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Faculty oF humanities and social sciences 2013 - Victoria University ...

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Miki Seifert<br />

PhD, Te Kawa a Māui<br />

“To ensure that Māori values, ethics <strong>and</strong> aspirations<br />

were an integral part of my research, I chose to<br />

conduct my research at Te Kawa a Māui.”<br />

Miki, a recipient of the New Zeal<strong>and</strong> International Doctoral<br />

Research Scholarship, was awarded the 2010 PGSA Research<br />

Excellence Award for Māori Knowledge & Development for her<br />

development of a decolonising methodology that employs<br />

a mix of knowledges <strong>and</strong> finds that knowledge production<br />

needs to be performative—something must be done—<strong>and</strong><br />

transformative—something has to change. Her research drew<br />

upon her 20-odd years of exploring the cultural interface as an<br />

artist-researcher in the US.<br />

With William Franco, she is co-founder <strong>and</strong> co-artistic<br />

director of With Lime, a Wellington-based international,<br />

interdisciplinary arts company that creates performances,<br />

installations <strong>and</strong> projections that explore the interface between<br />

cultures <strong>and</strong> is committed to the vision of the arts as positive<br />

force for personal <strong>and</strong> societal transformation. Presently,<br />

they are developing The Dragon King’s Daughter, a onewoman<br />

Butoh performance for Miki that utilises her research<br />

methodology <strong>and</strong> the latest image projection technology.<br />

Libby Johns<br />

MMusTher c<strong>and</strong>idate <strong>and</strong> Scholarship<br />

recipient<br />

“My journey in music has continued to exp<strong>and</strong> my<br />

experience as an individual <strong>and</strong> in relationships<br />

with friends <strong>and</strong> the community.”<br />

In 2008 Libby completed a BMus in Jazz Performance as a<br />

saxophonist. It was during these studies at NZSM’s Mt Cook<br />

Campus that she became acquainted with the Music Therapy<br />

Programme, the only tertiary programme in Music Therapy<br />

available in New Zeal<strong>and</strong>.<br />

“I really wanted to make music <strong>and</strong> to empower others to make<br />

music. Following two years of working <strong>and</strong> travelling I enrolled in<br />

the Master of Music Therapy in 2011. The papers <strong>and</strong> programmes<br />

on offer at the NZSM have given me the ability to specialise, whilst<br />

still exposing me to music <strong>and</strong> people outside of my focus area. I<br />

am now working, as a music therapy student, in a profession which<br />

I am both fascinated by <strong>and</strong> excited to be a part of.”<br />

Libby is a recipient of the Sir Roy McKenzie Scholarship. She is<br />

currently on a nine-month placement at the Raukatauri Music<br />

Therapy Centre in Auckl<strong>and</strong> where she works as a student music<br />

therapist with children who have diverse needs <strong>and</strong> abilities.<br />

<strong>Faculty</strong> of Humanities <strong>and</strong> Social Sciences <strong>2013</strong> 73

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