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PRESIDING DIVINITIES: IDEAL SCULPTURE IN ... - Indiana University

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gift in 1883. 76 If the sculpture had been completed in time to be installed in Elmwood’s<br />

art gallery, it would have taken Excelsior’s place between Bierstadt’s The Domes of the<br />

Yosemite and Van Schendel’s (1806-1870) Annunciation. This second painting was<br />

described in the 1872 sale catalogue of the Lockwoods’ art collection as follows: “The<br />

kneeling virgin is eminently graceful and dignified; her drapery, and that of the pries<br />

Dieux exhibit exquisite technique. The figure of the announcing angel is posed with<br />

infinite grace, and the light effect is brilliant, which suggests the immediate presence of<br />

the Holy Ghost.” 77 Lockwood’s intended message is clear. Like the kneeling Mary in<br />

Van Schendel’s painting, the kneeling Columbus receives his mission from God. The<br />

westward movement of Christian civilization which he began will continue, Bierstadt’s<br />

painting implies, spreading across the American wilderness to California. 78<br />

Seen from Elmwood’s vestibule, Columbus' Last Appeal to Queen Isabella would<br />

have stood framed by the entrance to the art gallery and flanked by Pocahontas on the<br />

left and The Wept of Wish-ton-Wish on the right. Mozier’s pendant sculptures, with their<br />

paired narratives of domestication through Christianity and maternal love, would have<br />

76 See “The Columbus Statue,” Sacramento Daily Record, 22 August 1883: 3; “The<br />

Columbus Group,” Sacramento Daily Union, 24 December 1883: 3; James Dufur, “The<br />

Untold Story of How Columbus Came to California,” California Journal, 4 (March<br />

1973): 107, cited in Bolin, “Art and Domestic Culture,” 123n192.<br />

77 The Entire Collection of Important Modern Paintings, Statuary, Bronze, Articles of<br />

Vertu, Etc. Belonging to the Late Mr. LeGrand Lockwood, 25. When Schendel’s<br />

Annunciation was eventually donated by its buyer, a Mr. D. Barnes, to the Brooklyn Art<br />

Association in 1873, Horace Greeley had a somewhat different reaction to the work.<br />

“That’s no angel,” he exclaimed, “That woman weighs 150 pounds!” “A Reminiscence of<br />

the Association’s Gallery,” Brooklyn Daily Eagle 24 August 1874: 3.<br />

78 Yosemite became protected Federal land in 1864; however, The United States Army<br />

had already expelled the native Ahwaneechee people between 1851 and 1855.<br />

202

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