A HAIRLESS HORSE, A CRAZY DIAMOND, A GAY TRAITOR ...
A HAIRLESS HORSE, A CRAZY DIAMOND, A GAY TRAITOR ...
A HAIRLESS HORSE, A CRAZY DIAMOND, A GAY TRAITOR ...
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[1] SIMMONS (Owen).<br />
(F.C.S.) (“Owen &<br />
Owen”). (Pseudonym).<br />
The Book of Bread.<br />
28 illustrations with ten<br />
of those tipped in<br />
original bromide<br />
photographs. First<br />
edition de luxe limited<br />
issue for subscribers.<br />
4to., endpaper, half-title, title, [3pp.], pp-8–360,<br />
endpaper, in the original red grained morocco,<br />
raised bands on spine, gilt titles and ruling, gilt<br />
dentelles, all edges gilt, gilt marbled paper<br />
endpapers and pastedowns, on doubleweight fine<br />
art paper and with the bromide photographs, 350<br />
copies. London, Maclaren & Sons, Offices of<br />
“The British Baker”, 1902. £6000<br />
Hinges worn, rubbed corners. A good to very<br />
good copy of an overlooked edition of an iconic<br />
photobook. Parr Vol 1. (for the trade edition<br />
only).<br />
5<br />
[2] WOOD (Tom). Looking for Love.<br />
Photographs From Chelsea Reach Nightclub<br />
New Brighton Merseyside.<br />
Largely illustrated with colour photographs.<br />
First edition. Oblong 4to., unpaginated, perfect<br />
bound into the original illustrated stiff card<br />
wrappers. Manchester, Cornerhouse<br />
Publications, 1989. £450<br />
Very good, crisp, clean copy.<br />
[3] HASKINS (Sam).<br />
Posters.<br />
32 colour and b&w<br />
posters. First, limited<br />
deluxe edition. Folio,<br />
unpaginated, black<br />
front and back<br />
endpapers, limitation<br />
leaf, [1p.] text, 31ll.,<br />
printed on rectos only,<br />
bound in contemporary<br />
black cloth, gilt titles on<br />
spine and gold leaf covered boards, titles in a<br />
vignette in black on upper board, one of 1500<br />
signed and hand-numbered copies. Zurich, For<br />
Sam Haskins, 1972. £2000<br />
Fine. Very rare.<br />
[4] ENGLISH (Michael). ufo 31 tot. ct. rd. feb<br />
27 pink floyd brothers grimm Mar 3 soft<br />
machine mar 10 pink floyd.<br />
Original poster. 76 x 102 cm., titles in Dayglo<br />
pinks and green on white paper stock,<br />
silkscreened, signed in the stone. N.p. [London],<br />
n.p, [UFO?], n.d., 1967. £1500<br />
Crisp clean image, dog eared corners, creased<br />
and worn edges, a small chip lost on the upper<br />
edge, some dustiness, old central vertical fold. A<br />
very nice copy. Rare.<br />
Pink Floyd with Syd Barrett.<br />
[5] ENGLISH (Michael) (Designed by). Love<br />
Festival. u.f.o 31 tot. ct. rd. 1030 daydawnlite.<br />
feb 10. bonzo dog doo dah band. ginger<br />
johnson. bank dick. w.c. fields. + chien<br />
andalou. salvador dali. feb 17. soft machine.<br />
indian music. disney cartoons. mark boyle.<br />
feature movie.<br />
Original poster. 75.8 x 101.6 cm., graphics and<br />
titles in Day-Glo pinks and reds on white paper<br />
stock, silkscreened. N.p. [London], n.p., n.d.,<br />
1966. £1000<br />
Crisp, clear image and titles, triflingly browned,<br />
creased edges, large pinholes in each corner,<br />
rolled. A beautiful copy, Day-Glo is notoriously<br />
fugitive, it is remarkable that they are still so<br />
very bright after 45 years. Rare. Seemingly a<br />
later edition only on MOMA online.<br />
“THE <strong>DIAMOND</strong> EXHIBITION<br />
IS REALLY GOING TO BLOW<br />
YOUR MIND” [6] [BARRETT<br />
(SYD)]. Scrapbook.<br />
Silvine. Ref. 438.<br />
Folio, 12ll., 18pp. with<br />
pasted in clippings<br />
from newspapers and<br />
magazines with some<br />
laid onto ruled paper,<br />
sugar paper, stapled<br />
into the original stiff<br />
red card wrappers, titles<br />
in black and a trompe<br />
l’oeil vignette of a pair<br />
of scissors on the upper<br />
portion, COA loosely inserted. c. 2005. £5000<br />
One of the three staples missing, endemic<br />
rippling of pages from paste, lightly worn<br />
wrappers, some clippings removed and replaced.<br />
Very good condition. Provenance: Lot 740.<br />
Cheffins Syd Barrett sale (2006). From Syd<br />
Barret’s estate via Cheffins to a private collector,<br />
thence to Maggs.<br />
Cheffins described this as “Syd’s primary scrap<br />
book”. One clipping is a story from The Times<br />
Magazine, 2 July 2005, reviewing a diamond<br />
1