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Teacher’s Guide<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

Reading Level Lexile 830<br />

Genre/Length Short Stories; 176 pages<br />

Language Register Contemporary, Cultural, Familiar<br />

Content Load Mexican American, Teen, Coming of Age<br />

Selected Awards ALA Best Books for Young Adults<br />

Notable Books for a Global Society<br />

Overview<br />

Background The Texas annexation to the United States in 1846 caused much<br />

controversy and contributed to starting the Mexican American War. Though its<br />

official statehood led to an influx of new residents from all racial backgrounds, to<br />

this day over one-fifth of Texas residents are of Hispanic descent. Communities<br />

on the southwestern border of Texas are almost entirely composed of Hispanic<br />

residents. The beauty of Mexican history and culture is echoed through the rich<br />

architecture, art, names, and language of the region. <strong>Crazy</strong> <strong>Loco</strong> reflects the<br />

Mexican American culture of this vast and beautiful land.<br />

Book Summary <strong>Crazy</strong> <strong>Loco</strong> is a collection of warm, humorous short stories written<br />

by David Rice. The collection features nine stories with nine different protagonists.<br />

These engaging, young characters each have a story that revolves around “coming<br />

of age.” The stories involve everything from a first kiss with an older girl, to the<br />

death of a beloved grandfather, to a dog named <strong>Loco</strong> who thinks he can drive. This<br />

collection of stories, set in southern Texas, is full of teen angst, love, growth, and,<br />

ultimately, something every teen can relate to.<br />

About the Author<br />

Born in 1964, David Rice grew up in Edcouch, a small Texas town near the Mexico-<br />

United States border. He spent much of his childhood and adolescence in the<br />

Rio Grande Valley and often uses it as a backdrop to his stories.<br />

At an early age, Rice knew he wanted to become a writer. After high school, he<br />

attended Southwest State Texas University in San Marcos. He pursued a degree<br />

in business, but continued writing as an investigative journalist for his college<br />

newspaper. After college, he decided to write fiction, supporting himself with various<br />

jobs as he practiced writing short stories. In 1996, he published his first book, Give<br />

the Pig a Chance, a collection of short stories.<br />

Since that first publication, Rice’s stories have been printed in numerous journals<br />

and anthologies. <strong>Crazy</strong> <strong>Loco</strong> is his second major work and was nominated for the<br />

Pura Belpré Award the year it was released.<br />

THE EXCHANGE QUESTION<br />

How do people know when they<br />

are ready for responsibility?<br />

Teacher’s Guide page 1 of 15 © Hampton-Brown


<strong>Crazy</strong> <strong>Loco</strong><br />

Reading the Book<br />

There are several options for reading <strong>Crazy</strong> <strong>Loco</strong>. They include:<br />

Whole Class Assign sections of the book and discussion dates<br />

using the planner on Student Journal, page 1. After students<br />

read a section and respond to the corresponding Student<br />

Journal pages, have a class discussion. At the end of the book,<br />

the class meets for The Exchange.<br />

Small Groups Read the book’s Introduction with the group.<br />

Group members then read an agreed-upon number of pages,<br />

complete the corresponding Student Journal pages, and meet<br />

to discuss. When they finish the book, they meet again for The<br />

Exchange. Use the planner on Student Journal, page 1 to<br />

establish meeting times.<br />

Independently Students read the book on their own and<br />

then meet as a group for The Exchange. Use the planner on<br />

Student Journal, page 1 to establish the meeting time.<br />

Guided Reading Have students read Student Journal,<br />

page 2 and monitor their discussion of the What If? scenario.<br />

Read aloud the book’s Introduction to give students background<br />

on the book. As students read, use the Before You Move On<br />

questions to guide comprehension. Use the Look Ahead to set<br />

a focus for reading the next set of pages. At the end of each<br />

section, assign the appropriate Student Journal pages.<br />

Discuss the pages before starting the next section. Establish a<br />

date for The Exchange and record it on the planner.<br />

Getting Started<br />

Have students read What If? on Student Journal, page 2<br />

and discuss the scenario. Encourage students to describe the<br />

similarities and differences between the scenario and their lives and<br />

imagine how the situation would affect them.<br />

Have students write their responses to the three questions below<br />

the scenario and compare answers with a partner or the group.<br />

Have students discuss how the situation might relate to The<br />

Exchange question and then write a brief summary of their<br />

discussion in the Student Journal.<br />

Student Journal<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

by David Rice<br />

Reading Schedule<br />

Student Journal, page 1<br />

Teacher’s Guide page 2 of 15 © Hampton-Brown<br />

Name:<br />

Group members: _____________________________________________________________<br />

_____________________________________________________________________________<br />

<strong>Crazy</strong> <strong>Loco</strong> Student Journal Due Date Discussion Date<br />

Introduction Pages 2–4<br />

Pages 13–46 Pages 5–6<br />

Pages 47–79 Pages 7–8<br />

Pages 80–104 Pages 9–10<br />

Pages 105–141 Pages 11–12<br />

Pages 142–175<br />

The Exchange<br />

Assessment<br />

Pages 13–14<br />

Getting Started<br />

What If?<br />

How do people<br />

know when they<br />

are ready for<br />

responsibility?<br />

Student Journal, page 2<br />

You just got your driver’s license. You are so excited to be able to drive,<br />

but you do not have the money to buy yourself a car. Your parents agree<br />

to let you drive their car as long as you agree to help them with some<br />

errands.<br />

The next week, your aunt has an emergency. Your parents are at work<br />

and ask you to pick up your four-month-old niece from her daycare<br />

center and bring her to your house. You have the car seat, but you do<br />

not know how to put it in the car. You are not sure what to do if your<br />

niece cries or how to change a diaper. And, you are not confident in<br />

your new driving skills.<br />

Make notes about how this would affect you.<br />

Would you feel ready for this responsibility?<br />

Would you agree to help with this errand? Why or why not?<br />

What could you do to better prepare yourself for this errand?<br />

Connect to The Exchange Question Discuss how this situation<br />

could relate to The Exchange Question: How do people know when<br />

they are ready for responsibility? Summarize your discussion.<br />

<strong>Crazy</strong> <strong>Loco</strong>


<strong>Crazy</strong> <strong>Loco</strong><br />

Introduction<br />

Have students read the book’s Introduction. Check their<br />

comprehension with the three follow-up questions on Student<br />

Journal, page 3.<br />

Introduction: Key Concepts<br />

Have students study the first Key Concept with the help of the<br />

graphic organizer on Student Journal, page 4. After studying the<br />

example, they should create similar graphic organizers to focus<br />

their understanding of the three remaining Key Concepts.<br />

Introduction<br />

Student Journal, page 3<br />

Read the Introduction on pages 9–11 in <strong>Crazy</strong> <strong>Loco</strong>. The Introduction will<br />

help you understand key concepts in the book. Knowing them will help<br />

you discuss and write about the book.<br />

The Introduction includes information about<br />

what a short story is<br />

how teens can relate to the stories<br />

when David Rice decided to become an author<br />

After you read the Introduction, answer these questions to check your<br />

understanding.<br />

1. What is a short story? How is it similar to and different from a novel?<br />

2. How can teenagers relate to the stories in this collection?<br />

3. When did David Rice know he wanted to be an author?<br />

Teacher’s Guide page 3 of 15 © Hampton-Brown<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

A short story is a work of fiction that is shorter than a<br />

novel. A short story can be one page or more than fifty<br />

pages long. Like a novel, a short story has its own setting,<br />

characters, and plot.<br />

Teenagers can relate to the common experiences and<br />

struggles that the teenage characters face as they grow up.<br />

Rice knew at a young age that he wanted to be an author.<br />

He became a professional writer when he was twenty-seven<br />

years old.<br />

Introduction: Key Concepts<br />

Personal Experience Chart<br />

Study the Personal Experience Chart for emotion. Write about a<br />

personal connection using the word emotion.<br />

Personal Experience Chart<br />

Key Concept: _______________________________________________________<br />

emotion<br />

Define or rename: ______________________________________________________<br />

a strong feeling<br />

Specific Examples<br />

My mom could not<br />

hide her emotions<br />

when our dog died.<br />

She cried all day.<br />

Personal Connection: ___________________________________________________<br />

_________________________________________________________________________<br />

On a separate sheet of paper, create a similar Personal Experience<br />

Chart for community, maturity, and respectful.<br />

Student Journal, page 4<br />

At the Memorial Day<br />

parade, people showed<br />

different emotions.<br />

Most people were<br />

proud but sorrowful.<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

Key Concepts<br />

collection<br />

community<br />

emotion<br />

maturity<br />

respectful<br />

Our drama class<br />

instructor taught us<br />

how to express different<br />

emotions through<br />

gestures.


<strong>Crazy</strong> <strong>Loco</strong><br />

Pages 13–46 Answers for Before You Move On<br />

Pages 13 – 46<br />

PAGE 28<br />

1. Narrator Who is the narrator? What does he want?<br />

Romero is the narrator. He wants to date an older girl.<br />

2. Character Romero does not get Veronica to be his<br />

girlfriend, but he seems happy at the end of the story. Why?<br />

Romero got to kiss Annette on the hayride.<br />

PAGE 46<br />

1. Sequence What events occur that lead to Tommy meeting<br />

Catalina’s sons?<br />

Tommy’s parents sell their house, so Catalina doesn’t work<br />

for them anymore. Then Catalina’s grandson dies, so Tommy<br />

goes to the funeral.<br />

2. Cause and Effect Reread pages 42–45. What causes<br />

Tommy’s opinion of Emiliano and Guillermo to change?<br />

Tommy didn’t know much about them before visiting their<br />

home. Now he cares about them because he realizes how<br />

much they care about him.<br />

Respond to Pages 13–46<br />

Student Journal, page 5<br />

1. Personal Response The school in “Sugarcane Fire” holds special<br />

events for high school students, such as dances and a hayride. What<br />

events does your school have? Which do you enjoy the most? Why?<br />

2. Cause and Effect In “Her Other Son,” how does Tommy experience<br />

maturity when he visits Catalina’s family in Mexico? Use the word<br />

maturity in your response.<br />

3. Irony In “Sugarcane Fire,” what is ironic about Romero and Annette’s<br />

relationship?<br />

4. Generate Questions Write a question about this section for someone<br />

else reading this book. Exchange questions with them. Do you agree<br />

with their answer?<br />

Teacher’s Guide page 4 of 15 © Hampton-Brown<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

Tommy realizes for the first time how much his family<br />

means to Catalina and her family. Tommy feels guilty<br />

because Catalina has made him part of her family, but<br />

Tommy doesn’t know anything about Catalina’s family.<br />

This reaction shows that Tommy has a growing maturity.<br />

It is ironic that Annette is attracted to Romero because<br />

Romero likes Annette’s sister Verónica. Romero thinks<br />

Verónica would never notice him because she is a year<br />

older than he is. It is ironic that Annette flirts with Romero<br />

because she is even older than Verónica is.<br />

Respond to Pages 13– 46, continued<br />

5. Comparisons In “Her Other Son,” Tommy remembers crossing the<br />

border when he was young. At the end of the story, he crosses the<br />

border again. Write his feelings and actions during these crossings.<br />

T Chart<br />

Student Journal, page 6<br />

Tommy’s First Crossing Tommy’s Second Crossing<br />

is afraid of crossing the<br />

border<br />

is nervous to answer the<br />

agent<br />

does not answer because he<br />

is afraid<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

Compare Tommy’s border crossings. Why is Tommy’s second border<br />

crossing so different from his first?<br />

___________________________________________________________________________________<br />

When Tommy is young, he is too nervous to answer. He is<br />

___________________________________________________________________________________<br />

afraid of authority and is willing to do as he is told. As he<br />

___________________________________________________________________________________<br />

gets older, he realizes that life is unfair, especially Catalina’s<br />

___________________________________________________________________________________<br />

life ___________________________________________________________________________________<br />

in Mexico. At his second border crossing, his awareness<br />

of ___________________________________________________________________________________<br />

the problems in the world affect him. He does not<br />

answer the agent out of defiance.<br />

is distracted by thoughts<br />

about Catalina<br />

is not afraid or nervous<br />

about the agent<br />

does not answer because<br />

he is conflicted


<strong>Crazy</strong> <strong>Loco</strong><br />

Pages 47–79 Answers for Before You Move On<br />

Pages 47 – 79<br />

PAGE 58<br />

1. Cause and Effect Luis tells the teacher that Bobby and<br />

Marco lifted Nina’s skirt. How does this affect him through<br />

the rest of his schooling?<br />

Luis has a hard time making friends. The boys bully him<br />

through high school. Nina is never nice to him again.<br />

2. Paraphrase On pages 54– 55, Luis says that loving<br />

someone hurts. What does he mean?<br />

Luis means that his love for Nina cost him a lot—eight years<br />

of getting bullied by Bobby and Marco.<br />

PAGE 79<br />

1. Comparisons On page 65, Harry thinks Papa Lalo is dead.<br />

On page 76, he is dead. How do Harry’s reactions change<br />

from the beginning to the end of the story?<br />

The first time Harry didn’t really care and didn’t want to<br />

touch Papa Lalo. The second time he was very upset and<br />

tried to save him.<br />

2. Character’s Motive Why do you think Harry burns his<br />

grandfather’s suit?<br />

Harry burns the suit as a way of dealing with his grandfather’s<br />

death and saying farewell.<br />

Respond to Pages 47–79<br />

1. Personal Response In “Valentine,” Luis remembers Valentine’s Day<br />

in his kindergarten class. What is a strong memory you have from<br />

when you first went to school? Why do you think this memory stays<br />

with you?<br />

2. Character’s Motive In “Papa Lalo,” Papa Lalo is respectful when he<br />

gives Harry his surveyor’s compass. What does this show you about<br />

Papa Lalo? Use the word respectful in your response.<br />

Student Journal, page 7<br />

3. Making Decisions In “Valentine,” Luis goes to a graduation party and<br />

talks about what happened when Bobby and Marco lifted Nina’s skirt. If<br />

you were Luis, would you have mentioned that incident? Why or why not?<br />

4. Generate Questions Write a question about this section for someone<br />

else reading this book. Exchange questions with them. Do you agree<br />

with their answer?<br />

Teacher’s Guide page 5 of 15 © Hampton-Brown<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

Papa Lalo wants to give Harry something important to take<br />

with him on his camping trip. Giving Harry the compass is<br />

a loving, respectful gesture. This gift shows that Papa Lalo<br />

recognizes that Harry is growing up and would treasure the<br />

compass.<br />

Respond to pages 47–79, continued<br />

5. Cause and Effect In “Papa Lalo,” Harry and his family move in with<br />

Papa Lalo. List the effects this has on Harry in the Effects column.<br />

Use the Cause and Effect Chart to answer the question.<br />

Why do you think Harry and Papa Lalo have problems with their<br />

relationship? What causes the problems?<br />

Student Journal, page 8<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

Cause and Effect Chart<br />

Causes Effects<br />

1. Harry’s mother tries to burn 1. Harry’s family moves<br />

down their home.<br />

to Papa Lalo’s.<br />

2. Harry’s room is the T V room. 2. Harry has to watch<br />

bad programs.<br />

3. Papa Lalo gives Harry a<br />

3. Harry begins to like<br />

compass.<br />

Papa Lalo.<br />

4. Papa Lalo kills Harry’s<br />

4. Harry is angry with<br />

rabbits.<br />

Papa Lalo.<br />

5. Harry is invited to a lot of 5. Papa Lalo gives Harry<br />

quinceañeras.<br />

money for them.<br />

6. Papa Lalo dies.<br />

6. Harry realizes how<br />

much he loves<br />

Papa Lalo.<br />

Harry causes problems because he does not like Papa<br />

Lalo’s TV programs and yells at him when Papa kills his<br />

rabbits. Papa Lalo causes problems because he kills<br />

Harry’s rabbits and is stubborn. They probably are not used<br />

to compromising for another person.


<strong>Crazy</strong> <strong>Loco</strong><br />

Pages 80–104 Answers for Before You Move On<br />

Pages 80 – 104<br />

PAGE 91<br />

1. Character Reread pages 80–82. How does <strong>Loco</strong> the dog<br />

get his name? Why is the name “<strong>Crazy</strong>” good for him?<br />

The family tries giving the dog many names, but he doesn’t<br />

respond. He responds to <strong>Loco</strong> when he tries to drive the<br />

car. <strong>Loco</strong> acts crazy—he jumps in the public pool, chases<br />

everything, and loves being in the car.<br />

2. Conclusions Why does Mom say she thinks <strong>Loco</strong> drove<br />

to California?<br />

<strong>Loco</strong> loved to pretend he was driving, and he loved their trip<br />

to California.<br />

PAGE 104<br />

1. Evidence and Conclusions Reread pages 92–93. Richard’s<br />

father is very patriotic. What evidence supports this conclusion?<br />

Richard’s father named his son after Richard Nixon. He was<br />

proud to serve in the U.S. Army and National Guard.<br />

2. Comparisons Reread page 102. Compare what Rosie<br />

and Dad say about America. What do each of them think it<br />

means to be American?<br />

Rosie thinks being Mexican American means being treated<br />

badly. Dad thinks being American means serving your<br />

country and being proud.<br />

Respond to Pages 80–104<br />

Student Journal, page 9<br />

1. Personal Response In “Proud to Be an American,” Richard’s father is<br />

proud of his country and of serving in the war. What story or event in<br />

your family’s history makes you proud?<br />

2. Conclusions In “<strong>Crazy</strong> <strong>Loco</strong>,” how does the family deal with their<br />

emotions when <strong>Loco</strong> disappears? Is this a good way to deal with loss?<br />

Why or why not? Use the word emotion in your response.<br />

3. Paraphrase In “Proud to Be an American,” what does Rosie mean on<br />

page 104 when she says the family looks like “Americanos”?<br />

4. Generate Questions Write a question about this section for someone<br />

else reading this book. Exchange questions with them. Do you agree<br />

with their answer?<br />

Teacher’s Guide page 6 of 15 © Hampton-Brown<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

The family deals with their emotions by pretending that<br />

<strong>Loco</strong> is in a better place. This helps them deal with the pain<br />

of missing their dog. They also adopt a new dog to replace<br />

<strong>Loco</strong>.<br />

The family is celebrating the Fourth of July. When the<br />

flare goes into the sky, it is so bright that it lightens the<br />

skin of everyone. Rosie is saying they look like Caucasian<br />

Americans.<br />

Respond to Pages 80–104, continued<br />

5. Summarize In “<strong>Crazy</strong> <strong>Loco</strong>,” the dog, <strong>Loco</strong>, does many interesting<br />

things. Write <strong>Loco</strong>’s actions in the Details Web.<br />

Details Web<br />

enjoys<br />

going to<br />

California<br />

pretends<br />

to drive the<br />

car<br />

barks<br />

at sirens<br />

Why is <strong>Loco</strong> such a special dog to the narrator?<br />

Student Journal, page 10<br />

<strong>Loco</strong><br />

swims<br />

in pool<br />

sleeps<br />

outside<br />

chases<br />

animals and<br />

fireworks<br />

runs into<br />

a cactus<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

<strong>Loco</strong> is a special dog to the narrator because he acts like<br />

a normal dog by doing things like barking at sirens and<br />

chasing cars, but he also acts like a human by the way he<br />

goes swimming in the pool and tries to drive the car. <strong>Loco</strong><br />

is a fun, sweet, interesting dog.


<strong>Crazy</strong> <strong>Loco</strong><br />

Pages 105–141 Answers for Before You Move On<br />

Pages 105 – 141<br />

PAGE 126<br />

1. Character Tía Mana laughs when Milagros accidentally frees<br />

her 300 parakeets. What does this tell you about Tía Mana?<br />

Tía Mana does not get mad easily. She is a happy, carefree<br />

person.<br />

2. Character’s Motive On pages 125–126, Tía Mana lets<br />

Milagros free Pájaro. Why does Tía Mana do this?<br />

Tía Mana uses Párajo as an example. She wants to show<br />

Milagros’s parents that Milagros should be allowed to choose<br />

her own future.<br />

PAGE 141<br />

1. Inference Reread pages 128–129. Why is the narrator’s<br />

mother so concerned about cleaning the house before the<br />

cousins arrive?<br />

The narrator’s mother is embarrassed of their home. She<br />

wants to impress the California family.<br />

2. Paraphrase Why does Jordon say on page 134: “Even<br />

when you dudes get to high school, you’ll still be little<br />

Texas Mexicans.”<br />

Jordon is trying to hurt their feelings and insult them. Jordon<br />

thinks he is better than them.<br />

Respond to Pages 105–141<br />

Student Journal, page 11<br />

1. Personal Response In “The California Cousins,” the cousins complain<br />

that the narrator’s country home is boring compared to their city life.<br />

Would you rather live in the country or in a city? Why?<br />

2. Paraphrase What does Tía Mana mean when she says on<br />

pages 119–120, “Mi’ja, fly as far as your wings will take you. You can<br />

always come back”?<br />

3. Symbolism What does Pájaro represent to Tía Mana and Milagros?<br />

4. Generate Questions Write a question about this section for someone<br />

else reading this book. Exchange questions with them. Do you agree<br />

with their answer?<br />

Teacher’s Guide page 7 of 15 © Hampton-Brown<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

Tía Mana means that Milagros should travel and visit as<br />

many places as she can while she is still young. Milagros<br />

might miss home or be afraid, but she can always come<br />

home to her family and community.<br />

Pájaro represents freedom and opportunities. Tía Mana<br />

keeps a string on Pájaro so that he won’t escape.<br />

Milagros’s parents keep her “tied down” by not letting her<br />

travel. When Tía Mana cuts the string, she is showing that<br />

freeing someone to pursue opportunities is an act of love.<br />

Respond to Pages 105–141, continued<br />

5. Foreshadowing In “The California Cousins,” everyone reacts to the<br />

family visit in a different way. Write what the characters do and what<br />

their actions say about how they feel in the Chart.<br />

Character Description Chart<br />

Mom<br />

Dad<br />

Character<br />

California Cousins<br />

Texas Cousins<br />

Student Journal, page 12<br />

What the<br />

Character Does<br />

makes family clean<br />

house; bribes<br />

family<br />

tries to get out of<br />

visit; is cool to Tio<br />

Mike<br />

act rude; wear<br />

flashy clothes;<br />

complain<br />

complain; suggest<br />

family visits later;<br />

call cousins “sissy<br />

soft-butts”<br />

What do the actions of the characters at the beginning of the story<br />

suggest about the story’s ending? Were you surprised by the ending?<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

What This Shows<br />

About the Character<br />

likes California family,<br />

but is insecure<br />

does not like<br />

California family<br />

do not want to be<br />

there<br />

do not want California<br />

cousins to visit<br />

The reactions of the characters imply that the story will turn<br />

out badly. None of the characters like each other. Mom has<br />

to bribe her family, the Texas cousins resent their California<br />

cousins because they are rude, and the California cousins<br />

clearly do not want be in the country.


<strong>Crazy</strong> <strong>Loco</strong><br />

Pages 142–175 Answers for Before You Move On<br />

Pages 142 – 175<br />

PAGE 157<br />

1. Plot Reread page 142. Why does Pedro have to become an<br />

altar boy?<br />

Pedro’s father is the mayor. He wants Pedro to volunteer<br />

because he thinks it will help him get re-elected.<br />

2. Comparisons Reread page 157. Pedro did not want to be<br />

an altar boy. How does he feel about it now?<br />

Pedro is excited because Father Pedro told him he is ready<br />

for Sunday mass. He knows there will be a lot of people<br />

watching him.<br />

PAGE 175<br />

1. Inference Reread pages 160–162. Ricardo and José care<br />

about Pedro. How can you tell?<br />

Ricardo and José help Pedro when he falls during Sunday<br />

mass. They stop people from laughing at Pedro and making<br />

fun of him at school.<br />

2. Conclusions Why does Pedro decide to help José paint<br />

the church?<br />

Pedro wants to help José remember and honor Ricardo’s life.<br />

Respond to Pages 142–175<br />

Student Journal, page 13<br />

1. Personal Response Pedro’s father volunteers him to be an altar boy.<br />

What kind of activities do your friends or family think you should be a<br />

part of? How do their opinions affect your actions?<br />

2. Author’s Purpose Why do you think the author chose to write this<br />

book as a short story collection instead of as a novel? Use the word<br />

collection in your response.<br />

3. Irony Why is it ironic that Ricardo and José take their positions as<br />

altar boys so seriously?<br />

Teacher’s Guide page 8 of 15 © Hampton-Brown<br />

What If?<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

The author wrote this book as a short story collection<br />

because the plots of the stories are concise. The stories are<br />

contained tales about growing up. A novel would be longer<br />

and would not be concise.<br />

It is ironic because they are both tough men who have been<br />

in trouble with the law. You wouldn’t think that they would<br />

care about church-related responsibilities. They look and<br />

act tough, but they sincerely care about helping the priest.<br />

4. Connect Look at your notes on Student Journal, page 2. Think about what might<br />

happen if you suddenly had a serious responsibility. Compare this to <strong>Crazy</strong> <strong>Loco</strong>. How<br />

does responsibility affect the characters in three of the stories?<br />

Respond to Pages 142–175, continued<br />

Student Journal, page 14<br />

5. Character Pedro shares his experiences as an altar boy in “Last<br />

Mass.” Write Pedro’s actions as an altar boy in the Sequence Chain.<br />

Sequence Chain<br />

1.<br />

3.<br />

5.<br />

tries to hide<br />

when his father<br />

volunteers him<br />

trips over his<br />

cassock and spills<br />

holy water<br />

helps with the<br />

mass for Ricardo<br />

How does Pedro change from the beginning to the end of the story?<br />

2.<br />

4.<br />

6.<br />

is trained by<br />

Ricardo and<br />

José<br />

slowly stops<br />

helping at the<br />

church<br />

is going to<br />

help José paint<br />

the church<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

At first, Pedro does not want to help at the church and<br />

does a bad job. At the end of the story, he is confident about<br />

helping at the church and is more respectful and proud.


<strong>Crazy</strong> <strong>Loco</strong><br />

Exchange Discussion<br />

THE QUESTION<br />

How do people know when they are ready<br />

for responsibility?<br />

How do the characters in <strong>Crazy</strong> <strong>Loco</strong> learn responsibility? Are<br />

there some who do not?<br />

In “She Flies,” Milagros learns that she has to have a responsibility to<br />

herself and her own needs. She learns this by listening to and following<br />

Tía Mana’s examples. In “Papa Lalo,” Harry learns about responsibility<br />

when he has to be more mature after his mother and father divorce. The<br />

boys in “The California Cousins” are not responsible.<br />

In “Last Mass,” Pedro becomes an altar boy when he is nine. Tell<br />

about a time when you were given a new responsibility. What<br />

did it help you learn?<br />

What kinds of responsibilities do you believe teenagers should<br />

have at home, at school, and in their communities?<br />

Evaluate the Discussion<br />

Use the reproducible master from page 10 of this Teacher’s Guide<br />

to evaluate The Exchange discussion. The form may also be used<br />

by students for group assessment.<br />

<strong>Crazy</strong> <strong>Loco</strong>, inside back cover<br />

Review the work you did in your Student Journal. Take<br />

your book and your Journal with you to The Exchange<br />

book discussion.<br />

EXCHANGE IDEAS<br />

Tell the group why you would recommend or not<br />

recommend this book.<br />

Compare this book to something it reminded you<br />

of, such as another book, a song, artwork, or a<br />

personal experience.<br />

Can you imagine yourself in this book? How?<br />

THE QUESTION<br />

How do people know when they<br />

are ready for responsibility?<br />

How do the characters in <strong>Crazy</strong> <strong>Loco</strong> learn<br />

responsibility? Are there some who do not?<br />

In “Last Mass,” Pedro becomes an altar boy when he<br />

is nine. Tell about a time when you were given a new<br />

responsibility. What did it help you learn?<br />

What kinds of responsibilities do you believe<br />

teenagers should have at home, at school, and in<br />

their communities?<br />

REFLECT<br />

Summarize your Exchange. How did this book change the<br />

way you see something? What questions do you still have?<br />

How will you answer them?<br />

Evaluate the Discussion<br />

Excellent Good Fair<br />

Everyone participated. Most people participated. Only a few people<br />

participated.<br />

Everyone spoke clearly. Most people spoke clearly. Some people did not speak<br />

clearly.<br />

Everyone listened carefully. Most people listened<br />

carefully.<br />

We stayed on the topic<br />

throughout the discussion.<br />

We responded to each<br />

other’s thoughts and ideas<br />

often.<br />

Most people used examples<br />

from the book to support<br />

their points.<br />

Most people gave detailed<br />

answers using their<br />

experiences and even other<br />

texts.<br />

We stayed on the topic<br />

most of the time.<br />

We commented on each<br />

other’s thoughts and ideas<br />

sometimes.<br />

Many people used<br />

examples from the book<br />

to support their points.<br />

Many people gave detailed<br />

answers using their<br />

experiences.<br />

Some people did not listen<br />

carefully.<br />

We did not stay on the<br />

topic all the time.<br />

We did not make many<br />

comments on each other’s<br />

thoughts and ideas.<br />

Only a few people used<br />

examples from the book<br />

to support their points.<br />

Only a few people gave<br />

detailed answers.<br />

Teacher’s Guide page 9 of 15 © Hampton-Brown<br />

Notes:<br />

Discussion Rubric


Book Title Date<br />

Evaluate the Discussion<br />

Notes:<br />

Excellent Good Fair<br />

Everyone participated. Most people participated. Only a few people<br />

participated.<br />

Everyone spoke clearly. Most people spoke clearly. Some people did not speak<br />

clearly.<br />

Everyone listened carefully. Most people listened<br />

carefully.<br />

We stayed on the topic<br />

throughout the discussion.<br />

We responded to each<br />

other’s thoughts and ideas<br />

often.<br />

Most people used examples<br />

from the book to support<br />

their points.<br />

Most people gave detailed<br />

answers using their<br />

experiences and even other<br />

texts.<br />

We stayed on the topic<br />

most of the time.<br />

We commented on each<br />

other’s thoughts and ideas<br />

sometimes.<br />

Many people used<br />

examples from the book<br />

to support their points.<br />

Many people gave detailed<br />

answers using their<br />

experiences.<br />

Some people did not listen<br />

carefully.<br />

We did not stay on the<br />

topic all the time.<br />

We did not make many<br />

comments on each other’s<br />

thoughts and ideas.<br />

Only a few people used<br />

examples from the book<br />

to support their points.<br />

Only a few people gave<br />

detailed answers.<br />

© Hampton-Brown


<strong>Crazy</strong> <strong>Loco</strong><br />

Assessment<br />

Assess students’ understanding of <strong>Crazy</strong> <strong>Loco</strong> by administering<br />

the multiple-choice test and essay questions. (Teacher’s Guide,<br />

pages 12–14)<br />

How you administer the Assessment depends on your objective.<br />

You may choose to use the test as:<br />

an open-book test to allow students to continue practicing<br />

reading strategies and/or become familiar with a typical<br />

standardized test format<br />

a closed-book test to check students’ comprehension of the<br />

book and their abilities in various reading skills<br />

a take-home test to allow students to practice reading strategies<br />

as well as test-taking skills<br />

Suggested point values are as follows:<br />

Assessment Part I: 5 points per question for a total of 50 points<br />

Assessment Part II: 40 points possible (see Scoring Guide,<br />

page 15)<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

Guidelines for Short Essay<br />

Have students write a short essay in response to one of the writing prompts<br />

below. Use the Scoring Guide to assist in your evaluation of their essays.<br />

A. The characters in these stories all have experiences that change them or help<br />

them mature. Who changes and how do they change? What experience have<br />

you had that has changed or matured you in some way?<br />

Responses could include: “Papa Lalo”: Harry’s experiences with his grandfather make him<br />

more mature by the end of the story, he also appreciates his family more; “Last Mass”: Pedro<br />

understands responsibility more by the end of the story; “Her Other Son”: Tommy realizes all<br />

the good fortune he has had and how privileged he is to have a house, clothes, and family.<br />

B. Choose two characters from two different stories. Tell what their problems<br />

are. Imagine if they met. How would they help each other solve their<br />

problems? What sections from the text helped you decide how each<br />

character would help?<br />

Responses could include: Harry, in “Papa Lalo,” does not like living with his grandfather,<br />

and the unnamed narrator in “The California Cousins” does not like his cousins. They could<br />

help each other learn how to tolerate and appreciate unfamiliar relatives and how to make<br />

themselves happy in the process. Harry appreciated Papa Lalo after he died; the narrator<br />

learned how to laugh at the cousins.<br />

Scoring Guide<br />

Description of the response:<br />

4 Interpretation is accurate and thoughtful<br />

Explanation is fully developed<br />

Support includes specific and relevant text evidence<br />

All parts of the question are clearly addressed<br />

3 Interpretation is adequate<br />

Explanation is developed but may lack some insight<br />

Support includes most specific and relevant text evidence<br />

All parts of the question are addressed to some degree<br />

2 Interpretation is literal or limited<br />

Explanation is incomplete<br />

Support includes some specific and relevant text evidence<br />

Only parts of the question are addressed and mostly in a limited way<br />

1 Interpretation is weak<br />

Explanation is vague<br />

Support includes few, if any, relevant details from the text<br />

Only one part of the question is minimally addressed<br />

0 Response is totally incorrect or irrelevant<br />

Assessment Part II<br />

Assessment Part I<br />

Circle the best answer.<br />

1. At the end of “Last Mass,” Pedro shows his<br />

maturity by helping with the mass and offering<br />

to paint the church walls. In this sentence, what<br />

does maturity mean?<br />

Teacher’s Guide page 11 of 15 © Hampton-Brown<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

A religion<br />

B feelings<br />

C growth<br />

D weakness<br />

2. In “Valentine,” Bobby and Marco get mad at<br />

Luis because Luis—<br />

A eats their chocolate cake at the<br />

graduation party<br />

B dates Nina all through high school<br />

C made mean valentines for them<br />

D tells the teacher that they lifted<br />

Nina’s skirt<br />

3. From Tommy’s descriptions of Catalina at<br />

the beginning of “Her Other Son,” you can<br />

conclude that Tommy—<br />

A thinks Catalina is smarter than he is<br />

B hates Catalina<br />

C does not appreciate Catalina and<br />

her family<br />

D is embarrassed to have a maid<br />

Name:<br />

4. Which of these best summarizes the short<br />

story “<strong>Crazy</strong> <strong>Loco</strong>”?<br />

A An eight-year-old boy and his brother<br />

get a puppy. After trying different names,<br />

they decide on <strong>Loco</strong>. <strong>Loco</strong> loves to sit in<br />

and pretend to drive cars. One day, <strong>Loco</strong><br />

and the car disappear. The family adopts<br />

another dog, but they never forget <strong>Loco</strong>.<br />

B A family gets a dog. The dog loves to<br />

ride in the car, and the family thinks this<br />

is crazy. So they name the dog <strong>Loco</strong>.<br />

<strong>Loco</strong> loves to swim and decides to go<br />

swimming at the local swimming pool.<br />

C <strong>Loco</strong>’s family takes <strong>Loco</strong> to the mall with<br />

them. When the family returns to the<br />

parking lot, they see that their car is gone.<br />

<strong>Loco</strong> was in the car, so he is missing,<br />

too. They go to the dog pound to look for<br />

<strong>Loco</strong>, but he is not there.<br />

D An eight-year-old boy and his brother get<br />

the puppy they have been begging for.<br />

They try to think of a name for him. The<br />

dog will not respond to any of the names<br />

they think of. Finally, the boys’ mother<br />

says the dog is loco. The name <strong>Loco</strong> is<br />

perfect for this dog.<br />

5. In “Proud to Be an American,” Richard’s<br />

actions and words show that—<br />

A he does not like his father<br />

B he respects and loves his father<br />

C he hates the Fourth of July<br />

D he is afraid of fireworks<br />

HSLL.T1.TG.<strong>Crazy</strong>.indd 12 9/22/06 9:35:17 AM<br />

<strong>Crazy</strong> <strong>Loco</strong><br />

Assessment Part I, continued<br />

Circle the best answer.<br />

6. In “Papa Lalo,” Harry feels sad, upset, and<br />

angry when he discovers that Papa Lalo has<br />

killed his rabbits. These are examples of—<br />

A collections<br />

B headaches<br />

C emotions<br />

D communities<br />

7. José is going to paint the church at the end<br />

of “Last Mass” because he—<br />

A has promised the priest he will paint it in<br />

exchange for a mass for Ricardo<br />

B wants to spend time with Pedro<br />

C needs something to do in his spare time<br />

D has promised to paint it as punishment for<br />

spilling the water bowl at mass<br />

8. The author changes the mood at the end of<br />

the short story “She Flies” by—<br />

A having Tía Mana sell her house<br />

B having Tía Mana set Pájaro free<br />

C making Milagros buy Tía Mana another<br />

parrot<br />

D making Milagros set Tía Mana’s parakeets<br />

free<br />

Assessment Part I<br />

Assessment Part I, continued<br />

Name:<br />

9. Romero feels excited at the end of<br />

“Sugarcane Fire” because—<br />

A Annette kisses him<br />

B Verónica kisses him<br />

C he buys a ticket for the high school dance<br />

D his girlfriend goes on a hayride with him<br />

10. Which sentence from “The California<br />

Cousins” shows how the family prepares for<br />

the relatives’ visit?<br />

A “The paint keeps the worms off.”<br />

B Mom even had us fix up the outhouse.<br />

C We took them out to throw rocks at cans<br />

and bottles.<br />

D Dad burst out laughing.<br />

HSLL.T1.TG.<strong>Crazy</strong>.indd 13 9/22/06 9:35:28 AM


<strong>Crazy</strong> <strong>Loco</strong><br />

Assessment Part I<br />

Circle the best answer.<br />

1. At the end of “Last Mass,” Pedro shows his<br />

maturity by helping with the mass and offering<br />

to paint the church walls. In this sentence, what<br />

does maturity mean?<br />

A religion<br />

B feelings<br />

C growth<br />

D weakness<br />

2. In “Valentine,” Bobby and Marco get mad at<br />

Luis because Luis—<br />

A eats their chocolate cake at the<br />

graduation party<br />

B dates Nina all through high school<br />

C made mean valentines for them<br />

D tells the teacher that they lifted<br />

Nina’s skirt<br />

3. From Tommy’s descriptions of Catalina at<br />

the beginning of “Her Other Son,” you can<br />

conclude that Tommy—<br />

A thinks Catalina is smarter than he is<br />

B hates Catalina<br />

C does not appreciate Catalina and<br />

her family<br />

D is embarrassed to have a maid<br />

Name:<br />

4. Which of these best summarizes the short<br />

story “<strong>Crazy</strong> <strong>Loco</strong>”?<br />

A An eight-year-old boy and his brother<br />

get a puppy. After trying different names,<br />

they decide on <strong>Loco</strong>. <strong>Loco</strong> loves to sit in<br />

and pretend to drive cars. One day, <strong>Loco</strong><br />

and the car disappear. The family adopts<br />

another dog, but they never forget <strong>Loco</strong>.<br />

B A family gets a dog. The dog loves to<br />

ride in the car, and the family thinks this<br />

is crazy. So they name the dog <strong>Loco</strong>.<br />

<strong>Loco</strong> loves to swim and decides to go<br />

swimming at the local swimming pool.<br />

C <strong>Loco</strong>’s family takes <strong>Loco</strong> to the mall with<br />

them. When the family returns to the<br />

parking lot, they see that their car is gone.<br />

<strong>Loco</strong> was in the car, so he is missing,<br />

too. They go to the dog pound to look for<br />

<strong>Loco</strong>, but he is not there.<br />

D An eight-year-old boy and his brother get<br />

the puppy they have been begging for.<br />

They try to think of a name for him. The<br />

dog will not respond to any of the names<br />

they think of. Finally, the boys’ mother<br />

says the dog is loco. The name <strong>Loco</strong> is<br />

perfect for this dog.<br />

5. In “Proud to Be an American,” Richard’s<br />

actions and words show that—<br />

A he does not like his father<br />

B he respects and loves his father<br />

C he hates the Fourth of July<br />

D he is afraid of fireworks<br />

© Hampton-Brown


<strong>Crazy</strong> <strong>Loco</strong><br />

Assessment Part I, continued<br />

Circle the best answer.<br />

6. In “Papa Lalo,” Harry feels sad, upset, and<br />

angry when he discovers that Papa Lalo has<br />

killed his rabbits. These are examples of—<br />

A collections<br />

B headaches<br />

C emotions<br />

D communities<br />

7. José is going to paint the church at the end<br />

of “Last Mass” because he—<br />

A has promised the priest he will paint it in<br />

exchange for a mass for Ricardo<br />

B wants to spend time with Pedro<br />

C needs something to do in his spare time<br />

D has promised to paint it as punishment for<br />

spilling the water bowl at mass<br />

8. The author changes the mood at the end of<br />

the short story “She Flies” by—<br />

A having Tía Mana sell her house<br />

B having Tía Mana set Pájaro free<br />

C making Milagros buy Tía Mana another<br />

parrot<br />

D making Milagros set Tía Mana’s parakeets<br />

free<br />

Name:<br />

9. Romero feels excited at the end of<br />

“Sugarcane Fire” because—<br />

A Annette kisses him<br />

B Verónica kisses him<br />

C he buys a ticket for the high school dance<br />

D his girlfriend goes on a hayride with him<br />

10. Which sentence from “The California<br />

Cousins” shows how the family prepares for<br />

the relatives’ visit?<br />

A “The paint keeps the worms off.”<br />

B Mom even had us fix up the outhouse.<br />

C We took them out to throw rocks at cans<br />

and bottles.<br />

D Dad burst out laughing.<br />

© Hampton-Brown


<strong>Crazy</strong> <strong>Loco</strong><br />

Assessment Part II<br />

Choose one question to answer. Write 3–4 paragraphs. Use<br />

3 examples from the text to support your answer. Continue your<br />

essay on a separate sheet of paper if necessary.<br />

A. The characters in these stories all have experiences that change<br />

them or help them mature. Who changes and how do they change?<br />

What experience have you had that has changed or matured you in<br />

some way?<br />

Name:<br />

B. Choose two characters from two different stories. Tell what their<br />

problems are. Imagine if they met. How would they help each other<br />

solve their problems? What sections from the text helped you decide<br />

how each character would help?<br />

© Hampton-Brown


<strong>Crazy</strong> <strong>Loco</strong><br />

Guidelines for Short Essay<br />

Have students write a short essay in response to one of the writing prompts<br />

below. Use the Scoring Guide to assist in your evaluation of their essays.<br />

A. The characters in these stories all have experiences that change them or help<br />

them mature. Who changes and how do they change? What experience have<br />

you had that has changed or matured you in some way?<br />

Responses could include: “Papa Lalo”: Harry’s experiences with his grandfather make him<br />

more mature by the end of the story, he also appreciates his family more; “Last Mass”: Pedro<br />

understands responsibility more by the end of the story; “Her Other Son”: Tommy realizes all<br />

the good fortune he has had and how privileged he is to have a house, clothes, and family.<br />

B. Choose two characters from two different stories. Tell what their problems<br />

are. Imagine if they met. How would they help each other solve their<br />

problems? What sections from the text helped you decide how each<br />

character would help?<br />

Responses could include: Harry, in “Papa Lalo,” does not like living with his grandfather,<br />

and the unnamed narrator in “The California Cousins” does not like his cousins. They could<br />

help each other learn how to tolerate and appreciate unfamiliar relatives and how to make<br />

themselves happy in the process. Harry appreciated Papa Lalo after he died; the narrator<br />

learned how to laugh at the cousins.<br />

Scoring Guide<br />

Description of the response:<br />

4 Interpretation is accurate and thoughtful<br />

Explanation is fully developed<br />

Support includes specific and relevant text evidence<br />

All parts of the question are clearly addressed<br />

3 Interpretation is adequate<br />

Explanation is developed but may lack some insight<br />

Support includes most specific and relevant text evidence<br />

All parts of the question are addressed to some degree<br />

2 Interpretation is literal or limited<br />

Explanation is incomplete<br />

Support includes some specific and relevant text evidence<br />

Only parts of the question are addressed and mostly in a limited way<br />

1 Interpretation is weak<br />

Explanation is vague<br />

Support includes few, if any, relevant details from the text<br />

Only one part of the question is minimally addressed<br />

0 Response is totally incorrect or irrelevant<br />

Teacher’s Guide page 15 of 15 © Hampton-Brown

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