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MODERN GREECE: A History since 1821 - Amazon Web Services

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OPPOSITE POLES IN POLITICS. KARAMANLIS VS. PAPANDREOU 201<br />

Steriadis, who belatedly introduced the American beat generation to<br />

Greece as a form of guarded opposition to the military regime, lost their<br />

voice after the fall of the dictatorship. 35 Manolis Anagnostakis did not<br />

mince words, but his bold verse found no imitators. Nicos Karouzos,<br />

probably the most talented of his generation, was a loner with few<br />

admirers. Kiki Dimoula made it to the Academy of Athens in spite of<br />

her genuine ability to transform the commonplace into poetry, as did<br />

low-key novelist of ordinary life, Thanassis Valtinos.<br />

Music made no great strides but continued to conserve past achievements.<br />

It was the performing arts with their ephemeral glory that will<br />

be best remembered. Theater director Spyros Evangelatos with his<br />

memorable Erotokritos, Lefteris Voyadjis with his many splendored repertoire,<br />

Vassilis Papavassiliou with his Elvira-Jouvet, Constantine<br />

Rhigos’ Dafnis and Chloe, Dimitris Papaioannou with his Medea and the<br />

staging of the Olympic Games ceremonies in 2004, and of course, the<br />

National Theater productions during this long period of fruition.<br />

Furthermore, the State School of Dance has proved with its annual performances<br />

that the Greek educational system is not totally out of commission.<br />

Theo Angelopoulos, with his consecutive second and first<br />

prizes in the Cannes Film Festival, remains on the top of the film directors’<br />

pyramid.<br />

The postwar pursuit of Greekness in art has been survived by Yannis<br />

Moralis and Panayotes Tetsis. Alekos Fassianos, with his Mediterranean<br />

graphics, and Dimitrios Mitaras, offer a kind of parody of that tradition.<br />

The diaspora has not failed to surprise us: Kounelis, Chryssa, Antonakos,<br />

Pavlos, and Takis are the better known. The art of the political cartoon<br />

in certainly the most fertile in Greece. Underground strips, street art,<br />

and illustrations have also become the unsung achievement of the<br />

eighties and nineties. Of the political cartoonists, Yannis Ioannou who<br />

lost his muse when Andreas Papandreou passed away, will be consulted<br />

by political scientists when they attempt to decipher the strange<br />

ways of possibly the greatest innovator in Greek politics.

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