Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
New Films<br />
Spring Breakers<br />
Fri 19 – Thu 25 April<br />
Boundary-pushing American writer and director<br />
Harmony Korine (Gummo, Julien Donkey-Boy)<br />
returns with Spring Breakers. In it he not only taps<br />
into the undercurrent of modern day society’s<br />
idea of the American Dream, but also lets his<br />
audience experience the wildest, most extreme<br />
spring break of their fantasies.<br />
Four experimental college girls – Brit (Ashley<br />
Benson), Candy (Vanessa Hudgens), Cotty<br />
(Rachel Korine) and Faith (Selena Gomez, former<br />
Disney sweetheart) – steal from their local<br />
chicken shop and embark on the ultimate spring<br />
break in Florida. After a heavy night of alcohol<br />
and drugs sends them to prison, they’re bailed<br />
out by local gangster-cum-rapper Alien (James<br />
Franco), who promises them a trip they’ll never<br />
forget.<br />
Light on narrative but full of visual excess and<br />
substance abuse (there’s no wonder it’s an 18<br />
certificate), Spring Breakers finds Korine<br />
constantly pushing and pulling his audience into<br />
uncomfortable areas by blurring the boundaries<br />
between what’s fun and what’s damaging. It’s an<br />
insight into the dark side of a party-hard, sex<br />
obsessed youth generation.<br />
Yet it’s not to be taken too seriously, and<br />
continually mocks itself. If you’re willing to throw<br />
caution to the wind and put yourself under<br />
Korine’s hypnotic spell, then Spring Breakers<br />
is ludicrously entertaining 94 minute party.<br />
It’s one not to be missed.<br />
Dir: Harmony Korine<br />
USA 2012 / 1h34m / Digital / 18<br />
10 www.dca.org.uk<br />
Rebellion<br />
L’ordre et la morale<br />
Fri 26 April – Thu 2 May<br />
Just as he did with his debut film La Haine, Mathieu Kassovitz<br />
has once again produced a strong, hard-hitting film which<br />
sheds light on a controversial subject in France today. This<br />
time his focus is on the role and responsibilities of the military<br />
in former colonial states. Rebellion is based on a book by<br />
one of the soldiers at the heart of the story: its French title<br />
translates as Order and Morality and makes ironic reference<br />
to the part played by powerful nations in unknown wars.<br />
In 1988, a group of indigenous Kanaks storms a police station<br />
on Ouvea, one of the Pacific islands that make up New<br />
Caledonia, officially a French territory. They kill four gendarmes<br />
and take 20 hostages. A team of elite police from the GIGN<br />
Intervention Group, led by specialist negotiator Capitaine<br />
Legorjus (Kassovitz), flies to the islands. However, by the time<br />
they arrive the mission has been given to the army, who<br />
have orders to end the uprising quickly, using any means<br />
necessary. The French presidential elections are underway<br />
and neither of the competing candidates, Jaques Chirac<br />
and Francois Mitterand, wants to look weak.<br />
A deeply personal project for Kassovitz, who spent years<br />
gaining consent from the families of those killed in the<br />
operation, Rebellion is a superb film. Thought-provoking and<br />
unforgettable, it exposes the lack of respect and concern<br />
shown by those in power for the lives affected by political<br />
decisions made on distant shores.<br />
Dir: Mathieu Kassovitz<br />
France 2013 / 2h16m / Digital / 15<br />
French with English subtitles