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advanced violin restoration techniques - International Specialised ...

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<strong>International</strong><br />

Context<br />

Coming from such a geographically isolated country as Australia, Daly found the experience<br />

of being with so many fellow enthusiasts particularly stimulating. Daly recommends this<br />

course to anyone able to make the journey.<br />

Ashmolean Museum in Oxford<br />

The Ashmolean Museum in Oxford was visited in order to view and photograph <strong>violin</strong>s<br />

from the Hill’s collection of musical instruments. Violins in this collection include those by<br />

Stradivari, da Salo, Amati, and Stainer. These instruments are all in excellent condition and<br />

provide a valuable record of how historically important instruments can be restored and<br />

maintained.<br />

While the ‘Messiah’ Strad is not brought out of it’s glass cabinet, it is in an absolutely<br />

original and untouched state and is therefore particularly useful in noting the qualities of<br />

classic Italian varnishes and workmanship. Many of the other instruments may be viewed<br />

individually in the map room whilst wearing cotton gloves. One of the most enchanting of<br />

these was the small <strong>violin</strong> pictured below made by Antonius and Heironymous Amati, in<br />

Cremona 1618.<br />

Some views of a small <strong>violin</strong> by Antonius and Heironymous Amati, Cremona 1618<br />

10

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