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Coronation Park and Mughal Gardens in North Delhi - World ...

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4. shaliMar baGh<br />

Of the many pleasure gardens built by the <strong>Mughal</strong>s north of<br />

Shahjahanabad, the Shalimar Bagh is known to be the most<br />

extensive. The gardens were commissioned by Akbarabadi Begum,<br />

one of Shahjahan’s wives, <strong>in</strong> 1653. A similar garden, also known<br />

as Shalimar <strong>Gardens</strong>, had been constucted by the Begum at Lahore<br />

<strong>in</strong> ad 1641. Shahjahan is said to have been very fond of this bagh<br />

(garden) <strong>and</strong> used the palace here as a halt<strong>in</strong>g place enroute<br />

to Kashmir, Punjab, or Lahore. The garden <strong>and</strong> the palace with<strong>in</strong><br />

it were the favourite country house of the <strong>Mughal</strong> emperor<br />

Aurangzeb <strong>and</strong> the site of his coronation <strong>in</strong> 1658. Dur<strong>in</strong>g the<br />

British Raj, Sir David Ochterlony <strong>and</strong> Lord Metcalfe, both British<br />

residents <strong>in</strong> <strong>Delhi</strong>, used the garden as their summer lodge.<br />

The formal part of the bagh which rema<strong>in</strong>s today is only a small<br />

section of the orig<strong>in</strong>al, much larger garden, where there was an<br />

extensive network of canals, wells, <strong>and</strong> build<strong>in</strong>gs of which mere<br />

ru<strong>in</strong>s rema<strong>in</strong>. Even now the rema<strong>in</strong>s of the orchard, with large<br />

overgrown fruit trees, is quite pleasant to walk <strong>in</strong>. In fact, one of<br />

the ma<strong>in</strong> attractions for visitors to the park is the variety of fruit<br />

trees <strong>and</strong> wild flowers.<br />

The most prom<strong>in</strong>ent build<strong>in</strong>gs visible here<br />

today are the Sheesh Mahal—the ma<strong>in</strong> palace<br />

build<strong>in</strong>g—the ru<strong>in</strong>s of a canal lead<strong>in</strong>g down the<br />

centre to a square pool, <strong>and</strong> two pavilions on the<br />

other side of this pool. The Sheesh Mahal itself<br />

is quite a large build<strong>in</strong>g, constructed ma<strong>in</strong>ly out<br />

of Lakhori brick <strong>and</strong> red s<strong>and</strong>stone. Its layout<br />

consists of four small rooms with a colonnade<br />

of bulbous Shahjahani columns <strong>in</strong> front. There<br />

are ornamental niches on the <strong>in</strong>terior walls <strong>and</strong><br />

traces of lime plaster is visible <strong>in</strong> parts on the<br />

outside, as is some pa<strong>in</strong>ted decoration, most of<br />

which appears to be from the colonial period when the build<strong>in</strong>g<br />

was used as a country retreat. There is also an attached build<strong>in</strong>g<br />

on one side which seems to be a later addition <strong>and</strong> of which only<br />

its solid brick masonry structure now rema<strong>in</strong>s, with three large<br />

arched open<strong>in</strong>gs fac<strong>in</strong>g the garden <strong>in</strong> front. The most <strong>in</strong>terest<strong>in</strong>g<br />

feature of the whole complex is that it was designed to delight<br />

the senses with channels of flow<strong>in</strong>g water, that orig<strong>in</strong>ated from a<br />

now-destroyed upper reservoir, through the centre of the Sheesh<br />

Mahal, <strong>and</strong> down a canal <strong>in</strong>to the square pool some distance away.<br />

St<strong>and</strong><strong>in</strong>g with<strong>in</strong> the large vaulted <strong>in</strong>terior ceil<strong>in</strong>g, one can only<br />

imag<strong>in</strong>e what a pleasure it must have been to hear the gentle<br />

murmur of water cascad<strong>in</strong>g down through the build<strong>in</strong>g with a<br />

view to the distant pool surrounded with various trees laden with<br />

fruit <strong>and</strong> flowers.<br />

The square stepped pool at the other end has beautiful<br />

elaborately sculpted kangura (stylized motif that resembles<br />

battlements, but are ornamental) pattern at its edges. There is a<br />

grid of holes visible at the base of the pool which must have been<br />

founta<strong>in</strong>s. The two rema<strong>in</strong><strong>in</strong>g pavilions now st<strong>and</strong> as <strong>in</strong>dividual<br />

build<strong>in</strong>gs, but must have been part of a long pavilion or build<strong>in</strong>g<br />

that spanned the outflow<strong>in</strong>g canal. Even on these pavilions, some<br />

pa<strong>in</strong>ted lime plaster decorations are visible, but appear to be from<br />

the colonial period. Beyond this, the water drops aga<strong>in</strong> to another<br />

square pool with a large central isl<strong>and</strong> on which must have stood<br />

another pavilion.<br />

Outside this complex but with<strong>in</strong> the orchard, there are also<br />

rema<strong>in</strong>s of a colonial house.<br />

Tim<strong>in</strong>gs: Sunrise–Sunset<br />

Entry: Free

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