AWARD NIGHTS SHOW OFF SURREY'S TALENT - University of ...
AWARD NIGHTS SHOW OFF SURREY'S TALENT - University of ...
AWARD NIGHTS SHOW OFF SURREY'S TALENT - University of ...
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Film Editor: Tiffany Tucker | Copy Editor: Candice Ritchie<br />
Film<br />
Tiffany Tucker<br />
Film Editor<br />
During my time as Film<br />
Editor at The Stag, i’ve had<br />
the pleasure <strong>of</strong> doing a job<br />
i absolutely love. Being<br />
able to write about the<br />
films I find interesting,<br />
boring, enlightening<br />
has enlightened me on<br />
different subjects and<br />
genres i would otherwise<br />
be alien to. i am thankful<br />
for the opportunity i have<br />
been given and i should<br />
give a huge thank you<br />
to the writers who have<br />
contributed to the Film<br />
section consistently all<br />
year, such as Candice<br />
Ritchie and Caroline James.<br />
i would also like to thank<br />
The Stag team as a whole<br />
for putting in the hours<br />
to lay-up the newspaper,<br />
for without them the<br />
section would surely not<br />
look as amazing. i have<br />
had a wonderful year and<br />
i cannot wait to continue<br />
contributing to the Film<br />
Section next year when i<br />
hand over to the capable<br />
hands <strong>of</strong> Candice Ritchie.<br />
Review: The Black Dahlia (2006)<br />
By Tiffany Tucker, Film Editor<br />
From the beginning <strong>of</strong> The Black<br />
Dahlia, director Brian De Palma<br />
creates a ‘film Noir’ filled with an<br />
atmosphere <strong>of</strong> tense, intrigue and<br />
stylish seduction. The film centres<br />
on the two main characters Dwight<br />
‘Bucky’ Bleichert (Josh Hartnett)<br />
and Lee Blanchard (Aaron Eckhart)<br />
in Los Angeles, whose personal lives<br />
become intertwined with their<br />
occupations as homicide detectives<br />
when they investigate the ‘Black<br />
Dahlia’ murder case. Based on the<br />
novel <strong>of</strong> the same name, the film<br />
is centred on the true story <strong>of</strong><br />
aspiring actress Elizabeth Short’s<br />
unsolved sinister murder in 1947.<br />
The film’s close love-triangle<br />
between Blanchard, Kay Lake<br />
(Scarlett Johansson) and Bucky,<br />
who comes between them, is the<br />
main sub-plot. Johansson is the<br />
perfect femme-fatal, poised with<br />
seduction and perfect eye-candy<br />
for the gentleman viewers.<br />
Bucky becomes a close friend<br />
<strong>of</strong> Lee and his girlfriend Lake, and<br />
the mix between personal life and<br />
the politics <strong>of</strong> the police American<br />
institution blends perfectly.<br />
When the mutilated corpse <strong>of</strong> the<br />
aspiring actress Elizabeth Short<br />
is found, Lee becomes obsessed<br />
with solving the case. Meanwhile,<br />
Bucky’s investigation leads him to a<br />
Madeleine Linscott, the daughter <strong>of</strong><br />
a powerful and wealthy constructor<br />
that resembles the Black Dahlia. In an<br />
environment <strong>of</strong> corruption and lies,<br />
Bucky discloses hidden truths. The<br />
ending <strong>of</strong> the film, if nothing else is<br />
worth the viewing, has a gripping<br />
twist, and is thrillingly surprising.<br />
With enough corruption, lies, sex,<br />
and hidden truths, The Black Dahlia is<br />
a tense mystery-thriller, perfectly<br />
cast and deeply mysterious.<br />
By Heulwen Williams, Film Team<br />
So far, The Avengers has been<br />
a massive hit in the UK, and<br />
most Americans seem to like<br />
it too, though is it just another<br />
superhero movie? With its huge<br />
marketing scheme, stretching<br />
over months, it was hyped up to be<br />
an amazing movie. CBS Chicago’s<br />
Michael Walters says “The Avengers<br />
is an overblown, overstuffed,<br />
superhero extravaganza,” and I’m<br />
afraid I’d have to agree with him.<br />
Don’t get me wrong, I’m a massive<br />
superhero junkie. I was pumped<br />
to see this - not as pumped as<br />
The Dark Knight Rises which hits<br />
screens on the 20th <strong>of</strong> July -<br />
because <strong>of</strong> the media attention,<br />
and the pretty cool concept. Not<br />
to mention the fantastic director<br />
Joss Whedon, who wrote the<br />
screenplay for Toy Story and The<br />
Cabin in the Woods.<br />
After Iron Man, Thor and<br />
Captain America, with cameos<br />
from Nick Fury, Black Widow<br />
and Hawkeye, Marvel’s next<br />
obvious step was to assemble<br />
the Avengers. The ‘Avengers<br />
Initiative’ was first mentioned in<br />
Iron Man 2 and since, (super-nerds<br />
will know) Marvel’s been dishing<br />
out the post-credit scenes like<br />
crazy. Remember the cube thing<br />
in both Captain America and Thor?<br />
Well, that’s on lock-down, under<br />
Nick Fury’s watchful eye (sorry,<br />
bad joke). However, Loki – Thor’s<br />
evil adopted brother – has joined<br />
The Stag | 22 nd May 2012<br />
forces with an alien army and<br />
plans to take over Earth through<br />
channeling the power <strong>of</strong> the<br />
cube. Run <strong>of</strong> the mill, really. Nick<br />
Fury calls the Avengers together,<br />
which consists <strong>of</strong> Iron Man aka<br />
Tony Stark, Captain America aka<br />
Steve Rogers, Thor, Black Widow<br />
aka Natasha Roman<strong>of</strong>f, Hawkeye<br />
aka Clint Barton and last but not<br />
least, the Hulk aka Bruce Banner.<br />
Throughout, there’s rivalry as<br />
the team learn to co-operate and<br />
try to stop Loki’s plan. There’s<br />
this huge build up <strong>of</strong> action,<br />
all pointing towards the final<br />
battle scene - set in New York,<br />
standard - where the Avengers<br />
fight invading aliens and floating<br />
mechanical dolphins, that look<br />
an awful lot like Transformers.<br />
In a nutshell, the film is a bit<br />
<strong>of</strong> a disappointment. With so<br />
many protagonists and a pretty<br />
complex story line, character<br />
FiLM 21<br />
Review: The Avengers (2012)<br />
By Candice Ritchie, Film Team<br />
At a time when exams are<br />
looming and revision<br />
is paramount, there is that<br />
one word which pervades all<br />
students’ lives: procrastination.<br />
The most conventional forms <strong>of</strong><br />
procrastination <strong>of</strong>ten lie within<br />
catch-up services such as 4oD and<br />
BBC iPlayer, the <strong>of</strong>ten delayeduntil-now<br />
room tidying, and most<br />
commonly, social-networking<br />
websites. However, I am always<br />
drawn towards wanting to watch<br />
a film, and this can prove deadly.<br />
Whilst the occasional glance<br />
at Twitter and Facebook can<br />
span as little as ten minutes or<br />
as lengthy as an entire hour, one<br />
can exit its realms at any point.<br />
However, once I’ve completed the<br />
mammoth task <strong>of</strong> choosing my<br />
film, and I’ve begun to watch it,<br />
I always feel as though I have to<br />
watch it in its entirety. Turning it<br />
<strong>of</strong>f halfway is just not an option.<br />
Perhaps it’s just the unconscious<br />
nature <strong>of</strong> film-watching which<br />
influences me; it’s natural to<br />
watch a film the whole way<br />
through and essentially, it’s the<br />
ultimate aim: to find out what<br />
happens at the end. But whilst<br />
this tactic is perfectly plausible<br />
for the everyday film-watch, when<br />
watching it for procrastination it<br />
can be fatal: before you know it,<br />
an hour and a half <strong>of</strong> your sacred<br />
revision time has disappeared.<br />
Whether film serves as more<br />
<strong>of</strong> a time-waster or a satisfying<br />
break from revision, however,<br />
may depend on the time <strong>of</strong> day in<br />
development is side-lined slightly.<br />
Occasionally, the action gets a<br />
little clichéd, and there’s a lot <strong>of</strong><br />
cliché in that 2-and-a half hour<br />
gap! Whedon, in his defence, has<br />
done a terrific job <strong>of</strong> portraying<br />
Black Widow and Tony Stark.<br />
However, the common idea that<br />
everyone seems to have is that he<br />
has made an awesome job with the<br />
Hulk. I disagree. Ruffalo’s Banner<br />
is believable and he does a pretty<br />
good job, but the Hulk himself<br />
has a minor role and is only<br />
added for comedic value, in my<br />
opinion. The film has much more<br />
potential, only an average film<br />
perhaps because <strong>of</strong> the build-up<br />
to it. That said, it is a good laugh,<br />
and the special effects are pretty<br />
good even though 3D doesn’t add<br />
that much to it. Definitely worth a<br />
shot though, just don’t expect to<br />
be blown away or swept <strong>of</strong>f your<br />
feet Superman-style.<br />
Film: the ultimate procrastination?<br />
which you use it to procrastinate.<br />
Watching a film late at night as<br />
a revision-break and vowing to<br />
carry on working afterwards<br />
may simply prove futile: more<br />
<strong>of</strong>ten than not, I have chosen this<br />
option and fallen asleep mid-film.<br />
However, if you have revised in<br />
the morning, for example, and<br />
chosen a film as an afternoon<br />
break, you’re more likely to<br />
benefit from it because you’ll<br />
have plenty <strong>of</strong> the day remaining<br />
in order to continue revision<br />
post-film.<br />
Nonetheless, it is undeniable<br />
that watching a film, although<br />
no doubt one <strong>of</strong> the most<br />
enjoyable, is one <strong>of</strong> the lengthiest<br />
procrastinations one can choose.<br />
Perhaps Twitter and Facebook<br />
aren’t so bad after all…