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AWARD NIGHTS SHOW OFF SURREY'S TALENT - University of ...

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Film Editor: Tiffany Tucker | Copy Editor: Candice Ritchie<br />

Film<br />

Tiffany Tucker<br />

Film Editor<br />

During my time as Film<br />

Editor at The Stag, i’ve had<br />

the pleasure <strong>of</strong> doing a job<br />

i absolutely love. Being<br />

able to write about the<br />

films I find interesting,<br />

boring, enlightening<br />

has enlightened me on<br />

different subjects and<br />

genres i would otherwise<br />

be alien to. i am thankful<br />

for the opportunity i have<br />

been given and i should<br />

give a huge thank you<br />

to the writers who have<br />

contributed to the Film<br />

section consistently all<br />

year, such as Candice<br />

Ritchie and Caroline James.<br />

i would also like to thank<br />

The Stag team as a whole<br />

for putting in the hours<br />

to lay-up the newspaper,<br />

for without them the<br />

section would surely not<br />

look as amazing. i have<br />

had a wonderful year and<br />

i cannot wait to continue<br />

contributing to the Film<br />

Section next year when i<br />

hand over to the capable<br />

hands <strong>of</strong> Candice Ritchie.<br />

Review: The Black Dahlia (2006)<br />

By Tiffany Tucker, Film Editor<br />

From the beginning <strong>of</strong> The Black<br />

Dahlia, director Brian De Palma<br />

creates a ‘film Noir’ filled with an<br />

atmosphere <strong>of</strong> tense, intrigue and<br />

stylish seduction. The film centres<br />

on the two main characters Dwight<br />

‘Bucky’ Bleichert (Josh Hartnett)<br />

and Lee Blanchard (Aaron Eckhart)<br />

in Los Angeles, whose personal lives<br />

become intertwined with their<br />

occupations as homicide detectives<br />

when they investigate the ‘Black<br />

Dahlia’ murder case. Based on the<br />

novel <strong>of</strong> the same name, the film<br />

is centred on the true story <strong>of</strong><br />

aspiring actress Elizabeth Short’s<br />

unsolved sinister murder in 1947.<br />

The film’s close love-triangle<br />

between Blanchard, Kay Lake<br />

(Scarlett Johansson) and Bucky,<br />

who comes between them, is the<br />

main sub-plot. Johansson is the<br />

perfect femme-fatal, poised with<br />

seduction and perfect eye-candy<br />

for the gentleman viewers.<br />

Bucky becomes a close friend<br />

<strong>of</strong> Lee and his girlfriend Lake, and<br />

the mix between personal life and<br />

the politics <strong>of</strong> the police American<br />

institution blends perfectly.<br />

When the mutilated corpse <strong>of</strong> the<br />

aspiring actress Elizabeth Short<br />

is found, Lee becomes obsessed<br />

with solving the case. Meanwhile,<br />

Bucky’s investigation leads him to a<br />

Madeleine Linscott, the daughter <strong>of</strong><br />

a powerful and wealthy constructor<br />

that resembles the Black Dahlia. In an<br />

environment <strong>of</strong> corruption and lies,<br />

Bucky discloses hidden truths. The<br />

ending <strong>of</strong> the film, if nothing else is<br />

worth the viewing, has a gripping<br />

twist, and is thrillingly surprising.<br />

With enough corruption, lies, sex,<br />

and hidden truths, The Black Dahlia is<br />

a tense mystery-thriller, perfectly<br />

cast and deeply mysterious.<br />

By Heulwen Williams, Film Team<br />

So far, The Avengers has been<br />

a massive hit in the UK, and<br />

most Americans seem to like<br />

it too, though is it just another<br />

superhero movie? With its huge<br />

marketing scheme, stretching<br />

over months, it was hyped up to be<br />

an amazing movie. CBS Chicago’s<br />

Michael Walters says “The Avengers<br />

is an overblown, overstuffed,<br />

superhero extravaganza,” and I’m<br />

afraid I’d have to agree with him.<br />

Don’t get me wrong, I’m a massive<br />

superhero junkie. I was pumped<br />

to see this - not as pumped as<br />

The Dark Knight Rises which hits<br />

screens on the 20th <strong>of</strong> July -<br />

because <strong>of</strong> the media attention,<br />

and the pretty cool concept. Not<br />

to mention the fantastic director<br />

Joss Whedon, who wrote the<br />

screenplay for Toy Story and The<br />

Cabin in the Woods.<br />

After Iron Man, Thor and<br />

Captain America, with cameos<br />

from Nick Fury, Black Widow<br />

and Hawkeye, Marvel’s next<br />

obvious step was to assemble<br />

the Avengers. The ‘Avengers<br />

Initiative’ was first mentioned in<br />

Iron Man 2 and since, (super-nerds<br />

will know) Marvel’s been dishing<br />

out the post-credit scenes like<br />

crazy. Remember the cube thing<br />

in both Captain America and Thor?<br />

Well, that’s on lock-down, under<br />

Nick Fury’s watchful eye (sorry,<br />

bad joke). However, Loki – Thor’s<br />

evil adopted brother – has joined<br />

The Stag | 22 nd May 2012<br />

forces with an alien army and<br />

plans to take over Earth through<br />

channeling the power <strong>of</strong> the<br />

cube. Run <strong>of</strong> the mill, really. Nick<br />

Fury calls the Avengers together,<br />

which consists <strong>of</strong> Iron Man aka<br />

Tony Stark, Captain America aka<br />

Steve Rogers, Thor, Black Widow<br />

aka Natasha Roman<strong>of</strong>f, Hawkeye<br />

aka Clint Barton and last but not<br />

least, the Hulk aka Bruce Banner.<br />

Throughout, there’s rivalry as<br />

the team learn to co-operate and<br />

try to stop Loki’s plan. There’s<br />

this huge build up <strong>of</strong> action,<br />

all pointing towards the final<br />

battle scene - set in New York,<br />

standard - where the Avengers<br />

fight invading aliens and floating<br />

mechanical dolphins, that look<br />

an awful lot like Transformers.<br />

In a nutshell, the film is a bit<br />

<strong>of</strong> a disappointment. With so<br />

many protagonists and a pretty<br />

complex story line, character<br />

FiLM 21<br />

Review: The Avengers (2012)<br />

By Candice Ritchie, Film Team<br />

At a time when exams are<br />

looming and revision<br />

is paramount, there is that<br />

one word which pervades all<br />

students’ lives: procrastination.<br />

The most conventional forms <strong>of</strong><br />

procrastination <strong>of</strong>ten lie within<br />

catch-up services such as 4oD and<br />

BBC iPlayer, the <strong>of</strong>ten delayeduntil-now<br />

room tidying, and most<br />

commonly, social-networking<br />

websites. However, I am always<br />

drawn towards wanting to watch<br />

a film, and this can prove deadly.<br />

Whilst the occasional glance<br />

at Twitter and Facebook can<br />

span as little as ten minutes or<br />

as lengthy as an entire hour, one<br />

can exit its realms at any point.<br />

However, once I’ve completed the<br />

mammoth task <strong>of</strong> choosing my<br />

film, and I’ve begun to watch it,<br />

I always feel as though I have to<br />

watch it in its entirety. Turning it<br />

<strong>of</strong>f halfway is just not an option.<br />

Perhaps it’s just the unconscious<br />

nature <strong>of</strong> film-watching which<br />

influences me; it’s natural to<br />

watch a film the whole way<br />

through and essentially, it’s the<br />

ultimate aim: to find out what<br />

happens at the end. But whilst<br />

this tactic is perfectly plausible<br />

for the everyday film-watch, when<br />

watching it for procrastination it<br />

can be fatal: before you know it,<br />

an hour and a half <strong>of</strong> your sacred<br />

revision time has disappeared.<br />

Whether film serves as more<br />

<strong>of</strong> a time-waster or a satisfying<br />

break from revision, however,<br />

may depend on the time <strong>of</strong> day in<br />

development is side-lined slightly.<br />

Occasionally, the action gets a<br />

little clichéd, and there’s a lot <strong>of</strong><br />

cliché in that 2-and-a half hour<br />

gap! Whedon, in his defence, has<br />

done a terrific job <strong>of</strong> portraying<br />

Black Widow and Tony Stark.<br />

However, the common idea that<br />

everyone seems to have is that he<br />

has made an awesome job with the<br />

Hulk. I disagree. Ruffalo’s Banner<br />

is believable and he does a pretty<br />

good job, but the Hulk himself<br />

has a minor role and is only<br />

added for comedic value, in my<br />

opinion. The film has much more<br />

potential, only an average film<br />

perhaps because <strong>of</strong> the build-up<br />

to it. That said, it is a good laugh,<br />

and the special effects are pretty<br />

good even though 3D doesn’t add<br />

that much to it. Definitely worth a<br />

shot though, just don’t expect to<br />

be blown away or swept <strong>of</strong>f your<br />

feet Superman-style.<br />

Film: the ultimate procrastination?<br />

which you use it to procrastinate.<br />

Watching a film late at night as<br />

a revision-break and vowing to<br />

carry on working afterwards<br />

may simply prove futile: more<br />

<strong>of</strong>ten than not, I have chosen this<br />

option and fallen asleep mid-film.<br />

However, if you have revised in<br />

the morning, for example, and<br />

chosen a film as an afternoon<br />

break, you’re more likely to<br />

benefit from it because you’ll<br />

have plenty <strong>of</strong> the day remaining<br />

in order to continue revision<br />

post-film.<br />

Nonetheless, it is undeniable<br />

that watching a film, although<br />

no doubt one <strong>of</strong> the most<br />

enjoyable, is one <strong>of</strong> the lengthiest<br />

procrastinations one can choose.<br />

Perhaps Twitter and Facebook<br />

aren’t so bad after all…

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