advanced violin restoration techniques - International Specialised ...
advanced violin restoration techniques - International Specialised ...
advanced violin restoration techniques - International Specialised ...
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<strong>International</strong><br />
Context<br />
Europe has a long tradition of <strong>violin</strong> making, repairing and <strong>restoration</strong>. As it was impractical<br />
to attempt a traditional apprenticeship in the allocated time, intensive instruction from<br />
some of Europe’s top restorers was the most efficient means of gathering information for<br />
dissemination.<br />
In 1995 the British Violin Maker’s association advertised its’ first Violin and Bow Restoration<br />
Course, to be held from March 31 to April 9 at West Dean College in Chichester. While the<br />
framework of the course had been decided, the content was open to discussion. Daly was<br />
therefore able to request instruction in <strong>techniques</strong> he was not familiar with, specifically plaster<br />
casting, neck grafts and rib repairs. The course offered particularly thorough attention to<br />
these and many other repair <strong>techniques</strong>.<br />
Daly decided to visit the Ashmolean Museum in Oxford to examine the Hills collection of<br />
musical instruments, which includes many famous <strong>violin</strong>s in excellent condition.<br />
Being in Europe presented an excellent opportunity to visit Cremona in Northern Italy.<br />
Cremona is arguably the world’s premier <strong>violin</strong> making centre, and has been since the<br />
17th century. Eric Blot, a highly regarded historian, author, restorer and dealer is based<br />
there, and had agreed to a visit from Daly should he ever travel to Italy. Daly had met Blot in<br />
Australia when he came to lecture at an Australian Violinmakers Convention.<br />
Daly left Australia on the 29th March, and arrived jetlagged and weary at West Dean College<br />
after a long flight and train journey. Two weeks were spent in England and he then flew to<br />
Milan and stayed in Italy for another three weeks.<br />
West Dean College, Chichester Workshop<br />
Nine-day Workshop at West Dean College<br />
The main part of the fellowship comprised a nine day workshop at West Dean College,<br />
near Chichester in England. While West Dean manor is listed as far back as the Domesday<br />
book, the current flint based mansion (the largest flint building in England) was built in<br />
1804. In 1892 the James family acquired the estate which passed to Edward James in<br />
1912. Edward became a patron of the arts, inviting several prominent artists to stay, most<br />
notably Salvador Dali. Edward established the Edward James Foundation, a charitable trust<br />
to support artists. The house was converted to a college of manual arts in 1971.<br />
Today West Dean offers short and continuing courses in subjects as diverse as stonemasonry,<br />
silversmithing, tapestry, conservation and painting, along with many others.<br />
The Violin and Bow <strong>restoration</strong> course was a mixture of formal and informal lectures,<br />
demonstrations, and personal instruction on projects brought by the participants. Daly took<br />
a viola belly to cast along with two <strong>violin</strong>s, one of which needed a new neck; the other<br />
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