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New Films<br />

Spring Breakers<br />

Fri 19 – Thu 25 April<br />

Boundary-pushing American writer and director<br />

Harmony Korine (Gummo, Julien Donkey-Boy)<br />

returns with Spring Breakers. In it he not only taps<br />

into the undercurrent of modern day society’s<br />

idea of the American Dream, but also lets his<br />

audience experience the wildest, most extreme<br />

spring break of their fantasies.<br />

Four experimental college girls – Brit (Ashley<br />

Benson), Candy (Vanessa Hudgens), Cotty<br />

(Rachel Korine) and Faith (Selena Gomez, former<br />

Disney sweetheart) – steal from their local<br />

chicken shop and embark on the ultimate spring<br />

break in Florida. After a heavy night of alcohol<br />

and drugs sends them to prison, they’re bailed<br />

out by local gangster-cum-rapper Alien (James<br />

Franco), who promises them a trip they’ll never<br />

forget.<br />

Light on narrative but full of visual excess and<br />

substance abuse (there’s no wonder it’s an 18<br />

certificate), Spring Breakers finds Korine<br />

constantly pushing and pulling his audience into<br />

uncomfortable areas by blurring the boundaries<br />

between what’s fun and what’s damaging. It’s an<br />

insight into the dark side of a party-hard, sex<br />

obsessed youth generation.<br />

Yet it’s not to be taken too seriously, and<br />

continually mocks itself. If you’re willing to throw<br />

caution to the wind and put yourself under<br />

Korine’s hypnotic spell, then Spring Breakers<br />

is ludicrously entertaining 94 minute party.<br />

It’s one not to be missed.<br />

Dir: Harmony Korine<br />

USA 2012 / 1h34m / Digital / 18<br />

10 www.dca.org.uk<br />

Rebellion<br />

L’ordre et la morale<br />

Fri 26 April – Thu 2 May<br />

Just as he did with his debut film La Haine, Mathieu Kassovitz<br />

has once again produced a strong, hard-hitting film which<br />

sheds light on a controversial subject in France today. This<br />

time his focus is on the role and responsibilities of the military<br />

in former colonial states. Rebellion is based on a book by<br />

one of the soldiers at the heart of the story: its French title<br />

translates as Order and Morality and makes ironic reference<br />

to the part played by powerful nations in unknown wars.<br />

In 1988, a group of indigenous Kanaks storms a police station<br />

on Ouvea, one of the Pacific islands that make up New<br />

Caledonia, officially a French territory. They kill four gendarmes<br />

and take 20 hostages. A team of elite police from the GIGN<br />

Intervention Group, led by specialist negotiator Capitaine<br />

Legorjus (Kassovitz), flies to the islands. However, by the time<br />

they arrive the mission has been given to the army, who<br />

have orders to end the uprising quickly, using any means<br />

necessary. The French presidential elections are underway<br />

and neither of the competing candidates, Jaques Chirac<br />

and Francois Mitterand, wants to look weak.<br />

A deeply personal project for Kassovitz, who spent years<br />

gaining consent from the families of those killed in the<br />

operation, Rebellion is a superb film. Thought-provoking and<br />

unforgettable, it exposes the lack of respect and concern<br />

shown by those in power for the lives affected by political<br />

decisions made on distant shores.<br />

Dir: Mathieu Kassovitz<br />

France 2013 / 2h16m / Digital / 15<br />

French with English subtitles

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