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advanced violin restoration techniques - International Specialised ...

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<strong>International</strong><br />

Context<br />

Europe has a long tradition of <strong>violin</strong> making, repairing and <strong>restoration</strong>. As it was impractical<br />

to attempt a traditional apprenticeship in the allocated time, intensive instruction from<br />

some of Europe’s top restorers was the most efficient means of gathering information for<br />

dissemination.<br />

In 1995 the British Violin Maker’s association advertised its’ first Violin and Bow Restoration<br />

Course, to be held from March 31 to April 9 at West Dean College in Chichester. While the<br />

framework of the course had been decided, the content was open to discussion. Daly was<br />

therefore able to request instruction in <strong>techniques</strong> he was not familiar with, specifically plaster<br />

casting, neck grafts and rib repairs. The course offered particularly thorough attention to<br />

these and many other repair <strong>techniques</strong>.<br />

Daly decided to visit the Ashmolean Museum in Oxford to examine the Hills collection of<br />

musical instruments, which includes many famous <strong>violin</strong>s in excellent condition.<br />

Being in Europe presented an excellent opportunity to visit Cremona in Northern Italy.<br />

Cremona is arguably the world’s premier <strong>violin</strong> making centre, and has been since the<br />

17th century. Eric Blot, a highly regarded historian, author, restorer and dealer is based<br />

there, and had agreed to a visit from Daly should he ever travel to Italy. Daly had met Blot in<br />

Australia when he came to lecture at an Australian Violinmakers Convention.<br />

Daly left Australia on the 29th March, and arrived jetlagged and weary at West Dean College<br />

after a long flight and train journey. Two weeks were spent in England and he then flew to<br />

Milan and stayed in Italy for another three weeks.<br />

West Dean College, Chichester Workshop<br />

Nine-day Workshop at West Dean College<br />

The main part of the fellowship comprised a nine day workshop at West Dean College,<br />

near Chichester in England. While West Dean manor is listed as far back as the Domesday<br />

book, the current flint based mansion (the largest flint building in England) was built in<br />

1804. In 1892 the James family acquired the estate which passed to Edward James in<br />

1912. Edward became a patron of the arts, inviting several prominent artists to stay, most<br />

notably Salvador Dali. Edward established the Edward James Foundation, a charitable trust<br />

to support artists. The house was converted to a college of manual arts in 1971.<br />

Today West Dean offers short and continuing courses in subjects as diverse as stonemasonry,<br />

silversmithing, tapestry, conservation and painting, along with many others.<br />

The Violin and Bow <strong>restoration</strong> course was a mixture of formal and informal lectures,<br />

demonstrations, and personal instruction on projects brought by the participants. Daly took<br />

a viola belly to cast along with two <strong>violin</strong>s, one of which needed a new neck; the other<br />

8

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