Hyborian Adventures - Ruminations of an Engineer
Hyborian Adventures - Ruminations of an Engineer
Hyborian Adventures - Ruminations of an Engineer
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Con<strong>an</strong><br />
Con<strong>an</strong> is a Cimmeri<strong>an</strong>, a barbari<strong>an</strong> <strong>of</strong> the far north; he was<br />
born on a battlefield <strong>an</strong>d is the son <strong>of</strong> a blacksmith. He grew<br />
up fast: by age fifteen he was already a respected warrior,<br />
participating in the destruction <strong>of</strong> the Aquiloni<strong>an</strong> outpost <strong>of</strong><br />
Venarium. After this he was struck by w<strong>an</strong>derlust <strong>an</strong>d beg<strong>an</strong><br />
the colorful <strong>an</strong>d exciting adventures chronicled by Howard<br />
<strong>an</strong>d others, encountering fabulous monsters, evil wizards,<br />
<strong>an</strong>d beautiful wenches <strong>an</strong>d princesses - he has travelled<br />
throughout the world <strong>an</strong>d been a thief <strong>an</strong>d outlaw, a<br />
mercenary <strong>an</strong>d comm<strong>an</strong>der <strong>of</strong> a mercenary comp<strong>an</strong>y, <strong>an</strong>d a<br />
pirate. He begins building larger units <strong>of</strong> men, aiming for<br />
greater territorial ambitions, though his efforts are<br />
repeatedly thwarted - usually by the total massacre <strong>of</strong> his<br />
force excepting himself. But in his forties he finally<br />
succeeds, becoming king <strong>of</strong> Aquilonia, the most powerful<br />
kingdom <strong>of</strong> the age, having str<strong>an</strong>gled the previous ruler on<br />
the steps <strong>of</strong> the throne. Although Con<strong>an</strong>'s adventures <strong>of</strong>ten<br />
result in him performing heroic feats, his motive is more<br />
th<strong>an</strong> <strong>of</strong>ten his own survival, enrichment or rise to power <strong>an</strong>d<br />
he thus displays m<strong>an</strong>y <strong>of</strong> the characteristics <strong>of</strong> <strong>an</strong> <strong>an</strong>ti-hero.<br />
Con<strong>an</strong> is darkly t<strong>an</strong>ned, has "sullen" or "smoldering" blue<br />
eyes, a "m<strong>an</strong>e" <strong>of</strong> long black hair, <strong>an</strong>d is scarred - Howard<br />
mentions most <strong>of</strong>ten the scarring on his face. Contrary to<br />
m<strong>an</strong>y modern illustrations, Con<strong>an</strong> is hirsuit:<br />
So formidable was his appear<strong>an</strong>ce, naked but for short<br />
leather breeks <strong>an</strong>d sleeveless shirt, open to reveal his great,<br />
hairy chest, with his huge limbs <strong>an</strong>d his blue eyes blazing<br />
under his t<strong>an</strong>gled black m<strong>an</strong>e, ... [The Hour <strong>of</strong> the Dragon,<br />
Chapter 3]<br />
He is exceptionally tall <strong>an</strong>d strong. Howard is never explicit<br />
in his stories, but in a letter to P. Schuyler Miller he wrote:<br />
At V<strong>an</strong>arium he was already a formidable <strong>an</strong>tagonist, though<br />
only fifteen. He stood six feet [1.83 m] <strong>an</strong>d weighed 180<br />
pounds [82 kg], though he lacked much <strong>of</strong> having his full<br />
growth.<br />
Con<strong>an</strong>'s height <strong>an</strong>d weight as <strong>an</strong> adult are subject to<br />
speculation - some estimates make him 6' 6" (2 m) <strong>an</strong>d up to<br />
250 lb (113 kg) - but extrapolating the growth <strong>of</strong> the 15year-old<br />
Con<strong>an</strong> based on modern data would make him at<br />
least 6' 2" (1.88 m) <strong>an</strong>d 216 lbs (98 kg) at 18. This talies with<br />
a comment Howard wrote in <strong>an</strong>other letter that his crusader<br />
character Cormac Fitzge<strong>of</strong>frey is a double <strong>of</strong> Con<strong>an</strong> <strong>an</strong>d that<br />
Cormac is 6' 2" <strong>an</strong>d 215 pounds.<br />
In Howard's tales no hum<strong>an</strong> is ever described as stronger<br />
th<strong>an</strong> Con<strong>an</strong>, although several are mentioned as taller (such<br />
as the str<strong>an</strong>gler Baal-Pteor) or <strong>of</strong> larger bulk.<br />
Although Con<strong>an</strong> is muscular, Howard frequently compares his<br />
silence, suppleness, agility, way <strong>of</strong> moving to that <strong>of</strong> a<br />
p<strong>an</strong>ther - see, for inst<strong>an</strong>ce, "The Serv<strong>an</strong>ts <strong>of</strong> Bit-Yakin"<br />
("Jewels <strong>of</strong> Gwahlur"), Beyond the Black River or "Rogues in<br />
the House" - or <strong>an</strong>other feline:<br />
He moved with the supple ease <strong>of</strong> a great tiger, his steely<br />
muscles rippling under his brown skin. ["The Tower <strong>of</strong> the<br />
Eleph<strong>an</strong>t"]<br />
His garb is very <strong>of</strong>ten a loincloth or breeches <strong>an</strong>d s<strong>an</strong>dals,<br />
<strong>an</strong>d his weapon a sword <strong>of</strong> some description, depending on<br />
his fortunes <strong>an</strong>d location.<br />
He had discarded his torn tunic, <strong>an</strong>d walked through the<br />
night naked except for a loin-cloth <strong>an</strong>d his high-strapped<br />
s<strong>an</strong>dals. ["The Tower <strong>of</strong> the Eleph<strong>an</strong>t"]<br />
His only garment was a pair <strong>of</strong> short red silk breeks, <strong>an</strong>d his<br />
s<strong>an</strong>dals were slung to his back, out <strong>of</strong> his way, as were his<br />
sword <strong>an</strong>d dagger. ["The Serv<strong>an</strong>ts <strong>of</strong> Bit-Yakin"]<br />
Sometimes he wears more:<br />
The m<strong>an</strong> in the boat was a picturesque figure. A crimson<br />
scarf was knotted about his head; his wide silk breeches, <strong>of</strong><br />
flaming hue, were upheld by a broad sash, which likewise<br />
supported a scimitar in a shagreen scabbard. His gilt-worked<br />
4<br />
leather boots suggested the horsem<strong>an</strong> rather th<strong>an</strong> the<br />
seam<strong>an</strong>, but he h<strong>an</strong>dled his boat with skill. Through his<br />
widely open white silk shirt showed his broad, muscular<br />
breast, burned brown by the sun. ["The Devil in Iron"]<br />
The str<strong>an</strong>ger was clad like himself in regard to boots <strong>an</strong>d<br />
breeks, though the latter were <strong>of</strong> silk instead <strong>of</strong> leather. But<br />
he wore a sleeveless hauberk <strong>of</strong> dark mesh-mail in place <strong>of</strong> a<br />
tunic, <strong>an</strong>d a helmet perched on his black m<strong>an</strong>e. That helmet<br />
held the other's gaze; it was without a crest, but adorned by<br />
short bull's horns. [Beyond the Black River]<br />
During his reign as King <strong>of</strong> Aquilonia, Con<strong>an</strong> was:<br />
… a tall m<strong>an</strong>, mightily shouldered <strong>an</strong>d deep <strong>of</strong> chest,<br />
with a massive corded neck <strong>an</strong>d heavily muscled<br />
limbs. He was clad in silk <strong>an</strong>d velvet, with the royal<br />
lions <strong>of</strong> Aquilonia worked in gold upon his rich jupon,<br />
<strong>an</strong>d the crown <strong>of</strong> Aquilonia shone on his square-cut<br />
black m<strong>an</strong>e; but the great sword at his side seemed<br />
more natural to him th<strong>an</strong> the regal accouterments.<br />
His brow was low <strong>an</strong>d broad, his eyes a volc<strong>an</strong>ic blue<br />
that smoldered as if with some inner fire. His dark,<br />
scarred, almost sinister face was that <strong>of</strong> a fightingm<strong>an</strong>,<br />
<strong>an</strong>d his velvet garments could not conceal the<br />
hard, d<strong>an</strong>gerous lines <strong>of</strong> his limbs." [The Hour <strong>of</strong> the<br />
Dragon, pp. 89-90)]<br />
He loses none <strong>of</strong> his vigour with age with the above<br />
description coming when he is in his mid 40's.<br />
Though several later authors have referred to Con<strong>an</strong> as<br />
"Germ<strong>an</strong>ic-looking," Howard imagined the Cimmeri<strong>an</strong>s as a<br />
proto-Celtic people with mostly dark hair <strong>an</strong>d blue or grey<br />
eyes. Racially the Cimmeri<strong>an</strong>s to which Con<strong>an</strong> belongs are<br />
descend<strong>an</strong>ts <strong>of</strong> the Atl<strong>an</strong>te<strong>an</strong>s, though they do not<br />
remember their <strong>an</strong>cestry. In his pseudo-historical essay "The<br />
<strong>Hybori<strong>an</strong></strong> Age", Howard describes how the people <strong>of</strong> Atl<strong>an</strong>tis<br />
(the l<strong>an</strong>d where his character Kull originated) had to move<br />
east after a great cataclysm ch<strong>an</strong>ged the face <strong>of</strong> the world<br />
<strong>an</strong>d s<strong>an</strong>k their isl<strong>an</strong>d, settling where northern Scotl<strong>an</strong>d <strong>an</strong>d<br />
Norway would eventually be located. In the same work,<br />
Howard also described how the Cimmeri<strong>an</strong>s eventually<br />
moved south <strong>an</strong>d east after the age <strong>of</strong> Con<strong>an</strong>.<br />
Despite his brutish appear<strong>an</strong>ce, Con<strong>an</strong> uses his brain as well<br />
as his brawn. The Cimmeri<strong>an</strong> is a talented fighter, but due<br />
to his travels abroad, he also has vast experience in other<br />
trades, especially the thiefly one; he is also a talented<br />
comm<strong>an</strong>der, tactici<strong>an</strong> <strong>an</strong>d strategist, as well as a born<br />
leader.<br />
Con<strong>an</strong> speaks m<strong>an</strong>y l<strong>an</strong>guages:<br />
M<strong>an</strong>y a sheltered scholar would have been astonished<br />
at the Cimmeri<strong>an</strong>'s linguistic abilities, for he had<br />
experienced m<strong>an</strong>y adventures where knowledge <strong>of</strong> a<br />
str<strong>an</strong>ge l<strong>an</strong>guage had me<strong>an</strong>t the difference between<br />
life <strong>an</strong>d death. ["The Serv<strong>an</strong>ts <strong>of</strong> Bit-Yakin"]<br />
And c<strong>an</strong> read <strong>an</strong>d write. His very first appear<strong>an</strong>ce shows him<br />
busy writing!<br />
Behind <strong>an</strong> ivory, gold-inlaid writing-table sat a m<strong>an</strong><br />
whose broad shoulders <strong>an</strong>d sun-browned skin seemed<br />
out <strong>of</strong> place among those luxuri<strong>an</strong>t surroundings.<br />
["The Phoenix on the Sword"]<br />
In some stories, he's able to recognize, or even decipher,<br />
certain <strong>an</strong>cient or secret signs <strong>an</strong>d writings, such as when he<br />
uses the sign <strong>of</strong> Jhebbal Sag in Beyond the Black River.<br />
However, Howard never has him reading Stygi<strong>an</strong>, although<br />
he c<strong>an</strong> speak it.<br />
Another noticeable trait is his sense <strong>of</strong> humour, largely<br />
absent in the comics <strong>an</strong>d movies, but very much a part <strong>of</strong><br />
Howard's original vision <strong>of</strong> the character, particularly<br />
apparent in "Xuthal <strong>of</strong> the Dusk" ("The Slithering Shadow").<br />
He is a loyal friend to those true to him with a barbaric code<br />
<strong>of</strong> honour <strong>an</strong>d chivalry that <strong>of</strong>ten marks him as more<br />
civilized th<strong>an</strong> those more sophisticated people he meets in