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2o8 BY DESERT WAYS TO BAGHDAD<br />

silently as time flies, we could almost hear its<br />

moments ticking away. It has been said that we<br />

take no note of time except when we count its loss.<br />

It might be said of all Easterns that they are<br />

unconscious of the time they lose, because they take<br />

no note of it; they live unconsciously up <strong>to</strong> the fact<br />

that, the past being beyond recall and the future<br />

unfathomable, the present only is in our power. And<br />

the Eastern is master of Time because he spends<br />

it absorbing the present.<br />

Meanwhile the berries had blackened, and the man<br />

emptied them in<strong>to</strong> a copper mortar. As he pounded<br />

them he caused the pestle <strong>to</strong> ring in tune against the<br />

sides of the bowl. The child laughed gleefully and<br />

pointed at him ; the stern old man smiled and shot<br />

a proud glance over at us.<br />

" Fiddle away, old Time," rang out the <strong>to</strong>nes of<br />

the metal pestle. It seemed <strong>to</strong> give voice <strong>to</strong> our<br />

joyful derision of Time ; here was Time trying <strong>to</strong><br />

weary us with himself and we only laughed at him.<br />

" Fiddle away, old Time—<br />

Fiddle away, old Fellow !<br />

Airs for infancy, youth and prime,<br />

Tunes both shrill and mellow.<br />

Fiddle away,<br />

Or grave or gay,<br />

For faces pink or yellow-<br />

Scrape your song a lifetime long,<br />

Fiddle away, old Fellow !"<br />

Not a soul moved. Outside in the dusk a stunted<br />

black cow thoughtfully chewed the maize stalks of<br />

which the enclosure round the tent was built, and<br />

ARAB HOSPITALITY 209<br />

a kid rubbed his head up and down against a child's<br />

bare leg. Beyond this the darkness had nothing <strong>to</strong><br />

conceal. We were in the middle of a bare, largely<br />

uninhabited, <strong>desert</strong> land known only <strong>to</strong> a few wander<br />

ing Arab tribes. Outside, the mysterious open vault<br />

of the dark sky with its many hundred points of light;<br />

inside, the mysterious recess of the dark tent with<br />

the fifty-three pairs of gleaming eyes, every one fixed<br />

upon ourselves. Now and then, as a flash of<br />

lightning in the sky at night will expose the imme<br />

diate surroundings <strong>to</strong> view, so a sudden spark from<br />

the fire revealed the setting of the eyes—the solemn,<br />

dusky, Arab faces.<br />

A splutter on the fire as the pot boiled over put an<br />

end alike <strong>to</strong> the tune and <strong>to</strong> the meditations called up<br />

<strong>by</strong> it. The man transferred the ground berries <strong>to</strong><br />

a copper jug and, pouring the boiling water on <strong>to</strong><br />

them, placed this second pot on the hot ashes. We<br />

had been sitting there for an hour watching these<br />

preparations, and it seemed as if we might now<br />

reasonably entertain hopes of tasting the results.<br />

Our expectations in this direction were also enhanced<br />

<strong>by</strong> the appearance of three tiny cups which had been<br />

unearthed from a dark corner, and handed <strong>to</strong> one<br />

of the men nearest the fire. He proceeded <strong>to</strong> rinse<br />

them out one <strong>by</strong> one with hot water, displaying<br />

a care and absorption in the process which contrasted<br />

strangely with the simplicity of his task.<br />

The coffee on the fire came <strong>to</strong> the boil, the coffee-<br />

maker poured it back in<strong>to</strong> the original pot, which<br />

he again set on the ashes. He then handed the<br />

empty jug <strong>to</strong> the cup-washer, who rinsed each cup<br />

14

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