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RALPH WALDO EMERSON AND THE EVER-EVOLVING ART OF ...

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gives further sign of itself, as it were in flashes of light, in sudden discoveries of<br />

its profound beauty and repose, as if the clouds that covered it parted at<br />

intervals…But every insight from this realm of thought is felt as initial, and<br />

promises a sequel. I do not make it; I arrive there, and behold what was there<br />

already. (Emerson EXP 208, emphasis mine)<br />

Reading still exhumes luminous connections between subject and object, which in turn<br />

will reveal wonderful new ways of living and seeing to the reader. Further, reading is<br />

still progressive in that a disciplined and active reader will finds aspects of this “excellent<br />

region of life” in the natural world, as if some curtain were slowly parting to expose the<br />

true profundity of its comprehensiveness. But what has changed, for Emerson, is his<br />

ability to explain the relevance of these incandescent connections from personal<br />

experience, which is an essential aspect self-reliant reading and necessary for the<br />

ratification of any reading into personal truth. Though reading a fresh text is still as<br />

provoking as ever, Emerson finds that he cannot lend his experiences to a closer<br />

examination of the newly forged connections the text contains. Instead, he finds “what<br />

was there already”, and this keeps him from truly understanding and exemplifying what<br />

the text is offering him.<br />

Finding “what was already there” in a text implicitly details the conviction that<br />

personal expression is wholly unable to communicate meaningful experiences, and this<br />

can lead to the prima facie adoption of another’s words into a personal vocabulary simply<br />

because they belong to someone else. In a very literal sense, an assimilation of this sort<br />

would be more alike to reading with deference as opposed to self-reliance. Emerson<br />

finds regretfully that,<br />

50

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