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PRESIDING DIVINITIES: IDEAL SCULPTURE IN ... - Indiana University

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Eliot Norton—championed the latter settings. In an 1874 article titled “Chromo-<br />

Civilization,” Norton attacked sentimental, household art as the root of such “mental and<br />

moral chaos” as the struggle for women’s suffrage. 7 In an 1870 essay titled “Museums of<br />

Art,” Jarves advocated,<br />

…a training which shall teach the public how to discriminate between the<br />

permanent and ephemeral, profound and shallow, true and counterfeit, in<br />

everything affecting their aesthetic enjoyment and moral well-being. Now, with all<br />

due gratitude to those popular artists who have made art a household object to the<br />

million, who otherwise might have gone to their graves unknowing and indifferent<br />

to it in any shape, it is no wrong to them to hail with satisfaction any means by<br />

which the nation may become at once a better judge and patron… Public galleries<br />

and museums… by providing adequate sources of comparison and instruction, will<br />

enable the people better to decide on the relative merits of artists and schools of art,<br />

and thus do fuller justice to their teachers and themselves. 8<br />

Jarves also stressed in this essay that museums and galleries should be run by “competent<br />

experts,” by which he meant male professionals trained in the study of art. 9<br />

According to the mid-nineteenth-century "cult of domesticity," virtue was a<br />

personal matter, to be taught by sentimental men and women in the home. Ideal sculpture<br />

was intimately intertwined with this process of private moral education, and with<br />

Americans’ construction of themselves as sentimental, domestic subjects. The Civil War<br />

and its aftermath disrupted this view. As Lawrence Levine has shown, distinctions<br />

between popular and elite culture grew wider after the war. 10 Furthermore, as Michael<br />

7 [Charles Eliot Norton], “Chromo-Civilization,” The Nation 5 (24 September 1874):<br />

200-01.<br />

8 J. Jackson Jarves, “Museums of Art,” The Galaxy 10 (July 1870): 52.<br />

9 Ibid., 57.<br />

10 Lawrence W. Levine, Highbrow Lowbrow: The Emergence of Cultural Hierarchy in<br />

America (Cambridge: Harvard <strong>University</strong> Press, 1988).<br />

283

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