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Georgios Argyratos Remendado<br />
Georgios is a Greek tenor whose voice was called “rich and colorful”<br />
by the Athens News. After acquiring his BA in opera performance from<br />
the Hellenic conservatory of Athens, he moved to NYC to continue his<br />
operatic career. Georgios has performed in the NY area as a SEP member<br />
of <strong>Opera</strong> Manhattan and he also sings with Regina <strong>Opera</strong>, Dell’Arte<br />
<strong>Opera</strong> Ensemble and <strong>Amore</strong> <strong>Opera</strong>. He has also held many leading<br />
roles throughout his career. Gastone in La Traviata, El Remendado in<br />
Carmen, Cavaradossi in Tosca, Nemorino in L’Elisir D’amore, Rodolfo<br />
in La Boheme, Faust in Gounod’s Faust, Duke of Mandua in Rigoletto,<br />
Macheath in <strong>The</strong> Beggar’s <strong>Opera</strong>.<br />
Mark W. Bentley Remendado<br />
Mark performed many roles at <strong>The</strong> Amato <strong>Opera</strong> and frequently<br />
served as Maestro Amato’s assistant director and stage manager. Prior<br />
to <strong>The</strong> Amato <strong>Opera</strong>, Mark performed with <strong>The</strong> Metro-Lyric <strong>Opera</strong> and<br />
<strong>The</strong> Monmouth Civic Chorus, both in New Jersey, as well as for <strong>The</strong><br />
New York City Gay Men’s Chorus, for which he performed the tenor<br />
solo in the NY premiere of Daniel Pinkham’s Fanfares at Carnegie Hall.<br />
Mark is an enthusiastic supporter of <strong>Amore</strong> <strong>Opera</strong> and serves on its<br />
board of directors.<br />
Adam Bishop Technical Director<br />
Adam is a recent graduate of Muhlenberg College in Allentown,<br />
Pennsylvania with a BA in <strong>The</strong>ater. He currently hold positions as a<br />
freelance technician and lives on Long Island.<br />
Mary Bowen Carmen<br />
Mary is a Mezzo Soprano with <strong>Opera</strong> Ireland – Dorabella, Così fan<br />
tutte; New York City <strong>Opera</strong> – <strong>The</strong> Second Lady, <strong>The</strong> Magic Flute; Flora,<br />
La Traviata; Sister Mathilde, Dialogues of the Carmelites; <strong>Opera</strong> di<br />
Zapopan (Guadalajara, Mexico) – Donna Elvira, Don Giovanni; Dayton<br />
<strong>Opera</strong> – Prince Orlofsky, Die Fledermaus; Venice Baroque Orchestra<br />
at BAM – Siroe (Cover), Siroe; Des Moines Metro <strong>Opera</strong> – L’Enfant,<br />
L’Enfant et les Sortilèges; <strong>Opera</strong> Southwest – Flora, La Traviata; Other<br />
roles: Der Komponist, Ariadne auf Naxos; Carmen, Carmen; Cherubino,<br />
Le Nozze di Figaro; Concert Soloist: Carnegie Hall – Beethoven’s<br />
Mass in C; Trinity Church, NYC – Concerts at One series; Lima Symphony<br />
Orchestra – Mahler’s 2nd Symphony.<br />
Maurizio Casa Don Jose<br />
Maurizio, a tenor, attended the Mannes School of Music in New York.<br />
He has performed Rodolfo (La Boheme) in <strong>The</strong>ater Nordhausen in<br />
Germany, Alfredo (La Traviata) with Teatro Capranica in Rome as well<br />
as the Duke (Rigoletto). Also in Germany, he performed the Duke with<br />
the Orpheus Ensemble, Tamino (Die Zauberflöute) with the Frankfurt<br />
<strong>Opera</strong>, Contino (Crispino and Contino) in Maxlrain, Germany. He has<br />
also performed Ferrando (Cosi fan tutte) in Tel Aviv at the IVAI festival.<br />
Oratorio soloist credits include Mozart ‘s Requiem, Handel’s Messiah<br />
(Amadeus Orchestra in Italy) and the tenor solo in the Messe von<br />
Cimerosa with the Vatican Chorus.