day of the sale in the 

case of lots unsold at auction, in which case the same charges will 

be payable as if such lots had been sold at auction and so far as 

appropriate these Terms apply. 

15. Warehousing. We disclaim all liability for goods delivered to our 

saleroom without sufficient sale instructions and reserve the right to 

make the minimum warehousing charges of £5 per lot per day. Unsold 

lots are subject to the same charges if you do not remove them within a 

reasonable time of notification. If not removed within three weeks we 

reserve the right to sell them and defray charges from any net proceeds 

of sale or at your expense to consign them to the local authority for 

disposal. 

16. Settlement. After sale settlement of the net sum due to you 

normally takes place within 28 days of catalogued sale and within 14 

days of a general sale (by crossed cheque to the seller) unless the buyer 

has not paid for the goods. In this case no settlement will then be made 

but we will take your instruction in the light of our Conditions of Sale. 

You authorise any sums owed by you to us on other transactions to be 

deducted form the sale proceeds. You must note the liability to 

reimburse the proceeds of sale to us as under the circumstances 

provided for in Condition 10 above. You should therefore bear this 

potential liability in mind before parting with the proceeds of sale until 

the expiry of 21 days from the date of sale from the hammer price and 

consent to our right to retain beneficially the premium paid by the buyer 

in accordance with our Conditions of Sale and any interest earned on 

the sale proceeds until the date of settlement.

GLOSSARY OF PICTURE CATALOGUING TERMS 

A work catalogued with the forename(s) and surname or recognised 

designation of an artist in our opinion is or is probably a work by the 

artist, e.g. NICHOLAS HILLARD. Nevertheless, intending buyers are 

reminded that while a full designation is our highest category of 

authenticity, no unqualified statement as to authorship is made or 

intended. A full cataloguing does not necessarily imply a full 

warranty. 

Attributed to NICHOLAS HILLARD 

In our opinion a work of the period of the artist which may be in 

whole or in part the work of the artist. 

Studio of NICHOLAS HILLARD 

In our opinion a work by an unknown hand, which may have been 

executed in the studio of the artist. 

Circle of NICHOLAS HILLARD 

In our opinion a work from the period of the artist and showing his 

influence. 

Follower of NICHOLAS HILLARD 

In our opinion a work executed in the style of the artist but not 

necessarily by a pupil. 

Manner of NICHOLAS HILLARD 

In our opinion a work executed in the style of the artist but of a later 

date. 

After NICHOLAS HILLARD 

In our opinion a copy of any date after a work by the artist. 

Signed/inscribed/dated 

in our opinion the work has been signed/ inscribed/ dated by the 

artist. 

Bears/with signature, inscription, date 

In our opinion the signature/inscription/date are not by the hand of 

the named artist. 

The term ’ascribed to’ may in certain cases be used to denote a 

traditional attribution based on style, though this attribution is not 

necessarily confirmed by the auctioneers. A work catalogued as 

‘School’ accompanied by the name of a place or country and a date 

means that in our opinion the work was executed at that time and 

in the location, e.g. South Netherlands School, circa 1520. All 

references to signatures, inscriptions and dates refer to the present 

state of the work, i.e. as at the time of inspection for the purpose of 

cataloguing. 

Conditions of Sale 

All sales are subject to the Notices and Conditions of Sale, 

copies of which are posted in the Accounts office and are 

available on request. 

ONLINE BIDDING 

Important Notices 

Buyers are reminded that, in accordance with all sales 

conducted by Lawrences, a premium of 19.5% plus VAT is 

payable on the hammer price. We accept most debit and 

credit cards but not charge cards (e.g. American Express). 

An administration charge of 1.5% + VAT will be added 

for credit cards. 

Important Notice applicable to all lots in this 

catalogue 

Some catalogue descriptions indicate some damage, repairs 

and/or restoration. 

This is a guide only and does not constitute a full condition 

report or a guarantee for other lots where no reference to 

condition is made. 

Purchasers must satisfy themselves as to the condition 

of each lot. 

All items are described within the Auctioneer’s view, but 

authenticity must be confirmed by the buyer. 

All measurements are approximate. 

† Next to the lot number indicates that VAT at the rate of 

20% is payable on the final bid price (hammer price), plus 

buyer’s premium. 

Bidding Numbers 

In order to obtain a bidding number you will need to open an 

account and you may be asked to furnish us with any one or 

all of the following: 

1. Photo ID (Driving Licence/Passport) 

2. Utility bill or document dated within the last three months 

showing your address 

If you have any queries about this please contact the 

Accounts Department on 01460 270797 or email to 

accounts@lawrences.co.uk 

Lawrences Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. 

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative 

arrangements are agreed with Lawrences Auctioneers you: 

1. authorise Lawrences Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for 

items successfully purchased in the auction via the-saleroom.com, and 

2. confirm that you are authorised to provide these credit card details to Lawrences Auctioneers through www.the-saleroom.com 

and agree that Lawrences Auctioneers are entitled to ship the goods to the card holder name and card holder address provided 

in fulfilment of the sale. 

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission 

charge + VAT at the rate imposed on the hammer price.

South Street, Crewkerne, 

Somerset TA18 8AB 

Telephone: 01460 73041 

Fax: 01460 270799 

www.lawrences.co.uk

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