advanced violin restoration techniques - International Specialised ...
advanced violin restoration techniques - International Specialised ...
advanced violin restoration techniques - International Specialised ...
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<strong>International</strong><br />
Context<br />
Coming from such a geographically isolated country as Australia, Daly found the experience<br />
of being with so many fellow enthusiasts particularly stimulating. Daly recommends this<br />
course to anyone able to make the journey.<br />
Ashmolean Museum in Oxford<br />
The Ashmolean Museum in Oxford was visited in order to view and photograph <strong>violin</strong>s<br />
from the Hill’s collection of musical instruments. Violins in this collection include those by<br />
Stradivari, da Salo, Amati, and Stainer. These instruments are all in excellent condition and<br />
provide a valuable record of how historically important instruments can be restored and<br />
maintained.<br />
While the ‘Messiah’ Strad is not brought out of it’s glass cabinet, it is in an absolutely<br />
original and untouched state and is therefore particularly useful in noting the qualities of<br />
classic Italian varnishes and workmanship. Many of the other instruments may be viewed<br />
individually in the map room whilst wearing cotton gloves. One of the most enchanting of<br />
these was the small <strong>violin</strong> pictured below made by Antonius and Heironymous Amati, in<br />
Cremona 1618.<br />
Some views of a small <strong>violin</strong> by Antonius and Heironymous Amati, Cremona 1618<br />
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