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New Films<br />
Neighbouring Sounds<br />
O som ao redor<br />
Fri 12 – Tue 16 April<br />
From the moment Neighbouring Sounds’<br />
opening credits start to roll, you’ll be aware<br />
that this is no ordinary feature film debut.<br />
Critic-turned-filmmaker Kleber Mendonça Filho<br />
is an audacious and extraordinary new voice in<br />
the cinema world.<br />
Accompanied by a cacophony of city sounds,<br />
the film opens with a montage of Brazil’s divided<br />
society, setting the stage for this epic, energetic,<br />
terrifying drama. The action takes place in the<br />
middle-class suburb of Recife, where rich and<br />
poor live and work side by side. Most of the<br />
area’s real estate is owned by Seu Francisco<br />
(W.J. Solha) who acts, along with his son João<br />
(Gustavo Jahn) as a powerful, but largely benign<br />
local ruler. When a series of burglaries start to<br />
spook the tenants, Francisco brings in security<br />
expert Clodoaldo (Irandhir Santos) and his gang<br />
of henchmen to calm the situation down. As we<br />
meet various residents, it soon becomes clear<br />
that these tower blocks are anything but normal<br />
and the colourful cast of characters who live in<br />
them are as idiosyncratic as the film itself.<br />
Utilising techniques learned from horror movies<br />
including rumbling low-level noise and effective,<br />
unexpected shocks, Filho’s anxiety-inducing style<br />
is perfectly suited to Neighbouring Sounds’<br />
desire to explore socio-political issues through a<br />
unique cinematic vision. This film truly is like<br />
nothing you’ve ever seen before.<br />
Dir: Kleber Mendonça Filho<br />
Brazil 2012 / 2h11m / Digital / 15<br />
Portuguese with English subtitles<br />
8 www.dca.org.uk<br />
A Late Quartet<br />
Fri 19 – Thu 25 April<br />
Director Yaron Zilberman has assembled a top calibre cast to<br />
tell this story about a group of classical musicians struggling<br />
with the onset of middle age. Zilberman skillfully dramatises a<br />
rarified world more often seen in documentary, set in New<br />
York during a snowy winter.<br />
An accomplished string quartet finds itself in jeopardy when<br />
the eldest of its number (Christopher Walken) is diagnosed<br />
with Parkinson’s disease. The discovery turns out to be a<br />
catalyst for the group to question their relationships, their<br />
hopes and their future. As roles within the group are<br />
challenged, so too are the personal choices of the characters.<br />
Unspoken conflicts come to the fore, the positions of first<br />
and second violin are contested, tempers are raised and<br />
passions (not just of the musical variety) are pursued.<br />
The tension that exists between the musicians is well<br />
observed and masterfully played. Philip Seymour Hoffman<br />
and Catherine Keener, as the married couple at the heart of<br />
the quartet, believably communicate the commitment and<br />
temperament needed to be first class performers, while<br />
Imogen Poots’ turn as the couple’s daughter signposts her as<br />
an actress to look out for in future. Christopher Walken’s<br />
honest performance in the film’s quiet crescendo is poignant<br />
and touching.<br />
Dir: Yaron Zilberman<br />
USA 2012 / 1h45m / Digital / 15<br />
Soft subtitled screening Tue 23 April, 15:45<br />
Bring a Baby Screening Thu 25 April, 10:30