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What Is glass tile? - Infotile

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By Peter Halliday<br />

Glass has been described as one of the hottest materials used in architecture<br />

over the last decade. Often associated with clean, minimalist design, the<br />

visual depth and fl uid appearance of <strong>glass</strong> adds interest to almost every<br />

application. The three, strong design elements in interior architecture today<br />

are colour, format and texture. Glass <strong>tile</strong>s incorporate them all. Together<br />

with stone and metal, <strong>glass</strong> has replaced some of the traditional ceramic<br />

<strong>tile</strong> decorated borders as the decorative element in many homes and<br />

apartments. Many believe this trend will continue into the next decade.<br />

<strong>What</strong> is <strong>glass</strong> <strong>tile</strong>?<br />

When asked about <strong>glass</strong> <strong>tile</strong>s, most people think of small, square, meshmounted<br />

<strong>glass</strong> mosaics. The recent resurgence of interest in <strong>glass</strong> mosaic<br />

has found the material widely used in both domestic and commercial<br />

installations. The displays at Cersaie by Bisazza, Trend, Opio, Sicis, Megaron<br />

and others were both hard to miss or forget. Due to its small size, <strong>glass</strong><br />

mosaic is an obvious product to use on tightly curved surfaces. Traditional<br />

mosaic <strong>tile</strong>s are sintered <strong>glass</strong>. This means the raw materials are ground<br />

to powder form, mixed with binders and pressed. The pieces are then fi red<br />

at a temperature high enough to melt the particles together. The fi nal<br />

appearance can sometimes be milky or solid, without the depth or transparency<br />

we often associate with other <strong>glass</strong> products.<br />

Glass <strong>tile</strong> includes a much wider variety of products other than traditional<br />

<strong>glass</strong> mosaic. The clear <strong>glass</strong> <strong>tile</strong>s with colour applied to the back has<br />

attracted a lot of attention in recent years. Available is sizes from 25 x 25<br />

mm up to 200x300 mm and larger, the <strong>tile</strong>s from different manufacturers<br />

range from 4 to 8 mm thick. The appearance of a wall fi nished in this type<br />

of <strong>glass</strong> <strong>tile</strong> is translucent with a visual depth not found in ceramics. This<br />

is due to the depth of the transparent <strong>glass</strong> layer through which the colour<br />

and texture, applied to the rear of the <strong>tile</strong>, is viewed.<br />

Glassmakers generally categorise <strong>glass</strong> <strong>tile</strong>s into two types, hot <strong>glass</strong> and<br />

warm <strong>glass</strong>. The categories describe the temperature ranges at which the<br />

<strong>glass</strong> <strong>tile</strong>s are formed. Hot <strong>glass</strong> <strong>tile</strong>s are produced by grinding raw materials<br />

(which can be other recycled <strong>glass</strong> products) into powder form, melting<br />

the powder in a furnace at over 1000 degrees, and then pouring the molten<br />

<strong>glass</strong> into a press or mould. Higher relief and more complex shapes are<br />

possible by this method. Hot <strong>glass</strong> <strong>tile</strong>s combine the translucent colours of<br />

the <strong>glass</strong> and the optical effects of refracted light together with high<br />

ISSUE #39<br />

46 <strong>tile</strong>today.com.au<br />

relief texture. The process is more expensive than warm <strong>glass</strong> so the products<br />

produced are usually borders and feature <strong>tile</strong>s, where the detail and high<br />

relief is valued most.<br />

Phillip Naughton, who along with Chris Simpson co-founded Infusion,<br />

manufactures <strong>glass</strong> <strong>tile</strong>s using the warm <strong>glass</strong> method. He uses sheets of<br />

6 or 8 mm thick fl oat <strong>glass</strong> which are cut up into different sized products.<br />

In their North Melbourne factory, the cut pieces are fi red to over 800 degrees<br />

to create the textured rear surface. The sharp edges are also fi re polished<br />

or rounded off during the fi rst fi ring. When the <strong>tile</strong>s cool, designs can be<br />

screen printed onto the rear surface, or the back can be covered with a single<br />

colour of <strong>glass</strong> enamel. The <strong>tile</strong> is then fi red for a second time at a lower<br />

temperature. Most of the clear <strong>glass</strong> <strong>tile</strong> products, manufactured in Australia,<br />

are made by the warm <strong>glass</strong> process.<br />

BAT Trims have been importing Interstyle <strong>glass</strong> <strong>tile</strong> products from Canada<br />

for the last eight years. Interstyle began manufacturing <strong>glass</strong> <strong>tile</strong>s in 1983.<br />

Their “Glassstyle Series” is created by fusing coloured ceramic glazes onto<br />

selected quality, clear <strong>glass</strong>. The colour becomes an integral part of the<br />

<strong>glass</strong> and is not damaged by exposure to virtually any environment. This<br />

<strong>glass</strong>-glaze combination makes the product suitable for interior and exterior<br />

applications, even in high humidity areas and swimming pools.<br />

Gerhard Flechsig from BAT Trims and John Pyke from Regeneration, both<br />

stress the importance of the fi red glaze or <strong>glass</strong> enamel to colour their <strong>glass</strong><br />

products. Some cheaper <strong>glass</strong> <strong>tile</strong>s use two-pack paint on the rear of the<br />

<strong>glass</strong> to provide the colour. This reduces the manufacturing cost as there<br />

is one less fi ring, but the risk of failure from colour pulling away from<br />

the <strong>glass</strong> or reacting with the adhesive is greatly increased, especially with<br />

metallic colours. The painted colour is also less resistant to U.V light and<br />

humidity.<br />

<strong>What</strong>’s new and selling?<br />

John and Jenny Pyke fi rst introduced <strong>glass</strong> <strong>tile</strong>s to Australia about 10 years<br />

ago. Jenny had been working with <strong>glass</strong> as a creative art medium for 20<br />

years prior but after seeing moulded <strong>glass</strong> borders at a trade show in USA,<br />

they quickly started producing their own after unsuccessfully trying to import<br />

the American products. Regeneration has recently introduced the three new<br />

designer colours of Aubergine, Ironbark and Choc Spice into their range.<br />

They are fashion colours which compliment many of today’s porcelain <strong>tile</strong>s<br />

Image courtesy B.A.T. Trims Image courtesy Bisazza Verve Cafe & Bar, ACT


Image courtesy B.A.T. Trims Image courtesy Bisazza Image courtesy Bisazza<br />

Image courtesy B.A.T. Trims<br />

ISSUE #39<br />

<strong>tile</strong>today.com.au??


GET ON BOARD!<br />

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“STAY SMALL, GET BIG OR GET OUT!”<br />

We intend to get big and welcome you to join our growth<br />

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Franchising is growing like wild fi re across the globe<br />

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We can offer you a very attractive franchise conversion<br />

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Go on, pick up the telephone and give me a call, you<br />

may be pleasantly surprised at what we tell you once<br />

we mutually work out whether we can work together to<br />

build Femme For Tile into a major force in the retail <strong>tile</strong><br />

marketplace.<br />

Our goal is to have 150 <strong>tile</strong> shops across Australia<br />

up and fully operational within the next fi ve years.<br />

Our Cash ‘n Carry ‘keep it simple retailing system’ will set<br />

standards and we want you to be part of that successful<br />

retail formula.<br />

Bronwyn Hudson<br />

Managing Director<br />

Femme For Tile<br />

Tel: 02 9832 8600<br />

Email: b_hudson@tig.com.au<br />

and stone. Like other local manufacturers, Regeneration is not a mass<br />

market manufacturer, but can produce the necessary volumes required for<br />

larger commercial projects. They augment their general range of <strong>glass</strong><br />

borders and wall <strong>tile</strong>s with interesting artistic commissions and custom<br />

made <strong>glass</strong> products.<br />

BAT Trims report that <strong>glass</strong> is still growing in popularity but the styles and<br />

colours are continually changing. The best selling products in projects are<br />

still white or alabaster 100 x 100 mm <strong>tile</strong>s. In domestic applications the<br />

smaller sized mosaic sheets featuring blends of mixed colours has proved<br />

very popular. Gerhard has recently received samples of the new <strong>glass</strong> fl oor<br />

borders also being developed by Interstyle. As the manufacturing technology<br />

improves, the range of interesting products keeps increasing. This has<br />

prompted Gerhard to extend their current warehouse space to carry the<br />

increased number of stock lines held by BAT Trims, who are the largest<br />

stockists of Interstyle products in the world.<br />

Glass products continue to sell well for Gasparre Holdings although Cosimo<br />

Gasparre says the market is changing rapidly. Glass plays a signifi cant part<br />

in their product range with over 300 <strong>glass</strong> products designed in Australia<br />

but manufactured abroad. They have recently introduced new designs featuring<br />

combinations of <strong>glass</strong> with metal in more muted tones. Cosimo believes<br />

<strong>glass</strong> has a strong future, provided his company can meet the market’s<br />

constant demand for new designs, colours and technology.<br />

Infusion has developed a white <strong>glass</strong> <strong>tile</strong> in response to architectural requests.<br />

The clear <strong>tile</strong> with white backing does not have the slight green tinge<br />

normally associated with using fl oat <strong>glass</strong> as the raw material. Chris Simpson<br />

says the low-iron <strong>glass</strong> is more expensive but gives a much whiter result.<br />

Infusion <strong>glass</strong> <strong>tile</strong>s have recently been used as a feature wall in the new<br />

Federation Square project in Melbourne.<br />

Artistic Stone will launch a second range of <strong>glass</strong> <strong>tile</strong>s in early June. Called<br />

the Maniscalco Glass Collection, it includes 32 colours of 15 x 15 mm,<br />

bevelled-edge, full colour <strong>glass</strong> mosaic at very affordable prices, according<br />

to Managing Director, Peter Maniscalco. Mixed colour sheets will be offered<br />

together with borders and centre motifs for swimming pools. The entire<br />

range will be suitable for walls and fl oors, both indoors and outdoors.<br />

Everstone has launched a brilliant range of clear <strong>glass</strong> <strong>tile</strong>s with colour<br />

backing, manufactured in China. The range is available in 40 colours in a<br />

variety of sizes ranging from small mosaic size up to 100 x 100 with long<br />

strips. The modular sizes include oblong shapes that can be combined in<br />

many interesting patterns.<br />

The Spanish decorative <strong>tile</strong> manufacturer Tres Estilos, introduced a new<br />

range of rectifi ed, decorated, tempered <strong>glass</strong> borders at Cersaie in 2002.<br />

The “Fusing Collection” featured again on their display at Cevisama. The<br />

range of <strong>glass</strong> listelli was offered as a modern alternative to the products<br />

normally associated with Spanish <strong>tile</strong> decorators.<br />

How is <strong>glass</strong> used?<br />

Robyn Westall from Academy Tiles says interest in <strong>glass</strong> is huge at the<br />

moment. Academy Tiles use a lot of Bisazza <strong>glass</strong> mosaic for swimming<br />

pools and residential interiors. Though sometimes used on its own, <strong>glass</strong><br />

is usually combined with glazed ceramic <strong>tile</strong>s, porcelain or stone to create<br />

added interest through the use of mixed materials. There is also some<br />

economic advantage in reducing the number of walls, fully <strong>tile</strong>d in an<br />

expensive <strong>glass</strong> mosaic. “Designers are looking for wow factor in tiling<br />

installations and the Bisazza <strong>glass</strong> mosaic range certainly gives plenty of<br />

that. The virtually zero moisture absorption of <strong>glass</strong> makes it ideal for<br />

swimming pools”, says Robyn.<br />

John Pyke describes <strong>glass</strong> as “strikingly neutral”. A popular look is Regeneration’s<br />

thick <strong>glass</strong> border strips combined with large format, rectifi ed wall <strong>tile</strong>s. The<br />

<strong>glass</strong> border protruding beyond the fl at <strong>tile</strong>d surface creates an interesting<br />

look. When lit from overhead, the light dances inside the <strong>glass</strong> border, bringing<br />

the product to life in ways unseen in conventional ceramic borders.


A lot of <strong>glass</strong> <strong>tile</strong> is used for kitchen splash-backs. 100x100 mm is the<br />

most common size but larger formats are also being introduced. John<br />

Pyke recommends using toughened <strong>glass</strong> for sizes larger than 100x100<br />

mm where the <strong>glass</strong> <strong>tile</strong> is close to a heat-source such as a wok burner.<br />

Gerhard Flechsig carried out extensive tests on two ranges from Interstyle,<br />

after their Glasstyle and Glasstains products were specifi ed in an apartment<br />

conversion in Melbourne. A fl ame, measuring 384 degrees Celcius, was<br />

directed 40 mm from the surface of a wall of Glasstains and Glasstyle<br />

100x100 mm <strong>tile</strong>s. The temperature readings to the front, rear and sides<br />

of the <strong>tile</strong> surface confi rmed that the two Interstyle products were suitable<br />

for use in a kitchen environment where gas cook tops were installed close<br />

to the <strong>glass</strong> <strong>tile</strong> wall. No cracks or detrimental effects were found as a result<br />

of the tests.<br />

Installation<br />

Manufacturers’ directions must be carefully followed as the backing colour<br />

on clear <strong>glass</strong> products is translucent. Unsuspecting <strong>tile</strong>rs have used notched<br />

trowels and not properly bedded the material, resulting in notch marks<br />

being seen from the front. This may not be apparent until the adhesive<br />

has dried.<br />

Regeneration reports that some <strong>tile</strong>rs are understandably nervous about<br />

cutting large format <strong>glass</strong> <strong>tile</strong>s that cost over $50.00 each. Many trade<br />

schools are not training installers about <strong>glass</strong> and large formats according<br />

to John Pyke. Regeneration has worked with a number of <strong>tile</strong>rs who they<br />

can now recommend for <strong>glass</strong> installation. As an interesting alternative,<br />

Regeneration will work with a designer to manufacture each <strong>tile</strong> to size<br />

to eliminate all cutting on the job. They will even incorporate the power<br />

point holes at the time of manufacturing.<br />

Glass can be cut with a <strong>tile</strong> cutter, <strong>glass</strong> cutter or wet diamond saw equipped with<br />

a continuous rim blade. Holes should be drilled from the back with a watercooled<br />

diamond drill bit, but fi nished off from the front to prevent chipping.<br />

Metallic backed <strong>glass</strong> should be fi xed with a non-solvent adhesive. Other colour<br />

backed <strong>glass</strong> <strong>tile</strong>s should be installed with a fl exible, waterproof, non-staining,<br />

white adhesive. Bat Trims also recommend the following tip. When grouting the<br />

<strong>tile</strong>, ensure that the grout is left below the fi re rounded edge of the <strong>glass</strong> <strong>tile</strong><br />

to allow extra light refraction within the <strong>tile</strong>.<br />

Future directions<br />

As local suppliers weigh-up the likely future direction of the market, the increasing<br />

amount of well-priced, good quality <strong>glass</strong> coming from China and elsewhere<br />

will make it more diffi cult for local manufacturers to compete on volume product<br />

lines. By maintaining high quality standards and specialised boutique manufacturing<br />

capabilities, local manufacturers will continue to adapt and develop creative<br />

solutions such as making matching <strong>glass</strong> wash bowls to compliment the <strong>glass</strong><br />

<strong>tile</strong>s or borders they sell. Offering different sizes, custom made products and<br />

colours, will ensure the ongoing success of this creative segment of the <strong>tile</strong><br />

industry.<br />

The advent of <strong>glass</strong> as a decorative material is not new. When <strong>glass</strong> <strong>tile</strong> is<br />

combined with other materials, the result is both interesting and can be economical.<br />

Even adding a <strong>glass</strong> strip or small section of <strong>glass</strong> <strong>tile</strong>, will give a project that<br />

extra touch of class, or rather, touch of <strong>glass</strong>.<br />

ARCTIGLASS<br />

is a stunning new kind<br />

of <strong>glass</strong> which features<br />

three excellent products.<br />

Sugarcubes A pure white<br />

sugar dusted translucent<br />

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Fireworks A refl ective <strong>glass</strong><br />

available in 8 vibrant<br />

colours<br />

Starlights (featured) Which<br />

boasts 7 soft glossy tints.<br />

These products are available<br />

in a variety of sizes. Large<br />

modules of 10 X 10 cm are<br />

supplied loose, smaller pieces<br />

are pre-sheeted<br />

FOR MORE INFORMATION:<br />

HEAD OFFICE<br />

PO Box 4108<br />

DANDENONG SOUTH VIC 3164<br />

+61 3 9792 3638<br />

Fax: +61 3 9794 9114<br />

E-mail: sales@battrims.com

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